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BET’s SOS Telethon Raises $10 Million Dollars

Hip-Hop & R&B

took over Friday night (September 9) on BET’s live Saving Ourselves (S.O.S) Relief

Telethon.

The event

raised over $10 million dollars for the millions of people affected by the devastation

of Hurricane Katrina.

Donations came in

all sizes. Jay-Z and Sean "Diddy" Combs handed over a $1 million check

to the American Red Cross while others, such as Mary J. Blige, gave her 10-carat

diamond ring right off of her finger.

The massive ring will

be up for bid on in BET’s online auction.

Lil’ Jon and Crunk

Energy Juice donated $250,000.

"We at Crunk

and BME (Lil’ Jon’s record label) saw that we also needed to join in on the

efforts to help the victims of hurricane Katrina so we stepped up," Lil’

Jon told AllHipHop.com. "We are also partnering with Delta to fly families

to certain destinations as well as housing 30 people in Atlanta."

Sentiments ran

high as Kimora Lee Simmons, who donated $100,000 alongside her husband Russell,

began crying during her emotional plea for donations.

Rapper David Banner,

a Mississippi native who recently visited the Gulf, didn’t hold back and expressed

frustration with the media coverage of the disaster.

"I went to

the coast and there is nothing there," Banner said. "I watch how my

people are portrayed. I was affected and insulted."

Added fellow Southern

artist Young City [aka Chopper]: "We never thought it was going to hit

like that. I lost my grandma. Some of my friends died."

Rapper Q-Tip offered

advice about how to avoid gentrification in areas that are being rebuilt.

"We are trying

to raise funds for the reconstruction of the Gulf. That’s prime, water-front

property down there. I’m pretty sure when Vice President Dick Cheney went down

there, he went on double duty. In a situation like this you get to prey on the

unfortunate. We have to do everything we can as a hip-hop community to secure

that (land) and to keep that as ours."

National Urban

League president and former mayor of New Orleans Marc Morial echoed Q-Tip in

a moving speech.

"The city

must be rebuilt as the diverse, cultural gumbo that it was," Morial explained

to reporters. "Without that, it’s not New Orleans , its’ a fake cheap penny

ante imitation."

Veteran comic and

"Chappelle’s Show" cast member Paul Mooney said that race relations

in the country could be healed further by the Katrina disaster.

"America is

arrogant. Thank God for Bush. He is going to bring white people and Black people

together," he joked. "My Indian friends called me from the reservation

and said, ‘We told you. What goes around comes around. It’s just God.’"

Hidden Beach recording

artist Jill Scott didn’t quite agree with Mooney’s comedic remarks.

"It’s heartbreaking

for everybody. God is ever present He has not disappeared He’s in every step,"

she said.

Russell Simmons

said that he would adopt a very unconventional method of clothing those in need.

"There are

so many millions of (Phat Farm) clothes that are bootlegged and we are looking

to give them, instead of burning them."

Donations will

be given to the American Red Cross.

The charity has

received $536 million in gifts and pledges for the hurricane victims, of which

an estimated $282.5 million has been received online.

At least .91 cents

of every dollar donated to the American Red Cross goes directly to assist disaster

victims.

Laura Bush, Master P. Talk Kanye’s ‘Comments’

Kanye West’s

recent on-air comments that George W. Bush “doesn’t care about black

people” has spurred numerous reactions, the latest coming from New Orleans

rapper Master P and First Lady Laura Bush.

During a nationally televised telethon live on NBC last Friday

(Sept. 2), West stated that President Bush had not adequately supported the

high number of blacks displaced by Hurricane Katrina.

While artists like Jay-Z, T.I. and Nelly have supported West’s

comments, Master P, who lost his home in the hurricane, stated that West’s

remarks simply came at the wrong time.

“I think that if Kanye West [felt] like that, he needed to wait cause

I got people in my community dying right now,” Master P told AllHipHop.com.

“I got kids lost, I got parents lost, I got people got nowhere to go back

to right now, so we need the government. We gon’ need the president.”

Master P, who has started the Team Rescue relief foundation,

also called upon other rappers to support the Hurricane relief effort and contribute

what they could.

“We from New Orleans, we feel the pain, we feel the anger. This what we

going through,” said P. “This is not a game for us. This is not

a joke, this is not about money. This is not about selling records.”

Since the backlash, West has offered up various motives for his passionate outburst.

But the Chicago rapper was still booed at the NFL kickoff show Thursday (Sept.

8) in Foxborough, MA.

“I just let my heart speak for itself without thinking

about my image or how it’s gonna hurt me financially,” said West

during BET’s S.O.S. (Saving Ourselves) telethon Friday (Sept. 9). “I

felt the world needed to hear from me…I just do it and I say what I really

feel.”

Meanwhile, in defense of her husband, Mrs. Bush described West’s

prior comments as “disgusting.”

“Of course President Bush cares about everyone in our

country and I know that,” said Laura during a Sept. 8 interview with American

Urban Radio Networks. “I know what he’s like and I know what he thinks,

and I know how he cares about people.”

In the aftermath of the Gulf Coast disaster, President Bush

has been criticized for slow response and lack of concern for the poor neighborhoods

devastated by the deadly storm.

But Mrs. Bush stated that the poor people were the most defenseless

during the hurricane, which is the most important matter to be attended to.

“Their neighborhoods

were the ones that were more likely to flood, as we saw in New Orleans,”

said Laura. “That’s what we want to address in our country.”

DJ Muggs, GZA Headlining Performers At DMC World Championships

DJ Muggs of Cypress Hill and

Wu Tang Clan member GZA have teamed up to headline a concert for the 20th anniversary

of the DMC/Technics World DJ Championships.

The DMC/Technics World DJ Championships is an annual competition that features

thousands of DJ’s competing for the worldwide DMC DJ title. The finalists are

chosen through various competitions held world wide.

The winners from the individual competitions then compete for the title at

a final competition. The DJ’s must complete a six minute set using Technics

SL1200 turntables and a Technics EX-DJ1200 mixer. The DJs are then evaluated

by a panel of judges on their performance.

The DMC/Technics Championships were created in 1986 and have continued annually

for the last twenty years. Past guests have included DJ Cheese, DJ Q-bert, Rock

Steady DJ’s, Kentaro, A-Trak, D####, I-Emerge and others.

In addition to the headlining performance at the DMC/Technics

World DJ Championships, DJ Muggs and GZA are gearing up for the release of their

collaborative album entitled DJ Muggs vs. GZA: Grandmasters on Angeles

Records.

The DMC/ Technics Championships will be held in London England

on Sunday, September 25, 2005. DJ Muggs vs. GZA: Grandmasters is due

out October 25th.

For ticket information for

the DMC World Championships log on to www.dmcworld.com

Against Tha Grain

Artist: KuruptTitle: Against Tha GrainRating: 2 1/2 StarsReviewed by: Paine

The last time Kurupt was in dire straits, Tha Streetz Iz a M#### surfaced as a brilliant, vengeful album packed with melodic Fred Wreck and Dr. Dre production, and Young Gotti’s verbal p### and vinegar. Four years later, Kurupt’s stranded on Death Row, and his rare interviews have alluded to another chapter of inner-turmoil. This album has been toted and pushed back for three of those years. As Kurupt’s future seems brighter through a Dogg Pound reunion, the solo – Against Tha Grain (Death Row) arrives unexpected, unannounced, and clearly under-dressed for Hip-Hop’s better MCs in 2005.

“Deep Dishes” reveals a new bottom in Kurupt’s lyrics. “You ain’t got weapons of mass destruction on you / And I’m gonna make sure you leak like barrels of oil,” is not only a awkward rhyme, but one of many analogies to terrorism and the Holocaust for street-success. The attitude is polarized between death-threatening lyrics of pained animosity (“Speak On It” and “Jealousy”) to olive-branch offerings of peace, “Tha Past.” Perhaps this reveals either Kurupt’s own uncertainty of his friends, or a poorly thought-out compilation from four years of masters. Whichever, Kurupt’s sincerity on either side is lost, leaving only the weaker party songs to be taken seriously.

Without any of his former associates willing to support this effort, Kurupt’s production falters greatly. Sir Jinx, the man who helped Ice Cube so greatly, can’t do the same for Kurupt. “Stalkin'” uses a cliche drum sample to build momentum, but the effort fails due to lack of purpose. Mark Sparks does the bulk of the album, without any stand out surprises. The most refreshing backdrop comes on “Calico,” with the Dayton Family, produced by The Screwface Music Group. Here, Kurupt isn’t given watered down and bastardized G-Funk, but hard drums and well-structured keys. Another collaborative highlight is the promised junction of Kurupt and Domination. “You F**kin’ With the Best” does reveal positive chemistry with another, as the Eastwood, Spider Locc, and M.O.P. bonds failed to. Still, Baby C-Style’s production isn’t as edgy as the collaboration. Like the inconsistent messages in the words, the music on this album feels as though radio play was never a consideration of the project.

Against Tha Grain defies all of the promises of a Kurupt lyrical revival. The first artist-album on Death Row in over five years continues to rely on recycled Tupac material (“My Homeboys”). The mix of anonymous threats and peace offerings fall on deaf ears, as does music contributed by unenthused, uninspired no-names. With a Dogg Pound reunion album already in utero, Kurupt must consider his now higher wall to climb back to mainstream consciousness and present-day respect. The grains got the best of him.

Universal Pictures Snags Rights To Untitled Outkast Movie

Universal Pictures has obtained worldwide rights to distribute Outkast’s untitled HBO Films project, a 1930s musical that follows the aspirations of two southern entertainers, played by Andre 3000 and Big Boi.

Andre 3000 plays a club piano player named Percival, and Big Boi plays Rooster, the club’s lead performer and manager.

The film will also spawn new songs from the Atlanta duo’s next soundtrack album, due out later this year.

“Their videos have taken the synthesis of music, cinema and style to a whole new dimension,” said HBO Films President Colin Callender in a

statement.

“We are proud and excited that they have chosen to work with HBO to bring their unique vision of an original musical to the screen.”

The musical is the feature film debut for director Bryan Barber, who has directed numerous OutKast music videos.

“It was a pleasure collaborating with Bryan Barber and OutKast in 2002, and I knew then that their talents would translate across all creative mediums,” said producer Chuck Roven.

The film was shot on location in Wilmington, North Carolina and at Universal City, CA.

Cast members include Terrence Howard, Ving Rhames, Faizon Love, Malinda Williams, Paula Jai Parker, Patti LaBelle, and Macy Gray.

C-Murder Alive, Transferred To Angola Prison

Corey “C-Murder/C-Miller”

Miller is alive and well AllHipHop.com has learned.

The rapper was incarcerated in a prison in Gretna, Louisiana

when Hurricane Katrina struck on August 29. The hurricane produced the worst

natural disaster in United States history.

“C is alive, he was shipped off to Angola,” a source

close to Miller told AllHipHop.com. “He personally said he’s alive

and doing OK.”

The Louisiana State Penitentiary at Angola is known as one of

the roughest prisons in the country, housing the state’s most notorious

and violent criminals.

In earlier published reports, Miller’s older brother, mogul

Percy "Master P." Miller stated that he didn’t know the whereabouts

of his brother and his expressed concern for his safety.

Yesterday, officials started transferring almost 1,000 inmates

out of flooded prisons. Some prisons were flooded so bad, inmates were forced

to flee for their lives.

US Marshals took a batch of inmates to a federal prison in Florida

and another load is slated to make the trip today (September 9).

In related news, Senators from Arkansas have introduced legislation

that would require criminal background checks for all that have fled to the

state after being displaced by the hurricane.

It is estimated

that at least 1 million people have been displaced from Hurricane Katrina and

have been forced to flee to other parts of the United States to take up refuge.

MIA: The Natural La

From http://www.cia.gov

The definition of a refugee according to a United Nations Convention is “a person who is outside his/her country of nationality or habitual residence; has a well-founded fear of persecution because of his/her race, religion, nationality, membership in a particular social group or political opinion; and is unable or unwilling to avail himself/herself of the protection of that country, or to return there, for fear of persecution.”

More: http://uscis.gov/graphics/howdoi/refugee.htm

Born in war-torn poverty stricken Sri Lanka, an island situated off the coast of India, Maya Arulpragasam moved to London when she was only ten. Her dad had had joined a militant guerrilla group in Sri Lanka, and her mother was seeking refugee status after most of her siblings and friends were killed in crossfire. In Britain they were safe, but the racism of the suburbs caught her off guard, and people began to call her ‘P###’ – a derogatory word for Pakistani.

She quickly became an outcast – much like the rest of the poor minority folks in her area – but Maya was always in a world of her own. If she was going to be different, it was going to be on her own terms, and to her school mates she became even more peculiar. She soon became the ‘P###’ girl who listened to ‘Hip-Hop’.

Changing the spelling of her name to MIA, the acronym for Missing In Action, as a tribute to her cousins in Sri Lanka who are actually ‘missing in action’, MIA’s path to music was an obvious one, although recognition for UK artists remains a slow process. Here in the States, MIA has become some what of a phenomenon, particularly on the East coast, and it’s rather difficult to point out why.

Much like the labels of her early days, MIA’s music admittedly takes some time getting used to. Her sound is an eclectic funk mixed with Hip-Hop, Ragga, dancehall and Pop – her lingo a mish mash of political slogans, violent images from her past and jumbled nonsense that is sometimes even lost on her: “Semi 9 and snipered him / on that wall they posted him / they cornered him / and then just murdered him”. As Nas says ‘her sound is the future’.

It is, however, undoubtedly good timing. In this climate of political uncertainty MIA represents an obvious public need for artists who are not scared to make music with opinions – and, more importantly, use their voice to serve a greater purpose. In this respect, the 28-year-old British sensation has been compared to early Hip-Hop acts like Public Enemy and NWA. At one time, their music was also an outlet for their opinions, groundbreaking in a world of Pop and Rock & Roll.

MIA’s debut album Arular is currently out on Interscope, and it’s still uncertain whether the mainstream audience will embrace it. She kindly took some time out of her heavy tour schedule, which included the recent ‘Who’s Next?’ Hot 97 showcase in NYC, to talk to Allhiphop.com Alternatives about her music, her appearance on Missy’s The Cookbook album and saying no to Kanye West!

AllHipHop.com Alternatives: Hip-Hop seems to be a big influence for you. Why did you drift so much towards it rather than the other genres?

MIA: I don’t know. I think I’ve always been really beat driven. Tamil people are [beat driven], because culturally the dance that we have is like dancing to beats. You make create the rhythm with your feet, and I think that’s it. With a combination of feeling really hard too – by that point in my life I had already experienced stuff that made me really hard. I wasn’t a tough kid, but just the way I felt and how far my emotions had been pushed. I was an outsider because I was supposed to be ‘Pakistani’ to society. Then I became an outsider because I started listening to Hip-Hop. I was like, ‘Oh my God, if people are going to have prejudice with me because of music as opposed to my skin color, then that’s a piece of p### to deal with!’

AHHA: You said in an interview that terrorists are being dehumanized. If they are using terror and violence why should they deserve anything less?

MIA: Well the thing is, I don’t condone violence or terrorism, but at the same time I really want to be a fair human being, and I want to listen to both sides of the story. Every time there is a war on terror there are civilians caught in the middle who are used as bait, and that is who I want to represent and talk about, because that’s the closest thing to my experience. Hip-Hop thrived on the thinking that if you start feeling like an outsider, then turn your back to the world and start your own sh*t. If you apply that to what’s going on politically, that’s quite dangerous. I think it’s more dangerous to let that happen then to actually confront it and talk about it.

AHHA: You’ve been compared to Public Enemy and NWA, in terms of how you are using your music. Have you heard of those comparisons?

MIA: No. People talk about P#### Enemy in relevance to me because it was one the first Hip-Hop groups I had ever heard. I’m not as organized as Public Enemy, but I’m doing it to open up people’s minds and to bring different opinions into the world. I just feel like why are we so desperate to gentrify the whole planet and make it all safe and sterile and sweep all the troubles under the carpet? I mean like what’s the point? If you got some issues, let’s talk about it and let’s work it out.

AHHA: How did the Missy Elliott appearance come together?

MIA: She just called me up.

AHHA: What was that conversation like?

MIA: It was mad! I couldn’t really say anything for about two minutes. I was like, ‘Missy? Is this really you?’ She was talking so fast and then she starting singing “Sunshowers” down the phone to me – you know [imitating Missy] ‘I salt and pepper my mango – Yeah girl I’ve been listening to your sh*t. I’ve been bored of the music industry for a little bit. Then I started listening to your sh*t. You sounded like you’re from another planet!’ She was really cool. I told her that she really inspires me and she said, ‘You’re doing a really good job. Congratulations.’ And I said, ‘If I have done anything, a lot of it came from you’, and she was like, ‘Ohh if that’s the case soldier, you’ve done a darn good job!’

AHHA: What about the Kanye West album? Rumors are going around that you were apparently supposed to be on it but you turned him down! That must have been a good blow to his ego.

MIA: Oh my God! It’s turned into this big thing? Well the same day Missy called me up, Kanye West called me up too. So I was stuck. I had three hours to decide. And he said, ‘Let me come and pick you up from the airport’. I was coming back to do a show in L.A. from San Francisco. I did have a go at writing to it on the plane, and I was prepared. If I had to do it, I was going to get off the plane and do it, but it was just all too overwhelming for me. You have to understand, I left England still queuing at the bus stop, getting screamed at by people in the queue, and really not noticing what the hell was going on. Then I came and landed in America, and all of a sudden life was so rapid and I didn’t realize what was going on.

AHHA: So you did say no to Kanye?

MIA: Ahh, I hope you don’t make a big thing about it! I was just busy. I phoned him and told him not to come to the airport. I’m sure our paths will cross again, but right now we’re just talking about each other in the press. I’m sure he’s going to hate me now! Kanye West, do not start beef with me please! I heard Kanye’s album yesterday. I heard the song I was meant to be on. Paul Wall’s on there.

AHHA: Are you cool with it?

MIA: Oh yeah! Man getting replaced by Paul Wall, that’s aight! That’s enough for me. Nah seriously, I’m chillin.

AHHA: What about your lyrics. Where does it come from? Is it elements of different foreign languages or do you just make it up?

MIA: It’s a bit of both. I don’t really know. I think it’s a combination of being dyslexic and learning English by just the sound of syllables. When I speak or when I write lyrics, I really see it visually. I think that kind of helps a lot.

AHHA: What does your new single “Bucky Done Gun” mean?

MIA: I really don’t know. At the time, the concept that I was thinking of was how far we are going to go with gangster culture in Rap music. That’s really what I was thinking about. I was thinking about 50 Cent. It started off as Public Enemy, and ended with 50 Cent. What was that journey [for rap music] and how did that happen? In London, ‘bucky’ is a slang word for gun. It’s a real British, grime word. So I was thinking, what is the aftermath of gangster Rap? Were they going to get into therapy?

AHHA: How do you describe your sound?

MIA: I think my sound is basically…I don’t know. I want to say useful. Musically, in an album, I wanted to give the people something that you don’t think you need, yet, but you will. I really felt like at the time there were certain answers I wanted in the world. How much of me is so odd, that nobody else understands it? That’s the question. You make art and you stick it out, and if people get it, you realize that you’re not that different. Then the next step is to make something where your opinions are all over the music and see if they get that. And if I can make a kid in America get it and a kid in Palestine get it, a kid in Sri Lanka and Pakistan get it, then I think that’s kind of cool.

AHHA: Do you think they get it, the message behind the music? Or they just like the music?

MIA: Well when I went to Japan, and the people read about me, they really got it conceptually. Then when they listen to the music, that’s not what they’re looking out for. They just want to come and dance and have a good time. If you make an album that fulfils everything then that is cool, which then answers my point about what the album is. It’s like a mixtape but with one artist. Rather than a mixtape having twenty different sounds and twenty different artists, it’s one person going on that journey. The only opinions that are not on my album are ideas that are already in the mainstream, shoved down our throats anyway. So I felt like I don’t need to discuss them. It’s nice to take music and make is useful again like Public Enemy used it.

Jamel Shabazz: When We Were Kings, A Time Before Crack

Crack. The name alone evokes a million thoughts. Many reading these words knows someone or is related to a person that has succumbed to the drug’s hypnotic grasp. Today Hip-Hop stands in the aftermath of one of the most deadly drug epidemics to ever hit the planet.

In the new book A Time Before Crack, photojournalist Jamel Shabazz documents the early days of the New York Hip-Hop scene. While the core of the book has images of young b-boy crews, motorcycle cliques and barbershop moments, it also features iconic images of Iron Mike Tyson, poet/ activist Gil Scott Heron and jazz-soul-funk masters Earth Wind & Fire. The journal is a must have for any person in search of the organic roots of Hip-Hop culture.

In this interview Jamel Shabazz talks about how he began his journey into photography, the nature of fashion trends in Hip-Hop and how urban youth came to lose their smile.

AllHipHop.com: What made you being taking photographs of the young people immersed in the Hip-Hop sub-culture?

Jamel Shabazz: In 1980, I returned to the States, after spending three years overseas in the military. Upon my return to Brooklyn, I witness a lot of friction amongst the young brothers. Having developed my craft in photography, I decided to use my camera, as a tool to connect with the various youth in my community, and impart to them, a message of love and unity, in hopes that it would eradicate, some of the tension.

I started I started traveling to various locations in my neighborhood and taking pictures of young brothers. I talked to them about the essence of life, the importance of life and loving one another. That basically started it.

Many of the faces in my book, came from two high schools in particular, Samuel J Tilden and Erasmus. I would spend many hours at those  locations, building with the students about the importance of education, and proper planning for the future. I was motivated by love, and my presence was well received. I found that in communicating with these brothers and sisters a lot of them opened up to me and shared their thoughts with me. I ended up developing not only a passion for the craft- but for them as well.

AllHipHop.com: When you were doing these photos one of the most striking things is the high level of importance that fashion played a role. The women are out to look good. The men are out to look good. There was an emphasis on personal style. Today fashion has become a t-shirt and jeans for the men and the women seem to dress about as close as they can to naked and we call that fashion. What happened?

Jamel Shabazz: I think commercialization happened. I think the big companies saw a profit in it. In those days you made due with what you had. In those days, if you had a style, it would last for a minimum of five years. Today the style is changing every week. Back in those days standard Pumas and Adidas were worn from the mid 70’s into the mid 80’s. There was not a wide choice out there.

Today everyone is producing a sneaker right now. And there is peer pressure on young people if they do not have the new sneaker that’s out right now. It wasn’t like that back then.

The concept of the toothbrush [using a toothbrush to keep the sneakers clean- see Ice T’s "409"] was you wanted to maintain it. You wanted them to look spankin’ brand new. You wanted them to have longevity.

Today, it’s all about money. Even the jeans back then were in style for along time. We wore Lee jeans. That was a style was years. The Kangol hat was in style for years. Today you get a logo slap in a shirt- and you good to go. Back then it was about being unique.

AllHipHop.com: Another thing that is interesting is you see young poor Blacks and Latinos in the ghetto smiling. They seem to have lost their smile now. Talk tome about that.

Jamel Shabazz: The hardships that came in the mid 80’s brought about a lot of pain and suffering. Where I came from in Brooklyn, basically everybody had a mother and father. We were strivin’ and doing well for ourselves and there was not a lot of violence.

With the 80’s came crack, and a lot of gang wars. So many lives were lost. A lot of the parents became the first causalties of crack. Eventually, it started to manifest itself I the way the children would react. I started to notice the kids did not smile as much no more because they had witnessed so much death.

They lost parents, brothers, sister, uncles- loved ones. They became desensitized. In addition to the fact that with the introduction of cable television, everything became about being violent and hard. That produced a coldness in the young people. Crack brought about so much pain and death and self hate, I think it was one of the factors of why they don’t smile.

AllHipHop.com: One of the interesting things I love about this book is that there are very clean shots of the brothers and sisters of the 5% Nation of Gods and Earths as well as the Nation of Islam. Can you please talk for a moment about what the impact of the 5% and the Nation of Islam had on the early days of Hip-Hop?

Jamel Shabazz: In 1975, there was an abundance of gangs. In 1976, the movie "Roots" came out and pushed everybody into a sense of consciousness. At that time the 5% Nation and the Nation of Islam were basically addressing issues in our community.

The 5% Nation was speaking more to the needs of young people. A lot of young former gang bangers became members of the 5% Nation. They stated to learn more about themselves and their history. In “dropping science” as it was called then, it started to manifest itself in the music. They came very articulate. Because the 5% stressed studying. The importance of knowing yourself, the times and actual facts. You had brothers who came very gifted with that. [In fact,] one of the greatest MC’S I remember, from the 5% nation was a young brother from Flatbush, Brooklyn, called Bless Allah, not only did the brother have, a unique voice, but he dropped science in all of his lyrics. Back then, we all knew that with the proper direction, he would of went to the top, it never happened.

AllHipHop.com: I see more and more articles about the so-called multicultural roots of Hip-Hop. I see debates all the time about how many young Whites contributed to the culture. Yet, when I look in your book I see photos of only Black and Latino brothers and sisters. Could you talk for a moment about multiculturalism as it relates to race in Hip Hop? Especially as it relates to young Whites being involved with the culture.

Jamel Shabazz: Yes. Back in the 70’s there was a divide in America and in our community. For the most part, White people at that time listened to Rock music. There was a lot of racism goin’ on. Segregation was still in place here in New York. You never saw Blacks and Whites together. There was in a sense- a war going on.

We knew we could not go in their neighborhoods. They knew they could not come into our neighborhoods. So, Hip-Hop at that time was predominantly Black and Latino. It was VERY rare that you saw someone White involved in the circle. It might be a graffiti artist who because of his talent was accepted into the circle. But basically back then it was Black and Brown.

Today, it is different. Hip-Hop has become a universal language. I am shocked to this day to see White people buyin’ Hip-Hop at the rate that they are. Im’ stunned. But hopefully, with them listening to Hip-Hop, they will begin to have a different appreciation for our people and maybe that can hopefully eradicate a lot of racism.

The multicultural movement in Hip-Hop could be beneficial. But only if the essence of Hip-Hop, it’s roots- are understood. Because we cannot have it where Eminem becomes the greatest rapper of all times- that’s a disgrace.

AllHipHop.com: Tell me a story about one of the photos in the book?

Jamel Shabazz: Theres a brother in shades on the dedication page. He has a sister with her arms wrapped around him. When I first came home from the military, he was a young brother I was tyring to spend time with. His name was Brian Davis. I was trying to help him get his life in order. I started to notice he was starting to deveop this thung type of mentality. I tried to save Brian.

When crack came out, Brian fell victim to crack. He died under mysterious conditions after trying to rob a crack house. He was left to die in a police precinct. He ended up getting shot in the process of the robbery. In the police station they allowed him to die, refusing him medical treatment. I had such a great interest in trying to save that young brother. But regardless of my efforts, he fell to the wayside.

AllHipHop.com: One of my favorites is the brother with the pitbull. Talk about that.

Jamel Shabazz: That was taken in the 1980’s on Delancy Street. That was our shoppin’ area. I saw this brother training his dog and I felt I had to capture it. That’s one of my top ten images of all time. It hung on my wall for many years and I was happy that I could be able to share it.

AllHipHop.com: Kanye West has a new song, "Crack Music" with Game about the impact of crack on the Black community. Why do you think the horrific epidemic of that time has become such a new focus?

Jamel Shabazz: I believe that they are doing so, because their generation was directly infected by it. many grew up in communities , where the results of crack, were everywhere, countless,  lost family members and love ones due to it. So it’s only natural that they use their talent to address this very important issue. I applauded Kanye West for taking the steps, he has a powerful voice, that the people will listen to.

 

AllHipHop.com: After someone goes through A Time Before Crack, and puts it down for the first time, what do you want them to walk away understanding?

Jamel Shabazz: I want those that look through my book, to walk away with a better understanding on how life was in the early 80’s. I hope that they notice the numerous smiles radiating in the book, along with the pride and integrity that is seen throughout the pages. But mainly I want them to understand that the crack, epidemic, destroyed so many lives, and created a lot of the negativity that we are experiencing today.

Selected images from A Time Before Crack, Jamel Shabazz, published by powerHouse Books, ©.

Adisa Banjoko is author to the upcoming book Lyrical Swords Vol.2: Westside Rebellion. For more information visit www.lyricalswords.com.    

Ice Cube, MGM Hit With $100 Million Dollar Lawsuit Over ‘Barbershop’

A Montgomery, Alabama man has hit Ice Cube’s Cube Vision

Productions and Metro Goldwin-Mayer (MGM) with a $100 million dollar copyright

infringement lawsuit, alleging the companies stole the idea for “Barbershop."

Filmmaker James

Davis, 31 said he copyrighted “The Shop” in 1999 as a college student,

based off of his experiences in Atlanta, Georgia.

The breach of contract

and copyright infringement suit was filed yesterday (September 7) in U.S. District

Court for the Middle District of Alabama.

“My script

[“The Shop”] was copyrighted in 1999 while I was in college, and

theirs was copyrighted in 2001, the same year that I was getting investors and

letters of intent,” Davis told AllHipHop.com. “A very famous celebrity

gave Ice Cube my script and the story board. I am not saying two people can’t

have the same idea, but for our concepts to be similar is impossible.”

Davis said similarities

between "The Shop" characters and the characters of “Barbershop”

would ultimately vindicate him in court.

Other defendants

in the lawsuit include “Barbershop” writers Don D. Scott, Marshall

Todd and Mark Brown.

Davis said he negotiated

with various actors and comedians for one year in regards to appearing in the

film. During that time an investor offered to produce his screenplay.

“Once investors

got wind that MGM was doing a film ‘Barbershop,’ my whole operation was shut

down,” Davis claimed. “They stopped me from shooting my own film.”

Davis said he wasn’t

trying to capitalize off of the hundreds of millions of dollars the movie franchise

and subsequent DVD releases have earned.

“This is

not somebody throwing something out in the air,” Davis said. “I

am a filmmaker. They took it from me and I just want just due. It won’t

take a rocket scientist to figure this out.”

Up next for Davis

is a project titled “Black Greek Organizations: The Foundation.”

The DVD focuses on the history and current state of Black masonry, secret societies

and black fraternities and sororities.

The DVD will be

available at Wal-Mart, Target and Best Buy stores nationwide in January and

features John Salley, Shaquille O’Neal and the last known interview with

legendary lawyer and Kappa Alpha Psi member Johnny Cochran.

Representatives for MGM

or Cube Vision Productions could not be reached as of press time.

AHH Stray News: KRS Vs. Oxford, Kanye Takes #1, Steve Harvey, Miri Ben-Ari

KRS-One was recently booted from a scheduled lecture at Oxford

University in the United Kingdom. In a recent interview with the California’s

North County Times, the pioneering rapper explained the situation. "Every

philosopher wants to lecture at Oxford," KRS-One said. "I got the

letter in the mail and I framed it. They had a big room for me and a fruit tray.

They’d sold 400 tickets, and the day of the lecture, the dean of the school

cancels the lecture. He said that they weren’t prepared for the kind of audience

I was going to bring in.” KRS said the audience went to the Christ Church

of Oxford where he delivered his lecture to about 80 students. A representative

for Oxford University confirmed an event with the rapper was canceled, but denied

it was to be held at Oxford University. “He was never due to speak here

at Oxford University,” a spokesman for Oxford University told AllHipHop.com.

Kanye West’s

sophomore album Late Registration topped the Billboard’s pop

chart yesterday (September 7). The album took the #1 spot on the Top 200 Albums

chart, on sales of over 860,000 copies in the first week. The album is the second

best selling album of the year, second only to 50 Cent’s album The

Massacre, which moved over 1 million copies when it hit the stores in March.

Sales spiked for West’s debut The College Dropout, which has

moved almost 3 million copies. Tony Yayo’s debut Thoughts of a Predicate

Felon debuted at #2, moving over 200,000 copies.

Steve Harvey has inked a

joint syndication deal with Clear Channel’s Premiere Radio and Inner City

Radio. Clear Channel reps said “The Steve Harvey Show” morning program

will showcase the comedian’s talents, feature celebrity guests and have

compelling features. Harvey will be based out of WBLS in New York and the show

already has singed up radio stations in Detroit, Michigan, Chicago, Illinois,

Columbia, South Carolina and Jackson, Mississippi.

Miri Ben-Ari, the

“Hip-Hop Violinist,” has been signed to Reebok’s "I Am What

I Am" ad campaign. Ari joins the likes of Allen Iverson, Nelly, Jay-Z and

50 Cent for the campaign. "The partnering with Reebok is a natural fit

for me because I truly value artists who are not afraid to be different, and

stand out from the crowd." Ari said. Ari has created string arrangements

for Hip-Hop artists Kanye West and Twista and has worked with such artists as

Anthony Hamilton, Scarface, Patti Labelle, Britney Spears and Janet Jackson.

Miri Ben-Ari ‘s debut album Miri Ben-Ari The Hip-Hop Violinist drops

September 20.

Prosecutors Planning To Refile Murder Charge Against Cassidy

Cassidy can expect further legal hassles, as prosecutors plan to refile a first-degree murder charge against the rapper, stemming from an April 15 shooting, in which one man was killed and two wounded.

Although Cassidy, 23, turned himself in on June 17 and is currently being held without bail, prosecutors are arranging for another arrest warrant, according to Cathie Abookire, a spokeswoman for District Attorney Lynne M. Abraham.

Officials suspect that the rapper, whose real name is Barry Reese, was involved in a shooting along with several other assailants, accused of shooting up a van on a street behind Cassidy’s home on West Oak Lane.

Desmond Hawkins, 22, was killed and his friends Bobby Hoyle and Daniel Irvin were wounded in the incident.

Hoyle, who testified that Hawkins was visiting Cassidy’s home to make amends after an earlier argument, said he did not see who fired the shots.

On August 16, Municipal Judge Marsha Neifield ruled that prosecutors had sufficient evidence to charge Cassidy with third-degree murder, attempted murder charges, and weapons offenses.

The case is expected to go before a Common Pleas Court judge, according to Cassidy’s attorney, Fortunato Perri Jr., who has continually maintained the rapper’s innocence.

Another preliminary hearing is possible next week.

Cassidy’s sophomore album I’m a Hustla was released June 28 in the midst of his arrest and subsequent legal proceedings.

Kanye, Common, Mos Def, Talib Help Kevin Powell With Relief Effort

Common, Kanye West, Mos Def and Talib Kweli have answered a call from Kevin Powell and have helped the journalist/ activist transport an assortment of goods directly to victims of Hurricane Katrina.

Tonight (Sept. 8), Powell hosts a free benefit event at the Canal Room located at 285 West Broadway in Manhattan. While the event is free, those that attend must bring supplies to those in need.

Additionally, Powell is calling for leaders within the Hip-Hop nation, industry and corporations to lead the charge of aid.

“I wanted to mobilize the Hip-Hop community and those of us in the industry, as we say. We went after rappers we thought would respond right away. Kanye, Common, Talib [Kweli] and Mos Def all caked up money for a 53-foot tractor-trailer that we will have at the event,” Kevin Powell told AllHipHop.com. “They put their money where their mouth is, so to speak.”

“Hopefully, it will encourage other artists, other industry people to get down as well. T.I. did his thing down in ATL (by raising over $250, 000) and Kanye is gonna be on the West coast. It just shows that the Hip-Hop community is willing to step up.”

Powell said the 53-foot tractor-trailer truck would be driven directly to Claiborne County Health Center in Port Gibson, Mississippi. The accomplished author explained said that he would be flying to New Orleans by way of nearby Baton Rouge and documenting the strife first hand. From Louisiana, he will then go to Houston, which houses the bulk of the evacuees to further aid the relief effort.

While much is going down now, Powell urged that the process of helping is an ongoing procedure, not one that should end with a single pledge, donation or effort. The activist stated that his annual holiday benefit in December would also be devoted to those displaced by Hurricane Katrina.

“This is a first step in getting us involved on a regular basis,” Powell said. “Entertainment is great, but it’s got to be a balance. In the mainstream community, you always see Sting, Elton John. We need to be consistent like that in the Hip-Hop community.”

Below are the details of the benefit event at the Canal Room in Manhattan:

Clothing for children and adults

Adult shoes and sneakers

Adult socks

Children’s shoes and sneakers

Children socks

Bottles of water

Diapers

Baby wipes

Baby food

Baby aspirin

Aspirin

Vitamins

Toilet paper

Sanitary napkins

Portable radios with batteries

Plastic forks, knives, and spoons

Cotton balls

Cotton swabs

Hydrogen peroxide BUT NOT rubbing alcohol, because that is flammable

Band aids

Shaving cream

Male AND female razors

Blankets

Air mattresses

Sheets

Pillows and pillow cases

Gift cards for gas

Wal mart gift cards

Garbage bags

Cleaning supplies

Soap

Toothpaste and toothbrushes

Flashlights

Batteries

Candles

Books for children, including coloring books

Books for adults

Magazines

Clothing and shoes/sneakers should be in new or in clean and good condition. No monetary donations will be accepted. Canal Room has generously donated the space, but there will be a cash bar all evening. Canal Room is located at 285 West Broadway, at Canal Street in TriBeCa. The event will run from 7pm-11pm and no one under 21 will be admitted. Please bring proper ID and RSVP to [email protected].

The Hand of God (Katrina’s Ghost)

Untitled Page

We all know that natural disasters are unavoidable; you cannot fire missiles at a tornado and expect it to stop. Armed troops are as useless in a gunfight against an earthquake as they would be marching towards heaven to challenge God. Dropping a nuke on a hurricane would be like pissing in the wind, the radiation alone blown to every part of the nation would poison this country and everything around it.

With that said, things that can be done to avert tragedies when they are known to be coming are a completely different story. Cutting the funding for the now imperative job of rebuilding a levee, and the complete disarray of a nation’s forces when the people of America needed them the most is inexcusable. Many comments have been made, both by the left and right. People have acted as if racism has reared its ugly, head. As if its eye had not been watching us from across the perched eagle and gained from our loss over the years. I’m not one for conspiracy theories.

I wrote a song called "Bin Laden" and Green Lantern put together a hook to grab people’s attention but the lyrics were focused on what was going on in America, not Bush and the Towers. I wrote in "The Cause of Death" that Bush was not responsible directly, that he didn’t plan 9/11. Still, he and his administration have definitely benefited from the end result of all those people dying. Like it or not no matter what your political views are – realize that. And then remember how in a murder case, a simple one that a local sheriff’s department. may get, we always examine those who stand to benefit from the death of that individual. Why did we never ask ourselves the same of 9/11?

Well, now with the Katrina disaster we have another opportunity, to ask ourselves: Who benefits from the tragedy that has befallen the people of New Orleans? Who will have that land? Who will buy it out? Will the Federal government assume more control of the nation because of this pressure that it acted to late? And now that we know racism is still an issue because of the media’s portrayal. Can we actually sit down with the Right wing and ask them why they think that Blacks are not victims, but rather the recipients of their just due in America? Why Latinos and Blacks are graceful when we swallow racism and hatred and belligerent disregard for our people? But to them we become racist ourselves, spiteful and ‘radical’ for simply pointing out what everyone else, even other white people see as truth. America is seen as brave and resilient for striking back at its enemies but when we even criticize the system that enslaved us, stole our religion, raped our women, our land and our spirit we are not brave, we are traitors and ungrateful for the place we were brought to. We are lucky to work here so we cannot complain about picking strawberries or making up the jail populations since it’s probably better than whatever we got in Latin America right? I don’t believe in justice in the hereafter I believe in having it now…

Then there are the people who are wearing the Emperors clothes for him, talking as if Bush was some rock of Gibraltar. As if he had led us like Ulysses Grant thru a Civil War instead of running this country thru the mud. This man is a complete failure as a president and this has finally awoken some people to it. Sept. 11 was a cover up of mistakes, dark alliances and economic power moves. The campaign to remove the Taliban should have never been conducted after 9/11/2001, but rather in 1998 when they started ethnically cleansing their own people the Asiatic so-called "Hazara." We have always put corporate profits before the living standard of people in American foreign policy and now that echoes in our own nation. That is the very nature of Capitalism. But nothing in the form of corrupted Russian Communism offers a viable alternative, only an unmasked totalitarian rule without the details that we have and the choice between Pepsi and Coke. I’m not a Marxist, a Communist or an anarchist I am just a Peruvian/Black muthaf**ka from Harlem but I could see this truth if I were blind.

Bush ruined his invasion of Afghanistan by not capturing Bin Laden and leaving that country in ruins while being run by Dick Cheney’s b***h Hamid Karzai. The closing in on Al-Quaeda was interrupted and we only sent in a few thousand troops whereas we sent in more but not enough in Iraq now it seems. Iraq…Another blunder, a place we should have never gone. And since Saddam’s guards were not trained by the SOA (Check out www.soaw.org) like most of Latin America’s puppet presidents, he had to be removed by invasion instead of assassination. Fighting the “idea of terrorism” is like boxing the waves the ocean sends at you at the beach. An idea cannot be killed, good or bad it has to be found at the root and explained, then and only then can we understand how to resolve issues. This president hasn’t resolved any issues or finished one thing he started since he was doing lines in college. No Child Left Behind is a disgrace and a secret draft, this economy is crap, gas is damn near $5 in some places in the South and its still $3.40 up here. This president hasn’t resolved anything by flying by the city of New Orleans or taking photo opps in deserted parts of town. Hold on, now that this mess is unfolding and you’re distracted, John G. Roberts will be Supreme Court Chief Justice and another conservative will join in the fray. But the public will not care, they will be split. Blacks and Latinos and poor/conscious whites shaking their heads at the way the people were treated, and racist rich white people and house n***az shaking their heads at the blacks and broke people they see on TV. Their gonna march in backwards and say they were retreating…

That said, I don’t blame Bush for all this, he didn’t kill all those people personally. In the same method that Hitler didn’t kill all of the Jews…it took the complacency of the German people. It took generals, officers and soldiers in the SS, it took the Gestapo. It took people betraying each other. It took Europe and America doing nothing for 4 years while this was going on. It was an entire system that engineered a malicious purposeful chaos.

In the same fashion, FEMA, The Dept. of Homeland Security, the local disorganization and a federal soundtrack to ignorance bumpin’ in the background created this great mass to commemorate death. The melodic tune of accepting race relations the way they are, accompanied by a harmony of class fed indifference created a musical soundtrack for the South’s misery. And on the drums, fresh off the war drum tour in the Middle East where another disaster is taking place daily, a religious spirit that deducts 40 percent of donations for "administrative purposes." Every option to help these people, our brothers, mothers, grandmothers, sisters, and babies was not exhausted. For that the souls will never know peace, just as my Native American peoples’ souls know no peace. America will never know peace, no matter what religion it hides behind, no matter what it donates in a tax deductible package. This is another example of why it will never know…Our president was on vacation until 3 days after people had been drowning and starving, and now you act like you didn’t know, Jesus knows and so do I. We all know now.

This Friday (Sept. 9, 2005) – after I get out of Superior Court….One of my n***az is about to do 10 years upstate hold ya head G – I’m sending my stuff to specific Black organized charities, people with a personal connection. People who are donating not to receive a cut, but because something doesn’t let them sleep until these people get the supplies that they need to create a new life. The Republican and Democratic Party in the end are not so different. They place blame on each other and yet both have toppled democratically elected government in Latin America, ordered Asia invaded, both voted for Iraq and now both defend the president. I have donated, most of my clothes, jackets, survival items and my services to at least 3 or 4 benefit shows in the near future. Give what you can. Remember empathy is the only language that God can hear your prayers in. For those that believe in God that is, I know some of my soldiers do not, but I do. I believe there will be retribution for this betrayal of our people, and if God is busy then I and others will take up the task. I will be the Hand of God…RBG, muthaf***a.

Sadly the mirage of equality shattering was also a wake up call for those of us who thought they cared. Oh you thought they cared?

The f**k you gon’ do now n***a?

Below are a listing of Black/ Minority relief efforts courtesy of writer/activist Kevin Powell:

BlackAmericaWeb.com Relief Fund

PO Box 803209

Dallas, TX 75240

OR you can make an online donation by going to www.blackamericaweb.com/relief

This fund has been set up by nationally syndicated radio personality TOM JOYNER

NAACP Disaster Relief Efforts

The NAACP is setting up command centers in Louisiana, Mississippi, and Alabama as part of its disaster relief efforts. NAACP units across the nation have begun collecting resources that will be placed on trucks and sent directly into the disaster areas. Also, the NAACP has established a disaster relief fund to accept monetary donations to aid in the relief effort.

Checks can be sent to the NAACP payable to

NAACP Hurricane Katrina Relief Fund

4805 Mt. Hope Drive

Baltimore, MD 21215

Donations can also be made online at www.naacp.org/disaster/contribute.php

FYI, the NAACP, founded in 1909, is America’s oldest civil rights organization

www.teamrescueone.com

Set up by native New Orleans rapper Master P and his wife Sonya Miller

You can mail or ship non perishable items to these following locations, which we have confirmed are REALLY delivering services to folks in need….

Center for LIFE Outreach Center

121 Saint Landry Street

Lafayette, LA 70506

atten.: Minister Pamela Robinson

337-504-5374

Mohammad Mosque 65

2600 Plank Road

Baton Rouge, LA 70805

atten.: Minister Andrew Muhammad

225-923-1400

225-357-3079

Lewis Temple CME Church

272 Medgar Evers Street

Grambling, LA 71245

atten.: Rev. Dr. Ricky Helton

318-247-3793

St. Luke Community United Methodist Church

c/o Hurricane Katrina Victims

5710 East R.L. Thornton Freeway

Dallas, TX 75223

atten.: Pastor Tom Waitschies

214-821-2970

S.H.A.P.E. Community Center

3815 Live Oak

Houston, Texas 77004

atten.: Deloyd Parker

713-521-0641

Alternative media outlets where you can get a more accurate and balanced presentation of the New Orleans catastrophe….

www.diversityinc.com

www.alternet.org

www.blackelectorate.com

www.npr.org

www.daveyd.com

www.slate.com

www.bet.com

www.allhiphop.com

www.democracynow.org

www.blackamericaweb.com

Immortal Technique is a rapper/activist based in Harlem, New York.

Lil’ Kim’s ‘Naked Truth’ Gets 5 Mic Rating In October Issue Of The Source

Brooklyn rapper Lil’

Kim will hold the unique distinction of being the first female to ever get a 5-mic

rating from The Source magazine.

The Naked Truth, the rapper’s fourth solo album,

will be bestowed with the prestigious honor in the October issue of the magazine.

“I think

it just does great for the evolution of women,” Lil’ Kim told AllHipHop.com.

“I thinks it’s gonna be great for women now too.”

With her latest

offering, Lil’ Kim said she’ll help change the pessimistic attitudes

for females in Hip-Hop.

“Some women

probably feel like, ‘I’m not even gonna try to get five mics, I know I

ain’t getting five mics,’” Lil’ Kim said. “So women

[will] be like, ‘Now I know I can get five mics.’”

The Naked Truth

release date has also been changed. The album was originally slated to hit stores

September 13, but will now hit stores September 27.

Lil’ Kim,

once a member of Notorious B.I.G.’s Junior Mafia rap group, was sentenced

to 366 days in federal prison for lying to a federal grand jury about her knowledge

of a 2001 broad daylight shoot out in front of Hot 97’s offices in New

York.

The rapper will

report to a Connecticut prison on September 19 to start serving her prison term.

La Bella Mafia,

Kim’s last album, got four and a half mics from the Source, known as the

“Hip-Hop Bible.”

GQ Names Jay-Z International Man of the Year

Hip-Hop superstar and business

mogul Jay-Z was named International Man of the Year at GQ’s annual GQ’s

Men of the Year Awards last night in London.

The rapper was presented

with his award by Jade Jagger, daughter of legendary Rolling Stones front man,

Mick Jagger.

Jay-Z appeared at the glitzy

event in a white suit, white and red pinstriped shirt, black tie and black shades.

"The secret is to wear

the suit, don’t let the suit wear you," Jay-Z said. Jagger was wearing

a necklace with a diamond pendant that Jay-Z, known for his diamond collection,

even took notice of.

“I dig your jewelry,”

Jay-Z said in jest.

Others honored at the men’s

magazine’s annual awards included Live 8 organizer Bob Geldof, who won

the Outstanding Contribution Award and Charlotte Church, who was named Woman of

the Year.

Coldplay, Morrissey, Pierce

Brosnan, Simon Cowell, Daniel Craig and others were honored at the event, which

took place at Royal Opera House in Covent Garden.

The GQ Men of the Year Awards

was hosted by Rory Bremner. Last year another rapper, Outkast’s Andre

“3000” Benjamin won International Man of the Year honors.

DJ Whoo Kid Announces Formation Of Shadyville DJ Coalition

DJ Whoo Kid has

announced the formation of The Shadyville DJ Coalition along with Hustle.’s

Datu Faison, John Monopoly and Don C.

According to Hustle.

co-founder John Monopoly, the new coalition was formed to the premiere DJ’s

making waves in radio and through mixtapes.

Monopoly explained

that The Shadyville DJ’s would have nationally and internationally known

DJ’s, but would also focus on building relationships with markets traditionally

overlooked.

“The whole Shadyville

DJ Coalition is a positive movement,” Monopoly told AllHipHop.com. “We

are taking another path and perspective to get these secondary markets the hot

new exclusive material.”

DJ’s are selected

and screened by Mawuli "Mo Chedda" Hormeku, the Director of Urban

Promotions for Hustle. and the coordinator for the coalition.

He looks for DJ’s

with a unique quality to push the coalition closer to becoming a dominant force

in the Hip-Hop game.

"Shadyville

DJ’s will be the new appraiser/critic/go-between/intermediary/ of the streets

for the Hip-Hop consumer as well as corporate America," said Hormeku. "We

have the ability to determine who are the hottest artists and singles out in

the market."

Shadyville DJ’s will have

access to unique marketing services, event management, mixtape collaborations

and project support.

They will also be able to

network with other talented DJ’s and artists. St. Robert, Missouri’s

DJ Impact was recently announced as a new member of the Shadyville DJ Coalition.

DJ Impact has created a

buzz for himself in the Midwest through his "Main Event" mixtapes

and DJ’ing various clubs throughout the area.

Currently, Impact holds

down a spot as a Rotation Mixshow DJ on Sirius Satellite Radio’s Channel 42-Wax.

Suge Knight Released From Hospital, Tha Row Offers No Support To Kurupt Release

Rap mogul Marion “Suge”

Knight was released from a Miami hospital late last week after being shot in

the leg during a Kanye West-hosted party for the MTV Video Music Awards.

Due to patient confidentiality,

a rep from the Mt. Sinai Medical Center, where Knight was treated, declined

to disclose further details.

According to Miami police,

Knight’s shooter approached the Death Row Records cofounder at a VIP table

at the Shore Club and fired twice, hitting Knight in the upper right leg.

Mt. Sinai doctors performed

an emergency operation to remove the bullet and mend the fractured bone.

Other than a tip that the

assailant was a black male wearing a pink shirt, police said they had no leads

in their investigation.

Knight also currently graces

the cover of XXL’s October issue alongside his newest protégé,

rapper Petey Pablo. In the article, Suge discusses his violent reputation and

his efforts to rebuild Death Row.

In related news,

Tha Row has released a statement regarding Kurupt’s new album, Against

Tha Grain, which the label has refused to promote.

“Basically

we do not support nor endorse this record. Many songs made for the album were

removed by Koch,” the label stated. “This was not the intended

Against Tha Grain we wanted to release and for this reason we urge fans

not to purchase the album.”

Feds Investigate Alleged Murder Inc. Conspiracy To Kill 50 Cent

In more upsetting news for Murder Inc., federal investigators reportedly suspected that employees of the record label conspired with drug kingpin Kenneth “Supreme” McGriff to kill 50 Cent, according to legal documents released Tuesday (September 6).

A search warrant affidavit from 2003 published on The Smoking Gun Web site revealed that the murder was allegedly planned as retaliation for a

song 50 Cent wrote that addressed McGriff’s drug history.

Officials have also investigated whether the still unsolved murder of Run DMC DJ Jam Master Jay, who was shot in 2002 at a Queens recording studio, was a result of him violating the music industry’s supposed blacklist of 50 Cent, the documents revealed.

In the affidavit, IRS criminal investigator Francis Mace wrote that law enforcement suspected 50 Cent’s shooting in May 2000 to be payback for

his song “Ghetto Koran.”

Investigators believed that Inc. employees continued to aid McGriff in trying to murder 50 Cent after he endured a 2000 shooting, Mace stated.

Feds reportedly seized about 150,000 text messages from Skytel Communications, according to court documents, including a message from

Inc. head Irv Gotti’s brother, Christopher Lorenzo, stating “50 is in the hood guy r. brewer!”

Mace wrote that the text messages were sent to McGriff by Inc. employees who were trailing 50 Cent.

Prior to being exposed, the documents were concealed in a motion filed by Irv Gotti’s defense attorney last week.

McGriff’s previous attorney, Robert Simels said the document was “much ado about nothing” and that the government has presumably dismissed the claims, according to New York Newsday.

Christopher and Irv’s current defense attorney Gerald Shargel also questioned the strength of the documents, stating that Christopher would

have been charged with a crime if authorities had sufficient evidence concerning the plot.

The Lorenzos are expected to go on trial next month on charges of laundering more than $1 million of drug money through the Inc.

Hurricane Kanye Hits America

As the infrastructure of New Orleans washed away, and the social contract collapsed, one American institution withstood the forces of flooding, death, and violence: the taboo of race. Even as numerous reporters from CNN’s Anderson Cooper to Fox’s Geraldo Rivera broke down on television and refused to put a positive spin on the abandonment of New Orleans’ residents—and even as images of black people stranded, starving, and dying dominated news coverage—the American media could not bring itself to acknowledge the fact that the profound suffering of Hurricane Katrina was meted out unequally. And it certainly could not bring itself to ask if there was any connection between the race of the victims and the incredible lag time in federal response. Not until Kanye West, that is.

On Friday night during a live NBC broadcast of A Concert for Hurricane Relief, West deviated from the teleprompter script and challenged America. ”I hate the way they portray us in the media,” he began. ”You see a black family, it says they’re looting. You see a white family, it says they’re looking for food.” This comment references photos that surfaced on Yahoo News late last week and promptly set the blogshpere on fire. One showed a white couple carrying food, and was captioned: " Two residents wade through chest-deep water after finding bread and soda from a local grocery store." The second showed a black man lugging a case of soda and a bag. The caption read: "A young man walks through chest deep flood water after looting a grocery store."

West noted that "many people who could have helped are fighting a war." He also said that "they have been given permission to go down there and shoot us," apparently referring to the shoot-to-kill orders that had been given to the National Guard.

The rapper went on to charge that America is set up to help poor people and black people last, and then stated: "George Bush doesn’t care about black people."

West has a point. As the world watched horrified, poverty-stricken black residents unable to evacuate were stranded in attics and on roofs and highways without food, water, or security. They were left to fend for themselves against the sweltering heat, the rising floodwaters rank with corpses and human waste, the rats and alligators, and the roving bands of armed men that had lost their minds. Women were raped. Babies died from dehydration. Elderly people perished without essential medicine. The Superdome descended into hell. A major metropolis in the United States of America looked worse than any Third World country.

And how did Washington respond? Day after day, the Bush administration did nothing. They claimed that New Orleans was unreachable. But, as the New Orleans Times Picayune pointed out in an open letter to Bush, journalists were able to get in and out of the city, as was celebrity Harry Connick Jr., who delivered aid on Thursday morning, and was televised doing so. Wal-Mart was able to get 13 of its trucks to the city to deliver relief supplies.

Now the line from Homeland Security Secretary Michael Chertoff is that he and Federal Emergency Management Agency chief Michael Brown were not kept informed by local officials. Perhaps they missed Mayor Ray Nagin’s WWL-AM radio appearance, during which he cursed and yelled, begging for help. The mayor noted he had approached the governor, Homeland Security, and FEMA, and expressed outrage that help hadn’t arrived.

Kanye West said what nobody else in the news media had been willing to say: that this disaster was all about race and class. That New Orleans was an abandoned city well before Katrina hit. That the disaster could have been averted if the government had focused on its domestic duties—i.e. maintaining levees—as opposed to fighting foreign wars. That the hundreds of thousands of people that did not evacuate didn’t have the financial means to do so. And that African-Americans, one more time, were forced to suffer inhumane conditions at the hands of their government. West shattered a profound silence in the American mainstream, forcing both the media and the public to examine the role that race has played in this tragedy. His comments pushed Larry King and others to ask, "! is West right?"

Not surprisingly, the backlash against West has already begun. NBC distanced itself from the controversy immediately, stating that " it would be most unfortunate if the efforts of the artists who participated and the millions of Americans who are helping those in need are overshadowed by one person’s personal opinion." The Associated Press reminded readers that West had previously had an "emotional outburst at the American Music Awards after he was snubbed for an award." Fox News’ Saturday morning show slammed West for inappropriate timing. On-line, things were much worse. Posters on www.redstate.org called West "deranged," a "racist," and "an ignorant young man," and opined that he was "probably high." Conservative op-ed columnist Sher Zieve wrote on her website that West’s comments prove that "le! ftists have raised a generation of ignorant, malicious and increasingly incompetent-to-comment-on-virtually-anything ‘adults’."

People will likely call West many more things in the ensuing weeks. But nobody will call him a coward.

Tara Henley is a music journalist with The Georgia Straight, Canada’s largest urban weekly. Learn more about her, and contact her at www.TaraHenley.com

Lil’ Kim: The Naked Truth

Lil’ Kim is about to go away for a while. But, the pint-sized rapper isn’t leaving without leaving an indelible mark that will hold fans down until she returns from 366-day bid in prison. Kim’s new album, The Naked Truth, hits stores on September 27, and her fourth opus is already being touted as her finest to date.

These days, “Stop Snitching” t-shirts have been the rage in inner-city communities, especially in Brooklyn – Lil’ Kim’s hometown. On the stand, Kim was rather tight-lipped but now, she is talking. AllHipHop.com spoke to an introspective, wise Kimberly Jones.

AllHipHop.com: Some people suggested that your adversity may turn into a positive thing. Do you feel that way?

Lil’ Kim: I know it is, I mean I’m a very strong believer in God and I’m very spiritual and there’s nowhere else to go but up. You what I’m saying, when you have down moments and you know there nowhere else to go but up and – I’m not the type of person to take a negative situation and make it more negative. Only negative people make negative situations worse. You know what I mean? I’m a positive person. On my album, this is not like that cause everyday is a positive, everything that happens in the world ain’t positive. All the stuff that happens in the news ain’t positive. The government politics, that s**t ain’t positive. You know you gotta take the bitter with the sweet and that’s why I like for my albums to be consisted of, bitter with the sweet, good, bad, and just easy and hard.

AllHipHop.com: Speaking of the government, like a lot of people are critical of them right now with the Katrina thing, you have any thoughts on that?

Lil’ Kim: The only thing I have to say about that is, I just hate what happened and it’s just so crazy, you know what I mean, if it’s true that they knew about this, is just why, why, why would you not try to warn people to clear the homes, city, and town out. Like, I don’t understand that, if it’s true. I’m not – we don’t know exactly what’s true and what’s not. So if it is true and they knew about it then that’s just negativity and evilness and my heart goes out everyone out in Louisiana and New Orleans who I heard lost everything. There’s so many people out there who – we had a family member who was out there doing some film stuff and he was in a hotel and he lost everything, the only thing he had was his computer and his knapsack, you know what I mean, he lost all his clothes, all his other stuff.

AllHipHop.com: Word on the street is that you’re gonna get five mics in The Source magazine.

Lil’ Kim: Yeah. My peoples been tellin’ me that. I think it just does great for the evolution of women. I think that’s great. I thinks it’s gonna be great for women now too. So women be like, “Now I know I can get five mics.” Some women probably feel like, “I’m not even gonna try to get five mics, I know I ain’t getting five mics.” They’re like, “Damn, I gonna try to get five mics too.”

AllHipHop.com: It will be interesting to watch…

Lil’ Kim: Every time my album comes put out, it’s like there’s a big, how can say this, there’s a big hype around me, I come out and boom, you don’t get enough of me. It’s like my last two albums only had one video for both. That’s like crazy. You know what I mean? So it’s like, “She’s here and then she just goes away real quick, like damn what happened, we need some more Kim.” They haven’t gotten it. That’s where I think the misconception comes in it. That’s where it is. But see with this album it’s almost the same thing but it’s gonna be way different and I think that they’ll get to know me, see. With this album I might have the music, I might have the backing, I might have, hopefully, the videos. We tryin’ to do at least three or four videos before I go and some other stuff so you can get to know me. But the only thing is in person you won’t have me because I’ll be gone. I gotta go away. But that’s almost the same thing but it’s a little different. Hopefully with this time with me being away, my music will be more appreciated and who I am and me as a person, I’ll be more appreciated, hopefully.

AllHipHop.com: You feel that you’re not appreciated?

Lil’ Kim: I think sometimes I’m not, no. I think sometimes I’m not. People hate on me for no reason. Everybody know that I’m the most person – when people want there ratings to be high on the radio like certain talk show hosts, first thing they do is talk about Lil’ Kim in a negative way. I haven’t done nothing to these people, magazines – for no reason. They trash me. They don’t even know me. So, of course that’s not being appreciated, when I’m the one who brought the sexiness to the hardcore music for the women. Like, I should be respected and praised. And I’m not cocky or nothing like that, but respect as respecters do, you give respect doers with who deserves it, you know?

AllHipHop.com: If B.I.G. was here, what would he say?

Lil’ Kim: I mean if Big was here I think a lot of things probably wouldn’t have ended up going down the way they went down And if he was here, even if they – let’s say they would’ve gone down anyway, Big is a very inspirational person in my life. Big could say anything. But I know one thing Big would’ve rolled out with me to the end, whatever. I think by now Big is proud of me. I think he’s proud of me and in some senses or some way he may mad at me for being too be worried in certain situations or just being that nice or not being myself, not really saying what I really saying what I really want to say at certain moments. But that’s all kind of changed.

AllHipHop.com: Do you think women have to talk about sexual things to get a foothold?

Lil’ Kim:I don’t know what they wanna do. [Laughs] I don’t why it is that way, it’s just that way. It should change. But things have changed a little. You know what I mean? I’m the first female rapper to get five mics you know what I mean? So it changes. You have to be the one to change things. I’m nothing like any female rapper that’s out right now. That’s the misconception and I hate it. You know what I’m saying? Remy has her own style. Everybody has there own style. Even homegirl [Foxy Brown], who they always compare me to, she is so different from me. I’m not her and this is the one thing I think I’m gonna be most satisfied with, with this album. And now I get to be separated from all that. My record that’s out right now [“Put Your Lighters Up”] don’t sound like any other female. You what I’m saying? I’ve gotten that, I sound like Lauryn, but see there’s where you get your Grammy nomination. You know what I mean? I love being compared to Lauryn. And that means that I’ve done something different. Maybe that’s it. And you feel cause I ain’t different enough but it is what it is. I don’t know.

AllHipHop.com: What about the industry now? I know that Maino has been real outspoken on your behalf, and Bumpy Knuckles too?

Lil’ Kim: Those are my family, Maino, Bumpy, that’s my family and they been around me for as long as – til’ the boat sink – you know what I mean. And the boat ain’t never sinking – so they gonna be around for a long time. I’m gonna be around for a long time and, you got some people in the industry that you’re just close with.

AllHipHop.com: Okay, okay. Now on the one song , “My N***as,” you have some things to say about people, can you speak on those things, like as what made you…

Lil’ Kim: You know, just get my album, it speaks for itself. Everybody, you know, it ain’t hard to see, hard to see, hard to tell. You what I mean, it ain’t no secret, it is what it is.

AllHipHop.com: In the light of your situation, I think it’d be important to know – how is Lil’ Kim different from Kim Jones?

Lil’ Kim: I mean, I think everyone to a certain extent has to be a totally different person when they go home. You know what I mean? I doubt it very much if Lil’ Jon just walks around saying to his mother, “Yeah, OKKKKKK!” I don’t think he does that every five minutes, you know what I’m saying. I just think that everybody has their own personal life when they home and I think that’s neat. People say I’m so different. I think people think I’m different because when they see me in person my voice is so soft spoken and I’m so classy. They don’t expect me to be classy because my music is a little bit hardcore, whatever. I don’t know, I don’t understand what the misconception is. I don’t understand. I think that people just haven’t taken the time to really get to know me, and haven’t been fair with me. But I think this album they gonna forced to be fair, take the time. That’s what I think. I don’t know what it is, I really don’t. I’m trying to understand what’s the misconception too. why can’t I be – why can’t I make hardcore music and be very sexy and then at the same time be classy? Why?

AllHipHop.com: Any final words or anything you would like to say to your fans and just people in general?

Lil’ Kim: Yeah. I just love my fans. Thank you, thank you, thank you, thank you, thank you, thank you, you can keep it going for a whole ‘nother paragraph. I love you, I love you, I love you, because without them, there’d be no me, and they were supportive of me during everything I’ve been going through so there the ones who I am working so hard for. You know what I mean? And I thank them so much.