CANADA WEEK 2008

“Doing great” is a position STILL relatively unheard of in the Canadian Hip-Hop bizz.   Nova Scotia’s Classified however, a name steadily hot on everyone’s tongue throughout his almost 15 year career, can realistically boast the status.  Steady on the grind in mind and time, Class has spent more than the last decade of his young life putting Halifax and Canada on Hip-Hop’s global map.  And he hasn’t run out of ideas yet!

 

Listen to any of Classified’s albums from While You Were Sleeping all the way back to Time’s Up- and you can tell that he’s a man of both style and substance, drawing on personal encounters rather than rented Benz’ and always embracing of his Eastern Canadian heritage.  His up-and-coming works (read on for details!) are promising to be even more exciting for fans East, West and beyond, with the very influential incorporations of live instrumentation and fresh parenthood shaping Classified’s sound.

 

“Cats are killing me Luke
Thinking life’s like a video shoot
They ain't spittin' the truth”
“True, I got a similar view
But I guess that's the damage the industry do
I'm 28, unemployed, a grown ass man
Still trying to rap with no fall back plan.”
--Classified & Maestro Fresh Wes, Hard to be Hip-Hop, While You Were Sleeping, 2007

 

 

 

AllHipHop.com: Not sure how much you want to delve into the personal, but congratulations on the awaited new arrival!  Is there anything you want to elaborate on about that experience?  What has it been like for you? How has it shaped your creativity, your sound, your plans?  

 

Classified: Not so much yet; [but] I’m really excited about it.  I just think it will bring a lot to life and more meaning to life, and of course once we have the baby it's going to shape my music. I write about life and what I’m going through and that's going to be a big step so I’m sure it's going to come out in my music.

 

AllHipHop.com: You toured for your last album through the starting months of the year--- did being full on at work grinding and touring jumpstart you creatively into 2008?

 

Classified: Actually, I think it slowed it down a bit. [Laughing]  I was halfway done my new album when we took off for that tour, and usually when I'm working on my records I like to stay in the studio for almost ten months straight and just focus on the recording/writing and nothing else.  So after I got back from that tour it took a few weeks to get back into the swing of everything but it's on now!  Got the album almost done and it's sounding crazy—a lot of different s**t I tried on this album.

 

 

 

AllHipHop.com: What do you have in the works for the remainder of 2008? How are you looking to round out the year?

 

Classified: Well, [I’m] just working on a deal for my new album, The Day Before Tomorrow.  [We’re going to focus on] Canada [with it] but more importantly we’re going international as well.  We're going to have a big team behind us and try to take everything to that next level.  For the rest of ‘08, finish up my album, having my first baby, and then back on the road.  Oh and in between all that, producing for a bunch of other cats.

(Hip-Hop, Hip-Hop) is my fate, whether or not you relate/ It doesn't make a difference, either way Class is doing great

--Separate the Music From the Gimmiks, Boy-Cott-In the Industry, 2005

AllHipHop.com: Is there any new direction you're going in this year, writing or production-wise?  Any new risks you're toying with?

 

Classified: Yeah, quite a bit actually!  Still coming with that boom-bap sound, but using A LOT more live instruments.  I've had a sax player in the studio, a flute player, a lot of guitar and bass players, etc.  The album right now is called The Day Before Tomorrow, but that could change in the next week! [Laughing]  Who knows.  I usually don't name my album until everything is done.

 

AllHipHop.com: Do you have a theme for this album you're working on?  How different is it vibing out with all the people and live instruments as opposed to more solitary studio work?  

 

Classified: [There’s] not really a theme to the whole album, but I find most of my songs have something to do with timing: old days, things to come…plus with the interludes as a "day in the life of"—it’s all about today—which is “the day before tomorrow.”  For [recording with] live instruments, it wasn’t a whole lot different.  I really looked at it the same way as going through records: I'd have them play the guitar or flute for three and a half minutes over a drum beat, then I'd go back and listen to parts I liked and sampled them that way.

 

AllHipHop.com: What about collaborations for the album?  Must be full up.

 

Classified: I just did a song with Joel Plaskett (local rocker from the Maritimes) and we did some really different s**t that just feels great!  I got a track with Choclair and Maestro on there and am working out something with K-OS and Saukrates, hoping to have that done in time.  And I got some next level s**t too!  I didn't want to do skits on this album, so I did a “day in the life of Classified” throughout [it]—but it's all choose your own adventure! (Remember those old books as a kid?)  So you start with me waking up, then if you want to go to the city, go to track 8.  If you want to go for a…bike ride, go to track 10.  And the listener basically deicdes where they want to go.  So I’m definitely trying a lot of different s**t, but still sticking to my formula—most of the time! [Laughing] 

 

AllHipHop.com: Anybody you've worked with or plan to work with that you're particularly excited about?  

 

Classified: S**t [all of the] above.  Choclair and Maestro, Joel Plaskett, just working on a track right now with Royce 5’9, my local partners, J-Bru, Mic Boyd, Chad Hatcher, White Mic, Jay Bizzy, etc.

 

AllHipHop.com:  What do you foresee, vs. what do you hope for, for the Canadian Hip-Hop scene?  What have you personally seen as an example of a hindrance to that ideal situation happening?

 

Classified: I see a lot of the same s**t happening.  I almost feel like ten years ago, the Canadian industry side of things was a lot more stable.  Don’t get me wrong—I think the Canadian scene (the art, not the business) is on point—more than ever.  There is so much great music being made in this country; it's just not getting out there enough yet.  I think with Kardinal coming out [with an album] soon that might change everything. He's got a HUGE hit on his hands right now and people are noticing and paying attention, so it'll be great to see how that works out.  [He] could do a lot for Canadian Hip-Hop, hopefully get people to open their eyes a bit and see what we're doing.

 

AllHipHop.com: You said the Canadian business side of things is not totally on point.  What needs to be done in your opinion to get it there? 

 

Classified: More businessmen and women and not rappers’ friends, more structure to putting out a Hip-Hop record. 

When someone releases a rock record in Canada, they know what to do. 

They know where and when to service the single, what radio stations to hit, what publicists to use to get good press, etc. etc.  With Hip-Hop, it’s “try this”, and if that don’t work, “try this next time around.” 

So just more structure, more business-minded people and even more hard work and dedication to this s**t.

 

AllHipHop.com: How have you seen your own impact take shape in Enfield, Halifax and beyond?

 

Classified: Yeah definitely.  With Enfield…s**t it was only me and four other people that listened to Hip-Hop here.  So, just with Hip-Hop [itself] growing and becoming so big over the years, there are a lot more people in Enfield that listen to Hip-Hop—but still, not so many artists.  I think our population is like 3,000 or so, so it’s a small place.  But in Halifax, there are so many artists working and making great music, I think even just with me and my crew out touring, releasing albums, doing videos…it just kind of shows people that it is possible to do this music thing.  It’s a ton of f**king work, but if you’re down to do it, then you CAN get your music out there.

 

AllHipHop.com: A lot of your tracks have this underlying message about a continual effort to see the truth and maintain the truth in our perceptions of things (like the music industry).  This many years and albums in, do you find it easier or harder to "maintain your own truths"?

  "I could give two s**ts about being cool; I’m a lot more comfortable being myself." 

 

Classified: Way easier!  Growing up, I always felt like there were certain things you can say and certain things you can't, because it wasn’t “cool.”  But now I could give two s**ts about being cool; I’m a lot more comfortable being myself.  [And that] makes it easier to write music and makes the music more authentic.

 

AllHipHop.com: All-time favourite Canadian rapper?

 

Classified: Hmm…Tie: Maestro Fresh Wes and Saukrates.

 

AllHipHop.com: Favorite non-Hip-Hop musician?

 

Classified: Right now, John Mayer.

 

AllHipHop.com:  And finally, how are you celebrating Canada Day 2008?

 

Classified: Like almost every other Canadian: a beer, a blunt, and hanging with friends and family. 

 

AllHipHop.com: Any last words, wishes or shout outs? 

 

Classified: Just big up to everyone who's checking for the music and to all the artists making music that is real to them! 

 

 

Jessica Linnay is an Associate Editor of HipHopCanada.com

http://www.HipHopCanada.com