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Sculptor Sues Diddy Over Unforgivable Bottle Design

A Massachusetts-based sculptor is suing Sean “Diddy” Combs over the design for the bottle of his popular Unforgivable fragrance.

 

In a lawsuit filed last week in Springfield federal court, Tom Patti claims that Combs stole the copyrighted designs of his one of his creations, Compacted Gray With Clear and Ribs and Modulated Solar Airframe, in order to create the bottle for Unforgivable.

 

He is suing the entertainment mogul for copyright infringement, trade dress infringement, and unfair competition, which stems from “defendants” improper taking of Tom Patti’s designs and the associated goodwill through Defendants’ unauthorized use of the product configuration and packaging for its Unforgivable cologne product.”

 

The suit, which also named Sean John Clothing, Inc. and Estee Lauder Companies, Inc. as defendants, further noted that Unforgivable debuted around the same time that Patti’s designs were exhibited at the Heller Gallery in New York in 2006.

 

According to the artist’s lawyer Steven Roth, the similarities between the bottle and his clients designs are to obvious to be ignored.

 

“Tom Patti is a world famous glass artist whose work is displayed in the Louvre, the Met and MOMA. Ever since Unforgivable came out in an imitation cradle, similar to Tom Patti’s work, people have been questioning the similarity of the two works,” Roth told E! News, adding that the comments prompted his client to “take action against Sean.”

 

“Significantly, in the author’s view, ‘[s]imilarities between Patti’s sculptures and the ‘Unforgivable’ design include the choice of color, the architectural elements, the proportions, the exposed ridges, the layers, and the curved top.’”

 

As a result, the suit alleges the confusion has damaged Patti’s “goodwill and hard-earned reputation” as well as caused a loss of “sales, and/or other opportunities for monetary relief.”

 

Since its debut, Unforgivable has emerged as a leading fragrance among consumers.

 

The success of the scent resulted in the release of Combs’ latest fragrance I Am King.

 

Both brands captured the attention of the public with promotional campaigns in various print, television, radio and online outlets.

 

According to Roth, Unforgivable’s sales were enhanced by the bottle’s attractive shape.

 

The attractiveness of the scent can be directly linked to Patti’s designs, he added.

 

A representative for Patti revealed that that the artist would have to prove the Unforgivable cradle designer had knowledge of Patti’s work or access to the work.

 

Patti is seeking unspecified amount of money from the suit as well as a court order to halt the use of design due to the copyright infringement.

The RZA: Afro Samurai Resurrection (Soundtrack Review)

 

 

You may or may not have seen the cartoon on Spike with the Black Samurai roaming around Japan slicing and dicing everyone in his path, trying to find those responsible for his father’s murder. The animation is top-notch, however the confusing plot and dialogue coupled with the voice of Samuel “I don’t read scripts anymore, I just sign on the dotted line” Jackson as the lead role may not be your particular cup of tea.

 

The fact that none other than the mighty Wu’s RZA scores the soundtrack for Afro Samurai Resurrection (Wu Music Group) should spark your interest. He puts together a shogun inspired compilation that features guests such as Kool G Rap, Killah Priest and Shavo from the System Of A Down, that unfortunately will have you scratching your head instead of nodding it.

 

While the first Afro Samurai soundtrack proved to be a decent listen, this album provides not much more than an exercise involving your index finger and the fast forward button. There are a few bright spots however. The RZA cooks up a fresh Wu banger with “Whar” featuring verses from Kool G, Ghostface, and a sensuous hook crooned by Tash Mahogany.

 

Over an elastic funk loop and a menacing buzz sound effect reminiscent of a swarm of killer bees, Ghost and RZA sprinkle the track with their signature abstract lyrics, but it’s Kool G Rap who owns the track with his vintage baritone delivery. Another palatable track on the soundtrack is the melancholy throwback joint “Yellow Jackets” featuring Ace and Moe Rock, but after that the pickings get slim.

 

There are many problems to point out on this headache of a release. First off, there is no cohesiveness to this collection. We jump from an uncomplimentary appearance from one of Rap’s heralded female emcees Rah Digga on “B**** Gonna Get Ya” to an unfortunate rock track (“Dead Birds”), and then on to some bloated eleven minute plus filler (“Take The Sword III”).

 

The soundtrack as a whole is definitely hard to digest, whether or not you are a fan of the cartoon, but it definitely would help you get through this if you actually liked the show as well.

There is absolutely no doubt that the RZA is a deft producer who has blessed our ears with many memorable beats for one of rap’s best groups, however his independent track record is a bit suspect what with the Bobby Digital releases and now the latest Afro Samurai soundtrack. Everyone makes mistakes.

 

The RZA, Ghostface Killah, Kool G Rap & Tash Mahogany

“Whar”

 

Rah Digga

“B**** Is Gonna Get Ya”

5 & DONE: Nipsey Hussle

Nipsey Hussle

has managed to secure a major label record deal and the spot as lead hitter for

the New West Coast all in about a year’s time. It may seem like dream come true

to aspiring MCs, however his current position came with plenty of blood, sweat,

and tears. “Growing up with a blue flag out my back pocket came with its own

consequences, but I wouldn’t change a thing about my life,” says 22 year old Nipsey Hussle from the high-rise Sony office building in Midtown

Manhattan. “I am proud to be the man I am today.”

 

Even with his well-known affiliations and reputation, Nipsey travels way beyond enemy lines these days. He’s on a

quest to let his street candescent Hip-Hop music be heard by the world. As the

first artists signed to Cinematic Music/Epic Records, Nipsey

gained the support of influential California DJ Felly Fell early on, who was

vital in him securing the approval of the California streets. His latest collabo with fellow Los Angeles native The Game titled,

“They Roll,” is currently heating up the mixtape circuit

and ever-growing Hip-Hop blog world alike.  With an untitled solo album on the verge of completion, the

anticipation from Hip-Hop fans for another West Cost savior rests cautiously on

his back. Taking this new found pressure in stride, Nipsey

Hussle can only do what he’s been doing his whole

life which is hustling to survive. The rapper with a penchant for all things blue, took a much needed break from the grind and broke down

some of the methods to his madness. 

On how he got into the

game and what he represents.

 

“My name was given to me, not chosen because I was always in

the street making money from a young age, but I still did the music too. I

remember I came into the studio one day, and I had a bottle of cognac, seven

grams of kush, and some

food. And these n****s are grown men but everybody was doing bad

at the time, they had no money. Since then, they just threw that at me like the

young dude he “Nispey Hussle”

and it just stuck with me. It ain’t

all about the name though, it’s about what you do with it. The president of my

label was willing to take a meeting based off my alias alone.

 

“My style is just straight LA streets to the fullest, and

I’m a full Hip-Hop head. I really studied the art form and all the music that’s

worth listening too. I really just try to keep it in my element and make sure

my music bumps in the hood and the suburbs. I represent Slauson

which is like the heart of Los Angeles, straight through the middle, actually

it’s more like the artery from the east side to the west side. Crenshaw and Slauson is where I rep, we set the trends for LA. People

from Compton and Watts come through to get anywhere. Which is a lot to

represent but I put the most pressure on myself, so everybody else’s

expectations comes secoind to [mine]. Nobody else is going

to critique my s**t as hard as I do.”

 

Nipsey Hussle “Hussle in the House” Video

On

the importance of the mixtape scene to his career and

importance of the Internet.

 

“Creating good music is vital for getting people interested

in you, foremost. I feel like there is a void for good music right now. Whether

it’s physical mixtapes, Internet releases, blogs, or

videos it has to start with quality music. I really used the Internet and mixtapes to create my own lane. The Bay got a heavy

independent scene, New York got the heavy mixtape

circuit, but it’s different in LA. We had to figure what the popping locations

are, and what local stores are selling the most units. I was in the streets

giving my music out everywhere, out the trunk of my car. People used to see me

just about a year ago on the corner of Slauson and

Crenshaw selling my music with no record deal. And it just progressed so quick,

all based on the way we orchestrated our own hustle from the streets. We had no

foundation or footsteps to follow because no other new LA artist really has

established themselves except The Game, and he had a

Dr. Dre and 50 Cent backing him. I take in pride in

knowing that I paved my own way.

 

“As quiet as kept, I can build computers, that’s what I do.

I was born in ’85 so I was born into the computer generation. I seen a long

time ago how vital the Internet was to the music industry. Obviously, it’s not

as easy to sell records anymore, but one door closes and three more open. You

can now easily reach millions of people through the Internet, my mixtape touched all over the world. And it would of never

happened without the Internet. There’s just other ways of making money now

besides record sales.”

THEY ROLL – Nipsey Hu$$le feat the game

 

On his buzz growing

so fast and representing the New West Coast.

 

“As far what I represent from the new West is hustle music. I ain’t

stepping on anyone’s feet, and I f**k with everybody from California. Jay Rock,

Glasses, Bishop, Spider Loc, everyone man. Even the ones who

I’m supposed to be “so-called enemies” with, red or blue. I met Jon

Shapiro who already had a label deal for Cinematic Records with Epic, and I

became the first artist on the label. Felly Fell was really the one that told

Jon that, “Nipsey is the next cat to blow up from

LA.” This was all at the end of ‘07, and that’s when I started getting into the

industry. I signed my deal in January of ‘08, and I went to jail a week later,

fighting a case for a few months, but I’m all good

now. Sometimes you got to take time to think about your life and actions, I had

to step back and look at my life like, ‘Who is an asset and who’s a liability to me?’ ‘What’s working for me and what’s working

against me?’ When you sitting in jail, you can’t do s**t with your life.”

 

Nipsey Hussle “Strapped” Video

On being a figure

that kids from his neighborhood look up to.

“I had some paper before I got into the rap game, I wasn’t

getting no millions or hundreds of thousands, but I’ve touched paper before, so

me and my brothers had nice cars, jewelry, cribs and all that. So for me being

in the rap game, it ain’t no

different from being in the hood where there’s always young n****s looking up

to you because you’re older and getting money. I won’t tell you something

wrong, I won’t say anything before I tell you something wrong, that’s how I try

to play it with young dudes. I know people might hear my album and say it’s violent

or endorses gangbanging. But at the same time to a kid that’s already in that

life, they might hear what I’m really saying, and see the positive changes that

I’m making in my life is going to get my message. The kids in the hood can

relate to me because I look and talk just like them…I am the hood.”

 

 

On Biggie and Pac

having a huge influence on him.

 

“If I got a chance to say anything to Pac, I’d tell him that

he was right. I felt like he was trying something new and was pushing the

boundaries when speaking for his people. I’d let him know that he did exactly

what he was supposed to do, and he was a positive influence. He presented

himself as thug, so the streets would pay attention to him and not to be a

negative role model or influence. He was negatively portrayed in the media and

was treated unfairly in the courts because of that.  It’s a double standard because at one point, you on these

records talking about f**k the police and you a cop killer and all that. So you

have to expect the backlash when it comes to getting a fair trial in court when

you are arrested for something. 

That’s when things are out of your hands and you are being judged on the

picture that the media and prosecutors portray of you.

 

“For Biggie, I’d want to tell him that he’s the best and

just give him his credit. I feel like Big made the best first album an artist

can make.  Ready to Die, that’s how artists are supposed to come into the rap

game with radio hits, club smashes, party music, and the streets with a real

story to tell.”Nipsey Hussle “Bullets” Video

The Mind of Macy: Tools of War

The views expressed in this blog are not the views of AllHipHop.comThe most ridiculous thing, most stupidest thing, most disgusting thing is WAR. War is greed. War is the ultimate hypocrisy. The

Bible says, “Thou Shalt Not Kill.”  It doesn’t say, “except when

fighting over oil.” Yet, our government prints boldly, “In God We

Trust” on its currency. If we trust Him, then why are we defying Him?The

idea that if you are among the “few and the proud,” then your purpose

is to be sent to a foreign country to kill or be killed; or, that if

you are being “all that you can be,” then your future is to be ruined

physically, mentally and emotionally forever.How can our

government enforce laws against murder, and at the same time, order

its young men and women to commit it for the sake of bureaucracy,

politics and bullsh*t?War breeds hate and vengeance. Nine-eleven

happened because we did some sh*t to Afghanistan a long time ago,

but we won’t go to Darfur because China funds its genocide, and we owe

China – plain and simple bureaucracy, politics and bullsh*t. So, our

children can look forward to the karma from what we’ve done to Iraq and

what we won’t do for Africa. Will the war never end, because so many

new wars have begun and will begin as a result of it? In that case, is

it possible that we are, technically. still fighting World War I??Economic

strategists and billion dollar buyouts are cool, but we have nothing as

long as we have war.  It is financially and mathematically impossible.We must demand peace. We must practice it. It is the most important thing.**To get the latest AllHipHop Alternatives Features, follow us on Twitter @ www.twitter.com/AHHalternatives**

50 Cent Vs Rick Ross: 50 Cent Talks Again! Rick Ross Reveals NEXT MOVE!!

DISCLAIMER:

All content within this section is pure rumor and generally have no factual info outside of what the streets have whispered in our ear. Read on.ROSS’ BABY MOM’S PAST COMES TO THE PRESENT!

By Chris Richburg

The

beef between rappers 50 Cent and Rick Ross has taken another turn, as

the mother of Ross’ 2-year-old son has now come under a microscope.

 

Documents hit the Internet last night pertaining to Tia Kemp’s rap sheet, in an apparent attempt to undermine her credibility.

 

According to Broward County Courthouse records, Tia Kemp was involved in a felony case two years ago.

 

She was charged with one count of aggravated battery with a deadly

weapon, two counts of battery and three counts of child

neglect/delinquency for the unnamed incident, which took place in April

2007.

 

Prior to the 2007 case, Kemp was in court for another felony case in 1997.

 

Miami-Dade County court records show the single mother received

felonies for witness tampering and threats. The discovery of Kemp’s

criminal record is the latest development in the ongoing war of words

between Ross and 50 Cent.

 Click here to read the full story!

RICK ROSS TALKS ABOUT 50 CENT AND BABY MOMS!

Undeterred by 50 Cent’s stunt with

his child’s mother, Miami’s Rick Ross has made a promise to end the

Queens mogul’s career next month, via the release of Deeper Than Rap. Appearing today on the Rickey Smiley Morning Show,

a confident Ross explained his plans for his newfound hated rival.”I’m

setting up the biggest album of the year on March 24. It will forever

change the game,” Ross stated. “I’m offering the biggest monkey in the

business a challenge. You got Dre. Go get the best beats you can get,

monkey, since they all flopped in the last year. His album has only

been pushed back a year, his MTV show was canceled before the season

even went through. The monkey is playing right into our trap.” Ross

also brushed off the video of 50 with his child’s mother, denying that

he doesn’t take care of his son and that he never had an actual

“relationship” with the woman beyond employment. “I done dressed over

10,000 kids [through my charity foundation]. She was a maid of mine,”

Ross revealed. “And the child is being taken care of. It [the video]

didn’t offend me. That’s what I expect from her.”

For the full story: https://allhiphop.com/stories/news/archive/2009/02/06/20836409.aspx50 CENT vs RICK ROSS RUMORS!

50 CENT: “Def Jam Put A Gag Order On Rick Ross”

– ???

50 Cent claims there is a “gag order” on Rick Ross. I’m not sure if that is possible for “The Boss,” since he is so bossy.

50 Cent: “I have less compassion that the average person”

50 Cent: “I did my homework, I have more pictures, videos,…”

I wonder…what next!

RICK ROSS’ NEXT MOVE IS REVEALED!

As you know, you can go to the “50 Cent / Rick Ross Page” for this, but I have to let you know that Ross is doing a street video for “Mafia Music,” the song where he sent a lyrical jab to 50 Cent. Check out what I got in the inbox!

THE BOSS RICKY ROSS & THE MAYBACH MUSIC GROUP/DEF JAM RECORDS WORLD PREMIERS THE BONE CRUSHING

STREET SINGLE OF THE YEAR AND NOW THE HARDEST STREET VIDEO OF THE YEAR

THE BOSS CLAIMS THE THRONE WITH THIS ONE THIS IS JUST A WARING!! YOU HAVE 24HOURS YOU HAVE BEEN WARNED!!!!!!!!!!!!!!!!!!! DEEPER THAN RAP COMING SOON THE BIGGEST ALBUM OF THE YEAR!!!!!!

VIDEO PREMIERING TOMORROW!!

DIRECTED BY

SPIFF TV

Here are the pictures for your viewing pleasure. Now, we have to ask: What will he say about 50 Cent?

THE BEEF TWO CENTS

The beef between Rick Ross and 50 Cent has taken an unexpected ramp-up in intensity. It is now the time to compartmentalize this situation from all the others in Rumor-ville, because the public has taken special affinity to this two Hip-Hop titans.

This page will be updated as the drama unfolds in the streets and the internet. We implore that all those involved keep everything on “wax,” the internet, radio and away from physical violence. Mental violence is another thing altogether…these guys are going hard.

-illseed

February 3, 2009

All has been quiet today, for the most part. The rappers (50 Cent and Rick Ross) have been quiet and the fans await the next move. In fact, this lull in the action might be a welcomed moment, since nobody wants to see this beef spiral out of control. Below you will see the new audio of the Rick Ross interview and also, Ed Lover joking quite jovially on this situation.

In the meantime, check out the AllHipHop.com Ill Community and the official “50 CENT/RICK ROSS BEEF THREAD,” where they offer the full gambit of opinions that a community could have. WHEW!February 3, 2009

FULL AUDIO OF MISS INFO’S INTERVIEW….

Rick Ross is not a happy camper. But, I have to say, I totally object to him calling 50 Cent a monkey, especially to somebody that’s not African American. That’s no disrespect to Miss Info…but, I’m saying. On the flip side, if you diss somebody’s mom and “home,” a lot of things are fair game. SMH.

Ed Lover Jokes About The Top 10 50 Cent Would Further Expose About Rick Ross

These guys are buggin! LOL! I’m not cracking any jokes about Ross. Ask DJ Vlad about that one!

If you want to get back to the music of Hip-Hop, check out De La Soul’s “Excursions,” a dedication to Q-Tip.February 2, 2009.

50 CENT GOES BUCK WILD IN AN INTERVIEW WITH FUNK MASTER FLEX!

Part 1

Part 2

Part 3

RICK ROSS CALLS MISS INFO AND SPAZZES OUT!

Click here for the interview!

February 1, 2009.

RICK ROSS CALLS SHADE 45 & RESPONDS TO 50 CENT

-Explains why he departed Slip-N-Slide

-Talks about “Mafia Music” and the 50 Cent Diss

-Ross details where the beef started – sort of.

-Calls 50 Cent song “garbage,” gives him 48 hours to reply

February 2, 2009

50 CENT LINKS WITH TIA KEMP, RICK ROSS’ SON’S MOTHER!

-50 Cent says Tia and he will release a book on Rick Ross the same day as Ross’ Deeper Than Rap CD comes out.

-50 Cent takes Tia and her friend on a shopping spree for furs and shoes.

February 2, 2009

50 CENT RELEASES, “LOCKED UP: OFFICER RICKY CARTOON”

50 CENT TAKES CREDIT FOR PONY ENDING RICK ROSS’ SNEAKER?

Rumors: 50 Cent delivered this news so take it for what its worth. The G-Unit General claims that Rick Ross was about to get a signature shoe from Pony, but the thing was cancelled, because of the allegations of him being a correctional officer. LOL. As a brand, wouldn’t Pony be more concerned with Ross’ rep as a notorious importer of cocaine into inner city communities?

January 31, 2009

50 CENT RESPONDS TO RICK ROSS’ INTERVIEW

He claims to have the “transcript” to the court case.

January 30, 2009

50 CENT RELEASES “OFFICER RICKY GO AHEAD AND TRY ME”

Click here for the song.

January 24, 2009RICK ROSS MENTIONS 50 CENT’S BABY MOMS IN “MAFIA MUSIC”

Click here for the song.

For more, go to illseed.com. Or just follow me at http://twitter.com/illseed

50 CENT AND RICK ROSS, WE LOVE YOU!!! KEEP IT PEACEFUL!

They keep us talking, but if we stop talking about them then they should worry!

-illseed

WHO: illseed.com

WHAT: Rumors

WHERE: AllHipHop.com, MySpace.com/TheIllseed

HOW: Send your rumors and ill pics to illseed at allhiphoprumors@gmail.com.

– allhiphop rumors

Q-Tip Starring As A Drug Dealer In ‘Holy Rollers’

Rapper Q-Tip has been tapped to star in a new upcoming film opposite Jesse Eisenberg and Danny A. Abeckaser in the new flick Holy Rollers.

 

The independent movie, which is inspired by true events, centers around a young man from the Hasidic community who was caught importing and trafficking ecstasy into the United States.

 

Q-Tip will play an Ethiopian drug dealer in Holy Rollers, which is being directed by Kevin Tyler Asch and written by Antonio Macia.

 

This Wednesday (February 4), Q-Tip will make a high profile appearance on The Ellen DeGeneres show, where he will promote his various projects, followed by an interview with PBS’s Tavis Smiley on Thursday (February 5).

 

The next week, on February 10, Q-Tip will kick off an international tour in support of his album The Renaissance, with his band and the legendary DJ Scratch.

 

The tour kicks off in Tokyo, before heading to Australia as part of the Good Vibrations Festival.

 

In March, Q-Tip will tour Europe, making stops in Switzerland, France, Holland, Belgium and London, where the tour will come to a conclusion, on March 14th.

 

Q-Tip tour dates are listed below:

 

February 10- O-East- Tokyo, Japan 11- Yokohama Bay Hall- Yokohama, Japan 14- Centennial Park- Sydney, Australia * 15- The Nursery- Melbourne, Australia * 21- Parklands- Southport Queensland, Australia * 22- Heirisson Island- East Perth, Australia * March 7- Aktionshalle- Zurich, Switzerland 9- Elysee Montmartre- Paris, France 10- Melkweg- Amsterdam, Holland 11- Ancienne Belgique- Brussels, Belgium 13- Button Factory- Dublin, Ireland 14- The Roundhouse- London, England

Cash Money Honors Lil Wayne with Pre-Grammy Party

The spirit of the upcoming Grammy Awards ceremony will be alive and well this weekend as Cash Money Records honors Lil Wayne with its first annual Pre-Grammy party.

 

The event, which will take place at 8 p.m. Saturday (February 7) at the Montage Beverly Hills’ Marquesa Ballroom, will celebrate the rap star’s eight Grammy nominations for his latest album, Tha Carter III.

 

Since its number one debut on the Billboard charts last June with more than one million copies sold, the triple platinum release emerged as the best-selling album of 2008.

 

Tha Carter III received a nomination for album of the year and best rap album as well as nods for the singles “Lollipop” featuring Static Major (Best Rap Song), “Got Money” featuring T-Pain (Best Rap/Sung Collaboration), “A Milli” (Best Solo Rap Performance) and “Mr. Carter” featuring Jay-Z (Best Rap Performance by a Duo or Group).

 

Lil Wayne’s inclusion in T.I.’s “Swagga Like Us” garnered additional recognition for the New Orleans MC with nominations for Best Rap Performance by a Duo or Group and Best Rap Song.

 

The Grammy recognition marks the latest chapter in a string of accomplishments for Lil Wayne.

 

The rapper recently finished his I Am Music Tour alongside T-Pain, Keyshia Cole, Gym Class Heroes and Keri Hilson. Lil’ Wayne’s achievements come amidst the 10th anniversary of Cash Money’s deal with Universal Music Group.

 

The alliance between the two labels during its first decade were marked with a string of hit albums from Juvenile, B.G., Turk, Big Tymers, Mannie Fresh, Hot Boys and Bryan Williams, who released music under his musical aliases Baby/Birdman.

 

Cash Money is currently enjoying the success of its latest artist, Kevin Rudolf.

 

The rocker’s Lil Wayne assisted first single, “Let It Rock,” was the number one most added song at Top 40, iTunes and ringtone smash.

 

Rap fans can expect a busy year for Cash Money as the label prepares to release Lil Wayne’s Rebirth on April 7.

 

The rock album, which features the single “Prom Queen, will be the follow-up to Tha Carter III.

 

In addition to Lil Wayne, Cash Money will release a new album from Baby this year.

 

The 51st annual Grammy Awards will air at 8 p.m. ET/PT Sunday (Feb. 8) on CBS from Staples Center in Los Angeles.

Rapper Belo Ordered To Pay $8 Million To Victims Family

Incarcerated rapper Belo has been ordered to pay the family of a murdered man $8 million dollars over a 2002 slaying.

 

Belo, born Darnell Smith, is a member of Chicago rap group Do or Die.

 

He was sentenced to 10 years in prison for the murder of Raynard Pinkston.

 

The family brought suit against Smith for his role in the murder, after he pleaded guilty to second-degree murder in October 2007.

 

Pinkston was murdered as the men were watching two other people fight.

 

Police said when Pinkston attempted to intervene, Smith shot him to death in the street.

 

Belo is best remembered for his role in the group Do or Die with group members AK-47 and Nard.

 

Their biggest hit record is the 1996 hit single “Po Pimp,” which was released on the album Picture This.

Rick Ross on 50: “He’s a Parody of Hip-Hop”

Fed up with 50 Cent’s recent antics outside of the vocal booth, Miami rapper Rick Ross is speaking out on his verbal and now personal feud with the Queens mogul.

 

Yesterday, 50 released an 8 minute video with Tia Kemp, the mother of Rick Ross’ 2 year old son.

 

In the clip, Kemp claims her child’s father is a fraud who doesn’t provide for his family.

 

Later, 50 took the woman a lavish shopping spree and insulted Ross’ mother.

 

Last night, Ross called in to Hot 97’s Miss Info and argued 50’s actions should not take attention away from the lyrical battle.

 

“We not gonna let Curly (50 Cent) distract us from the fact ‘Mafia Music’ ended his career,’ Ross declared. “The man has not charted a #1 record in Lord knows how long.”

 

Addressing Dr. Dre and Eminem, Ross claimed the two superstars are hurting their legacies by their close association with 50.

 

“He makes Dr. Dre look like a [expletive]. I got Cool and Dre. Eminem is a genius,” Ross explained. “The worst move he could’ve done is be affiliated with such a monkey. He’s (50 Cent) a parody of Hip-Hop. I’m speaking from the streets.”

 

Last night, 50 Cent also called in to Hot 97, speaking with Funkmaster Flex.

 

The mogul claimed that he has secured a tell-all book deal for Tia Kemp, and that his recent attack was based on Ross’ previous demand for 50 to “come with something better within 48 hours.”

 

Both artists are scheduled to drop two anticipated LPs within one month of each other: 50 Cent’s Before I Self-Destruct in March, and Ross’ Deeper Than Rap in April.

 

At press time, neither rapper would confirm if more diss records are forthcoming.

DEFinition: The Art and Design of Hip Hop (Interview with Bill Adler & Cey Adams)

Perhaps more

unforgettable than the classic tracks on Public Enemy’s seminal album Yo! Bum Rush The Show is the album’s

actual CD cover.  The timeless pose

of all the members in dark berets gathered in a dimly lit room prove that

Hip-Hop is just as much visual as it is audio.

 

But this is not news to

Bill Adler and Cey Adams. As producers of the vanguard book DEFinition: The Art and Design of Hip Hop,

they show Hip-Hop art through sneakers, cars, film, clothing, and corporate

logos. Bill Adler is the former Director of Publicity for Rush Artist

Management and founder of Eyejammie Fine Arts Galleries. Cey Adams is a high

profile designer for Def Jam, MCA, Universal, Warner

Brothers, Bad Boy and BMG. Together they give voice to dozens of artists weaned

on graffiti spray paint and cultivated by corporate sponsorship.

 

AllHipHop.com: Obviously, DEFinition is

not just a coffee table book. Who are its ideal buyers and readers?

 

Bill Adler: There are at least two audiences. One is Hip-Hoppers and the other

is people who come from the art world. These folks aren’t necessarily

Hip-Hoppers but follow trends in art and art scholarship.

 

Cey Adams: Also, somebody that just wants to learn about the

history. Many people don’t embrace Hip-Hop history. We only embrace it as we

create it. The way that we treat the old school is not how Rock ‘N Roll treats Eric Clapton or Led Zeppelin. We don’t give a

damn about Kool Herc or Afrika Bambaataa and we

should.

 

AllHipHop.com: In the book, there is underground graffiti next to corporate Mountain

Dew and Hawaiian Punch logos. Is there a conflict there?

 

Cey Adams: Well, not really.  A lot of that is the evolution. When I was doing graffiti, I

was 19 years old. I’m 46 years old now. It’s not like it happened over night.

It’s been a long journey. I went from one thing and slowly progressed. Back in

the day, there weren’t as many opportunities to go mainstream, but as things

changed with Def Jam, my career followed. It basically evolved with Hip-Hop

itself.

Bill Adler: Artists work in a variety of fields. One day they have to create a

logo, the next day it’s some sneaker. The day after that they have an art show.

I don’t think there’s tremendous sense of conflict. There’s little distinction

between fine artists or commercial artists.

 

AllHipHop.com: I see some top Hip-Hop journalists like Michael Gonzalez and Sacha

Jenkins have contributed essays to supplement the art. How did you round up the

writers?

 

Bill Adler: They’re friends of mine. Most of them were people I thought would do

a good job. Sacha Jenkins has really established himself as an expert of

graffiti. Carlo McCormick knows about album covers. Michael Gonzalez chose

sneakers. Armond White is the critic for New York Press. Twenty years ago he

wrote for the City Sun. I always admired his writing and I thought he would be

able to do a good job on the movie chapter.

 

AllHipHop.com: Why did Lil Kim get the cover of the book?

 

Bill Adler: It’s not really that Lil Kim got the cover. It’s Mike Thompson who

got the cover. Mike Thompson is a painter who has the ability to paint

whomever. He could be painting portraits of kings and queens, presidents, yet he’s

chosen time to express his ability on Hip-Hop subjects. One way or another, we

were gonna have one of Mike Thompson’s images on the

front cover.

 

Cey Adams: Originally I wanted the image of Tupac that was

inside the book on the cover,  but it ended up being a crap shoot really and the

folks at Harper Collins liked the Lil Kim image.

 

AllHipHop.com: I was amazed by the album covers chapter. How

much of the design is artist input and how much of it is your input?

 

Cey Adams: Well it depends on type of artist you’re talking

about. I just did the new [cover for the] Scarface Emeritus CD. That was a lot

of fun because last time I with Scarface was The Resurrection with The Geto Boys so we go way back. Somebody

like Scarface is gonna give me a lot of freedom because he knows what I’m

capable of doing. Somebody like Chuck D from Public Enemy will give me a lot of

freedom too but he also has his own ideas.

 

AllHipHop.com: Is there going to be a sequel to DEFinition?

 

Cey Adams: We would love to do a follow-up and we’ve talked

about the possibility of that because there’s so much ground that we didn’t

cover. As you know, we could go on and on about this subject. There’s always

artists that get left out, so I would say I would love to do a follow up but

right now I think it really depends on how this one performs.

 

Bill Adler: We would also love to mount a full-scale museum gallery exhibition

[based on the book] but it will take a lot of sponsorship. We made some

inquiries already but we need some real money to put together the kind of show

we would like. I think it would travel well and we could tour it through a

bunch of other cities in America and then to other capitals in the world.

Hip-Hop Vet Bill Adler Reveals Details Behind Run-DMC Bio Pic

The story of pioneering Hip-Hop group Run-DMC will come to the big screen via Cheo Hodari Coker, the screenwriter behind recently-released biopic Notorious.

 

Coker is writing a screenplay about the group which is based off of Bill Adler’s critically acclaimed book Tougher Than Leather – The Rise of Run-DMC.

 

Adler, a veteran of the music business, entered the Hip-Hop journalism field in 1980. In 1984, he was hired a director of publicity for Russell Simmons’ Rush Artist Management.

 

Over the course of a six-year period, Adler worked with a who’s-who in Hip-Hop, including Run-DMC, LL Cool J., Slick Rick, Big Daddy Kane, De La Soul, Kurtis Blow, The Beastie Boys, EPMD, Eric B. and Rakim, Jazzy Jeff & the Fresh Prince and numerous others.

 

“I had been a journalist and music critic for 10 years by the time I started working at Def Jam in 1984,” Adler explained to AllHipHop.com. “It occurred to me that what Run-DMC had accomplished by the end of 1986 comprised a great story. So I took a brief leave of absence from Def Jam and wrote it [Tougher Than Leather].”

 

Adler’s original 208-page memoir was published in the Spring of 1987 under the title Tougher Than Leather: The Authorized Biography of Run-DMC.

 

The book eventually went out of print, but Adler republished the book himself under the title Tougher Than Leather: The Rise of Run-DMC.

 

The film will chronicle the creation of the group, as well as follow the lives of the groups individual members, including slain member Jam Master Jay.

 

Jay, born Jason “Jam Master Jay” Mizell, was violently murdered in a Queens recording studio in 2002.

 

“The Run-DMC story is a very inspirational tale about some young men from New York’s black community in the early ’80s and their friends and colleagues,” Adler said. “They’re all deeply committed to this new Hip-Hop culture at a time when the rest of the music world denies that rap is even music. They refuse to compromise and, sure enough, their integrity pays off and they manage to turn the world around. In its own way, the Run-DMC story is like the Obama story 25 years later.”

 

The untitled film will be produced by Dallas Jackson for Davis Entertainment, an independent film company.

 

Both Coker and Adler hope to recreate the success of Notorious, the story of slain Brooklyn rapper Notorious B.I.G.

 

The movie grossed over $21 million dollars during its opening weekend in January.

 

“[The success of Notorious] means that Hollywood appreciates the financial success of Notorious and is willing to consider another story about a Hip-Hop icon,” Adler told AllHipHop.com. “It’s been a generation since Krush Groove was made in 1985. Back then, the people in power in Hollywood didn’t know a damn thing about Hip-Hop. Now, the people in power in Hollywood happen to have grown up on Hip-Hop. We haven’t yet made a deal for the Run-DMC flick with a studio, but we’re meeting with them now, and we’re hopeful.”

 

At press time, casting has not yet begun on the film and no release date has been set.