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Tha New LI: Mud Rap Creators And New York’s Next Wave 🌊🎤
Aug 23, 2025
Amityville, Long Island is birthing a new movement in hip-hop. Ya Boi L.I.V.E and Natti Kasablanka, together known as Tha New LI 🏁💯🏁, are repping with a sound they call MUD RAP—a raw blend of Golden Era Hip-Hop vibes and today’s high-energy grit. Coming from opposite sides of town, the duo brings storytelling, authenticity, and undeniable chemistry. They’re not chasing clout—they’re carving out their own lane. Long Island has produced legends before, and Tha New LI is putting in work to earn their place in that conversation. This isn’t just rap. It’s a movement. DJ Thoro checks in from WonWorld Studios. 👉 Tap in, subscribe: https://www.youtube.com/c/allhiphoptv?sub_confirmation=1 #YaBoiLIVE and #NattiKasablanka #ThaNewLI
View Video Transcript
0:05
You know what it is, man. It's DJ
0:06
Thorough. Welcome to another edition of
0:08
AllHip Hop. Shout out Chuck Greek Murf.
0:12
Shout out my partner Boy Wonder. You
0:13
know how we do. We live from One World
0:15
Studios. You're watching allhip
0:16
hiphop.com. I got two special guests in
0:19
the building, man. Introduce yourselves.
0:21
Yeah. Yeah. Your boy live. Naughty
0:23
Kasablanca. It's the new li.
0:25
The new li. Why? Why are we Why are we
0:29
going with that title, the new Li? What
0:31
was What's wrong with the old Li?
0:33
Um, out with the old, in with the new.
0:35
It's not so much that something wrong
0:36
with the old Li. We just haven't had an
0:39
upto-date success story in the way.
0:41
We got we got classic. I mean, come on.
0:43
We got Rock Kim.
0:44
Yeah, let's do the Let's do the
0:45
knowledge.
0:45
Public Enemy, EPMD, Biz Mark.
0:49
Yeah, let's go. You know, Buster, Chief
0:51
Murray, I mean, we got Murray, Prodigy,
0:53
Prodigy.
0:54
A lot of energy. A lot of energy. But we
0:56
just haven't had all those guys that we
0:58
just named, they they done had they they
1:00
impact. They, you know, they the some of
1:02
the reason why we wanted to rap, you
1:04
know what I mean?
1:04
And I have to mention this cuz this is
1:06
one of my favorite um MC's that often
1:08
get overlooked. And he's from Long
1:09
Island. Granddaddy IU.
1:11
Yeah. Yeah. For sure.
1:12
Smooth assassin.
1:13
For sure. I mean, there's a lot more
1:14
success. I go to Shanti, you know, Billy
1:17
Joe,
1:17
JVC force,
1:18
you know what I'm saying? Like we It
1:19
don't even got to be hip-hop, but Daddy.
1:22
Yeah. But we need we need we need that
1:24
new. So that's what we bringing. The new
1:25
LI.
1:26
The new LI. I love it. I love it. All
1:28
right. So, speaking of the new LI, let's
1:30
jump into the music, man. What are we
1:32
promoting? What do we have out? Talk to
1:34
me about it.
1:35
All right. Well, right now, um, the new
1:36
LI project we got actually is dropping
1:38
on July 16th.
1:40
Okay. July 16th.
1:41
Yeah. We got the first single and video
1:42
out right now. Kasa Blanca is way too
1:46
real. And, uh, we actually dropping the
1:48
second single uh, actually next week on
1:50
the 25th, June 25th.
1:52
Right.
1:53
That's called Talk to Him.
1:54
Okay. Now, let's talk about the
1:55
Kasablanca um too. I I saw that video.
1:58
It's a nice video.
1:59
Yeah, pretty man. We got some cool guys.
2:02
That's a dope video.
2:04
It's a dope video.
2:05
Shout out to the BBS boys.
2:07
I stand corrected. It's a dope video.
2:10
It's some cool cars in that video, man.
2:12
For sure.
2:13
Nice fashion. You had the furs on the
2:15
whole look, man. um why why is it
2:17
important that you you're to um maintain
2:19
a certain um I don't want to use the
2:21
word image but a certain um a era of of
2:25
a visual a visual era like you know what
2:27
I mean in terms of the look that certain
2:28
look you know what I mean
2:29
cuz we come from the golden era of
2:32
hip-hop you know what I'm saying so that
2:34
whole 90s era like that's what made me
2:37
who I am today
2:38
okay
2:38
yeah so you know like my name Casablanca
2:42
it was naughty before that was illat
2:45
right but I took it from like Nas Nasty
2:48
Nas and Nas the Nas Escobar.
2:50
Okay.
2:51
You know, we epitome of rap,
2:53
but we coming from Long Island. We just
2:55
bringing that heat,
2:56
right?
2:56
The mud rap as I call it.
2:59
Right. Now, how long have you um It's
3:01
two-part question. You can each answer
3:03
it. How long you been into hip-hop?
3:04
Like, when did you first get involved
3:06
with it? The culture
3:09
since Run DMC Walk This Way.
3:11
Walk this way.
3:13
Okay. You know,
3:14
that was your first uh memory of hearing
3:16
a hip-hop record.
3:18
That was my first memory of falling in
3:21
love with it.
3:21
Falling in love with it. Okay. What was
3:23
the first piece of vinyl or tape that
3:25
you had
3:27
that was hip-hop?
3:28
Big Daddy Kane.
3:29
Big Daddy Kane.
3:30
Yeah. He was my first favorite rap.
3:32
First favorite. I'll tell you mine. It
3:34
was the Fat Boys.
3:35
My mother bought me a Fat Boys tape.
3:37
I think I did have a Fat Boys tape at
3:39
one point. I I do remember stick them.
3:44
I had a couple pieces of vinyl. My I had
3:47
the Humpty Dance.
3:48
Oh wow.
3:49
Underground that on vinyl for sure. Um
3:54
and I actually had a MC Hammer uh
3:56
record. Don't ask me how those two like
4:00
Hammer was dope, man. People don't get
4:02
Hammer.
4:02
Yeah, he was a gangster, too.
4:04
Hammer was dope, man. We compared to the
4:06
garbage that's out now. He was a success
4:08
story before we was having those type of
4:10
success.
4:11
And he got crucified. Everything
4:13
everybody praised now and worship now,
4:15
he got crucified for it. Commercial,
4:18
McDonald's commercials, Sprite
4:20
commercials. This the whole
4:22
commercial.
4:22
If you think on it though, it's got that
4:24
that people would look down on that
4:27
instead of like trying to figure out how
4:29
Well, at the time, hip-hop was more in
4:31
the purest form. They didn't want to
4:33
Yeah. Yeah. Yeah. He wasn't dancing.
4:34
They didn't want to conform to white
4:36
America. I'm just saying.
4:38
No, it was Yeah, you're right.
4:40
That's just just not what it was.
4:41
A sense of realism that was coming with
4:43
the Yeah. Yeah.
4:44
And and and in part, I do get it because
4:46
now when you when you when you conform
4:48
to to their to their standards, the
4:50
music got compromised.
4:53
Yeah.
4:53
Yeah. Changed.
4:55
It's like a catch 22. You know what I
4:56
mean? You want to know, you want to
4:58
elevate, you want to get financial
4:59
success and, you know, have a better
5:01
life, but it comes with a sacrifice of
5:03
giving something up off the, you know
5:05
what I mean? Like,
5:05
yeah. So
5:06
yeah, but yeah, that but that's life.
5:08
Yeah, that's you got something for
5:11
something sacrifice.
5:12
Yeah, it's it's a fine line or whatever.
5:14
Yeah. So, um what was the thought
5:17
process behind this project? Let's talk
5:19
about some of the tracks on the on the
5:20
up andcoming project.
5:21
Oh, well, it really was just like just a
5:24
a combination of just just just energy.
5:27
It just kind of was organic, you know?
5:28
We we kind of you know, we we from the
5:31
same town, just two different sides of
5:32
town, you know. Amville, right? Yeah.
5:34
Amityville. You know what I'm saying?
5:35
hard and wild. So you
5:36
Is the house still there?
5:37
The house is still there. They try to
5:39
remodel it somewhat, you know. So if you
5:41
if you don't really know, you might walk
5:43
past it, but we know, you know. And
5:45
people still gravitate towards like when
5:47
Halloween comes and all that, you know
5:48
what I'm saying? People will go and
5:50
stand out there and take pictures, bro.
5:52
You know, so but that's that. But um
5:55
yeah, so you know, like I said, you
5:56
know, we we we just naturally, you know,
5:58
like I said, we've been sharing the same
6:00
space for a while. And then, you know,
6:01
we was always talking about working
6:02
together, you know, but it just, you
6:04
know, it just wasn't happening. And then
6:06
one day it just that conversation came
6:07
up again. And you know, I shot a record,
6:11
he, you know, shot the verse back. We
6:13
laid it down, you know what I'm saying?
6:14
Then vice versa, he shot me one, sort
6:16
of, you know, and then that happened and
6:17
we seen what we came out with.
6:19
It was like, okay. You know what I'm
6:20
saying? We got something here, you know?
6:22
Right. So what's the response been like
6:23
for the first single year you put out
6:25
with the um Kasablanca
6:26
Kasablanca wave too. Yeah. Now it's
6:28
rolling. The bro right here was spitting
6:29
hot fire. Hot fire like Dine, right? Hot
6:32
fire. You know what I'm saying? I'm on
6:34
the hook. You know what I'm saying? I
6:35
get you through. But the bro right here
6:37
spitting that fire. But yeah, it's been
6:38
a very good response. You know what I'm
6:40
saying? It's a high energy track. You
6:42
know what I mean? We got a little uh
6:43
sample that we use from like a rock Kim
6:46
record. So, you know, those that's
6:47
familiar, you know, they catch on to
6:49
that. I'll do even if you want even
6:50
better cuz I like to educate. It's
6:52
athletes roach clip. That's the name of
6:53
the record.
6:54
Oh yeah. Well, see he took it original.
6:56
That's the original beat.
6:57
Yeah. Yeah. So, you know.
6:58
Yeah. Well, everybody says the Eric Beck
6:59
beat, but it's technically not their
7:01
beat.
7:01
No, you got you. You got me.
7:03
You know what I mean?
7:04
But, um, yeah. So, that happened and
7:05
then, you know, we we next thing you
7:07
know, we just kept recording, you know,
7:08
coming up with things
7:09
and then, you know, next thing you know,
7:10
we had a whole bunch of songs in front
7:12
of us. You know what I'm saying? And
7:13
then, uh,
7:14
you know, we we had a little situation.
7:15
we bumped into this producer and and we
7:18
got a certain sound from that producer.
7:20
It kind of was like we was like our
7:22
thing is like old school vibes with new
7:23
school flows, right?
7:24
So, a lot of that production that we
7:26
found from that specific producer, you
7:28
know what I'm saying? It it was kind of
7:30
like that, you know, right?
7:31
So, we jumped on it and then we end up
7:33
picking like the eight tracks that we
7:34
felt,
7:35
you know, was the strongest, right?
7:37
And, you know, that's that's what
7:39
I'm glad you brought up sound because
7:40
far too often that goes unlooked. A lot
7:42
of people don't concentrate on actually
7:44
having their own sound. They just want
7:46
to sound like what's going on.
7:48
So, how important
7:50
and that's the problem with hip-hop
7:51
right now, the state of hip-hop. No one
7:54
um makes a a creative effort
7:56
to say, you know what, that's dope what
7:58
they're doing,
7:59
but I want to do a different sound, but
8:01
I can still coexist and be dope, but I
8:03
don't want to do that sound. I don't
8:04
want to do those BPMs. I'm going to do
8:06
something else completely different. I'm
8:07
going to do a whole new rap pattern. A
8:09
lot of people are not approaching music
8:10
like that. They're just going like, "Oh,
8:12
that's what work. That's the number one
8:13
record." Yo, producer, give me a song
8:15
like that.
8:16
You know why I thorough? Because they
8:17
don't have the love for it.
8:19
Say it again.
8:19
They don't have the love for it.
8:21
Well, they're not creative being
8:23
certain. You know what I'm saying? You
8:25
got to have you got to be in it to win
8:27
it. Clocked in for the win. You got to
8:31
the [ __ ] You got to live and breathe
8:33
it. You can't just flick on a light
8:35
switch and be like, "Oh yeah, I'mma do
8:36
it today."
8:36
It should come natural to you. like you
8:38
know the to be original whatever your
8:41
original is right you know cuz it might
8:43
seem left field to whoever but if that's
8:46
purely you you know what I mean you you
8:49
know so that's that's what it is some
8:50
people I guess they don't know how to be
8:52
original you know we come from when you
8:54
can't bite like there's rules right
8:56
you got to be organic like back in the
8:58
day the golden era you when somebody
9:01
spit you knew exactly like oh no
9:04
something different who's who and what's
9:06
what
9:06
you knew exactly
9:07
so if that's effects did that bump
9:08
stickly bum and then you had um Captain
9:12
Poo put over here doing the same thing.
9:13
You going to be like, "Wait a minute,
9:15
fam."
9:15
Back in the day, you couldn't get
9:17
Yeah. You couldn't pull it off, right?
9:19
Yeah. Unfortunately, we're in a
9:20
different era. People can get away with
9:22
it now. You know, there's no
9:23
accountability for mimicking or biting
9:25
blatantly. It's just it's just anything
9:27
goes
9:28
to the point where you got people from
9:30
New York sounding like
9:31
they're not from.
9:32
Somebody cooks spaghetti and they just
9:34
put a little bit more marinara on it
9:36
than you did. I I I always say make the
9:38
I always say make the music you want to
9:39
hear.
9:41
That's what I say. Just do do what you
9:43
want to hear. That's that's how I
9:44
approach music when I'm making beats or
9:45
whatever
9:46
cuz people got to realize everything you
9:48
do ain't for everybody. That's where
9:49
people go wrong. Trying to please
9:51
everybody. Just stick to your core.
9:54
That's why they have genres of music.
9:56
Like this is what I do. You don't like
9:58
it? Cool. It wasn't for you.
10:00
I'm not going to change and say, "Well,
10:01
what do you like?" Okay, I'm going to
10:02
start making beats like that. Nah, that
10:04
ain't I don't Now I'm now I'm making
10:05
[ __ ] I don't like.
10:07
For you,
10:08
it's okay to be versatile and to be able
10:11
to do
10:12
different things cuz you know that shows
10:13
your skill set as an artist.
10:15
You got to have range. You got to have
10:16
range. You know what I mean? But you can
10:18
still be true to yourself.
10:19
But yeah, where's your lane?
10:20
Where's your lane? You gota you got to
10:21
have a sound, man. Cuz
10:23
everybody sounding the same. Why do I
10:25
need to listen to you if you sound like
10:26
everybody else?
10:27
I mean, it just kind of doesn't make it
10:29
exciting. You know what I'm saying? You
10:30
be excited to hear the new. That's what
10:32
it's about. The new you know your
10:34
favorite artist. What's he going to do
10:35
new? You know what I mean? Yeah.
10:37
Right. So, speaking of favorite artists,
10:38
who are some of you guys favorite
10:39
artists? Like right now, I'll just say
10:41
right now and overall in general, like
10:43
who you who are you guys listening to
10:44
currently? Like
10:45
um I listen to uh I listen to ESTG.
10:50
Okay.
10:50
I mean um I listen to the new Slick Rick
10:53
album that
10:54
It's funny you said that. I was just
10:55
listening to it.
10:56
That Landlord Jun Landlord record.
10:58
Yeah. I I I was listening on YouTube
11:01
listening to his album. Yeah.
11:02
Um but yeah. Um
11:05
a lot of people don't even know Slick
11:06
Rick dro dropped the album. If you
11:07
didn't know, he has a new album.
11:09
You got to really be in tune because
11:10
it's different now.
11:11
It's different now. You got to go out
11:13
and look for it and search for it.
11:15
Artist like that. You you you really
11:16
survive off your real fan base because
11:19
you know, you're not in the spotlight
11:21
like you were at a certain point in your
11:23
career. But you know what I mean? But
11:25
that music that music is still strong.
11:27
But um yeah, outside of that [ __ ] we've
11:29
been listening to ourselves cuz we
11:30
gearing up right now, you know what I
11:32
mean? But you know, there's a lot of
11:33
people influence wise like you know, we
11:36
always talking about Mob Deep, you know,
11:37
the Nazis, Biggie, you know what I mean?
11:39
Things like that, you know, heavy
11:41
Jamaican influences. You do a lot of
11:43
that, you know, like Mike Dougu, you
11:45
know what I'm saying? Bounty Killer, you
11:47
know, so we all over the board with
11:48
music,
11:49
right?
11:49
Yeah. It just depend how you feel for
11:51
the day. Like, you know,
11:52
super cat rapper and Betty's my baby.
11:54
Yes.
11:55
Bullets play piano. your back goes
11:57
crazy.
11:58
[Music]
12:00
He's like mad collective and calm and
12:03
subtle when he rhymes. It's dope.
12:04
He's a st
12:05
like like a Eric Sherman. Like a
12:06
laidback
12:08
like real real calm and collective. I
12:09
like that.
12:10
He's a star.
12:10
I like that. No, I love collective
12:13
naughty blanc.
12:15
Like it's mad dope collective calm
12:17
rappers like Rock, Granddaddy How You,
12:20
Eric Sherman.
12:21
Dudes is mad smooth. You know what I
12:23
mean?
12:23
Don't let it fool you. Don't let that
12:25
smooth taste fool, you know.
12:26
No, I like me personally again that's
12:28
that's the style of rap that I like.
12:30
Yeah. Know what I mean?
12:31
I like it cuz I again that falls under I
12:33
don't want to hear everybody the same
12:35
tone and
12:36
you just grab a [ __ ] by a shirt and
12:38
just keep punching them.
12:39
Right. I like smooth. I like hard. It
12:40
depends. You know what I mean?
12:42
That's like Onyx. I don't want to hear
12:43
Onyx rhym smooth.
12:45
Right.
12:45
Yeah, that
12:47
I want to hear them do them.
12:49
Same thing. I don't want to hear Rock go
12:52
right
12:54
not doing Rock and So that's what I
12:57
mean. I like everybody
12:59
do that.
13:00
You see how they still giving Mara love.
13:01
You see how just bored him out on a
13:04
joint the other day. BET Awards. Who
13:06
that?
13:06
Mariah Carey.
13:07
Yeah. I mean as you should.
13:09
Yeah. She she she got a record right
13:11
now.
13:11
Who didn't who did who was not
13:12
influenced by Rock Kim?
13:14
Yeah. That was a good look all these
13:16
years later. My favorite rock Kim song
13:18
is know the ledge.
13:19
No the ledge. My favorite one is Eric
13:23
Beus President. I still remember see
13:25
when this is certain songs you remember
13:27
where you were when you heard it. Like
13:29
even Wuang
13:31
I remember I was on the highway going to
13:32
Atlanta when I first heard my boy had
13:34
that tape and I'm like
13:35
you played like oh this [ __ ] is dope.
13:37
I got I got a story about
13:38
I remember that.
13:39
Wuang right.
13:40
You mean so
13:41
Protect Your Neck was the first single
13:43
was just dropping. So I was a little
13:44
late to the loop. I had a homie at the
13:46
time. So, you know, we was all battling
13:48
like to see who who was up on the the
13:49
latest, right? The videos, the song,
13:51
whatever it was. I kind of was a little
13:53
late to the Wuang, you know, for some
13:55
reason. So, you know, we were a little
13:56
broke. We young at the time. So, the the
13:58
the record store, I want to say maybe
13:59
about a good five miles or something
14:01
from where I live at. So, we troop over
14:03
there. We troop over there just so he
14:05
could show me cuz at that time, you
14:07
know, this they had the wigs, so the
14:09
tapes was in order from top to bottom.
14:11
W's at the bottom single just so he
14:13
could point it out to me and prove to me
14:15
like what was happening. It was the
14:16
white case with the black
14:19
and we ain't even had the money to grab
14:20
that at the time. You know what I'm
14:22
saying? But just just to go see
14:23
Well, you got a story too about the
14:24
Wuang album, right? When you when you
14:26
first heard it when you when you in in
14:28
school or whatever, he was telling me
14:30
sort of similar like he brought it,
14:32
nobody knew what it was or whatever.
14:33
Yeah. And then after that [ __ ] I've
14:35
been I'm a Wu Tang affiliated boy. You
14:37
can't tell me nothing.
14:39
You like what?
14:41
It was different. And then that video
14:43
came over.
14:43
You know what's crazy? I always tell
14:45
people to me, you got to be in your own
14:47
role. Like Wuang was in their own world.
14:49
Think about when they came out. Nobody
14:50
was doing karate, right?
14:52
And speaking um the 5% language like
14:55
that and and like combination
14:57
they was in their own world. Naming Sha
14:59
um Staten Island Shaolin and everything
15:02
with like they was in their own world.
15:04
If Ghost Face never showed his face,
15:07
he well that was the plan. But he said
15:08
the mask got too hot.
15:10
But I'm just saying if he never showed
15:12
it and then he would have showed it like
15:14
when the 50 years of hip hop cuz I went
15:16
to that at Yankee Stadium and he showed
15:19
his face then he could even threw a
15:21
concert and was like yo I'm unrevealing
15:23
my face at this concert. You know how
15:25
much
15:26
I didn't laugh.
15:28
I'm just saying, you know,
15:30
tickets back then was like what? $50,
15:33
$75 the most.
15:35
Yeah.
15:35
They would have I would have paid 150 to
15:37
see Ghost Face unreveal his mask at a
15:40
concert.
15:40
A long time with with wearing a mask.
15:42
Yeah. Shout out shout out to the Woo,
15:44
man. Like those that's one of the, you
15:46
know, greatest groups of our time, if
15:47
not the arguably the greatest group.
15:49
Yeah. No, if you know, you know. And
15:52
that's just what that is.
15:53
Yeah. So like there'll never be another
15:55
Wu Tang, man. Just like there never be
15:56
another Michael Jackson. Like you're
15:58
never gonna get 10 people in a group
16:00
that don't sound alike that all went
16:02
gold and platinum separately. It's never
16:06
nowadays.
16:07
It's just the way the game is kind of
16:08
structured now too. They they you have
16:10
to have something really excit you know
16:13
something so that undeniable to have
16:16
that many people come to the table
16:17
and they're individually different.
16:20
They had their own identity. Every last
16:21
one of them.
16:22
Yeah. Yeah.
16:23
And they all that's this is a fun fact.
16:25
Everybody went gold and platinum
16:27
separately. Not not the Wuang albums.
16:29
I'm talking about
16:30
their solo album.
16:31
The Wuang launched to everybody and then
16:33
everybody caught
16:34
that's never happening no more.
16:36
Nah.
16:37
And then they came back.
16:38
Yeah.
16:38
And did an album together
16:40
as we speak. They on the tour right now
16:42
as we speak. You know what I mean? Like
16:44
30 30 years later. 30 years later. Think
16:47
about how many people came out 30 years
16:49
ago that are done.
16:50
I [ __ ] flew shorty flew to Vegas to
16:53
see these [ __ ] Right. Oh, and they
16:54
had the residency for they had to raise.
16:57
Yeah. Mhm.
16:58
So, yeah. Shout out shout out to the
16:59
Woo. So, ultimately, man, what are you
17:01
guys looking to get out of this music
17:02
industry? Like, where what do you what's
17:04
your what's your um I don't want to say
17:06
a ceiling because we don't have
17:07
ceilings. Sky's the limit. What's the
17:09
ultimate for you? Like, where do you
17:11
where do you want to be? Like, what's
17:12
what kind of mark kind of mark you want
17:13
to make in this in this business? Like,
17:15
where are you looking to get out of it?
17:16
I mean, really, it's it's it's for the
17:18
respect, right? So, okay, we want to be
17:20
successful. We want to be able to pay
17:22
our bills and and experience all the
17:25
thrills, right, that come along with
17:26
that. But we want that respect, you
17:28
know? We want to know, we we take it
17:30
serious as far as like our lyrical
17:31
capability. We want to be known as nice.
17:33
We want to be in them barbershop
17:35
conversation. You know what I'm saying?
17:36
We want we want the DJs fighting to be
17:39
the first one to release our record,
17:40
right? And and you know, things like
17:42
that, you know, you know.
17:44
Well, you know what that then with that
17:45
being said, it's a lot of people on this
17:47
show, right? They from Missouri.
17:49
You know what Missouri is? Missouri.
17:51
It's the show me state.
17:52
Okay.
17:52
It's literally the show me state. So,
17:54
it's a lot of people watching now from
17:55
Missouri. They like, you got to show me.
18:00
Listen, we can do it.
18:01
Let's see. Let's get Let's get Let's,
18:02
you know, let's get a couple Let's get a
18:03
couple of darts, man. Let's Let's let
18:04
them hear something real quick.
18:06
NY Long Island, New York.
18:08
Let's go.
18:08
Ly, [ __ ] Long Island, New York. Ly
18:13
from the Suffach County side of county.
18:16
It's your boy Long Island's finest. I
18:17
represent for the town. Navy flags
18:19
everywhere and some of the color brown.
18:21
This summer we got the map. You put the
18:23
park on the map. Quick to spark up a
18:25
back and walk all over the track. Won't
18:27
catch me lamping in the Hamptons cuz I
18:29
never do that. But every chance I get
18:30
here Brooklyn fish like where the foo at
18:32
who at? True that. Moving big on the L.
18:35
Staring at the world through my rearview
18:37
mirror. Who telling me from NCC all the
18:39
way out the riverhead? Keep money on the
18:41
phone cuz I got a couple [ __ ] in
18:43
there. Hair pin triggers I swear. Hoping
18:45
these [ __ ] don't dare. Believe me I'm
18:46
fully aware. Rocking my jeans with a
18:48
flare. [ __ ] Home to some of the illst
18:50
rabbies you ever heard of. [ __ ] Talking
18:52
gang land then we talking murder. Watch
18:55
channel 12 news. They'll explain
18:56
further. This the sound. My black
18:58
suburbia. The new ally. The whole island
19:01
ready to ride from suff.
19:06
Throw it up. Rep. Can't front. The boys
19:08
a vibe. Let me take you on a ride
19:10
through Long Island, New York. Ly Long
19:12
Island, New York. Ly, [ __ ] Long
19:15
Island, New York. L I N Y sh from the
19:19
Suff County side. Cross the N county
19:21
line. P. I hit a [ __ ] when he talk.
19:24
When he talk all that [ __ ] he spit. Can
19:26
he really walk? Playing the field.
19:27
Loving the sport. Pray to God. Hoping
19:29
not to get caught. Damn stressor.
19:31
Another new port ball. One of the best
19:34
target practice. Aim at your chest.
19:36
Better strap on your vest. Best believe
19:38
Betty under my guest. Full core breast.
19:41
Fly bun fresh bullet to skin caress.
19:44
Flesh in my flesh. A bloody mess. You
19:46
stinking lay to rest. Amen. God bless.
19:50
Ly eclipse moonlight the sky. Ly brings
19:54
air fry your soul. Goodbye. It's the new
19:56
alive.
19:57
Got the whole island all ready to ride
19:58
from the suffer
20:00
county line. It's a new alive.
20:03
Woo. The new alive. You know who else?
20:06
Y'all made K Solo proud. K Solo from
20:07
Long Island. That's right. Make a solo
20:09
proud.
20:10
He had the Suff County uh that's what
20:12
made me That's what made me when you
20:13
said that. That's what made me think
20:14
about
20:15
that was the hardest.
20:17
He was talking crazy. We like damn we
20:19
think
20:19
that was dope, man. That was dope. Yo, I
20:21
like I like that back and forth. And
20:23
they see that's what's missing what
20:24
y'all doing right here. That's missing
20:26
cuz you you know you know what's crazy?
20:28
We don't have any more groups.
20:31
Yeah. Yeah.
20:33
Everybody's a [ __ ] solo artist.
20:35
There's no more When was the last real
20:38
hip-hop group?
20:39
No, that's true. You know who? Ray
20:41
Shrimmer, right? I ain't got no type.
20:45
Honestly, that was the most upto-date
20:49
actual considered rap group.
20:50
That was Yeah, you're right.
20:51
You know what I'm saying? And that's was
20:53
how many years ago since they got
20:55
jumping, you know what I'm saying?
20:56
Now, some argue to say um Griselda,
20:59
I mean,
20:59
that's a collective. That's different.
21:01
That's like dip. Yeah. Just, you know, a
21:04
group of them.
21:04
Yeah. But like currently there are no
21:07
groups like everybody's a [ __ ] solo
21:09
with for self like you know what I mean?
21:11
Yeah. I think that comes with people
21:13
trying to be the man everybody want to
21:15
be. That's one reason why. And then just
21:18
the way that the industry started to
21:20
like treat that because if you think
21:22
back the 90s, early 2000, it was groups
21:24
heavy. The '9s especially.
21:25
That's a classic mad mad. We had a lot
21:27
of oneoff groups that you never you
21:29
might have had one song or video that
21:30
you never heard of no more and stuff
21:31
like that. But um but yeah, I don't
21:34
know. We just looked at it like, you
21:35
know, we we do our soul thing. Like I
21:37
come from I started as a group. you know
21:39
them foul play boys, my brother Alo the
21:41
analyst, you know what I'm saying? And
21:42
we we was running for years and we you
21:44
know we still doing music but I do my
21:46
solo, he do solo, you know, my the bro
21:49
do solo. So
21:50
that's how we you know we just connected
21:52
to to combine energy. So
21:54
that [ __ ] is just
21:55
So look, I got a hypothetical question
21:57
because I'm always curious about
21:58
people's musical knowledge and
22:00
preference and this question the answer
22:03
would tell me a lot about where you are
22:04
musically or your knowledge of music if
22:07
you will. So I I start with you. So if I
22:09
say, "Yo, I'm gonna produce a record for
22:10
you, right?" And you could put any
22:13
artist on a record, but we g we gonna do
22:14
a hypothetically. The artist could be
22:16
dead or alive from any era and any genre
22:21
of music. Don't have to be hip-hop. It
22:23
could be country, rock, calypso, soul,
22:24
salsa,
22:26
what have you.
22:27
But it can only be one artist, dead or
22:30
alive, from any era and any genre. Who
22:33
would you do a song with?
22:36
any artist, any
22:40
it gets hard when you start putting it
22:41
in any genre because now I'm thinking
22:43
like, damn, well, who passed away? Who's
22:44
still here? That's a lot. But, um,
22:46
yeah, any era, any genre.
22:47
All right. I'm keep All right. All
22:49
right. Um, Marvin Gay.
22:52
I see. I was going to say that.
22:53
You know what I'm saying? Well, you can.
22:55
That's your answer, too.
22:56
You know, cuz Yeah, I could I could hear
22:58
him on the hook or something. I'm doing
22:59
some ladies song or something like that,
23:01
right?
23:02
Something smooth.
23:03
That's I don't
23:05
Wow. I could even, you know, funny. I
23:07
could even do like Booie Collins.
23:09
Booy Collins. Okay. Baby mama. W me up.
23:13
Okay.
23:14
It could get you that whole rather be
23:16
with you.
23:17
Yeah.
23:19
Yeah. Boopy Collins. That's dope. So
23:21
that's funny. You said um Marvin Gay.
23:24
The only person ever said Marvin Gay up
23:26
here was Raycoin. That's who he said he
23:28
would do with.
23:28
Yeah.
23:29
Gay. So you you you DJ for Ray.
23:31
I still do.
23:32
I know. I know. That's what I'm saying.
23:33
Yeah. Yeah. Yeah. Yeah. Yeah,
23:34
this is dope. I see they got that purple
23:36
tape, the documentary about to um
23:38
Yeah, it's about to drop.
23:39
About to drop. Yeah. Yeah. Yeah. I'm
23:40
looking forward.
23:40
He got a new album coming out, too.
23:42
Yeah, I'm saying too.
23:43
Yeah.
23:44
Yeah. Yeah. They moving.
23:46
Fun fact, he recorded he recorded a
23:47
couple records from the album right in
23:49
here. His the signature right there.
23:52
This is the wall of fame right there. Up
23:54
in here.
23:56
So, this this is a legendary room, by
23:58
the way, just in case you didn't know.
24:00
Yeah, this is a legendary room. We felt
24:01
it when we walked in. We smell the
24:04
track.
24:04
Shout out my man Boy Wonder, man.
24:06
Definitely. Shout out Boy
24:08
downstairs.
24:09
If you need a studio, man. State of the
24:11
art. Come to One World Studios, man.
24:13
38th 8th Avenue, 584 8th Avenue. Come
24:16
through, man. We'll bless you. You know
24:18
what it is. So, that's my little plug
24:19
for for the for the spot. You know what
24:20
I mean?
24:21
That's right. That's right. That's
24:22
right. One World Studio. One World
24:24
Studio.
24:24
One World Studio. Exactly. So, like, so
24:26
moving forward, man. Um, are you guys
24:29
doing are you guys touring or what does
24:31
that look like?
24:32
Um, well, right now actually this this
24:34
stop right here is part of our promo
24:36
run, you know, as we
24:37
Well, this will definitely help.
24:38
Gearing up for the release of that new
24:39
Live project, like I said, July 16th.
24:42
Okay.
24:42
Um, you know, we uh that's that's we
24:44
doing shows. We doing the show tomorrow.
24:46
We do shows on a regular basis. Okay.
24:48
You know what I'm saying? We are
24:49
actually in talks with the uh
24:50
possibility of opening up for a couple
24:52
tour situations, but I got to connect
24:54
that dot a little tighter before we can
24:56
actually drop like the dates. You know
24:58
what I'm saying? But um outside of that,
25:00
yeah, like tomorrow we are performing in
25:02
Queens. Um it's like awards ceremony uh
25:05
birthday party for uh Congors,
25:08
Queen colors, you know. Um but yeah, we
25:10
we do a lot. But if you follow us or you
25:13
stay in tune with us, you know, you
25:14
you'll be able to keep up with the
25:15
schedule.
25:15
All right. So speaking of following you,
25:17
if people want to follow you, if they
25:18
choose to do so and get in contact with
25:20
you guys, how can they do that?
25:22
Well, you know, IG livewire 631. That's
25:26
me.
25:27
Naughty Kasablanca. That's Naughty
25:30
Kasablanca. K A S A B L A N Ka.
25:34
Yeah. Or you could just Google the new
25:36
LI.
25:37
New Li, man.
25:38
Nothing but the best entertainment.
25:39
The new LI you'll find us.
25:41
Nothing but the best.
25:42
It's the new LI.
25:43
Your boy live. Naughty Casablanca.
25:45
Exactly. So that's what it is. So before
25:46
we get out of here, is there anything
25:48
else you guys want to speak on, chop it
25:51
up about that we didn't touch on?
25:53
Yeah, man. I mean, listen, AV everywhere
25:55
we heavy. Y'all stay tuned, like I said,
25:57
for that project. We got the next
25:59
single, talk to him, dropping next week.
26:01
You know what I mean?
26:02
And then um you know, we got to go
26:04
ahead.
26:04
Yeah, I'm sorry. Cuz I like that. Look,
26:06
where can they see the video and where
26:08
can they get all the music from?
26:10
Um well, wherever you listen to your
26:11
music at, we there. You know what I'm
26:13
saying? And what and what are they
26:14
searching for? So just
26:15
your boy live or Naughty Casablanca. You
26:18
know what I mean? Or you can even put in
26:20
the new LI
26:23
on all platforms.
26:24
Streaming on all platforms. Okay. And
26:25
that video is out right now, man. Go see
26:27
that video.
26:28
Way too page. Your boy live.
26:31
Make sure you check that out.
26:32
Yeah, man. Let's do it. Nothing but the
26:33
best entertainment.
26:34
All right. And how can they follow you?
26:39
Naughty Casablanca.
26:41
Okay. I mean,
26:42
you got to beat, you know.
26:43
No. Streaming on all platforms. Just
26:45
holler at us. We outside.
26:47
Yes, sir.
26:48
71625.
26:50
The album drop.
26:52
Outside.
26:53
All right. So, that's what it is, man. I
26:55
go by the name of DJ Thorough. You
26:57
watching allhip hop.com. Let them know
26:59
the name.
26:59
Your boy live naughty kasablanca.
27:02
And like always, when you see us, one
27:04
knee us. That mean get on one knee, kiss
27:06
the ring, pay your respects.
27:07
We everywhere we
27:08
Oh, I got bars too. You ain't know.
27:10
[ __ ]
27:10
You ain't know that.
27:13
All right.
27:14
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