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Snoop Dogg Headlines ‘Bud Bowl’

Rapper Snoop Dogg

and rockers 3 Doors Down will take center stage Feb. 3 and 4 for Bud Bowl 2006,

a pair of invitation-only concerts presented by Budweiser and Bud Light.

Snoop will perform Feb. 3, while 3 Doors Down will take the

stage the following night on Feb. 4 at Tiger Stadium in Detroit, Michigan.

The Detroit Tigers moved from Tiger Stadium, known as “The

Corner,” for the modern stadium at Comerica Park after the 1999 season.

“The Bud Bowl events at Tiger Stadium will allow our friends

in Detroit to experience ‘The Corner’ one more time and will provide top entertainment

perfect for a championship weekend," stated Phil Kazer, region vice president,

Anheuser-Busch. "Our company is also excited to give Detroit sports fans

a rare glimpse of Tiger Stadium, one of sports greatest venues, by reopening

it during this historic weekend."

The concerts will precede the Super Bowl, which takes place

on Feb. 5 and airs on ABC.

Snoop and 3 Doors Down will perform on the infield in Tiger

Stadium, enclosed in a 132-foot by 230-foot climate-controlled expo hall.

Budweiser will air the equivalent of 10 30-second “Bud

Bowl” spots, including the coveted first ad after the opening kickoff

during the 2006 game broadcast on

ABC.

Doors open at 8:30

p.m. for both shows, which take place at Tiger Stadium in Detroit, Michigan.

Rapper Cool C’s Execution Warrant Signed by PA Governor Ed Rendell

Pennsylvania Governor

Ed Rendell signed the execution warrant yesterday for former Philadelphia rapper

Christopher "Cool C" Roney.

Roney, 36, is currently an inmate at Pennsylvania’s State

Correctional Institution at Greene and is set to die by lethal injection on

March 9.

In October 1996, Roney was found guilty of first-degree murder

in the killing of Philadelphia police officer and nine-year veteran Lauretha

Vaird during a botched January 1996 bank robbery that included rap partner Warren

"Steady B" McGlone and a third man.

Vaird was Philadelphia’s first female officer ever killed in

the line of duty.

While McGlone was convicted as an accomplice and getaway driver,

later receiving life in prison, prosecutors asserted that Roney was the triggerman

and sentenced him to death.

The sentence was affirmed by the state’s Supreme Court a year

ago, and a subsequent plea to the U.S. Supreme Court was denied in October 2005.

Roney was a member of rap crew The Hilltop Hustlers in the late

1980s and helped put Philly rappers on the map with singles such as

"Juice Crew Dis" (which was later used by Philadephia rappers Beanie

Sigel & Peedi Crack on ‘When You Hear’), as well as 1989’s#### single, "Glamorous

Life."

As a rapper, Roney released two albums, 1989’s I Gotta Habit and 1990’s

Life in the Ghetto.

In 1993, he joined

Steady B and Ultimate Eaze to form the group C.E.B. and released the album Countin’

Endless Bank in 1993 on Ruffhouse Records.

Power 106 Cancels Pioneering Hip-Hop Show ‘Friday Night Flavas’

After 8 years of broadcasting, Emmis Communications and Power 106 have canceled Friday Night Flavas, a signature Los Angeles Hip-Hop show hosted by the legendary Fantastik 4our.

On Wednesday (Jan. 4) Power 106 canceled the famed Hip-Hop show, which aired on 105.9 FM (KPWR) in Los Angeles every Friday night from 12am to 3am since 1998.

For the past 8 years the Fantastik Four Crew, which features DJs Mr. Choc and J. Rocc of the Beat Junkies and C-Minus and Truly OdD, has provided a critical outlet for underground Hip-Hop in the www

nation’s second largest market.

According to Fantastik 4our group members, there was no official warning of the cancellation and that listeners will not receive a farewell show.

“One of my main concerns is what’s going to happen to the LA Hip-Hop movement now? There’s no more radio shows besides The Wake Up Show that caters to underground music,” Mr. Choc told AllHipHop.com. I feel like a lot of the artists that are trying to make a difference have lost their home.”

Shortly after its exception, Friday Night Flavas experienced major success and helped Power 106 to open its door to Hip-Hop and drop their slogans “Dance Now” and “Pure Energy” to the slogan “Where Hip-Hop Lives.”

While Power 106 has not indicated reasons for the cancellation of the weekly three-hour show, industry insiders speculated that the reason for the move is to make room for a more commercial oriented radio show.

“We would like to thank the Los Angeles Hip-Hop community, all our listeners, fans and supporters of the Fantastik 4our,” Fantastik 4our said in a statement. “All of the artists, DJ’s, producers, graff artists, labels, street teams and all who have graced the airwaves with us. We repped for the Hip-Hop culture and we hope that you enjoyed listening as much as we enjoyed bringing it every Friday for the last 8 years.”

While the radio show has been yanked from the airwaves, Mr. Choc said the there were no internal problems with the Fantastik 4our and that they would continue as a collective.

“The guys I do the show with are my best friends,” Mr. Choc said. “It’s hard to work with people when they don’t share the same passion as you do. I never had that problem with the Fantastik 4our. J Rocc, C minus & Truly OdD are some of the best DJ’s on the planet hands down!”

Kanye Gets Four NAACP Nominations

Kanye West earned four nominations for the recording category of the 2006 NAACP Image Awards.

The Roc-A-Fella MC was nominated for Outstanding Male Artist, Outstanding Music Video and Song for “Diamonds From Sierra Leone,” as well as, Outstanding Album for Late Registration.

West will compete against Common, who was also nominated for Outstanding Music Video for “Testify” and Outstanding Male Artist.

The award nominations were announced yesterday (Jan. 10) in Beverly Hills, California by a star-studded cast including Aisha Tyler, Kimberly Elise and Randy Jackson of American Idol fame.

Presented annually, the NAACP Image Awards is the nation’s premier event celebrating the outstanding achievements and performances of people of color in the arts as well as those individuals or groups who promote social justice.

This year, more than 1200 entries were received.

From those entries, a special committee of 300 industry professionals and NAACP leaders from across the country selected five nominees in each category.

The final selections are voted on by NAACP members, and winners will be announced during the taping of the 37th NAACP Image Awards.

The 37th NAACP Image Awards will tape February 25th at the Shrine Auditorium and broadcast on Friday, March 3rd from 8:00-10:00 p.m. EST on FOX.

Eminem And Kim Apply For Marriage License

Eminem and ex-wife Kim Mathers seek to remarry, as the pair has applied for a marriage license in Michigan.

The license was formally submitted by Kim to marry Marshall Bruce Mathers III, the multi-platinum rapper’s legal name.

The request was filed at the Macomb County clerk’s office and will likely be ready by Thursday, according to the Associated Press.

After the application is prepared, the pair will have 30 days to remarry.

According to previous reports, the couple will be married again on January 14, but details are scarce.

Em and Kim have been together since they were teenagers. Their union has yielded a 10-year-old daughter named Hailey and Kim also has a two-year-old daughter named Whitney from another relationship. Originally, the couple was married in 1999, but divorced in 2001.

“We have reconciled and are probably going to remarry,” Eminem told Detroit radio station WKQI-FM in December.

Listen and Exchange Conference Coming in February

Aspiring music professionals

are expected to attendl this year’s Worldwide Music Producers’ Listen and Exchange

music conference. The

gathering, which takes place Feb. 23-24 at the Houston Marriott West Loop in Houston,

Texas, offers a way for artists, writers, managers, agents and other entertainment

industry business executives to get their music heard, as well as meet, talk and

do business with one another. Events

include the Listen and Exchange showcase/networking extravaganza, platinum producer’s

panel, VIP reception, a "Crunk or Skunk" CD listening session and closing

night soiree (open mic and artist’s showcase) Created

by entertainment attorney Dedra Davis, the Worldwide Music Producers’ Listen and

Exchange has attracted attendees from all over the world, including Croatia, Yugoslavia,

Italy, Sweden, Brazil, and Canada. "’Listen

and Exchange’" was created as my way of contributing back to the community,"

Davis told AllHipHop.com. "I am providing producers and artists the opportunity

to have their music heard, while meeting and making deals with like-minded people

from all over the USA, as well as persons from other countries." In

conjunction with the event, a music producer contest is being held. Deadline

to enter is Friday (Jan. 12). For registration information, visit www.listenandexchange.com.

BET Acquires Pre-Prison Lil’ Kim Reality Series

BET announced the acquisition

of three new reality series yesterday (Jan. 9), including one starring imprisoned

rapper Lil’ Kim.

Famed director Reginald

Hudlin of the directing team The Hudlin Brothers, was named President

of Entertainment of BET in July of 2005.

Yesterday, Hudlin appeared

before TV critics for the first time since being appointed to the position.

He announced the acquisition

of “Lil’ Kim: Countdown to Lockdown” as well as two other

reality series, “Season of the Tiger” and “Meet the Faith

for BET’s 2006 season.

Hudlin said he aimed to

re-brand BET as a “leader of the new school” that will become a

“repository of all black culture.”

“Lil’ Kim: Countdown

to Lockdown” follows the rapper before she was sentenced to 366 days in

prison for perjury, after being found guilty of lying to a federal grand jury

about her knowledge of a broad daylight shootout in 2001 in New York.

“Mouth shut, head

held high, as she refuses to snitch” was the description Lil’ Kim’s

show, when it was presented to critics.

The series features Lil’

Kim at recording sessions, listening parties and spending time with family and

friends before she entered The Federal Detention Center in Philadelphia, Pennsylvania.

[Lil’ Kim: Countdown

to Lockdown] takes a very serious look at her life and her choices, and the

consequences of those choices,” Hudlin told critics. “It’s absurd,

and it’s tragic.”

“Season of the Tiger” focuses on the lives of three students from

Grambling State University, while “Meet the Faith” is a Sunday talk

show that will feature various religious leaders discussing the issues of the

day.

Hudlin has experience in television production as well as movie making.

He has directed episodes

of The Bernice Mac Show, Everybody Hates Chris as well as the classic movies

“House Party” “Boomerang” “The Ladies Man”

and others.

“Lil’ Kim: Countdown

to Lockdown” will debut on Mar. 9.

B.G. Teams With Manny Fresh For New Single

B.G. is set to

release his new single “Move Around” and in the coming weeks, the

rapper will shoot a video for the new single, taken from his upcoming release,

The Heart of Tha Streetz: Vol. 2 (I Am What I Am) in the coming weeks.

Produced by Mannie Fresh,

“Move Around” marks the first time B.G. and Mannie Fresh have collaborated

since both left Cash Money Records.

"Mannie Fresh created a certain sound for each Cash Money artist and even

though I’ve worked with damn near everybody from Swizz Beats to DJ Smurf, Fresh

is Fresh," B.G. said. "We kept in contact over the years and after

he left the label, it was on and popping.”

The video was scheduled

to be filmed entirely in New Orleans, but B.G. was denied a permit by the city

because the area where he wanted to shoot was in the most devastated parts of

New Orleans.

The video, directed by Gil

Green, will be shot in parts of New Orleans and Atlanta over a two-day period.

B.G., now living in Detroit, confesses that he’s still affected by the disaster

that happened in his hometown.

"It can’t get no realer

than what happened to New Orleans,” B.G. continued. “I came to Detroit

about three years ago and it’s been like my second home ever since, but everyday

I wake up, I’m wishing I can go down to the projects and see my people.”

In related news, B.G. is schedule to return to court on Feb. 6th to answer to

charges of possession of a firearm and drug possession.

The former Cash Money Records

artist was arrested by police on last month (Dec. 18) in Detroit, after police

stopped his car and found a concealed weapon in his vehicle.

The Heart of

Tha Streetz: Vol. 2 (I Am What I Am) will be released March 21, 2006 on

Chopper City Records.

B.G.: New Light

Like many of the reigning kings of late 90’s Southern rap, B.G.’s career has been in a bit of limbo. Like his Hot Boy brother Juvenile, BG’s reach was never as far as when he had the Cash Money Records tattoos out and the label on the album. The three Koch releases since found cult fans, but lacked one-tenth of the punch of his “Bling Bling” bolstered Chopper City In The Ghetto seven years earlier.

With a potential G-Unit record contract on the table, B.G. is looking to raise the stakes again. He’s reunited with father-figure producer, Mannie Fresh. B.G. has also been active in upholding fallen No Limit star, Souljah Slim’s legacy. Even in touching on issues such as Hurricane Katrina and his sobriety, BG carries himself more seriously than. Going into the mixtape, “The Heart of the Streets Volume 2”, get an inside look as AllHipHop.com and B.G. have a very real discussion on the future, the past, and the Almighty.

AllHipHop.com: Let’s cut to the chase – are you really signing to G-Unit?

B.G.: I could be. But fo’ real, I got several offers on my plate.

AllHipHop.com: Like?

B.G.: Sony, G-Unit of course, a couple others. I ain’t trying to jinx nothin’. Just looking for the best deal for me and my team.

AllHipHop.com: If you do sign to G-Unit, will you drop something like all the other artists on the roster? That was 50’s promise to the people?

B.G.: I’m dropping somethin’ regardless. That’s just me. I make music for the world, feel me? So no matter what I chose, my album will get to the people. G-Unit or no G-Unit.

AllHipHop.com: With G-Unit being a prospect, how did you feel when Lil’ Wayne was allegedly sporting G-Unot shirts?

B.G.: You know it was crazy man, like my peoples was calling my phone and s**t. That was a little after the story was out there that I may sign to them, you feel me? And I didn’t even believe it at first. ‘Cause to me, that’s that young stuff. Then I got the emailed pictures, and then I decided I had to do what I had to do.

AllHipHop.com: Was that how the Lil’ Wayne diss record came to pass?

BG: Yeah, I ain’t no b*tch ass n***a, you feel me? For me not to finally step up and say something would have made me look like a b*tch. I wasn’t going to say nothing at first when this thing first started. I know that he felt like he had to be loyal to his team and I can respect that. But

what I was going through with Baby was basically between me and Baby. I ain’t holding no one accountable for his action, that’s why I focused on him only. Wayne needed to be chastised. You got to do that sometimes. Discipline the child so they know better next time.

AllHipHop.com: Speaking of Baby and Cash Money, how’s Turk? Do you still keep in touch?

B.G.: Turk is family, man. He gets everything he need from me. Phone calls, visits, whatever. We still family ain’t nothing changed because I ain’t with Cash Money anymore. Being down don’t stop relationships, people do. I ain’t no bail-out n***a. if my fam going through it, then I’m going through it.

AllHipHop.com: Leaving Cash Money was a major step for you. Do you think Juvenile set an example by finally succeeding without Cash Money? Did it make it any easier for you to make you move?

B.G.: It was something to see. When you with these, big labels man. They’ll make you believe that without them behind you, ain’t nothing go ever come to pass, you feel me? It was like being trapped on a sinking ship. You know it’s going down [for you anyway], but you got that feeling of being stuck and not being able to move. Then a n***a was getting high, so that only made the feeling and situation worse. But just like with everything, you get to that point where it’s either do or die. Getting clean was that first step, once s**t ain’t cloudy no more, you see a whole everything.

AllHipHop.com: You’ve been clean for two and a half years now right?

B.G.: Yeah! In July of ‘06, it’ll be three years.

AllHipHop.com: with that being said, when Hurricane Katrina hit New Orleans, after seeing all the devastation, did that desire to use nip at you?

B.G.: Hell Naw! I won’t say that seeing all that I saw ain’t effect me, ‘cause it did. That’s my home and my roots right there. I had the means to move me and my people feel me? We packed up, and now I’m in Detroit doing what needs to be done for my label and my family. I ain’t using, that was a decision I made a while ago because I never want to be where I was. You know what it feels like to read an old magazine article and see that hey wrote about you noddin’ – or how you looked or presented yourself? I don’t want that for me or for nobody else. When Katrina hit, I did the only thing I could do, I prayed.

AllHipHop.com: Do you feel like since you’re an artist from New Orleans that people expected for you to do more then the average for the survivors?

B.G.: [Pause, long sigh] Yeah man, I felt like, like there were people looking at me expecting me to do something. I ain’t no broke dude, but at the same time, my money doesn’t stretch so far as I can bring back a whole city feel me. With all that I gave, I still wish I could do more. I lost people close to me; I ain’t trying to be part of a story because I lived it. It still break a n***a down just to think of it. Just the thoughts and the sights brings a n***a to tears…the world saw a lot but it was so much that ya’ll didn’t see that like, burned to my memory. I don’t think people understand – that was our 9/11. People went to bed with their version of everything and then you woke up to nothing. I pray everyday that everybody that made it out, makes a way.

AllHipHop.com: You sound like this is really hard to talk about…

B.G.: It’s more than hard to talk about it – it’s that vision that comes back every time you speak it. ‘Cause in a way, it’s like through the story your reliving it. Knowing that this horrible thing took place and it may have been prevented man… [pauses] all I can keep doing is saying the serenity prayer; I say it every morning, afternoon and evening. That’s how I get through this. God and my music are my therapy.

AllHipHop.com: It’s working if your single with Mannie Fresh is any indication, how did that reunion happen?

B.G.: Man, me and Fresh been family. He raised me in the studio. We been trying to do somethangs, but our schedules at the time didn’t allow for us to do what we wanted to do. I made it clear when I left Cash Money, that my issues were with, who they were with and nobody else. I can’t hold everybody accountable for one man’s actions. We realized that we had time at the same time. We made it happen. Can’t nobody do a beat like Fresh. He puts you into the beat, feel me? It’s like he makes you, your own little theme music. When he do something for you, you know it’s for you and not just some Sh*t. My new album is gonna let everyone know where BG been, and where he is now.

Ghostface Smoke Free, Says New Album Is ‘Focused’

Def Jam recording artist Ghostface announced a Feb. release date for his highly

anticipated fifth album, Fishscale.

Fishscale

features the lead single "Back Like That," featuring recent Def Jam

signee Ne-Yo.

Ghost, who has been smoke-free

for two years, said this album is his most focused to date.

"This album is gonna

put me back on top of everyone’s list," Ghost stated. "Ain’t nobody

approaching they music with the care that I do."

Fishscale

hits stores Feb. 28. and features production from MF Doom, Pete Rock, J Dilla,

Madlib and others.

In addition to the album,

Ghost will be joining all original members of the Wu-Tang Clan for a reunion

tour throughout the month of February.

Below are the Wu-Tang Reunion

Tour dates.

2/7/2006 New Haven, CT Toads

Place

2/8/2006 Boston, MA Palladium

Nightclub

2/9/2006 Boston, MA Palladium

Nightclub

2/10/2006 Philadelphia Electric

Factory

2/11/2006 Philadelphia Electric

Factory

2/12/2006 Baltimore, MD

Sonar

2/13/2006 Washington DC

930 Club

2/14/2006 New York, NY Hammerstein

2/17/2006 Ft. Lauderdale,

FL Revolution

2/18/2006 St. Petersberg,

FL Jannis Landing

2/19/2006 Orlando, FL Hard

Rock Live

Beanie Sigel Pleads Guilty To Assault

Beanie Sigel pleaded guilty to misdemeanor simple assault Tuesday, a legal case rooted in a 2003 fight.

In a Philadelphia courtroom, the rapper was sentenced to two years probation and fined $180 in court costs after concurring with a prosecutor’s version of the assault.

In January 2003, a man accused the rapper of punching him in both eyes, breaking the man’s left eye socket after a verbal argument outside a Chinese restaurant.

Sigel’s attorney, Fortunato N. Perri Jr. told the Associated Press that the rapper intends to move forward to “make music, make movies and work on his clothing line.”

The rapper also has a legal matter related to child support and was temporarily incarcerated in November for not paying nearly $30, 000 in child support and court fees. The matter was resolved, according to the AP, but Sigel must report again today (Jan. 10) to answer to additional child support debt.

In September, Sigel was cleared after being accused of shooting a man two years ago. He was released from a federal facility after serving several months in jail on weapons charges.

Sergio Mendes, will.I.am, Black Thought Talk ‘Timeless’

Sergio Mendes,

one of the most internationally successful Brazilian musicians of all time,

will be releasing a new album titled Timeless, an album produced by

and featuring will.i.am of the Black Eyed Peas.

Almost 40 years

ago, Mendes released the hits "Brasil 66’" and "Mas Que

Nada." He also hit big in 1968 with the Burt Bacharach/Hal David song "The

Look of Love."

According to Mendes, Timeless will reflect and blend two different

cultures with a modern twist.

"Will came to my house with a lot of old vinyls that I

recorded many years ago," Mendes said of his collaboration with will.I.am.

"I was so surprised. It was like, ‘Wow!’ He knew every song.

He knows every Brazilian riff. I could just feel his passion for the music.

We talked and I said, ‘You know what? You love Brazilian music. Why don’t

we bring the Brazilian music and melodies to the Hip-Hop urban world and put

them together? I think we can make something really different.’”

The album features such stars as Justin Timberlake, Stevie Wonder,

Erykah Badu, india.arie, Black Thought of The Roots, John Legend, Chali 2na

of Jurassic 5, Jill Scott, and Q-Tip, among others.

Mendes has already recorded with will.i.am and the Black Eyed

Peas on their last two albums.

"Hip-Hop is urban to America, but samba and bossanova are

urban to Brazil," will.I.am stated. "It’s two urban cultures clashing

and fusing together beautifully, because they share a lot of the same qualities."

The album’s first radio track is titled “Yes, Yes

Y’all” and features Black Thought of The Roots and Chali 2na of

Jurassic 5.

“I’ve had the opportunity to work with just about

everyone I’ve desired to work with and now the legendary Sergio Mendes,"

Black Thought said. "It was an honor to be able to collaborate with such

a cool, unorthodox, timeless and well-rounded musician. He’s quite an

inspiration.”

Mendes and will.i.am will perform on an episode of NBC’s “The

Tonight Show with Jay Leno” on Thursday, Feb. 2.

Timeless

hits stores Feb. 14 on Concord Records and Starbucks Hear Music.

Kevin Federline Officially Launches Rap Career

The New Year marks the beginning of something new for Kevin Federline.

The former backup dancer kicked off the new year by releasing his debut single, “PopoZao” exclusively on Yahoo! Music Unlimited at midnight Jan. 1.

The Brazilian-inspired dance track is first release from Federline’s debut album.

“I wanted to make the kind of record that I would listen to in my car and dance to in the clubs,” Federline told AllHipHop.com in a statement.

The album marks Federline’s first foray in to music as an artist after starting his career as a backup dancer, performing with Michael Jackson, NSYNC, Destiny’s Child, and Pink.

“I surrounded myself with producers and engineers that trusted my instincts, who were willing to work hard and take a chance with me, my ideas and my musical direction,” said Federline, who wrote and produced tracks for the Hip-Hop/rap inspired album.

Most recently, he co-starred with his wife, Britney Spears, in the UPN series “Britney and Kevin: Chaotic,” which he also served as executive producer.

Federline’s debut album, which also production by Disco D (50 Cent) and Notes, hits stores this Spring.

“PopoZao” is available to download or stream on Yahoo! Music, http://music.yahoo.com, and www.keveinfederline.com.

Daddy Yankee: A League of His Own

By now, even your grandmother can fluently sing along to “Gasolina”. When a fateful injury left Raymond Ayala unable to play professional baseball, he never dreamt he would later dominate urban Latin music. After falling in love with Hip-Hop on his native island of Puerto Rico, Daddy Yankee emerged to become a frontrunner in the Latin/Hip-Hop/Reggae hybrid known as Reggaetón. His bi-lingual wordplay, mixed with both party and political content, transcends any genre specific styles.

Daddy Yankee solidified a strong fan base which spanned the globe before reaching the ears of the U.S. audience. Album after album, Yankee has provided club bangers such as “Gasolina”, “Que Pasó, Pasó” and “Rompé”. A decade and a half in the game, with his own label El Cartel Records, Platinum plaques, and sold-out arenas under his belt, Mr. Yankee is geared for the next phase in his career. His latest release Barrio Fino – En Directo, a CD/DVD production, has already reached #1.

AllHipHop.com Alternatives caught up with Daddy Yankee in between guest appearances and TRL runs. His passion towards music, business, and his homeland radiates in every word – and throw the occasional naked fan in for good measure.

AllHipHop.com Alternatives: How would you respond to the statement that Reggaetón is an overnight success?

Daddy Yankee: Well only right now it’s getting so recognized because right now we have a lot of components in our music. It’s like all of the genres combined into one. That’s why the music has become so powerful in the streets and in the world.

AHHA: You came from overseas Platinum status with hundreds of thousands of fans. Then you came to the States and had a whole new audience who received you quickly. How did you adjust to the transition?

Daddy Yankee: That was a good challenge, and it’s what I’m still doing right now. I’ve got this hunger to show the world what I’m made of and show the world what I’ve got to offer. It’s all about music. Music is the universal language. And the thing is, I know that I’m able to conquer the States with my music even though it’s in Spanish, because the music is real. I’m gaining a lot of fans even though they’re not Latino.

AHHA: When you hear non-Spanish speaking fans singing your songs but not knowing the meaning behind the words, does it bother you at all?

Daddy Yankee: Nah it’s the other way around; I love it. When I was growing up in Puerto Rico, it was the same example. In the early 90’s, I didn’t know what the Hip-Hop artists were saying in their songs, but I loved it. I loved the movement anyway even though I didn’t understand a word. I felt that the music was real. I think I’m getting the same feedback here in the States with my music.

AHHA: Who were your influences in Hip-Hop growing up?

Daddy Yankee: I was into Rakim, Big Daddy Kane, Run DMC, LL Cool, Nas, Jay-Z, Tupac, Big Pun, Biggie, NWA, all of them inspired me to make music. At the same though, I grew up listening to the Jamaican culture like the pioneers of the Dancehall movement: Shabba, Supercat, Buju Banton, Spragga Benz, Beenie, Bounty, they all inspired me.

AHHA: In your opinion, how do you feel Reggae and Reggaetón artists are getting along sharing bilingual success on radio?

Daddy Yankee: No one has asked me that before! That’s definitely a new one for me. I mean, I think we’re getting along real good because we’re both from the Caribbean. When I saw Sean Paul’s success, I saw that I had an opportunity to take over the world. A lot of people in the streets didn’t know what Sean Paul was saying but they played his songs. So I was like, “Okay, I get it. If he can make it, then I have an opportunity to do it too.” That’s where I’m at right now. People from different places are feeling my music. Not just the States but overseas as well. Japan is my second largest market after the States. I’ve got a Gold plaque from Japan for my latest Barrio Fino. My singles, they play on the radio. So in Japan, Reggaetón is getting very big.

AHHA: Let’s talk about your latest release Barrio Fino – En Directo. Why did you choose to re-release it with the live performances and a DVD?

Daddy Yankee: You know why I did it? Because now that we’re targeting the angle market, that album is gonna educate the masses. People like, say you for example, if you’re not into Reggaetón but want to learn more about it, you could buy the record and learn more about the artist and the movement. That’s why we decided to put it out with a DVD including the documentary and footage from the concerts, where you see the massive impact Daddy Yankee has had in the world.

AHHA: On the Barrio Fino – En Directo, you also have a single with Paul Wall. Would you compare the cultural impact of Puerto Rico in Hip-Hop with the Houston Hip-Hop scene?

Daddy Yankee: I think that everybody is doing their own style, and everybody is blowin’ up right now. From what I’ve seen, in the early ‘90s it was all about East and West Hip-Hop. Right now it’s beyond all that. We’ve got the Midwest, the Dirty South – and right now it’s all about the Dirty South: Houston, Atlanta. And with Reggaetón, now it’s the first time that we as Latinos have an urban movement that represents our culture. And the Hip-Hop artists are respecting that. They understand that there’s another genre spreading in our community and it’s real and from the streets.

AHHA: Elaborating on the streets, we’ve heard from your music that you came from a rough background. A lot of artists fake the street image, so to speak.

Daddy Yankee: [laughs] I don’t know, I only know about Daddy Yankee. [laughs]

AHHA: [laughs] Ok then, what’s your opinion of beef in Hip-Hop?

Daddy Yankee: You see that in all genres beyond Hip-Hop. Everyone has competition, and are bound to get mad at you if you’re doing better than them. [laughs] Ya feel me; it’s humankind.

AHHA: How do you feel about Diddy starting up Bad Boy Latino?

Daddy Yankee: My personal opinion is that music is music, but a business as well. I don’t blame Diddy, because as a businessman he’s looking for business. But, with me being a pioneer and an entrepreneur in the Reggaetón genre, I decided to make my own label [El Cartel Records]. I’ve been doing this all by myself. That’s how I started out, so why should I be with another label now? I did, I closed a deal with Interscope, but this is a distribution deal. I’m looking to increase the brand, sign new acts and new producers. There’s a big market for us in the States.

AHHA: Who else is on your label?

Daddy Yankee: Right now I’ve got my first artists who are producers named the Jedi; they did the beat to my latest single “Rompé”. So we’re gonna be making a compilation album and sign more acts.

AHHA: Will you just be signing Reggaetón artists?

Daddy Yankee: Reggaetón artists, Hip-Hop artists; it’s a label. But, we will be culturally recognized. I want to sign Latinos and African Americans, because that’s a union that the streets are lovin’. I just did a song with Snoop that the streets are lovin’ and the track with Paul Wall. So with El Cartel Records, it’s gonna be hot.

AHHA: Besides yourself, who do you feel is a good representation of Puerto Ricans in Hip-Hop?

Daddy Yankee: Big Pun forreal. Big Pun was the real; one of my biggest influences in my music. You know why? Because he was able to make everything that he wanted to make. He could go commercial, go hardcore, whatever, he was a real talent and represented for the Latinos.

AHHA: What other artists will you be working with?

Daddy Yankee: I’ll be working with Pharrell Williams, I have a song on his album called “Mamacita”. We’re gonna promote the single and shoot the video. It’s a crazy joint; wait until you hear it. On my next solo album, the Cartel Album, I’ll be working with Dr. Dre and a lot of Interscope artists, but I wanna leave that as a surprise.

AHHA: No hint?

Daddy Yankee: Ay, let’s leave it as a surprise. [laughs] I’ll be working with some of the greatest; the big names at Interscope. But, I’ll be doing a lot of Hip-Hop, because a lot of people don’t know that I do Hip-Hop. I did a song with Lil’ Jon, the “Whatcha Gonna Do” remix. A lot of people liked my verse, plus the “Oye Mi Canto” track with N.O.R.E. About four years ago, I did a song with Nas and just became an anthem in the streets. So on this next album, I’ll be showing the many faces of Daddy Yankee. We’re planning on dropping it third quarter this year.

AHHA: When’s your next tour?

Daddy Yankee: We’re starting a tour from March through May, with a big concert in Puerto Rico in May.

AHHA: Ok, let’s talk about you now. Would you let your children listen to your music?

Daddy Yankee: [laughs] That’s a good question. [laughs] I put out a lot of different music for different audiences. Sometimes I write for the radio, sometimes I write for the streets, sometimes I write about life. For my children, those are things they might not understand right now. So obviously, I put them onto the commercial stuff. But, there’s a lot of topics they won’t get, because that’s for the streets.

AHHA: How does your wife feel about your many female fans?

Daddy Yankee: She understands everything. She loves it! [laughs]

AHHA: No way. Really?

Daddy Yankee: Yeaaaaah!

AHHA: Wow. So what’s the craziest thing a female fan has done at a show?

Daddy Yankee: [laughs] I remember this one time that I was performing in Orlando. I see everyone going crazy and I’m like, “Yo I need to turn this down some.” But when I turned around, I saw this lady completely naked dancing behind me! [laughs] I was like, “What? Is this happening forreal?” That was like in ’95-’96.

AHHA: She came up from the crowd?

Daddy Yankee: Right from the crowd! And I didn’t even notice. I was just so into the show. She was drunk, needless to say. [laughs] But that’s something that Reggaetón does to people.

AHHA: Has anything that crazy ever happened to you on the street?

Daddy Yankee: No, no! Nothing like that. I just get a lot of love. I’m down to earth peoples. I walk around the barrios alone, so I get a lot of love for that. They know I’m a part of them. I know how to deal with my people. I don’t walk around with bodyguards or security. People in the States say, “Yankee you need bodyguards or security!” And I say, “Come on man, I know how to get down in the streets.” [laughs] I came from the barrio; that’s ten times worse than over here in the streets. [laughs]

AHHA: How do you feel that you’ve evolved from when you first came out?

Daddy Yankee: My music has evolved because all the time I learn something new, whether it’s my angle market or the Latin market. Every time there’s a new sound heard, I use it. Like let’s say on the Latin side with Bachata and Salsa; those are things I include in Reggaetón to keep it real with my roots. But, with my angle market, I see the Dirty South Hip-Hop taking over, so I’m combining it with my Reggaetón. I’m getting a great chemistry in music with that combination. Me, as a person…I’m still normal. I’m a businessman, but a musician as well. Very quiet, studying everything, and observing what’s around me. People know me as being humble. That’s how Daddy gets down.

AHHA: If you weren’t here, where would you be?

Daddy Yankee: Playing baseball…obviously.

Amount Boyz: Best Of Everything

It is rare that you come across a group of entertainers that consists of singers, choreographers, actors, rappers and dancers all together. The Amount Boyz has managed to break the mold of stereotypical boy bands with their amazing combination of talent. Although the group has been around for nearly ten years, they are still categorized as “NYC’s Best Kept Secret”. Throughout their career so far, the group has worked with artists such as Mario, Diddy, Janet Jackson, Mashonda, JoJo, Amerie – and that’s just the short list.

In an exclusive interview with AllHipHop Alternatves.com the Amount Boyz discuss the distinct qualities they possess as all-around entertainers, the release of their independent debut F.A.M.E.), and unveil what’s next for the group.

AllHipHop.com Alternatives: How did the Amount Boyz get started? Who are the members of the group?

Ant Boogie: The members consist of Nova, Smirk Dollarz, Ant Boogie, A Dub, JB, Kanec and Mike Stylez. We’re a dance group, but at one point in time we were all artists, and we tried to merge as one to make better music.

AHHA: I notice that y’all have the nickname “New York’s Best Kept Secret”. Where did you get the nickname from?

Ant Boogie: I think it came from a show, but one of the emcees said it [while referring to us] and we liked the ring to it. We’ve been together as a group since 1996 and we haven’t exploded. A lot of people still don’t know about us, so I feel that we’re a secret. But the people that do know about us know that we’re on top of our game and that we’re probably one of the hottest groups coming out of New York right now. We are all born and raised in New York, we all dance and do music. We are all-around entertainers, and not to toot our own horns, but there aren’t many groups that have that anymore. I don’t even know many groups that can say they have choreographers, rappers, singers, dancers and actors in one group. Some people may call it a curse, but we consider it a gift.

AHHA: I did some research and it said that the initial founders of Amount Boyz were Ant Boogie and A Dub. Is this information accurate? If so, when did everybody else join the group?

Nova: Ant Boogie and A Dub did start the group in high school at LaGuardia High School. I joined the group in late 2000, early 2001. As a vocalist, I was part of a group before and Ant had the vision of having an entertainment company. Other members added on since then. JB was a member since high school. Mike Stylez is pretty new to the group, but he’s been with us about two to three years now, also Kanec he’s been down for about two to three years now. Of course Smirk was there from high school as well.

AHHA: So it’s like people who you feel are worthy enough to get down with the Amount Boyz can get down before y’all really pop, and the group can continue to grow—right?

Smirk Dollarz: We got cats that will roll with us at shows for like a year and dance with us and the whole nine, and we still don’t consider them part of the group. Not to sound shady or anything but there’s a special element that’s in this group. We are watching every step that you do, like what type of person you are. We got know who they are—they gotta rock with us. We gotta know that they are an Amount Boy.

AHHA: Nova, how does it feel being the only [singing] vocalist?

Nova: It’s a good feeling, but it has its blessings and its responsibilities. Being that it’s a group with two emcees, it can kinda get challenging when it comes down to the writing. But it helps me grow as a writer and it helps me expand and start to challenge myself a lot more. I thank God for the blessings that He gave me to be in a situation like this. It’s truly a blessing.

AHHA: Did you gain more notoriety as a group after winning BET’s Revamped?

Ant Boogie: Yea, we definitely got the commercial attention after Revamped. Prior to Revamped we were still doing videos, doing shows and dancing with artists. At that time actually, some of us were dancing for Mario. But as a whole I think that was the first time that a mass amount of people in the U.S. got to see the Amount Boyz in our element. The pressure was on, but that’s one thing this group does – we work under pressure very well.

AHHA: You represented the U.S. in a recent competition in London. How does it make you feel going to dance to represent the U.S.?

Smirk Dollarz: To speak on everybody’s behalf, I think it’s a great feeling and a huge accomplishment for us to be put on a pedestal to represent the U.S. is crazy. I would’ve never expected for us to get to that hype and be recognized like that. It’s great to be considered for the position to go out and rep our country.

AHHA: What’s the most exciting project that the Amount Boyz has been a part of?

Ant Boogie: I’ve been grinding so long and during the Scream III tour with Mario, his manager, Troy Patterson, allowed me to bring the entire group on tour and gave us five minutes out of Mario’s 40-minute set. Being able to hear the audience of 30,000 people screaming is something I can never forget. In the future when we look back in five or ten years it was a historical moment for us as an independent group. Also, it was the F.A.M.E. contest where we performed with a live band. We sold between 800-900 tickets by word of mouth for that show; nothing was promoted by radio or TV for that show. And I’m glad we got this recorded on DVD, this is a documentary that we can always be proud of.

AHHA: Talk to me a little bit about the album.

Smirk Dollarz: The title of the album is F.A.M.E., and it stands for Focused, Ambitious, Motivated Entertainers. The album is a compilation that was made by Amount Entertainment that features Amount Boyz and a funk soul group that we were overseeing called Urban Set. The tracks are divided between us and them. As far as our songs it’s mix of Rap songs, us wilding out and true Hip-Hop; it’s everything that comes from us, we make the music how we want to make it.

AHHA: The main lyricists of Amount Boyz are Ant Boogie, Smirk Dollarz and Nova – will there be a time where the other members of the group will want to cross over and step to the mic?

Ant Boogie: Yes, definitely because we’re just a group that always has tricks up our sleeves. We’re just the three that do the bulk of the music now, but definitely you will see other sides of this group. That’s what makes us entertainers, because you gotta keep yourself hot and always have something new.

AHHA: What’s next for you?

Ant Boogie: We have a couple of TV opportunities that may be opening for us. I can’t really talk about it too much, but if all goes well we won’t be an unknown group much longer, we’ll be all over the place. Of course we’ll be releasing some new material. We’re working with some new producers. Our tour mixtape is dropping. And basically getting that music out, and let people see that we’re just going to keep on coming with the entertainment and talent that we have.

AHHA: Would you ever stop entertaining and work behind the scenes in the entertainment field?

Ant Boogie: Nah, maybe when I’m like 50-year-old. I think we’re going to dance until we can’t anymore.

AHHA: What are some of the immediate and/or long term goals that you would like to see the Amount Boyz accomplish?

Ant Boogie: As for long term, I’d like to see Amount Entertainment be a colossal company that helps out getting music entertainment out there to what it was when people my mother’s age listened to; to bring entertainment level back to what it used to be. I feel like our generation is being cheated because the music industry is all about making a buck, not the quality of music. If we’re in a position where we are doing our thing as a group then we can help other people. I’d like to see a legendary group become legendary artists and legendary business men.

AHHA: Can you just tell me a little bit about Amount Entertainment?

Nova: Right now we are an independent entertainment company. We have an in house production company—Rain Entertainment. Our DVD and album are both available on our website at www.amountboyz.com.

Juvenile: A Moment of Clarity

Though he wasn’t the youngest Hot Boy, Juvenile certainly seems to have matured in the last eight years. From his salacious ballads, Juvenile is committed to showing the other side of the lifestyle with the upcoming Reality Check.

In a candid discussion with AllHipHop.com, Juvenile touches on this new vision, his reactions to Katrina and beliefs of what really happened. While Juvenile was a public figure in activism for relief, he not only regrets that – but offers greater insight than has been seen from many of his peers. Reality Check seems to be advice that Juvenile is not only offering, but as something the New Orleans playboy is taking himself.

In addition to that, Juvenile reveals the status of his former Hot Boy fraternity and corresponding label. Lastly, for all you chain snatchers out there, Juvy’s got a memo for you – but, you’d better snatch this feature first.

AllHipHop.com: Tell me about Reality Check. The title leads that this could be responsive to Hurricane Katrina…

Juvenile: [Reality Check] is basically what we all go through sometimes in life. Or, some of us ain’t even had our reality checked yet, you know what I’m saying. But for me, Katrina was mine, I had the title of the album from before Katrina even hit. So I hadn’t had mine yet, know what I mean? When, when the hurricane hit, they sent me back to the studio to really, really make the title true, ‘cause it changed everything, it made me really feel like, “Damn, how could I have a title like that before a hurricane and be so appropriate?”

AllHipHop.com: Did you change songs or add new ones?

Juvenile: I changed songs, added new songs. I mean, it delayed everything for me because you know I was close to putting my album [out around that time.] My reality check was like man, no matter what you do or how big you make it or how much money you made – I just built my house – no matter how much you accomplish, you still a n***er. I ain’t no better than nobody else, ‘cause I do still have problems [like ordinary] people.

AllHipHop.com: Do you think people scoff when artists become activists? I mean, you have money, and a lot to come “home to,” so to speak…

Juvenile: Everybody wasn’t like that, but I do think the majority thinks like that. I mean, the true colors come out during the worst times. They seen me full of alcohol, speak your sober mind, because you can’t control the truth then. It looked like it was a whole bunch of drunk ass people working for the government until the truth came out, you know what I’m saying? The truth came out and the answer is: they ain’t gonna give a f**k about us.

AllHipHop.com: What’s the status down there now, like you know, it’s out of the media, it’s not really prominent like that anymore. People kind of want to know like how is it.

Juvenile: I said all, all of the media, y’all full of s**t, you know. And probably won’t play me, probably won’t show my commercials or nothing, probably won’t play my videos or nothing but I got to get out, to me y’all full of s**t.

AllHipHop.com: How so?

Juvenile: Y’all should of, a lot of them should have been doing something different than what they was doing and showing. And then you, enough you’re not showing the truth, ’cause the truth is the levees didn’t break. The levee was breached, but not by water. It was breached by military, by military firearms. People heard a boom, then the waterways. So, you know it’s a whole bunch of lies man. Honestly when you saw me at that [Red Cross] press conference, you know, I was really in there mad, like, “Y’all full of s**t.” I really lost my s**t, you sure they didn’t, the insurance agency really ain’t giving me nothing yet, know what I’m saying? Oh, I was really, I walked out.

AllHipHop.com: A lot of people have military-related theories…

Juvenile: What happened was the water was backing up in the wrong areas: the tourist areas. And they knew it, and it was backing up in areas where some strong people was politically, and on other scales were, and those people knew what was going on. Like man, y’all could have fixed this pump system where everybody could be safe, but y’all fixed one area of the city. We watched them over the past couple of years, you know the pumping system that was designed to pump water on the lower main. They blew the levee.

AllHipHop.com: Wow.

Juvenile: It’s more like out with the old, in with the new. Now you got [wealthy real estate barons] down there, buying up all the property – now it’s a big business venture. If you didn’t pay your taxes on your property – and half of the people weren’t able to pay taxes, you know – a lot of people lost their money for real.

AllHipHop.com: Is this a new era of political mindedness for you?

Juvenile: Nah, you ain’t gonna catch me doing a public anything, I’m not like that, all you’re gonna catch me doing is telling my people, ‘Get what the f**k you gonna get and get it right now,’ man. Get what you can get right now. Make the best of out of life you know what I’m saying. Stop crying, don’t feel sorry for yourself, do what you gotta do. It’s time to eat.

AllHipHop.com: Moving on, what’s your relationship like with Cash Money these days?

Juvenile: None.

Juvenile: Trying to take five with your boy, whenever you want to fight —

AllHipHop.com: For real?

Juvenile: Yeah, it’s for real.

AllHipHop.com: Why’s it like that?

Juvenile: ‘Cause, [the] man got a big mouth.

AllHipHop.com: Who?

Juvenile: Baby. He got a big mouth, [I’m] gonna punch him in it.

AllHipHop.com: What’d he say this time?

Juvenile: A lot. Now, what I’m saying, is how you even know he saying something? He’s always saying something ‘cause we gonna, I’m gonna get it on with him.

AllHipHop.com: I heard y’all was working out a reunion of with Cash and Hot Boys or something.

Juvenile: Yeah.

AllHipHop.com: Why it didn’t go through?

Juvenile: There’s another reunion between, that’s another reunion involving Cash Money, I think. I ain’t caught up with Cash Money thing. You probably [heard] B.G. talking about me, and him, and Mannie Fresh.

AllHipHop.com: Right, right, so no reunion? Well, what about B.G. though?

Juvenile: No, nah, nah. We be bumping heads with each other, we be holler and stuff like that, you know.

AllHipHop.com: Are you and B.G. on good terms?

Juvenile: Yeah we good. But you know, we got a situation, and I got my situation right now. And it like we both trying to make it happen, like, “You got your little camp and I got my little camp,” we agree to do songs with each other, but it’s like, we both in motion. You know the Hurricane killed everything, too.

AllHipHop.com: Are you working with Mannie on this album?

Juvenile: All the time, all day. He ain’t even Cash Money either.

AllHipHop.com: Yeah, I know. Last year you were the first person that confirmed that, at the BET Awards.

Juvenile: Yeah, people didn’t believe me, people was looking at me like I was crazy or something, I’m telling you.

AllHipHop.com: Well, what about Wayne? His album is very hot right now…

Juvenile: You like that “Party Man” [actually titled “Fireman”] song?

AllHipHop.com: Yeah, it is cool, but the album is better. What are your thoughts on his tattoo tear? People wonder about that kind of stuff these days…

Juvenile: Tattoos [tear] is people’s fashion nowadays. My homey told me, they told me, when you get the little tattoo [tear] like that that means you put in some work. I’m gonna bash them, [that] little boy that grew up and he needs daddy. What I’m say is nobody remembers [him in the street], so all this s**t you saying, is false. Now far as rap, he’s a good rapper, he been a good rapper. He’s been to the best schools, he been, he been a good boy.

AllHipHop.com: In the summer, there was a rumor of a dude who allegedly took your UTP chain…

Juvenile: Man, that’s a long story. But that dude, honestly, [it must have been] one of the little cats, ‘cause I don’t have a chain like that. One of little cats on my bus got, guy got a little chain and slipped a little over, you know what I mean? And I guess since she give the chain to her dude and he got an itch, he was gangster and everything [sarcastically]. Man, keep the chain, da, da, da. I don’t even know what happened, the end of the story I don’t even know what happened with the chain.

AllHipHop.com: There were pictures on the Internet for a second.

Juvenile: Yeah, he come back on, you never saw him back on it, I wonder why you never see the Indian, right? We straightened it. He so stupid is out on the web site and showed his face on TV. Now you’re playing. Jump on the TV, that was like something on national TV, I got the chain, it’s me, we got the gun, okay, so now you know where, where is [the chain now]?

AllHipHop.com: What prompted you to do this “Rodeo” single?

Juvenile: It really falls upon the Reality Check title. And that song is an uplifting song for women. Once you see the video, you’ll understand that I’m trying to show you what these women go through, the women that stay in strip clubs what they go through after they leave away from the strip club. Some of them got kids, some of them forced women, forced into doing that. Some of them try to go to school, don’t have nobody to help them, some of them been badder than that. I’m showing you the other side of the picture. I’m just saying [to the women], “You’re beautiful anyway.” I got a daughter, I got a momma, and I got a wife. So I look at things differently, you know what I’m saying, I look at things like how could I make a song for them what I need, you know what I mean? Getting off of the G upside that you always catch me on, because every time you hear a song from G you expect it to be this way, you know what I’m saying? But this is something different and also when you get off into the album and you see there, that’s one in a million, you know what I’m saying, it’s like it was the only song on my album that was really radio playable to that extent.

AllHipHop.com: Given the reality we’re faced with in 2006, why should people get this album?

Juvenile: All I got to say is you ought to get my album. My album was generally done before the hurricane hit. But the hurricane hit, and I tried to change up as much but you’ll probably get more footage ‘cause I got a DVD coming out, and you’ll get more footage of the people actually [involved], me actually in New Orleans, and you seeing it really handle the truth because you’re talking everybody [affected] but the White people.

AllHipHop.com: Do you ever feel that moves like that could compromise your gangster?

Juvenile: [People are] kind of they scared to make songs like that, song needs to be made. I’m G’d up all the time, I am who I am, you know what I’m saying? I don’t feel like making a song like that takes anything away from my character, I feel like you know my respect stays there because I can make a song like that and I can make a song like that, you know what I mean and I ain’t gonna cross my boundaries.

Scarface Teams With New Era For Custom Cap

Famed rapper and Geto Boys member Scarface has been tapped by New Era Cap Co. to design a limited edition custom “Capture the Flag” New Era 59Fifty cap.

Scarface will meet with executives from the 85-year-old company on Saturday (Jan. 14) for an official design meeting.

Scarface joins other celebrities in creating a custom “Capture the Flag” cap, which was launched by New Era in 2004 to celebrate the 59FIFTY line of caps’ 50th anniversary.

Fabolous, Bobbito Garcia, Cam’ron, DJ Green Lantern, NBA Hall of Famer George “Iceman” Gervin, Rapper Dizzee Rascal, Skate Boarder Stevie Williams and others have designed customized caps for the company.

Scarface’s custom “Capture the Flag” 59FIFTY cap hits stores later this year.

50 Cent To Attend UK Premiere Of ‘Get Rich or Die Tryin’

Queens, New York rapper

50 Cent will attend the UK Premiere of his semi-autobiographical movie, “Get

Rich or Die Tryin’.”

50 Cent will be present at a special screening for the movie

on Tuesday, Jan. 17 at Empire Leicester Square.

“Get Rich or Die Tryin’” premiered in the

United States on Nov. 9, 2005 and has grossed over $30 million dollars at the

box office.

The movie centers around Marcus (50 Cent), an inner city drug

dealer who leaves the drug game behind for rap a career in rap music.

The movie has drawn controversy in the UK recent weeks, as an

industry watchdog group criticized ads for the movie.

The poster featured 50 Cent holding a gun in one hand and a

baby in another.

The Advertising Standards authority ruled that the poster was

in violation of advertising rules barring violent images.

The movie opens

to the public across the UK and Ireland the following day, on Wednesday, Jan.

18.

Tom Green, Bushwick Bill & Spice 1 Talk Collaboration

Comedian Tom Green

continues to pursue his rap career with the recent release of his new album, Prepare

for Impact.

On Green’s website

www.tomgreen.com, he details a recent run-in with Geto Boys rapper Bushwick

Bill while shooting a video at a Fat Burger restaurant in Las Vegas.

The site includes a clip of Green and Bill sitting together

in Green’s ride previewing some songs from his recently released album.

While listening, an astonished Bushwick Bill is seen talking

on the phone with Cali rapper Spice 1 and the two applaud Green for his work

and express interest in working with the comedian/rapper.

"This s**t

is slammin’ dog, I can’t wait to get on a track," Bill said. "Spice

1, Bushwick Bill and Tom Green; tell me that wouldn’t be some outrageous s###."

It’s not officially

known whether the two record a track, but as Green states on his site, he’s

definitely up for it.

"Thanks for

the kind words Bushwick," Green wrote in his blog. "You and Spice

1 gotta lay down some s**t with me an EZ Mike."

Green’s album features

production from DJ EZ-Mike (who produced for the Beasties Boys) and Mike Simpson

of the Dust Brothers.

The comedian has

previously stated his love for Hip-Hop and was also a founding member of the

Canadian group Organized Rhyme.

Prepare for Impact

is in stores now.

Mood Muzik 2 (Mixtape)

Artist: Joe BuddenTitle: Mood Muzik 2 (Mixtape)Rating: 4 StarsReviewed by: Bill “Low-Key” Heinzelman

With no release date in sight for his anticipated sophomore album The Growth, Joe Budden said, “F**k it,” and dropped an album in the disguise of a mixtape. While Mood Muzik 2 (Can It Get Any Worse?) is another mixtape release by Joey and DJ On-Point, don’t be fooled. This is more or less a real album with new songs and original production. In fact, you can argue that Mood Muzik 2 is better than Budden’s self-titled debut and most of the albums released in ’05. It’s that good and the reason why is because Joey sticks to what he does best. There are no commercial singles or songs for the ladies on Mood Muzik 2, only vintage introspective tales and lyrical clinics. This is what Joe Budden is known for and is the reason why he has acquired a strong backing of fans.

With no filler, Mood Muzik 2 is as cohesive an album…mixtape, you will find. The album straddles between the two sides of Joey perfectly. On the lyrical tip, “Dumb Out” is one of the best songs Jump-off has ever released. Over an epic and angelic Architechs beat, The King Of New Jerz goes off for six minutes straight. No gimmicks and no breaks – just straight lyrics. With more quotable lines than you can count, Joey shows why he is one of Hip-Hop’s most underrated lyricists. “Get It Poppin'” finds Budden on the street tip, as he destroys the Soul Diggers’ ferocious drums and sick string arrangement with lines like, “I had this bug-a-boo b####, kept wanting me to romance her/Always poppin’ up, I called her George Costanza/Spent some time with her, realized I couldn’t stand her/So I logged her in my phone as you a fool if you answer.

While Joey continues to provide shining examples of his lyrical prowess, the real gems of Mood Muzik 2 come from his conceptual work on the album. As always, Jump-off opens up and lets us inside his world, no matter what the situation entails. The Ron Browz produced “Old School Mouse” finds Joe taking a chance by providing insight into his relationship with DJ Clue and Def Jam Records. Surprisingly, he states, “I don’t want the fame no more, its f#####’ with me/Don’t hear ‘Reasonable Doubt’ the same no more/I can’t listen to ‘Blueprint’/Got a resentment toward Hov…don’t get me wrong, still I love Clue and Hov.” Joey continues his meditative nature on “Stained.” Over a soulful Scram Jones beat, Joe expresses his frustrations towards the music business by proclaiming, “So I do the club s### for the blind that can’t see/You do write some substance and sometimes they can’t read.

It’s this honesty that allows his fans to connect with him on the level they do, as they come away feeling that they know who Joe Budden really is. It’s not a gimmick and the listener realizes this. Instead of producing fabricated thug tales in hope of striking it rich or gaining street credibility, give Joe Budden credit for having the guts to put his private life in the public eye. With The Growth shelved indefinitely, who knows if Joe Budden will ever get another chance to right his wrongs at Def Jam. But with a mixtape that is better than most emcee’s albums, we can only hope Def Jam is listening. Are you in that mood yet?