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Naomi Campbell Drops Out Of Diddy’s Celebrity Cooking Show

Model Naomi Campbell

has unexpectedly pulled out of Cooking Showdown, a celebrity-driven reality

show that is being produced by Sean "Diddy" Combs.

Cooking Showdown

features celebrities alongside well-known chefs who teach the stars how to prepare

a three-course meal. The week-long competition includes Ja Rule, Tom Arnold

and Gabrielle Reese, among others.

Reports suggested

that Campbell suddenly reneged on the show because of a feud with Combs.

The short-fused

model made headlines on March 30, when she was charged with second-degree assault

for allegedly striking her housekeeper in the head with a phone during an argument

in her New York apartment.

While preparing

for an appearance on The Oprah Winfrey Show, the 35-year-old supermodel

accused her housekeeper of stealing her clothes.

After being treated

and receiving four stitches, the housekeeper told police officers that Campbell

threw a cell phone and hit her on the head.

In 2005, reports

surfaced that Campbell assaulted an assistant with a Blackberry device while

traveling in Rio de Janeiro. Campbell was also sued in 2003 by a former assistant

that claimed she threw a cell phone at her during a heated argument.

Campbell pleaded

guilty to assaulting another assistant in Toronto in 1998 but the model denied

the latest accusations in a statement issued last week.

"From the

time she began working for me about two-and-a-half months ago, I began questioning

her about items I found missing," Campbell said. "This morning, when

I finally fired her for that and her erratic behavior, she screamed, ‘This is

going to cost you a lot of money.’ After some more yelling and screaming on

her part, she left the house. The next thing I knew, I got a call from the police.

I have no idea how she was injured. She is sadly mistaken if she thinks she

can extract money from me by concocting lies by recycling old stories. I have

asked my lawyer to look into filing both theft and extortion charges against

her."

Campbell will appear

before a grand jury on June 27.

Haitian Rapper Black Alex Shot Four Times, Wyclef Lends Support

Haitian rapper

Black Alex was shot several times last week in Petionville, Haiti, after unknown

assailants robbed him of a diamond-encrusted necklace and pendant that sources

said was given to him by associate Wyclef Jean.

Sources told AllHipHop.com

that Black Alex was leaving a concert that was part of a soccer game in the

suburb of Port-au-Prince on April 2, when he was robbed at gunpoint for the

chain, worth an estimated $20,000.

The robbers shot

him four times and also took an unknown amount of money. Paramedics rushed the

rapper to a Port-au-Prince hospital in critical condition.

Black Alex, born

James Pierre Alexis, rose to popularity in Haiti with the group King Posse.

Haiti is the poorest country in the Western Hemisphere and according to published

reports, 75 percent of the people live below the poverty level set by the World

Bank.

The country was

originally inhabited by Arawak and Taino tribes until the 15th century, when

Spanish landed on the island around 1492. The original population was enslaved

and ravaged by disease and quickly died out.

The island was

then colonized by the Spanish and the French, who brought African slave labor

to Haiti and the Caribbean for sugar production. In 1791, The Haitian Revolution

started as a slave uprising and led to the establishment of the black nation

of Haiti in 1801.

In 2004, tropical

storm Jeanne hit the island, killing over 3,000 people and leaving an estimated

350,000 people homeless. The country’s former leader, President Jean-Bertrand

Aristide, was ousted in the middle of the storm.

Various rappers,

including Wyclef Jean and Jimmy "Henchmen" Rosemond have donated time

and money to various causes to help the impoverished island.

"Black Alex

was very instrumental in our efforts of bringing awareness to the Haitian cause

in and out of Haiti," Rosemond told AllHipHop.com.

Sources also told

AllHipHop.com that Wyclef flew to Haiti and had Black Alex airlifted to Cuba,

where the rapper could receive better medical treatment for the gunshot wounds,

one of which lied just two inches from his heart.

Black Alex is in

critical condition but he is expected to recover from his wounds.

Expressions (2012 a.u.)

Artist: Dudley PerkinsTitle: Expressions (2012 a.u.)Rating: 3 1/2 StarsReviewed by: Brolin Winning

Columbus, Ohio-bred luminaries Blueprint and RJD2 are almost shoe-ins for designation as their city’s best MC and producer, respectively. With Blueprint’s introspective and evocative writing abilities set against RJ’s crate-digging and stellar arrangements, Soul Position seems like a Showbiz & A.G. of the Midwest. After a magical EP and 8 Million Stories LP three years ago, Things Go Better With RJ and Al (Rhymesayers) could have been a brilliant follow-up EP, but instead feels like a cheapened sophomore full-length.

While some critics have found ‘Print’s whining to grate on the nerves, that quality dissipated with this project. Joints like “I’m Free” and “Blame it on the Jager” watch the diary-like writings evolve to peppier party tracks. For insightful thought though, “Hand-Me-Downs” compares the imagery of the musical Black male of the early 1970’s to today. For critics of Diplomat and G-Unit antics, this will serve as an anthem. “Keep It Hot For Daddy” not only mimics an Ant-like style of production, but Blueprint emulates Slug’s domineering but sensual messages to the ladies. However, other experimental ground like “I Need My Minutes” and “Priceless” feel out of context within the Soul Position spectrum – attempting faster flows and materialistic content.

RJD2, in a few places, has securely returned to the Dead Ringer sound that so many have yearned for. “Hand-Me-Downs,” “Keys,” and “No Gimmicks” return to grittier textures based largely off of Rock-influenced Funk of the late 1960’s. The first, combines horn stabs and percussion with a precise Flava Flav vocal scratch, creating a catchy chorus. Things Go Better… has an entirely different soundscape than his recent collaborative album with Aceyalone, revealing RJ’s controlled approach. Still, as with 8 Million Stories, the album is split with penetrating production and dull loops.

Things go better with thought-out timing. Both RJD2 and Blueprint have been involved in other full-length projects within the last three months. As “Hand-Me-Downs” is one of the finest 12” singles 2006 has yet seen, this album fails to follow through. While “Keys” and “I’m Free” stand out, Things Go Better… at points, sounds as shortsighted as it may appear on paper. Just as label-mates Atmosphere were lumped together with Felt in the fall, perhaps Rhymesayers should take a cue from Grand Puba, and “Slow Down.”

Rappers, Executives Gather For NYU Hip-Hop Festival

Hip-Hop Unbound, an aimed at bridging gaps and transcend cultural boundaries, launched last night with a “Planet Rock” panel discussion featuring the legendary Afrika Bambaataa.

The two-week extravaganza started on April 3 and is hosted by NYU’s Clive Davis Program of Recorded Music and runs until April 15.

The event includes workshops, panel discussions and live performances, concluding with a set by Bay Area collective, The Coup.

“I’m glad I’m going to be involved in an event like this, it’s important we look at the roots that Hip-Hop is coming out from,” Boots Riley of The Coup told AllHipHop.com “It’s important to realize that Hip-Hop is not just hip or fun, it comes out of a struggle and everyone can relate to that.”

Expected participants include Fab 5 Freddy, Tommy Boy Records founder Tom Silverman, Popmaster Fabel, veteran journalists Danyel Smith and Sacha Jenkins, and The Coup.

The event is produced by Jason King, Associate Chair of the Clive Davis Program of Recorded Music and Rika Iino, CEO/Producer of Sozo Media.

The goal is to examine how Hip-Hop rose to

prominence and also to examine the spectrum of culture that Hip-Hop affects and the people that guided its development

“[Young people] have the power to change the world and all it takes is using the ones around you to change the individual struggle to a collective one.” Boots urged, regarding the event.

For more information, visit www.hiphopunbound.com

Rapper Bow Wow, R&B Singer Ciara End Relationship

Rapper Bow Wow and R&B star Ciara have ended their relationship after dating for nearly a year.

The couple recently parted ways confirmed Ciara’s spokesperson, Tracy Nguyen of 5W Public Relations.

“I cannot comment on the reasoning, but can confirm that Ciara and Bow Wow have recently split,” Nguyen told AllHipHop.com.

Sources stated that the break up was the result of Bow Wow allegedly being spotted with another girl in Los Angeles last weekend.

The break up comes on the heels of rumors that the Atlanta-based couple were engaged, after Ciara was seen several times sporting a large diamond ring on her left hand’s ring finger.

With the release of their song “Like You,” the second single from Bow Wow’s Wanted album, the couple continued to fuel speculation of their dating status.

The duet reached the number 3 on the Billboard Hot 100 chart.

Representatives for Bow Wow were not available as of press time.

Angela Nissel: Write On, Pt 1

Growing up in Philadelphia, Angela Nissel had no inkling of the impact that the people who crossed her path would make in her later years. Aside from bumping into legendary Roots drummer Ahmir “Questlove” Thompson as a teen, and later teaming with him to create one of the most popular web communities, Okayplayer.com, Angela met the people who would later fuel her characters as a humor writer.

With one successful book under her belt, The Broke Diaries, and a new release entitled Mixed, Angela Nissel has enough humorous memories to circulate the globe and back. The remainder of her wit is dedicated to her job as writer on the NBC hit TV show Scrubs.

Speaking with Angela, she recounted her days living in Philadelphia as a biracial girl and the affect that had on her…and her mother’s tall tales of famous “mixed” people. Who would have thought that such experiences would evolve into an HBO pilot, now in the works, starring none other than Halle Berry.

AllHipHop.com Alternatives: What is it like on the set of one of the funniest sitcoms?

Angela: Oh, thank you! It’s a lot harder than I thought it would be! I didn’t have any experience, and I thought they would shoot on a set for like a half hour, hour a day. They shoot for 12 hours a day: Monday through Friday. It’s a single camera, and it’s filmed in an abandoned hospital. At any moment, they might take over your office and use it as a set. I came out of my office from writing one day, and all of a sudden they moved us into an apartment building. It’s crazy, but the greatest thing is that you’re working side by side with all of the actors all the time.

So many of them are just like their characters. We get to pick up on their quirks and put them into their scripts. The man who plays Dr. Cox, we call him Johnny C, and he has a habit of over-annunciating words, which is funny – but then we put that in the script and it fits him! So we get to pick up on all of their little faults and put them into their characters.

AHHA: Which character do you find yourself writing the most material for?

Angela: It really varies. When I first came in, well I’m still the only Black writer on the set, but I found myself writing a lot of Turk’s slang. I was the youngest one too at the time, and I was like, “Guys, no one says slammin’ anymore!” There is this one writer in particular, a white Republican guy, and he was like, “You know I’ve never had a Black friend in my life! I’m having trouble writing for this part. How do Black people say ‘Thank you?’ Is there like a cool way?” I was like, “Um, no we usually just say thank you.”

It’s funny because it’s the type of environment where you have to be comfortable saying things like that. It’s comedy and you have to go with the flow, and there’s different cultures on the set too so you have to be comfortable. There was this one episode where we were going to have these thin-toothed combs because we were going to take pictures. I was like, “You can’t get a thin-toothed comb through Carla’s hair!” Just pointing out certain things to them. But when we write a script, we have to write for every character. I like punching up Turk’s dialogue and Carla’s and Elliot’s too, because they are all in my age group, so I like showing the guys in the room how old they are by how outdated their lingo is.

AHHA: You’re genuinely funny by nature. How do you manage to keep that comedy flowing in your writing?

Angela: I remember I heard Chris Rock say one day, “The worst thing you can do is become rich and comfortable, because then you’re not funny. You need struggle to be funny.” I spend as much time as possible back in Philly just doing those normal day to day things, like sitting with my brother and his wife watching their kid, sitting with my mom, going home and just doing the day to day things and getting outside of L.A. because…L.A. to me is a different city than anywhere else. Plus the part I live in can be so nice and happy.

I went back to Philly and took my husband back there for the first time – he’s from out here. We’re in McDonald’s, and this guy goes, “Hi, welcome to McDonald’s may I help you?” And my husband Ruben is like “Yes, I’ll have this, this, and this.” And the guy is like “Can I get you a drink, sir?” and Ruben is like, “Excuse me?” and the guy yells “Drink n***a!” – and Ruben’s like, “Oh, um nah I’m ok” and the guy goes “Ok that’ll be $5.35, sir” and just went right back to the script! That’s comedy man! You don’t get that here. It’s all about being back home, off sets, and being around normal people. The best thing is you can steal people’s comedy and they don’t know! Like that guy doesn’t know he’s going in a future script!

AHHA: Did you struggle with the L.A. environment? I know a lot of East coast people either love it or they detest it.

Angela: Oh my God! I hated it! I was like, “How do you even meet people because everyone’s in their cars?” All of my girlfriends who I’d known have been out here were like, “Just go to Magic Johnson’s Friday’s girl, just go to Magic Johnson’s Friday’s.” I couldn’t believe the sign actually said Magic Johnson’s Fridays. Then I went there and said, “I’d never been to a Friday’s where you had to get patted down!” I remember I met up with some Okayplayers the first time I came out here. But then everyone lives so far, it’s like, “Hey we’ll meet up!” but you never do because it takes like two hours to get there.

I was finally so lucky because just when I was about to move home, one of my best girlfriends from high school was watching Scrubs and saw my name in the credits and called the Scrubs production office, and we met up for lunch and we’ve been inseparable ever since. And then I was like, “Ok, it’s hard to meet guys out here”, so I went on Match.com and got the husband.

AHHA: So Match.com does work.

Angela: I could not believe it. When I first got on there I was like a kid in a candy store. I didn’t go out for like a year. It wasn’t like the East coast where guys are like, “Hi, how ya doing?” The guys here are as pretty as the women and they won’t give you the time of day. My girlfriend was getting married and said, “You have to do Match.com, that’s the only way to meet anyone out here.” I was such a mess, girl. I was all over the place. I was on Match, BlackPlanet…oh my God I went on so many dates. It was so much fun.

AHHA: How did living in a few parts of Philly as a child affect you growing up?

Angela: I can say now it was good. I feel like, especially doing TV work, I had exposure to so many different types of characters. I’ve been with the rich Becky’s, the Jerome’s; I’ve just been around all types of people. Back then I hated it. I felt like I didn’t fit in anywhere, and nobody could do my hair! But it was funny because my mom didn’t think she was exposing me to so many different types of people. Now I feel so blessed because I can go so many places and feel like I can fit in. There’s no character that we can bring on the show that I don’t feel some kind of connection to and can’t pull one from my background that reminds me of that person. So things that don’t seem so good…just wait a little while. You’ll figure out what they’re for!

AHHA: What made you write Mixed as a follow-up to The Broke Diaries?

Angela: At first I didn’t want to write it as my own story. My good friend and I were going to do a collection of stories from mixed people. Then I submitted it to my publisher and she said, “Well actually anthologies, or collections of stories don’t sell too well. Why don’t you just write your story? At that point the only thing I had submitted to her was the stripper story that’s in there. It’s funny because I don’t think of myself as mixed too much. If someone asks me, I say, “Yeah, I’m mixed,” but it’s not that much a part of my life. Part of me didn’t even wanna do it. Then I said, “Ya know what? Write the truth about how it affected you and what you felt like.”

Also I wanted to do it for my mom too, because I knew that she always thought that I would have had it easier because I was light skinned. I just wanted other people to see that people on both sides of the spectrum are affected by racial self-hate basically. I wanted to also represent that not all light skinned girls think they’re cute. [laughs] It seems weird even saying that because people are like, “Oh you guys have it easy and people are always looking up to you.” In a way it might be true, but there’s a lot – at least on my part – of self-discovery and hating myself, because of the people that I knew looked like me treated my mom. I also wanted my mom know some of the things I went through without sitting down and talking to her and making her cry.

AHHA: So you basically woke up to and went to bed with all of these experiences.

Angela: Mmmm-hmmm. The craziest thing is unless people lived with it, people really are like, “Are you exaggerating?” I have like a posse of mixed girlfriends, and we just talk about it all the time. You never know how someone is going to look at you or expect you to be. It just gets tiring. Looking back though, a lot of the stuff was just dumb, but it was funny. Like my mom telling me that David Hasselhoff was half-Black, or taking me through a riot zone to get real pizza so I would know my heritage, I was like “Mom!” She is just so funny with it. She was like, “I was just doing what I knew how to do.” I just didn’t want it to be like “poor mixed girl.”

Angela Nissel: Write On, Pt 2

AHHA: At one point during your time at UPenn, you checked yourself into a mental facility. Was that experience anything like Girl…Interrupted?

Angela: It’s crazy. I look back and I met some of the coolest people there. I always say that people in there had nothing to hide. It was like, “Hey, this is who I am.” It was the first time I think I let my guard down and didn’t care what people thought about me. I was scared to death going in there. First of all I didn’t want anyone to know I was depressed and everybody’s gonna see me as weak. Plus to be honest, all of the f*ckin’ E.M.T’s that were working there were cute! I knew people’s views on mental health. But then I found there were so many women there my age and some of them are still my friends today.

It really was a spa for poor people. Rich people go to the spa in Cancun for the week, the poor people went there. My health insurance was paying for it, so I just sat back. The funniest was that the women so outnumbered the men, so any time a good-looking man checked in, the women kept trying to get him to stay there so bad! Guys were not trying to stay there. In the book, I talk about living on two different floors. The first floor was for people with depression, which wasn’t too serious. The second was no joke. They were people on their way to prison. You couldn’t pay me to go back there.

AHHA: How do you feel that the media has either evolved or regressed in accepting the many shades of Black women?

Angela: I don’t think it’s evolved at all. No one really sits down and talks about it. We have that one runway model Alex Wek and there is a still a controversy over whether she’s beautiful or not. Of course she’s f***in’ beautiful! It’ just blows my mind, and I still hear kids today talk about ugly and pretty. Until we actually sit down and get to the root of why we are like this and why it’s wrong, it won’t go away.

AHHA: How do you think Hip-Hop affects that?

Angela: Oh God, I think Hip-Hop plays a big part in it. I can’t even watch videos now. It’s the same thing as when I was growing up when I thought I was too dark skinned with my light ass because everybody in the video was really really light. God if you’re a dark skinned girl, who are you supposed to look up to? Not like you would wanna look up to a video girl but the message is, “You’re not pretty. You’re not even pretty enough to be a video ho.” I think I would feel the same as I did coming up. I see it myself in Hollywood with the casting. We’ll be casting a Black person and the only women who will show up are my complexion.

AHHA: Speaking along the lines of Hip-Hop, what made you decide to start Okayplayer.com?

Angela: Questlove and I telemarketed together. When I was at Baldwin School, he came out to the suburbs everyday after school to telemarket and I worked there. He was the one who suggested I go to Performing Arts. We kept in touch. He used to always say, “I’m a drummer. I’m gonna have a band.” I used to be like, “Yeah alright.” And you think about how he looks now and how he looked in the early days of the Roots, if you didn’t have a band and looked like that people are looking at this man like, “Look at this crazy motherf***er with an afro!” He took me to a Janet Jackson concert – he hates this story. I was a little light skinned brat. It was supposed to be a date. He bought the tickets, and I ended up giving my number to some other guy after the concert. He hated me after that. I was like 15. So even though I gave some other guy at the concert my phone number, we stayed friends.

When Do You Want More? came out and they put the Okayplayer on there without the actual website, he said, “Ang, do you know how to make websites? Could you make us a website, because we put Okayplayer.com on the back of the album, but we don’t have a website.” He was going on tour and I thought I didn’t want to just make a website, I wanted to make a real interactive website. It turned out that was the type of website he wanted to do too. Neither one of knew how much time it took so I was almost living in his bedroom while he was on tour and kept giving him my ideas. It just got bigger and bigger and bigger. I just wanted to have some kind of artist interaction. I didn’t know it was going to blow up.

AHHA: Why did you choose to leave out your time at Okayplayer in Mixed?

Angela: Nothing really happened during the time of Okayplayer that would have added to the book. The parts I had originally put in started reading more like name dropping so people who don’t know Okayplayer would have been like, “What the hell is she talking about?” As I look back on it, I was more comfortable during my time at Okayplayer than any other place I had worked because it was the most multi-cultural place ever. You’d look at the gatherings, and we’d have like a 15-year old white guy from the suburbs and then would have people from the Bronx. I never felt like I didn’t fit in there.

AHHA: There’s a rumor that you have some TV shows of your own coming out!

Angela: God, I hope so. Halle Berry optioned for The Broke Diaries and then she optioned for Mixed. I was like, “Oh hell yeah!” I actually had a meeting with her. It’s so nerve wracking having a meeting with Halle Berry because she’s so freakin’ normal, and you can’t be normal when you first meet her. I was just thinking, “If I say one wrong thing I’m going to just ruin this whole thing!” Plus my husband told me that was his one crush, so I was like, “I’m sitting with my husband’s crush.” We had some meetings and combined Mixed and The Broke Diaries into one show and went around town pitching them to some networks. HBO felt it was a good idea. So now I am in the process of writing what the first episode is going to be, and it’s in development with HBO. It’s interesting hearing Halle’s stories having a white mom and how they’re different from mine. Some good stuff, so I hope it makes it!

LL Cool J: Nice Guys Finish First

What comprises a legend? Some would say it’s commitment. That one’s chance at leaving a legacy hinges on the dedication to their craft and diligence in perfecting it Others say it’s heart. That one’s passion drives them to do whatever necessary to guide them to that supreme success. Lastly, there are those that insist legends are a player a higher power’s divine plan – that God’s will determines destiny. According to LL Cool J, it has been all three.

These days, most artists are lucky to get a second single, let alone drop another album. In spite of it all, James Todd Smith has defied the odds releasing the 11th installment of his recording career, aptly titled Todd Smith.  The album is chock-full of cameo appearances from the likes of Mary J. Blige, Mary Mary, Ne-Yo, Freeway, Juelz Santana and Teairra Mari. Here, the self-proclaimed “Greatest of All Time,” takes a moment to reflect on his career and the choices, Hip-Hop’s evolution, and God’s role in the continuing saga of Mr. Smith.

AllHipHop.com: You’re one of the longest running recording artist in Hip-Hop and that’s a fact.

LL Cool J: You know what, I’m just a… God has blessed me. That’s the first thing I think that, you know, recognizing a blessing is very important. Having that ability to know that you’re blessed, and knowing that God has his hand on you. When God puts his hand on something, nobody can move it, you know. So beyond that, I really don’t have the answer. I don’t know how I’m able to do what I’m doing. I don’t have the answers. If I did, I’d be ten times what [I am]. What I can say, just in terms of just my part in the deal so to speak, has been just to love what I’m doing, to believe in what I’m doing – to work hard and not be lazy, to not feel like I know it all and to not be afraid to take risks, to not be afraid to look foolish and look stupid. I don’t have a fear of criticism.

AllHipHop.com: Understood, can you expand on that?

LL Cool J: Like in Hip-Hop, things that are weak – or perceived to be weak, can be strong, and the things that are perceived to be strong, can be weak. For example, let’s take something like a love song. You know when I first started doing love songs, it was perceived differently by the male audience, [within] the Hip-Hop audience. [You were] Just soft or you’re emotional, whatever you want to call it. But I think that the reality is when you’re willing to expose what’s going on inside of you, and you’re willing to put your emotions out there, it’s actually strong. So I think it takes a lot of courage to do different things.

AllHipHop.com: So when you started rhyming, did you see an end in sight at all?

LL Cool J: No, I never seen anything that had a limit to it. I kind of feel like when you started something and you start talking about, “I’m only gonna be rhyming this long,” and “I’m only gonna do it that long,” what you’re really saying is you’re gonna stop before you fall. This is not to slight any one [but] that’s really fear talking.

AllHipHop.com: What would you consider one of those mistakes that you made?

LL Cool J: I mean I make jillions of mistakes. I’ve spent money. I’ve you know wasted money.

AllHipHop.com: Music wise. Any records that you think were a mistake? Or that people didn’t get, that you put out there with one kind of idea and the people didn’t get?

LL Cool J: No, my art, I don’t have any regrets with my art. I don’t see any mistakes in my art. You know, everybody’s not gonna like everything. There’s nothing that you can do about that. And you have to understand that. And everybody’s not gonna be your fan. And that’s okay. It’s like artists that paint paintings, you know, you just paint. It’s no regret. You know what I’m saying? You just paint.

AllHipHop.com: Do you find it easier to create, you know your masterpieces and what not in this climate where you are in your career right now or do you think it was easier when there was no pressure?

LL Cool J: There’s no pressure now. There was, there’s never any pressure.

AllHipHop.com: Never, there’s never any pressure?

LL Cool J: No. There’s no pressure. What is the pressure?

AllHipHop.com: Well, pressure to succeed. Pressure to, you know produce for the label, pressure to keep career flow.

LL Cool J: See, I understand what you’re saying. You know, I just kinda get in the zone, and operate from that place. I don’t have pressure to produce for a label. What I’m supposed to do is have faith, [and] make the best product I can. I make the best music I can from the heart, and then go out and do all I can to support it. And leave it at that. If so, what pressure? I mean I don’t, you know —

AllHipHop.com: In a percentage, how much of your recording career at this point is love and how much of it is money?

LL Cool J: Hundred percent love.

AllHipHop.com: Really?

LL Cool J: Absolutely. You have to love something to be with it for a long time. Look at marriages: you can’t be with somebody for money forever. No matter how much you try, at some point, it’s gonna just wear thin on you. It’s just gonna be difficult. The money thing is the effect. But the cause is love. You cannot tell me that Michael Jordan got as good as he got at basketball for money. You can’t tell me that Kobe [Bryant] got that good for money. Like, it’s no way you can get that good. Tiger Woods, you can’t get that good at something without loving it. But the money will come because that’s the beauty of God’s system. Now remember, I didn’t say [nice guys finish last]. You can be a nice guy, but nice guys finish last when they’re stupid – not because they’re nice guys.

AllHipHop.com: Because they’re idiots.

LL Cool J: Right. Nice guys finish last when they’re stupid. So I didn’t say be dumb. I didn’t say don’t do the best deal you can. I didn’t say don’t ask for as much money or create and generate as much revenue as you can for your life and your family. I said love what you do.

AllHipHop.com: What do you like and what do you not like about the game right now, in Hip-Hop’s current state?

LL Cool J: What I don’t like is the fact that it seems like we can’t figure out anything for our women to do but strip for us. You know, that’s no disrespect to young ladies that are going through that, because you never know why a woman does what she does, or man. So you can’t judge people. But at the same time, we can lift our girls up. You know, the music can lift them up. It wouldn’t hurt us. It wouldn’t hurt anybody to lift them up, and to embrace them, and you know give them some love, because you got to remember that. You know it’s kinda like you know we’re catering to the weakness in all of us.

AllHipHop.com: Right.

LL Cool J: But you know, at the same time, I respect a lot of young artists. I think that they’re talented. I think that there’s a lot of great music out there. I think that there are a lot of people out there that are impressive for various reasons – whether it’s their music, or what their accomplishments are, or their business acumen.

AllHipHop.com: So sell me and the readers this new album…

LL Cool J: I wanted the Todd Smith record to just be a record that was displaying even more of me, the inside of me that [only] my family gets to see everyday. The side of me that grew up next door to you. The guy who loves gardens, the guy who loves his family, to be really, really honest and put together some music that’s gonna unify the community, and keep the theme. The theme of the record consistent and constantly bringing people together with the music. All different types of you know musicians and artists, different genres. But primarily you know Hip-Hop and R&B.

AllHipHop.com: With this album, what are you trying to say?

LL Cool J: The theme on this record is unity, just unifying. Or touching on a subject that could possible tear people apart, but if you can address them and find healing, they’ll bring you together. The Hip-Hop community and the Black community- we need to be closer. There’s a need for more unity and the need for togetherness.

AllHipHop.com: What do you think is tearing us apart?

LL Cool J: I think that materialism is tearing us apart to a certain extent, because the materialism turns everything into a dog-eat-dog situation. It makes everybody like at the beginning of the hockey game, everybody going for the puck, ridiculous, with no regard for anything else that’s going on around them. It’s not the money, remember money is neutral. It’s nebulous.

AllHipHop.com: You recently launched your clothing line, Todd Smith. You seem to be a master of all trades…

LL Cool J: No, you know what, it’s a couple of things. First of all, I try to balance it and I do try to balance everything. But you know there’s certain spiritual principles at work. Like, you know I pay my tithe, you know tithing is when you give ten percent of what comes into your life economically to your local church. I take ten percent or more of my money, and give it to God and I make sure that I support His Kingdom. That’s why if you really look at my career, it seems like timing is impeccable. But it’s not because I’m so smart, and because I’m able to really map it out like that, it’s because God has blessed me.

AllHipHop.com: I just finished reading Raising Hell: The Autobiography of Run-D.M.C., And it talks a lot about the intense rivalry that you and Run had or supposedly had. Is this true and can you speak on it?

LL Cool J: Oh yeah, yeah. Me and Run definitely – well, it wasn’t much of a rivalry really, because when we were on tour, they were just beating me up every night. It really wasn’t that much of a rivalry. I guess I was seeing the results of what he was feeling, because they were whooping me out every night. But one thing [about] going on tour, Run-D.M.C. taught me was how to perform. They taught me how to stand up against such a mega-group, every night. It’s like to be on tour with them every night for years, it’s kinda like, it’s almost like a boxer who spars with two people in the ring at the same time, all the time. So then when you get out there against one, it’s much easier, you know. But yeah we had… I remember the first time I met Run, you know I said yeah “I’m LL. I made, “I Need A Beat.” Run said, “No, you didn’t. Say the words.” And I rapped it for him, and he went and asked Russell [Simmons].You know, one of the great guys, I have a lot of respect for him and DMC. May Jam Master Jay rest in peace, completely and totally, that was ridiculous. But as a group, I have the utmost respect. I mean, I learned a lot from them. You know, I studied them, you know, and I just think they’re a great group.

AllHipHop.com: Is it true that “Peter Piper” was originally “Rock the Bells”, the —

LL Cool J: — Yeah, yeah, yeah. “Peter Piper” was gonna be “Rock the Bells” and you know, but, you know Run lifted me. You know, it makes sense don’t it? “The Bells,” I was going through it, you know Rick [Rubin], I guess he felt like you know he had to do it to his little man [LL], like they’re all sick as a dog cause it was my idea, you know, sick. But you know in Jam Master Jay’s defense, he probably loved the “Mardi Gras” track too, because we all grew up on it, especially from that generation. We grew up with that music was the [Bob James’] “Mardi Gras” beat. So you know, it is what it is. You know, maybe I do [“Rock the Bells”] anyways.

AllHipHop.com: In the late ‘90s, you had a few freestyles on a Kay Slay “Street Sweeper” mixtape, where you talked about a notorious drug dealer Alpo and you rhyme Italian. You remember that?

LL Cool J: Yeah, yeah. At the time, like when I did the albums like Walking With A Panther, when I had all the big Cool J diamond rings and minks, and girls with champagne, Hip-Hop didn’t embrace it then. But that was the street. That’s what Alpo and them were doing. That’s when my man Chuck and them were doing and you know that’s what [convicted drug-dealers] AZ and Rich [Porter] and all of those guys from 132th [Street in Harlem], these are all the guys that I grew up around, and that’s what they were doing, and I was doing it, I was bringing that street culture and that urban inner city New York thing to music. But they weren’t ready for it. See, what I’m saying, like it wasn’t until Jay-Z and Puffy and them did it, ten years later – then people were really ready for all of that.

For more on LL Cool J’s James Todd Smith album, click here.

Los Angeles Councilman Offers $50k For B.I.G. Leads

A city official

in Los Angeles, California hopes a $50,000 reward will provide leads in the

unsolved slaying of rapper Christopher "Notorious B.I.G." Wallace.

The rapper was

gunned down on March 9, 1997 after leaving a party by VIBE magazine near

the Petersen Automotive Museum in Los Angeles.

Councilman Dennis

Zine introduced a measure Friday (April 7), which would double a 1997 measure

that offered a $25,000 reward for tips that will lead to the apprehension of

the person(s) who murdered the superstar rapper.

"I am hopeful

someone will come forward with information which will lead to the eventual apprehension

of the murderers involved in this case," Zine said in a statement.

In January, the

family of the late Notorious B.I.G. was awarded $1.1 million by U.S. District

Judge Florence-Marie Cooper.

The money was paid

to the family by the City of Los Angeles after it was learned the Los Angeles

Police Department intentionally withheld evidence that could have implicated

two rogue LAPD officers during the family’s civil lawsuit trial.

Zine has blamed the LAPD, saying sloppy detective work was the reason for the

city’s loss.

Last summer, authorities

discovered previously undisclosed statements from an informant who said an LAPD

officer, Rafael Perez, had confessed to participating in the killing with another

officer named David Mack.

A new group of

detectives from the LAPD from the department’s robbery-homicide division were

recently assigned to re-investigate the murder of the late Notorious B.I.G.

Obie Trice Teams With ‘CSI’ For Appearance, Video

Obie Trice has teamed with popular TV show CSI: Crime Scene Investigation to produce a music video for his latest song “Snitch.”

The video was produced using clips from the April 13 episode of CSI titled “Poppin’ Tags,” which stars Obie Trice.

The episode centers around three teenagers who are murdered while promoting a rapper’s new album.

The murders lead them to rival rappers Jessie “Dollar” Cleveland (Kennedy), Hi-Def (Barker) and “Drops” (Method Man).

The episode also stars fellow rapper Method Man, Travis Barker, Page Kennedy, Rick Gonzalez and others.

The video is slated to debut exclusively on CBS.com starting Tuesday, April 14.

CSI’s “Poppin’ Tags” debuts Thursday, April 13 at 9:00 PM, ET on CBS Television Network.

Lil’ Wayne’s Former Manager Files Lawsuit Over $500k In Back Commissions

Cash Money Records rapper Lil Wayne is the focus of a new lawsuit filed by his former manager.

In the lawsuit, filed Wednesday (April 5) in U.S. District Court in Miami, Lil Wayne (born Dwayne Carter) told White Tides Entertainment

president Melissa Philipian last December that he was firing her after he became angry over the quality of a hotel room booked for him.

As a result, the 23-year-old rapper refused to pay $500,000 in back commissions, according to Philipian’s lawyer Richard Wolfe, who added

that Lil Wayne also owes White Tides 15 percent of his earnings over the next two years under a three-year contract signed in June 2005.

“We’re probably looking at damages in excess of $1 million,” Wolfe told the Miami Herald. “Sometimes artists make it big, and they want to forget about the people who helped them get there.”

The lawsuit further stated that Lil Wayne’s contract with White Tides only allows him to end the agreement in writing after one-year of

service for specified contract breaches.

The company booked at least 21 concerts for the rapper as well as arranged product and publicity deals and organized guest performances on other artists’ videos and albums.

The quality of a hotel room does not qualify as a reason to end the contract, so Lil Wayne is liable to pay White Tides for the next two years, Wolfe said.

News of the lawsuit comes as Lil Wayne enjoys the success of his latest album, Tha Carter, II.

Since debuting at number two on Billboard’s Top

100 albums chart in December, the album has gone platinum.

The rapper, who serves as head of Cash Money and Young Money Entertainment, is currently studying psychology at the University of Houston this

semester, according to his website.

Lil Wayne and his lawyer, Ron Sweeney, could not be reached for comment Thursday (April 6).

Former Roc-A-Fella Exec Kenny Burns Launches New Label

Kenny Burns, former Vice-President of Roc-A-Fella Records and Co-Founder of couture fashion line RyanKenny, has launched a boutique record label, Studio 43.

Studio 43 is the latest musical venture from Burns designed to show case Hip-Hop, R&B, Pop and Rock music.

Burns, a seasoned music industry veteran, has helped shaped the careers of Kanye West, Akon, Monica, 702 and Bad Boy’s girl group, Dream.

During his tenure at Roc-A-Fella Records, Burns served as vice president of Roc-A-Fella Records and president of Roc Music.

“After leaving Roc-A-Fella, I started Studio 43 because music has always been my passion,” Burns told AllHipHop.com. “The first artist of Studio 43 is Wale, he’s a rappers rapper. He’s from DC, I think he’s gonna be the next Jay Z. He’s got the most requested song in DC right now. We’re in the studio now working on his project and getting singles ready. As far as other artists, I’m working with a few R&B and rock acts as well. Everything I do is going to be a multicultural experience.”

Burns also stated he was working on expanding the RyanKenny brand of clothing.

“With the new line, we’ve continued our tradition of focusing on attention to details and the quality of the clothes. Plus, we’ve got a lower price point. You’ll see RyanKenny in Macy’s, Bloomingdale’s, Parisian and a host of other upscale stores.”

The self-proclaimed Lifestyle Specialist recently unveiled the RyanKenny Fall/Winter line at the 2006 Fashion Week in Miami Beach.

The high fashion production was capped off by special runway walk from super-model Tyson Beckford.

For more information on Studio 43 or RyanKenny, log onto www.studio43group.com and www.ryankenny.com.

Natural Selection

Artist: Nature Sounds Presents…Title: Natural SelectionRating: 4 StarsReviewed by: Max Herman

Brooklyn’s Nature Sounds is not your typical independent label. Unlike most indies that focus on harvesting up-and-coming talent, this still relatively new imprint has made a name for itself by putting out records by some of the New York’s top veteran MCs (and a few underappreciated beat makers as well). On Nature Sounds Presents Natural Selection (Nature Sounds), the roster of featured talent is not huge, but when you have a DOOM/Ghostface track, the Boot Camp Click and Tragedy in effect, it’s hard to complain.

Aside from the draw that arises purely from the names featured, it’s the unexpected collaborations and the end results that make this compilation so solid. One of the most pleasant surprises, “No, No, No,” sees Boston’s DJ Fakts One of The Perceptionists connect with BK’s Buckshot and the Boot Camp Click. Fakts’ extra bouncy drum and horn-driven beat brings an energy out of the BCC not seen in some time. And on the magnetic posse cut “ The Renaissance 2.0”, Hell Razah, Black Market Militia and R.A. The Rugged Man take us back into the best times in Hip-Hop history, embodying defining moments and people like “Grand Wizard Theodore when he invented scratching.” Rarely has a posse cut been this focused.

Being that Nature Sounds is a primarily New York-centered label, the two tracks from the L.A.-area’s Strong Arm Steady are the only real misfits on the compilation. Not taking anything away from Strong Arm, but their clunky g-funk (on “Gold Chain Music” specifically) just doesn’t mesh with the rest of the East Coasters featured. Ironically enough, one of the strongest tracks, DOOM and Ghostface’s “Angeles,” is a riveting crime story set in L.A. of all places.

All in all, Natural Selection accomplishes exactly what it was intended to: get heads ready for their ridiculously impressive lineup of forthcoming albums in 2006 from DOOM/Ghostface, Pete Rock, Masta Killa and more. If all goes as planned, Nature Sounds may soon become one of New York’s premier Hip-Hop imprints.

The Charm

Artist: Bubba SparxxxTitle: The CharmRating: 3 StarsReviewed by: Nadiyah R. Bradshaw

Warren Anderson Mathis, known to many as Bubba Sparxxx , is trying to cause a fire with his newest effort, The Charm (New South/Purple Ribbon/Virgin). The aptly named title alludes to this album being his third release and, God willing, the album that makes him a household name. Well, Bubba has to hope that the fourth is the lick because this ain’t it. After rolling onto the scene with his comical debut album Dark Days, Bright Nights followed by the respectable Deliverance, both produced by the hit-making factory Timbaland under his Beat Club record label, Bubba has traded his overalls and tractor for a track suit and a Jesus piece and heads back to GA to work with one-half of the uber-duo OutKast, Big Boi. But even with Atlanta’s finest helping, this album still falls flat.

The first single sure to grab mad radio play is the formulaic “Ms. New Booty” featuring the Ying Yang Twins. It’s one of those songs you love to hate but don’t turn off when you hear it. With lyrics like “Get it right, get it right, get it tight…yeah, I’m a country boy but that big city bottom feels me up with joy.” Is as elementary as it gets. The Ying Yang Twins’ chorus will inevitably make you laugh but it won’t make you rush out to cop it. But don’t fret there are some cuts that help to round The Charm out. Without a doubt the best track on the CD is “Ain’t Life Grand” featuring newcomer Scar. A smooth, melodic beat with soft drums immediately grabs your attention and an uplifting chorus completes the smooth groove. He big-ups his new crew the Dungeon Family (DF) and you feel the family heavily influenced this track. Everyone struggling to come up can relate to this song. The road to success comes with many ups and downs and Bubba lets us know it was not easy and it never will be when trying to overcome life’s hurdles.

The production roster is pretty thorough, with the likes of Organized Noize (“As The Rim Spins”) who were pivotal in shaping the DF sound and Timbaland (“Hey! (A Lil Gratitude)”) there are some definite smashes on this album. However, there are also some that could have been left on the cutting room floor, particularly, “The Other Side” featuring Petey Pablo.

Overall, The Charm is decent. There are some definite tracks worth downloading but plenty that are not. Is this effort gonna make Bubba Sparxxx spark? Nah, he’s gonna have to try again, but he’s on to something.

The Heart of tha Streetz, Vol. 2 – I Am What I Am

Artist: B.G. aka B GizzleTitle: The Heart of tha Streetz, Vol. 2 – I Am What I AmRating: 3 1/2 StarsReviewed by: ambers mom

B.G. aka B Gizzle couldn’t have chosen a better title for his latest effort, The Heart of tha Streetz, Vol. 2 – I Am What I Am (Chopper City/Koch). At a time when Soundscan or MTV’s TRL would have you to believe that the hottest joints from the South come with a bounce or a booty shake, B.G., the self-proclaimed “original Hot Boy” makes it clear that this isn’t for the dance floor – this is strictly for the streets. Bearing the pain of his city on his shoulders, the young Chopper General may just be the one to breathe life back into Chopper City.

Much like his native town, B.G. has gone through a number of his trials and tribulations in the public eye. After overcoming a highly publicized drug addiction, separation from his former mentor Baby and an alleged beef with Lil Wayne – B.G.’s focus is evident here. And for the haters who wrote him off or doubted him, refer to his comeback anthem, the aptly titled, “F### Em’ featuring The Show, produced by Crack Tracks.

The albums most exceptional street worthy tracks are led by the commendable production of Crack Tracks, as illustrated on “Kill or Be Killed” a dark and vivid reminder that New Orleans is repeatedly considered the nation’s murder capital. “I Aint Got Nothing” follows the ghetto’s laws against snitchin’ and is the only response B. Gizzle has for the Feds. Paul Wall shows up on another highlight, “Deuces Up” along with newcomer Young Redd. A certified favorite for the parkin lot, B.G. holds his own against Houston’s latest draw.

Despite the catchy current single and video, “Move Around” featuring his former Cash Money partner Mannie Fresh, female friendly attempts like “Get Yo Mind Right” and “P***y Poppin” come off weak and recycled.

Cocky yet composed, B.G’s signature drawl flows slow and easy like a shot of Bourbon on this convincing assortment of corner anthems. Solid production coupled with his unique braggadocio and persuasive pen game make this selection one worth listening to. B.G. did right by the citizens of “Uptown” New Orleans here, uninfluenced and undaunted by what mainstream says, he’s honest and candid and unapologetic about who he is, just as the title suggests.

Confidential

Artist: M-1Title: ConfidentialRating: 3 StarsReviewed by: Starrene Rhett

Instead of emulating Scarface and Al Capone, dead prez (DP) channeled Malcolm X and Marcus Garvey on their debut Let’s Get Free (2000). They garnered a strong fan base as a result of their audacious Black Nationalist message and hard body production-i.e. “Hip-Hop,” the classic DP joint featured on Chapelle’s show, which people are still rocking to six years later. Following up their debut were a few mixtapes and their delayed second LP, Revolutionary But Gangsta. Now solo, for the moment, M-1, half of the controversial raptivist duo has dropped his debut, Confidential [Sotti/Koch].

“One thing ’bout music when it hit you feel no pain,” said M-1 (“Hip-Hop”). What’s painfully obvious about Confidential is that he is trying to reach a broader audience by removing some of the gritty edge signature to the typical DP sound. Don’t fret DP enthusiasts, it’s still there and it still holds true to the usual RBG modus operandi. The album is wrought with politics, Black Nationalism and an overall progressive message of “power to the people.” However, it’s clear that it’s also diversified.

“Til We Get There” is the first single off the album featuring Stori James and K’Naan. The laid back beat and Stori James crooning “I am by your side ‘til we get there” on the hook gives it an R&B-radio-friendly sound without being corny — and it’s all about uplifting the people. “I took a page from the book of Martin Luther and decided that it’s better to hug you than to shoot you/I’m sorry homie if it’s not what you’re used to but the way that we livin’ these black lives is beautiful.”

Another stand out track is “Love You Can’t Borrow” with Q-Tip and Cassandra Wilson. Straying away from politics and onto love for a couple of minutes, this one is for the ladies; “This ain’t a mind game shorty this is mind sex…I’m here to serve and protect cuz you deserve some respect/ I’m just a soldier for your love to the death.” Moving away from sweet and gangsta, leaning to the left are “Comrade’s Call” with Styles P and Bazaar Royale which is about busting a cap for the homies, revolutionary style, and “5 Elements,” a number about economic empowerment, discipline, and inner and outer strength. Lastly, there is “Early,” graced by Stic.man, M-1’s partner in rhyme. Produced by Fabrizio Sotti this one will definitely break some necks.

Despite the aforementioned tracks, which are dope, the overall production is a bit lackluster. Cheesy tracks like “The Beat,” “Don’t Put Down Your Flag” and “Gunslinger,” which sounds like a plantation work song, could have either been revamped or left off the album all together. Although M-1 and Stic.man complement each other well, M-1 has proven capable of standing on solid ground…alone, and Confidential is a nice attempt at going solo and appealing to a wider audience.

Menace 2 Society

Artist: CaponeTitle: Menace 2 SocietyRating: 3 StarsReviewed by: Angus Crawford

After watching Noreaga’s rise as a solo artist from prison, Capone returned stronger than ever on the group’s second album, The Reunion. While Noreaga remained visible as a solo artist, Capone had to wait another six years to release his solo debut, last year’s Pain, Time & Glory, but he is back much quicker this time with Menace II Society (Sure Shot Recordings).

The album opens with the show tune sampling “King of New York”, with Capone claiming he is inline for the crown after Jay and Nas. Strangely the lyrics on the song do not support Capone’s high opinion of himself, but songs like the D.R. Period produced “38 Special” and the clever “Aura” show that he is an underrated MC. On “Aura” he gets grimy and spits lines like, “My aura be the type that bite the night shift/ While your aura play the village sipping on white zinf.”

On the album’s bonus track, “Fallen Soldiers”, Capone borrows some flow and lines, from Tupac, Biggie and Big Pun, doing a decent impression of all three. Sadly, the rest of the album is devoid of creativity with Capone sounding like he wrote some lines in his sleep. Couplets like “I love to party and b####### like Christopher Wallace/ Play hard, pimping, watching my dollars” from “Mac on Chill” and “Try to catch me at the light like the queen/ I pull out a machine about the size of a stretch limousine” on “Recognize” are too elementary for someone aspiring to be the next Frank White.

Amazingly its been almost a decade since CNN released The War Report, and fans have been yearning for that same sound ever since. Unfortunately on Menace, Capone only provides fans with glimpses of that hungry MC.

Floyd Mayweather & Zab Judah: Hip-Hop, Boxing & Beef

On April 8, 2006, The Thomas & Mack Center in Las Vegas and HBO pay-per-view, will host the biggest battle between two Hip-Hop-like individuals since the war between Jay-Z and Nas. This time the opponents have just as much at stake, and it ain’t going down on wax.

During their teenage years, former comrades turned “sworn enemies,”

undefeated “Pretty Boy” Floyd Mayweather Jr., who recently turned 29,

and three-time world champion “Super” Zab Judah, 28, would often find

themselves joking about the day they’d square off in the ring- deep

down both knowing that one day it would become a reality. With the two

Welterweights having so much in common, it’s no wonder they once held

such a close bond. Both men were guided by their fathers. Floyd Mayweather Sr. was a former world Welterweight champion who once took on Sugar Ray Leonard. And Yoel Judah is a 6-time kick boxing champion and seventh degree black belt owner, who worked closely with Martial arts Guru Chuck Norris. Both Floyd and Zab were instilled with old-school discipline that would eventually lead them to the domination of the boxing world.

Mayweather, with 35 wins, 0 losses, and 24 KO’s, earned the name "Pretty Boy" early on as a result of his ability to always leave a fight unscathed. As an orthodox fighter, his lightning speed, defense, and punching power, has him ranked at number one on just about everybody around the world’s list of boxing’s best pound-for pound kings. Mayweather, ever the businessman, offers a Hip-Hop sensibility, but refuses to be pigeonholed. On the other hand, remains a fixture in New York’s Hip-Hop scene, but has also managed to handle business inside the ring. Judah has 34 wins, 3 losses, and 25 KO’s. He’s the southpaw underdog amongst the two, was once compared to his idol, Pernell Whitaker, because of his fancy footwork, speed, and relentless power. During the pre-fight promotions for his bout with Carlos Baldomir, Mayweather’s name was rolling off of Judah’s tongue more so than the present contender and the Brooklyn native eventually lost to the underdog. He had Mayweather on the mind as Team Judah rocked t-shirts during the Baldomir fight that read, "Pretty Girl, You’re Next!"

Will the Zab Judah hit Mayweather with a dose of Ether? Or Will Floyd

knock out Zab Judah, Roc-A- Wear’s first spokes/sports model, in front

of Jay Z as he promises he will? AllHipHop spoke to both warriors shortly before the media blitz that presently surrounds them. Read On.

MAYWEATHER ON BUSINESS AND HIP-HOP:

AllHipHop.com: Tell us about your record label &

Floyd Mayweather: It’s called Philthy Rich Records. We would have dropped the album a long time ago, but everything is a learning experience. Everybody knows that I was with James Prince [CEO of Rap-A-Lot Records] for a while, he’s the guy I brought into the boxing game. I helped his company blow big in the boxing game. He was supposed to help me in the music game, it never happened, things happen, so I moved on. One of my artists was Jumbo from Grand Rapids, Michigan. Then we got another artist, Dirt Bomb, from Chicago, we bring him out, we showed him a lot of things, he’s good but not good enough to be on a major level. Then we gotta another guy Earl Hayes, who’s coming out on Interscope, extremely talented artist. He’s under Dr. Dre’s schooling right now, and his album will be coming out in ’06 or ’07. Our main guy is H-Flow from Cleveland, Ohio. He’s unbelievable, he’s the total package and he’s going to blow huge.

AllHipHop.com: How has Hip-Hop influenced you? Were you a real Hip-Hop head growing up?

Floyd Mayweather: I love Hip-Hop, and I love R&B, and I love rap artists, but I’m a little different from Zab Judah. I got my fame from putting fighters on their back pocket, and putting them on their face, and racking up victory, that’s how I got my fame. He got his fame from being a video groupie. I like rap artists and they’re good, some of them even come over my house and hang out. But I ain’t into being in everybody’s video and all that.

AllHipHop.com: Raekwon was on Hot 97 FM with Miss Jones, and they asked him…

Floyd Mayweather: There’s a difference, there’s a difference. I was with J. Prince, and he had an artist Tela, so I was in a little clip for him. And I

did a little clip for Raekwon because he brought me out into the ring

one time, and I gave him a little exposure, a favor for a favor, two

times in ten years. Every time you see me, I ain’t tryin’ to light no

lighter and dance behind Lil’ Kim or chase Jay-Z, that ain’t my style! I

got my own fame, I’m my own man.

JUDAH ON BUSINESS AND HIP-HOP

AllHipHop.com: What’s you’re affiliation to Roc-A-Fella?

Zab Judah: I’m the first athlete to ever become a spokesperson for

Roc-A-Wear – not State Property, not Team Roc, but Roc-A-Wear.

AllHipHop.com: Tell me about your record label &

Zab Judah: My record label is called Super Cartel. It started out about two

years ago, and it’s going pretty well. I got artists: Synthero, Young

Geo, Desperado, E-Money and I got young Zion, he’s 11 years old right

now, and he plays the piano and sings crazy!

AllHipHop.com: And you also previously mentioned that you have a deal under a major record label too?

Zab Judah: I got a deal not too long ago with Warner Music Group. I’m also

working on a distribution deal with Koch for a Zab Judah Compilation

album, which will feature the artist on Super Cartel and other artists

too.

AllHipHop.com: What’s your relationship to Lil’ Kim?

Zab Judah: She’s a sister to me.

AllHipHop.com: How’s she doing?

Zab Judah: She’s doing really well in there, she got a job in there, she’s aight, she’s thuggin’ it BK style.

AllHipHop.com: I hear that she’s been running up all of the phone minutes [300 a month] that they give her.

Zab Judah: Yeah, we all know Kim, everybody that knows Kim knows that she loves the telephone, and she can talk a lot. Every month believe me, she runs up her minutes. But otherwise, health-wise, she’s okay. She’ll be in the streets real soon.

MAYWEATHER, THE BUSINESSMAN:

AllHipHop.com: This is the biggest fight between two Hip-Hop entrepreneurs since Jay-Z and Nas battled.

Floyd Mayweather: I’m not a Hip-Hop entrepreneur, I love all type of music and it’s more like I’m just a businessman. He’s more on the Hip-Hop level , I’m more all around. We’re two guys that are loved in the Hip-Hop world, I

would say. And come April 8th, I’ll be the last man standing.

AllHipHop.com: Any opening acts lined up for Saturday night?

Floyd Mayweather: We don’t know, we’ve been talking with a few people. The only deal I want to cut is this: Mobb Deep is a hell of a group, they’re great artists, they want to bring me out [to the ring] but I told them the only way

they can bring me out is by H-Flow becoming G-Unit. Me and 50 are going

to cut a deal, we’re going to put something together cause we’re real

good friends.

AllHipHop.com: I spoke to Havoc and Prodigy recently and asked them their view on

the fight and they said that they’re cool with Zab, but they’re betting

their money on you. Actually, about 98% of the people I surveyed say

that you’re going to win.

Floyd Mayweather: Oh yeah! For some many years, I’ve been what you call that fo’ Sho’

money, I’ve been that fo’ sho’ money for over a decade now.

AllHipHop.com: Don King mentioned that the music industry has taken a big interest

in this fight, and I also heard you say “Jay-Z’s going to be there, and

I’m going to knock Zab out in front of Jay-Z.” Can you give me any

insight on the music industry participating in the fight?

Floyd Mayweather: There’s supposed to be music conference in Palm Springs, or somewhere

in California. They say everybody’s leaving [California] Saturday night,

and going back Sunday. They said it’s supposed to be crazy. I don’t

focus on that though. I always knew time would tell everybody and

they’d soon wake up and see that I’m truth.

JUDAH ON BOXING:

AllHipHop.com: When did you start boxing?

Zab Judah: I started boxing at the age of two. Most guys say they’ve been a

pimp since age two, I’ve been a boxer since two. I had had my first

competitive fight at the age of six in a tournament in New York City called the Kid

Gloves.

AllHipHop.com: What challenges do you think you will face with Mayweather,

considering that he has no loses out of the 34 fights with 23 KO’s?

Zab Judah: He ain’t fought nobody!

MAYWEATHER ON BOXING:

AllHipHop.com: What sets you and Zab apart?

Floyd Mayweather: Zab do what he do, I do what I do. I guess he only prepares for the

big fights. Small fights, he don’t care too much about. Me, I prepare for

all fights. All fights are big fights to me, and that’s the difference

between us. Our styles are totally different, my hair is clean cut, and

he’s bald headed, he got diamonds in his mouth, I got diamonds on my

neck.

AllHipHop.com: Floyd, you have an impressive record 35-0-24, what is it that drives you to

stay on top?

Floyd Mayweather: Victory, not money. If any athlete chases victory, then money comes

along with it – just like in the music game. If you make good music, money

is going to come. I’m always hungry for victory. It don’t

matter if you love me or hate me, God loves me &I’m always able to get

up for big fights no matter what. That’s why we work so hard. The

entertainment and sports business are the same it’s all about selling

tickets; it’s all about selling that arena out and having that

adrenaline rush.

AllHipHop.com: At the press conference, you gave a lot of thanks to God what’s your relationship?

Floyd Mayweather: Out of everybody in the world he could’ve chosen anyone but he chose

me.

AllHipHop.com: What’s you’re everyday lifestyle like?

Floyd Mayweather: I’m always preparing &when I chill I’m at the crib, riding around

in my cars, driving my son in the Ferrari. I’m driving in the Maybach

with the kids and the nanny – the kids get food everywhere, but you know.

JUDAH: ZAB FOUGHT A LOT:

AllHipHop.com: Zab, What is it that makes you strive to be the best?

Zab Judah: As long as there’s guys out there like Mayweather, it’s not even money. It’s just being the best, I love what I do. My idol, Pernell Whitaker, told me one time, "Once you start fighting for money, it’s over. When you lose the thrill and the drive to get up and want to go to the gym and spar or fight it’s a wrap." At the end of the day, when you’re a winner, money is gonna come but when you’re a loser, you can’t get money.

AllHipHop.com: The majority of boxing fans around the world have been waiting for the big day when Judah vs. Mayweather.

Zab Judah: Floyd got a good strategy going on; he knows what he’s doing. He’s a good fighter, but as far as him having notoriety within the hood, outside of boxing, he really can’t get it. The only other alternative for him is to go after a fighter that’s out there and more popular than him and say, I want to fight him and make a name for himself. It’s a smart campaign though. For people who don’t know who he is, they finally get a chance to learn about him. When they hear him shout my name out, people say, "Oh, this guy is fighting Zab." But he doesn’t even have to take it to that extreme. If he gives me a couple of hours, I’ll market him right. I’ll let the world know who he is. It’s going to be bad. He pops a lot of s**t, but I’m going to knock him the f**k out, man!

AllHipHop.com: You mentioned to me before that because of your status, growing up in

Brooklyn, people used to often test you in the streets. What was that like? And

does that pertain to the present?

Zab Judah: If you go up to Brownsville, and ask about me as a kid coming up, everybody will tell you, "Zab fought a lot." That’s all I would do is beat mothaf**kas up. I was known for that, I was a product of my environment. Once I got out of my environment, I moved on to bigger and better things. I adapted to a new mentality. More or less, if I’m in the city and I’m in a club that might consist of a couple wild out cats in there, sometimes you got to adapt to your environment. But most of time, when I’m out or even out of town people got love, so it really ain’t nothing.

"THREE FIGHTS AND I’M FINISHED!"

AllHipHop.com: What do you want to accomplish as a boxer before retirement?

Zab Judah: If things can go the way I want it to go, I want Mayweather first,

Mosley and go out with Delahoya. Three fights, and I’m finished, if I could

get it that way, with wins and knock-outs on those three guys, they’ll

be no way you can’t mention my name when you mention Muhammad Ali.

Kim Airs Eminem Out, Eminem Responds To Drug Abuse Accusations

Rapper Eminem issued a statement regarding his recent divorce from his wife, Kimberly Mathers.

Em, born Marshall Mathers, filed for divorce from his childhood love for a second time earlier this week, after being remarried in January.

The rapper addressed a recent radio interview Kim conducted on the Mojo in the Morning show on channel 95.5.

According to Kim, the split occurred because the superstar rapper is still hooked on drugs.

She also claimed a lawyer surprised her with divorce papers on Wednesday (April 6).

“It was really quite a shock to me. It’s in his best interest that he does return to rehab, but yeah that’s one of the main problems, ya know. He’s not been honest and he left a month and a half ago.”

Kim, who was in and out of trouble and rehab over the past few years, said she has been clean and sober for two years.

Eminem responded to his ex’s comments in a statement.

“The details surrounding both my marriage and subsequent filing for divorce are private and I hoped to keep then that way for the sake of my family,” Eminem said in a written statement released by his manager Paul Rosenberg and spokesperson Dennis Dennehy. “However, a few of Kim’s statements in a radio interview this morning need to be addressed. First, her allegations regarding my status post-rehab are both untrue and unfortunate. Second, she was aware that I was filing for divorce. We both tried to give our marriage another chance and quickly realized that a wedding doesn’t fix the underlying problems.”

According to Kim, the couple’s ten-year-old daughter Hailie found out about the divorce listening to the radio.

Eminem’s grandmother, Betty Kresin took the time to call in to The Drew & Mike Show on channel 101.

“I told him from the beginning it would not work. I’m glad he came to his senses early. Marshall I’m sure gave it 200 percent, where Kim probably gave it 1 percent,” she said.

Eminem and Kim Mathers married in June of 1999, but divorced one year later amidst maritial problems.

Kim also expressed regret for the way their relationship ended.

“I love you and I’m here for you if you need anybody,” Kim said. “And I’m really sorry that things happened this way.”

New ‘Dirty District’ CD Coming To Stores

Barak Records is set

to drop the third installment of its Dirty District Series, which is scheduled

to be released nationally on June 6.

Hosted by the

legendary Brucie B, Dirty District Vol. 3 is highlighted by appearances

from Slum Village’s Baatin and a special DJ Scrap Dirty Slum Village mix containing

unreleased remix material by late producer Jay Dee.

The album also

features Planet Asia, Frank N Dank, Phat Kat, Black Milk, Aftermath Records’

Bishop Lamont, Proof of D-12 and Detroit soul sensation Dwele.

RJ Rice, CEO of

Barak Records entrusted the sound and direction of Dirty District Vol. 3 to

DJ Scrap Dirty, the label’s new general manager.

"We brought

him in as the G.M. because of his awareness and broad diversity, particularly

in the South and Midwest regions," Rice told AllHipHop.com. "Scrap’s

business acumen is off the charts and he’s well-versed in so many different

facets of the music business. He’s a wonderful addition to our staff."

Dirty District

Vol.3 is produced in its entirety by the new face of Detroit Hip-Hop, Young

RJ, who has previously worked with Kurupt of Tha Dogg Pound, Proof and Slum

Village.

Young RJ is also

the sound architect behind Slum Village’s single "EZ Up," which is

currently featured in a national advertising campaign for Chevrolet.