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Dungeon Family Values: Big Boi on Flying Solo While Staying Stankonia

With all the legendary music that has come out of Stankonia Studios, you’d expect for it to be hidden deep in the woods surrounded by cartoon gnomes with music notes floating out of the chimney. Instead, the studio is one of many non-descript buildings in a part of Atlanta, located near a bunch of others. But inside, when your eyes set upon all the photos decorating the walls, you realize that you are walking on hallowed ground.

Today (December 11), Big Boi releases his second solo album, Vicious Lies and Dangerous Rumors, recorded entirely inside Stankonia Studios. The album is already being critically acclaimed, lauded for its production and its features. Features are a big part of Vicious Lies and Dangerous Rumors; the album is heavy with guest appearances, each with their own style which brings out Big Boi’s strength in collaboration, causing him to stretch himself lyrically and with his delivery.

The album is also being talked about for its one distinct absence. Andre 3000 is not featured on Vicious Lies and Dangerous Rumors, and as always with Outkast, there is backlash amongst the fans who want things to remain as they always have – with Dre and Big doing music, together. But, as with Sir Lucious Left Foot: The Son of Chico Dusty before it, this new album does not symbolize the end of Outkast, but its natural evolution.

AllHipHop.com sat down with Big Boi at Stankonia Studios during the Vicious Lies and Dangerous Rumors listening party to talk about his creative process, his new album,and the evolution of Outkast.

AllHipHop.com: The mumbles that I’m hearing are that this is Hip-Hop album of the year.

Big Boi: Hey, that’s good. That’s real good. It’s some good music that came out this year.

AllHipHop.com: It’s a new and really interesting direction for you. From the singles and the buzz music that you’re dropping, how did that come about?

Big Boi: It’s just all an experimentation process. My approach to making records is the same as when me and Dre are together making music, making that Frankenfunk, that Frankenstein, stitching together different sounds, melodies, whatever, and when you hit that groove, you just go with that record. Spending time in the lab, this is my house right here; this is where I’ve been at, the vibes are incredible. Ain’t no fishtanks, no video games, no pool tables. Ain’t nothing but the funk coming out of here. We come here to work. My approach has really been, ‘Whatever happens, happens,’ Organically created, never genetically modified. Period.

AllHipHop.com: Did the current climate of the industry, or even just the way the world is right now influence you to say, ‘You know what, I’m gonna do my thing, my way?’

Big Boi: I’ve always been that way. I mean it’s Outkast. The bloodline is to never really pay attention to what the mainstream is doing and just do you. And as long as you’re true to your art, and you can express that truth through music, then I think the people are gonna dig it. And if they dig it, and they like it, then it’s alright. ‘Cuz I thought that sh*t was jamming when I made it. [laughter]

AllHipHop.com: This summer, you did the BET Music Matters during A3C – they had a Dungeon Family reunion. You’re always a champion of the Outkast brand, the Dungeon Family brand, Stankonia. Tell us why that is…

Big Boi: I’m a team player, man. It’s tattooed on my skin. It’s Dungeon Family for life. We’ve laid so much foundation in the music that we’ve been doing. And to still be doing it at the same level, or a higher level than we did, really just proves to me like what my mom said, “Son, this is what you were put here to do.” It’s a blessing, and I don’t take that lightly. It’s not just for monetary reasons. It’s really because I’m having fun. You can tell I’m having fun making the music, and that’s what it’s about, living a fulfilling life. That’s really what it boils down to.

outkastAllHipHop.com: What can you say about Outkast? And the state of the group?

Big Boi: That we’re alive and well, and we are doing great. I talk to my buddy. Just talked to him this morning. A lot of people don’t understand that that’s my brother. We’ve been doing music together, but we are friends and brothers before any of this sh*t. Just because we’re not making songs together, or if he’s not on my record, or if he’s doing features with XYZ… we done did so many songs together, I can do some sh*t on my own, by myself without it being a qualm. I think just to please the fans, we’ll do it. But his whole perspective is ‘I want these muthaf*ckas to see how dope you are.’ Ain’t nothing changed, as long as the music is banging. This album is solely, fully, all the way BIG.

AllHipHop.com: With all the talk that comes out, and it seems like it’s something new every day…I work for AllHipHop. We gotta drop rumors; that’s part of what we do [laughter]. Was that part of the inspiration behind the title?

Big Boi: A little bit. It actually came from my grandmother. It was the name, the title of my grandmother’s book, and she passed away last year around this time. She raised me; she was like my mom, and I was her first grandchild. The book was Vicious Lies and Dangerous Rumors. She was gon’ tell the truth; she was finna f*ck everybody family up. She was gon’ tell where all the bodies was buried at, where the extra chirren’ was, everything, you feel me? It’s always about searching for the truth. With it being the information age, you can find out anything you want to at the touch of a button – whether it be about world history, politics, fitness, health, whatever. You can find real facts on real things. The flip side of that is, with social media, you can write something and it not be true, and it just spread like wildfire. So, you always have to be searching for yourself.

Big Boi’s Vicious Lies and Dangerous Rumors debuts today (December 11). The album features appearances by Sleepy Brown, T.I., Kid Cudi, Little Dragon, A$AP Rocky, Big K.R.I.T., and more.

Follow Big Boi on Twitter (@BigBoi) and on Instagram (@therealbigboi).

Stafford Brothers Sign With Cash Money; Label Expands Into Electronic Music

(AllHipHop News) Cash Money Records is expanding into electronic music, by signing The Stafford Brothers to the label.

The Stafford Brothers, who hail from the Gold Coast in Australia, are the first ever electronic music group to sign to the Cash Money Records imprint.

“Every artist that we were keen to collaborate with seemed to be part of the YMCMB family,” said Matt Stafford. “We had the chance to attend Lil Wayne’s 30th birthday party and spend time with Birdman, Slim, Lil Wayne and the whole crew and we felt right at home amongst the family. We knew we could do great work under Slim & Birdman’s direction, with the YMCMB artists.”

The group, which consists of Matt and Chris Stafford, have traveled all over the world, performing with groundbreaking electronic acts like The Prodigy, The Chemical Brothers and others.

In addition to their own reality show on Fox in Australia, The Stafford Brothers have over 50 releases under their belts.

“The Stafford Brothers blew me away with their energy, superb production skills and strong remixes,” Bryan “Birdman” Williams said. “Their music may have a party vibe, but that didn’t fool Slim and I. With their ownership of nightclubs, their own reality television show, international tours and dedication to their craft, we knew the Stafford Brothers were serious and would fit right in with the hardworking YMCMB family.”

The Stafford Brothers are signed to Cash Money Records through a joint venture with company CHM.

“Cash Money Records is a brand that is synonymous with success in the pop culture landscape,” said Nima Nasseri of CHM. “We’re excited to build a new venture between CHM and Cash Money with the Stafford Brothers, leading the way in this new era of commercial dance music.”.

The first single by The Stafford Brothers for Cash Money Records is titled “Hello,” and will feature label mates Lil Wayne and Christina Milian.

Hip-Hop Rumors: “Seeds of Hip-Hop” Show On Its Way?

I mean, if Diggy and Angela Simmons can be famous for being the children of a legendary rapper, why not the sons of Jam Master Jay, Eazy E, and Dr. Dre? That’s probably what the high/powered producers behind the show are thinking right now!

According to TMZ, “Seeds Of Hip-Hop” will star Eazy E’s son, Eric “Lil Eazy” Wright Jr., Dr. Dre’s son, Curtis Young, Jam Master Jay’s son, Jason Mizell Jr., MC Ren’s son, Anthony Dunbar, and E-40’s son, Droop E.

All of the male offspring are pursuing a rap career of their own, and are said to be ready to show the public the gift and the curse of being related to a rap celebrity. The show is currently in the beginning stages and is being shopped to VH1, MTV, and E!, etc. Will you be tuning in?

The 20 Funniest Manny Pacquaio Memes After Juan Manuel Marquez KO!

Okay, so just in case life isn’t unbearable enough for the homie Manny Pacquaio these days, these internet mugs are making sure that he never wants to see the light of day again!

It’s been a couple days since poor little Manny got KNOCKED THE F*CK OUT by Juan Manuel Marquez (after gettin’ a daggone pre-fight pep talk from another loser? “Mittens”!!! Why, I ask???), but the jokes are non-stop!

HA! And some of y’all out there are actually pretty funny. Check out how the ‘net keeps goin’ in on Manny!!!!

BUT THERE IS A BIG CAVEAT AT THE VERY END OF THIS POST….SO LOOK FOR IT.

 

HOWEVER….

And, at the end of the day….

Hip-Hop Rumors: Does Young Jeezy Have A Ghostwriter?

As you guys have probably heard, news broke this morning about Young Jeezy allegedly dropping Gary, Indiana rapper Freddie Gibbs from his CTE roster. Freddie Gibbs recently confirmed the split on his Twitter page. Check out a few of his tweets below:

Freddie Gibbs tweet

I wonder if this has anything to do with Freddie Gibbs refusing to take sides in Jeezy’s beef with Gucci Mane on that Power 105.1 Breakfast Club interview last week? Jeezy wouldn’t drop him over that, would he?

young_jeezy_freddie_gibbs

Anyway, according to a tweet by Hit Skrewface of the Str8 Slammin’ crew, Freddie Gibbs has written a gang of songs for Jeezy. Check out his tweet exposing Jeezy below:

Hit Skrewface of the Str8 Slammin’ crew tweet

So, am I reading this wrong, or is this dude exposing that Freddie Gibbs is Young Jeezy’s ghostwriter?!

Big Boi’s Non-Profit Giving Away Scholarship To Local Atlanta Student

(AllHipHop News) Outkast rapper Big Boi will celebrate the holidays by giving back to the local Atlanta community, with a scholarship giveaway and a scavenger hunt.

Big Boi’s nonprofit, The Big Kidz Foundation (BKF), will celebrate at the Microsoft Store in the Lenox Square Mall, where the scavenger hunt will take place.

Big Boi has gathered over 40 area students and several special guests, who will help search for holiday items inside of participating stores of the Lenox Square Mall.

The scavenger hunt will end with a celebration inside of the Microsoft Store, where Big Boi will give a student named Briana Cook, The Renee Patton Scholarship.

The scavenger hunt will take place on Thursday, December 13 from 6:30 PM-8:30 PM.

2 Pac Ft. James Brown “Unchained (The Payback/Untouchable)”

[ahh_audio src=/12-10-12/2PacFtJamesBrown-UnchainedThePaybackUntou.mp3]

The theme song for Quentin Tarantino’s new movie,”Django Unchained,” is an impressive mash-up of 2Pac and James Brown. Blended together by ‘Pac’s audio engineer Claudio Cueni.

Hip-Hop Rumors: 50 Cent Calls Music Manager James Cruz A “Flunky”

You can always count on 50 Cent to tell it like it is, whether you like it or not. Well, we don’t know what music manager James Cruz did to offend 50, but I’m sure he really regrets it now! If you don’t know the back story of these two, James Cruz previously worked as a music manager at Violator Management. He worked closely with Chris Lighty on 50 Cent deals both in and out of music.

Rumor has it that 50 got James Cruz fired after Cruz allegedly showed up to a meeting high on coke. Well, that was years ago, and since then, Cruz has worked with Nicki Minaj, Unique Auto Sports, and now we hear that he has a position up at Bad Boy. Cruz must have done something to p### 50 off cause just instagrammed a photo of Cruz with a crazy caption. Check it out below:

50 Cent tweet

Wow, 50. Just, wow!

3 Questions With: “A DJ’s Best Friend,” Glasses Malone

Watts, California, rapper Glasses Malone was touted as one of the rising West Coast stars as part of the New West Movement established in 2005. First signed to Sony Records for $1.7 million, and then later to a joint deal involving Cash Money Records and Mack 10’s Hoo-Bangin’ Records, Malone was set to fly with his debut project The Beach Cruiser. After several years of delays and musical changes to the project, Malone saw his debut album do disappointing numbers, while other young West Coast artists starting seeing the success that was once predicted for his career. However, instead of giving up and letting his disappointment get the best of him, Glasses took some time off to regroup and learn, and now he’s back with a single that’s taking off. AllHipHop.com caught up with Glasses Malone as he was preparing to release his new project Glasshouse for free download later today (his birthday, by the way):

AllHipHop.com: Your new song, “That Good”, is a different sound for you. It’s like listening to a new Glasses Malone. You’re having fun with your new songs instead of being so serious like before.

Glasses Malone: People are going to get mad at this, but I want to go on record saying that Y.G., DJ Mustard, and Ty$ saved the West Coast. They created a sound that was commercially viable. You could party to it, but yet it was Gangsta. When G-Funk stopped being popular on the West, Hyphy came in, and it was music that you could dance to. After that, Hyphy mutated into Jerk music because all of those kids were listening to the Hyphy sound. Jerk music wasn’t working, though, unless you were in high school, because it was a real young sound. There were no Gangster elements involved in it. Y.G., DJ Mustard, and Ty$ took things to another level by making Ratchet music popular. It gave life to the West Coast. Tyga was able to use that sound and run with it by creating “Rack City”. After that, Problem and Skeme hit the clubs with “T.O.” It’s also a sound that has connected Los Angeles and The Bay Area. Clyde Carson’s “Slow Down” mixes right into “That Good.” The song, “Function” with E-40, is mixture of L.A. and Bay Area terms. What we were trying to start with The New West Movement finally came into fruition. It was because of guys like Y.G., DJ Mustard, and Ty$, that I could make a song like “That Good.”

AllHipHop.com: The Beach Cruiser was your baby, and it drastically underperformed. How were you able to deal with that and come back?

Glasses Malone: First off, I was devastated. To sell only 3,000 copies the first week, was devastating and depressing. I was happy that I was finally able to put it out after all of that time, but it was not originally what I intended for people to hear. I took a lot of flak, and a lot of people were talking sh*t. People gave up on me but not my team. My boys DJ Hed, Tommy Gunz, and Fifth were there for me. Looking back, I didn’t deserve a record deal when I first got signed by Sony, and I didn’t deserve the Cash Money one either. I got signed off of the White Lightning project and that was just done off of pure skill, but I still didn’t understand music or the making of it. All I knew of it was that someone was going to give me a check for saying some rhymes over a beat. I didn’t understand the DJ’s roles in breaking and playing music, or tempos and frequencies – things you should learn before you become an artist. I don’t think I was an artist. I was just a street n*gga saying some raps over some beats, who happened to luck up and put together a great first project. I used to sell Sherm, and the only people that made money selling that stuff were the ones that knew how to cook it themselves or knew someone who could. I don’t know why I thought the music business would be any different. That’s why a lot of the biggest producers in rap are DJs or those who once were. I took a year off and just studied music and the making of it. I learned tempos and frequencies. I had to learn what was working with the audience and why it was working. I got some really great advice from some really great people. I wanted to put my own take on the sound instead of just taking it. That’s why “That Good” sounds the way it does. That’s my take on what people are listening to and people are coming around. I’m unplugged off of The Matrix. I’m talking to girls in the songs, and I don’t know why I never did before. I’m kicking myself in the a** for that.

AllHipHop.com: Are you still with Cash Money Records and Mack 10’s Hoo-Bangin’ Records?

Glasses Malone: Legally, yeah. The paperwork is still there, but we just have to figure some of it out. I’m not even sure if they know yet that I’ve figured out this music stuff. They probably think “That Good” is something that I just stumbled upon. When I took that record to the mixer meeting at Power 106, DJ FelliFel told me that he knew that the wheels were finally spinning inside of my head. I haven’t played anything yet for Baby, Wayne, and Mack. They only know what I’ve put out. Glasshouse is dropping on my birthday, and I’ve got bangers on it like “Let It Go” with Kid Ink and E-40. I’m just bonding with DJs now. I try to think like them when I put out a song. I want to make music that they can’t wait to play. I never got the memo on that when I first started. The streets broke my first songs, not the DJs, so I didn’t know. My own DJ enlightened me and put things in to perspective. And I’m not just talking about the radio DJs. I get a lot of tweets and messages from regular DJs that can’t wait to hear what I come out next with. I want to be a DJ’s best friend, and that’s where I am at this point.

“Beautiful Creatures” Leaps From Its Pages Onto the Big Screen

Based on the New York Times best-selling novel of the same name, Beautiful Creatures – the first of a hugely popular series written by Kami Garcia and Margaret Stohl – is making its hauntingly intense, big screen debut.

Set in the South, Beautiful Creatures is about two star-crossed teenage lovers, local boy Ethan (Alden Ehrenreich) and a mysterious new girl, Lena (Alice Englert), who uncover dark secrets about their families, their history and their town.

beautifulcreaturesmovie

Lena is known as a ‘caster,’ a supernatural rather than an immortal. Casters are people “who have powers beyond the finite abilities of most mortals,” describes director Richard LaGravenese, who also adapted the screenplay.

Each caster has his/her own unique ability, but on their 16th birthday, they are each claimed for a side – light or dark. Lena, whose milestone year looms large on the most powerful solstice in 5,000 years, hopes to go light, especially after the cautionary tale of her dark caster cousin, Ridley, played by actress Emmy Rossum.

The film, slated for release on February 13, 2013, features Emmy Rossum (Shameless), Thomas Mann (Project X), Viola Davis (The Help), Zoey Deutch (Ringer), Alden Ehrenreich (lead in Beautiful Creatures).

Fans can read the first chapter of Beautiful Creatures here.

Watch a clip from Beautiful Creatures – “Meet The Casters” – below, and click here for the official trailer:

EXCLUSIVE: Game Hosts “Jesus Piece” Album Listening Session in LA; Attendees Drink Cliquot, Eat Roscoes Chicken

(AllHipHop News) Over the weekend Game hosted an album listening session for his 5th studio album titled Jesus Piece.

With plenty of Colt 45 40 ounces, Cliquot champagne and Roscoe’s chicken, approximately 100 tastemakers, artists, bloggers and writers listened to Game’s highly anticipated project.

Prior to the project Game introduced the album and gave thanks to all those that helped make the project possible.

“I’m just happy to be on my 5th album, Interscope/Geffen held me down for the last seven years of my life making sure that I’d be able to help carry the West, and do my thing for my coast and my city and my state and my friends,” Game stated.

Game, who was joined by Stat Quo, the Nu Jerzey Devil, Ty$, Clyde Carson, King Chip, Dre of Cool and Dre, Karen Civil, Elliott Wilson and others, vibed with friends, family and all invited as the project played on repeat.

The lead single from the project titled, “Celebration” was produced by Delaware producer/rapper SAP and features Chris Brown, Lil Wayne, Wiz Khalifa and Tyga.

Take a look at some of the pics and the video below, Game’s Jesus Piece will be available on Tuesday online and in stores nation wide, tracklist is below.

1. Scared Now feat. Meek Mill
2. Ali Bomaye feat. 2 Chainz & Rick Ross
3. Jesus Piece feat. Kanye West & Common
4. Pray feat. J. Cole & JMSN
5. Church
6. All That (Lady) feat. Lil Wayne, Big Sean, Fabolous, Jeremih
7. Heaven’s Arms
8. Name Me King – The Game, Pusha T
9. See No Evil – The Game, Kendrick Lamar, Tank
10. Can’t Get Right feat. K. Roosevelt
11. Hallelujah feat. Jamie Foxx
12. Freedom feat. Elijah Blake
13. Celebration feat. Chris Brown, Tyga, Wiz Khalifa, Lil Wayne

Deluxe Bonus
13. Dead People (P###. By Dr. Dre)
14. I Remember feat. Future & Young Jeezy
15. Blood Diamonds
16. Dead People (P###. By Dr. Dre)