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TOP 5 DEAD OR ALIVE: Raekwon

Raekwon and CNN rocked the stage during their North Carolina leg of the “Only Built 4 Cuban Linx 2” tour, and AllHipHop was right there to get his Top 5 Dead or Alive. But, there is more. While paying homage to the artist on his Top 5 Dead or Alive, Rae also gave me an update on his project with Kool G Rap and his anticipated three-way collaboration with fellow Wu-Tang brothers –  Method Man and Ghostface Killah.

Raekwon: One thing about me and my top five, it may be n*ggas that ain’t even relevant like that… at the level of today’s Hip-Hip. that will really hurt a lot of peoples feelings, but that’s how I feel. I take real emcees serious, so I will definitely say, one is Rakim. Rakim is our Marvin Gaye of Hip-Hop.

Then you have Slick Rick. Just their albums that came out almost 20 years ago is still busting a lot of n*ggas a** today lyrically. I wouldn’t even consider myself in the “Top Five” yet. I haven’t put in any work yet. Them two… I like [Notorious] B.I.G. Definitely one that definitely had a lot of talent, he had that good voice.

Big Daddy Kane was crazy back then. His s### was on fire. He has come with all different types of styles and flows. ‘Cause see that’s what I look at too. I don’t look at a n***a just being able to rhyme and talk tough all day. I’m talking about literature on wax. S### that will be like “what he say?” Spitting that sh*t right back. I look at all that. One thing to me about being a real emcee is that you have to fit that role as being one of those n***as. All n***as are made to have their own style and charisma. B.I.G. had his own style, his own charisma. He was able to do R&B s**t, kill it and still come back to do the real s**t.

Always presenting his lyrics, always knowing how to write stories and dip in different things. So I look at all that. Rakim, Slick, B.I.G., Kane…

I got one for more… KRS-One. Lyrically, l said those names right there. That’s why I picked them.

AllHipHop.com: You named these artist as your “Top 5,” why do you say they won’t be relevant?

Raekwon: Because they had their time. Everybody had their time to shine. It’s not like they can’t come back and bust n*ggas ass again, it’s just all about the production. I’m just saying it in like a good way. Anybody might say Michael Jordan is one of the best basketball players, but you have these young n*ggas like Lebron doing their thing. Dwyane Wade and all these dudes, but you always have to mention Jordan. So that’s my thing on how I really feel about real Hip-Hop. When i think of Rakim, he made me want to rhyme. He made me want to get knowledge of self. He made he want to challenge myself lyrically on wax. He helped me gain that energy, gain that swagger- that’s the new word today. I call it style but ya’ll call it swagger. So, he taught n*ggas how to get fresh. Flat tops, good four finger rings,all that. Style is important. Slick Rick dressing up. Slick flowing and really knowing how to rhyme. Sh*t just be coming out bouncing, bouncing over everything. So all these type of things I look at.

That’s why I’m able to do the type of songs that I do. I test myself because I want to be put in that category one day. I like anything after 25 years in the business, then start calling me a real legend. But right now, I still have a lot of work to do. I only have four albums in right now. When you think of all these old soul singers, they have multiple albums. The O’Jays, The Isley Brothers, all these n*ggas have more than four f*cking albums bee. So when you start seeing somebody at that level, they have to have a long track record of music. I want to do 50 albums. So when I get to that level, maybe I’ll start calling myself one of the “top dead or alive.”

AllHipHop.com: In a recent interview with AllHipHop.com, you revealed that you will be doing a project with Kool G. Rap.

Raekwon: Me and G Rap was definitely talking about something. I think that will be something crazy because that’s me doing it with one of my mentors. I don’t even know why I didn’t pick him [for the top five dead or alive], but he’s definitely in that category as well. How I’m looking at it is like I get to do sh*t with some of my favorites. Remember when Michael Jackson first got the opportunity to see James Brown on stage? He waved the flag and they put the cape on him? That’s how I look at my greats too. So for us to do that, I’m looking forward to doing something like that. If me and G talked about it, then hey… it may happen sooner then you think. But whatever we do, it’s gonna be something ill. We’re going to make sure of that. When I think about me being in the street selling crack all my life and listening to Kool G. Rap “In the streets of New York, dope fiend’s leaning for morphine,” it was like he was talking to me. It was like he was talking to me personally and talking to the world from our perspective and where we was at. So for me to get back in the studio with him, I want to go right back there. I want to do it on that level. We have to understand that our brothers who paved the way for us, we can never forget them. That’s not in my nature to forget them because I don’t care if they’re not on the radio today. He still got it, he still can rhyme. So in my heart, we’re always going to have a door open for them because they helped me get here today. So when that project does happen, you’re going to know about us. It’s going to be a real ill project because he’s still paving the way and he was paving back then. His pen is still sharp. You’ll see what it is.

THE SIDEBAR

Raekwon: Right now, you know we’re working on the Meth, Rae and Ghost album. There’s some s### that you all will be able to listen to soon. We’re just going to keep the it kind of tight right now. It’s suppose to come out during the February month. It’s all about creating. When it’s time, you’ll know about it. Word up.

Hip-Hop Rumors:Beanie Sigel Update! Chris Brown’s Nice To Strippers!

DISCLAIMER:

 

All

content within this section is pure rumor and generally have no factual

info outside of what the streets have whispered in our ear. Read on.BEANIE UPDATE

There’s no update here, other than I THINK Beanie is OK. I mean, honestly, if he was in really bad shape, I would know something by now. They are saying he was leaving Baltimore when the truck hit him and totaled the car he was in. Sigel had cuts to his face, according to thisis50.com, but he managed to get to his show in Norfolk, VA the next day. Shout out to Beans. CHRIS BROWN’S POLITE TO STRIPPERS!According to the New York Post, Chris Brown is kind and doting to strippers. Read:Chris Brown finally got a break — when he unwittingly found himself at Greenhouse

with girls from topless club FlashDancers. A source said, “When 86

gorgeous girls turned up, Chris Brown, who just happened to be there,

looked delighted. And he has an eye for the Latinas.” Brown, who’s

still on probation for beating Rihanna wasn’t drinking, the girls told Page Six. One ecdysiast who calls herself Carmen said, “He was the perfect gentleman and very polite.” Another girl, Maria,

told us: “He was talking to me but checking out all the other girls at

the same time. He seemed fun but very flirtatious . . . it was clear he

had to be on his best behavior, especially with regards to how he

treats women.”

T.I. UPDATE

Is T.I. really getting out? I don’t know. The sad reality is I know TMZ or whoever read the rumors today and totally is on this – IN KNOW. Anyway, nobody is talking right now, but I am being told things are moving. Honestly, that’s all there is.

EPIC FAIL OF THE DAY

Dude, I don’t know what they do in Columbia, but I hope this is not the norm! A man’s wife won’t give him any puma, but he doesn’t want to cheat…what does he go and do? Dude castrated himself! OUCH!!!!!!!!!!!! And it got infected down there. FAIL!

video platformvideo managementvideo solutionsfree video player

LIL MAMA AND NICKI MINAJ SQUASHED BEEF?

I don’t know if this can be classified as beef, but I am hearing that Nicki and Mama got together and peaced everything out. I guess that’s cool, because somebody would have gotten ethered if they battled. LOL! (I don’t know who, by the way.)

A RIHANNA / JAY-Z ALBUM?

I don’t know how much you can put into this rumor. But, I heard from a source that Jay and Rihanna may be plotting a duets album. I guess Mary J. Blige got too old? Weren’t they talking about that before?

REST IN PEACE, ROSE!

Actress Alaina Reed Hall lost her battle with breast cancer on December 17 – she will be remembered! R.I.P.

Hell, I miss all of “227” – check it out!

EARLIER RUMORS! Click here for the earlier rumors, which included this crazy pic of Nokio from Dru Hill.

CHANCE ENCOUNTERS – Where Chance gets in and talks the talk about what he’s hearing in these evils streets. MRS. WESTSo it doesn’t look like Diddy popped the question this weekend as was rumored, but now there’s another proposal rumor floating around.  A source close to Kanye has said he plans on proposing to Amber Rose when the two go to the Dominican Republic in January.  But I’m also hearing a rumor that suggests ‘Ye may not be ready to settle down just yet.  He was reportedly at a club called Whiskey Mist in London last week with RiRi until about 4:30 a.m. and patrons at the club say the two we’re in their own world the entire night and Rihanna even gave Kanye a private dance which “he loved every second” of.

GOOD STUFF

I was introduced to this guy when Jay went on the show and he

definitely has some pretty dope interviews…Check out Rihanna on

Jonathan Ross, the UK’s Late Night king.

KUDOS TO KUDIKid Cudi is rumored to be dating a model named Jamie Baratta.  She escorted him to an event at LAVO NIghtclub in Vegas, where Cudi was hosting.  Good for him hopefully this doesn’t go south cause he’s not good with rejection.

OH BABYBraylon Edwards of the New York Jets may be in the same boat as Nas.  Former Americas Next Tob Model contestant Nik Pace, who recently had his child, is suing him for $70,000 a month in child support.  He’s tried to move the case to Georgia, a state with less generous child support laws, but it looks like this one is going to be settled in New York.  The two never had a serious relationship.

FINALLYIf you watched the last season of Making The Band, you know Day 26 was having some issues getting along as a group…well actually the group had a problem getting along with Que.  Well they recently solved the problem by kicking him out of the group.  I’m actually surprised they didn’t do this on the season finale.  Well here is Que explaining his side of the story via Ustream.

THE VIEW

Check out this pic of Ice T’s wife CoCo getting it in in the gym.  Cheers!!!!Click here to read all the commentary on this one!

I’M JUST SAYIN’I just got back on Facebook…click here and add me…I’m pretty entertaining :-).Amber Rose was rumored to have received $20,000 to appear at a club in DC last week…she actually only received $10,000.Word is The Carter/Knowles family will be headed to an isolated group of islands about 500 miles south of Sri Lanka known as The Maldives for the holidays.  They spent Thanksgiving at Jay and Bey’s house in Tribeca.Shouts to DJ J TreyKobe Bryant was at a club in NY this weekend and witnesses say he had a little fun with a waitress in the bathroom…hope he doesn’t get Tiger Woods’ed.I’m listening to the Young Money album as I write this…definitely the illest collective around these days.I hear Def Jam is moving out of the Universal building.While everyone in New York was enduring the snowstorm Saturday…Jay-Z and RiRi found the time to shoot a performance for Carson Daily’s New Years Eve Special.

This pic is for Lady GaGa’s Fame Monster Deluxe Album booklet.

Peace – CHANCECDR @ Twitter or FacebookNOKIO, WE LOVE YOU!!! BUT…GOT DAMN, HOMEY…LAST DECADE YOU WAS THE MAN HOMEY, WTF HAPPENED TO YOU?

They keep us talking, but if we stop talking about them then they should worry!

-illseed

WHO: illseed.com

WHAT: Rumors

WHERE: AllHipHop.com, MySpace.com/TheIllseed

HOW: Send your rumors and ill pics to illseed at [email protected].

Buju Banton’s Label Stands By Artist, Offers Legal Support

Gargamel Music Incorporated has announced their full support for their star reggae artist Buju Banton, who was arrested December 10 on federal drug conspiracy charges.

 

According to Gargamel president Tracii McGregor, Banton will be provided with top legal service representation from David Oscar Markus, who is a veteran of many high-profile drug cases including that of former Panama military dictator Manuel Noriega.

 

Markus is set to replace Banton’s current attorney Herbert Walker III, who represented the singer for his initial court appearance.

 

“It’s on and popping. Walker has never really been our attorney,” McGregor explained to CaribWorldNews.com. “This is Buju and we’re going to get him the top legal representation there is. We are ready to fight. I saw him yesterday and told him to go inward and preserve you.”

 

Banton, real name Mark Anthony Myrie, was indicted last Tuesday (December 15) with two other men for allegedly attempting to distribute at least five kilograms of cocaine.

 

Before his arrest, Banton was having a highly successful year, receiving a Grammy nomination for his latest album Rasta Got Soul.

 

A video for the track “Optimistic Soul” was recently completed.

 

Last Wednesday (December 16), Banton waived his bail hearing right and will face trial in Tampa, Florida. If convicted, he faces a minimum of 20 years to life in prison.

Young Jeezy Performs During High School Football All Star Game

Rapper Young Jeezy will make a high profile appearance during the Under Armour All-America High School Football Game in January.

 

Young Jeezy will be the featured halftime performer during the third annual game, which showcases the nations top high school senior football players.

 

The game is taking place at Tropicana Field in St. Petersburg, Florida and will also be televised live on ESPN on Saturday, January 2 at 11:00 AM ET.

 

Tickets for the game are available for $10 and also announced February 9th, 2010 as the release date for Young Jeezy’s upcoming album Thug Motivation 103.

AHH Stray News: Asher Roth Not Gay, Kay Slay Sued, Common, Hip-Hop High

DJ Vlad, who serves as Executive Vice President of Loud.com/SRC Records has come forward to dismiss rumors about Asher Roth’s sexuality. Reports surfaced last week that Asher Roth had “come out of the closet” during an interview about Clay Aiken on the E! Channel, which was also supposed to be airing Roth’s coming out announcement as well. “Asher Roth is not gay, and is not scheduled to be interviewed on the E! Channel. Furthermore, Asher has not been dropped from SRC Records, and is a top priority at the label after having sold over a million copies his “I Love College” single,” DJ Vlad said in a statement. “Asher is currently working on his next album for SRC.”

 

DJ Kay Slay has been hit with a copyright infringement lawsuit in Manhattan Federal Court. The lawsuit was filed by a pair of songwriters named Raymond and Richard Grant. The Grant’s claim DJ Kay Slay illegally used a sample of their song “Angels Around Me” on his track “Angels Around Me” which featured cameo appearances by 50 Cent and G-Unit. The song was produced by DJ Twinz and is featured on DJ Kay Slay’s 2004 album The Streetsweeper Vol.2-The Pain From The Game. Also named in the lawsuit is Loud Records and Sony BMG Music.

 

Rap star Common has teamed with New York based club Giant Step to ring in the New Year in Miami. Common will be the featured artist at this year’s New Year’s Eve party in The Florida Room at the Delano. The rapper will be backed by his live band during the intimate performance for the 200 people who manage to grab tickets. Also on the bill is Baltimore native Rye Rye, DJ Mateo DiFontaine and DJ Tommy Ryk.

 

The Portland Oregon school board has officially approved a new charter high school that will highlight Hip-Hop music and culture. The school board unanimously approved the high school in a 6 to 0 vote paving the way for The High School of Recording Arts Portland to open in 2011. The next 18 months will be spent developing the schools curriculum according to local news reports. The school’s goal is to prepare students for society through education and incorporating hip hop culture. A number of popular local rappers also participated in the development of the curriculum including versatile of the local group Lifesavas as well as hometown favorite rapper Cool Nutz.

No Agreement: The Hypocritical Commercialization of Fela’s Legacy

No Agreement: The Hypocritical Commercialization of

Fela’s Legacy

 

“No agreement today/

No agreement tomorrow/”

—Fela Anikulapo Kuti (With Africa 70), “No

Agreement,” No Agreement, 1977.

I’m sorry: It’s not enough to simply

watch “Music is the Weapon,” or pour through Michael Veal’s impressive

biography, Fela: The Life And Times Of An

African Musical Icon, or, for the younger ones, bob your heads frantically

to the pulsating polyrhythms of Red Hot +

Riot: The Music and Spirit of Fela Kuti. Nope!

There’s a Fela hysteria sweeping the

nation, captivating minds that ordinarily wouldn’t have nothing to do with Afrobeat,

or couldn’t tell you what place on the world map Nigeria is located. But this

is the sort of event those of us who not only grew up listening to Fela, but

grew up in the conditions he spoke life and meaning to, saw approaching a

million miles away. We knew the same cast that commercialized Bob Marley’s

legacy, and reduced his politically-charged music to mere aestheticism, had

eyes set on an equally great icon—Fela Anikulapo Kuti. 

Hollywood liberal commercialization of

Black culture is nothing new. For as far back as history dates, the relationship

of Blacks with Hollywood has been of co-optation and commodification. Nothing

new here. But Hollywood especially prefers these Black rebellious souls when

dead or too impotent to fight back. Tupac and Muhammad Ali are two succinct

examples. When alive or, in Ali’s case, alive!,

both were reviled by the White bourgeoisie of Hollywood, portrayed as

miscreants with maniacal motives. Both caught hell for bearing their heart out

and telling the white world what it needed to hear from a people taught to bow

and scrap before their former masters’ offspring. Both faced the brutal

backlash of a White majority not too fond of indignation from Negroes. But

since death—in Tupac’s case—and since retirement—in Ali’s case—both have been resurrected

as mainstream icons, accepted and appreciated by former presidents, current

presidents, and, as was revealed a couple of weeks back, even

the Vatican.

It’s hard to miss why: When alive and in

the prime of their youth, both—in equal measure—could push back hard against

any attempts to be made into caricatures by Hollywood’s billion dollar machine.

But, as confirmed with Will Smith’s horrendous portrayal of Ali in the 2001 biopic, in due time even

historical facts could be rewritten and rearranged to meet specific agendas.

This should give worry to anyone familiar

with Fela’s true legacy. Those who were in touch with his music understood

how much a threat he was to General Sani Abacha’s regime of terror, not only for

his courageous songs of protest but for his growing popularity amongst oppressed

peoples in Nigeria—and beyond. Fela was also a threat because, unlike musicians

before him, he saw the unity of African countries as more important than the

singular independence of those same countries from forces of colonialism. Fela

was a miracle to millions whose freedoms had been truncated to stash the trunks

of dictators and money-worshipping embezzlers. No artist before him had spoken

with such unflinching candor to authority figures whose names immediately

conjured urban legends of mass-executions, mass-graves, and mass kidnappings.

Fela wasn’t just some half-naked multi-instrumentalist secluded in a “Shrine.”

The music was, yes, integral to his

mission; but the message was more important. Fela understood, much like Paulo

Freire did (Pedagogy of the Opressed),

that to help an oppressed people out of their subdued state, the pedagogue, or

musician in Fela’s case, had to minister to them in ways unlike that which the

oppressor had used to keep them fearful and feckless. Any attempt to reach them

couldn’t be didactic or condescending. The agent had to walk amongst the

people—not ahead of them. The agent had to speak to the people—not over them.

Fela mastered these concepts and, in short time, rose as leader of a revolution

threatening to bring back power to the disenfranchised.

“No

agreement now, later, never, and ever/”

But Fela also knew more was at stake. He

knew without

the backing of megalomaniac Western companies and governments, most of

those leaders couldn’t carry out serial crimes against their own people. When

he toured the U.S. in the late ‘60s, the militancy of Malcolm X and the Black

Panther Party helped put in perspective many of the ideas he had about liberating

Africa from its oppressors’ grips. And as he prescribed much later on, the key

to African unity was simple: “No Marxism, no Leninism, no Capitalism—Africanism.”

This made Fela an even greater threat—to Western powers. Fela understood that,

since the advent of colonialism, any African who dared unite Africa faced not

only insurmountable obstacles but also the very real prospect of death. Kwame

Nkrumah was living proof.

Today, rarely are these issues

discussed. What we have, instead, is a fetishization of Fela’s legacy—a

hypocritical commercialization that seeks to rebrand that ferocious rebel into

a commodity. Now, you can go to the store or Broadway and purchase a piece of Fela.

It was surprising to read the New York Times review of the hit

Broadway show, “FELA!” Hardly a progressive or leftist or liberal

establishment, the Times hasn’t been

too kind to Fela in the past. More than two decades ago, when “Music is the

Weapon” was first released, a Times critic,

John Corry, complained

that “Fela’s accent may make him unintelligible to American listeners.” Strike

one! He went further in disparaging the “careless thinking” of the “romantic

French film makers” who let Fela tell lies about the evils of his government:

“In 1979, in an extraordinary experiment in democracy, the military government

voluntarily returned the country to civilian rule. A country made up of 250

ethnic groups held elections. The military replaced the civilian government in

December 1983, at the time he was interviewed, Fela was living in a free

society.” Strike two! (Never mind that Fela was arrested some 356 times for his

activism.) This great apologist for the evils governments do felt so swell

about his astute knowledge of

Nigerian history that he couldn’t help sharing it with the world: “Nigeria has

no tradition of concentration camps or pogroms. 

Politicians may be bought, but they are not often shot.” Thus he

concluded: “As a political statement this is not much. The music, however, is

awfully good.” Strike three!

Back to my earlier point: The

dance-monkey-dance model is simple when applied to insurgent Black artists:

Dance, but don’t expose Western hypocrisy. Dance, but don’t make us uncomfortable with your political

monologues. Dance, but don’t tell us you can do more than tap-dance and scat

nonsensically. Entertain us, by all means, with your best act. But don’t get

all preachy or philosophic

Fast forward to last month, the Times couldn’t

be restrained from gushing and salivating over the “pot-smoking,

sax-tooting” icon whose “charismatic authority” can now be consumed by White

liberal elites—without the messiness

of incendiary political rhetoric. There is even a parallel constructed between

“FELA!,” “Hair,” “West Side Story” and “Bye Bye Birdie”—fitting. And though the

author is mildly titillated by the political and cultural undertones that are

brought to bear in Fela’s work, he believes “it’s the music and the movement

that tell us most about the man and his world.” Thus his excitement couldn’t be

contained since “‘Fela!’ never stops dancing.” And even while paying opportunistic

homage to Funmilayo Ransome-Kuti (Fela’s mother), a worthy emblem of womanhood,

he cautions that “the heart, soul and pelvis of ‘Fela!’ are located most

completely in the phalanx of female dancers (I counted nine, but they feel

legion) who stand in for the 27 women Fela married.”

This is the new Fela—a trendy, tasty flavor.

A couple of months ago, I stumbled upon

a librarian who felt it necessary to share her love for Fela with me. The

conversation couldn’t have been more rewarding until she mentioned that the

allure of his music had more to do with its rhythmic intensity—which, she

explained, is the perfect treadmill accompaniment—than any other factor. Being

the perfect gentleman, I smiled, walked way, and shook my head in mild

astonishment. Of course worse reasons have been afforded.

The Broadway show, “Fela!,” is being

directed by renowned choreographer Bill T. Jones. Jones has also been joined

recently by Jay-Z, Will Smith, and Jada Pinkett Smith as co-producers. Who

would have thought in a million years that Jay-Z, a staunch

capitalist with a greater

affinity for the Horatio Alger mythology, and Will Smith, a Black actor who

has proven cash rules not just everything around him but often his integrity as

well, would want to align themselves with a revolutionary artist the latchet of

whose shoes in 10 lifetimes they still wouldn’t be worthy to unloose? Not unless

this revolutionary has been dampened and extinguished of all political flame!

But Jay-Z and Will Smith aren’t alone.

The “conscious” sector of Hip-Hop has found much use for Fela in recent years.

Everyone from Mos Def, to Talib Kweli, to Erykah Badu, to Common, and even

Alicia Keys have either sampled his music or voice on songs. I applaud the

candor and courage of Mos Def, Talib Kweli, and Erykah Badu in trying to raise

the consciousness of a dominant, White Hip-Hop audience that might be merely

interested in voyeurism than wrestling with themes of White Supremacy and how

it often works unimpeded in Hip-Hop—fans who, as Brother Ali

once put it, “feel they are a part of hip-hop, but are listening to and

prefer mostly white MCs.” Credit is due. But it’s one thing to sample; it’s

radically different to rise to the level of statesmanship Fela remained at from

the late ‘60s till his death August 2nd 1997. It’s not just enough

to scream “Free Mumia” at concerts, when the prison industrial complex, and the

many corporations without whose help it wouldn’t function, are left

unaddressed.

As Fela gains increasing grounds in

Hip-Hop, and producers seem more interested in the horns of his music than the

heart which produced them, what would be the response of those who hope to keep

burning the candle lit by his poetic wisdom and political wit? Should the same

folks who can’t even conceive independent thoughts about their Black president

be allowed to contaminate Fela’s legacy with their arm chair-revolutionary

drivel?

As you read this, biopics are being

prepped to cash in on the recent rise in demand of all-things-Fela. More

than likely there would be factual errors of epic proportions. There would be a

disproportionate obsession with his 27 wives, rather than the philosophies

undergirding such practice, or the tradition it is merely a legatee of. As Beverley

Hills capitalizes on sensationalism in portraying Fela, and refuses to cover

the complex, complicated, conflicted legacy he left behind, would true Fela

fans, worldwide, stand up and remember him in the most fitting way

possible—carrying on the tradition of critique against imperialism; in whatever

shade or shape it comes? Would we let the Hollywood machine transform Fela

Anikulapo Kuti into a flawless, lifeless, feckless commodity, rather than a

legitimately flawed human being with the will of steel strong enough to make

life a living hell for the “VIPs” of the world?

Tolu

Olorunda is a cultural critic whose work regularly appears on TheDailyVoice.com

and other online journals. He can be reached at: [email protected].

Monday Fashion Feature: The Biggest Fashion Trends Of 2009 – Hot Or Not?

We recently highlighted major trends of 2009 in the urban market. Now it’s time to focus in on key pieces of the year and vote on whether they have longevity or not.

 

Cassie

 

Cassie is rocking one of them above – the romper. This one piece delight is made in all different fabrics and fits, and saves a lot of time for us ladies when it comes to matching up tops and bottoms!

 

Do you think it will stick around for a while?

 

 

The harem or “MC Hammer” pant is a questionable piece, flattering in some cases and not so much in others. This pant comes in various fabrics, lengths and degrees of bagginess.

 

 

Oh, the leotard. We saw it go from Rihanna‘s on stage attire to everyday wear. Do you think this trend will continue spreading or disintegrate quickly? It requires lots of confidence, especially when worn without tights like Nicki Minaj did above.

 

 

With the rock trend being such a hit this year, it was inevitable that leather would takeover everything from pants to dresses and tops. Leather (or even faux leather) leggings and pants were rocked from the office to the club in many cases this year. Are you sick of seeing this look?

 

 

Buffalo plaid…seriously, it has been everywhere this year. Black combined with yellow, pink, teal, purple, blue – you name it. While well known brands were knocking them out, so were stores like Forever 21 and Strawberry under private labels or generic brand names. Lately we’ve been seeing brands flirt with variations on the typical check design.

Is it played out?

 

 

After a period of clean denim being in, heavily destructed denim took the stage. Bleached, ripped, distressed – have we had enough of these loud styles? Is it back to clean, crisp denim soon?

 

 

Ah, the murse. With fans like Kanye assisting in their popularity, and brands like COOGI creating some dope designs, will more men start carrying them?

 

DSquared

 

Short(er) shorts for men. It may be a runway image you see above, but even urban brands like CAVI and LRG have started slimming their shorts’ fits and cutting them just above the knee. Are the days of drooping, wide shorts over?

 

Chris Brown

 

Flashy high top sneakers in bright or shiny metallic colors – will they have to make room for the cleaner more understated kicks?

 

Let us know your thoughts, and if we missed any other notable fashion pieces of 2009!