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Amount Boyz: Best Of Everything

It is rare that you come across a group of entertainers that consists of singers, choreographers, actors, rappers and dancers all together. The Amount Boyz has managed to break the mold of stereotypical boy bands with their amazing combination of talent. Although the group has been around for nearly ten years, they are still categorized as “NYC’s Best Kept Secret”. Throughout their career so far, the group has worked with artists such as Mario, Diddy, Janet Jackson, Mashonda, JoJo, Amerie – and that’s just the short list.

In an exclusive interview with AllHipHop Alternatves.com the Amount Boyz discuss the distinct qualities they possess as all-around entertainers, the release of their independent debut F.A.M.E.), and unveil what’s next for the group.

AllHipHop.com Alternatives: How did the Amount Boyz get started? Who are the members of the group?

Ant Boogie: The members consist of Nova, Smirk Dollarz, Ant Boogie, A Dub, JB, Kanec and Mike Stylez. We’re a dance group, but at one point in time we were all artists, and we tried to merge as one to make better music.

AHHA: I notice that y’all have the nickname “New York’s Best Kept Secret”. Where did you get the nickname from?

Ant Boogie: I think it came from a show, but one of the emcees said it [while referring to us] and we liked the ring to it. We’ve been together as a group since 1996 and we haven’t exploded. A lot of people still don’t know about us, so I feel that we’re a secret. But the people that do know about us know that we’re on top of our game and that we’re probably one of the hottest groups coming out of New York right now. We are all born and raised in New York, we all dance and do music. We are all-around entertainers, and not to toot our own horns, but there aren’t many groups that have that anymore. I don’t even know many groups that can say they have choreographers, rappers, singers, dancers and actors in one group. Some people may call it a curse, but we consider it a gift.

AHHA: I did some research and it said that the initial founders of Amount Boyz were Ant Boogie and A Dub. Is this information accurate? If so, when did everybody else join the group?

Nova: Ant Boogie and A Dub did start the group in high school at LaGuardia High School. I joined the group in late 2000, early 2001. As a vocalist, I was part of a group before and Ant had the vision of having an entertainment company. Other members added on since then. JB was a member since high school. Mike Stylez is pretty new to the group, but he’s been with us about two to three years now, also Kanec he’s been down for about two to three years now. Of course Smirk was there from high school as well.

AHHA: So it’s like people who you feel are worthy enough to get down with the Amount Boyz can get down before y’all really pop, and the group can continue to grow—right?

Smirk Dollarz: We got cats that will roll with us at shows for like a year and dance with us and the whole nine, and we still don’t consider them part of the group. Not to sound shady or anything but there’s a special element that’s in this group. We are watching every step that you do, like what type of person you are. We got know who they are—they gotta rock with us. We gotta know that they are an Amount Boy.

AHHA: Nova, how does it feel being the only [singing] vocalist?

Nova: It’s a good feeling, but it has its blessings and its responsibilities. Being that it’s a group with two emcees, it can kinda get challenging when it comes down to the writing. But it helps me grow as a writer and it helps me expand and start to challenge myself a lot more. I thank God for the blessings that He gave me to be in a situation like this. It’s truly a blessing.

AHHA: Did you gain more notoriety as a group after winning BET’s Revamped?

Ant Boogie: Yea, we definitely got the commercial attention after Revamped. Prior to Revamped we were still doing videos, doing shows and dancing with artists. At that time actually, some of us were dancing for Mario. But as a whole I think that was the first time that a mass amount of people in the U.S. got to see the Amount Boyz in our element. The pressure was on, but that’s one thing this group does – we work under pressure very well.

AHHA: You represented the U.S. in a recent competition in London. How does it make you feel going to dance to represent the U.S.?

Smirk Dollarz: To speak on everybody’s behalf, I think it’s a great feeling and a huge accomplishment for us to be put on a pedestal to represent the U.S. is crazy. I would’ve never expected for us to get to that hype and be recognized like that. It’s great to be considered for the position to go out and rep our country.

AHHA: What’s the most exciting project that the Amount Boyz has been a part of?

Ant Boogie: I’ve been grinding so long and during the Scream III tour with Mario, his manager, Troy Patterson, allowed me to bring the entire group on tour and gave us five minutes out of Mario’s 40-minute set. Being able to hear the audience of 30,000 people screaming is something I can never forget. In the future when we look back in five or ten years it was a historical moment for us as an independent group. Also, it was the F.A.M.E. contest where we performed with a live band. We sold between 800-900 tickets by word of mouth for that show; nothing was promoted by radio or TV for that show. And I’m glad we got this recorded on DVD, this is a documentary that we can always be proud of.

AHHA: Talk to me a little bit about the album.

Smirk Dollarz: The title of the album is F.A.M.E., and it stands for Focused, Ambitious, Motivated Entertainers. The album is a compilation that was made by Amount Entertainment that features Amount Boyz and a funk soul group that we were overseeing called Urban Set. The tracks are divided between us and them. As far as our songs it’s mix of Rap songs, us wilding out and true Hip-Hop; it’s everything that comes from us, we make the music how we want to make it.

AHHA: The main lyricists of Amount Boyz are Ant Boogie, Smirk Dollarz and Nova – will there be a time where the other members of the group will want to cross over and step to the mic?

Ant Boogie: Yes, definitely because we’re just a group that always has tricks up our sleeves. We’re just the three that do the bulk of the music now, but definitely you will see other sides of this group. That’s what makes us entertainers, because you gotta keep yourself hot and always have something new.

AHHA: What’s next for you?

Ant Boogie: We have a couple of TV opportunities that may be opening for us. I can’t really talk about it too much, but if all goes well we won’t be an unknown group much longer, we’ll be all over the place. Of course we’ll be releasing some new material. We’re working with some new producers. Our tour mixtape is dropping. And basically getting that music out, and let people see that we’re just going to keep on coming with the entertainment and talent that we have.

AHHA: Would you ever stop entertaining and work behind the scenes in the entertainment field?

Ant Boogie: Nah, maybe when I’m like 50-year-old. I think we’re going to dance until we can’t anymore.

AHHA: What are some of the immediate and/or long term goals that you would like to see the Amount Boyz accomplish?

Ant Boogie: As for long term, I’d like to see Amount Entertainment be a colossal company that helps out getting music entertainment out there to what it was when people my mother’s age listened to; to bring entertainment level back to what it used to be. I feel like our generation is being cheated because the music industry is all about making a buck, not the quality of music. If we’re in a position where we are doing our thing as a group then we can help other people. I’d like to see a legendary group become legendary artists and legendary business men.

AHHA: Can you just tell me a little bit about Amount Entertainment?

Nova: Right now we are an independent entertainment company. We have an in house production company—Rain Entertainment. Our DVD and album are both available on our website at www.amountboyz.com.

Juvenile: A Moment of Clarity

Though he wasn’t the youngest Hot Boy, Juvenile certainly seems to have matured in the last eight years. From his salacious ballads, Juvenile is committed to showing the other side of the lifestyle with the upcoming Reality Check.

In a candid discussion with AllHipHop.com, Juvenile touches on this new vision, his reactions to Katrina and beliefs of what really happened. While Juvenile was a public figure in activism for relief, he not only regrets that – but offers greater insight than has been seen from many of his peers. Reality Check seems to be advice that Juvenile is not only offering, but as something the New Orleans playboy is taking himself.

In addition to that, Juvenile reveals the status of his former Hot Boy fraternity and corresponding label. Lastly, for all you chain snatchers out there, Juvy’s got a memo for you – but, you’d better snatch this feature first.

AllHipHop.com: Tell me about Reality Check. The title leads that this could be responsive to Hurricane Katrina…

Juvenile: [Reality Check] is basically what we all go through sometimes in life. Or, some of us ain’t even had our reality checked yet, you know what I’m saying. But for me, Katrina was mine, I had the title of the album from before Katrina even hit. So I hadn’t had mine yet, know what I mean? When, when the hurricane hit, they sent me back to the studio to really, really make the title true, ‘cause it changed everything, it made me really feel like, “Damn, how could I have a title like that before a hurricane and be so appropriate?”

AllHipHop.com: Did you change songs or add new ones?

Juvenile: I changed songs, added new songs. I mean, it delayed everything for me because you know I was close to putting my album [out around that time.] My reality check was like man, no matter what you do or how big you make it or how much money you made – I just built my house – no matter how much you accomplish, you still a n***er. I ain’t no better than nobody else, ‘cause I do still have problems [like ordinary] people.

AllHipHop.com: Do you think people scoff when artists become activists? I mean, you have money, and a lot to come “home to,” so to speak…

Juvenile: Everybody wasn’t like that, but I do think the majority thinks like that. I mean, the true colors come out during the worst times. They seen me full of alcohol, speak your sober mind, because you can’t control the truth then. It looked like it was a whole bunch of drunk ass people working for the government until the truth came out, you know what I’m saying? The truth came out and the answer is: they ain’t gonna give a f**k about us.

AllHipHop.com: What’s the status down there now, like you know, it’s out of the media, it’s not really prominent like that anymore. People kind of want to know like how is it.

Juvenile: I said all, all of the media, y’all full of s**t, you know. And probably won’t play me, probably won’t show my commercials or nothing, probably won’t play my videos or nothing but I got to get out, to me y’all full of s**t.

AllHipHop.com: How so?

Juvenile: Y’all should of, a lot of them should have been doing something different than what they was doing and showing. And then you, enough you’re not showing the truth, ’cause the truth is the levees didn’t break. The levee was breached, but not by water. It was breached by military, by military firearms. People heard a boom, then the waterways. So, you know it’s a whole bunch of lies man. Honestly when you saw me at that [Red Cross] press conference, you know, I was really in there mad, like, “Y’all full of s**t.” I really lost my s**t, you sure they didn’t, the insurance agency really ain’t giving me nothing yet, know what I’m saying? Oh, I was really, I walked out.

AllHipHop.com: A lot of people have military-related theories…

Juvenile: What happened was the water was backing up in the wrong areas: the tourist areas. And they knew it, and it was backing up in areas where some strong people was politically, and on other scales were, and those people knew what was going on. Like man, y’all could have fixed this pump system where everybody could be safe, but y’all fixed one area of the city. We watched them over the past couple of years, you know the pumping system that was designed to pump water on the lower main. They blew the levee.

AllHipHop.com: Wow.

Juvenile: It’s more like out with the old, in with the new. Now you got [wealthy real estate barons] down there, buying up all the property – now it’s a big business venture. If you didn’t pay your taxes on your property – and half of the people weren’t able to pay taxes, you know – a lot of people lost their money for real.

AllHipHop.com: Is this a new era of political mindedness for you?

Juvenile: Nah, you ain’t gonna catch me doing a public anything, I’m not like that, all you’re gonna catch me doing is telling my people, ‘Get what the f**k you gonna get and get it right now,’ man. Get what you can get right now. Make the best of out of life you know what I’m saying. Stop crying, don’t feel sorry for yourself, do what you gotta do. It’s time to eat.

AllHipHop.com: Moving on, what’s your relationship like with Cash Money these days?

Juvenile: None.

Juvenile: Trying to take five with your boy, whenever you want to fight —

AllHipHop.com: For real?

Juvenile: Yeah, it’s for real.

AllHipHop.com: Why’s it like that?

Juvenile: ‘Cause, [the] man got a big mouth.

AllHipHop.com: Who?

Juvenile: Baby. He got a big mouth, [I’m] gonna punch him in it.

AllHipHop.com: What’d he say this time?

Juvenile: A lot. Now, what I’m saying, is how you even know he saying something? He’s always saying something ‘cause we gonna, I’m gonna get it on with him.

AllHipHop.com: I heard y’all was working out a reunion of with Cash and Hot Boys or something.

Juvenile: Yeah.

AllHipHop.com: Why it didn’t go through?

Juvenile: There’s another reunion between, that’s another reunion involving Cash Money, I think. I ain’t caught up with Cash Money thing. You probably [heard] B.G. talking about me, and him, and Mannie Fresh.

AllHipHop.com: Right, right, so no reunion? Well, what about B.G. though?

Juvenile: No, nah, nah. We be bumping heads with each other, we be holler and stuff like that, you know.

AllHipHop.com: Are you and B.G. on good terms?

Juvenile: Yeah we good. But you know, we got a situation, and I got my situation right now. And it like we both trying to make it happen, like, “You got your little camp and I got my little camp,” we agree to do songs with each other, but it’s like, we both in motion. You know the Hurricane killed everything, too.

AllHipHop.com: Are you working with Mannie on this album?

Juvenile: All the time, all day. He ain’t even Cash Money either.

AllHipHop.com: Yeah, I know. Last year you were the first person that confirmed that, at the BET Awards.

Juvenile: Yeah, people didn’t believe me, people was looking at me like I was crazy or something, I’m telling you.

AllHipHop.com: Well, what about Wayne? His album is very hot right now…

Juvenile: You like that “Party Man” [actually titled “Fireman”] song?

AllHipHop.com: Yeah, it is cool, but the album is better. What are your thoughts on his tattoo tear? People wonder about that kind of stuff these days…

Juvenile: Tattoos [tear] is people’s fashion nowadays. My homey told me, they told me, when you get the little tattoo [tear] like that that means you put in some work. I’m gonna bash them, [that] little boy that grew up and he needs daddy. What I’m say is nobody remembers [him in the street], so all this s**t you saying, is false. Now far as rap, he’s a good rapper, he been a good rapper. He’s been to the best schools, he been, he been a good boy.

AllHipHop.com: In the summer, there was a rumor of a dude who allegedly took your UTP chain…

Juvenile: Man, that’s a long story. But that dude, honestly, [it must have been] one of the little cats, ‘cause I don’t have a chain like that. One of little cats on my bus got, guy got a little chain and slipped a little over, you know what I mean? And I guess since she give the chain to her dude and he got an itch, he was gangster and everything [sarcastically]. Man, keep the chain, da, da, da. I don’t even know what happened, the end of the story I don’t even know what happened with the chain.

AllHipHop.com: There were pictures on the Internet for a second.

Juvenile: Yeah, he come back on, you never saw him back on it, I wonder why you never see the Indian, right? We straightened it. He so stupid is out on the web site and showed his face on TV. Now you’re playing. Jump on the TV, that was like something on national TV, I got the chain, it’s me, we got the gun, okay, so now you know where, where is [the chain now]?

AllHipHop.com: What prompted you to do this “Rodeo” single?

Juvenile: It really falls upon the Reality Check title. And that song is an uplifting song for women. Once you see the video, you’ll understand that I’m trying to show you what these women go through, the women that stay in strip clubs what they go through after they leave away from the strip club. Some of them got kids, some of them forced women, forced into doing that. Some of them try to go to school, don’t have nobody to help them, some of them been badder than that. I’m showing you the other side of the picture. I’m just saying [to the women], “You’re beautiful anyway.” I got a daughter, I got a momma, and I got a wife. So I look at things differently, you know what I’m saying, I look at things like how could I make a song for them what I need, you know what I mean? Getting off of the G upside that you always catch me on, because every time you hear a song from G you expect it to be this way, you know what I’m saying? But this is something different and also when you get off into the album and you see there, that’s one in a million, you know what I’m saying, it’s like it was the only song on my album that was really radio playable to that extent.

AllHipHop.com: Given the reality we’re faced with in 2006, why should people get this album?

Juvenile: All I got to say is you ought to get my album. My album was generally done before the hurricane hit. But the hurricane hit, and I tried to change up as much but you’ll probably get more footage ‘cause I got a DVD coming out, and you’ll get more footage of the people actually [involved], me actually in New Orleans, and you seeing it really handle the truth because you’re talking everybody [affected] but the White people.

AllHipHop.com: Do you ever feel that moves like that could compromise your gangster?

Juvenile: [People are] kind of they scared to make songs like that, song needs to be made. I’m G’d up all the time, I am who I am, you know what I’m saying? I don’t feel like making a song like that takes anything away from my character, I feel like you know my respect stays there because I can make a song like that and I can make a song like that, you know what I mean and I ain’t gonna cross my boundaries.

Scarface Teams With New Era For Custom Cap

Famed rapper and Geto Boys member Scarface has been tapped by New Era Cap Co. to design a limited edition custom “Capture the Flag” New Era 59Fifty cap.

Scarface will meet with executives from the 85-year-old company on Saturday (Jan. 14) for an official design meeting.

Scarface joins other celebrities in creating a custom “Capture the Flag” cap, which was launched by New Era in 2004 to celebrate the 59FIFTY line of caps’ 50th anniversary.

Fabolous, Bobbito Garcia, Cam’ron, DJ Green Lantern, NBA Hall of Famer George “Iceman” Gervin, Rapper Dizzee Rascal, Skate Boarder Stevie Williams and others have designed customized caps for the company.

Scarface’s custom “Capture the Flag” 59FIFTY cap hits stores later this year.

50 Cent To Attend UK Premiere Of ‘Get Rich or Die Tryin’

Queens, New York rapper

50 Cent will attend the UK Premiere of his semi-autobiographical movie, “Get

Rich or Die Tryin’.”

50 Cent will be present at a special screening for the movie

on Tuesday, Jan. 17 at Empire Leicester Square.

“Get Rich or Die Tryin’” premiered in the

United States on Nov. 9, 2005 and has grossed over $30 million dollars at the

box office.

The movie centers around Marcus (50 Cent), an inner city drug

dealer who leaves the drug game behind for rap a career in rap music.

The movie has drawn controversy in the UK recent weeks, as an

industry watchdog group criticized ads for the movie.

The poster featured 50 Cent holding a gun in one hand and a

baby in another.

The Advertising Standards authority ruled that the poster was

in violation of advertising rules barring violent images.

The movie opens

to the public across the UK and Ireland the following day, on Wednesday, Jan.

18.

Tom Green, Bushwick Bill & Spice 1 Talk Collaboration

Comedian Tom Green

continues to pursue his rap career with the recent release of his new album, Prepare

for Impact.

On Green’s website

www.tomgreen.com, he details a recent run-in with Geto Boys rapper Bushwick

Bill while shooting a video at a Fat Burger restaurant in Las Vegas.

The site includes a clip of Green and Bill sitting together

in Green’s ride previewing some songs from his recently released album.

While listening, an astonished Bushwick Bill is seen talking

on the phone with Cali rapper Spice 1 and the two applaud Green for his work

and express interest in working with the comedian/rapper.

"This s**t

is slammin’ dog, I can’t wait to get on a track," Bill said. "Spice

1, Bushwick Bill and Tom Green; tell me that wouldn’t be some outrageous s###."

It’s not officially

known whether the two record a track, but as Green states on his site, he’s

definitely up for it.

"Thanks for

the kind words Bushwick," Green wrote in his blog. "You and Spice

1 gotta lay down some s**t with me an EZ Mike."

Green’s album features

production from DJ EZ-Mike (who produced for the Beasties Boys) and Mike Simpson

of the Dust Brothers.

The comedian has

previously stated his love for Hip-Hop and was also a founding member of the

Canadian group Organized Rhyme.

Prepare for Impact

is in stores now.

Mood Muzik 2 (Mixtape)

Artist: Joe BuddenTitle: Mood Muzik 2 (Mixtape)Rating: 4 StarsReviewed by: Bill “Low-Key” Heinzelman

With no release date in sight for his anticipated sophomore album The Growth, Joe Budden said, “F**k it,” and dropped an album in the disguise of a mixtape. While Mood Muzik 2 (Can It Get Any Worse?) is another mixtape release by Joey and DJ On-Point, don’t be fooled. This is more or less a real album with new songs and original production. In fact, you can argue that Mood Muzik 2 is better than Budden’s self-titled debut and most of the albums released in ’05. It’s that good and the reason why is because Joey sticks to what he does best. There are no commercial singles or songs for the ladies on Mood Muzik 2, only vintage introspective tales and lyrical clinics. This is what Joe Budden is known for and is the reason why he has acquired a strong backing of fans.

With no filler, Mood Muzik 2 is as cohesive an album…mixtape, you will find. The album straddles between the two sides of Joey perfectly. On the lyrical tip, “Dumb Out” is one of the best songs Jump-off has ever released. Over an epic and angelic Architechs beat, The King Of New Jerz goes off for six minutes straight. No gimmicks and no breaks – just straight lyrics. With more quotable lines than you can count, Joey shows why he is one of Hip-Hop’s most underrated lyricists. “Get It Poppin'” finds Budden on the street tip, as he destroys the Soul Diggers’ ferocious drums and sick string arrangement with lines like, “I had this bug-a-boo b####, kept wanting me to romance her/Always poppin’ up, I called her George Costanza/Spent some time with her, realized I couldn’t stand her/So I logged her in my phone as you a fool if you answer.

While Joey continues to provide shining examples of his lyrical prowess, the real gems of Mood Muzik 2 come from his conceptual work on the album. As always, Jump-off opens up and lets us inside his world, no matter what the situation entails. The Ron Browz produced “Old School Mouse” finds Joe taking a chance by providing insight into his relationship with DJ Clue and Def Jam Records. Surprisingly, he states, “I don’t want the fame no more, its f#####’ with me/Don’t hear ‘Reasonable Doubt’ the same no more/I can’t listen to ‘Blueprint’/Got a resentment toward Hov…don’t get me wrong, still I love Clue and Hov.” Joey continues his meditative nature on “Stained.” Over a soulful Scram Jones beat, Joe expresses his frustrations towards the music business by proclaiming, “So I do the club s### for the blind that can’t see/You do write some substance and sometimes they can’t read.

It’s this honesty that allows his fans to connect with him on the level they do, as they come away feeling that they know who Joe Budden really is. It’s not a gimmick and the listener realizes this. Instead of producing fabricated thug tales in hope of striking it rich or gaining street credibility, give Joe Budden credit for having the guts to put his private life in the public eye. With The Growth shelved indefinitely, who knows if Joe Budden will ever get another chance to right his wrongs at Def Jam. But with a mixtape that is better than most emcee’s albums, we can only hope Def Jam is listening. Are you in that mood yet?

In the Mid-Nite Hour

Artist: Warren GTitle: In the Mid-Nite HourRating: 3 1/2 StarsReviewed by: Conan Milne

Hardcore fans of the West’s “Death Row” years might struggle to accept it, but the truth is that it’s not 1993 anymore. The vibes of the G-Funk era sound increasingly outdated, and no-one seems more aware than one of its figureheads, Warren G. Dr. Dre’s half brother’s latest solo venture, In the Mid-Nite Hour (Hawino), is a departure from the LBC native’s smooth trademark tracks, and it’s all the better for this.

Besides the beats, Warren has also updated his lyricism. Perhaps realizing that he was too old to constantly rap about haze and hoes, Warren’s rhymes now cover issues far more pressing than when he’ll next swerve in his six four (red to be exact). The funky, trumpet-assisted “Get U Down (Remix)” sees Mr. G instructing President Bush to “fix the price on gas” while guest Ice Cube delivers a stellar verse, calling for unity between “the blacks and the browns” of Los Angeles. Meanwhile, Warren’s 213 homie Snoop ponders how he can do so much for the kids and still attract the haters.

Sonically, Warren has also upped the ante. “Walk These Streets” features an on-form Raphael Saadiq, who delivers both a mind-infiltrating chorus and a thumping beat that sounds very Dre inspired. Warren should be commended for speaking on a lot of touchy subject matter here, including his troubled deal with label giant Universal, which he dismisses as walking away from bull… you get the idea. Yet this album has its downsides. Snoop adds little to the overly simplistic “Yessir”, while “Make It Do What It Do” sounds like an obvious attempt to emulate the success of Tha Doggfather’s#### “Drop It Like It’s Hot”. Well, they do say imitation is the greatest form of flattery.

Ultimately though, it’s great to see a West Coast veteran release an album that sounds this fresh. New fans should take note: Dre’s latest finding, Bishop Lamont, is all over this album. In a year’s time when he dominates the industry, dust off this impressive offering and tell your friends you’ve been up on him for ages. Long time followers, you may want to stick with “Regulate”.

50 Cent: Bulletproof (Video Game)

Artist: Video GameTitle: 50 Cent: Bulletproof (Video Game)Rating: 3 StarsReviewed by: Boudreaux

Movies, music and whips are cool but what rapper could pass up starring in his own video game? Enter Hip-Hop most savvy self-marketer of the moment 50 Cent and his pixilated take on the ghetto superhero with guns drawn fantasy, 50 Cent: Bulletproof (Vivendi Universal Games; PS2)

Besides the characters being drawn like steroid abusers injected with the strength of 50 midgets, this game is the typical shoot em’ up. Game play isn’t exactly intuitive with its aiming system being mediocre at best. Thus, more bullets will do you better than precision. The storyline begins deceptively simple before morphing into a more refined tale of backstabbing and intrigue that can only be answered with heavy artillery as 50 stomps across New York City. Of course, Fitty makes sure to drop plenty of product placement; from his vitaminwater being used to revive health levels to the G-Unit attire all the characters are sure to be wearing. At various times 50 goes on missions with his sidekicks Lloyd Banks (nice with lock picking), Tony Yayo (the TNT layer) and Young Buck (the weapons specialist) but controlling their actions is virtually non-existent. Eminem’s take as a sheisty cop is entertaining though, as is Dre’s turn as a gun happy army vet.

Though the game pales in comparison to its soundtrack (if you rack up enough dough on missions you can purchase the entire G-Unit music catalog to be played while your gunning down your foes), it is worthy of plenty of hours of play. Shooting up your enemies with a cadre of weapons is tough to get wrong. However, Bulletproof falls a couple of hollow tip clips short of classic game status.

Rappers, Music Executives Converge for Panels and Southern Entertainment

Rapper David Banner,

Jimmy Henchman, manager of the Game and Swisha House CEO Michael Watts will be

among the panelists addressing music industry issues during a weekend of discussions

sponsored by Rap Coalition and The 3rd Annual Southern Entertainment Awards. Topics for the panels include:

How to Get a Record Deal, How to Build a Huge Buzz, Indie Labels: How to Put

Out Your Own CD or Start Your Own Label, How to Lose $1 Million: Top 10 Mistakes

in The Music Industry and other topics of interest.

Other panelists include

rappers Too Short, Killer Mike and Trick Trick as well as Blue Williams, manager

of Outkast, Vanessa Satten, music editor of XXL Magazine, Jane Higgins, publicist

for Nelly, and Murphy Lee, directors Flx ("Dirty States of America")

and Lexx Luger ("White Boys Can’t Rap"), Hump, CEO of Sucka Free Entertainment

and Rap Coalition founder Wendy Day.

Founded in 1992, Rap Coalition

is a nonprofit advocacy organization dedicated to the education, support, protection

and unity of hip hop artists: rappers, producers, and DJs.

The Southern Entertainment

Awards honor artists and DJs of the southern music industry each year with awards

voted on by their peers.

The panel discussions

are free and open to the public from noon to 6 PM on Friday, Jan. 20 and 11

AM to 7 PM on Saturday, Jan. 21 at the Grand Casino in Tunica, MS (30 miles

south of Memphis).

The weekend will

be capped off with parties at the Martini Room and Club Premier and the third

annual Southern Entertainment Awards, which takes place at 2:00 p.m. Jan. 22

at the Horse Shoe Casino.

The Southern Entertainment

Awards ceremony begins at 2 PM on Sunday, January 22 at the Horse Shoe Casino.

Tickets are $60 and available at TicketMaster.com.

Ms. Dynamite Charged With Assaulting Police Officer

UK rapper Ms. Dynamite was

charged with assaulting a female police officer outside a London nightclub on

Jan. 6.

The 25-year-old rapper was

celebrating her birthday with her brother and another female acquaintance.

Police allegedly witnessed

her kicking the front door of the Paragon Lounge nightclub in West London.

When police questioned her,

they claim she became abusive.

She was arrested in the

resulting fracas, but while in custody, police claim Ms. Dynamite punched a

female officer in the face, bruising the officer’s nose.

Police charged the award

winning rapper with assaulting a female police officer and with disorderly conduct.

Her brother, 22-year-old

Kingsley Daley, was charged with obstruction and another woman with the siblings

was charged with public disorder.

Ms. Dynamite, born Niomi

McLean-Daley, has won Brit Awards, Mobo Awards and a Mercury Music Prize.

All three will appear in

court on Jan 13.

Magnificent City

Artist: Aceyalone (accompanied by RJD2)Title: Magnificent CityRating: 3 1/2 StarsReviewed by: Paine

Aceyalone wants to hear about Freestyle Fellowship about as much as Kool G Rap wants to pontificate about DJ Polo. Times have changed but the problem has been that Acey-alone has given audiences nothing nearly as pleasing as his early group albums. On his last solo, Love & Hate [featuring the oddly titled, “City of S**t”] there was a burst of excitement in his two collaborations with Def Jux producer, RJD2. Perhaps this led to Los Angeles and Philadelphia’s unified vision of a Magnificent City. (Project Blowed/Decon)

Storytelling drives Magnificent City to concept-album status. Like a Robert Altman film, perhaps it is these stories woven together that completes the picture. “Soloman Jones” uses a Tone-Loc rhyme pattern, but a mild delivery to present a tale of a post-Wild West bar-fight. “Cornbread, Eddy, and Me” takes references from several 70’s films, and allows Aceyalone to put himself in a protagonist’s shoes. Though abstract, the energy makes the message clear. In other places, the stories are told in seduction tales, such as “Supahero.” Here, Aceyalone speaks on the absent chivalry in romance, and offers himself as the next best thing. A 2050-minded Electro beat leads the chase. “Heaven” is one of the most exciting tracks in Aceyalone’s career. With a dynamic beat, Aceyalone creates an abstract jam concerning death, screaming, “Heaven ain’t got no stairs, Heaven ain’t got no ghetto…” The anti-cliche ballad finds Aceyalone defining himself as a lively entertainer.

RJD2 is owed plenty in this breakthrough. Magnificent City finds the producer returning to his earlier Dead Ringer and Soul Position EP usage of soulful guitars and hard percussion. “Junior” is fast-moving, funky, and like most of RJ’s beats, never feels loopy. “Fire” dabbles with Disco-Soul as peppy high-hats and a nice chorus could remind listeners of “A Rollerskating Jam Named Saturday.” Meanwhile, “Caged Bird” uses a similar formula to Large Professor on “Halftime” with jingle-bells and hard snares. In tradition of Aceyalone’s past, electronic creations such as “Mooore” and “Supahero” also find their way onto the album. There are no rules to follow, as much as Magnificent City proves to be a time to experiment, and get as colorful with music, as Aceyalone did in thought and lyrics. The successes on both sides crowd the duds.

Both Freestyle Fellowship and Project Blowed have been about collaborative chemistry. Perhaps with RJD2, Aceyalone was able to build with a silent partner in making his boldest, most cohesive solo work to date. This energetic and emotional effort is essential to the Los Angeles underground spirit at a time when Pharcyde and L.A. Symphony are struggling to be remembered. Whether sarcastic or not, Magnificent City positions itself as one of the better story-driven albums of late, and an early independent heat-seeker in ’06.

Rapper Talib Kweli Gets Major Exposure With Big Ten Basketball PSA

Talib Kweli recently

teamed with Team Works Media to produce a Big Ten Conference men’s basketball

Public Service Announcement as part of a two-year comprehensive marketing and

promotional program developed by the league office.

Kweli performs an original track he composed for the Big Ten

Conference titled “Welcome to the Big Stage.”

The PSA premiered during the Fiesta and Orange Bowl telecasts

and is presently airing on CBS and ESPN during Big Ten conference games, which

started on Jan. 3.

“Talib is a talented artist whose poetry, musical lyrics

and rhyme speak to the values of education, effort and literacy,” said

Big Ten Commissioner Jim Delany. “Newsweek and the New York Times have

both singled out Talib as one of the most intelligent lyricists in contemporary

music today. We are extremely pleased that the Big Ten through Talib can communicate

the energy, excitement and effort inherent in playing on ‘the Big Stage’

in the Big Ten Conference.”

Kweli appears in a 360-degree animated environment during the

30-second spot, as he performs on stage at a crowded underground show surrounded

by monitors showing highlights from various Big Ten games.

The PSA has also been customized into 11 different versions,

one for each Big Ten school, with team-specific highlights.

“Welcome to the Big Stage” will air during all televised

Big Ten games nationally and regionally. The spot will also air during in-arena

games.

Big Ten men’s basketball

led the nation in total attendance for the 29th straight season. Last year,

2,255,332 fans attended Big Ten basketball games.

Click here

to view the PSA.

Black Eyed Peas Headline Honda Tour, Honda Wins Big At Auto Show

Grammy winning artists,

The Black Eyed Peas will headline the 6th Annual Honda Civic Tour.

The group has sold over 16 million copies of their latest album

Monkey Business, powered by such hit singles as "Don’t Phunk with

My Heart," "Don’t Lie," "My Humps," and the current

single "Pump It.”

The Honda Civic Tour is an annual tour that showcases popular

acts at moderate ticket prices.

"We are so thrilled to be headlining the Honda Civic Tour

for 2006," said Fergie, of The Black Eyed Peas. "Honda has been a

great supporter and trendsetter in producing environmentally friendly cars,

so we are excited about pairing up to bring our live show and sounds out to

so many new and long-time fans across the country."

Today (Jan. 8), Honda swept the North American Car and Truck

of the Year awards at the North American International Auto Show.

The Civic beat the Ford Fusion and the Pontiac Solstisce for

Car of the Year award, marking the first time the Civic has won the prestigious

award.

This year, Honda had their best year ever in the North American

market, selling a total of 1,462,472 vehicles. It was also a record year for

the sale of Civic Hybrids.

"It’s big,” will.I.am stated. “It’s all coming

back to little dreams that you had when you were younger. I remember we would

always have to take the bus, because we didn’t have cars and I remember saying

I can’t wait to get a Civic. We were never able to get the Honda’s at that time,

but here we are headlining The Honda Civic Tour. So for us, it shows that if

you really try hard and don’t give up, the dreams that you have can even surpass

the little dream that you once had. Here we are, we went from wanting a Civic

to doing something with Honda Civic, launching a new hybrid. I mean that’s dope."

The Peas will also create and design a special customized Honda

Civic Hybrid that will be displayed at each venue with the band.

The 6th Annual Honda Civic Tour kicks off on March 23rd, 2006

at the Save Mart Center in Fresno, California.

For more information check out www.hondacivictour.com.

Twista Injured In Early Morning Car Crash

Multi-platinum rapper

Twista suffered injuries in an early morning auto accident in Chicago this morning

(Jan. 7).

The rapper was injured in a hit and run accident around 4:00 AM, after another

driver ran into his Dodge Charger.

“He is at home with his private doctor under observation,”

Twista’s manager Rawle Stewart told AllHipHop.com. “Twista pulled

over in his Charger, but the [other] driver took off.”

Twista’s latest album The Day After debuted at #2 on Billboard’s

Top 200 Chart upon its release in October. The album was recently certified

gold by the RIAA.

His single “Girl

Tonite” featuring Trey Songz is currently #13 on Billboard’s Hot

R&B/Hip-Hop Songs.

DMX Freed From Rikers Island

Rapper DMX was granted

an early release from prison, after serving a month of a 70-day sentence for parole

violation.

The rapper was released from Rikers Island on Dec. 30, for good

behavior and because he had accrued credit for time he previously spent incarcerated.

DMX, born Earl Simmons, was sentenced to jail in November of

2005 after he pleaded guilty to violating the terms of his parole.

The Yonkers bred M.C., who recently ditched Def Jam for Sony,

was on parole for a 2004 incident in which he put flashing lights on his SUV

and chased another man through the parking lot of New York’s JFK Airport.

When police arrived, they found DMX with his pants down to his

knees, incoherent, attempting to assault another man over a parking space.

He violated the terms of his probation in that case in April

of 2005, when he struck a car, which in turn rammed a police cruiser on the

Major Deegan Expressway in the Bronx.

DMX said he was

speeding because his wife was in labor. She gave birth three days after the

incident.

Young Dre: The Truth

People who emulate

the truth are often feared. They don’t hold back, they choose to say it

as they see it. Tupac was the street educator, representing the West

Coast and at the same time through his lessons he educated the world

beyond LA about the meaning of street life; he spoke nothing but the

truth. Yet since his death there hasn’t been a voice to continue the

class that he was teaching.

South Central representative Young Dre lives by the code of the streets and his lyrics, similar to his song, overflow with nothing more than “Real Talk.”

He isn’t in this game because he sees it as a way out. His

unconditional love for rapping has transgressed over a serious number

of years, having watched the game evolve and decline he is still here

because it is his life, it is his love.

Having

worked with the best of the best and learned from the greatest, he

takes rap back to its organic form, his lyrics can sell themselves, he

doesn’t need the hottest of beats to promote his wordplay, his talk can

sell itself.

Heading

up two companies Young Dre has his ideas in place. As talented he is in

the booth, he is just as talented in making money. Feeding his family

and preserving his legacy are on his mind right now. Speaking the truth

is paramount and maybe he is the voice that the West needs.

AllHipHop.com: Where are you from?

Young

Dre: I mean pretty much the west coast; you know I spent four years in

New Orleans as a child. I got shuttled around a lot of place because I

was a foster kid, but you know Los Angeles, the Bay area, Seattle.

AllHipHop.com: But home to you now is LA correct?

Young Dre: Yeah South Central, most definitely since my early youth and all my roots are California region.

AllHipHop.com:

You were running with the legends from the early day’s man, I mean you

were rolling with Pac back in the early nineties so you have been on

your grind for a long time then?

Young Dre: I been grinding since my early teens, you know being around Tupac and them and then being around everyone in 92-93.

AllHipHop.com:

I mean people say they are tight with certain names in the game hoping

it will take them places, but you really were tight with Pac then?

Young

Dre: Yeah I was like a young dude in the studio with them at an early

age. I met Pac on my own back in 93, I was giving him a tape and he was

like ‘Man I got so many tapes,’ you know that was before CDs. But then

Leila Steinberg started managing me and I started seeing Pac all the

time as he was also managed by her. So we spent more time in the studio

and you had Mike Mosley bringing him beats you know “Me Against the

World” and “Heavy in the Game.” I was actually with Mike (Mosely) when

he went over to give Pac his first song.

AllHipHop.com: This is history right here.

Young Dre: Yeah I mean I have a song called “Hip-Hop on the West Coast” that

when people hear me spit they understand I really was around Pac. I

just loved Pac, but I wasn’t like “Pac put me on,” I was just a young

one in the group soaking.

AllHipHop.com: So you learned from him and all those experiences?

Young

Dre: Hell yeah, he was the man to me. This was previous to Me Against

the World. I knew who Tupac was and everything and we were young n#####

selling dope and I remember people not liking Tupac back then and I was

telling them Pac was the n####. My boys started saying that when me and

Pac would do something it would be big. You know so to be around that

and be around Mike Mosely who was already doing dudes like E-40 from

the bay, who were dudes that were very influential to dudes my age. To

be around them at my age it was a dream come true. But it wasn’t like

‘Oh my God’ it was just like these are my older brothers.

AllHipHop.com: Do you think as a West Coast artist, you can be a serious selling artist without really going beyond state lines?

Young

Dre: I think that to be a star you don’t need to go beyond but, I think

as a person and a man you need to go to other places to experience s###.

AllHipHop.com:

I haven’t interviewed many west coast artists and to me the Hip-Hop

culture over there is very different to anywhere else.

Young

Dre: But see the thing is in the track I mentioned earlier I am

describing what California is like but how we need to get more Hip-Hop

on the west coast. You know I did this show and some people got killed

and I was being blamed for it and I was actually a peace maker in that

situation and that song was the last song I did before the s### popped

off and if you hear what I am saying in that hook, I am proud of where

we are from but I am saying if we don’t get more Hip-Hop on the west

coast, I mean when I was a youngster we called it rap, we didn’t call

it Hip-Hop.

AllHipHop.com: Gang culture in Los Angeles is predominant in a lot of lyrics, how influential has this been on your career?

Young

Dre: Well for me being from a hood and being an actual gang banger in

the past, you know front line on the streets it wasn’t what made me get

into gangsta rap. You know growing up around the game, being a child of

the game, being that your parents in the game I came up in this life.

You know rap didn’t make me, if anything the gang life helped promote

the music. The gang life perpetuated that now you have everyone gang

banging, or allegedly gang banging.

AllHipHop.com: Well you have a track called “The Rap Game Ain’t Gangsta to Me” which

is something that you feel strongly about, you know people spitting

false lines. Does it bother you that people are ‘allegedly’ saying they

are out doing the things that some people really are doing to promote a

false image?

Young

Dre: I have a song on a mixtape that I did over Dre’s “Watcher” beat.

In that I am saying things you know like I see a g-starter kid in a

liquor store that comes in with a bandana and some khakis with a blue

hat and a jheri curl because you know kids are trying to emulate things

that they saw in Menace to Society and I don’t respect that because I

have names on my body of people that have been murdered or are in their

graves that come from this gang life. So to see someone pick up a mic

and rap about it, because there was even a time before I even popped a

gun, you know when I was 12,13,14, I had homies that were shooting at

12 or 13, I didn’t shoot until I was 16 and that was because I needed

to get some money, I didn’t even want to shoot. I was rapping harder

about it before I lived it but that was because I was around it. I

remember my homeboy saying to me if I was saying stuff like I was, I

had to be ready to live up to that. So when I got to that age when I

did live up to it, I respected it as my right to deliver it. You know I

met so many wannabes that call themselves ‘gangsta rappers’ and I am

like why would you even call yourself that in a song, you are a gangsta

rapper when you aren’t. You know I think it is b####### when anyone can

put a bandana on their heads and rap about it and make a fashion out of

it and don’t understand where that comes from. Because if you are going

to claim Blood or claim Crip you are putting yourself in a position.

You have to respect protocol. You know if I come to LA and it doesn’t

happen just here, it happens all over Oklahoma, New York everywhere, if

you are claiming Blood and Crip you have to respect the streets. You

know you are putting yourself in a position that if I step in down this

is what Crips do. You have to follow protocol in any situation in

politics and I don’t respect it and for all of us that have died and

are going through this as a lifestyle it is more so a façade for their

lives. When Allen Iverson started wearing braids he made it easier and

more acceptable to wear braids. I have been wearing braids for 14

years. But now I get people telling me I look like Allen Iverson.

AllHipHop.com: But don’t celebrities set trends?

Young

Dre: I agree because look at Snoop, you know even though I mention

Snoop in that track, I have been around Snoop lately and he is a very

humble person and I like him because you can not like a person when you

are around them. Now we haven’t talked about what I said in the song

but even Snoop to me I love him for representing. You know people think

that Snoop is out there doing that and they are ready to follow him.

You now have people watching BET C-walking. I remember the Bay Area you

know it was 92/93 and I was C-walking and they were like ‘What the f###

is that?’ and this is the Bay Area because they move in their own

space, I love the Bay Area; they are gangsta, they didn’t want that out

there but they appreciated it and then when you got that on BET people

want to copy it. Its like in New York, you got n##### out there

claiming s### and they just a part of s###, but when I am out there

with my brother Tru Life and I see all the wannabes, nine out of ten of

them will look away. When Allen Iverson went out and got braids, how

many n##### in the NBA went out and got braids, but they give you a

false sense of gangstarism. When you wearing braids in LA they are

gangsta braids, they murder braids or they are hood braids but you knew

that they represented something, even though they came from the tribes

of Africa back in the day that was a certain look that we had that

means something. If you a real hood n#### people going to respect you

off the way you walk, off your name or who you are or what you done in

the streets, that’s our reputation. You don’t need to say you are with

such and such a Blood, or such and such a crip you knew who you were

because you had that color on, it was our identification. You know in

LA Crips beef more with Crips these days. We aren’t n##### standing on

the corners just gangbanging anymore, we are in business, we driving

jaguars, we driving 745’s.

AllHipHop.com:

Do you think that portraying and being so vocal in your lyrics about

being a gang member is going to be an advantage to you as you try to

advance in your music career?

Young

Dre: It is a disadvantage off the top because people don’t want you to

be heard. I saw this guy called Kevin Trudeau who was telling you what

all the big businesses in American didn’t want you to know when it came

to over the counter drugs. He had all these remedies showing that if

you did what he advised you wouldn’t need to go and buy all these drugs

from Proctor and Gamble that isn’t helping you. I made that track “The

Rap Game Ain’t Gangsta to Me” almost three years ago, you know what I

am saying, I am over it and it is just now starting to catch. But to

the real people I will be a street icon. You know I have had square

people come up to me and say ‘Oh my god thank you for making that

song,’ and that touches my heart. But the powers that be they want it a

certain way. White folk, big companies and black folk are paying

attention to this and they understand that it is big business. Its like

Forty Acres and a Mule, if you was a gang member or you are a gang

member and you are legitimate or are somebody of that culture we should

be compensated. It is an advantage in the long run as I am ahead of my

time to speak on it, I think I am right on time, but then it is at a

disadvantage with corporate America until real music comes back. We are

tired of the same old b#######; we are tired of not having a political

stand anymore. How many people after Tookie got killed have stood up

and said something about it? When I grew up it was Public Enemy, Ice

Cube was the s###, he was the Tupac, I came up on that, he was the

movement. I remember listening to that as a kid, he was the truth.

AllHipHop.com:

But do you think corporate America expected it to get to this point

where it is the multi-billion dollar industry that it is today?

Young

Dre: America is a corporation, it is the biggest corporation in the

world and you have to withhold a certain image, but they didn’t expect

us to get their kids, they didn’t expect the white kids to love us.

That was it. There has to be white folks that had to believe in that

s### and put out the Run DMCs, so I think some people may have known it

was going to blow, but overall as big as this s### is now, in other

countries, they didn’t know it was going to be that powerful, they

really didn’t.

AllHipHop.com: Obviously, you are making money independently now, so is a major label deal something you are looking to sign?

Young

Dre: You know what if you listen to the last line in “Hood National,” I

say ‘I never wanted these companies to break or drop me, see Young

Drizzle in the movies, now get your bootleg copies.’ Hell no I don’t

want to be signed, but I know it has been so long, its about

preservation of my family and feeding my squad and I have seen too many

people die that I feel blame for, you know if I had been signed they

would have had opportunities and they wouldn’t be dead. So I feel a

burden and I have to do different things. If I go and put this mixtape

out and go hard for a month I will be self made. No I don’t want some

a###### going and getting credit for breaking me and having me sign a

hoe deal when I would rather be a pimp, I would rather pimp them rather

than them thinking that they are pimping me, but if I can get the right

person to believe in me and I can go platinum and sign the right deal,

I don’t want no artist deal, I want a production deal as I am signed to

KC3 Monumental which is my company. Do I want to be signed to a deal

hell no, but I know I have to sign a deal with somebody or I need to go

hard and get the business myself, but I need to make a move right now.

I am the one in my circle that needs to step up as I am the one. You

know I got to do something. Its not that I wouldn’t like to be signed,

you know the industry is changing, people won’t be buying CDs no more,

they will be downloading from their computers and I understand that and

want to encourage this. I know I have to be signed. But I know I will

bring the opportunities for other people when that time comes.

AllHipHop.com:

You have already mentioned Hi-Tek and of course Mike Mosely, you have

worked with some of the hottest producers in the game unsigned. Any

other names you can tell us about?

Young

Dre: Recently I have this cat who is a diamond in the ruff called G,

but there is a cat out of New York called Titanic who is dope, I have

done s### with Rodney Jerkins, Rick Rock, I done s### with Dre and them

before, I have worked with Swizz a little bit. I grew up listening to

Outkast and I worked with Rico Wade of Organized Noize. I have also

worked with Cavie another hot producer. But lately all the tracks are

coming from a cat called DJ Ruckus out of Dallas Austin’s camp, he is a

young cat, I did about five records with him down in Atlanta, you know

I grew up listening to Outkast.

AllHipHop.com:

Yeah tell me about who else you look to for inspiration as on the album

I see you use India Arie’s “He is the Truth,” are you a fan of hers?

Young

Dre: I love India Arie, I grew up at a time where my Mother listened to

everything, R & B, Marvin Gaye, from the Capris to The Emotions,

that’s why I have all this is my music because I got stuck with all

that. Ray Parker Junior, Michael Jackson. You know there was a time

where Michael Jackson was 50 Cent, we wanted to be like Mike. I

remember when I was four years old and me and my cousin would sit

there, you know I could never be Michael Jackson, because I always

wanted to be Mike, the songs and the music, he was around before

rappers, you know before Ice Cube stepped up I was listening to Ice T.

I remember when I was in the foster system they would come do a little

do and give you a voucher to go buy a tape and one of the first tapes I

went and bought was the Ice T Power Tape. I remember being on that. I

listened to Tina Turner, you know whoever was dope and my Momma was

playing, they were having parties, this was the seventies and early

eighties and I remember them having parties and me not being able to

sleep because they were out there playing their music. That was back in

the day when it was records. You know it went from four track to eight

track then onto 24 track and it just emulated to where they sampled and

then there were times when we didn’t sample and I remember a time when

we didn’t sample and now I am at the point where if something is dope I

am f###### with it but there was a time where I wouldn’t f### with no

samples. You know you would write songs over whole records, I wrote

over Bobby Womack, I was writing songs over that music. I was

influenced by that because I was raised listening to it. I mean I

didn’t listen to rock or any other music because I didn’t get it. But

now I appreciate the Average White Band, Creedence Clearwater Revival,

you know stuff that I can really soak from. I listened to R and B

because that was what I was exposed to. Then you know I heard like

Duran Duran.

AllHipHop.com:

By making your own music don’t you find that it’s then that you just

understand how much other people’s music has influenced you?

Young

Dre: Yes that’s right. You know I have melodies in my head that are

just there, stored in my head. I have no idea where they have come

from. It’s just in my blood. I just love music. I know I am writing

from the heart but you know coming up I was one of only three people

where I was who really wanted to be a rapper as back then you had the

choice of going to play ball, getting a 9-5 or go to school or college,

now rap is part of that group. You know I feel cheated by the game

because I knew all there was to know about music, who was signed to

what label, when they got signed, who produced what, how many units

they moved. This is my life this is all I have, you know now it’s like

if I know I know, if I don’t I don’t. I know this is just a stepping

stone to the next level, I know I am a pimp and I know I am going to do

big business. I know I have potential because I am a persistent

m###########. You know even though I mention all the names in that song

“The Rap Game Ain’t Gangsta to Me” I love all my brothers in that song

for their success, you know I don’t want someone to not be happy. I

mean every day a rapper goes to a studio and takes time out of his life

to create something that is something special. You know I can

appreciate guys like 50 Cent as a business, but as gangstas, f### that

s###. But I love everyone for succeeding.

AllHipHop.com: Now you are tight with Tru Life, how did you hook up with him especially with him being from the East?

Young

Dre: Oh man we were at a recording studio here in LA about six or seven

years ago when we first met and we started playing basketball as they

had a court at the studio. We just started cutting it up and we found

out we had a lot of similarities and s###. You know his birthday is two

days after mine. You know we were talking back and forth about music

and that what we liked. You know we exchanged numbers and s###. Then we

didn’t speak for a year or two and then QD3 came along and told me he

had this guy from New York that really reminded him of me, you know he

said ‘you either going to be best friends or y’all are going to hate

each other.’ And that was Tru Life. You know and he is family now, you

know I fly out there and he flies out here that is my dog. You know it

isn’t just about the rap s### that is my family right there, my Hood is

his Hood and his Hood is my Hood. We know each others families for

real.

AllHipHop.com: So what have you got coming up?

Young Dre: The biggest thing right now is the mixtape I am doing with Green Lantern, The Hood National Cheah Bah Movement: Bigga Than Life.

That is dropping next month. I am a battery that keeps going and going,

I stay charged for everybody and when I say I get burnt on this game,

that’s true, but I love this game and I have been charged since day

one, I’m ready to win.

You can check Young Dre out on his website www.youngdrethetruth.com

Nervous Records President Talks Comeback, Duck Down Reunion

Underground rap label

Nervous Records is set for a return.

The label, which spawned rap icons Funkmaster Flex, Black Moon

and Smif-N-Wesson, will reemerge on the scene with the release of the A-Alike’s

new album, I Eat You Eat.

The project, according to Nervous president Michael Weiss, "poses

the perfect opportunity to give back to music consumers what seems to be missing

in this current force-fed climate of empty lyrics and mediocre talent."

A fixture in the New York rap scene during the ‘90s, Nervous

emerged as a force in the underground rap scene with releases such as Black

Moon’s Enta Da Stage, Smif-N-Wessun’s Dah Shinin and

Mad Lion’s Real Ting.

Despite its success, the label endured its share of trials and tribulations

with the departure of rapper Buck Shot and Duck Dow Records.

Weiss is quick to set the record straight on the fall-out.

"Buck Shot never had any equity in Nervous…our breakup

was simply a case of too much happening too soon," the New York-based attorney

said. "Both parties would have probably been better off had we stayed together,

but it wasn’t meant to be.

"Despite all of the animosity and hostility that existed

between Nervous and Duck Down during our break up, currently both entities have

a solid working relationship," Weiss continued. "We are collaborating

on a DVD anthology that will include nine original videos from Black Moon and

Smif-N-Wessun."

Overall, Weiss is confident Nervous will regain its place in

hip-hop circles."We will continue to allow people to hear music as the

artist wants it to be heard, the A-Alikes and their strong messages deserve

that voice," Weiss said.

I Eat You Eat,

which features the single "What’s Your Politic?" as well as

appearances from dead prez and production from D.R. Period and Stic.man, hits

stores this year.

Kanye West: ‘Ye Day: Its A Celebration!

After Documentary and before Thug Motivation, it was Kanye West’s Late Registration that held Hip-Hop’s marvel. Bolstered by big single, “Gold Digger”, Kanye’s follow-up became more like a follow-through on his seizure of the ears, eyes, and attitude of a culture.

As “Gold Digger” spun on Urban stations, “Heard ‘Em Say” traveled to Pop radio, as records like “Drive Slow” dipped South, “Crack Music” ventured West, and “Gone” found solace on mix shows. The album was monumental in all possible ways, and certainly a crown jewel of 2005.

In looking back at the year now passed, AllHipHop.com and Kanye West revisit this album, this year, and this evolution in a star that will burn so brightly in years to come. It’s ‘Ye Day – and everybody’s celebrating!

AllHipHop.com: You’re at the top of our list for our Year End Review. I wanted to get your take on some things. How do you feel about how your album was received? Did you get what you were looking for? Was it more or less? Where you satisfied?

Kanye West: Yeah. It was all good. I was satisfied.

AllHipHop.com: Yeah I think you got the props you deserved. Do you think that people “got it,” so to speak?

Kanye West: Well, there’s certain stuff that they didn’t need to get. If you listen to an old Earth Wind & Fire joint, you just like it. It’s like people didn’t really need to know if it was real strings or just a sample. I know that I wanted to create more than just what was sampled. I’m able to do whatever I want with the music. That’s hard to do with samples. So we still kept the artist sample with it, but it’s still based off of pure Hip-Hop beats like, “I Heard ‘Em Say”. We’re just adding on to it. And it’s something that we are very conscious about. Some people heard the concept of me working with Jon Brion, and they thought it was just going to be instruments everywhere – which there are, but we flip it and twist it. Take a record like “Gone”, “Gold Digger” or “Heard Em Say”. I feel those records are more simple then any record on the College Dropout – except for like “School Spirit”.

AllHipHop.com: Can you speak on the importance of Jon Brion and what he really brought to the table that some people may know that’s different from College Dropout.

Kanye West: True musicianship, true know-how, he’s the real thing. Different instruments used on the last album are more like Kenneth Cole, and this is more like Gucci. It’s like almost there and it still makes a good outfit and you’ll still have fun at the party. But I wanted to come with the official. The real life harpsichords.

AllHipHop.com: Can you explain the skits?

Kanye West: Well, it’s a college concept. So I decided to focus on a bunch of broke dudes who decided to start their own fraternity. Which relates to being back in school.

AllHipHop.com: You have a seemingly love/hate relationship with the press. How do you feel about the press this year?

Kanye West: It’s all good – just that random writers want to throw their little jabs here and there. Like why would you want to spend time in trying to find a flaw in me? What’s the point in that?

AllHipHop.com: I feel like the press supports you quite a bit.

Kanye West: But then they always throw out, “Well this song was the low of the album or blah blah blah. If Kanye had did this blah blah blah. ” All this woulda, shoulda coulda. Well if that’s how they feel, why don’t they go make an album and do whatever they want to do. ‘Cause I always said coulda, shoulda, woulda with people’s albums that I was working on – so what did I do? I turned around and made the College Dropout. And don’t let me just outright diss the press, ‘cause I do get good press too. But I just feel like I am to a point where there should be no bad press.

AllHipHop.com: What do you mean by that?

Kanye West: Because how about I don’t make an album. Now what they gonna do? Okay, then shut the f**k up.

AllHipHop.com: But isn’t all press good press?

Kanye West: Well, there always is a way to flip a negative into a positive. That’s my whole point. Like people would say, “Oh, I love this album but I gave it an eight.” – like The Source giving my album fours mics. Any album that…if you can walk up to a person on the street and they can quote a line from a song on an album that’s not a single, that album should potentially be five mics. Obviously Young Jeezy has a five mic album, because it’s apart of the culture right now, and it has impacted. My last to album impacted the culture. That’s what I feel like is the bottom line. What was the impact, what changed [as a result of an album]?

AllHipHop.com: This album touched me in a lot of ways more so than College Dropout, I’m not sure why. But what are your views and how do you compare the to? Do you prefer one over the other?

Kanye West: I don’t know. I know that I like “Last Call” better then “Celebration”. And I like “We Don’t Care” better then “Crack Music”, and I like “Heard ‘Em Say” more then most of the stuff on the last album.

AllHipHop.com: The politics of the album are deep too. Do you find it difficult to mix politics with theatrical entertainment? I mean everyone is very apathetic these days…

Kanye West: No. I don’t touch on political stuff I think. It’s more like social. I’m not political at all. I’m not political, I’m politically incorrect.

AllHipHop.com: Yeah, and I don’t want to get into that Bush situation, but after that incident happened we where just like “uh oh.” Like, in our community, when Khalid Muhammad suddenly died of an apparent heart attack, people cried foul.

Kanye West: Like honestly, right now I was eating some chicken and I had chocked on this chicken bone right now people would never hear the end of it. I can have no honest death now. I can’t go out in the street, trip and bump my head [because] would people saying “They put special government grease on the floor.” If anything, they would want to try and keep me as safe as possible.

AllHipHop.com: Now check this out, in 2005, 50 Cent said that he made it possible for you to be successful. Care to comment on that?

Kanye West: Yeah that’s my boy. People distort our comments because, people just don’t speak honestly about a person. I could say a statement that…it’s all in how you word something. I could say a statement like that about [Jay-Z’s] Blueprint album that could come off differently or could be taken in the wrong way. But that doesn’t mean that’s reality. I don’t have a problem with anybody. And even if a person has a problem with me I don’t have a problem with them.

AllHipHop.com: Why is that?

Kanye West: Because that’s not what I’m here for. I’m here to help people and to make people happy with my music and my words and to change peoples hearts and minds about a bunch of issues. Sometimes I’ll get on TV and everybody is like “I agree with that.” And it’s other times I get on TV and viewers try to revoke my hood pass ‘cause I could be saying something that is really right but if the masses don’’t agree with it. And my opinion isn’t always the majority opinion, and then they will hold it against me. But the point is I’M not scared to say. I’ll just say hat I feel about it.

AllHipHop.com: Yeah I could see that. Do you have any regrets with the MTV special that you did with the comments about homophobia? Did you feel that any negativity came after that?

Kanye West: Yeah! A bunch of negativity came after that, but I have no regrets. That’s probably the bravest thing that someone could do because that concept, because some people are so homophobic you can’t even bring it up as an issue cause people automatically say “You’re a h###.” Now it’s two things. They think you’re a homophobic and now they looking down on your because they think your a h###, because they are homophobic because you brought it up to people that are homophobic. It’s one big circle. It’s like a lose/ lose situation. But the whole thing is that I can’t lose. People always talking about bragging and blah blah blah but that’s the confident thing that someone can do and that’s to go and speak loudly about something that’s not popular opinion. People have to look at themselves and be like “Damn I do do that, I do discriminate.” I don’t have to be a homosexual to feel that it’s not right to bash homosexuals. Look how f***ed up our mentality is. We feel like “if you gonna say something or speak on their behalf then you must be a homosexual.” That’s like going back to the 60’s and somebody calling a white person a n***er lover.

AllHipHop.com: Lyrically, what was your approach this time? It seemed to me that you where more comfortable on the mic this time. And, in my opinion, it seems that you didn’t write your rhymes down this time around.

Kanye West: I didn’t write them down on the last either. I just learned how to rap better from going on tour and s**t. But I feel like there was incandescence to the older rhymes. I’m not that pressed to make a record like “Diamonds” anymore. I did that to prove [myself]. I wanted people to come off of saying I can’t rap. I can do whatever I put my mind to. So “Diamonds” is dope, and has really great lines back to back to back. But there’s no line in “Diamonds” that compares to “Hey outside the emergency room room room/you can feel my heart beat beat beat/if she gon’ pull through, we gon’ find out soon, but right now she sleep sleep sleep.” That’s my favorite line. It’s the simplicity. There’s so many people that can rap, mixtape rap, rap rap, this that rap, rap, rap, rap. It’s always good to be able to fall back on that, but you also want to be able to talk to people like how they really talk.

AllHipHop.com: Someone wanted me to tell you that you’ve taken bragging to a whole new level. Obviously it’s a part of Hip-Hop, do you feel that way?

Kanye West: Aww man, have we? If so, that’s good. I’m come from nothing to something – [and] that, I can brag about.

Diddy, Luke, Nelly, Others Face Off At ‘The Battle of the Stars Youth Football Classic’

Some of Hip-Hop’s

biggest stars have teamed to present the inaugural Battle of the Stars Youth Football

Classic, an event that features celebrity coached youth football teams.

Snoop Dogg, Nelly, Diddy, Luke, Trick Daddy and others will

participate in the event, which will take place at Dolphins Stadium on January

14.

Teams representing Los Angeles, St. Louis, New York, Atlanta

and Miami will face off to determine which celebrity coach has the best team.

The first of three games will be played starting at 11:00 am

and will feature 10 and 11-year-old teams. Diddy’s Mount Vernon Razorbacks

will face Snoop Dogg’s All-Stars from Los Angeles.

Nelly’s St. Louis All-Stars will take on Trick Daddy’s

Overtown Rattlers of Miami, Tone of the Trackmasters will lead the Staten Island

Hurricanes against Atlanta’s Pacman Titans, coaches by Tennessee Titans

1st round draft pick, Pacman Jones.

During the day, various performers will entertain the 15,000

people that are expected to attend the football game.

The highlight of the Battle of the Stars Youth Football Classic

will feature an evening game between 12 & 13-year-olds.

Luke’s Liberty City Warriors, recently crowned Pop Warner

National Champions, will play Snoop’s 12 & 13 year-old All-Stars.

The Battle of the Stars Youth Football Classic will raise money

for various charitable organizations, including the Snoop Youth Football Foundation,

which provides inner-city Los Angeles Youth with an opportunity to play youth

football.

The Battle of the

Stars Youth Football Classic takes place Jan. 14 at Dolphins Stadium. The event

starts at 11:00 am and ends at 8:30 pm. Tickets are $10 and can be purchased

through Ticketmaster outlets.

2 Live Crew Co-Founder Mr. Mixx Working On LP At The Bunny Ranch

After being on the

road with Afroman as his DJ and guest performer, Mr. Mixx, co-founder of the 2

Live Crew has settled down at the famed Bunny Ranch in Carson City, Nevada to

start work on his solo album, VGNL MINDED.

The album will be released

on Mixx’s label, Mr. Mixx Recordings and will be distributed by Afroman’s

Hungry Hustler Records/Redeye Distribution.

VGNL Minded is

Mr. Mixx’s first solo album in three years, since his 2002 release, Nasty,

Controversial and Unauthorized.

“What Lil’ Jon and

Ying Yang are doing now is what we created back then,” Mixx told AllHipHop.com

about the speeded-up, boisterous, heavy-bottomed Miami bass sound that brought

2 Live Crew to national prominence.

2 Live Crew, the group Mixx

founded with Fresh Kid Ice and Amazing V in the spring of 1985, became one of

Hip-Hop’s most controversial groups.

Luke Campbell joined the

2 Live Crew shortly after its inception and the group released the groundbreaking

albums 2 Live Is What We Are (1986), Move Somethin’ (1988)

and As Nasty as They Wanna Be (1989).

The latter album spawned

the classic single “Me So Horny” and was the subject of national

attention, when the group was arrested under Florida obscenity laws for performing

songs from the raunchy album.

The battle over the explicit

lyrics on As Nasty as They Wanna Be went all the way to the Supreme

Court in 1994, which ruled in favor of the group, citing First Amendment rights.

“Basically,

I’m taking the same musical approach,” Mixx said of the new album.

“They [Lil’ Jon, Ying Yang and others] may feel like I’m going

behind them, but they went behind me in the first place.

VGNL Minded

will be filled with explicit, unedited party songs.

“People want

to hear the unedited versions first,” Mixx said. “They want to hear

what they’re playing in the street and in the clubs. And that’s

where my stuff starts. Otherwise, it’s not the same.”

The 2-disc set

will also include behind-the-scenes footage of Mr. Mixx at the Bunny Ranch and

bonus videos from Hungry Hustler Records.

VGNL Minded

hits stores March 28, 2006.