FrenchMontana-KendrickLamar

Open Letter To French Montana: Don’t Blame Kendrick Lamar

Chuck "Jigsaw" CreekmurDear French Montana,

Let me start this off by saying: you are the homie. You have opened a part of your home to me, I saw the monkey and the dope Louie V carpet and all that. I am actually proud of you. Seriously. You came from selling DVD’s to one of the biggest stars in the rap game. That is to be commended on many levels. You may have sexed two of the Kardashian sisters (iKid). Diddy is your man. You got a lifetime supply of Ciroc. Hell, you even give back to the Bronx community that raised you for greatness (a cool million to kids!).

The opening of your new Max B-assisted mixtape Wave Gods you asked, “Why isn’t street rap selling like Kendrick?” and then you expounded on Power 105.

“Because they position him, like they did at the Grammys, as the new music. It’s not that it’s not the right thing to do, but you see like the whole thing was like Kendrick night. That album don’t sound like nothing that’s out – the whole hip-hop game don’t sound like that… They put him on that platform so they can shift music towards that direction.”

I got multiple texts from some heavies in the music industry who shall remain unnamed. They don’t want to say anything, but they vehemently take exception to this notion, French. Let me explain briefly in this list.

So called-street rap has been poppin’ for the last few decades.

Like it or not, Kendrick is street rap. He’s from Compton, CA.

There were no issues with his last album. Why is there with this one?

“That direction” goes to a place of empowerment, pride, creativity, boldness, depth and substance that most “street rap” fails to go.

There is nothing wrong with “street rap,” but when that’s all there is, we need more balance.

Lets have fun, but, be clear, Self-Hate rap is what people have the big issue with. If you are equating “street rap” to the rap that continues to f**k with the minds of kids and infantile adults then…you will keep having issues. Its not “they.” Its “we.”

I’m sure you are in the streets. They have these uprisings. So called Street People aka Black people aka regular people. Police are shooting and brutalizing people at an alarming rate. Hip-Hop is reflecting this reality now when before it was minimized.

Who is “They,” because most people consider “they” as the people that have supposedly, presumably and assumptively (not a real word but it sounds good) directed Hip-Hop music to a place largely regarded as ignorant, formulaic and apathetic.

Historically, street rap reflects what is going on in these days. This is more reasonably why K-Dot is so hot.

The Grammys only put “hot” acts on that stage.

“Street rap” shouldn’t get upset at Kendrick. He wins, we win.

Build with “conscious rappers.” Public Enemy and Ice Cube did. Jay Z and dead prez. Kendrick and Dr. Dre. Nas and everybody.

I didn’t want to write this, but I just couldn’t hold it in, bro. Because Kendrick is what’s good doesn’t mean that the rest of the Rap Nation can’t prosper. “Street rappers” had no complaints about the couple decades they were on the frontlines of rap. By the way, I hate the term street rappers. On the other side, I and others have been clamoring for somebody like Kendrick for years. So, this “they” doesn’t exist in this capacity. The people have spoken. They have appointed Kendrick KING.

Last year, love it or hate it, he created one of the illest albums in Hip-Hop history. No, it was not for everybody. No, it was not a sequel to good kid, m.A.A.d city. No, it was not an easily digestible project. It wasn’t simple. However, it was much more, I would submit to the court of Hip-Hop. He did something far more revolutionary. He challenged “they” and hopefully created a paradigm shift that gives rise to more voices in Hip-Hop. Not less.

“They” have been suppressing revolutionary voices since the dawning of this country. And guess what happens? The people rise up and speak for themselves. That’s the Hip-Hop way since the beginning. “They” don’t want us to have this voice, which is why it was co-opted. The old way is gone. The systems and barriers to bumrush are eroding to dust. They cannot stop a Kendrick Lamar so they embrace him. They have no choice. We are awake and we will #staywoke.

I say this all in the name of peace, growth and Hip-Hop’s undying rebel spirit. Peace, Brother French Montana.

#SALUTE

Tef Poe

Eshon Burgundy

Karega Bailey

Jasiri X

Quadir Lateef

Public Enemy

Paris

Young Paris

Scarface

The Game

Nipsey Hussel

Saul Williams

Dee-1

Sean Barnes (Elevation Nation)

Rapsody

Sa-Roc

Talib Kweli

Lupe Fiasco

J. Cole

Akala

Killer Mike

Vince Staples

Earl Sweatshirt

The Roots

Immortal Technique

Nitty Scott

Chance The Rapper

David Banner

Macklemore

Big KRIT

Common

M1

Rebel Diaz

The Reminders

17 Responses to “Open Letter To French Montana: Don’t Blame Kendrick Lamar”

  1. Ipullcards

    I argued this same point. And you can look in the archives. Ppl called me stupid. Called me lame on this very blog. Just for saying kendricks album was a classic. Short sighted ppl who love “street rap” said they couldn’t get with it. It was funny because some of my friends said the same. And I looked at them as if they knew less then what I knew. And it’s true. Wake up! ✊🏾

  2. Good Dick, M.A.A.D Pussy

    They had LZ(think that’s his name) and some black female basketball player hosting First Take today.

    LZ goes, “steph curry is kendrick Lamar: ahead of the pack doing unbelievable things”

    And this dumb bitch says “I still can’t understand any of Kendrick’s music..I just don’t get it. Idk I’ve been listening to a lot of future lately”

    😕😕😕😕😕

    I then proceeded to open my bedroom window and JUMP!!!!

  3. Good Dick, M.A.A.D Pussy

    “That album don’t sound like nothing else out! The whole hip hop game don’t sound like that”

    Wait a minute, wait a minute lemme get this straight—

    Its only good if it sounds like other shit?!
    Somebody give this guy a big hee-haw

    😭😭😭😂😂😂

  4. Gap Tooth Bruce

    I dig it tho….to go deeper we can’t let them forge a wedge between the 2 because they can coexist its been done in the 80’s and 90’s

  5. Markus

    French will not do Kendrick numbers and French will never be the lyricist that Kendrick is. French is part of what’s wrong with rap because the majority of rappers are the same gangster driving the same cars with the same tired broads shaking their asses with the same bunch of money and weed they use to fascinate fools into believing that this is all what the music stands for. And French is too ordinary to stand out.

  6. Kylo_Len

    “They” didn’t put Kendrick on that position, Kendrick put himself in that position by crafting a master stroke of an album. In turn, the listeners and critics alike solidified his position by absorbing, appreciating, and feeling what he had to say. According to French, sonically, Kendrick’s album doesn’t sound like what hip hop sounds like today. To me, that’s precisely one of the reasons that album is special and stands out so much because quite frankly, what’s out today just doesn’t pack substance. That’s my humble opinion. Also, if you compare the “street rap” of yesteryear (90s) with what’s currently out, there’s a huge drop off in skills. You have emcees repeating the same hook a million times on a record, or mumbling, or singing half the time, and rapping about the same redundancies. I tend to believe that there’s a large section of hip hop fans that are just tired of it. First Jay Electronica, now French Montana making comments about Kendrick and the Grammys. Give the man his props, he earned it, he wasn’t begging for any awards, in fact he got robbed of one (you guys remember). And no “they” didn’t make the Grammys about him to shift hip hop towards that consensus, the substance in his lyrics caught their ears and he earned that spot. The Criminal Minded’s, Takes a Nation of Million’s, To Pimp a Butterfly’s of the world will be remembered for a very long time because of how impactful they are, and the substance in those albums is the catalyst to that impact onto our ears and minds.

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