homepage

Rhymefest Responds To S.A.S. Comments

Chicago rapper Rhymefest

has addressed comments he made on a mixtape and in a recent issue of U.K. Hip-Hop

magazine Hip-Hop Connection, regarding the U.K. based group, S.A.S.

Rhymefest allegedly made

comments about the group on a mixtape circulating and in the Dec. issue of Hip-Hop

Connection.

The magazine published comments

Rhymefest made about the group stating “those UK rappers who signed with

Damon Dash…they aint even f**king representing the UK!"

“The

mixtape aint dissin nobody,” Rhymefest told AllHipHop.com of the former

allegations. “The Mixtape is giving props and credit to the UK artists

that I appreciate. I had a choice between whether or not to sign with Kanye

West or to sign with Mark Ronson. I signed with a guy who’s from Britain,

Allido Records [Ronson’s label]. One thing that Mark did for me, instead

of giving me like a spinning chain, he took me on a tour around the world.”

Rhymefest explained that

he visited a number or European countries, learning the various Hip-Hop scenes.

He said the road helped

him develop an appreciation and understanding of Hip-Hop music and culture outside

of the United States.

He said that he had a fondness

for UK Hip-Hop in particular, having entered into several battles in the country

and noted various collaborations with UK hip-hop artists.

Of the latter comments published

in Hip-Hop Connection, Rhymefest said he offered his opinion on the UK Hip-Hop

scene in general and that the magazine published his comments about S.A.S. out

of context.

“When

this magazine called Hip-Hop Connection interviewed me, they asked me who do

I like and I started naming artists,” Rhymefest told AllHipHop.com “Then

they asked me what I thought about the group S.A.S. I was like you know they

alright but to me it wasn’t like UK hip-hop. I gave my opinion and by

the time it was published in the magazine it was exaggerated. Like I said something

about S.A.S., but that was not the case. I just gave my opinion.”

Hip-Hop Connection, which

has been published since 1988, denied printing the rapper’s comments out

of context.

“Rhymefest unilaterally

raised the topic of S.A.S. in the interview,” HHC’s Deputy Editor

Phillip Mlynar told AllHipHop.com. “His words were published per verbatim

and in a box-out to the main article – HHC added no editorializing to his words

whatsoever. Since then S.A.S. has been offered their chance to respond to Rhymefest’s

words in the first issue of Hip-Hop Connection in 2006 and the title continues

to support both Rhymefest and S.A.S."

The North London rappers

spoke with AllHipHop.com days after the comments ran in Hip-Hop Connection and

claimed Rhymefest dissed them on a previous mix tape making the rounds.

"Rhymefest has been

told to say what he said because of marketing,” group member Mayhem told

AllHipHop.com. “He doesn’t realize what he says will get him f**ked up

in the UK. This is not a game. When I see him next time, I’m gonna f**k him

up!”

Rhymefest reiterated that

he was giving his overall opinion on various artists in the UK and that he wasn’t

interested in a physical altercation with the group.

“I aint interested

in fighting nobody in the club, I aint interested in going back in forth on

mixtapes,” Rhymefest said. “If you listen to my music, I don’t

make music based on beef. I have nothing but love and respect for the UK Hip-Hop

scene and the states could learn a lot from the brothers over there. They still

breakdancing, they still battle and they are still about having the art of trying

to have substantive lyrics. I appreciate that.”

Rhymefest, who

snagged a Grammy for co-writing “Jesus Walks” with Kanye West, is

preparing to release his debut album Blue Collar.

The album features guest

appearances by Mario, Twista, Common, Q-Tip, the late Ol’ Dirty Bastard

and others, with production handled by DJ Mark Ronson, NO ID, Cool & Dre,

Just Blaze and Kanye West handle production duties on the album, which hits

stores Jan. 24, 2006.

“I don’t think

I can get a foothold in the UK based on beef,” Rhymefest stated. “I

plan to continue using my passport and if somebody approaches me I have to handle

myself appropriately, but I’m not interested in causing any harm to another

black man.”

Suspect Arrested In ‘Get Rich’ Movie Slaying, Canadian Official Wants 50 Barred

A suspect has been

arrested for the Nov. 9 slaying of a 30-year-old man in a Homestead, Pennsylvania,

after a screening of 50 Cent’s flick “Get Rich or Die Trying.”

Larue Graves, 30, of Aliquippa, Pennsylvania, was arrested at

a hotel outside of Pittsburgh on Nov. 21, where he was registered under an alias.

Police also confiscated a handgun that was in Graves’

possession. Graves is accused of murdering of Shelton L. Flowers of Wilkinsburg,

Pennsylvania.

Graves was on parole from a manslaughter charge in a 1993 gang-related

shooting in Pittsburgh.

The slaying reportedly stemmed from an altercation between the

two men in the Loews Theater restroom.

Although officials initially ordered that “Get Rich or

Die Trying” be removed from showing in the Homestead, Pennsylvania Loews

Theater, police now stated there is no link between the film and the incident.

In related news, 50 Cent may be barred entry into Canada, where officials are

expressing concern over his criminal record and violent incidents involving

the rapper.

Canadian Junior Foreign Minister Dan McTeague has asked Immigration

Minister Joe Volpe to deny 50 Cent permission to enter the country for his Canadian

Tour, which is slated to start in Vancouver on Dec. 3.

Because of 50 Cent’s previous criminal record, he requires

a special ministerial permission to enter Canada.

McTeague noted a surge of violence that his gripped Toronto

and singled out a shooting after 50 Cent performed in the city in 2003.

In that incident, a 24-year-old man was shot several times at

close range by two unidentified assailants as they left the Roc The Mic concert

at Toronto’s Molson Amphitheater.

The shooting took place as fireworks were going off in celebration

of Canada Day. The gunmen were able to escape by blending in with the crowd

in the Molson Amphitheater parking lot.

“This is not a question of censorship. This is a question

of trying to protect impressionable young men," McTeague told the Canadian

Broadcasting Corporation. "There are indeed limits and restrictions on

freedom of expression, particularly if they incite hate or if they are the kind

of activity that is killing our young youths right across Toronto."

50 Cent is not the first rapper to face scrutiny from Canada.

In 2000, the country almost barred Eminem from entering, claiming his lyrics

encouraged violence against women.

In 2003, DMX denied entry due to his criminal record and detained

briefly, forcing him to cancel two concerts.

Recently, Jim Jones’

video to the song “Baby Girl” was banned from airwaves over “Stop

Snitching” T-Shirts worn in the video.

PA School District Ordered To Pay Expelled 14-Year-Old Rapper

A 14-year-old rapper

who was arrested and then suspended for two years by The Riverside Beaver County

School District in Pennsylvania for posting his battle raps on the internet has

been awarded a $90,000 settlement over his expulsion from school.

Anthony “emceeaccident

Latour, member of an upcoming rap group Just Business, was handcuffed and arrested

in middle school in April of 2005, after another student rapper’s mother

saw lyrics the two were posting back and forth on the internet.

Latour was charged with terroristic threats over the lyrics

to the rap songs.

The same day Latour was arrested, seven police officers with

a K-9 dog searched his parents home and confiscated $10,000 worth of recording

equipment Latour’s parents had purchased for him.

The rapper spent a week in a juvenile detention facility over

the incident and was eventually expelled for two years because of the violent

lyrics that allegedly threatened other students.

“I live in a small town and they really don’t understand

rap music,” Latour told AllHipHop.com. “I didn’t really know

what was happening, it blindsided me.”

The Pittsburgh chapter of the American Civil Liberties Union

filed a federal lawsuit on behalf of Latour in August of 2005, claiming the

school had violated his First Amendment rights.

One of the songs that helped get Latour expelled was titled

“Murder He Wrote,” which lawyers for the ACLU deemed “a third

party narrative song about the incident at columbine [high school in Colorado]

reflecting Anthony’s attempt to imagine what could have been going on

in the heads of the students who perpetuated the tragedy.”

Latour, who said he considers Eminem, Necro and D-Block as his

main influences, said he hails from a small town here people don’t understand

Hip-Hop music.

At a May expulsion hearing, the student Latour was battling

admitted he was never threatened and that the two never intended to harm each

other.

In August, attorneys from the ACLU argued that the rapper was

battling and that his lyrics didn’t threaten anyone specifically.

"Anthony’s rap music — by which he flexes his lyrical

muscles — is not a true threat, but is art enjoying full First Amendment protection,”

argued Kim Watterson, a lawyer based in Pittsburgh with the international law

firm Reed Smith, which handled the case on a pro bono basis.

Watterson also called noted Hip-Hop author Bikari Kitwana to

testify on behalf of Latour. Kitwana explained that battle rap can “get

pretty nasty in terms of the language," but was still simply “a verbal

challenge.”

On Monday (Nov. 23), Chief U.S. District Judge Donetta W. Ambrose

ruled the songs were protected by the First Amendment and that they were posted

from his home, not school.

The Riverside Beaver County School District must now pay Latour

and his family $90,000.

The school district has also agreed to write a letter acknowledging

that the 14-year-old did not threaten “the school or the students by way

of his songs."

Latour said he

plans to use the majority of his settlement money to upgrade his home recording

studio.

Ricky Powell: Sharp Shooter

Ricky Powell’s lens never lies. Neither does he. Ricky Powell is one of the reasons this writer has a manual focus camera. The strikingly humble “fourth Beastie Boy” has been capturing numerous snaps of MC’s, DJ’s, 70’s cinema extras, and dimes since the mid 1980’s. These images have developed into a visual archive of what many might call "better times."

On the release of his fourth book, Public Access, Ricky Powell builds with AllHipHop.com. The latest release features new photos, plus artistically altered classics. Ricky shared some excerpts and waxed his thoughts on New York, photography, and Kool Keith’s crazy sports references. Oh snap!

AllHipHop.com: What’s it like to be doing this in 2005?

Ricky Powell: There’s a lot of ups and downs – a lot of all or nothings. Right now, it’s very rough. I’m doing very well, professionally, but – I don’t know man, it’s crazy – I got no cash-flow right now.

AllHipHop.com: Do you think that Public Access will change that?

Ricky Powell: Oh yeah, it’s gonna take a minute till I get any royalties though. You know, I’m waiting on s**t, just different things. I just shot a bunch of pictures in France, at Paris. I’m waiting on that, and a couple knuckleheads owe me a couple 20’s here and there.

AllHipHop.com: How did it come about to let artists add to your existing photographs?

Ricky Powell: I got the idea like five years prior. I had this girlfriend, and one day she painted on [a photo of] DMC with an ice-cream truck. She made it like Italian colors. I was just like, “What?” – it struck me hard. I give my pictures to my friends and let them get busy – let the viewer see the collaboration. I collect books on Greenwich Village, and I love seeing what artists were hangin’ out together in the 50’s and 60’s, even if they were just hanging out for a drink. So, I figured I’d make a modern one – let people know who I’m doing s**t with. Photo books these days are just so much about what the photographer shoots, it’s kinda monotone. With this part added to the mix, it adds a dynamic I love. It puts some color in the book. I like bringin’ my peoples up [too].

AllHipHop.com: I really love this Eazy-E print. I read that you met him at a hotel in New York for an Ego Trip story shortly before he passed…

Ricky Powell: He kinda set the mood right away when I got to the New York Hilton. He greeted me at the door with a rolled blunt with blackberry leaf paper – it was ridiculous. We vibed, ya know, which I loved, especially with someone of a different race – breaking down the racial barriers. It was kinda special. It got kinda open. I broke out the video camera and did a segment for [Rappin’ With the Rickster] as well as the story, I kinda accomplished three things in that one session. A lot of my pictures, I took while working other jobs, whether a bike messenger or a busboy, or my Frozade stand…

AllHipHop.com: In Oh Snap! there’s a shot I love of you in ’86 with the Beastie Boys at the lemonade stand. They’re kids, about to go on their tour the next day. You’re grinding. That’s history.

Ricky Powell: Yes yes yes. That’s a good one.

AllHipHop.com: Taxi Drive ris probably my favorite look at New York, as well as a dope film, period. There’s a short shot of a guy playing the drums on a street corner. He says, “And now for the syncopated style of Chick Webb.” It’s spooky. You found him over twenty years later in Lower Manhattan. That’s the kind of stuff in your art that b###### away…

Ricky Powell: You know what, I messed up with that one. I credited him as “Chick Webb” in the book. That’s what he says in the movie though, “The syncopated style of Chick Webb,” his real name is Gene Palmer. I don’t know what I was thinking. There’s this building that houses people a lil’ mentally to left field, a halfway house. I be seein’ him. “Holy s**t! That’s the dude from “Taxi Driver” One day I said, “Yo, peace, how you doin’? Can I take your picture?” I took two shots, and he obliged. Dude was bugged. I’m proud of that picture, thank you. It exemplifies my s**t.

AllHipHop.com: I often wish I could live in the New York that you capture, when I see those shots.

Ricky Powell: Wow. Very flattering, thank you. But know what? I ain’t s**t. I wish I was shooting five years earlier. I missed the [boat]. Glen E. Friedman, I give him props, ‘cause he started shooting in ’75 or ’76, and I’m so envious of that. I think I caught a lil’ bit of the mid 80’s flavor in my s**t. I think the mid 80’s was very close to the end of the golden era. The late 80’s came, good, whatever. But once [Former Mayor Rudy] Giuliani got in office – killed New York, killed it! Killed the essence of cool. I think he’s a major factor in s**t being wack.

AllHipHop.com: Will it ever turn around again?

Ricky Powell: I don’t wanna get political, but we need to get the Republicans out of the offices. I think they’re pulling some stupid corny s**t on America. It’s insulting to America, and it’s insulting to me. I don’t like to be represented by these people. I mean artists, musicians, whatever – we’ve got some freedoms. But s**t is wack right now, there’s not much to get excited over. I don’t wanna get depressed, but you know?

AllHipHop.com: You’ve got the executive and the street beggar cat sleeping on the bench together. That kinda speaks on these politics…

Ricky Powell: That’s my shot. I think it’s either called “Sophisticated Bums” or “Bummy Sophisticates.” I see a lot of moments like that, I just gotta have my camera with me.

AllHipHop.com: Has there ever been a Hip-Hop artist that adamantly did not want their picture taken?

Ricky Powell: Huh. That’s interesting you say that. I try not to force the issue. I’ve made a couple of mistakes – tryin’ to take a shot on the sneak where things didn’t go over well. Not really, though. I’ve never had no problems with anybody in Hip-Hop. Umm, as far as celebrities, I’ve asked John F. Kennedy Jr. one time if I could take his photo. I saw him in the bathroom of this club one time at a Halloween party. He was in camouflage. I asked, he said, “I’d rather if you didn’t.” Respect. Also, Sean Penn at Robert DeNiro’s restaurant, I saw him at a party. I bumped into him at the stairway [same thing]. I know how it feels. I don’t like dorks taking my picture.

AllHipHop.com: I meet many people who wanna just hang out with rappers. You’ve done it your whole career as a collaborator and a fan. There’s shots of Kool Keith freaking his Black Elvis doo in your bathroom. How do these things happen?

Ricky Powell: You’re funny. I think I was doing a story for a magazine, The Fridge or some s**t, and Keith came over. I knew he was cool. Someone informed me that he knew early 70’s sports trivia real good. That’s exactly what I’m into. I have this thing I say about him: I like any rapper that mentions Jerry Grody [Keith does so on Ultramagnetic MC’s “Two Brothers With Checks”]. He was a catcher for the Mets. We just bonded, man. It was cool. He kinda reminded me of a dude I went to Junior High School with, Roy Ambrose, funny. That was a good one. I tell ya – most of my experiences have been positive. I’ve had a couple of bad ones. It wasn’t all rosy. S**t doesn’t come easy for me. I don’t call myself a photographer. It sounds wack; dorky. I’m lucky to be doing what I do. I get minor miracles out of the blue – it keeps me going.

Selected images from Public Access: A Miss Rosen Edition by Ricky Powell, published by powerHouse Books, ©2005.

NAACP Honors Rapper Hev With Spirit Award

Rapper/actor Hev (formerly

Heavy D.) will be presented with the NAACP Spirit Award at the The 16th Annual

NAACP Theatre Awards taking place in Feb.

Hev is being awarded for his leading role in the stage play

“Medal of Honor Rag” in addition to his accomplishments in film,

television and music.

“Sometimes when you do things in life, you never know

that people are paying attention,” Hev told AllHipHop.com. “It’s

a wonderful feeling to be looked upon as someone they consider to have made

a contribution to theatre.”

“Medal of Honor Rag” was directed by veteran actor

Delroy Lindo and centers on a depressed Vietnam veteran and his relationship

with a New York psychiatrist.

Fellow rapper/actor Will Smith executive produced the play,

which ran from Jun. 1 – Jul. 11 in Los Angeles.

“I wanna thank Will Smith for believing in me and supporting

me unconditionally,” Hev continued. “It would not have been possible

without him.”

The play also ran from Oct. 13 – Nov. 16 to raise money

for victims of Hurricane Katrina.

Previous winners of the award include Danny Glover, Phylicia

Rashad, Art Evans and Fayard Nicholas.

“What an honor to be amongst such great entertainers.

This award is like a dream come true. This is proof that a little boy, who dreams,

can see those dreams turn into reality.”

The 16th Annual

NAACP Theatre Awards is scheduled to take place Feb. 20, 2006 at the Directors

Guild of America Theatre in Los Angeles, California.

Adisa Banjoko Talks ‘Lyrical Swords Vol. 2

Noted author, lecturer

and veteran Hip-Hop journalist, Adisa "The Bishop" Banjoko will be releasing

his second book "Lyrical Swords Volume 2: Westside Rebellion" on January

15th.

The book is a collection of essays and interviews about the

social, spiritual and cultural trends inside Hip-Hop and features chapters on

chess and Hip-Hop, martial arts, the prison industrial complex and how Hip-Hop

failed in the last election.

The book also includes interviews with numerous rap acts, including

some that were never before published.

"I’ve always cared deeply about what motivates these artists,"

Banjoko told AllHipHop.com. "I’m giving all Hip-Hop fans across the board,

a real look at the minds of the people who make Hip-Hop."

Some of the artists featured include GZA, Sway, Gangstarr, Run-DMC

and Jam Master Jay, Master P, Nas, RZA, Paris, Afrika Bambataa, Spider Loc,

Dilated Peoples and others.

But Banjoko also noted that his book is about more than just

the artists.

"I’m trying to solve problems with this book, uplift the

young people," he says. "I think that Hip-Hop music was made by and

for young oppressed people and I’m trying to give them the tools they need to

move forward."

For those true fans of Hip-Hop music and culture, Banjoko assures

that "Lyrical Swords Vol.2" is for them.

"Anybody who takes Hip-Hop culture seriously and wants

to see Hip-Hop in its full spectrum, accurately documented, wants to have this

book," Banjoko said.

For those who can’t wait for the official release, you can email

Adisa at [email protected] and you will receive 3 chapters of

the book mailed directly to you.

Also if you buy the book from lyricalswords.com

you will receive a copy of a mix CD by DJ Mike Relm, which mixes in Adisa’s

speech at Harvard with Hip-Hop beats.

Banjoko will be doing a speaking tour to promote the book beginning

at the end of January.

Volume 2 is the

follow up to Banjoko’s highly successful first book "Lyrical Swords: Hip-Hop

and Politics in the Mix" that can be purchased at www.lyricalswords.com

or www.amazon.com.

Radio Station Launches “Kill Tookie Hour,” Protests Mount

A Los Angeles radio station KFI 640 AM has launched the “Kill Tookie Hour,” a daily feature on “The John and Ken Show” until Stanley “Tookie” Williams is executed for murder.

The station, which Daveyd.com reports is owned by Clear Channel, started the event on Monday November 21 and it is scheduled to run until December 13, the day the former gang leader is to be put to death.

Area activists have called for a full investigation by the FCC.

"The core and the manner of the on-air remarks, which were extremely distasteful towards Williams and his plight, were extraordinarily disturbing and offensive," said Jasmyne Cannick of the Los Angeles Urban Policy Roundtable. "I urge the Federal Communications Commission to examine this incident – particularly in light of other recent, similarly offensive attempts at ‘entertainment’ by KFI 640 AM host John Zeigler, who tried to find humor in the death of attorney Johnny Cochran claiming he was going ‘straight to hell’ for defending a killer [in O.J. Simpson] – and to take any and all actions consistent with applicable FCC rules and regulations."

Cannick theorized that a radio station would “be in a lot of trouble” if it were to launch a “President Bush Must Die” hour. “We must draw that line at some point,” she said.

Concerned citizens convened at the Lucy Florence Coffee House on Wednesday morning in protest of The John and Ken Show, Clear Channel and KFI 640 AM.

Davey D, who attended a press conference regarding the matter, admitted that the community isn’t fully supportive of clemency for Williams, who is credited for co-founding the Crips gang and convicted of murdering four people.

“One of the speakers, an elderly woman named Ms Herod, spoke. She is an advocate for the victims of gang violence. She spoke about the fact that a lot of people in South Central are not in favor of clemency for Tookie, however, she and many others, were disturbed by the circus-like atmosphere and party-like vibe created by Clear Channel regarding Tookie. She broke it down and reminded folks how things were in the days of lynching. She talked about how people celebrated the lynching of Black men and for these guys to go on the radio and act like they were concerned for the ‘hood and victims of gang violence was crazy.”

A judge signed Williams’ death warrant on October 24 and celebrities like Snoop Dogg, Jamie Foxx and Daz Dillinger have publicly supported the Nobel Prize nominated author. The former gang leader has renounced his past lifestyle and penned a number of children’s books.

French Lawmakers Accuse Rap Groups Of Inciting Riots

Various rappers and rap

groups in France are facing legal action after being accused by lawmakers of

inciting the country’s riots through their raps.

200 lawmakers signed

a petition on Wednesday (Nov. 23) that was co-signed by 152 Deputies and 49

Senators and presented to Justice Minister Pascal Clement, singling out seven

rappers/groups.

The rap groups

could face legal action and are specifically accused of inciting racism and

hatred. The petitions sponsor, Francois Grosdidier, claims rap music conditions

listeners who could become violent in the future.

"Sexism, racism and

anti-Semitism are no more acceptable in song lyrics than in written or spoken

words," Grosdidier of the ruling centre-right UMP, told AFP. "This

is one of the factors that led to the violence in the suburbs."

Monsieur R’s song

“FranSSe” drew controversy earlier this year in the country and

the complaint singled out the song again, which describes France as “b*tch

who should "treated like a w####".

Monsieur R is already facing

a court date over the song and is charged with "outrage to social decency.”

Other groups targeted in

the petition include Smala, Fabe & Salif, Lunatic, Ministere and Ministere

Amer.

In 1995 French officials

attacked rap group Ministere Amer in court over their song “Sacrifice

de poulet,” from the soundtrack to “La Haine,” a movie that

ironically centers on the lives of three teenagers living in the slums after

a riot has broken out.

A court ruling forced the

group to pay 250,000 francs in fines, but lawmakers were unsuccessful at banning

the CD from stores.

Rappers have expressed their

dismay with the conditions in France since the 1980’s and 1990’s.

The recent riots in France

were set off by the Oct. 27 accidental deaths of two teenagers in Clichy-Sous-Bois.

Zyed Benna, 17, and Traore

Bouna, 15, fled a soccer game and hid in a power substation when they saw police

enter the area and were accidentally electrocuted.

Youths in the neighborhood

accused the police of chasing the teens to their deaths.

The riots were initially

confined around Paris, but then spread to other regions of the Île-de-France

region and throughout France, affecting fifteen of the large urban centers in

the country.

AHH Stray News: Remy Ma, AMA’s, Miami Hurricane Rappers, 334 M.O.B.B., WMG

Remy Ma is giving

back to her Bronx, New York community and will give away 600 turkeys and 400

hams today in the Bronx, New York. The female voice of Fat Joe’s Terror

Squad will host the event at Jessica Guzman Medical Center from 6:00pm to 8:00pm.

Remy’s solo effort There’s Something About Remy coincides

with the passing of Big Pun’s passing on Feb. 7, 2005.

The 33rd Annual American Music Awards took place last night at the Shrine Auditorium

in Los Angeles, California. The evening was hosted by comedian Cedric The Entertainer.

Missy Elliott won Favorite Female Artist in the Hip-Hop category, while 50 Cent

took home top Hip-Hop album. Eminem took home Favorite Male Hip-Hop artist,

Will Smith snagged Favorite Pop/Rock performer and The Black Eyed Peas were

honored with Best Group awards in the Hip-Hop and Pop/Rock categories.

Several current and former

Miami Hurricanes football players are in hot water, after a nine-minute rap

song surfaced featuring the football players demeaning women. The song was recorded

a year ago by “The Seventh Floor Crew,” who took their name from

a student resident hall. "To those who may hear this material, we apologize,"

Athletic Director Paul Dee said in a statement. "Any students whose voices

can be identified will be subject to appropriate discipline and/or counseling."

The matter will be handled internally, as the recording – which was posted

on a student’s blog – was not meant for public distribution.

Montgomery, Alabama duo 334 M.O.B.B. has inked a deal with Def Jam after years

of work in the South. Group members Sawed-Off and Supa Star’s song “Wiked

Church” received airplay in various markets and the group’s mixtape

version of their song “I Aint A Killa” featuring David Banner and

Bone Crusher helped seal the deal. “We don’t want to be pigeonholed as

rappers” group member Supa Star said. “We can do it all, from emceeing,

production and performing, were going to shake things up in the hip-hop game.”

The group has performed with T.I., Outkast, Lil’ Jon and will join Nappy

Roots on an upcoming nationwide tour. 334 M.O.B.B.’s untitled Def Jam

debut is set for a Spring 2006 release.

Warner Music Group has agreed

to a $5 million dollar settlement in regards to a payola probe by New York State

Attorney General Eliot Spitzer. The $5 million dollar settlement will go towards

New York music education and appreciation programs. Spitzer announced that Warner

Music Group agreed to cease giving radio stations incentives in exchange for

airplay. Warner admitted to giving direct bribes to programmers, airfare, and

tickets to concerts, iPods and other incentives to increase airplay.

50 Cent Out Of Inc. Trial, Rapper May End Up In Court Over Murder Case

Judge Edward Korman

delivered a blow to the government’s case yesterday (Nov. 22) when he ruled

that 50 Cent’s May 2000 shooting was irrelevant to the federal money laundering

trial of The Inc.’s Irv and Chris Lorenzo.

The theory that Kenneth “Supreme” McGriff ordered

Ja Rule’s bodyguard to shoot 50 Cent was ruled out of the brothers’ trial,

in which they are accused of laundering millions of drug proceeds for McGriff.

Sources familiar with the case told AllHipHop.com that 50 Cent’s

shooting could come up again – in McGriff’s murder and racketeering

trial – which is slated to start in March of 2006.

The chances that 50 Cent will have to testify in that case are

a "near certainty" according to sources, because McGriff is accused

of murdering Queens, New York rapper, Eric “E-Money Bags” Smith

in 2001.

E-Money Bags was allegedly setup to avenge the murder of another

McGriff associate, Colbert “Black Just” Johnson, who E-Money Bags

allegedly shot in the leg during a cocaine related dispute.

Johnson died on the way to the hospital as the bullet struck

an artery in his leg and fatally wounded him.

Sources close to the case stated that Jon Ragin, who is testifying

on behalf of the government during the money laundering trial of the Lorenzo’s,

will also testify for the government during McGriff’s trial in March.

Ragin was a partner with McGriff in Picture Perfect Films, which

prosecutors claim was set up to launder McGriff’s drug money.

During testimony barred from the jury, Ragin testified that

he met McGriff and Robert "Son" Lyons in a Brooklyn garage after 50

Cent was shot. Ragin claimed McGriff admitted to ordering Lyons – who was Ja

Rule’s bodyguard – to shoot 50 Cent.

Sources stated this is almost certain to come up in McGriff’s

murder trial, because of the similarities between the shootings of 50 Cent and

E-Money Bags.

50 Cent was shot in May 2000 when a gunman pulled alongside

of his car and open fire. E-Money Bags was shot 10 times and killed in July

2001 while sitting in his SUV on a Queens street.

The government has charged Dennis “Divine” Crosby,

38, and Nicole Brown, 42, with E-Money Bags’ murder, along with McGriff.

The couple allegedly videotaped the rapper’s movements from

a nearby apartment before he was gunned down.

McGriff is also charged for a drug-related double slaying in

Baltimore, Maryland. In that incident, police found $30,000 in cash in a stash

house allegedly used by McGriff.

They also found large amounts of cocaine and heroin and promotional

items from the "Crime Partners" movie that McGriff allegedly was producing

with Jon Ragin.

Yesterday during testimony to jurors, Ragin stated he routinely

saw bags and shoeboxes of cash delivered to The Inc.’s offices.

He also stated that checks cut from The Inc. were reimbursed

with drug money. When cross-examined, Ragin admitted he never saw the money

changing hands.

Both prosecutors and defense attorneys noted that Irv and Chris

Lorenzo were compulsive gamblers.

According to court records, between September and December of

2000, Chris Lorenzo placed over $1.5 million dollars in bets on college and

professional basketball games, as well as professional football games.

Gerald Shargel, who is representing The Inc. along with Gerald

Lefcourt, said Chris’ gambling addiction was so bad that his only asset

is a small one bedroom apartment in Queens and that “Chris doesn’t

own anything of value.”

Shargel said that Irv – a top-selling producer –

and Chris’ gambling addiction also accounted for the large amounts of

cash frequently seen in the office.

Sources stated

The Inc.’s trial could end as early as next week, now that 50 Cent’s shooting

has been dismissed, preventing a “trial within a trial.”

In The Mix (Film)

Artist: Movie ReviewTitle: In The Mix (Film)Rating: 2 1/2 StarsReviewed by: Edwardo Jackson

BIASES: 30 year old black male; frustrated screenwriter who

favors action, comedy, and glossy, big budget movies over indie

flicks, kiddie flicks, and weepy Merchant Ivory fare

Darrell (Usher) is New York’s hottest DJ. Dolly (Emmanuelle Chriqui) is the

JD-bound law school daughter of mafia boss Frank (Chazz Palminteri). When Darrell’s bravery in protecting the family during a mafia-style hit earns him entry into Frank’s home, Dolly chooses Darrell as her around-the-clock bodyguard. Romance, natch, ensues.

Or at least that’s what we’re told. “In The Mix” is a tired retread of tired retreads, push-carting out every mob stereotype and every other Black one for weak stabs at situation comedy. With seizure-inciting direction (enough with the strobe lights, Underwood – we get it: he works at a CLUB!), “Mix” is generically scripted, obvious, and recklessly clumsy in dealing with race relations. Featuring character types so well worn, they should sit in a living room wrapped in plastic, “Mix” practically dares you to walk out of the movie early. Aren’t we tired yet of the white coonish, corny, wannabe-Black w##### mocking contemporary young Black Hip-Hop culture by his buffoonish attempts to comically mimic it? Haven’t we had enough of the wisecracking-beyond-her-years child who obnoxiously Buttinskys her way into everything, yet is still, inexplicably, accepted as loving, protective, and “cute” (she ain’t THAT cute)? If all that, plus groan-inducing dialogue weren’t enough, “In the Mix” may boast the silliest action climax of the year (Hence my sudden urge to go home and wash my hair. Or something).

Actors like Chazz Palminteri, who is always (ill-advisedly?) up for anything, and the lovely, petite Emmanuelle Chriqui–perfectly capable, decent talent when provided a real script and real direction–act as mere enablers, co-signers for such laissez-faire filmmaking. Don’t encourage it, discourage it! Palminteri, he of the perpetual

twinkle in his eye like he knows he’s better than the material (he is), should actually try saying “no” once in awhile. Emmanuelle glows but has absolutely no chemistry with

Usher. Having to overcompensate for his limited (okay, damn near nonexistent) acting skills, Chriqui, while forced to mutter heinously obvious lines, is practically acting by herself half the time, thanks to…

Usher. (Dramatic pause) Dancer. Singer. Lover. Businessman extraordinaire. Actor? I don’t think so. Overly mannered, indicating through gestures instead of inhabiting a role, and processing his lines onscreen instead of, again, just INHABITING A ROLE–one that

doesn’t require much of him except for flashing dimples, teeth, and a body he’s clearly in love with anyway. Maybe that’s the problem: Usher is so in love with his own, tiny little body, there’s no room in his heart to even portray romantic interest in someone else. How can Dolly compete with his love of his abs? Usher’s body is downright geometric, so shapely and wavy that it must be contractually stipulated that it be shown sans shirt at regular ten minute intervals throughout. Hmm, wonder who exec produced this film…

Shortly after Usher pushed out the line “I’ve never loved anyone until you” with all the conviction of the White House Press Secretary telling us we’re winning the war in Iraq, I had to go reclaim my life, missing the very end of this movie as its ridiculous third act flailed along. As I left the theater, early, one thought moved across the news ticker-like crawl of my brain, a thought synonymous to cheaply made, sloppily executed, studio “Black” films and their only, if any, socially redeeming value:

Nice soundtrack.

Edwardo Jackson ([email protected]) is an author and LA-based screenwriter, visit his website at www.edwardojackson.com.

Got Purp? Volume 2

Artist: Big Boi Presents…Title: Got Purp? Volume 2Rating: 3 1/2 StarsReviewed by: Oyama Caviness

Big Boi is still reppin’ the “A”. In lie of the now defunct Aquemini Records Got Purp? Vol. 2 (Purple Ribbon/Virgin) is a compilation of Big Boi’s Purple Ribbon acts including Dungeon Family (DF) rappers of the new generation like Killer Mike and Bubba Sparxxx, as well as long time collaborator Sleepy Brown. The DF once laid the foundation for Atlanta’s now prevalent Hip-Hop presence over 10 years ago when being a rapper wasn’t the norm. Got Purp ? features almost all of the original DF members and is reminiscent of the days back when, minus one key ingredient-the other half of the dynamic duo Outkast, Andre 3000. Killer Mike harshly and without regret, answers most questions on “Dungeon Family Dedication”, which ironically samples Big Boi and Dre’s classic proclamation of loyalty “Aquemini”, kicking, “All I know is Big here, Dre gone, moved on/Changed names from Aquemini to Purple Ribbon.”

In contrast to this necessary, but missing ingredient there is an overdue reunion of the original members of Goodie Mob on the trumpeting “Hold On”. Although the track has the authentic Goodie Mob sound, depth, and tone, it falls short on lyrical versatility. Fortunately, Cee-lo makes up for this disappointing appearance on his duet with R&B the singer Scar on “What Is This”. The mellow production blends perfectly with Scars sultry vocals and Cee-lo’s clever rhymes. Sleepy Brown contributes more R&B strength to the album on “Me, My Baby, and My Cadillac” as he takes the listener on a joyride throughout the streets of Atlanta. This nostalgic track definitely captures the essence of DF.

The overall experience from the album feels like throwing in a 90s favorite while reminiscing with old friends about growing up in the south. Only a few attempts bring DF into the new millennium like the grimy, strip club feel of “Claremont Lounge” featuring Bubba Sparx, Killer Mike, and Cool Breeze and “808” featuring Big Boi, Bun B, Big Gee, and G-Rock. The crunk combination of intricate production and lyrics on the first release, the Beat Bullies produced “Kryptonite” featuring Big Boi, Killer Mike, C-Bone, and Rock D is the true anchor to the compilation and is strong enough to hold Got Purp? down without it going belly up.

Self-Scientific: Beats, Rhymes, & Strife

One of the quiet, but well-received albums from California this year has been Self-Scientific’s Change. In many circles, the group is far from new, having released a compilation several years ago, as well as plenty guest work. DJ Khalil has since become one of Dr. Dre’s Aftermath producers, putting in work with Xzibit, Raekwon, and on the Get Rich Or Die Trying soundtrack. Regardless of his high-profile day duties, Khalil and partner, Chace Infinite, are fighting to make a dent in the game, and your brain.

As DJ Khalil speaks to AllHipHop.com on the music, Chace reflects on the issues at play in the lyrics. With another project billed for early ’06, get used to these guys. Their politics are real, and the beats have everybody from Dre to Bun B to Chef Rae talking. Science has been dropped!

AllHipHop.com: Khalil, regardless of Self-Scientific, people now know you from Aftermath. How did you hook up with Dr. Dre?

DJ Khalil: It really happened through an artist that he signed, named Brooklyn. She’s not on the label anymore, but she did a demo [that] Dre loved. She used probably about four or five of my beats, and he wanted to keep all her songs pretty much from the demo for her record. From that point, we just developed a relationship. I just kept giving him beats. I literally would just start making beats around the clock. After awhile, he was like, “Yo, I want to bring you in and have you work on a lot of the stuff we’re working on.”

AllHipHop.com: Change has a lot of politics woven in. I appreciate the fact that you speak to and talk about Blacks, Hispanics, Whites, and Asians. That’s not something we often see?

Chace Infinite: My family has been involved with the Nation of Islam and Black issues forever. I’m still concerned with my people first, but when you look at impoverished cities in America, you gotta really analyze it because my own city Los Angeles has changed so drastically. South Central and the Eastside has become more and more Latino and Korean. Impoverished areas aren’t just n***as anymore, but I think because more and more that there’s been issues between the Blacks and the Latinos it needs to be talked about more inclusively, instead of separating ourselves. That’s what the whole first verse of “Tears” is talking about.

AllHipHop.com: I like that song, I think it’s my favorite on the album.

Chace Infinite: Thank you, it’s about the relationship between the two: you got Blacks, Latinos, and Asians in the worse conditions, yet you have the media and the government, pitting the largest groups against each other to try to eliminate each other. But Black and Brown, we come from the same seed. You go to the East and you see it all, Puerto Rican, Dominican, and Panamanian they all identify with the African Diaspora. It’s real sad because there’s a real void for those who don’t know, who have no knowledge of self.

AllHipHop.com: People often praise you as being a great lyricist, but do you feel limited by being called a conscious rapper?

Chace Infinite: I think it does in this day and age to a certain extent. I think with us, with a song like “2 Step” or a song like “Jellyroll”, those aren’t contrived songs. They’re either in me personally, or in Khalil personally. But they do have some type of commercial sensibility about them in some way.

AllHipHop.com: One of the more mainstream-minded tracks that still packs a message is “Live and Breath” with Bun B. Why is that the first single?

Chace Infinite: It just moves better than everything else. I didn’t want it to be something like “2 Step” because it’s so different from what Self-Scientific is, and we didn’t want to throw people off . The Bun B joint, I didn’t want to use that as a single, even though it’s really jumpin’, and really a strong song, but Bun is on so much stuff right now I didn’t even know if we could get it cleared as a single.

AllHipHop.com: In that song, you said “Would her mother understand if she left” and that said so much to me about the state of mind of a lot of these young girls out in Los Angeles right now. Explain what that song is about…

Chace Infinite: The song is really about sacrifice. It’s two separate stories: like this young lady, she’s 18 years old and got into this relationship with an older man that kinda used her and sucked all the beauty out of her and she’s trapped in a position where he’s taking care of her brother and her mother so she can’t take the water out of the well.

AllHipHop.com: The sad reality is you have a lot of young girls thinking they’re playing these older dudes, when in fact most of them are really playing themselves.

Chace Infinite: Yeah, especially when you involve your family members, and everybody else is relying on this situation to survive and coming from the environments that we come from. Some girls really feel like they don’t have a choice.

AllHipHop.com: It also doesn’t help when the mother is 30, and the daughter is 15.

Chace Infinite: Right, or say you have a mom that may be 45. and the brother that has the girl messed up. He might be 36, and the girl is 19, and the mom on the low might be trying to get at dude too. So it’s an unfortunate reality, and the second verse is basically about how cats get caught up trying to assure something that they’re not. Once you get the consequences, then they wanna holler, “Oh, I ain’t no gangsta,” and all that.

AllHipHop.com: Who are some of your influences in terms of production?

DJ Khalil: I’d like to think I was already tight, but I think Dre enhanced what I’m doing in terms of the sound and how we mixed it, ya know. My initial influences though, I’m a huge Pet Rock fan, I’m a huge DJ Premier fan, Bomb Squad, Public Enemy, Marley Marl.

AllHipHop.com: Besides Dre, those are all New Yorkers. That’s odd from a West Coast revival producer?

DJ Khalil: I get that a lot. I just grew up listening to pretty much East coast Hip-Hop, well pretty much everybody did, since that?s where it all started. And of course Dre is a pioneer, as well and Muggs, and we have a lot of great producers here [in Los Angeles].

AllHipHop.com: As we talk on these issues, I can’t ignore that in one of your songs, you say, “I hope God is a gangsta.” Is that something you truly feel?

Chace Infinite: That wasn’t a personal statement, it was more of a blanket statement because we got a whole generation of kids fascinated with the mantra of ‘thug life’ but a lot of them don’t understand what Pac and Matulu Shakur meant by ‘thug life’. so now they’re living out sorta like brothers who say their Christians, but don’t to anything Christian-like. They don’t know anything about Christianity but they’re Christians and there’s a lot of n***as that are out there like, “Yeah, n***a, I’m a thug,” and they really don’t know.

AllHipHop.com: Right…

Chase Infinite: That was the foundation of the mixtape we did called “Gods and Gangstas”. Basically, you got all these kids with predetermined ideas about what a gang really is just robbin’, stealing and jackin’ n***as, because that’s what they think thug life really is. And I’m saying, eventually when you die you gotta answer to someone whoever that may be. Whether you answer to the concept of God or Allah or whatever, eventually you gotta answer to somebody because of what you live on earth, you better hope God is a gangsta so he can understand what you been going through or it’s gonna be real f***ed up for you, so it was kinda like a blanket statement.

Doujah Raze: New York State of Grind

When you think of the Hip-Hop scene in Virginia, artists such as The Clipse, Missy Timbaland and The Neptunes immediately come to mind. And while Virginia Beach has produced some of Hip-Hop’s biggest names, the rest of the state has been virtually ignored. An artist looking to change that is Doujah Raze. Repping the Northern VA area, as well as Washington, D.C., Doujah Raze is a new artists emerging in the underground scene with a refreshing style, sound and persona. Unlike most underground artists, Doujah is a well rounded MC with an uncanny ability to produce conceptual material. This is evident on his self-titled debut album, which finds Doujah covering a range of topics, which range from his own spiritual beliefs, to the role of his grandfather in his life, to various social issues. Doujah Raze has come this far…help him go further.

AllHipHop.com: Do you remember your first memory of Hip-Hop?

Doujah Raze: Yeah, it was Run-DMC’s Raising Hell, which was the first tape I ever bought. The track, “It’s Tricky,” that was my favorite joint! I had that whole album memorized within a week after buying it. I just fell in love with it and ever since then – I have been into all types of music – but that was my first purchase and my first taste of Hip-Hop. I think that is why I’m still in love with the music – that kind of set me off in the right direction.

AllHipHop.com: I know this is generic, but how did you first get into rhyming?

Doujah Raze: I guess it started in high school. The thing is, I would memorize any lyric that I ever listened to. Any track that I liked, I basically memorized the lyrics verbatim. And people would be amazed, because I could spit them with no problem. So in high school we would mess around, sit around, freestyle and b#######. It was always fun and I never really took it seriously. But before that, there was a time when I was even more serious about writing Rock & Roll songs. In like 7th or 8th grade, I was playing the guitar and writing Rock lyrics – I wanted to be a Rock star. But I fell back in love with Hip-Hop – because I went through a couple different sections of music and I kind of lost my dream about being a Rock star. There are not too many White kids from the suburbs who grew up to be Hip-Hop stars, so I didn’t really take it seriously. Then in college, I was freestyling occasionally – this and that – but I got into DJing and I thought maybe this was what I was going to do. It wasn’t until the end of college, when Double J hit me up on the phone one day and played me a beat he just made. I was like, “Wow, that is crazy.” So once I got off the phone I made the hook in the shower, and then I wrote three verses afterwards, and it turned out to be “Hard Times,” the first song we ever put out.

AllHipHop.com: How did you and Double J start to build your name locally at first? Take us to the beginning.

Doujah Raze: In the beginning – we formed the label in college and once we graduated we moved back to the D.C. area. We started making our name nationally and internationally at the same time we were locally. J had developed a network of DJ’s from doing the college radio thing, so he knew who to send my records to. He had also developed some industry contracts and contacts with distributors. So when we put out our first record, “Hard Times,” we had distribution. It was national and international. Plus, J knew how to promote it well. We sent it out to all the college DJ’s and that started the growth of my name and Trilogy Records. At the same time, we were working with cats in the D.C. area. And we were building with cats in the local scene, some of which had been doing things for five or ten years. I was recording, getting beats and doing shows with them. I was building my name in D.C. at the same time I was building it worldwide. After a couple of years in D.C. I felt like I needed to move on and make the move to New York so I could really elevate my career. I needed to take it to the next step. So when we got to New York we had to start over on the local scene. We were still doing the record promo and had distro, but it was a whole new scene we had to get into it. And it took longer than D.C., because New York is more saturated, and there is a lot more going on. But I feel it?s a real good fit and that we have done well the past three years in getting my name out in the streets of New York. But its definitely been a hustle and a struggle, but its all been worth it.

AllHipHop.com: You seem to have been dedicated to always improving your fanbase. For people reading this that have never heard your music, what do you think your strong points are as an emcee that will allow you to build up a following?

Doujah Raze: I would say I have an original sound. I’m not gonna say that my sound isn’t derived from other Hip-Hop that I listen to, because it definitely is. I have definitely taken the music that I grew up loving and put my own twist on it. But what I’m doing now, I don’t think anybody else is really doing.

AllHipHop.com: What types of topics, songs and issues can fans expect to hear on this album?

Doujah Raze: The beginning of the album is a little bit educational – I’m not preaching to anybody, but I’m pointing out some things I have observed in the game. Then I do some fun stuff. The track “Little More Time” is just me talking some s**t. “Clear” is my weed smoking song. Then I start to take the album into more of a spiritual point. It slows a little bit and I take it down. With “360,” I talk about karma and how I think. I really do believe the world and the universe runs in spirals. We then get into “Back To You,” which is another sort of karma song and how everything comes back to you. I have a track about my grandfather, who passed away. Its called, “Raze,” and I produced it. My grandfather really gave me all this music. He gave me the drive and what’s inside. We put it together carefully and I planned out the tracks. But its going to be good. Its going to cover some different bases. Like I said, I didn’t get crazy deep, but its there. People can see where I am going to go and on the next one I will get more personal. I’m gonna start talking about things that are really going on in my life. Not that I didn’t on this album, but I wanna really, really get in there.

AllHipHop.com: You mentioned your grandfather and how he was a driving force in your life. Can you talk about that a little more and what he meant to you?

Doujah Raze: My grandfather was a whole different type of person. He didn’t fit into society that well. He was kind of crazy, I guess. But he was my best friend and we were real tight. He always pushed me to be in music, because he was heavy into it, even though he wasn’t any good at it. He was good at dancing and he used to dance on stage with the Glenn Miller Band. So he was always an entertainer. As he grew older, he was always writing lyrics and working with these different producers to make songs. Had anybody else ever heard those songs, they would say they are the worst things ever. But I loved them. I loved listening to what he was doing and it always made me laugh. He gave me all of this. This is why I am, who I am – my craziness, my musical ability – its all from him. Because it doesn’t come from my parents, so it skipped a generation. My grandfather is definitely my man. And on the skit before the track about him – “Raze” – that is my grandfather. It?s a 40 second tape I have of him signing some song about the Washington Wizards. And its kind of crazy, so when people hear that, they are going to be like, “What’s this?” Then boom – the song “Raze” comes on. The feedback I have gotten so far as been amazing. People are really touched by the track. Its like my emotional joint, but its my hard emotional joint. So Rest In Peace to Sam Lipton, he was the man.

AllHipHop.com: Moving to New York, what do you like and dislike about it?

Doujah Raze: It’s funny, because I like and hate everything. I love the smells of New York and I hate the smells of New York. I love the people and I hate them. I love the food and I hate it. I love the Hip-Hop and I hate it. New York has everything good and everything bad. S**t is balanced, and you can’t have one without the other. And New York is extremes. It?s the best city in the world and it?s the worst. Sometimes I’ll be walking around the city by myself at 12 at night and I’ll be like, “I’m on top of the world, this is the best feeling ever.” Other times, I’ll be walking down the street in the day and see cats throwing garbage in the street and just laugh about it. There is a lot of disrespect. But New York to me, is the place I have to be to put it on. It is the best city in the world. It allows me to go into the studio with Sean Price on a random Wednesday night, see Evil Dee out at Joe’s Pub, or hook up with Minister Sinister. Its where Hip-Hop is going on. Its not happening like that in D.C., so it has been a huge factor in my success.

AllHipHop.com: Is there anything specific you remember or took with you from working with NYC cats like O.C., Sean Price and Da Beatminerz?

Doujah Raze: There isn’t one incident or thing that stands out, but working with all these guys that I grew up listening to – the best thing about it has been to meet them and realize they are regular people. I’m sure there are a lot of musicians out there that are on their own stuff and they have a big head, but I have been lucky that Da Beatminerz, O.C. and Sean Price are regular, down to earth people. That has given me more – not drive – but a better feeling about the whole thing – about being a rap artist in this game. Because you see a lot of grimy stuff and the industry is shady, but there is good people in the industry as well. So that is what I’m trying to do, because I believe if you surround yourself with good people and positive energy, than positive things will happen. So its good to know that there is positive people like me and that I’m not alone in the struggle.

9th Wonder Clarifies For Bun B, Preps Solo CD

It could have played out

like another random rap beef, but Houston’s Bun B. and North Carolina’s Little

Brother have no issues with each other. However, there is clarification.

In Bun B.’s recent

interview with AllHipHop.com, he admitted to enjoying LB’s music, but insinuated

that, with The Minstrel Show, they may be making more enemies than

friends down South.

"I wonder who’s a part

of the minstrel show? I know what they mean, but I think a lot of the people

that they think are against them would pull for them," Bun B told AllHipHop.com.

"I really like them and I like their music and I know they are not making

what everybody down South is making right now, but that don’t mean we against

you."

Little Brother lead producer

9th said that he agreed with some of Bun B’s assessments, and that he understands

the misunderstanding of the group’s objective.

"He’s right:

a lot of people don’t understand what we did by doing The Minstrel Show,"

9th confessed. "You can take it a million ways. People say that we’ re

offended [by music out now], people say we’ re scared to say names and I don’

t think that’ s really going to solve the problem. A lot of people don’ t know

what it means, and a lot of people might take it the wrong way. It was never

an attack on a certain type of music. We’ re just telling people to be yourself,

and don’ t mimic what you see on TV."

Minstrel shows gained popularity

between the 1830’s and 1850’s. The performances consisted of comic skits, dancing

and music performed by whites dressed in outlandish costumes, with their faces

completely blackened by burnt cork or greasepaint.

The shows have been symbolic

of the racism that defined the era.

"The minstrel

show is a very touchy topic," 9th said. "I just wish that the same

fuss would be made—and it wouldn’t be—if our album was named,

I’ve Got 2 Million Guns In My Trunk," 9th said. "Would we

be having this same conversation? No. Not to knock that type of music. There’s

a heaven and a hell, there’s a side to everything—we just aren’t

getting both sides."

9th Wonder said much has

changed in Hip-Hop since the Houston hip-hop pioneer first emerged in the 1990’s

with seminal group UGK.

"[Bun B’ s group] UGK

came out at a time where hip-hop was more balanced," said 9th, a self-professed

fan of Bun B. "You could have a UGK, and A Tribe Called Called Quest, and

a Roots, and a Black Rob. We had a variety of cats to choose from. It’s

all one thing now."

In related news,

9th Wonder said he intends to release a solo opus, The Dream Merchant,

in early 2006.

"Just expect different types of sounds," 9th told AllHipHop.com about

the album, which he said features appearances from Mos Def, Jean Grae, Memphis

Bleek, Saigon, and others. "We’ re just trying to put out good music, and

get a bigger balance back in the game. This is rap music, it’ s not Calculus

class where you need a long formula. It’ s just rap. Some cats will like it,

some won’ t, period."

Tom Green Launching Tour Across Canada

Tom Green is on the

verge of releasing his debut rap album Prepare For Impact and in support

of his upcoming release, he is planning a tour across Canada.

The comedian/rapper is excited about his album and his opportunity

to tour Canada to promote it.

"What we want to do when we tour across country is we want

to bring some of that silly, fun, madness, circus-like atmosphere to play some

shows around Canada. It’s giving me an excuse to go get on stage and go tour

Canada," he said.

Green’s tour of

Canada will start in January but details of the tour have not yet been released.

The comedian has previously stated his love for Hip-Hop and

was also a founding member of the Canadian group Organized Rhyme.

The group received a Juno nomination for the song "Check

the O.R." off their album Stiffenin Against The Wall which was

released in 1992.

Green’s album will feature production from DJ EZ-Mike (who produced

for the Beasties Boys) and Mike Simpson of the Dust Brothers.

The comedian’s

album Prepare for Impact hits stores December 6th.

Win, Lose or Draw

Artist: PrasTitle: Win, Lose or DrawRating: 2 StarsReviewed by: Bill “Low-Key” Heinzelman

Somebody get Prakazrel a drink. As the red headed stepchild of The Fugees, Pras has endured years of frustration, hate and setbacks. It is never easy being the “other guy” in a superstar group, but that is what Pras has had to live with his entire career. With his sophomore album, Win, Lose Or Draw (Universal), Pras attempts to shakes off the doubters and prove he can stand his own without Lauryn or Wyclef. Unfortunately, Pras fails to do so by providing a clumsy and misguided album that lacks any direction.

Win, Lose Or Draw falters by attempting to manufacture sappy R&B crossover hits. On “Haven’t Found,” Pras unsuccessfully lifts the hook from U2’s “I Still Haven’t Found What I’m Looking For,” while proclaiming to be a “freedom fighter” for the people. “Dreamin'” finds Mr. Ghetto Superstar yearning for a love long gone, as Pras stumbles with lines like, “If you are trying to have a future, I suggest you should trust me/You know me, I’m going to give you the best advice.

In addition, Pras calls on a lot of familiar faces to help him strike it rich with a hit. Akon is unable to provide such success on “Mr. Martin,” as Pras’ nonsensical rhymes take center stage with lines like, “My wordplay is like arts and crafts.” For the reggae fans out there, Sean Paul drops by on the predictable “Dance Hall.” While the production provides an authentic reggae feel, Pras sounds misplaced over the track’s thunderous drums and blazing sirens.

Win, Lose Or Draw is a hard pill to swallow for any Fugees fan. Pras has not aged gracefully on the mic and his sophomore album is proof. Luckily, for Pras, all of his mistakes will be forgotten if The Fugees can produce a stellar reunion album.

Chain Letters

Artist: SupastitionTitle: Chain LettersRating: 3 1/2 StarsReviewed by: Jamin Warren

Supastition is a self-proclaimed arrogant beast. “F*ck Supa,” he sneers indignantly on Jake One’s soul-strutting “Hate My Face.” The man is definitely posturing to be the new king of North Carolina. With Little Brother’s less-than-stellar record sales from their sophomore release and a lack of challengers from the rest of the Justus League camp, Supa has every reason to puff his chest. He took one of the coveted spots at OkayPlayer’s hidden talent contest last year with his Nicolay collab “The Williams” and his second full-length, Chain Letters, may be the best non-Petey Pablo record from the Tar Heel State this year.

Of course, Chain Letters is far from perfect. Unable to cull any excess material, Supa bloated the album with 17 tracks. At least he passed on the skits. The production plays repetitive at times as Wax Reform members M-Phazes and Illmind bleed one selection into another. The ghost of Pete Rock hovers over every track with the non-committal, muted snares and those samey bring-it-back soul samples. Nicolay, however, manages to break some new ground, furthering his hyper-glossed renditions on tracks like “Rise.”

But Supastition easily overshadows any shortcomings on the production side with whipsmart couplets. “I’m not a midwife, but I’m known for delivery,” he muses on “Chain Letters.” On “Soul Control,” Supa fires, “I’m on some body-building s###/Trying to raise the bar.” Nasty with the homonyms, Supa captures all the cleverness that made The Listening so damn approachable. Though cuts like “Special Treatment” and “A Baby Story” visit the overworn preachiness that plagues underground Hip-Hop, Supa cleverly avoids sermonizing with earnestness and tact.

With Chain Letters, Supa improves on The Deadline EP and guns for the crown of his home state’s fertile Hip-Hop culture. As the album title suggests, he’s passing along his verses for the world to read.

The Inc. Lawyers On 50 Cent Shooting: ‘Hommo Did It, Even 50 Cent Said It’

The trial of Irv and Chris

“Gotti” Lorenzo on federal money laundering charges continued yesterday

(Nov. 21) opening with Judge Edward Korman hearing evidence about 50 Cent’s

May 2000 shooting.

Prosecutors argued in closed chambers that the May 2000 shooting is related

to The Inc.’s money laundering trial, because it was ordered by Kenneth

“Supreme” McGriff as the brothers allegedly laundered the convicted

cocaine dealer’s drug proceeds.

They also claim to have a message from one of The Inc.’s pagers, claiming

a message was sent shortly after 50 Cent was shot in May 2000 saying “f**k

half a dollar, me and my ni**as kill for fun.”

Assistant U.S. Attorney Sean Haran said that on the day 50 Cent was shot, Irv

sent a flurry of messages, allegedly within 30 minutes of the shooting, asking

how many times the rapper had been shot and if he had been killed.

Former McGriff associate Jon Ragin testified yesterday as well, claiming that

McGriff, alleged triggerman Robert “Son” Lyons and Chauncey “God

B.” Milliner met in a Brooklyn garage immediately after the May 2000 attack.

"Supreme said, ‘I got him,’" Ragin told Assistant U.S. Attorney Carolyn

Pokorny. "I didn’t know who it was he got and Supreme explained he got

50 Cent. He thought 50 Cent was dead. He got shot so many times at close range

and there was so much blood."

Ragin even claimed that Lyons wiped gun powder residue off of his hands with

rubbing alcohol after the shooting.

Ragin was a McGriff associate and partner in a business Picture Perfect, which

produced the DVD film “Crime Partners,” which the government claims

was a fake company designed to launder McGriff’s drug proceeds.

Ragin is facing up to 108 months in prison and is cooperating with the government

for a lesser sentence in a massive credit card fraud ring. Ragin is also in

the witness protection program.

Ragin had prior drug convictions and is with running a multi-million dollar

credit card scam through a phony tuxedo rental business.

Attorney’s for The Inc. are attempting to prevent the jurors from hearing

evidence related to 50 Cent’s shooting, claiming it has nothing to do

with money laundering charges.

"With the introduction of contradictory evidence…the trial will

be overwhelmed by an irrelevant sideshow about who shot 50 Cent," the Lorenzo’s

attorney Gerald Lefcourt said in court filings.

Lefcourt and Gerald Shargel have countered the government’s claims that

McGriff ordered the shooting, alleging that the original gunman was Darryl “Hommo”

Baum.

At one point, an aggravated Shargel could be heard yelling from the judge’s

chambers: “Hommo [Baum] did it, Hommo did it, Hommo did it. Even 50 Cent

says it!”

Lefcourt and Shargel portrayed Ragin as a habitual liar who was involved in

prostitution, money laundering and other schemes.

The defense also introduced 50 Cent’s lyrics to “Many

Men,” interviews conducted by 50 Cent in which he named Baum as his shooter

and Ethan Brown’s investigative book, Queens

Reigns Supreme, which hits stores today.

Prosecutors contend that it was safer for 50 Cent to attribute his shooting

to a dead man, because the alleged triggerman, [Lyons], was still alive.

The jury has not been allowed to hear any of this yet, as none of it has been

entered into evidence.

Actual testimony in front of jurors relating to The Inc.’s federal money

laundering trial only lasted about two hours.

Around noon, Judge Edward Korman called recess to attend a funeral.

,

When testimony resumed in front of jurors, New York Police Department detective

Anthony Castiglia testified on behalf of the prosecution, attempting to prove

that large sums of money could fit into shoe boxes to be laundered.

Last week, defense attorney’s accused prosecution witness Donnell Nichols

of lying because $70,000 in $5 and $10 dollar bills could not in a shoe box.

Castiglia said he successfully stuffed over $7,000 in $1 dollar bills into

an Adidas shoebox, attempting to prove that large sums of money could have been

laundered in this fashion.

The defense countered, saying no one knew the actual size of the boxes and

therefore an accurate dollar estimate could not be determined.

The prosecution did note that the defendants were more likely to wear sneakers

and Timberland boots, as opposed to dress shoes.

Testimony continues today (Nov. 22).

DJ Green Lantern Finds “Home” With Russell Simmons

DJ Green Lantern has found a new recording home with Russell Simmons Music Group after unceremoniously exiting Eminem’s Shady Records earlier this year.

RSMG president Tony Austin said that Green Lantern’s background and ability spoke volumes to the burgeoning company.

“We signed Green Lantern because he’s a prominent figure in the Hip-Hip community,” Austin told AllHipHop.com. “He understands the culture and what it represents. He has produced for some of the biggest name artists in Hip-Hip. He’ll be influential in helping shape and mode new talent at RSMG along with building his own brand and becoming a household name around the globe.”

To date, Green Lantern has crafted hits for the likes of Ludacris, The Lox’s D-Block, Immortal Technique, Akon, Jadakiss and others like Noreaga.

DJ Green Lantern announced his departure from Shady Records in April after DJing for Eminem since 2001. He departed Shady after a phone conversation with rapper Jadakiss was recorded for a street DVD without his knowledge. The New York native made an opinionated comment about 50 Cent and Jadakiss’ rap beef at the time, which appeared to cause tension between the Shady/G-Unit camp.

Austin didn’t indicate if Green’s anticipated album, The Invasion, would be released through RSMG.