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By Donyel Griffin
 Just because the rap universe took a few steps toward materialism and shiny suits, does not mean that Hip-Hop was not fully represented and in motion. The labels dominating Hip-Hop were shifting and artists were definitely becoming more open-minded. For the first time your favorite rapper wasn’t afraid to test the commercial imits. For some reason (thanks Pac), almost every rapper wanted to release a double CD. Unfortunately Hip-Hop was growing more egotistical and soon we’d tragically lose two of our most influential and promising MCs and artists. Soon enough their peers were either expressing homage to them or new artists were jacking their style. It seemed after years of successful rap groups came the emergence of the solo artist, along with the decline of the "shared" limelight. The solo careers of Big Pun, Jay-Z, DMX, Lauryn Hill and Busta Rhymes are only a few of the milestones that diversified the Hip-Hop scene. Reflecting back on the first time you heard Reasonable Doubt, The Score, or All Eyez on Me, or any other album that is forever etched in your mind, brings a sense of timeless nostalgia. In a last spin before we hit the ‘00s, we look back at 1996 to 1999. 1996• High school friends Brian Brater and Jarret Meyer establish Rawkus Records. • February 13, 1996 – All Eyez On Me, one of the most anticipated Hip-Hop albums thrusts Tupac further into the limelight proving no one can blend street poetry, party anthems, vengefulness, and hope into an album like ‘Pac. “California Love”, “I Ain’t Mad Atcha”, and “How Do You Want It” were a few of the big hits. • February 13, 1996 - The Fugees, second album, The Score, multiplies their fanbase and gains them notoriety with monster hits like “Ready or Not”, “Fu-gee-la” and “Killing Me Softly” . Special attention is shed on the lyricist/songstress, Lauryn Hill (now “Ms. Hill” to you). [ The Fugees "Fu-Gee-La"]
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