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Roccett Ft. Rick Ross and Bun B [Heater Of The Day]

“Grindin All Night”

Planet Asia Inks New Deal; Lines Up Top Talent For New Album

(AllHipHop News) Bay Area, California rapper Planet Asia has inked a new deal with Wandering Worx Music, a Vancouver, Canada-based independent record label that launched in October of 2010.Planet Asia has pulled together some of Hip-Hop’s biggest names on his debut album for Wandering Worx, which is titled Black Belt Theatre.Artists like Talib Kweli, Raekwon, Paul Wall and Evidence and DJ Babu of Dilated Peoples have already been confirmed on tracks off of Black Belt Theatre, Planet Asia’s sixth official solo release.  “Planet Asia has been catching critical attention since the late ‘90s, and we’re confident he’ll continue to make waves with us and help make this label a hip hop force to reckon with,” Wandering Worx’ co-founder Rodney Davidson said. “We’re ecstatic to welcome such a hard working artist to the family.”The rapper has stayed busy over the years, releasing albums like The Jewelry Box Sessions, Pain Language (With DJ Muggs), Chain of Command (Planet Asia & Gold Chain Military) and a variety of mixtapes. Planet Asia’s first single from the album is titled “Classical Music” and will hit stores and radio outlets nationwide on Friday (November 19th).

Foxy Brown Appears In Court; Vows To Fight ‘Mooning’ Accusation

(AllHipHop News) Brooklyn, New York rapper Foxy Brown appeared in court yesterday (November 16th) and vowed to defend herself against a charge that she violated a court order by mooning her neighbor during a dispute in July. Foxy is accused of violating a 2007 protective order filed by her Bed-Stuy neighbor Arlene Raymond, with whom she has infamously feuded since 2007, when Foxy was accused of hitting Raymond in the face with her Blackberry. Tensions between the two allegedly boiled over this summer when the two had an exchange of words, during which Foxy allegedly called Raymond a “dirty b####” and then flashed her bare bottom at the woman. According to the New York Daily News, prosecutors have not offered Foxy any type of plea deal in the case, but her lawyer, Salvatore Strazzullo, stated that he wasn’t interested in a plea deal for the rapper anyway. “We want them to dismiss the case,” Strazzullo said. “It’s really a case of nonsense.”Brooklyn Supreme Court Justice John Walsh ordered Brown back into court for a hearing on February 7, 2011.“We’re gonna fight this,” Foxy Brown said outside of court.

TV Exec James DuBose Bringing B.M.F. Story To Big Screen

(AllHipHop News) The exploits of Big Meech and the Black Mafia Family have already been turned into a hit single by Rick Ross and a critically acclaimed book by Mara Shalhoup and now, the story of the drug dealing crew is coming to the big screen. Award winning Producer/director James DuBose is currently working on his first feature film, “B.M.F.,” along with BMF Entertainment’s Tammy Cowins. Rep’s for DuBose told AllHipHop.com that the flick will center around the life story of Demetrius “Big Meech” Flenory. Flenory and his brother Terry “Southwest T” Flenory were both sentenced to 25-30 years in prison in 2007, for their role in leading BMF, which distributed thousands of kilos of cocaine around the country, earning over an estimated $270 million in the process. According to DuBose, who produced the BET reality series Trey Songz: My Moment, The Michael Vick Project, Monica’s Still Standing and Tiny & Toya, he has learned to appreciate Big Meech as a “mathematical genius.”In related news, James DuBose, an alumnus of Wake Forest University, will return to campus tomorrow (November 18th) to encourage the student body during the “Journey to Success Speaker Series.” The speaking engagement is part of DuBose’s Entrepreneurial Nationwide College Tour, which is slated to take place throughout February and March. During the tour, DuBose and a revolving panel of film, television and music executives will speak to students to inspire their creativity and entrepreneurial desires. In 2011, DuBose will introduce his newest reality show “Young Moguls” starring Sean “Diddy” Combs’ son Christian Combs.A release date for the B.M.F. movie was not available as of press time.

Flo Rida: The Hip-Hop Midas 2

Continued from  Part 1

Flo Rida – “Turn Around (5,4,3,2,1”) [Official Video]

AllHipHop.com: 

Like your most-recent single, “Club Can’t Handle Me,” “Low”

was featured on a soundtrack – Step Up 2: The Streets – as

well as one of your albums – Mail on Sunday. Do you ever feel

uneasy about having your work featured on a soundtrack before the official

release of a proper album? 

Flo Rida: 

Well, that’s hard for me to say, because – starting out – I was

successful in doing that. I have a great relationship with Disney and

I just want that build, because it feels good to go to a movie and hear

your song playing in the background! [laughing] 

AllHipHop.com: 

How did that relationship develop? 

Flo Rida: 

Early on, they got in touch with my A&R, because they needed a song

for Step Up 2: The Streets.

“Low” was very big at the time, and we just worked it out from there.

And then as far as me doing it again, I did the lead single for the

movie G-Force. It was called “Jump.” And when I was

putting out my album, they were putting out a movie, Step Up 3D,

and they asked if I had a record. We went in the studio and let them

hear some of the records, and [“Club Can’t Handle Me”] was the

record they liked. So I have a great relationship with them. They’re

not just people who want to pick a song. They’re really musically inclined,

as well. And it’s a lot more promotion, too. 

AllHipHop.com: 

When you look at your résumé, and see digital singles sales that exceed

ten million, how does that affect your approach to the traditional business

model? 

Flo Rida: 

For the most part, it’s just in a whole other level, now. When you’re

about to release a song to the world, you just make sure everything

is lined up. After having success with it, you might want to look and

see if there is a movie coming out and if you can get a single in there,

as well as make sure that you’re ready for iTunes, and everything like

that, because that’s where most of the sales are coming from. Nowadays,

you just want to make sure everything is lined up. 

AllHipHop.com: 

Having attained so much success with your singles, why bother with an

album? 

Flo Rida: 

One thing you’ve got to realize is that if people are going to buy these

singles, why not create an album that you feel comfortable with, that

still has that same feeling of an album but could be possibly singles?

So that’s my focus every time that I’m creating an album, because for

one thing, you can say a single is a hot record. Most of the time that’s

the record that people might think is the hottest record, so make sure

the whole album is hot, and therefore you can possibly put out every

record as a single.  

AllHipHop.com: 

Often times, when people have discussions about ground-breaking and

chart-topping artists, they tend to overlook you, even though you have

one of the best sales records in the game. Do you ever feel underappreciated? 

Flo Rida: 

I think it’s because they’ve never seen the whole take on me being able

to trot around the world. Most of these people haven’t even been around

the world, so they really don’t do their homework and they don’t know

these type things. There’s not too many people in my lane. It’s like

I created my own lane. A lot of times, even with them making their own

“best of” or “top ten” lists, they don’t get it right. Some

of the people that they put in the top ten are not as good as the ones

that I think should be in the top ten. So if they can’t get it right,

how do I expect them to even know what’s going on in my world? I mean,

a lot of times I don’t even have time to focus on that, because I’m

traveling doing two and three shows a day. I’m in places like Dubai,

Africa, all over the world. So it’s just a blessing, and I look at it

and really laugh.  

AllHipHop.com: 

Since there are relatively few artists that are operating within your

lane, then what do you think has been your greatest contribution to

the music game? 

Flo Rida: 

The fact that a lot of times when an artist comes out, they’re always

looking for the next artist. And me, I look forward to having some longevity

in this. Everybody loves to party. At the same time, I’m versatile where

I can still put out my mixtapes and do all of that, still accumulate

fans around the world. A lot of times when people go get records deals,

I hear them say, “I’m looking for the next Flo Rida. I need that

Flo Rida stuff.” They won’t say, like with hip-hop or whatever,

they say “That’s Flo Rida stuff.” I think years from now people

will realize that I definitely created my own lane – without recognizing

it at the time. 

AllHipHop.com: 

As a journalist, sometimes it is easy to focus on what you’re doing

in the business, but I really want you to talk about your charity, Big

Dreams for Kids. How did it start? And how do you want to see it grow

and develop in the future? 

Flo Rida: 

Basically growing up in my projects and everything, I was influenced

by different people. There was this one church called Jesus People Ministries,

and they would come out, bring different celebrities out and have them

speak to the kids. They never let the kids forget about putting God

first, but they tell them to dream big; that they made it and you could

possibly do it because these people have come from places similar to

where we grew up. Less fortunate, single parent homes and those kinds

of situations. That has always stayed with me. And now that I’m at

the point where I’m successful, I thought: “Hey, I want to go back

to my projects and talk to the kids.” So I went there and spoke to

the kids. I had big carnival rides out there. Cotton candy. Game where

the kids can win prizes. And every Thanksgiving, every Christmas, and

on different holidays, I come out and I support the kids in the community.

I have different artists come out and perform as well as speak to the

kids, and we just have an extravaganza and just instill in them to continue

to dream big. You know, the sky is the limit. And that’s the greatest

thing, I think, about my music: the fact that I get to travel around

the world and do shows. But sometimes, I’m performing right next to

the slums. So it’s really important for me to go out and put a smile

on their face with more that just my music. I know I receive a lot,

performing and things like that, but to give is better than to receive.

To me, that’s the ultimate feeling.  

For

more information on Flo Rida, visit his official

website

and “follow” him via Twitter [@official_flo].  Flo Rida’s

latest single – “Club

Can’t Handle Me” (featuring David Guetta)

– can be purchased on iTunes as well. 

For

more of Clayton Perry’s interview exclusives, visit his digital archive. He can also be

followed via Twitter [@crperry84].

The Outcry of an Outlier

The views expressed inside this editorial aren’t necessarily the views of AllHipHop.com or its employees. While I take pride in my heritage as an African-American, I have to proclaim that my precedent’s not Black.  Yes – my President is Black.  No – I’m not disowning my culture in favor of giving precedence to another one.  What I am saying is that I cannot support a Black business or public figure just because our skin color matches.  If it, him or her does not line up with my beliefs and code of conduct, I will not compromise my stance.  I have high standards that demand integrity and quality from people and products.  Period.

Case in point #1:  President Obama.  He is not my nor anyone else’s personal savior.  Yet and still, I do hold great regard and expectations for his remaining term(s) in office.  So while his accomplishment is obviously unprecedented and worthy of celebration, I’m not about to put all of my faith in this President just because he’s Black.  I’m not going to support a candidate such as Alexi Giannoulias just because Obama publicly endorsed him when I have misgivings about Alexi’s financial sensibilities.  I only put faith in one personage.  I only have room for one Savior in my life Who was neither Black nor White when He walked this earth.

~

Geez, He Said His Precedent’s Not Black!

a.k.a.

Typecast Votes

I won’t support who

The President’s endorsed just

‘Cause Obama’s Black.

~

Case in point #2:  Black cinema.  I’ve been jokingly scorned by my friends for denouncing the “classic” status of The Five Heartbeats.  Personally, I feel that Robert Townsend misses the mark on the majority of his cinematic undertakings but I’ll reserve individual shout-outs for someone much more deserving in this field.  When it comes to investing my time and money, I expect a lot from the movies I watch.  In all actuality, because of the nature of this particular media which broadcasts images to those outside of my culture, the bar is set even higher for Black film production. 

Don’t broadcast statistical, stereotypical destitution as a socioeconomic norm for Black people (I’m talking to YOU CNN’s Black in America with Soledad O’Brien) or glorify being products of our environments (I’m talking to YOU, Hip Hop!).  I work hard enough to shift paradigms and spread positive images that reinforce the greatness of where I come from without having to fight the stereotypes bound to the primary color of my melanin skin.

~

That Brown-Sinned Fellow

This melanin I’m

In spins tales that blend my skin

Into tints of sin.

*

Sadistically Erred

Statistics are a

Sadistic satire that

Flat irons my heir.

~

Which brings me to the pinnacle of my “case in points”:  Mr. Tyler Perry, himself.  Brand wise, I will give respect due for the franchise and entrepreneurial strides he’s made as a producer and self-promoter.  But the consistently shallow character/plot development and propagation of typically typecast males and females in his movies leaves much to be desired.  The craziness of it all is that along with these elements, his predictably trite “dramedies” are the driving force behind his success. 

But Perry can’t take all the credit.  We empower him all the more every time we embrace a new movie by flocking to it in droves in support of Black business.  So to Tyler Perry I say:  “I am not impressed with your catalog.  Dare I say, it offends my intellect and affinity for good cinema.  Step your game up, sir – because I haven’t seen a movie yet that accurately depicts me, my wife or the family I come from.”

This is my outcry.  This is my stance as a statistical error in a world that gets its idea of who I am from how I’m reported in the news and depicted in movies and music.  I expect nothing less from The Great White Hopes of the world but to be rope-a-doped from my own corner knocks the wind out of me worse than any other contender could ever do.

~

Statistical Errors

It’s been sadistically reported that by 25

Black men are statistically less likely to be studied alive.

We’re subject to die by incarceration, narcotics or alcoholic consumption.

We’re unjustly defined to exhibit sessions of fratricidal rage

To justify inhibiting our essence within a latched and idle cage…

As bars from state pens and penned stats

confine our reign within fallen compunction.

But nothing is error proof, though.

Neither is nothing as unfair as untruthful polls.

Corrupted by human goals, any data can be tampered with.

Besides, how can numbers determine an entire demographic?

How are results unbiased when they

promote and demote the hapless?

Once ghettos were established, they were

sampled to ravage blackened averages.

But good men can’t be held down by weighted means.

Proofs of them supplant the hell-bound ranks we see –

We’re breaking the seams as the margin for error daily widens.

We utilize subtle standard deviations

To reduce the lies and double standards that grieve our stations…

As we crumble banners that impede our race’s

place in an era of shady horizons.

Rather, we’re erasing old labels

with high tides of solvent seas.

We’re men in the black – bad debts to society

are being written off the deed.

It’s high time we rise over long running tabs

of steep and slippery slopes.

We’ve been relinquished from being

simpletons and mortgaged freedman –

We are distinguished gentlemen like Morgan Freeman…

We know more, no more are we to be belittled and extinguished

like heathens as we’ve got potential to change history’s notes.

Instead of heavy chips, sons can now be

carried on proud and fatherly shoulders.

Instead of dead beat lists, a sum of gains can

be carried around by policy holders.

Forget clips and gun rounds bound for robbery holsters –

we’ve got heads without shame and slumped bars to hold up!

Rather, we’re raising the bars with our heads held high

By razing bar charts that bar our best with stealthy lies…

We finally got a piece of the pie chart to tell our side

without the bane that has thus far demoted us.

We fly in the face of convention whilst

riding on eagle wingtips stocked.

We defy a fate of contention

by decrying ego trip pit stops.

We’re not defined by an eagle or chip shot –

we’re ahead of the game filled with subpar quotas.

So don’t compare us to an Asian tiger –

we’re not an endangered animal!

Though we come from heirs of ancient sires,

we’re not unfaithful cannibals…

So don’t encage us like Hannibal,

engage us as radicals with uncharted focus.Reggie Legend  is a long-running contributor to AllHipHop.com. For more of his work, go to steelwaterspoetry.com. His debut book “Steel Waters” is available now.

Flo Rida: The Hip-Hop Midas

Time and time

again, Flo Rida has proven that he has “the Midas touch.” In spite

of the music industry’s ballyhooed downward spiral, Flo has sold more

than 10 million digital copies of his popular club anthems over the

past three years. For this reason, he has firmly supplanted himself

as the undisputed “King of the Club.” 

From “Low”

to “Right Round,” in addition to a string of guest appearances,

Tramar “Flo Rida” Dillard has crafted a sonic style that is immediately

recognizable, memorable and unique. And with the release of his third

studio album (on November 30, 2010), he is resolute in his reminder

to the world: “there is Only One Flo.” 

Upon the release

of the album’s lead single, “Club Can’t Handle Me,” Flo Rida managed to squeeze some time out of

his busy schedule and settle down for an interview with Clayton Perry – reflecting on his formative years

in Las Vegas, the importance of “connecting” with fans, and his

professional relationship with Walt Disney Studios.  AllHipHop.com: 

Although you were born-and-raised in Florida, you also spent a great

deal of time in Vegas, as well. In what ways have those two regions

influenced and affected the direction of your career? 

Flo Rida: 

Living in Vegas has definitely exposed me to an international audience

because people around the world travel to Vegas and party in Vegas.

It definitely inspired the type of music I do. Miami has a great party

environment, as well. Just being in those two places definitely influenced

me and helped me come up with songs about clubbing and everything. 

AllHipHop.com: 

During your undergraduate years at the University of Nevada, you studied

international business. Considering all the things that you have accomplished

thus far, what is one key business rule that you apply every time you

release a new project? 

Flo Rida: 

When I’m performing, I make sure that I do my best to connect with the

fans. When it comes down to promoting yourself, you definitely want

to do that. When I was going to school for international business, I

never even thought that I would be at a point where I would be considered

an international artist. And now, I use a lot of the skills that I gained

before I dropped out. I always make sure I’m handling my merchandising,

and really promoting myself, and connecting with fans during my travels

around the world. It’s crazy for me to say that I’ve been in almost

every country around the world! 

AllHipHop.com: 

As you’ve traveled around the world, what have you learned about the

universal nature of music? 

Flo Rida: 

When it comes to my style, I’m a big fan of OutKast and I’m always trying

different things, whether it’s the melodies or the rhyme patterns. Most

of the people outside of the country understand the music because of

the different melodies I use. So I always try to apply the more melodic

style to my music as well as still keep my core audience where I started

from. Whenever I have a record that gets a lot of exposure around the

world, I take note of the locations where it becomes #1.  

AllHipHop.com: 

When I think of Florida, I definitely think of a lot of the big acts

that have come out of the area – like 2 Live Crew, Trick Daddy and

Trina. Obviously, these artists have opened doors for you, but what

doors do you think you have opened for the artists coming behind you? 

Flo Rida: 

I definitely have to pay my respects to 2 Live Crew. They were known

around the world, which was definitely rare back then. And when I think

about Trick Daddy and Trina, and younger artists like Rick Ross and

Pitbull, they have definitely created a space where anyone who comes

out of Florida can be known around the world. And me, I’ve got to open

that door wider, because I’m a part of that same group now. My eyes

are set on maintaining an international audience, so I think I am helping

push what we do to a higher level on the international level. 

AllHipHop.com: 

Even though you’ve busted down a lot of doors, are there any particular

obstacles that you still have to overcome? 

Flo Rida: 

There is still a lot of work left to do. And right now, I have two new

acts that I am trying to break: Brianna, a female hip-hop artist, and

Get Fresh, an R&B group. I definitely want to pave the way for them,

so they will be able to enjoy careers the way I enjoy mine. I’m definitely

proud of the different accolades. Having almost every album be in the

Guinness Book of World Records, and just having the chance to go

around the world, that’s still humbling.   

AllHipHop.com: 

It is obvious and apparent that you have “the Midas touch,” especially

when it comes to new emerging talent. It is so easy to forget that the

first time I was introduced to Kesha was on “Right Round.”

In addition, my first to Wynter Gordon was on “Sugar.” Talk

to me about the relationships that you have developed with them.  

Flo Rida: 

Both of them are definitely great singers – and I just love being

around talent because I think it rubs off. They have a great passion

for music, and I love to be in the same room with people who have the

same passion as me. There is just a certain aura that you sense in just

working with them. Doing a record with somebody who doesn’t have a record

out, and then seeing it turn into a big success was definitely a blessing

for the both of us. I just definitely wish them the best.  

AllHipHop.com: 

Although there is no such thing as an “overnight success,” the massive

success of “Low” definitely made you a household name in record

time. Why do you think the stars aligned with that particular song? 

Flo Rida: 

It was a fun record, and at the same time, it just reminded me of the

old Miami Bass music, just growing up. I think that was definitely

why it connected so well, because I was very familiar with that sound,

and so were the listeners. For the most part, it is one of those rare

songs that the kids loved, and even the grown-ups. But going back to

my earlier point, when recording that record, I made sure that I attached

myself to being the melody for that record versus just really focusing

on the rap. I just wanted to have fun with that record.  

AllHipHop.com: 

As the undisputed “King of the Club,” why do you think your music

and persona registers with countless millions? What do you think makes

Flo Rida stand out above the rest? 

Flo Rida: 

Well, I definitely do my homework. I started just living in Vegas. I

lived in California for like four years with DeVante of Jodeci. So he’s

a guy who is very musical and I always surround myself around people

who are very musically inclined. I am always studying. If I don’t have

the music with me, I go on the Internet, look at YouTube footage. I

don’t care if it’s of Michael Jackson, Marvin Gaye, James Brown, or

Jimi Hendrix. The souls of these artists influenced me. So I try to

pour all of my energy – all of my heart and soul into my music. And

that’s what creates the magic. If you want that success, you have

to sacrifice other things and give music 100 percent of your time.  

AllHipHop.com: 

When you speak about that magic, what do you think makes the perfect

song? 

Flo Rida: 

The spur of the moment. The production. And you’re just feeling great

that day. No writer’s block and you’re just getting in there. To be continued in PART II…

Owners Of Rising Rapper Paypa’s Label Busted In Massive Cocaine Ring

(AllHipHop News) The owners of the record label that signed rising rapper Paypa has been indicted as part of a massive cocaine ring that smuggled drugs from Southern California to Baltimore using private jets. According to police, Charles Ransom Jr. and Ricky Brascom, 28, owners of Behind Da Scenes Entertainment, were part of a ring that included Darrin Ebron, owner of the Goodlife American Clothing brand. When they were arrested earlier this month, police seized over 300 kilograms of cocaine and $1.1 million in cash. Police accuse Ransom and Brascom of heading up the ring that imported hundreds of pounds of cocaine into the United States from Mexico, sold the drugs in Baltimore and sent the money back to Southern California.According to the Associated Press, members of the drug ring smuggled the drugs by chartering private jets at a cost between $20,000 and $50,000.The men then funded lavish lifestyles. Brascom even lived in a gated community near famed Hip-Hop producer Dr. Dre.  Even when investigators seized over 50 kilograms of cocaine during an undercover operation in February, the drug ring continued to operate and smuggle cocaine across the country. “It’s amazing what greed will do to you,” said Assistant U.S. Attorney Rob Villeza. “They knew something was going on, but the next day they were doing it again. They were not prepared to stop.”Paypa recently inked a deal with SRC/Universal, the label home to Akon, Lady Gaga, T-Pain and others. The rapper’s music has been featured on AllHipHop.com in the past, was also featured in a recent issue of Vibe. He’s preparing to release a new mixtape titled Tunnel Vision 2: Ramadan Season and his major label debut, Feel Good Music. If convicted, each defendant faces a sentence of life in prison.

Drake Named GQ’s Man of the Year

(AllHipHop News) Rapper Drake is one of four people who have been named Man of the Year by GQ Magazine, after enjoying a hit year that included a successful tour and his hit album Thank Me Later. Drake was named Man of the Year by the fashion magazine, along with Stephen Colbert, James Franco and Jeff Bridges. While the magazine focuses on men, Scarlet Johansson was crowned Babe of the Year by GQ.Last year, Drake made GQ’s annual end-of-the-year wrap-up along with Kid Cudi and Wale, who were labeled “The Gangsta Killers” for “killing off” raps “gangsta” personality.

DJ Premier Discusses Drake Bringing Back Lyrics To Hip-Hop

“For a 22-year-old man, he brought lyricism back. When [Gang Starr’s] Step In The Arena came out, I was 22-years-old. And I just thought about it, I was like, Damn, I was a youngster. I wasn’t 30, 31. I was 22 and coming with heat. And that’s why I like that he’s bringing stuff back. J. Cole, I like that he’s bringing lyrics back.”DJ Premier to XXLmag.com

I sent out the above quote from my Twitter not understanding what would happen next. The rage, the venom and the blatant disrespect rose up like the zombies in “The Walking Dead.” Without question, the veteran producer had never seem such a backlash. So, it was imperative that a follow up explanation come from the Gang Starr beat master. Here it is.

Follow Chuck “Jigsaw” Creekmur at @chuckcreekmur

Brand Manager Cedric Muhammad Launches Consulting Service For African; U.S. Artists

(AllHipHop News) Former Wu-Tang Management GM Cedric Muhammad is launching a new company that will provide international brand management and strategic marketing advice to artists, entertainment companies, music entrepreneurs, with a specific focus on Africa and the United States. The new service, which is being launched under his CM Cap Hip-Hoppreneur umbrella, consists of four services: brand management, strategic marketing, artist development and entrepreneurial development. In addition to the Wu-Tang Clan, Muhammad has worked with a variety of clients, including McDonalds, AllHipHop.com, David Banner, the U.S. State Department of Housing and Urban Development and the government of Indonesia in 1998, during their currency crisis. “I’m excited and humbled to be in a position to not only have my finger on the pulse of where the music business and global economy are headed, but also the necessary influence and network to help develop and guide artists in an empowering way,” Cedric Muhammad said. “My goal is to help them build earning potential even when the music stops and to demonstrate that the future of the business lies not in hot beats and rhymes or great performance alone, but more importantly, in brands and leadership qualities that represent the best interests and aspirations of people and organizations – at a local and international level.”Cedric Muhammad’s company will focus on artists based in America who are looking to become more relevant and expand their careers in internationally, with a focus in Africa, as well as artists abroad looking to break in the United States.The first client signed to CM Cap is West African Entertainment Company Storm 360 and their artist, Nigerian rapper Naeto C. Under the new deal, CM Cap will help introduce Naeto C. to the United States, while promoting the award-winning rapper’s upcoming album Super C Season.Naeto C., who already holds a Bachelors of Science in Biology, will earn a Master’s Degree in Energy Studies later this month. He was also named Best Hip-Hop Artist during Channel the Channel O Awards in South Africa last weekend. “I believe the most versatile MC in the world is coming out of Africa,” Cedric Muhammad commented. Naeto C. is a special artist with not only talent and charisma, but a story that will inspire people. What else can you say about ‘the only MC with an MSC’? America is going to love him and his new album! I’m honored to work closely with him and Storm 360 around ‘Super C Season.’ We plan to write history. Naeto C epitomizes what it means to be a ‘Diasporic Personality,’ – a trendsetter at home and abroad.”Naeto C. recently released “10/10,” the first track off of the album Super C Season. To listen to tracks by Naeto C., click here.