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Fred the Godson Ft. Remo the Hitmaker “What You Gonna Do” Pt. 2

Fred the Godson Ft. Remo the Hitmaker “What You Gonna Do” Pt. 2

Internet Decides New Dr. Dre Single

[AllHipHop News] The internet forced Dr. Dre’s new single and the renown producer is running with the song “Kush” even though he’s not particularly fond of the tune’s marijuana-themed content.

Dr. Dre recently told radio host Big Boy that he was going to continue to promote the song even though it wasn’t the preferred move.

“It’s a little bit unfortunate with the technology today. [“Kush”] got leaked and it was a version of it that I really wasn’t happy about,” Dre. said, “[but] we’re going to go ahead and push it and put it out because everybody seems to like it. I just thought the content, it’s about weed smoking, and I don’t want people to think that that’s what my album is about. This is actually the only song with that type of content.”

Dr. Dre, real name Andre Young, has been hard at work putting the finishing touches on the long awaited Detox album, which is 10 years in the making. As of right now he is aiming for a February 2011 release date.

“I see the finish line right now,” he admitted. “I’m wrapping it up. I need about two or three more songs and then hopefully I’ll start the mixing process at the end of next month. And then from that point I’m about thirty-days out.”

He explained, as he has in the past, the reasons for the lengthy delay on the highly anticipated project.

He continued, “I’m seriously excited about it. It’s feeling good now. One of the reasons it was taking so long is because I felt like I was doing it more out of obligation as opposed to really feeling it. As of last year, I’ve been really feeling where it’s going and it feels good and I think I’m ready.”

In the meantime Dr. Dre is working on other endeavors. He has a line of bestselling high-performance headphones entitled Beats by Dr. Dre. Additionally he has teamed up with the computer manufacturer HP to include the headphones with the sale of their laptops. 

ChartWatch: Kid Cudi Sells! Cee-Lo Enters Award!

Chartwatch for November 17, 2010

I missed last week but not too much happened.  Sorry. 

Did anything really happen?  Jay

Electronica signed with Jay-Z and Diddy got his feelings hurt.  Chrisette Michele gave up on Hip Hop because

she found out rappers were (newsflash) egotistic.  Hammer squashed the one-sided beef between him

and Jay-Z which means Shawn Carter can finally breathe a sigh of relief.  (That was sarcasm….no need to inform me that

Jay wasn’t scared in the comments.)  Oh,

and Jay came out with a book, which means some fans out there are walking into

a Barnes & Noble for the second time in two years (Since 48 Laws of Power by 50 Cent).  So I didn’t miss too much.  We do have some Hip H—Well, we have a couple

of dudes that are talented rappers but have had much more success singing (more

power to them) entering the charts this week.

Kid Cudi enters the charts at number 3 with his second album

Man on the Moon 2: Legend of Mr. Rager.  I guess that’s not bad for somebody that is

on his second album and already talking about retiring.  This week the G.O.O.D Music artist moves 169,298

copies of his sophomore album.

Cee Lo Green takes the number 9 spot with his third solo

studio album, The Lady Killer.  The Goodie Mob MC enters the charts this week

selling 41,000 copies.  Cee Lo is doing a

lot of singing on this album but there’s a Goodie Mob album coming out soon for

those that want to hear some rapping from the Atlanta MC.

He is followed by Lil Wayne, who drops from 5 to 10, with

his EP I Am Not A Human Being, but

still manages to sell 34,868 copies.  So

far the Young Money CEO has sold 446,000 copies.

Eminem also takes a dip, falling from 7 to 11, with his

seventh studio album, Recovery.  This week Em puts up 34,535 copies bringing

his estimated totals to 2,971,000.  At

the rate he’s going Eminem should hit 3X platinum within the next two weeks.

Finally, Twista enters the charts at number 38 with his

latest album, Perfect Strom.  The rapidfire wordsmith moves 14,939 copies

of his eighth studio album.

Dropping This Week

I have been saying that a lot of Hip Hop albums are coming

out in the upcoming weeks….but this week ain’t the week.  Kanye and Nicki drop next week and, hate it

or love it, they will garner some sales in Hip Hop.  This week the only thing really dropping is

Nelly.  Yeah…Nelly.  He drops his sixth studio album this week

entitled 5.0.  The album features T.I., Birdman, DJ Khaled,

Chris Brown, Plies, T-Pain, Akon, Kelly Rowland, Yo Gotti, and Keri

Hilson.  Let’s be real….is anyone out

there really looking for the Nelly album? Really?  Hey, I might be wrong.  He might put up some numbers next week, and

if he does I’ll take my statement back…but c’mon son.  (And to those of you that feel bad for Nelly –

don’t.  He sleeps in a big mansion on a

pile of money next to Ashanti so he pretty much already won.)

I’m sure most of you have already heard the Kanye and Nicki

album but both will be here next week. 

That’s the charts.

www.twitter.com/drdougla

       

Planet Asia Inks New Deal; Lines Up Top Talent For New Album

(AllHipHop News) Bay Area, California rapper Planet Asia has inked a new deal with Wandering Worx Music, a Vancouver, Canada-based independent record label that launched in October of 2010.Planet Asia has pulled together some of Hip-Hop’s biggest names on his debut album for Wandering Worx, which is titled Black Belt Theatre.Artists like Talib Kweli, Raekwon, Paul Wall and Evidence and DJ Babu of Dilated Peoples have already been confirmed on tracks off of Black Belt Theatre, Planet Asia’s sixth official solo release.  “Planet Asia has been catching critical attention since the late ‘90s, and we’re confident he’ll continue to make waves with us and help make this label a hip hop force to reckon with,” Wandering Worx’ co-founder Rodney Davidson said. “We’re ecstatic to welcome such a hard working artist to the family.”The rapper has stayed busy over the years, releasing albums like The Jewelry Box Sessions, Pain Language (With DJ Muggs), Chain of Command (Planet Asia & Gold Chain Military) and a variety of mixtapes. Planet Asia’s first single from the album is titled “Classical Music” and will hit stores and radio outlets nationwide on Friday (November 19th).

Foxy Brown Appears In Court; Vows To Fight ‘Mooning’ Accusation

(AllHipHop News) Brooklyn, New York rapper Foxy Brown appeared in court yesterday (November 16th) and vowed to defend herself against a charge that she violated a court order by mooning her neighbor during a dispute in July. Foxy is accused of violating a 2007 protective order filed by her Bed-Stuy neighbor Arlene Raymond, with whom she has infamously feuded since 2007, when Foxy was accused of hitting Raymond in the face with her Blackberry. Tensions between the two allegedly boiled over this summer when the two had an exchange of words, during which Foxy allegedly called Raymond a “dirty b####” and then flashed her bare bottom at the woman. According to the New York Daily News, prosecutors have not offered Foxy any type of plea deal in the case, but her lawyer, Salvatore Strazzullo, stated that he wasn’t interested in a plea deal for the rapper anyway. “We want them to dismiss the case,” Strazzullo said. “It’s really a case of nonsense.”Brooklyn Supreme Court Justice John Walsh ordered Brown back into court for a hearing on February 7, 2011.“We’re gonna fight this,” Foxy Brown said outside of court.

TV Exec James DuBose Bringing B.M.F. Story To Big Screen

(AllHipHop News) The exploits of Big Meech and the Black Mafia Family have already been turned into a hit single by Rick Ross and a critically acclaimed book by Mara Shalhoup and now, the story of the drug dealing crew is coming to the big screen. Award winning Producer/director James DuBose is currently working on his first feature film, “B.M.F.,” along with BMF Entertainment’s Tammy Cowins. Rep’s for DuBose told AllHipHop.com that the flick will center around the life story of Demetrius “Big Meech” Flenory. Flenory and his brother Terry “Southwest T” Flenory were both sentenced to 25-30 years in prison in 2007, for their role in leading BMF, which distributed thousands of kilos of cocaine around the country, earning over an estimated $270 million in the process. According to DuBose, who produced the BET reality series Trey Songz: My Moment, The Michael Vick Project, Monica’s Still Standing and Tiny & Toya, he has learned to appreciate Big Meech as a “mathematical genius.”In related news, James DuBose, an alumnus of Wake Forest University, will return to campus tomorrow (November 18th) to encourage the student body during the “Journey to Success Speaker Series.” The speaking engagement is part of DuBose’s Entrepreneurial Nationwide College Tour, which is slated to take place throughout February and March. During the tour, DuBose and a revolving panel of film, television and music executives will speak to students to inspire their creativity and entrepreneurial desires. In 2011, DuBose will introduce his newest reality show “Young Moguls” starring Sean “Diddy” Combs’ son Christian Combs.A release date for the B.M.F. movie was not available as of press time.

Flo Rida: The Hip-Hop Midas 2

Continued from  Part 1

Flo Rida – “Turn Around (5,4,3,2,1”) [Official Video]

AllHipHop.com: 

Like your most-recent single, “Club Can’t Handle Me,” “Low”

was featured on a soundtrack – Step Up 2: The Streets – as

well as one of your albums – Mail on Sunday. Do you ever feel

uneasy about having your work featured on a soundtrack before the official

release of a proper album? 

Flo Rida: 

Well, that’s hard for me to say, because – starting out – I was

successful in doing that. I have a great relationship with Disney and

I just want that build, because it feels good to go to a movie and hear

your song playing in the background! [laughing] 

AllHipHop.com: 

How did that relationship develop? 

Flo Rida: 

Early on, they got in touch with my A&R, because they needed a song

for Step Up 2: The Streets.

“Low” was very big at the time, and we just worked it out from there.

And then as far as me doing it again, I did the lead single for the

movie G-Force. It was called “Jump.” And when I was

putting out my album, they were putting out a movie, Step Up 3D,

and they asked if I had a record. We went in the studio and let them

hear some of the records, and [“Club Can’t Handle Me”] was the

record they liked. So I have a great relationship with them. They’re

not just people who want to pick a song. They’re really musically inclined,

as well. And it’s a lot more promotion, too. 

AllHipHop.com: 

When you look at your résumé, and see digital singles sales that exceed

ten million, how does that affect your approach to the traditional business

model? 

Flo Rida: 

For the most part, it’s just in a whole other level, now. When you’re

about to release a song to the world, you just make sure everything

is lined up. After having success with it, you might want to look and

see if there is a movie coming out and if you can get a single in there,

as well as make sure that you’re ready for iTunes, and everything like

that, because that’s where most of the sales are coming from. Nowadays,

you just want to make sure everything is lined up. 

AllHipHop.com: 

Having attained so much success with your singles, why bother with an

album? 

Flo Rida: 

One thing you’ve got to realize is that if people are going to buy these

singles, why not create an album that you feel comfortable with, that

still has that same feeling of an album but could be possibly singles?

So that’s my focus every time that I’m creating an album, because for

one thing, you can say a single is a hot record. Most of the time that’s

the record that people might think is the hottest record, so make sure

the whole album is hot, and therefore you can possibly put out every

record as a single.  

AllHipHop.com: 

Often times, when people have discussions about ground-breaking and

chart-topping artists, they tend to overlook you, even though you have

one of the best sales records in the game. Do you ever feel underappreciated? 

Flo Rida: 

I think it’s because they’ve never seen the whole take on me being able

to trot around the world. Most of these people haven’t even been around

the world, so they really don’t do their homework and they don’t know

these type things. There’s not too many people in my lane. It’s like

I created my own lane. A lot of times, even with them making their own

“best of” or “top ten” lists, they don’t get it right. Some

of the people that they put in the top ten are not as good as the ones

that I think should be in the top ten. So if they can’t get it right,

how do I expect them to even know what’s going on in my world? I mean,

a lot of times I don’t even have time to focus on that, because I’m

traveling doing two and three shows a day. I’m in places like Dubai,

Africa, all over the world. So it’s just a blessing, and I look at it

and really laugh.  

AllHipHop.com: 

Since there are relatively few artists that are operating within your

lane, then what do you think has been your greatest contribution to

the music game? 

Flo Rida: 

The fact that a lot of times when an artist comes out, they’re always

looking for the next artist. And me, I look forward to having some longevity

in this. Everybody loves to party. At the same time, I’m versatile where

I can still put out my mixtapes and do all of that, still accumulate

fans around the world. A lot of times when people go get records deals,

I hear them say, “I’m looking for the next Flo Rida. I need that

Flo Rida stuff.” They won’t say, like with hip-hop or whatever,

they say “That’s Flo Rida stuff.” I think years from now people

will realize that I definitely created my own lane – without recognizing

it at the time. 

AllHipHop.com: 

As a journalist, sometimes it is easy to focus on what you’re doing

in the business, but I really want you to talk about your charity, Big

Dreams for Kids. How did it start? And how do you want to see it grow

and develop in the future? 

Flo Rida: 

Basically growing up in my projects and everything, I was influenced

by different people. There was this one church called Jesus People Ministries,

and they would come out, bring different celebrities out and have them

speak to the kids. They never let the kids forget about putting God

first, but they tell them to dream big; that they made it and you could

possibly do it because these people have come from places similar to

where we grew up. Less fortunate, single parent homes and those kinds

of situations. That has always stayed with me. And now that I’m at

the point where I’m successful, I thought: “Hey, I want to go back

to my projects and talk to the kids.” So I went there and spoke to

the kids. I had big carnival rides out there. Cotton candy. Game where

the kids can win prizes. And every Thanksgiving, every Christmas, and

on different holidays, I come out and I support the kids in the community.

I have different artists come out and perform as well as speak to the

kids, and we just have an extravaganza and just instill in them to continue

to dream big. You know, the sky is the limit. And that’s the greatest

thing, I think, about my music: the fact that I get to travel around

the world and do shows. But sometimes, I’m performing right next to

the slums. So it’s really important for me to go out and put a smile

on their face with more that just my music. I know I receive a lot,

performing and things like that, but to give is better than to receive.

To me, that’s the ultimate feeling.  

For

more information on Flo Rida, visit his official

website

and “follow” him via Twitter [@official_flo].  Flo Rida’s

latest single – “Club

Can’t Handle Me” (featuring David Guetta)

– can be purchased on iTunes as well. 

For

more of Clayton Perry’s interview exclusives, visit his digital archive. He can also be

followed via Twitter [@crperry84].

The Outcry of an Outlier

The views expressed inside this editorial aren’t necessarily the views of AllHipHop.com or its employees. While I take pride in my heritage as an African-American, I have to proclaim that my precedent’s not Black.  Yes – my President is Black.  No – I’m not disowning my culture in favor of giving precedence to another one.  What I am saying is that I cannot support a Black business or public figure just because our skin color matches.  If it, him or her does not line up with my beliefs and code of conduct, I will not compromise my stance.  I have high standards that demand integrity and quality from people and products.  Period.

Case in point #1:  President Obama.  He is not my nor anyone else’s personal savior.  Yet and still, I do hold great regard and expectations for his remaining term(s) in office.  So while his accomplishment is obviously unprecedented and worthy of celebration, I’m not about to put all of my faith in this President just because he’s Black.  I’m not going to support a candidate such as Alexi Giannoulias just because Obama publicly endorsed him when I have misgivings about Alexi’s financial sensibilities.  I only put faith in one personage.  I only have room for one Savior in my life Who was neither Black nor White when He walked this earth.

~

Geez, He Said His Precedent’s Not Black!

a.k.a.

Typecast Votes

I won’t support who

The President’s endorsed just

‘Cause Obama’s Black.

~

Case in point #2:  Black cinema.  I’ve been jokingly scorned by my friends for denouncing the “classic” status of The Five Heartbeats.  Personally, I feel that Robert Townsend misses the mark on the majority of his cinematic undertakings but I’ll reserve individual shout-outs for someone much more deserving in this field.  When it comes to investing my time and money, I expect a lot from the movies I watch.  In all actuality, because of the nature of this particular media which broadcasts images to those outside of my culture, the bar is set even higher for Black film production. 

Don’t broadcast statistical, stereotypical destitution as a socioeconomic norm for Black people (I’m talking to YOU CNN’s Black in America with Soledad O’Brien) or glorify being products of our environments (I’m talking to YOU, Hip Hop!).  I work hard enough to shift paradigms and spread positive images that reinforce the greatness of where I come from without having to fight the stereotypes bound to the primary color of my melanin skin.

~

That Brown-Sinned Fellow

This melanin I’m

In spins tales that blend my skin

Into tints of sin.

*

Sadistically Erred

Statistics are a

Sadistic satire that

Flat irons my heir.

~

Which brings me to the pinnacle of my “case in points”:  Mr. Tyler Perry, himself.  Brand wise, I will give respect due for the franchise and entrepreneurial strides he’s made as a producer and self-promoter.  But the consistently shallow character/plot development and propagation of typically typecast males and females in his movies leaves much to be desired.  The craziness of it all is that along with these elements, his predictably trite “dramedies” are the driving force behind his success. 

But Perry can’t take all the credit.  We empower him all the more every time we embrace a new movie by flocking to it in droves in support of Black business.  So to Tyler Perry I say:  “I am not impressed with your catalog.  Dare I say, it offends my intellect and affinity for good cinema.  Step your game up, sir – because I haven’t seen a movie yet that accurately depicts me, my wife or the family I come from.”

This is my outcry.  This is my stance as a statistical error in a world that gets its idea of who I am from how I’m reported in the news and depicted in movies and music.  I expect nothing less from The Great White Hopes of the world but to be rope-a-doped from my own corner knocks the wind out of me worse than any other contender could ever do.

~

Statistical Errors

It’s been sadistically reported that by 25

Black men are statistically less likely to be studied alive.

We’re subject to die by incarceration, narcotics or alcoholic consumption.

We’re unjustly defined to exhibit sessions of fratricidal rage

To justify inhibiting our essence within a latched and idle cage…

As bars from state pens and penned stats

confine our reign within fallen compunction.

But nothing is error proof, though.

Neither is nothing as unfair as untruthful polls.

Corrupted by human goals, any data can be tampered with.

Besides, how can numbers determine an entire demographic?

How are results unbiased when they

promote and demote the hapless?

Once ghettos were established, they were

sampled to ravage blackened averages.

But good men can’t be held down by weighted means.

Proofs of them supplant the hell-bound ranks we see –

We’re breaking the seams as the margin for error daily widens.

We utilize subtle standard deviations

To reduce the lies and double standards that grieve our stations…

As we crumble banners that impede our race’s

place in an era of shady horizons.

Rather, we’re erasing old labels

with high tides of solvent seas.

We’re men in the black – bad debts to society

are being written off the deed.

It’s high time we rise over long running tabs

of steep and slippery slopes.

We’ve been relinquished from being

simpletons and mortgaged freedman –

We are distinguished gentlemen like Morgan Freeman…

We know more, no more are we to be belittled and extinguished

like heathens as we’ve got potential to change history’s notes.

Instead of heavy chips, sons can now be

carried on proud and fatherly shoulders.

Instead of dead beat lists, a sum of gains can

be carried around by policy holders.

Forget clips and gun rounds bound for robbery holsters –

we’ve got heads without shame and slumped bars to hold up!

Rather, we’re raising the bars with our heads held high

By razing bar charts that bar our best with stealthy lies…

We finally got a piece of the pie chart to tell our side

without the bane that has thus far demoted us.

We fly in the face of convention whilst

riding on eagle wingtips stocked.

We defy a fate of contention

by decrying ego trip pit stops.

We’re not defined by an eagle or chip shot –

we’re ahead of the game filled with subpar quotas.

So don’t compare us to an Asian tiger –

we’re not an endangered animal!

Though we come from heirs of ancient sires,

we’re not unfaithful cannibals…

So don’t encage us like Hannibal,

engage us as radicals with uncharted focus.Reggie Legend  is a long-running contributor to AllHipHop.com. For more of his work, go to steelwaterspoetry.com. His debut book “Steel Waters” is available now.