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Hip-Hop Experts Take ‘Rap Sessions’ On The Road

Critically-acclaimed

author and Hip-Hop activist Bakari Kitwana has collaborated with the Community

Technology Foundation of California to kick-off Rap Sessions, the first national

tour that explores race and Hip-Hop.

Rap Sessions presents a multiracial panel of Hip-Hop experts who will tour the

nation to engage youth and community leaders in candid, compelling conversations

about the Hip-Hop cultural movement and the emerging racial politics of our

time.

“What the nation witnessed in the 2004 presidential election relative to

youth was only the beginning,” Kitwana said. “This is a generation

of young people that is deeply concerned about the future of the nation and

wants to get involved. These community dialogues are designed to give young

people a forum and to help them find ways to expand the Hip-Hop movement beyond

the traditional confines race.”

The tour is geared toward targeting the Hip-Hop generation, young Americans

who have lived their entire lives in post- segregation era, and engaging them

in discussions around the new paradigm of race relations and social justice

as expressed through Hip-Hop arts.

The groundbreaking tour will conduct interactive community dialogues in ten

cities across the nation.

Panelists include

authors: Hip-Hop journalist and ethnic studies professor Oliver Wang, (Classic

Material: The Hip-Hop Album Guide); Tufts University sociology professor Raquel

Z. Rivera (New York Rican From the Hip-Hop Zone); Spoken-word poet and novelist

Adam Mansbach (Angry Black White Boy); and award-winning Hip-Hop photographer

Ernie Paniccioli (Who Shot Ya?: Three Decades of Hip-Hop Photography).

The 10-city tour starts March 8, 2006 in Buffalo, NY. For more information about

Rap Sessions, log onto: www.rapsessions.org.

Crucified 4 The Hood (Mixtape)

Artist: Whoo Kid & MaseTitle: Crucified 4 The Hood (Mixtape)Rating: 3 StarsReviewed by: Angus Crawford

2006 may go down as the year of the reclamation project for 50 Cent. Mobb Deep and M.O.P. arguably fit the profile of G-Unit artist, but former Pastor Mason Betha is causing a few people to scratch their heads. While 50 is going to have a more difficult time convincing fans that Ma$e is a veritable artist for his label, the Harlemite’s (depending on who you ask) first endeavor as a G-Unit member with DJ Whoo Kid, Crucified By The Hood (Shadyville), is a decent first step.

Although he returns to his Murder Mase moniker, the repackaged Mase is more like a hybrid of his grimier origins when he was running with a teenaged Cam’Ron and the shiny-suit wearing days with Diddy as a Bad Boy artist. This new Mase wastes little time acquainting himself with the ways of G-Unit as the mixtape is filled with shots at Cam’ron (Mase says, I gave you the name Killa), Jim Jones and the rest of the Dipset. Surprisingly he calls out Brandy, Diddy and even the church on “10 Years of Hate”, with the line, The Church ain’t big enough to buy what I’m buyin’ / And Diddy ain’t give enough to fly what I’m flyin’.

Tracks like “Window Shopper remix” and “I Got my Nine”, over Three Six’s “Stay Fly” beat, show Mase at his best delivering his slow flow and boastful lyrics. The truly nostalgic will be thrilled to hear a couple of freestyles from the past, but the mixtape’s purpose is to celebrate his arrival into G-Unit. Whether Mr. Betha is more parts “Murder” or Pastor is not important to him as long as the money is flowing in, and that is definitely one thing he has in common with the rest of G-Unit.

The Sun Beckons…

Artist: PenuckleTitle: The Sun Beckons…Rating: 3 StarsReviewed by: Max Herman

The free flowing Hip-Hop of Penuckle is unquestionably characteristic of his Southern Cali stomping grounds. Yet on The Sun Beckons (Basement), this blunted MC proves to carry a style all his own with his easygoing nature, vivid rhymes and occasional sing-songy flow.

While still a rookie, Penuckle is sure to make a name for himself quickly as he crafts songs that will appeal to the backpackers as much as club goers. As he raps on the roots reggae-flavored “Study Music (Get Ready)”, I can’t stay underground—too many peeps to alert. Listening to this album, it becomes clear that his specialty is storytelling as he goes from unflinchingly describing the crackheads and other characters from his hood one moment (“Ghetto”) to straight clowning while retelling his daily mishaps (“Spittin’ Down The Drain”) the next. And he makes sure to keep the ladies in mind on more than one occasion.

With his minimal yet thumping production, Penuckle brings a little fun into the oft-grave indie market without sacrificing his substance. Unfortunately, he occasionally goes the cornball route like on “Day Off” where he haphazardly uses the melody from The Bangles’ ‘80s hit “Walk Like An Egyptian.” Also, not everyone will appreciate his crooning on cuts like “”Beautiful Life.” For the bulk of this album, though, his adventuresome approach pays off. For fans of laidback but sharp Cali Hip-Hop, this oddly-named MC’s debut is certainly worth the purchase.

Ice Cube Announces Released Date For ‘Laugh Now, Cry Later’

Rapper/actor Ice

Cube has announced that he will release his seventh solo album, Laugh Now,

Cry Later, in June via his independent label, Lench Mob Records.

The album is the

follow-up to Ice Cube’s Greatest Hits collection, which hit stores in

2001. The rapper, born O’Shea Jackson, put his film career on hold to focus

on recording the new LP.

"It’s a record

that flows from kind of one tone to the next," Ice Cube told AllHipHop.com

in a recent feature. "Laugh Now, Cry Later really is the state of the world

in a way. You know, you could say it’s the state of the world, the state of

America, the state of urban America.

Now everybody’s

doing a lot of playing and nobody’s really thinking about when God’s gonna make

us pay for all this at some point in time. That’s really what inspired me to

make it that title."

Scott Storch, Lil’

Jon and Swizz Beatz are among the contributing producers on the 18-track album,

with Snoop Dogg, WC and others making guest appearances.

The first single

is the Scott Storch-produced social commentary titled "Why We Thugs."

Ice Cube started

his career as a member of the pioneering rap group N.W.A., on Eric "Eazy

E" Wright’s Ruthless Records.

Ice Cube left the

group because of a financial dispute with Wright and N.W.A.’s manager, Jerry

Heller.

In 1990, he released

his solo debut, AmeriKKKa’s Most Wanted, which was followed by Death

Certificate, War and Peace, Lethal Injection, The Predator

and others.

Laugh Now, Cry

Later hits stores June 6.

Trillville Member Don P. Charged With Rape

Trillville rapper Don P was arrested last week for the rape of a 16-year-old girl.

The rapper (born Donnell Prince) was charged with rape and two counts of aggravated sodomy.

According to Cory Hughes, a DeKalb County police officer, the alleged assault happened Dec. 16 at the Wood Crest Walk apartments in Lithonia, GA. During that time, Prince and another man took the girl into a bedroom, according to police, who also cite the other man in the rape.

After leaving the apartment, the girl and her friend called police, who arrived after most of the partygoers left.

The party was attended by about eight to 10 people, Hughes said Monday (Feb. 6).

Police are looking for the second man

Although Teresa Sanders, Trillville’s publicist, did not want to comment on the arrest Monday, Prince’s attorney, Keith Adams, voiced his opposition to the version given by authorities.

The girl was not a minor, Adams said, adding that there was more than one other person in the room at the time and the sex was consensual.

Adams further stated there were several people in the apartment that night and “none of them will corroborate what they [the police] say had occurred.”

Trillville is best known for their hits “Neva Eva” and “Some Cut,” which peaked at number 3 on Billboard

Russell Simmons Salutes Coretta Scott King

A Hip-Hop Salute to Coretta Scott King: Continuing the Struggle

for Freedom, Justice and Equality

February 8, 2006

Across America and throughout the world, millions of people have

taken the time to say a prayer, to utter a word of condolence, or to make

some expression of gratitude for the living legacy of Coretta Scott King.

Like the living legacy of Dr. Martin Luther King, Jr., Mrs. King’s

life-longed contributions to the freedom struggle now stand as a living

testimony to the oneness of humanity and to the transcendent power of God’s

love. Today the hip-hop generation of youth inherits and appreciates the

progress, sacrifices and remaining challenges of the civil rights generation

in word, deed and spirit.

In the wake of the tremendous public outpouring of support and

solemn respect for the King family and the effective movement that they led,

we did not want this historic moment to past without offering a sincere

salute to Coretta Scott King from the perspective of hip-hop culture. In her

elegant and dignified manner, Mrs. King lived the life of a freedom

fighter in her own right. She was an outspoken leader who was not afraid

to raise her voice against injustice. She consistently refused to bow down

to the temptations of a world gone mad with poverty, war and ignorance.

The poetry of hip-hop captures the essence of the continuing

struggle for freedom, justice and equality. When Dr. King and Coretta Scott

King were a young married couple, they both had high aspirations and

resolute faith that “The Movement” would eventually overcome the evils of

that day and time. The good news is that today’s youth have those same high

aspirations for a better quality of life and a resolute determination not to

be satisfied with an impoverished mindset or living condition.

Now young people all over the world are reaching out to one

another in solidarity through the music and other cultural manifestations of

hip-hop that transcend the racial and social divisions of the past. The

legacy of the civil rights era connects directly with the resilience and

recommitment of this new emerging force for change and empowerment.

We will not forget the wisdom and perseverance of Mrs. King and all of the

other elders of the struggle. We mourn her passing, but we celebrate her

dedicated life and example. We know the importance of speaking truth to the

powerful in behalf of the powerless. May the words of mouth and the

meditations of our heart be acceptable in the sight and presence of God. May

God bless the living legacy of Coretta Scott King.

Russell Simmons, Co-Chairman

Dr. Benjamin Chavis, Co-Chairman

Hip-Hop Summit Action Network

Roc-A-Fella Rapper Freeway Collaborating With G-Unit For New Album

Roc-A-Fella rapper Freeway, of State Property fame, will collaborate with 50 Cent and G-Unit for his second album titled Free at Last, according

to his manager.

The album is co-executive

produced by Def Jam president Jay-Z and50 Cent and will be released Jay-Z’s Roc-A-Fella imprint via Def Jam, said Freeway’s manager Ryan Press of Press Conference Management.

" Jay-Z,

and 50 Cent will both be on my album," Freeway told AllHipHop.com. "I got mad love for [50]. What people don’t know is that

we have been tight for a while. Our first album both came out in the same month,

and we did a lot of shows and other things together back then."

50 Cent’s longtime

manager and G-Unit founder Sha Money XL also confirmed 50’s involvement in the

project, as well as Lloyd Banks and Young Buck.

The album is slated

to feature Kanye West, Beanie Sigel, the Roots’ Black Thought, Nate Dogg, and

Mariah Carey, in addition to production by West, Just Blaze, Chad Wes, Scott Storch, Dangerous

LLC, and Needlz, among others.

"Philly, I

got a crazy joint with Black Thought. You already know what time it is with

my joint I got with [Jay-Z]," said Freeway. "We only make classics,

and the joint with 50 is stupid.

According to Press,

Freeway is still currently signed to Roc-A-Fella/Def Jam and maintains good

ties with Jay-Z.

Representatives

for Def Jam could not be reached for comment.

"Jay-Z and

Freeway have a great relationship and they’re gonna work together for the album

and other projects," said Press. "[They’re] still very tight. There

are no problems there. Freeway wants to put the Roc back were it is supposed

to be."

Freeway made his

first notable appearance on "1-900-Hustler," from Jay-Z’s 2000 compilation

album, Dynasty: Roc la Familia.

The rapper followed

with his solo debut, Philadelphia Freeway in 2003.

His new album is

due tentatively in May.

"The album

is gonna be crazy. You’re gonna hear growth from Freeway, the same classic hood

bangers, and some stuff about why he has been in the cut for a minute,"

said Press.

He added that the

album will also address the status of Freeway’s relationships with G-Unit, State

Property, and fellow Roc-A-Fella founders Damon Dash and Kareem "Biggs"

Burke.

"Any questions

that you have about Freeway will be answered on the album," said Press.

"He really wanted to stress that a lot of people are making songs that

just come and go but if you check his track record, ‘What We Do,’ ‘Rock the

Mic,’ and ‘Flipside’ are part of Hip-Hop history and are records that still

bang in main rotation even though they are three years old."

Added Freeway:

"I’m just very excited about my new album and also to help the unity in

hip-hop and prove that young black successful people can work together in this

game. It’s gonna be big for the east coast. We need something like this."

Fugees Concert Kicks Off Grammy Week

The Fugees will kick off Grammy week tonight (Feb. 6) with a free open-air concert on the corner of Hollywood and Vine in Los Angeles.

The hip-hop trio–Lauryn Hill, Wyclef Jean and Pras Michel–will perform their new single, “Take It Easy,” as well as new material from the long-awaited follow-up to their multi-platinum sophomore album, The Score.

That album spawned the hits “Killing Me Softly,” “Fu-Gee-La” and “Ready or Not,” and generated critical acclaim.

More than 8,000 fans are expected for the show, which will air Feb. 7 on an exclusive live broadcast titled “The 2006 Grammy’s Presents: The Fugees Reunited,” at midnight on New York’s Hot 97(WQHT) FM.

Verizon Wireless customers can watch highlights from the concert, as well as clips from previous Fugees shows, on their V CAST-enabled phones. Video from tonight’s performance will be available for free for a limited time.

“We are excited to perform at this exclusive Verizon Wireless concert to kick off Grammy week in L.A.,” the group stated. “As artists, we realized that there was more music we needed to make together. Verizon Wireless’ V CAST allows us to connect directly to our fans by placing the music from our hearts into the palms of their hands.”

The concert is one of the Fugees’ first performances in the U.S. since their breakup in 1997. The group reunited in late 2005 for a European tour.

In the coming weeks, V CAST Music customers can access audio recordings from the show and purchase recordings from the performance on their V CAST Music-enabled phones.

“The Fugees have legions of fans from coast to coast who crave their music,” said John Harrobin, vice president of marketing for Verizon Wireless, in a statement. “The availability of songs from this exclusive Fugees concert on V CAST–in both the video and music formats–gives our customers a front row seat in a truly mobile format while giving legendary bands, like the Fugees, a new way to connect with their fans.”

Tickets for the event will be distributed through LA-area radio contests, TXT and PIX messaging offers, at local area Verizon Wireless Communications Stores and by Verizon Wireless street team members.

Doors open at 5:30 p.m., and the concert will begin at 7 p.m.

AHH Stray News: Pitbull, DJ Toomp, Jay-Z & Linkin Park, Snoop

Following Slip-N-Slide

Records’ recent court victory against TVT Records over an unreleased Pitbull

album, the Miami rapper has released a statement about the collection of previously

recorded songs. A United States District Court Magistrate Judge sided with Slip-N-Slide,

ruling that the label can release Pitbull’s Welcome to the 305. "I

want it to be clear that this is not my second album. These are some old tracks

that I recorded soon after I left Luke Records," Pitbull told AllHipHop.com

in a statement. "El Mariel will be my follow-up album to M.I.A.M.I."

The two labels squared off in a Miami court, where Slip-N-Slide owner Ted Lucas

claimed Pitbull signed over all rights to the recordings when he was granted

a release from his contract in 2003 in order to sign with TVT. TVT claimed that

Slip-N-Slide was unjustly benefiting from TVT’s involvement with Pitbull, which

helped turn the rapper into a major recording star.

Grammy-nominated

producer DJ Toomp, along with longtime friend and business associate Bernard

Parks Jr., have joined forces to launch NZone Entertainment, a new label venture.

The duo desired to start their own company after years of crafting hits for

other artists and propelling them to stardom. An Atlanta native, DJ Toomp has

churned out hits for Young Jeezy, Ludacris, 8 Ball & MJG, Stat Quo, and

Boyz N Da Hood, among others. Most recently, Toomp produced T.I.’s "24’s,"

"Motivation," and "U Don’t Know Me" off Urban Legend,

and "What U Know" from the rapper’s forthcoming album King.

Parks is credited as one of the masterminds behind Goodie Mob who contributed

to the rise of Organized Noize and the Dungeon Family. NZone, in conjunction

with DJ Toomp’s production company Zoneboy, is currently focused on launching

the careers of Jack Bona and Suga Suga. The latter artist recently released

the single, "Do It With No Hands," and is touring and working on his

debut album. "I have these eyes and ears and I know what it takes to be

successful in this business and so does Bernard," said Toomp. "We

want to discover a star…We want to win."

Jay-Z and Linkin

Park will perform together at the 48th annual Grammy Awards, taking place on

Wednesday (Feb. 8) at the Staples Center in Los Angeles. The two acts join previously

announced performers John Legend and Kanye West, Madonna with Gorillaz, and

others. Comedian/actor Dave Chappelle will also introduce an all-star tribute

to Sly and The Family Stone, which will include Maroon5, will.i.am of the Black

Eyed Peas, Robert Randolph, Steven Tyler and Joe Perry of Aerosmith, Joss Stone,

Legend, Ciara, and others. The ceremony will be broadcasted on CBS at 8 p.m.

E.T.

Snoop Dogg will

host "The Rapper’s Challenge Texas Hold ‘Em Tournament," a one-day

event slated to take place in Miami on May 5. Snoop and a variety of celebrity

rappers, actors, and top poker players from across the country will participate

in the event, which will take place on board a Casino Ship at the Port of Miami.

Later in the evening, various rappers will compete for $25,000 in a Monday Night

FightKlub battle. The Entrance fee for the "Rapper’s Challenge" is

$15,000 and includes no-limit Texas Hold ‘Em tournament play, access to the

pre-event Celebrity Registration Party, a Monday Night FightKlub, Uncle Reo’s

BBQ, the After-Party in South Beach, VIP admission to various clubs on South

Beach, and travel expenses (airfare and hotel). Snoop’s Uncle Reo will barbecue

on the top deck. Tickets are available for spectators as well, starting at $2,000,

with an additional $500 fee to play in the Charity Tournament.

Police Seek To Question Tony Yayo & Others In Busta Video Shooting

Police are seeking

to question G-Unit rapper Tony Yayo in connection with a shooting on a Busta

Rhymes video set that left one man dead with a gunshot wound to the back.

While he is not

an official suspect, police are seeking to question Yayo about a heated argument

that took place on the set of the video, which was being filmed on location

in the Greenpoint section of Brooklyn, New York.

Israel Ramirez,

29, was gunned down shortly after midnight on Sunday (Feb. 5), about a half-hour

after a group of men were ordered to leave the building after an argument on

the set.

He

was rushed to Woodhull Hospital where he was pronounced dead at 1:10 a.m. Ramirez

was in charge of guarding Busta Rhymes’ cache of jewelry, which was being used

in the video.

Police are investigating

what rappers’ entourages were present and if any of the men were connected to

the shooting.

Rhymes was shooting

a video for his latest single "Touch It (Remix)". The video’s cameo

appearance list included G-Unit members 50 Cent and Lloyd Banks, DMX, Mary J.

Blige, Missy Elliott and other high profile celebrities.

Yayo and Rhymes

are labelmates on Interscope Records, home to Dr. Dre’s Aftermath Entertainment

and 50 Cent’s G-Unit Records imprint.

Contradicting earlier

reports, Rhymes, Ramirez and others were in front the studio when shots were

fired, sending people running for their lives.

The make of the

gun used in the shooting has not been confirmed: reports have cited the shots

came from an AK47, while others have identified the weapon as a 9mm or a .45.

Eight spent shells were also recovered.

Police are scanning

video footage to see of the murdered has been captured on tape but have yet

to find a suspect or a motive in the shooting.

According to the

New York Post, police are having difficulties contacting Busta Rhymes

and at least 50 other people that believe were at the scene of the shooting.

Chicago High School Students Like Dem Franchize Boyz

Atlanta rap group Dem Franchize Boyz were recently held up from leaving a Chicago high school after a performance, due to a minor prank.

One of the students decided to pull the school’s fire alarm to prevent the group from leaving the building.

Due to the fire alarm, the students had to use the schoolyard as an exit, which in turn blocked the path for DFB to make a quick exit.

Even under the supervision of the Chicago police, fans stood in front of the vehicle preventing any movement of the car.

It was reported that one student opened the door to the vehicle and pulled the passenger door off the track while trying to climb in the vehicle.

An accident report was filed, but no one was injured.

Dem Franchize Boyz’ second album,

On Top of Our Game, is due in stores

Tuesday (Feb. 7).

Rapper M-1 Speaks Out Against Black History Month

While some choose to view Black History Month as a celebration of Black achievements, Dead Prez member M-1 has released a statement denouncing it and urging Black people to speak out against inequality all year round.

“I think the concept of Black History Month is insulting and offensive to all people of African descent,” M-1 stated. “It seems like a measly, meaningless offer from the parasitic and capitalistic system that has amassed an empire of wealth from our worldwide community.”

A known political activist, M-1 (a.k.a. Mutulu Olugabala) serves as local president of the Brooklyn Chapter of the National Peoples Democratic Uhuru Movement and the Malcolm X Grassroots Movement.

The rapper has also supported Friends and Family of Mumia-Abu Jamal, the Hands Off Assata organization, and participates in the annual Black August celebration in New York.

“Instead of offering us 28 days in February, we should be awarded reparations as this so-called Black History Month doesn’t include any agenda to lift oppression from Black life i.e. war on drugs, taxes, awful healthcare conditions, and economic disparity,” said M-1. “Further, the actual name of this ‘sacred’ month is damaging propaganda in [and] of itself.”

M-1 also referred to his new music video for “Til We Get There,” which depicts a group of neighborhood kids replacing the words “Black History Month” on a mural with “African History Year.”

“As my partner Sticman would say, we should call it Crack History Month because of the damage that has been done to our community,” the rapper added. “I propose a ban on the term ‘Black History Month’ because it doesn’t identify the land mass and the people that produced everything that we know as culture today.”

M-1’s solo debut, Confidential, is due in stores March 21.

Ursula Rucker: Hip-Hop Librettist

Hip-Hop has many roots. The genre gets its soul from the blues, its edge from the streets and its rhythm from the Motherland – but the artistic side comes from poetry. Anyone who is a fan of both Hip-Hop and poetry holds the name Ursula Rucker in reverence. Her haunting and poignant rhymes closed out three of The Roots’ CDs, which catapulted her into the burgeoning spoken word movement of the ‘90s.

Since her first single “Supernatural” was released in 1994, Ursula released two albums; SupaSista in 2001 and Silver Or Lead in 2003. More than just a wordsmith, Ursula balances worldwide activism, being a mother of four and her poetry career with tours, speaking engagements and performances. She wears many hats, but according to her, one of them isn’t being a spoken word artist.

The Philadelphia native is preparing the release of her third studio album, Ma’at Mama, which promises to be as sensual and soulful as it is revolutionary. Rucker kicks a verse with AllHipHop.com Alternatives about the state of poetry, the state of Hip-Hop and the state of the struggle.

AllHipHop.com Alternatives: Do you remember your first poem?

Ursula Rucker: No. I was young when I started writing poems. It was probably some sweet little love note to my mom.

AHHA: What first inspired you to read your poetry in front of an audience?

Ursula: I’m not sure if it was inspiration or the white zinfandel. No, I guess it was just the right time in my life, right place, right moment.

AHHA: How did the idea of making albums that are very musical come about?

Ursula: Well, I started recording poetry with music some 12 years ago, at King Britt’s invitation to do something for this house track he was producing. That’s how the whole marriage of sound and word came about for me.

AHHA: Is Spoken Word [the same as] Hip-Hop? Or are they different genres?

Ursula: Spoken Word is just that to me: a genre, a trend. Poetry is my art, not Spoken Word. Hip-Hop, in the true sense, is so much bigger than a mere genre or trend…so much bigger.

AHHA: The Roots brought you into the national spotlight, and at the time it was very different for a Rap album to end with poetry. Do you think Hip-Hop would take a risk like that now?

Ursula: Sure. Common had The Last Poets on that joint last year. It ain’t gonna be happening on a grand scale, but it will happen again.

AHHA: Any Hip-Hop artists you want to work with now?

Ursula: RZA, Bahamadia, Grand Agent, Nas…to name a few.

AHHA: What is your take on the misogyny debate in Hip-Hop?

Ursula: The misogyny debate? What is the debate about? It exists and it’s bigger and worse than ever, period.

AHHA: What have you learned as an artist from the time you first began to now?

Ursula: To be more fearless in my writing. I’ve learned a great deal about recording and performing with music and the intricacies and beauty of language…the language of words and music.

AHHA: What can your followers expect from your new release?

Ursula: A not-so-electronic-music driven album. Ma’at Mama is organic; lots of live instrumentation, more Hip-Hop and Soul centered and more mature. And as always, the poetry is the main focus.

AHHA: What does a poet need in order to make a career out of poetry?

Ursula: That’s always a difficult question, ‘cause I never set out to do this s###. It called me, you know? It truly is my calling. So, all I can say to a poet is be true, honest, real to the art. Don’t do it for the three minutes of fame or the thrill of being behind the mic. A poet has to love poetry or it ain’t gonna work.

AHHA: Black poets in the ‘60s and ‘70s spoke a lot about war, racism, sexism and social ills. With similar problems occurring now, do you think today’s generation has taken up the torch?

Ursula: Not sure if you’re referring to today’s generation of poets or all folk. If it’s all folk then hells no. There are always a handful of those who plug away on the artist, political or whatever front, striving for positive viable change. But it ain’t enough. We need all the help we can get. It’s some heavy sh*t goin’ down. Folks have to wake up, for real.

AHHA: Who is your favorite Spoken Word artist and why?

Ursula: My very favorite poet is Sonia Sanchez. I also like many others though: Ted Joans, Jean Toomer, Anne Sexton. Contemporary-wise, [I like] Rich Medina and Saul Williams.

AHHA: Anybody up and coming we should be checking for?

Ursula: Yeah. Malene Younglao, she sings on the cut “Rant” on my album. She has a band called Younglao, Punk, Hip-Hop, Rock. Great lyrics, dope music, amazing presence.

AHHA: Who is your favorite Hip-Hop artist and why?

Ursula: Wow, tough one. I’ll just go off the dome and say Bahamadia, for obvious reasons. She’s the dopest emcee ever. [She] keeps her s### real, don’t change for nobody. Which is why she’s not more well known and plus, she’s Philly to the core.

Ellington Jordan: True Meaning

Ellington “Fuji” Jordan has been making music for years with legendary artists, and is still continuing to grow in his craft. He co-wrote the song, “I’d Rather Go Blind”, which has been recorded by the likes of Fleetwood Mac, B.B. King, The Noel Redding Band and Rod Stewart to name a few. He was also a member of the psychedelic funk group Black Merda, a band that has been such a musical inspiration that even Ja Rule sampled some of their material. Jimi Hendrix and Creedence were close personal friends of his, and to say that his resume is extensive is an understatement.

Ellington spent time in a prison, almost unaware of when he would be released. The time he spent being incarcerated gave a him new chance at life. He gained a humble demeanor and developed his musical abilities. Although his famous friendships and associations are fond memories to Ellington; the balance of personal peace and harmony is his focus. A person can’t always live on the run – it becomes physically and emotionally draining. They must eventually try and find their way home.

Ellington Jordan’s new album Almost Home in itself is emotion. The song “Solider” tells a tale of a man that left home to fight in a war, but never found his way home – one of many tales that speaks to the soul. AllHipHop.com Alternatives conversed with Mr. Jordan about his journey through life and the importance of finding necessary balance.

AllHipHop.com Alternatives: How did you get the nickname Fuji?

Ellington Jordan: My dad gave it to me. He was in World War II and had a picture of Mount Fuji in his footlocker. Years later he started calling me Fuji.

AHHA: What musical artists did you find inspiration from over the years?

Ellington: Chuck Berry, Muddy Waters, Joe Turner, Ray Charles and Willamina Thornton. George Clinton hypnotizes you.

AHHA: Clinton is the Godfather of Intergalactic Funk!

Ellington: Yeah, it was like a little kid seeing and hearing for the first time I love his music.

AHHA: How did you get involved with the Rock group Black Merda?

Ellington: In Detroit with Eddie Kendricks from the Temptations. I moved there from L.A. They were playing at the C-Club – Edwin Star was backing for them. I had never heard a sound so magical before in my life

AHHA: Almost Home is the title of your new album. The phrase seems like a contradiction. What’s the meaning behind it?

Ellington: It’s a combination of experience and a request to write a song for a movie. I was talking to homeless people around a fire. A guy told me about [Vietnam]. He was in Vietnam and came back, but couldn’t figure things out. He had changed, as well as the world in which he once knew. He was lost in a daze. It interested me – I never saw anyone who had been in war. The experience it self must be very traumatizing, not to mention shooting other people. The guy had a Medal of Valor but couldn’t even pawn it to get money. It was worthless here, but overseas it meant something. He almost made it home, but not fully.

AHHA: Did you ever think that the song “I’d Rather Go Blind” would be covered by artists like Rod Stewart or Fleetwood Mac?

Ellington: No, I had no idea. I’m not an optimistic song writer. If it has meaning and means something to someone, then I’ll finish it. If not, then I throw it out. I got tired of losing and being down. I was in prison and didn’t know when I was going to get out. I sat in a piano room and began to write. I was working on a song once, “Peace Be To The Living And The Dying Be To The Dead”. I stopped writing because I thought that it was too political. Riddle and I were working on it. Some songs won’t get through the music filtering system. You can only go so far, or they’ll stop you. If no one else will benefit, I can’t write. You can’t just write for yourself, you have to also write things that will be important to other people. I wanna write a song like Crosby, Steels and Nash’s “Ohio”. I don’t like to listen to what the industry says – lolly-pop music goes nowhere.

AHHA: What do you want people to get from your music? What kind of music do you ideally want to write?

Ellington: Music that contains information that someone can hear and understand. They want to talk about it, but no one does it. They may not have anyone to talk to. “Dirty Water”, “Solider” and “Almost Home”, let you know that someone knows what you feel. My weapon is my funk, it’s my machine gun. I hate violence, war, and things that are bad for you. I suffered a lot in my career. I had an album come out before Barry White. I can’t be an artist to be molded – I’m a free spirit.

AHHA: What kind of frame of mind are you in while writing songs? Do vary your style depending on the artist?

Ellington: I do write music that I hope gets accepted by people – I never want to write something for self. I don’t want to be just known as a song writer, but rather a contributor to someone’s life. I’ve sat and talked with people have given music life – I’ve talked to Creedence and Jimi Hendrix, who I miss dearly. He was a burnt offering. You burn incense to bring a sweet odor. He brought something to see, smell and eat. He never elaborated in what he did. You can hold onto his music… no, his essence – and it will never go away.

AHHA: You don’t know how right you are.

Ellington: I’m glad to have known him.

AHHA: Are there any last words that you would like to say?

Ellington: God bless all. Long live Dr. Dre, Snoop Dogg and Scarface.

Remy Ma: Straight, No Chaser

For almost a decade, Remy Ma waited her turn as labels toiled, release dates spoiled, and still no album. But five years removed from her initial introduction to the masses, "Lean Back" reached the suburbs at the same time Hip-Hop wanted a new reigning female.

Without heavily relying upon her Terror Squad comrades, There’s Something About Remy is propelled by another Scott Storch single for the clubs, and mortared with songs that reflect the ruggedness of a Bronx childhood, as well as the changes of motherhood. These same issues were also discussed between AllHipHop.com and Remy. Never one to stay diplomatic, Remy also speaks on her love of the leaf, Pun’s family, and every street-chatter-point you could imagine. This is Remy Martin, straight – no chaser.

AllHipHop.com: This album is five to six years in the making, how it does feel?

Remy Ma: Hmmmm, it feels great. [laughs]

AllHipHop.com: Okay. That was real generic.

Remy Ma: It feels greeaaat. I feel like Tony the Tiger right now.

AllHipHop.com: Was it your decision to release on February 7th? Did you make it that way so it could drop on the day Pun passed?

Remy Ma: No, it was actually it wasn’t.

AllHipHop.com: I know There’s Something About Remy got pushed back a couple of times. [Click here for exclusive Remy Ma content, downloads and music.]

Remy Ma: Exactly, from September to December to all the way through to February. It just so happens it got changed to February 7th. It’s either that or Valentines Day. But they picked the 7th. They didn’t (even) realize what it was until I schooled them and told them what it was the 7th was. I didn’t even tell them, I asked them like ‘Uh, do you know what the 7th is?’ [It] must be a sign it’s supposed to be that way.

AllHipHop.com: How do you think SRC is doing as a record label with your project?

Remy Ma: I think they f**king suck. But hey, thank God I got good material, hopefully that’s enough. The numbers weren’t what they wanted at the time on [my first single,] “Whatever.” They were scared to death and they went with the “Conceited” song when they should just waited, they were f**king beasting and mad scared. My album been done since this time last year. That just goes to show you how retarded they are.

AllHipHop.com: Being that you are in a male dominated game, did the label ever ask you to s### it up?

Remy Ma: Umm, no not really. That’s more like my friends who do my make up and hair. Like, “Rem, put on this, wear that.” If I choose to – yeah, but on the regular basis it’s a no.

AllHipHop.com: You got Executive Producer status on your album. Usually Fat Joe gets the exec title on Terror Squad-related albums, how did you pull that off?

Remy Ma: Well, this isn’t a Terror Squad album for one. This is a Remy Ma album, and I put 150 percent into this project. I was picking my beats. I was picking the order of my songs, making sure the mastering and mixing was right. I did what I was supposed to do to get Executive Producer status.

AllHipHop.com: Whose idea was it for the album cover? It’s a little kiddy pornish.

Remy Ma: With the dress and Tims, that was me. That’s me right there. The hair is done, make up’s done. Looking beautiful walking a pit with Tims on.

AllHipHop.com: What’s up with the Reebok 5411’s? You been rocking them heavy?

Remy Ma: Umm, actually Reebok made me my own Remy Ma “Conceited” limited editions. I pick my own colors and it has my name and stamp on it. I love them. I’ve always loved them, [since] back in the day when they were still [cost +tax] $54.11. I just felt like no one else was rocking them. So I’m going to be different and bring them back.

AllHipHop.com: Recently you did a freestyle with some slick comments about Foxy going deaf and video vixen Buffie the Body. What was that all about?

Remy Ma: Nothing, it was just good punchlines. I thought it was hot. I don’t have anything against Buffie at all. Foxy either. I just spit anything sometimes and I don’t care. You thought it was a hot line…

AllHipHop.com: Speaking of outspokenness, when The Game came on the scene, he was running around saying he wanted to hit it. What was your reaction?

Remy Ma: I don’t know, I would of probably let him pipe if he asked right [laughs]. Nah, I’m playing. Like knowing Game, how he talk reckless, I took it as a compliment, he’s a sweetheart.

AllHipHop.com: So did you’ve spoken to him about it since then?

Remy Ma: Yeah, when it first happened I spoke to him like, “Oh word? I’m going to get at you on my next freestyle.” He was like, “Aight, whatever.” It was like real cool. On some real friendly back and forth s**t. It’s nothing.

AllHipHop.com: Well it caught my attention. How did you feel about Pun’s family putting his TS chain up for auction?

Remy Ma: That was insane to me.

AllHipHop.com: I’m from the Bronx myself and that hurt my heart.

Remy Ma: That’s crazy. Like if I had Pun’s chain and I was starving, homeless, dying on the street and I didn’t have a pot to p### and a window to throw out of, I would never in a million years think of putting my man’s chain on eBay. I’d f**king pawn it before I do that. At least you can get it back. If that thought even crossed your mind, if you going to be that grimy, pawn it. How are you just going to sell it to someone who you supposedly loved so much, to someone you don’t even know? Like what the f**k is that about? Like that was crazy to me. Give a call to a friend, a relative who thinks that they might want it, no pawnshop, just go straight to eBay with it that’s crazy to me.

AllHipHop.com: What’s your current relationship with his family?

Remy Ma: I mean, I never see them. I never speak to them.

AllHipHop.com: Have you ever ghostwritten for Joe?

Remy Ma: Is that the rumor?

AllHipHop.com: Yeah, where you been?

Remy Ma: [laughs] Umm, nah I don’t write for Joe. Even if I was ghostwriting , are you supposed to tell?

AllHipHop.com: No, but I still got to be on my J.O.! [Remy laughs] What did you think of Cam’s diss to Jay?

Remy Ma: I don’t care [and] I don’t. Why? I just don’t be caring about s**t. I want an answer; I’d like to see this s**t happen. I hope Jay say something back so Cam can say something back again. So they go crazy [at each other].

AllHipHop.com: Instigating, huh?

Remy Ma: Pretty much!

AllHipHop.com: So you got a man huh?

Remy Ma: No, not really my man, but a man.

AllHipHop.com: You still claiming single status?

Remy Ma: Yeah.

AllHipHop.com: How’s parenthood changed you?

Remy Ma: The biggest thing would probably be right now, like having to put him in school being that I’m [working] all the time. He stays with my mom in North Carolina. Having him away from me is the toughest thing.

AllHipHop.com: Do you play him your music?

Remy Ma: Yeah, he knows more about rap music than me.

AllHipHop.com: What do you think you accomplished with this album?

Remy Ma: It’s just like it’s a solid album all the way around. I didn’t any [miss] points or anything else I missed, like I’ll catch it on the next album. Seriously like if you starving and you hungry, my album is an eight course meal. It’s something you need.

AllHipHop.com: No more battling?

Remy Ma: Yeah, it’s a wrap. It was just for fun. I never really joined it. It was just something to do at the time.

AllHipHop.com: What do you hate the most about the rap game?

Remy Ma: Probably all the extra politics and payola and how n***as pay to get their songs played, to get videos played and pay for the extra radio spots. And just people who really grind, people who got talent get pushed to the side. They have to go through extra s**t because everyone else is paying.

AllHipHop.com: Who are the biggest b*tches?

Remy Ma: Probably the dudes. They be acting like b****es, they f**king tell everything, they gossip, they f***ing mad catty. It ain’t enough b****es in the game to be them.

AllHipHop.com: What’s your favorite spot in New York City?

Remy Ma: Hmmmm, all the weed spots. [laughs]

AllHipHop.com: What’s the strongest weed you ever smoked?

Remy Ma: Recently, I smoked some “train wreck” when I was over in L.A. That s**t had me f**king stupefied.

AllHipHop.com: Is it a problem that you smoke heavy and Fat Joe doesn’t?

Remy Ma: I been broke him out of that. I had to explain to him like listening I’m a pothead, that’s what I do and that’s it. Like get over it. I don’t even think it bothers him. He rather someone smoke a pound of weed, before someone smoke one cigarette and I feel the same way, so we good. I hate cigarettes.

AllHipHop.com: What’s the side of Remy Ma that the public doesn’t know about?

Remy Ma: Probably the more intimate side, like if you were ever to talk to my shorty [man], people wouldn’t ever believe how I really act. It’s not even how I really act, that’s just me. No drama, no screaming, no yelling, no smacking your baby mama type s**t. Whoever I’m loving, they get to see that side.

AllHipHop.com: Sounds like you might be whipped…

Remy Ma: Negative.

Audition

Artist: P.O.STitle: AuditionRating: 3 1/2 StarsReviewed by: Paine

In 1991, Public Enemy and Anthrax made history iby remixing “Bring tha Noise”. The effort fused two cultures, Metal and hip-hop, that long stood side-by-side, but never on the same block of cement. Fifteen years later, Minnesota’s P.O.S combines the cultures for an anger-driven, lyrically clever Audition (Rhymesayers) for the legions of Twin Cities fans looking for another self-made indie star. The Doomtree stand-out’s album may speak louder to rhythm savvy Punk fans than Hip-Hoppers, but it’s a guilty pleasure for all.

“P.O.S. is Ruining My Life” is a stellar confessional. P.O.S, like Joe Budden, admits that he struggles to maintain a relationship with his father, moments before generalizing women of waiting on the next best thing in life. Though he’s ranty and self-absorbed, P.O.S uses universal issues, and offers a delivery that mixes the timing and style of Punk, but with the avant-garde egoism of hip-hop. Holdsteady singer Craig Finn drops in on “Safety on Speed” which begins as a diatribe on the film, “Predator”, before evolving to a song about disappointment in general. Things like this are hard to take seriously, which is what separates P.O.S’s songs from the usual “woe-is-me” rapper

Musically, this is the first project besides MM…Food?, that Rhymesayers has made without relying on Atmosphere beat-maker Ant to wax some Soul. Instead, choppy guitar and break collages by Lazerbreak and Sims, mixed with DJ Turbo Nemesis’ cuts create new dimensions. Though Little Brother fans may cover their ears, lovers of Cage and Anti-Pop Consortium should be delightfully pleased.

The People Vs.

Artist: Trick TrickTitle: The People Vs.Rating: 3 StarsReviewed by: Henry Adaso

As Cassidy or Snoop Dogg would probably tell you, being accused of murder can make you a very rich man. Having received a clean slate on an alleged murder charge that landed him a seven month stint behind bars in 2004, it was only natural that the 33-year old Christian Mathis (known to the world as Trick Trick) traded in his street life for music hustle. By capitalizing off his first major deal and achieving what had eluded him at Click Boom Records nearly 14 years ago, Rock-city’s own Tricky has crafted a manifesto that chronicles his jagged past. Like the album art, however, The People Vs (Motown) is far from being a well-balanced album.

The aforementioned murder charge is the subject of Trick’s musing on “M-1” (a slang that implies first degree murder), where he barks out “not guilty” with DMX steeze over a gritty drum shiver. You can almost hear the snares gasping for air as they strive to keep pace with Trick on the congratulatory “Get Bread”, and “My Name Is Trick Trick” – one of several thug braggadocio-themed tracks on The People Vs. The latter touches on his well-publicized fracas with Trick Daddy; “Trick Daddy broke my arm? C’mon you saw the tape/ain’t nobody breaking s### this way…/I don’t whoop na’n n#### for nothin’/U got stomped then you had to do somethin’ (b**yotch!)”.

Things are not all ugly on this album, as the Goon Squad chief discards his gruffness for the pulsating “Leave Your Past”. As expected, the joint reaffirms the power of moving on, but takes an unusual turn evolving into an elongated instrumentation for an additional minute or so. An affiliate of Trick’s for over a decade named Eminem (you may have heard of him) lends his superstar hands on the radio-active “Welcome to Detroit”, but plunders into mediocrity on the insipid “No More To Say” alongside Proof (of D-12). Not even Jazze Pha’s catchy ditty “Attitude Adjustment” is enough to offset the Lil’ Jon regurgitations on “Let’s Scrap” and “Head Bussa”, both poorly-sequenced as track-closers.

Trick fails by allowing trite gangsterisms to outweigh substance, but successfully concocts an album that gives the world a peak into the mind of a relevant player in the Detroit Hip-Hop scene. Christian Mathis may have beaten his case against the state but the musical battle The People Vs. is a lopsided one with Trick Trick on the losing end.

Windmills of the Soul

Artist: Kero OneTitle: Windmills of the SoulRating: 3 1/2 StarsReviewed by: Brolin Winning

An emcee/producer/DJ based in the Bay, Kero One has been making hip-hop since the mid-nineties, but is just now releasing his debut full-length. After a pair of dope 12-inches, “Check The Rhyme” and “Keep It Alive!” plus a successful Japanese tour, he steps out with Windmills of my Soul (Plug Label), a mostly self-produced affair that bubbles over with jazzy breaks, mellow live instrumentation, and intelligent, slice-of-life lyricism.

“In all the Wrong Places” chronicles failed attempts at true romance, with acoustic guitar flourishes and some impressive Fender Rhodes work. “The Cycle Repeats” is an upbeat graffiti anthem, built on rugged snares and swirling flutes, injected with nice cuts from DJ Seoul Control. We also get treated to two outstanding instrumental selections that really showcase Kero’s ability behind the boards. The appropriately titled “It’s a New Day” is practically guaranteed to put a smile on your face with its shuffling drums, funked-out live sax, and Bob James-style keys, while “Ain’t That Somethin?” evokes thoughts of MF DOOM or Count Bass D thanks to the stellar synth loops and weird dialogue samples.

The 13 songs on here deal with real life concerns; showing love for good music, the ladies, family, and friends. There are no fake drug kingpin proclamations, no murderous threats, and no misguided attempts at Dirty South t#### bar music. If that’s your thing, this album probably won’t win you over. However, for heads looking for something slightly less formulaic, Kero One has got what you need. Windmills isn’t the kind of album that’s gonna incite a riot on the dancefloor, but it’s an undeniably nice, highly musical debut that will likely be embraced by b-boys and girls sick of the status quo.

Hit Producer Scott Storch Angry At Grammys

Scott Storch has

a bone to pick with the Grammy committee. The super-producer, who was named

Billboard’s number one Hot 100 and Hot R&B/Hip-Hop producer of 2005, feels

he was snubbed in the Producer of the Year category for the 48th annual Grammy

Awards.

The Producer of

the Year nominees for the Feb. 8 ceremony in Los Angeles are the Neptunes, Jimmy

Jam and Terry Lewis, Danger Mouse, Nigel Godrich, and Steve Lillywhite.

"I was extremely

disappointed to find I was not nominated, and even more so when I saw the list

of nominees," said Storch.

Last year, the

veteran producer opened the first 20 weeks of the year with back-to-back number

one hits—Mario’s "Let Me Love You" and 50 Cent’s "Candy

Shop," featuring Olivia. "Candy Shop" went on to become the number

one ringtone of 2005.

Storch ended the

year strong with Chris Brown’s "Run It!" which held the number one

spot on the singles chart for five weeks, as well as five songs on Billboard’s

Hot 100 Year End songs chart.

Overall, Storch

produced 13 hit singles that were released in 2005.

Although he said

he isn’t trying to disregard the nominees, Storch feels it’s hard to justify

some of the names when looking at the big picture.

Three of the candidates

(Danger Mouse, Godrich and Lillywhite) have one or two albums credited to their

names for the entire year, said Storch, adding that Jam and Lewis have worked

with many artists but have not had as many 2005 number ones as Storch.

Man Shot Dead At Busta Rhymes Video Shoot In Brooklyn

Police are seeking

suspects in an early morning shoot-out on the set of a Busta Rhymes video shoot

in Brooklyn, New York.

Israel Ramirez,

29, was shot once in the chest and was pronounced dead a short time later.

Rhymes, who was

in the studio at the time of the shooting, was not injured.

Rhymes was shooting

a full length remix video for his single "Touch It," on Green Street

in Greenpoint, known for it’s thriving artistic community.

Last week, Busta

Rhymes released three all-star remixes to "Touch It."

The video will

feature Missy Elliott, Mary J. Blige, DMX, Papoose, Rah Digga, Lloyd Banks,

Sean "Diddy" Combs, Winky Wright, Garry Sheffield, Raekwon and others.

Shortly before

the shooting marred the all-star video shoot, Rhymes was in good spirits.

"Touch It"

is taken from his highly anticipated Aftermath/Interscope debut The Big Bang,

which is slated for an April release date.

"I am blessed

to be in a position at this stage in my career that I could put out one record

and completely dominate the scene with the crème de la crème of

NY," Busta Rhymes said shortly before the shooting took place. "Mary,

Missy, Rah Digga, Banks, DMX and Papoose…its just the beginning.”

Police are viewing

surveillance footage from nearby buildings hoping to identify a suspect in the

murder.

Representatives

for Interscope declined to comment on the shooting.