The Sound of Revenge

Artist: ChamillionaireTitle: The Sound of RevengeRating: 3 1/2 StarsReviewed by: Bill “Low-Key” Heinzelman The city of Houston has owned Hip-Hop the past year. From the mainstream success of Paul Wall, Slim Thug and Mike Jones, to the overlooked releases of the Geto Boys and Z-Ro, H-Town is officially the newfound hotbed of Hip-Hop. But for […]

Artist: ChamillionaireTitle: The Sound of RevengeRating: 3 1/2 StarsReviewed by: Bill “Low-Key” Heinzelman

The city of Houston has owned Hip-Hop the past year. From the mainstream success of Paul Wall, Slim Thug and Mike Jones, to the overlooked releases of the Geto Boys and Z-Ro, H-Town is officially the newfound hotbed of Hip-Hop. But for all of its crossover success, the city has also been hit with its fair share of criticism. Excluding the legendary Geto Boys (of course), Houston’s artists have quickly become pigeonholed because of their one-dimensional rhymes of – you guessed it – candy paint, diamond grills, fo fo’s and boppers. (Feel free to insert your own Houston lingo) But for those thinking they have heard everything Houston has to offer comes the mixtape messiah Chamillionaire, who is ready to tear down such misconceptions.

As a veteran of the Dirty South mixtape game, Chamillionaire has possessed a fanatical cult backing since his days running with Paul Wall and The Color Changin’ Click. Now after years of grinding independently, Cham’s major label debut, The Sound Of Revenge (Universal), is finally here. While he embraces the Houston culture, Cham is out to show a different side of Texas emcees. What immediately draws you into King Koopa’s world is his distinct and intriguing voice, as well as his complex rhyme scheme, particularly the way he effortlessly changes tempos and styles. But beyond all the flash lies his ability to provide cunning lyrics and conceptual material rarely seen from today’s crop of Houston emcees. This is seen throughout The Sound Of Revenge, as Chamillionaire reinforces that the South can indeed rap.

While the album’s lead single, “Turn It Up,” may give you the wrong impression, as Cham water downs his lyrics in order to strike it rich, The Sound Of Revenge is packed with substance. “Void In My Life” finds an introspective Cham looking inside himself and the world around him, as well as delving into his childhood being raised by his Christian mother and Muslim father. As Cham states, “Your father says he’s a Muslim, Mother says she’s a Christian/The Bible or the Quran, which one would you be pickin?” Cham continues to reflect on his struggles with “Rain,” which features the legendary Scarface. Over producer Sol Messiah’s sleek piano keys, the two form an immediate chemistry, which results in a gloomy but uplifting track. With the two aforementioned songs showcasing Chamillionaire’s creativity, efforts such as “In The Trunk,” “No Snitchin'” and “Frontin'” display his lyrical dexterity and hook making ability. Drawing comparisons to 50 Cent, Cham’s knack for the construction of addictive and harmonized hooks further sets him apart from his Southern counterparts

With only two missteps – namely, “Peepin’ Me” and “Think I’m Crazy” – The Sound Of Revenge lives up to the hype. While the overload of guest appearances may turn some fans away, all of the collaborative tracks thankfully work well, as Cham effortlessly blends his guests into his environment. If you thought Houston emcees were only concerned with flaunting materialistic objects, Chamillionaire is here to show you a different side. With concentrated attention towards lyrics, creativity and substance, King Koopa destroys the misconception of a Texas rapper. Revenge never sounded better.