0:00
Killers of the Flower Moon? Did you see that? I want to..
0:06
Did you both see it? Oh, go ahead. Say what you were going to
0:10
Did you see the movie? Did you see it? Killers of the Far Moon
0:15
I didn't, but I do have input. Okay. Okay. Both of you
0:19
Give me your thoughts on it. So, uh, yeah, my parents, so my parents seen it
0:28
And what I liked about what they said, we went to eat
0:35
My mom was like, or my daddy, he was like, yeah, there's a bunch of white people walking out
0:40
I was like, good. That happened when I saw it. Because that means that they have to face what they actually did and they have to look
0:49
And instead of being the white savior, the white is right, they're seeing the truth
0:55
which is that they have an ugly past of how. how they treated our people, all of our people, and the ugly ways that they take to do it
1:04
and how they're willing to do evil things to get what they want, their takers
1:09
We call them the wasichu means takers of the fat which means they not good with just the meat they want it all they going to take the fat too The Washichu That how you say it in Lakota That what we call them because they greedy
1:22
Right. You know, and that's, and they live up to it a lot of the times
1:26
You know what I mean? So with that movie, I'm glad that we're getting the representation, not the representation
1:34
of course representation in media, but in film. But I like that the stories are being told and they're being told
1:41
in a way that doesn't alter it to make them comfortable. Because we're always made to be uncomfortable
1:50
Yes. And what I like is when they're uncomfortable, be uncomfortable with our presence
1:54
be uncomfortable with the truth. Yeah. And let's blow this truth up. Yeah
1:58
And of course we want native producers, right, to do these movies so that we can focus on other characters
2:07
Right. From what I hear, it's not focused completely on the native characters, is more so this side
2:13
But for the most part, I feel like I've been hearing, even from the people, you know
2:19
that are families of these people in the movie, the native people saying
2:23
thank you for telling our story. Yeah. I definitely got a shout out Martin Scorsesey for that
2:27
because I cried in that movie and I don cry I was mad too I was both I was between the two emotions and I was really like
2:38
I walked out of there like, damn, Martin Scorsese did that and he's white
2:43
So it was like, you know, and like you said, the stories oftentimes get adjusted or they might throw a little white savior in there
2:51
to make people feel okay. And it never happened. And I was waiting for it to happen
2:57
I was like, oh, he's going to be the good guy, or he's going to be the one that does this, and it just never happens
3:04
Mineral rights is the key component to destruction in this world. Wars are started over mineral rights
3:11
Wars and the major oil companies were established in Oklahoma before anything, before Saudi Arabia, before any country, it started
3:20
That whole concept of oil infrastructure and the blueprint of how to get it started in Oklahoma
3:27
So if you look at that, wow, they started that in Oklahoma and off the death of indigenous people to gain wealth, stolen wealth in Oklahoma off the lives of indigenous people, women and men
3:38
And they just took that blueprint all across the world. Oh, they got oil in their land. Let's get them
3:42
Let's kill them. You know let start a war you know all for oil But it started in Oklahoma And the natives didn even want to be in Oklahoma Right That was an unfurtle land the dustbow you know but they said we send them to Oklahoma
3:53
They probably live maybe 50 years. Mm-hmm. You feel me? And then they might live 100 years, but by then they'll be bred out
4:01
Right. You know what I'm saying? So let's write these treaties for 100 years, see where they're at
4:05
But they didn't know we still be here, you know, to watch a movie about it. Right. Directed by Scorsese
4:10
Right. And Scorsese. An Italian. Right. to tell you. By the way, I love..
4:14
Crossus Christi, though. Got to throw this out there. I love the fact that they
4:18
throw Tulsa in there. Tulsa, the Black Wall Street massacre in there
4:22
as well, making the connection to those, both of the tragedies at that time, you know, because
4:30
that's a movie I want to see me, quite frankly, because we know that it was a very
4:36
well, it was a very different approach but the same sort of
4:40
in, you know, to destroy prosperity or people that were doing well
4:47
Black folks were doing well, the Friedman were doing well up in Tulsa, the native Osses were doing well, the Seminoles are doing well
4:55
Oh, hell no. Hell no. We can't have this. Right. And they do what they do
5:01
Yeah, yeah. And here we are. Mm-hmm. How do you guys
