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Swedish Hip-Hop Groups Land In New York

By: Grouchy Greg Watkins (@GrouchyGreg)Category: News

Some of the biggest

names in Swedish Hip-Hop will perform tomorrow night (Dec. 12) in New York at

Joe’s Pub.

Juju Records, Ink Productions

and the WESC clothing line will showcase the talents of some of Sweden’s

biggest acts – some for the first time in New York.

The night will include performances

by Timbuktu, Looptroop, Chords, Spotrunnaz & Damn.

Currently residing in New

York, Timbuktu is one of Sweden’s biggest Hip-Hop acts, with five successful

albums to his name.

He has had several hit singles

from different albums that have made it big in both Sweden and Norway, and his

most recent release Alla vill till himmelen men ingen vill dö (Everybody

Wants To Go To Heaven) has gone gold in both countries.

"It’s a personal triumph

for us to even be playing here in New York,” Timbuktu told AllHipHop.com.

“I still can’t really believe it. It’s just f**king amazing!”

Timbuktu has been touring

all year with Damn and Chords. With sold out shows all over Scandinavia, Timbuktu,

Damn, and Chords have received over the top reviews for their live shows.

Chords is preparing to release

his United States debut, The Garden Around the Mansion, in 2006. The album is already available

in Europe.

Other acts in the lineup

include Looptroop, an internationally known group that has sold hundreds of

thousands of records and Spotrunnaz, a group that has been labeled one of Sweden’s

best live acts, opening for the likes of Nas, Tha Alkaholiks, 50-Cent, Xzibit,

Common and others.

The performance

takes place Dec. 12 at Joe’s Pub, located at 425 Lafayette Street in lower

Manhattan. For more information visit http://www.joespub.com.

Tha Carter II

By: Grouchy Greg Watkins (@GrouchyGreg)Category: Reviews / Music

Artist: Lil WayneTitle: Tha Carter IIRating: 4 StarsReviewed by: Bill “Low-Key” Heinzelman

Lil’ Wayne has come a long way since his humble beginnings as a member of Cash Money’s Hot Boyz. As the youngest solider in the group, Weezy always stood out from his companions due to his intriguing voice and rebellious persona. However, the two veterans of the Hot Boyz – Juvenile and B.G. – still garnered much of the attention. It wasn’t until Wayne’s fourth album – Tha Carter – that the public started seeing him in a different light. In a startling transformation, Weezy went from a regional hero to a nationwide superstar. By abandoning his old rap style, Birdman Jr. adopted a new Hova inspired flow and delivery, propelling him as one of the South’s most dynamic lyricists. With momentum at his side after appearing on virtually everyone’s album the past year, Wayne bursts through the door once again and lives up to the hype with Tha Carter II (Cash Money/Universal).

It has been a year since our last visit to the infamous Carter complex and things have changed. Weezy’s lyrical prowess remains in tact, as he slices and dices through the album with razor sharp verses. However, it’s the production aspect that has undergone the biggest transformation. With Mannie Fresh parting ways with Cash Money, many wondered if Wayne would be able to duplicate the success of the first Carter album without him. Thankfully, Weezy’s superb ear for beats proves the doubters wrong, as he calls on mostly unrevealed producers for an effort that will have many saying, “Mannie who?” With a lineup consisting of the Doe Boys, Crime Family, Yonny and The Heatmakerz, Tha Carter II is surprisingly the first Cash Money release to not sound like – well – a Cash Money album. With a heavy reliance on East Coast production sounds, the album is without the usual Southern bounce associated with the label. This change is definitely welcomed, as Tha Carter II is arguably the best Cash Money release in the label’s long history.

While the album isn’t packed with a variety of subject matter, it succeeds due to Weezy’s lyrical clinics put on display. “Best Rapper Alive” is a prime example that finds Wayne beating on his chest over a magnificent Big D beat, which features face melting guitar riffs and haunting vocal chants. Want more lyrics? Then look no further than “Oh No,” as Wayne illustrates his multi-syllabic rhymes, leaving a trail of fire in his path. Weezy even goes off for five minutes straight on “Tha Mobb,” as The Heatmakerz lace the track with their usual combination of window shattering drums and a soulful vocal sample.

Even though lyrics are never at a premium with Tha Carter II, Wayne does offer some change of pace tracks. The standout song “Shooter” has second single written all over it, as Wayne straight jacks Thicke’s “Oh Shooter.” For those who haven’t heard Thicke’s version, Weezy’s attempt may come off as his most creative yet. However, while “Shooter” is one of the album’s best songs, the beat, hook and vocals are all taken from the original, as Weezy only adds his verses on top. Nevertheless, it’s still a great song. The Heatmakerz produced “Receipt” is another nice addition to the album, as Wayne proclaims his love for a certain individual (Hmmm, who could that be?). “Hustler Musik” is also impressive, as Wayne provides introspective hustler tales (Jay-z should be proud), while Tmix & Batman’s layered production adds to the song’s overall vibe.

In a time when Southern Hip-Hop is criticized for its lack of lyrical talent, Lil’ Wayne proves that the South can indeed rap. While most of The Carter II is consumed with braggadocios rhymes – all of which are dope – Weezy still has room to grow and offer more variety and conceptual material. But that’s not to put a damper on his latest effort, which exceeds all expectations. It’s still amazing to see Wayne progress as an emcee the past two years. If he stays on this track, who knows what the future holds? Maybe his visions of grandeur as, “The best rapper alive, since the best rapper retired,” will come to fruition.

Run the Road Vol. 2

By: Grouchy Greg Watkins (@GrouchyGreg)Category: Reviews / Music

Artist: Various ArtistsTitle: Run the Road Vol. 2Rating: 3 1/2 StarsReviewed by: Jason Newman

When the original Run the Road compilation was released earlier this year, it was many Americans’ first taste of grime, the British Hip-Hop subgenre marrying ultra-fast, hyper flows with 2-step and jungle beats that owed more to Atari than to classic American Hip-Hop producers. While the music is undeniably unique, futuristic and vastly different from stateside Hip-Hop, it remains to be seen whether that compilation will go down as a cultural landmark or curious byproduct.

With Run the Road Vol. 2 (Vice Recording), the genre looks to expand past its foundation by keeping the basics, but incorporating new elements not found on its rawer predecessor. The flows still approach ludicrous speed; the beats still are heavy enough to soundtrack a stomping. But where every song on RTR had a similar vibe, RTR 2 uses such diverse elements as soulful female hooks (Ghetto & Katie Pearl “Run the Road”), percussion-less acoustic guitar (Plan B “Sick 2 Def”) and mid-song beat switches (Lady Sovereign “Little Bit of Shhh”) in an attempt to break out of its now-established sound.

Like the early days of American Hip-Hop, some things work better than others, but it’s the experimentation and realization that you could try anything that keeps RTR2, for the most part, exciting. Between the two, the original still stands as the one to cop for its consistency and introduction to a still-fresh genre. But RTR2 shows a scene not willing to stand still and rest on its initial applause.

The Good Money EP

By: Grouchy Greg Watkins (@GrouchyGreg)Category: Reviews / Music

Artist: Move.meantTitle: The Good Money EPRating: 3 StarsReviewed by: Paine

In the late 1990’s, DJ and MC cliques out of Los Angeles like Dilated Peoples, Jurassic 5, and Ugly Duckling were the talk of the industry. Five years later, everybody is trying to climb back to that former plateau. Move.meant is a group made of MC, Champ rhyming over J. Beats’ music, while DJ Spider cuts it up. They’ve been heard in the film Crash, and now they aim for stereos in hopes of making The Good Money (Wax Paper).

Lyrically, Champ succeeds when there is a message at-hand. Though it sounds like a party-track with its up-tempo beats and swaggering delivery, “Problems” is sociological. Champ covers things from the presidency to sweatshops, to street violence. “Str8upndown” is much of the same, only with a more digestible beat. Fellow next-class Los Angeles talents Trek Life and Blest are featured on the title track’s remix. With guests and alone, this song also mentions the troubles in the world today.

When an MC is actively devoting his lyrics to social awareness, it takes some pretty good music to keep an audience engaged. By and large, J. Beats succeeds. He and Spider combine efforts on “Move On”, which all but runs away with a DJ Premier blueprint. Regardless, the song shines on the EP. Lively percussion and deft scratching holds this regard down. Being that of six songs, two are minimalist remixes, this EP doesn’t reveal as much in the music as in the lyrics.

Move.meant’s The Good Money EP is a peppy, altruistic record. With good hearts, and good music, this is offering stand apart from other woeful attempts at the same combination. Undoubtedly, the trio will continue to stay inspired. Fans of issue-influenced raps with scratch-choruses and melodic production will also be inspired by this promising EP.

Comedian Richard Pryor Passes At 65

By: Grouchy Greg Watkins (@GrouchyGreg)Category: News

Iconic comedian/actor Richard Pryor passed away this morning (Dec. 10) of a heart

attack, after being ill for years with multiple sclerosis.

Pryor, 65, who has been sampled by such artists as Dr. Dre,

DJ Premier, A Tribe Called Quest and others, passed away at a hospital near

his home in the San Fernando Valley.

Pryor’s business manager Karen Finch stated that a private

memorial service will be held by private invitation.

The family is also requesting donations to Pryor’s recently

established animal charity, Pryor’s Planet.

The multi-talented Pryor was born Dec. 1, 1940 in Peoria, Illinois.

Pryor was a more mainstream comedian in the mid-1960’s, until he started

working profanity and the word n***er into his act.

Pryor’s second album, 1970’s Craps (After Hours)

on Laff Records helped the comedian gain a larger following.

Seeking a larger deal, the comedian released the classic comedy

album That N#####’s Crazy on the Reprise/Warner imprint.

The hit albums continued for Pryor, who released hit albums

like Is It Something I Said?, Bicentennial N***r, Richard

Pryor: Wanted – Live In Concert and Richard Pryor: Live on the

Sunset Strip.

In 1977, the comedian launched his own television show The

Richard Pryor Show on NBC in 1977.

He also wrote for the hit series Sanford & Son, hosted a

controversial episode of "Saturday Night Live" and later hosted his

own children’s show, "Pryor’s Place."

In 1979, Pryor took a trip to Africa and vowed never to use

the N-word in his standup comedy routine again.

In 1980, Pryor was freebasing and accidentally set himself on

fire. Despite being severely burned, Pryor worked the incident into his stand

up show, "Richard Pryor Live on Sunset Strip."

According to Pryor’s wife Jennifer, the comedian had actually

tried to commit suicide by pouring high proof rum over his body in a drug induced

frenzy and lit himself on fire.

Also, in 1980, Pryor used his considerable clout in Hollywood

to form his own movie production company, Indigo. The comedian appeared in almost

50 movies, including "Lady Sings the Blues," "The Wiz,"

"Silver Streak," "Car Wash," "Greased Lightining,"

"Stir Crazy," "Superman III," "Harlem Nights,"

"Brewster’s Millions," "The Toy," "Bustin’ Loose,"

"The Muppet Movie" and others.

In 1983, the comedian earned $4 million dollars for his role

in "Superman III," earning a million more than the film’s star,

Christopher Reeve.

Pryor was diagnosed with multiple sclerosis in 1986 and was

later confined to a wheel chair. His 1995 autobiography “Pryor Convictions:

And Other Life Sentences” were released to critical acclaim.

In 2004, Pryor was voted the “Greatest Standup Comedian

of All Time” by Comedy Central.

The comedian was married six times in his life and is survived

by his wife Jennifer Lee Pryor and six children, Richard Pryor, Jr., Elizabeth

Stordeur, Rain Kindlin, Kelsey Pryor, Steven Pryor, Franklin Mason and three

grandchildren.

Diddy And The Lox Settle Publishing Dispute

By: Grouchy Greg Watkins (@GrouchyGreg)Category: News

The Lox and Bad Boy mogul Sean ”Diddy” Combs have settled a music publishing dispute after a furious on-air clash that was broadcast on Hot 97 last month.

Group members Styles P and Sheek re-appeared on Angie Martinez’s Hot 97 radio show today in a state of euphoria.

“What he did was sweet. He came back [with his offer] and I almost jumped out my seat,” Styles P said to Angie Martinez. “Basically, he gave us all our publishing back. He didn’t have to do what he did. In the business world, what he did, was like a four-leaf clover. The results was great.”

Styles said both parties assembled today with their lawyers and made a mutually satisfactory decision in a 45-minute meeting.

“What he did for us, he didn’t have to do. What he did for us was splendid. He made it so much easier. He made our business beautiful,” Styles continued.

After the initial clash on November 16 and Diddy’s response, Styles said he talked to his former CEO on the phone and had a frank conversation.

“Before the [legal] meeting I spoke to him over the phone. He said, ‘I want to meet up, look y’all in the eye and speak as men. The bottom line is we can fix it.’” Furthermore, Styles said that their whole quarrel was a “miscommunication.”

“What he was saying was true, but what we were saying was true,” the Yonkers native asserted. “Its an argument where you could say both sides were right. It was grown man, eye to eye.”

Prior to the resolution, Styles said The Lox’s living conditions were “uncomfortable” and an “irritating situation to be in.” Additionally, he apologized profusely for their initial public dispute and remarks that could have been perceived as threats.

Styles implored that other rappers should be mindful of their business dealings and to understand their worth as entertainers.

“I think the problem with the whole game is artists don’t stand for themselves,” he said.

Sean “Diddy” Combs wasn’t available for comment at press time.

Scratch Mag Adds Blokhedz Cartoon Series

By: Grouchy Greg Watkins (@GrouchyGreg)Category: News

Under the helm of

editor-in-chief, Jerry Barrow Scratch magazine has rapidly gotten the attention

of the mainstream with its emphasis on the audio portion of Hip-Hop.

While, DJ’s and producers prevail, the magazine has added a

feature familiar to Hip-Hop fan, Blokhedz comic series.

The self-proclaimed "street-adventure" comic series

will be a recurring feature in the magazine beginning with the current issue

with Nas and J Premier on the cover.

"Blokhedz has already secured itself as the Hip-Hop head’s

answer to the superhero call of distress. For years rappers have been poising

with their different monikers as alternate personalities," Nicole Duncan-Smith,

Blokhedz comic producer, told AllHipHop.com. "Blokhedz has with characters

that range from the DJ to the MC to the hood dude that just makes you laugh

hysterically."

The union between the two publications was a natural fit, according

to Duncan-Smith.

"[We all] rep with authenticity and fervor. Linking with

Scratch was a natural because the very essence of their vision gives life to

the pages of the comic," Duncan-Smith said.

Barrow agreed and stated that Scratch would continue to explore

the relationship between the rapper, the DJ and the producer.

"Scratch is committed to the art of making hip-hop. Period.

We cover the creative side and the business side," he said. "Artists

like Kanye [West], Dr. Dre, Timbaland and Jermaine Dupri have blurred the line

between producer and MC for years, we’re just reflecting that more.

"Producers like talking about beats, but they also want

people to know their story,” Barrow continued. “I want to give the

readers both. On the other side, there are MCs who would like to talk about

how they make their albums; they’ll have voice in Scratch as well."

Although the current issue has been out since late November,

the Nas/DJ Premier issue could be the highest selling edition of the magazine.

He both legends were enthused about being featured together.

"Nas was really responsive because it was a genuinely great

idea to pair him with DJ Premier. He beat Premo to the studio for the [photo]

shoot," he said.

In addition to Nas, Premier and Blokhedz, the current Scratch

issue features provocative stories on Marley Marl, DJ Muggs & Gza and the

making of Bad Boy’s Biggie duets album.

Blokhedz, which was created and illustrated by Mark and Mike

Davis, has continuously old out since its debut in early 2004.

According to Blokhedz

writer and producer Brandon Schultz, the company plans to publish books and

manufacture toys in the image of Blockhedz’s characters.

Live at the House of Blues DVD

By: Grouchy Greg Watkins (@GrouchyGreg)Category: Reviews / Music

Artist: TupacTitle: Live at the House of Blues DVDRating: 4 StarsReviewed by: Piff Huxtable

Tupac Amaru Shakur had many sides to him. There was the revolutionary that spoke on how powerful the streets would be if finally unified. He also was able to flip it to a much more poetic type who shined on “Brenda’s Got A Baby” and “Dear Momma.” What made him infamous though was his Thug Life persona. He was a rock star in his own brash and reckless way. In one of his last performances while on Death Row Records, Live At The House Blues (Death Row/Eagle Vision) captures Pac’ in rare form in front of a Los Angeles crowd.

Tupac gets the crowd buck with “Ambitionz Az A Ridah.” The Outlawz back him up on stage as he sets the mood with the hard hitting album cut. Pac does smooth it out with the “How Do You Want It.” K-Ci & Jo-Jo make a brief cameo to help out on the hook. The Deathrow Records atmosphere is further established when Snoop rocks while Pac takes a breather. The two close the show appropriately with “2 Of Amerika’s Most Wanted.” Even though Pac’ only performs a handful of tracks, the quality is exceptional. This should hold down any Tupac fan until the next posthumous release.

Ice Cube Producing Race-Changing Documentary On FX

By: Grouchy Greg Watkins (@GrouchyGreg)Category: News

Rapper/actor/filmmaker

Ice Cube and Emmy Award winning filmmaker R.J. Cutler have teamed to create a

six-part documentary series titled “Black.White,” which will be broadcast

on cable network FX.

Two families, one black and one white, share a home in the San

Fernando Valley for the majority of the show.

The Sparks, who are black and hail from Atlanta, Georgia and

their son Nick are transformed from black to white at the end of the show, while

the Wurgel’s and their daughter rose are transformed from white to black.

“I’m really excited to be a part of a show that explores

race in America," Ice Cube said. “’Black. White.’ will force

people to challenge themselves and really examine where we stand in terms of

race in this country."

Keith VanderLaan, nominated for an Oscar for his makeup work

in the movie “The Passion of the Christ,” was tapped to utilize

the latest in makeup technology, which took approximately three to five hour

per family member.

R.J. Cutler snagged an Emmy for Outstanding Reality Program

for the series "American High" and helped produce "The War Report"

and the FX series "30 Days."

“Race has been the central issue in American society since

the day the nation was conceived," Cutler told USA Today. "I hope

we can engage (the viewer) in a dialogue. I was surprised to learn how hard

it is to see the world through the eyes of people of another race."

“Black.White”

premieres in March of 2006.

Dead Prez’s Stic.Man Dropping Book, M-1 Preps Solo Album

By: Grouchy Greg Watkins (@GrouchyGreg)Category: News

Stic. man of dead

prez is preparing to release a new book geared towards teaching the fundamentals

of being an emcee.

"The Art of Emcee-ing" will feature stic.man’s

personal perspective on emceeing and songwriting.

"[There are] so many brothers and sisters that have raw

talent," stic.man told AllHipHop.com. "It is our job as community

members to help encourage and support each other, to make sure that we reach

our goals in life."

Released independently via stic.man’s Boss Up Inc., "The

Art of Emcee-ing" offers tips on how to defeat writer’s block, recording

techniques, live performance tips, herbal voice remedies and artist-friendly

resources for the aspiring rappers.

Additionally, the book features exclusive photos, commentary

from rapper Common and a 10-track CD of beats, produced exclusively by stic.man.

In related dead prez news, M-1 has teamed with famed jazz guitar

player and producer Fabrizio Sotti to release his debut solo album, Confidential.

Sotti Records and KOCH will release the album, which features

appearances by Styles P, Q-Tip, K’naan and Cassandra Wilson and others.

According to M-1, dead prez fans will be pleased with his solo

release, which is slated for a March 8, 2006.

"There’s a definite theme, but it’s not obvious,”

M-1 said of the album. “I didn’t telegraph where I’m coming from; if you

know… then you know."

Stic.man’s

book "The Art of Emcee-ing" is available now via the web at http://www.bossupbu.com.

Chopper: New Jack Swing

By: Grouchy Greg Watkins (@GrouchyGreg)Category: Features

Many of us only saw the damage of Hurricane Katrina from our television sets, however, Young City was there to see it first hand. Born and raised in New Orleans, Chopper was one of the millions of people who were uprooted from the only homes they knew. While many people are still, four months later, struggling to bounce back from the devastation, Chopper was a lot more fortunate.

AllHipHop.com recently got up with Chop to talk about how the horrific hurricane affected him and his loved ones, as well as what he has done over the past few months to help the cause. Chopper has much love for his hometown, and he’s reppin’ New Orleans till the day he dies.

AllHipHop.com: So I see that album is finally getting ready to come out…

Chopper: Yea, New Jack City is the album, and it’s ready…

AllHipHop.com: Okay, ‘cause I know you were talking about it before, but like I said, it’s been so long since I talked to you that I knew some of the details had changed….

Chopper: Yea, now it’s official like a referee with a whistle.

AllHipHop.com: Okay then, so of course, that’s the first thing I wanna get into. Who did you end up working with all around with production and guest appearances?

Chopper: Well let’s see, I got Mannie Fresh all on there, I got T.I. all on there, Lil’ Wayne, Jody Breeze, and I got some more…

AllHipHop.com: Man, right off rip, it’s got to feel like a major accomplishment for you, because back when you were doing the show on MTV, the one thing I remember you saying was that you always wanted to get down with Mannie Fresh.

Chopper: I did, and it does feel like a major accomplishment. But honestly, I gotta say that I made this shake for myself. Nobody gave me a handout or anything. I made this shake for myself. I went out there and I made it pop! I made them believe in me.

AllHipHop.com: So how did you hook up with him? Do you think he’s was paying attention to the show and heard you say it, or did someone get you two together?

Chopper: It was kind of a mutual thing. It was kinda like, “I see you homie” on both sides.

AllHipHop.com: So what type of feel are we getting with this album? Is it a major difference from what we were getting with Da Band?

Chopper: It’s a very big difference. You can tell by the new single, “Lil Daddy”. It’s a very big difference. With this album, you are getting the real Chopper. The Chopper that we always wanted, or that I wanted y’all to see and that I knew…

AllHipHop.com: So are you telling me that you weren’t being yourself, or that we weren’t getting the real Chopper before?

Chopper: I mean, you seen the young Chopper, the naïve Chopper. You saw the wild side of me – very talented, but wild. I couldn’t really show off like I wanted to, which was a bad situation, but that’s history. That side of me is in the trash can. The real Chopper is cool, calm, collected, fly, gutta, you know – the Chopper that I always was. I’m finally getting my shine and my freedom. I finally got my oxygen tank. It’s like I was struggling in the water with no oxygen tank. I was being told what to do. When you first come in the game as a rapper, or a rookie, you got to do what they tell you. Whatever they tell you, that’s what you do. Now, I got a brand new situation. I call the album New Jack City, and not because of the movie, but because I’m a new jack to this game, Chopper Young City, and I got something to prove. That point that I’m proving is that I’m one of the hottest newcomers coming in the South. Matter of fact, I got to be one of the hottest newcomers, period. I’m definitely one of the youngest in charge in this game. People don’t believe s**t stink ‘til they smell it. But you know what, I’m about to give them some s**t to the face!

AllHipHop.com: So what else is happening besides this album?

Chopper: Well the album should be dropping in January, but right now, it’s about this mixtape that I got coming out. That’s the situation right now, with DJ Smallz, called “All Eyes On Me”.

AllHipHop.com: Where can we fans up North find it?

Chopper: You can get that at www.chopperyoungcity.com.

AllHipHop.com: Oh word. So are you playing a part in the site? Do you go on and chat with your fans?

Chopper: I most definitely do that. My sidekick is right in my pocket! I have to, because they love me, just as much as I love them. I love them so much! I’m going to keep giving them good music, because that’s all I can do! I told you, it’s official like a referee blowin’ the whistle! You know the deal! I’m not a star! I’m a super super star! I ain’t even 21, and I done been through so much. I been through so much! Like, I done been shot, but I don’t talk about that because it ain’t really the type of s**t to be glamorizing! I ain’t trying to get shot again! I been out in the streets.

AllHipHop.com: I wanted to ask you what’s happening with Katrina relief on your end? I know New Orleans is your home, and your family is there.

Chopper: I lost a couple of my homies. My family is good now, but it don’t seem right with my city gone.

AllHipHop.com: With you being there, do you see rebuilding the city as feasible?

Chopper: I mean, I see it, but I think it’s going to be to the point where the new housing is going to be so expensive that a lot of the Black people won’t be able to afford to come back! I remember New Orleans for what it was! It’s not going to be the same.

AllHipHop.com: I know. I’m just sorry to hear about your loss and everything.

Chopper: Most definitely, and I appreciate the condolences. New Orleans was a city like no other. I feel like sheddin’ a tear, and it hurts, but I got to be strong for my family.

AllHipHop.com: Exactly. And at least with stuff like your houses, you can definitely replace that.

Chopper: Right, but it’s just so messed up that some people already didn’t have a lot, or was struggling, and now that this done happened, they really don’t have nothing. That’s what hurts.

AllHipHop.com: There are so many artists getting involved in aid and what not. In what ways have you been able to help?

Chopper: I gave to a few organizations. I gave to the Red Cross, and helped to supply food and water.

AllHipHop.com: The Hip-Hop culture is dogged and criticized so much, but it’s really good to see how in a time of crisis, we can stick together and help each other out. I mean, you know how this government is…

Chopper: Definitely. This is a time to get a reality check on voting, especially for the next election. Bush, them are some f**ked up people! It’s a trip, but let me shut up for they try to sabotage me.

AHH Stray News: 50, Dre Sued, Ran Rover, Snoop Dogg, Marc Ecko

By: Grouchy Greg Watkins (@GrouchyGreg)Category: News

Upcoming female rapper

Janine “Jah Jah” Gordon filed a copyright infringement lawsuit against

50 Cent and Dr. Dre, claiming the duo infringed on several of her copyrights.

Gordon alleges that her songs “Poppin’ at Da Club,” “Hardcore”

“Crazy Dreams” and others were illegally used on 50 Cent’s album

The Massacre. Gordon, who’s worked with Chubb Rock and others, is also an acclaimed photographer and painter.

When contacted, Gordon declined comment. Gordon recently released a new album,

Take A Lick, Take A Bite.

Miami, Florida

rapper Ranzer “Ran Rover” Wallace was found dead on Monday morning,

after police found his decomposing body in a car with an associate. Police found

Wallace, 25, and Stephen Marzan, 34, in a car in an apartment complex, after

residents complained of a foul odor. Police are still seeking suspects. As Ran

Rover, Wallace’s debut Ride Wit Ya Boy boasted appearances by

Juvenile and Snoop Dogg.

Snoop Dogg has been named executive producer of XM’s classic Hip-hop channel

65, The Rhyme. Snoop will be in charge of developing the creative direction

of the channel, in addition to developing exclusive content. "I am truly

excited about being able to have total control over the music and programming

for The Rhyme on XM,” Snoop Dogg said. “I will play music that people

have never heard and music that they haven’t heard in a long time. We need more

Snoop Dogg music all the time because the music I play makes people feel good.

Consider yourself a part of this new Snoop Dogg eargasm." Snoop will continue

to host his show "Welcome to Da Chuuch" in 2006 on channel 65.

MTV Films has acquired the feature film rights to Marc Ecko’s upcoming

videogame, “Getting Up: Contents Under Pressure.” According to Ecko,

the film version will pay homage to “graffiti’s rich culture.”

The game centers around a fictional city called New Radius, where freedom of

expression and graffiti has been outlawed. Players assume the role of Trane

and must learn various graffiti skills in order to expose the tyrannical mayor

of the city. Sean “Diddy” Combs, The RZA, MC Serch, Rosario Dawson,

Brittany Murphy and others have signed on to provide voices for the game, which

is slated for a Feb. 2006 release date. "When I first began working on

"Getting Up" seven years ago, I wanted to create a storyline that

provided a rare look inside of one of the most influential, yet often overlooked,

artistic movements in recent history,” Ecko said. “Today, graffiti

is a global cultural phenomenon and few understand its impact better than MTV,

pioneers in its use as a motion graphics tool nearly two decades ago.”

Kanye’s G.O.O.D. Label Scores 20 Grammy Nominations

By: Grouchy Greg Watkins (@GrouchyGreg)Category: News

Kanye West and artists from his label, G.O.O.D Music, score record 20 Grammy Nominations for the 48th annual Grammy Awards.

Topping the list of nominees were Kanye West, Mariah Carey and John Legend; who each earned 8 nods apiece. G.O.O.D label mate, Common, also received 4 nominations.

The nominations, which reflect a year where multiple genres are represented in top categories, were announced today (December 8) at Gotham Hall in New York City.

The College Dropout’s sophomore album, Late Registration, helped garner him 8 Grammy nominations including the coveted Album of the Year, Record of the Year and Best Rap Album of the Year.

West is also up for Best Rap Solo Performance (for “Gold Digger”) and Best Rap Song (for “Diamonds From Sierra Leone”).

Kanye West’s protégé, John Legend, also received six of his eight nominations in the R&B Field.

Legend

Juelz, Deemi, Sizzla Team With EARS For Katrina Benefit

By: Grouchy Greg Watkins (@GrouchyGreg)Category: News

Juelz Santana, Deemi

and Sizzla have partnered with the EARS foundation for “The Christmas for

Katrina” Toy Drive & Concert Event.

The EARS Foundation, along with sponsors Power 105.1, Toys for

Tots and The American Red Cross, will invite families displaced by Hurricane

Katrina to the event, free of charge.

Many families that were displaced from New Orleans by Hurricane

Katrina are now living in New York City.

The EARS Foundation is a charity organization that also produces

the popular “Lifebeat” benefit concert series.

The foundation was created to give back to the urban community

by developing urban music and music education.

"I watched in horror as the lives of people were stripped

away by Hurricane Katrina,” EARS founder Tonya Lewis said. “I saw

the faces of children, clinging to teddy bears and toys, after they lost everything.

Although I gave a financial contribution, the holidays are the hardest time

to deal with tragedy and many of these people are separated from their extended

families. We wanted to create an event where we, New Yorkers, could bring comfort

to these families living in our area.”

Juelz Santana will be performing songs from his newly released

album, ‘What The Game’s Been Missing, including his hit

single "There It Go (The Whistle Song)."

Santana’s album is currently the #1 Hip-Hop album in the

United States, holding top position on Billboard’s Hip-Hop/Rap Charts.

The album is also one of the Top 10 albums in the country according

to Billboard’s Top 200 Charts.

This event will be held on Saturday, December 17, 2005 from

2pm – 7pm at The Skate Key Entertainment Complex located at 220 East 138th

Street in the Mott Haven section of the Bronx.

General admission

is $10 and an unwrapped toy.

To Snitch or Not To Snitch

By: Grouchy Greg Watkins (@GrouchyGreg)Category: Uncategorized

I admit, I’m not a criminal and I don’t know all the laws of criminality.

Despite that, there is one notion that has domineered this year. In 2005, Hip-Hop and the streets demand that you all STOP SNITCHING.

There is a website devoted to it, every gangster rapper on Earth denies being one and rightfully so. In the real gangster world and the WWF-like Hip-Hop world alike, a snitch is considered the worst. In fact, they are called rats – such a loathsome term!

Before I get to the heart of the matter, this is my understanding about snitches (correct me if I am wrong):

When you are a snitch, that means you got caught in a crime and tell on other crooks to save your own skin. A snitch might get a lighter jail term because he tells authorities about all the illegal things his crew does. Take Salvatore "Sammy the Bull" Gravano for example. He was regarded as a highly respected underboss for the feared Gambino family in the 1980’s. However, by the 90’s he became the biggest in history after he turned state’s evidence and testified against Gotti in exchange for a reduced sentence. Moving on…

Now, from what I gather, there is another type of snitch loathed in the Black community. This rat includes anybody that talks to police or takes the stand in court. Although I have no opinion on Lil ‘ Cease, some consider him a turncoat because he testified at the Lil’ Kim perjury trial earlier this year. Cam’ron got major “props” when he refused to talk to police after getting shot in Washington D.C. Walking inside a court = snitch. Speaking to cops even about the nice weather on a summer day = snitch. Moving on…

Lastly, there is another variable. 50 Cent gets dogged about being a snitch by telling his very popular tale though song. It just so happens that his lucrative saga includes the names in a criminal underworld (‘hood legends), relative unknowns to the world at large. It’s not much different from some of the things the beloved Tupac did in legendary, passionate songs like “Against All Odds.” I never heard of Jimmy Henchmen until that song and now he’s well-known and very successful. Incidentally, Jimmy is one of 50 Cent’s primary detractors and The Game, another 50 adversary, has a DVD called “Stop Snitchin.’” What’s comical is The Game is doing dastardly pranks on the DVD, in essence snitching on himself! (But, isn’t every gangsta rapper a snitch by talking too much?) Moving on…

Here is the point:

It is my understanding that Yafeu “Khadafi” Fula, one of Tupac’s original Outlawz, was willing to cooperate with the authorities to identify the person that shot and killed his homey (he was later slain). On the flip side, Death Row Records co-founder Suge Knight totally complied with street code and told ABC News he wouldn’t offer up the killers even if he knew who did it. After B.I.G. was slain, his close comrades like Damien Butler fingered people they felt were responsible for the rapper’s death (pause!). Nearly 10 years later, we as a collective still haven’t been able to heal from Biggie and Pac’s passing, because there has been no resolution, no justice. I mean no disrespect to Khadafi and Damien, because I think they are fine men. However, by the definitions that “the streets” have laid out they would be regarded as a pair of snitches. Right? Suge is right and they are wrong – streets say so.

Now, I’m deficient in street credibility, but I believe the primary reason people don’t snitch, is to handle business in the streets. Police our own culture. I don’t see that as the case these days. When our heroes get shot, they come home to the adulation of their fans, they stick to the code of silence and many of them do absolutely nothing in the streets afterward. They simply don’t tattletale, for lack a harder word (and haven’t we been taught that since we were kids?). They just allow somebody to impose their will on them.

If somebody does harm to my loved one or me, I have only two options. First, I can come back like “I’m avenging my brother’s death” or I can work in sweet harmony with the cops to arrest the monstrosity killed my peeps. But, I promise there will not come a time when I will do nothing. And that’s my dilemma. I’m no super thug and therefore and am not built for any long-term stretch in jail. So, that sweet vengeance shall never be mine. Big up to Shyne for not talking, but I’m not going to jail for another man’s crime either (I believe Shyne is tight-lipped to cover for another?). So, that would make me a possible snitch on two accounts.

Fear not, streets…I am not a snitch! Why? It’s very simple. I’m not doing any crimes. Any of my homeys that do indulge, I let them know I’m not about any offenses (unless its writing bad articles). And I haven’t wronged anybody in a way that would make them do me harm, so I can’t get my Charles Bronson on in the name of retribution. Furthermore, I’m running the rumors page and I have left many-a-rumor off the page- I could be dropping dimes like Usher!

I’m not the only one that is conflicted with this “Stop Snitching” crap.

There is a no snitching policy that permeates the very fabric of our culture even though society pounces on these often misguided wearing these stupid shirts. Lets start with the police. Aside from Rodney King’s beating at the hands of police (which was on video tape), name a criminal case where police officer turned in another one. Didn’t think so. With this thick “Wall of Silence,” the cops should be the ones wearing the “Stop Snitching” shirts.

Hell, we know that enough people “snitched” in the B.I.G. case to create composite sketches of the rapper’s assassin even though the cops said that “we” refused to talk to detectives. We also know that in July of 2005, an anonymous “snitch” revealed that hundreds of documents were found that could lead to a murder suspect. Los Angeles police allegedly played a role in the murder of “the King of New York,” but you don’t see anybody inside stepping up to the plate in the name of justice (Well, I guess Russell Poole could count, that "snitch!"). You know they know.

So, as is always the case with rap, there is a bigger issue that these social analysts fail to diagnose.

Still, the fact remains most people that rock those corny “Stop Snitching” t-shirts are destined to buckle in half if the poo-poo really hit the fan. Furthermore, with the Feds swarming Hip-Hop like vultures on a carcass, we can expect that more people will be tested in the manner Lil’ Kim was. Flavor Flav of Public Enemy once said, “If you kill my dog, I’m going to slay your cat.” It seems like these days we forgot the latter part and just let people kill our dogs.

P.S. Maybe I’ll just bust a cap in some thing since nobody will tell the cops? Just kidding.

Illseed is AllHipHop.com’s rumor guy and an independent cultural critic. Send all email to [email protected]. The rest of the AHH Staff proudly wears "Stop Snitching" shirts.

B-Legit: Click of Respect

By: Grouchy Greg Watkins (@GrouchyGreg)Category: Features

B-Legit is a hell of a lot more than E-40’s brother. After a decade plus, B has led by quiet example for his community, both as an artist signed to Jive and today, as an independent. His hemp-themed albums sat lovely with red-eyed cruisers everywhere, but in 2005, B-Legit brings it back to the block.

In a conversation with AllHipHop.com, B-Legit waxes Bay politics, beat-downs, touches on South and West ridas, and reveals just how gangsta his buddy Jadakiss is out East. For everybody that ever admired the curves on a ’72 Cutlass or kept it extra Clickalicious, this one’s for y’all!

AllHipHop.com: What is the Block Movement?

B-Legit: The Block Movement is this: When I first got in the game the core audience was the block. That’s who we made this music for. As time moved on, the music changed and took a couple of twists. After the death of Tupac and Biggie, a lot of people were not too hip on listening to gangster music. The radio began to dictate which type of music got played. So, if you had a gangster song, there wasn’t anyway it was going to get on the radio. They tended to play more Ja Rule stuff- tryin’ to keep everybody at peace. That thing kinda took over. I was like “Man, that’s not what this was about. It was about the block.” So, I’m trying to bring the block back. If I did anything else, I’d be outta my zone, trying to imitate something that I don’t really do.

AllHipHop.com: I think proof of this lies in “Knock His Ass Out”. It’s also proof that you are an O.G. All the young cats now are so afraid to squabble and scuffle like we did way back. Today everybody is reaching for the AK to spray. What made you do that song?

B-Legit: Back in the day, me and my cousins, we were pretty big guys. We were raised country style. If you had a problem with a cat, you take it to the field and get ‘em up. You don’t have to kill a n***a [laughs]. Just beat his ass. If you get yo’ ass beat it’s all good. There’s another day. You can come back. That’s what it was really about. Other people forced the other s***t into it. I guess they cowards. So, if they don’t wanna get ‘em up, they bring a gun into it. What’s wrong with a good old fashioned ass whoopin’?

There’s always somebody in the club. They see you in the club tryin’ to be in your own zone. Tryin’ to get your groove on. But they just keep on talkin’ and keep messin’ with ya. Then they spill their drink on you. You ain’t got to kill him. Just knock him out, drag him out and let the party go on.

AllHipHop.com: Do you have a personal favorite knock out story for me?

B-Legit: I got one. But it was way back though. We used to drink a lot of 40’s back in the day. They used to turn us into the Incredible Hulk. Have us thinkin’ we was real strong. We used to do real stupid s**t like walking into bars and stealin’ [giving big punches to the jaw] on people.

We used to do that at this place called the wharf. It’s a military bar. Military people liked to drink to. We’d be outside drinkin’ 40’s. They’d be inside drinking shots or whatever. Somehow, we met out in the parking lot. We tried to shake their hand. They thought they were too good. We just started poundin’ on them [chuckles]. It was stupid. But you live to tell about that- ya know what I mean?

AllHipHop.com: On most of your previous LPs’ you busted over mid to down tempo beats- ‘cause that’s very Bay-ish. But on this one you have a lot of club bangers with strong hooks. Was that a conscious move, or just the evolution of B-Legit?

B-Legit: It was a conscious move. I’m in the club a lot. I wanna hear my joints in the club. Back in the day, they’d play my joint, but they had to break the mix…Like slow it down, start talkin’ then play it. I wanted to make this album mix-friendly. Those beats that they call ‘Southern beats’ – are regular West Coast beats but they appear faster because the symbol is moving faster. So, it has that bounce to it.

AllHipHop.com: A lot of people in the Bay have criticized the Southern Hip-Hop. The Ying Yang Twins specifically, have been in question. What’s your take on all this?

B-Legit: When I first came in the game, we did a compilation called, South West Ryders. We were letting people know that the South and the West are riding together. The East, sometimes, they are not interested in what we have to say. But the South, they supported us from the gate. When I first came out and was not getting played out here, the South was the ones that took us in. They were buyin’ our CD’s at first. They adopted our sound and our language at first, but then they put their own twist on it. They had the fast moving high hats. Now, instead of having to buy a West Coast tape, they can buy their own artists. But they have to understand that our people, migrated from the South to [the West]. But we’re not getting the promotional dollars, and being incorporated into the machine to advertise big. It’s not that they don’t like us. They don’t know about the CD. But we are not getting’ pushed in those markets so it’s not sellin’ out there.

AllHipHop.com: That’s a fair assessment.

B-Legit: If there was a major label pushing Bay Area acts hard out there, it would sell. But cats are independent. So, it’s not reaching out there.

AllHipHop.com: So they can’t support what they don’t know?

B-Legit: Exactly. I also think some people here focus on being locally accepted. Some of them need to broaden their horizons. Do songs for the South. Do songs for back East. You can’t be one-dimensional in life.

AllHipHop.com: You mentioned your songs being in the club. Recently E-40’s club “The Ambassadors Lounge” got shut down by a city council woman [allegedly Cindy Chavez] who was in cahoots with the San Jose Police Department. A lot of people on the avenue said the SJPD was very oppressive in the way they treated the patrons of The Ambassadors Lounge. How do you feel about the way that went down?

B-Legit: San Jose is a city that wants to be known as one of the safest city’s in the Bay. In order for them to do that, they have to keep the “hoodlums, thugs, prostitutes” knowing that, “We’re gonna be on your back”. They want to make it like “I don’t wanna be there [in San Jose] because they sweat me too hard”.

So, by the club being there and by 40 being who he was- it attracted a lot of young Latinos and Blacks. Like any other gathering, sometimes thing happen, people fight, there was a shooting. They did not want that in their city. So they allowed the same club to be open called, The Bee Hive. But they did not want 40’s name on it [the club]. When the major concerts come, they come to San Jose. They don’t go to Oakland or San Francisco. They go to San Jose and Sacramento. This is a city that’s ran by the police. A long time ago they used to have lowriders cruising. They [SJPD] shut that down. They harassed anybody they thought was even trying to have a good time. They did the same thing to the club. But they allowed the club to open back up as long as 40’s name was not on it. But I think they are violating a lot of peoples’ rights.

AllHipHop.com: Moving onto bigger and better, long before Nate Dogg, the Bay had the vocal tones of Levitti over Hip-Hop beats. That brother is featured on this album as well. When are we gonna see an album from Levitti? Enquiring minds wanna know!

B-Legit: I been recently having him in the studio. He’s my personal favorite. I tried to shop a deal for him. But I think he was ahead of his time. He had a gangster twist to him. But now they got Akon and Lyfe [Jennings] out. But Levitti was doing that a long time ago. At the same time, I know Nate Dogg did well with the Dogg Pound and Dr. Dre, but I don’t know how he did as a solo artist. Because it’s a different approach and marketing technique to putting out a rapper than a vocalist over Hip-Hop beats.

AllHipHop.com: Speaking of Tha Dogg Pound, I loved “Playa Potnas” from Daz’s Retaliation, Revenge and Get Back LP. That’s a good jam to work-out to. When y’all gonna team back up and make some more heat for the streets?

B-Legit: I gotta line in on Daz. He be moving around a lot, so it’s hard to get hold of him sometimes. But that was a combo between him and Soopafly. If we can get them back in the studio and hook it up again- wow.

AllHipHop.com: I was surprised to hear the collaboration with Styles P and Jadakiss. I loved it, but I was surprised. How did that happen?

B-Legit: I’m an international type guy. I travel lot. Super Bowls, All Star Games, award shows and stuff. I see Jada everywhere. We have some mutual friends too. I’m tellin’ him “You gotta come out to the Bay more often. You got love, but they don’t see you.” He’s like, “I do need to get out there more. I got some 16’s [16 bar raps] for you whenever you want them.” So I was up in Denver at the All-Star game, and we chopped it up. When I started working on this album, I waited till I got towards the end of it. I called him and told him about it. He was like, “Send it to me.” He took it and did something with it. He got Styles on it. He did that on the love. It worked out. The name of my album is Block Movement, they D-Block. It was the perfect time for something like that.

AllHipHop.com: A lot of people across The Bay, across the West, across the country are fighting to save the life to Stanley “Tookie” Williams. Can you tell me any of your thoughts on that?

B-Legit: I think so many people in Hip-Hop have love for him with the Crip and Blood thing. In the beginning, it showed brotherhood. Now you got Bloods and Crips all over the world. It started out as a brotherhood. Like, “These are my homeboys and we’re looking out for each other”. Over time, of course the wars came. By him being a triple OG he has had time to live, learn and examine what he did. What he’s doing now is trying to give back. To let the people know, by using himself as an example of where he went bad. He’s trying to keep them out of being in the same things so they are not facing what he’s facing. Sometimes, if you a preacher and you try to talk to a thug- the thug ain’t trying to hear what you have to say. Because he feels like you have not been through what he has been through. But lookin’ at Tookie, they gonna listen. He’s the start. He the founder of this. All he’s trying to do now is rebuild from his mistakes and give back. I don’t think they should kill him.

Adisa Banjoko is the controversial author of “Lyrical Swords Vol. 2: Westside Rebellion”. For more info visit www.lyricalswords.com !

Skillz Launches Label, Plans New Album

By: Grouchy Greg Watkins (@GrouchyGreg)Category: News

Rapper Skillz has

launched his own label and inked a distribution deal with Koch to release an upcoming

untitled album.

The Richmond, Virginia’s label, Big Kidz Entertainment,

recently inked a joint venture deal with Koch to release an album filled with

all-new material.

Skillz said the concept of Big Kidz Entertainment came to him

a few years ago, as he was out shopping with a friend.

“I was getting some money from writing and some checks

started coming in so I just started buying s**t and [a friend] was like ‘Damn,

dog, that’s one thing that ni**as act like when they get some money.’

[I said] ‘What’s that?’ [He said] ‘Like a big ass kid,

you actin’ like a big ass kid,’” Skillz told AllHipHop.com.

The logo for the new imprint features a child holding a briefcase

full of money, sitting on top of the world.

“I think the average person, everybody’s got a little

bit of a child still in them,” Skillz said of the concept.

Originally known as Mad Skillz, the rapper released his critically

acclaimed album From Where??? in 1995, that featured the single “The

Nod Factor.”

The rapper resurfaced on albums by fellow Virginia natives Timbaland,

Missy Elliot and The Neptunes and appeared on the remix to Aaliyah’s Timbaland-produced

single "Are You That Somebody," in 1998.

The rapper officially dropped the “Mad” from his

name with 2002’s album, I Ain’t Mad No More and released several

more albums, as well as the popular yearly “Rap Up” singles that

recap major events in the world at the end of the year.

Almost 10 years later, the rapper is preparing to release an

album on his record label, with international distribution.

“Back in the day, I just got the regular artist deal,”

Skillz said. “You [are] breaking your neck, doing all this s**t and you’re

getting the smallest amount of money you can get. And gone are the days where

n**as are spending $300,000-400,000 to record an album. I’m happy about

it. Now, I’m getting all kinds of demos. I listened to like 9 demos and

beat CD’s on the way up here [to New York] because I never know. I might

stumble on the next Kanye, the next Just Blaze.”

Skillz untitled

album is slated to hit stores in early 2006 on Big Kidz Entertainment/KOCH Records.

50 Cent Dominates Billboard Awards

By: Grouchy Greg Watkins (@GrouchyGreg)Category: News

Rapper 50 Cent took

top honors in Las Vegas at the MGM Grand Garden Arena, as he walked off with six

trophies at the 2005 Billboard Music Awards.

The G-Unit General, who was nominated in eight different categories, took home

Billboard’s coveted Artist of the Year and Album of the Year trophies for

his sophomore album, The Massacre.

50 completed his coup by winning the Rap, R&B/Hip-Hop and

Hot 100 artist of the year titles, as well as, Ringtone of the Year award for

“Candy Shop” featuring Olivia.

In addition to 50, Kanye West also scored big when he was honored with Billboards

Artist Achievement Award.

West, the eighth Artist Achievement nominee, was recognized

for his artistic excellence and Billboard chart accomplishments.

Upon accepting his award, the Chicago MC noted, “When I first came out

I was a hot head. I thought I was the greatest. After all the accolades, the

Time covers, the awards, the music connecting with the people…after all

that…my greatest achievement is still thinking I’m the greatest."

Hosted by Hip-Hop legend LL Cool J., the awards show also featured performances

by R. Kelly, Pretty Ricky and Ciara.

Reggaetón star Daddy Yankee, who recently inked a sneaker

deal with Reebok, won two trophies, including Latin album of the year for Barrio

Fino.

The Billboard Awards honor the most popular recordings and artists of the year

as determined by actual performance on the magazine’s weekly charts.

The awards are

based on sales data compiled by Nielsen SoundScan with the winners being determined

by the 2005 year-end charts.

Game Affiliate G. Malone Inks Deal With Big Ego/Sony Urban

By: Grouchy Greg Watkins (@GrouchyGreg)Category: News

Former Aftermath A&R

Mike Lynn, who helped discover The Game, has signed Black Wall Street affiliate

G. Malone to a solo contract and label deal.

G. Malone’s album The Beach Cruiser will be released

with the rapper’s label Blu Division, in conjunction with Big Ego Entertainment

and Sony Urban Music.

"Signing the deal was the beginning," G. Malone told

AllHipHop.com. "Now I got 1.7 million other things to do," he said

referring to his supposed signing bonus.

Big

Ego’s Mike Lynn joined Dr. Dre’s Aftermath Entertainment in 1996, where

he was influential in the careers of such artists as 50 Cent, Eve, Game, Busta

Rhymes and others.

In August of 2005, Lynn announced a partnership with Sony Urban

Music and Columbia Records Group and is in charge of signing and developing

artists released on Sony Urban/Columbia.

Although G. Malone is co-managed by Game’s brother, Big Fase

100, the Watts rapper chose to align himself with Big Ego rather than sign directly

with The Black Wall Street, which he is still affiliated with.

Currently, G. Malone is at work on a mixtape he hopes to drop

by the end of the year.

The Beach Cruiser

is slated for a spring 2006 release.

Kanye West, Musicland Giving Away $150k Scholarship

By: Grouchy Greg Watkins (@GrouchyGreg)Category: News

Kanye West and music

retail chain Musicland announced a nationwide campaign that will award one student

$150,000 to be used toward the cost of a four-year college education.

The “Free U. Giveaway” is the second program sponsored

by The Kanye West Foundation, which is devoted towards education.

"I’m excited to have this opportunity to partner with Musicland,"

West said. "We’re not just giving away a significant amount of money; we’re

sponsoring someone’s dreams."

The Kanye West Foundation’s first program "Loop Dreams,"

is dedicated to putting music production equipment in schools.

Musicland operates over 900 retail stores in 48 states.

Interested eligible scholars can enter their name on ballots,

located in Sam Goody, Suncoast and Media Play stores.

The winner will

be chosen in 2006.