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Often times the stories behind the biggest songs and albums aren’t told. Planet VI, formally Rock City, are the song-making duo behind hit after hit. They decided to share some of their story of creating “Pour It Up” by Rihanna. They’re giving some valuable life lessons too. Check it out.
Theron: Let me start off by saying we have a lot of relationships with a lot of people in this business. The only people that we didn’t have close, close relationships with would be Young Money/Cash Money and Roc Nation. Then we get a call to come out to London to be on Rihanna’s songwriting camp for her new album, Unapologetic. We were like, great! This is the perfect opportunity to go out there, work with Roc Nation, work with Rihanna, and build that relationship that we didn’t have. So we go out to London.
Timothy: PLUS, it is London!
Theron: Yes, it’s London! We’d never been there! We go and write about 13- 14 songs for the album. We did a great job. Everyone felt the energy and liked what we were doing. We left London knowing we killed it. We knew we had an album placement, we just knew it.
When it came down to the last of the album, we’re trying to figure out what she’s using… She’s not using anything. We’re like WHAT?! We were thinking we worked so hard, but we still missed the album. We really felt like we nailed it.
Timothy: What’s crazy about that, too, is that when we were out there they set it up by telling us they’re trying to take a different approach with this album. They told us they felt like Rihanna went through that phase where she can talk about being sexual and all that. They said they just wanted stadium music, so think stadium music. We do a bunch of stadium records. Then we find out they aren’t using none of them.
Theron: We come back to Atlanta, and we got set up to fly out to L.A. to work on more Rihanna songs. At this point, we’re like, ‘Look, we’re getting on this album!’ We get to L.A., and we’re working with Mike Will this time. We are writing and writing songs, and then Bu walks in. He’s like, ‘Yo, what y’all are doing sounds great; it’s dope, but I don’t want y’all to waste time. She wants ghetto, ratchet music. She wants her version of “Bands A Make Her Dance”. We’re like, ‘Huh?’ He’s like, ‘Trust me.’ So we say, ‘Cool. That’s easy.’
So, Mike Will is like, ‘I have that beat right now.’ He pulls it up. Then it just comes to us. We finish the song, added the missing pieces, and left it. Mike Will comes back and is like, ‘Y’all finish the song already? We’re like, ‘Yeah!!’ So we go back and forth on some things and send it off. Two days later, we ask if she’s using the record, once we hear the album is closing. They finally contact us and ask about splits, which meant she was using the song! That was one the last songs she cut, if not the last. We felt externally blessed. We really wanted to be a part of it.
Timothy: We worked hard to get on there. We treat each project as if it’s the first one. It’s about working from the ground up each time.
Tawni Fears is a freelance writer and contributor to AllHipHop.com. Follow her on Twitter (@brwnsugaT).
Our satirical and funny friend, Andre Leroy Davis, was back at it again in 2012 with “The Last Word”, his unique brand of cartoonish commentary on current events and politics.
Politics can be a petty, nasty business, and in 2012, we saw the worst mudslinging, self-interests we’ve seen in years. The “SuperPACs” (Super Political Action Committees) were determined to pull their weight and their pocketbooks all the way to the White House.
Andre knows that Hip-Hop lives by a separate set of politics – and we aren’t easily blinded by big talk and big dollars…unless it’s a raucous rivalry between rappers. Check out who he thought (in hologram and spirit form) could save our day:
Check out more witty goodness at www.AndreLeroyDavis.com.
I feel like MySpace gets a bad wrap like Old School Hip-Hop.
Case in point is Slick Rick the Ruler’s recently getting boo’d – what the hell is that about? You can’t take away someone’s legendary status just because they had a bad performance or technical difficulty. And the same thing applies to MySpace…kinda. The Digital Age has already significantly shortened the lifespan of an artist’s career, and sooner than they realize, some “Twitter stars” will be the scoffed-at “legends” they seemingly enjoy dismissing on account of relevancy.
The social sphere is so ever-changing that what was trending even a week ago is lost in the abyss irrelevancy thanks to breaking social media news.
My first introduction to the original MySpace was through a publicist friend of mine who asked me, “Are you on MySpace? It’s a cool new site that a lot of artists are on, and you can connect directly with them.” MySpace was a social media platform where the users determined the product by how they used it. And the artists, who became the super users, made MySpace what it was by creating a place to connect directly with their audiences by uploading songs, emailing users, and personally engaging with their fans.
As a journalist and a fan of music, MySpace started off as a great way to contact my favorite artists without having to go through their management teams. But it quickly became “MyWorld” instead of “MySpace.” I was spending hours a day on my profile, searching other profiles, meeting strangers, and connecting with people I hadn’t seen in a long time, and I didn’t have to leave the house. MySpace was the first of its kind to allow user’s access to their favorite artists and exclusive music, and more importantly, to become personally invested into their favorite celebrities’ success. However, many of us saw the movie, The Social Network, so we pretty much know how that story ends.
But does it have to end? No, it doesn’t have to end for MySpace – or for artists like Slick Rick who Hip-Hop tends to “age out” at a certain point. Is that really fair – to MySpace or Slick Rick? What if Jay -Z were aged out of Hip-Hop at age 40? Nobody would’ve been “Watching the Throne”, that’s what. All it takes is a little re-tooling and new user interaction for an original to maintain relevancy. How do you think Sean Carter took Hip-Hop to the White House, after all? The seasoned rapper/MySpace analogy just works. Like Slick Rick and others, are we really gonna give up on MySpace, the platform that opened the door for all of these other “bites of freedom” that allow us almost too much access into the lives of our favorite celebrities?
Well, I will admit I had given up my old MySpace password for the hottest new social space as well, but all that changed when I received an invite to go to a MySpace “Feel the Music” Show recently. I, like most people, wore a side-lipped scowl, thinking, ‘MYSPACE? Who the hell still goes to these shows?’ Then, upon further reading, I saw that free Denon Headphones and DJ Jazzy Jeff, two of my favorite things would be there, so off to the show I went. Yes, I had heard of the new MySpace launch, and that Justin Timberlake had become part owner, but this still wasn’t enough to make me want to create another new profile to go alongside my Twitter, Facebook, Pintrest, Pandora, Tumblr, and various e-mail accounts I have to manage and maintain on a regular. But, to my surprise, when I stepped into the party, it was wall-to-wall packed and hot as all get out.
My first thought was, ‘Dang, are all these people still on MySpace, or are they all just here for the free headphones, too? The answer became clear as I checked out the scene. It looked like all of the subcultures you literally see on MySpace – from the cool kids to the Asian kids breakdancing in the corner, all coming to support the music. DJ Jazzy Jeff delivered a set that had everyone too “turnt up” to care that it was 110 degrees in that joint. The whole experience had reopened my eyes and made me want to check out what the “new MySpace” might have jumping off.
Clearly, the owners of the “new MySpace” are not going down without a fight – check out the recently launched Beta version of the site. I received an invite to set up my profile, and I was instantly excited to see the new site…it was FRESH! Oh, my bad, swerve, whatever! The visual is aesthetically pleasing with its horizontal navigation, and seeing the familiar face of our good buddy Tom was encouraging. Although he doesn’t work there, he is there to enjoy the new site he posts.
MySpace listened to the needs of their super users – the artists – and created something new that hasn’t existed before, by connecting various aspects of the most popular social media tools in one place – the new.myspace.com. The New MySpace, though equipped with some of our favorite social media capabilities, is all about the music. The super users who defined what the original product was about determined what the product turned into, and with the new features in place, the new.myspace.com is positioning itself to once again carve out its own lane as the go to for music social media. The shows they host – with big names like Ciara – only help to support the reinvigorated brand.
Still in Beta form, the new.Myspace.com is prioritizing the functionality of the site to answer the needs of their super users, while re-tooling some of the old familiar functions like the Top 8, which is reserved for those top fans who are the top engagers and influencers in your network. It allows artists to track who their top influencers are for more personal engagement. “Discovery” is the most important theme of the new MySpace – discovering new music, new users, and new ways to engage utilizing social media, while connecting marketing platforms, merging catalogs, and having content connected all in one place.
The fact that the original MySpace still has 30 million classic users to this day is telling of the impact that it’s had on social media. Like Old School Hip-Hop, it never died all the way. The stars and careers that were launched by the social networking site helped make artists like Drake, Soulja Boy, and Sean Kingston a part of Pop culture history. And, the new MySpace has the capacity to open a whole new world of discovery with new tweaks that have what it takes to put it back on top.
So, if for no other reason than you gotta respect the fact that, as the throwback, MySpace set the bar for everything that followed – give it a try. They deserve the chance to raise the bar, and it appears they are on the right track to live on. Just like Old School Hip-Hop.
(AllHipHop News)
A lawyer for the Notorious B.I.G. recently blasted the Los Angeles Police Department, for releasing an autopsy of the slain rapper.
Notorious B.I.G., born Christopher Wallace, was gunned down on March 9, 1997, during a drive-by shooting in front of the Petersen Automotive Museum in downtown Los Angeles.
The rapper died after he was struck by four bullets that pierced the passenger side of the Chevy Suburban, in which he was a passenger.
The LAPD claimed they released the autopsy photo in hopes of generating new leads surrounding the murder.
Perry Sanders Jr., long time lawyer for Notorious B.I.G.’s estate, criticized the LAPD for releasing the autopsy report after all almost 16-years.
“What legitimate lead could be stimulated by releasing an autopsy that says Mr. Wallace was shot. When everyone knows that ” Perry Sanders Jr. told The Los Angeles Times. “Why don’t they release some of the clues they have?”
Notorious B.I.G was killed by a shot that tore through his colon, liver, heart and lung, before coming to a stop near his left shoulder area.
No one has ever been arrested for the murder of Notorious B.I.G. or Tupac Shakur, who was gunned down six months earlier, on September 7, 1996 on the strip in Las Vegas.
Hip-Hop still possesses unexpected surprises. This living genre’s ever-expanding content and contributors are vastly different. MCs like Fred Knuxx, who continue to champion its core essentials are recognized and applauded. Previously, Delaware’s Big Deal earned the distinction of being featured in AllHipHop.com’s Breeding Ground Showcase. Today, the determined wordsmith tells AllHipHop.com why one should continue to expect the difference:
AllHipHop.com: RapMania is a highly conceptual project. Following its release, have any unconventional financial or creative avenues presented themselves?
Fred Knuxx: I couldn’t sell it because Vince McMahon – he is pretty much a billionaire – and anything that has to do with wrestling, he wants a piece of. So, we really couldn’t get the songs cleared. The way that we put it out was on a mixtape. That way, we let everybody know that it’s [for] promotional use only. So, we just passed out CDs. The main thing was to get the music out to the people. We didn’t really make a lot of profit off of it. But, from this standpoint, we got the word out. It got traffic. And, hopefully fans will listen to the music that we are selling and that we have out on iTunes. To me, it was just a good promotional tool to get to outside-the-box, Hip-Hop fans that can come back and say, ‘We know Fred Knuxx; he did RapMania. Let’s see what he got now.’
AllHipHop.com: In an interview conducted by BallerStatus.com you say, “Instead of complaining be the change you want to see now. Everybody is crying foul, but look yourself in the mirror and ask, ‘What am I doing to make a change?’” Regarding Hip-Hop, how are your actions challenging the status quo and working to make it better?
Fred Knuxx: Right now, I just pride myself on trying to be different. I’m dropping a project called Outside Within. It’s basically saying I’m outside the industry. Basically, I’m giving you what’s inside of me by just being honest. Man, the artists that I’ve grown up on, the artists that I like, that artists that I listen to, they got substance. Now when you listen to the radio, there’s really no substance like that. You might get a handful of artists that give you product with substance in it. The rest are just putting out the same old thing.
With that essence alone, the material that I’m putting out has substance in it. First off, I’m a fan of Hip-Hop. If people feel how like I feel, then they’re going to gravitate toward the music that I’m putting out as well. So, I think, that’s kinda the change that I’m trying to put back into the music. If you listen to me, the last era where there was really substance within our music was the ’90s era. If you want to be honest, you don’t hear much of that on the radio now. So, just being an artist that’s putting substance back into his music, I think that’s already a change.
AllHipHop.com: Recently, I had the opportunity to hear “I Feel Like” and “Zoning.” In relation to a track’s production, how essential is it to create a cohesive sound that complements your conceptual idea?
Fred Knuxx: I’ll come up with an idea like, ‘I want to do a Rock influenced track.’ I’ll reach out to a producer, and I’ll tell him my ideas. ‘This is my idea for a song that’s Rock inspired,’ they may send me three or four beats that I’ll listen to. After I find a beat that I can work with, I’ll just go in the booth and write my lyrics and it’s a wrap. I got a producer out of Germany named X-Plosive, he might just send me beats, because we’ve been working together for so long. He kinda knows what type of sound that I’m shooting for. He automatically will send me something that I like. With new producers, I kinda guide them through the sound that I’m trying to put out at the moment. It’s a little bit different with different producers.
The Sidebar
“I’ve been doing the mixtape thing for a while… And, finally I wanted to put together an album. …I want to say the first quarter of 2013 is when I want to put it out. I’ll probably drop it digitally on iTunes. December is when ‘I Feel Like’ will be on iTunes. Hit me up on Twitter, and let me know how y’all feel about the music. ” -Fred Knuxx
Diddy and Cassie have come a long way this year. The couple, who have hid their relationship for years, finally came out of the closet and confirmed what everyone already knew. The two are an item. Well, after a chubby-cheeked appearance by Cassie at Art Basel in Miami this week, the rumor mill started going off that she was pregnant.
Well, Diddy must have heard the murmurs as well and took to his Twitter to address the rumor. Check out the photo shopped picture he Instagramm’ed below:
Could this be baby #6 for Diddy?
Swizz Beatz is working on a new album and decided to drop a snippet of one of his new tracks on his YouRube account last night. The track is called “Sky Scrapers”. In the video, Swizz teases about 20 seconds of the track and implies that U2’s frontman Bono is on the track, as well as Kanye West.
“I seen coal turned to diamonds, a blind man’s vision,” Swizz sings along with the chorus. The song has that signature Swizz Beatz bounce and towards the end of the video Swizz promises that “the album is crazy”. Swizz, Bono and Yeezy – I can’t wait to hear the full version of the track.
Check out the video below:
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Last night, there were celebrities galore in Miami at the Beats by Dre Art Basel affair presented by Hennessy V.S. After getting their art fix during the day at Art Basel and their basketball fix watching the NY Knicks demolish the Miami Heat, the celebs jetted over to Mokai. Beats ambassador Lil’ Wayne was in the house, along with his YMCMB family, including Birdman, Mack Maine, and Cortez Bryant.
Our spy tells us that thing got pretty interesting when Fabolous arrived at the venue, and it was announced that he was going to perform. “All of a sudden, you could see Birdman and Wayne whispering about something, they seemed concerned.”
Fabolous has a song out called “So NY”, where the hook says – “I’m so NY Weezy probly don’t like me.” Would Fab dare perform this in Miami, in front of Li’ Wayne and his crew? Although it would make a hell of a story, that certainly did not happen last night. We hear that Fab performed a few of his hits, including,”You Be Killin em'” and several new tracks from his latest mixtape, The Soul Tape 2.
According to our source, Lil’ Wayne and Birdman never spoke to Fabolous once during the entire night, even though they were only a few tables away. Do you think Weezy feels some kind of way about Fab name dropping him in the song?
Crazy looking rapper, Trinidad James, also performed his single “All Gold Everything”. The newcomer got a pretty good response. Nothing like his show at SOB’s in NY, but he was well received.
Female rapper Azealia Banks was also in the house and danced with singer Teyana Taylor for a good majority of the night. Could these two have some kind of musical collaboration in the works? That would be pretty interesting. Below are a few photos from the event:
Photo Credit: Thaddeus McAdams – Exclusive Access.net
Is it me, or doesn’t Trinidad James look like the character of “Jerome” from Martin?! They’re like long lost twins!
“I said Jerome’s in the house!!!!”
(AllHipHop News) Miami rapper Rick Ross has come forward to clarify recent reports surrounding the cancellation of dates on his Maybach Music Tour.
The Maybach Music Tour, which kicked off on November 2, was originally scheduled to run until December 2.
Representatives from Rick Ross confirmed AllHipHop.com that the tour was supposed to continue until December 16.
But the outing was abruptly canceled by promoters in Greensboro and Charlotte North Carolina.
Reps for Rick Ross told AllHipHop.com that the first leg of the tour was completed successfully without incident, but due to the “apparent lack of organization and communication on the part of the tour promoter,” the remaining dates of the Maybach Music Tour have officially been canceled.
“I want to apologize to all of my fans who I missed performing for due to the cancellations and want to let them know that I will get back to their cities,” Rick Ross told AllHipHop.com. “I enjoyed my experience with my little bros Wale and Meek Mill and I’m ready to get back in the studio to make good music.”
Philadelphia rapper Cassidy has been in the rap game for almost 10 years. But lately, he hasn’t been in the news for his music, but for a rap “beef” with fellow Philly rapper, Meek Mill. The much publicized beef has seen both rappers go back and forth with each other on Twitter over a rap battle that, unfortunately, may never come to fruition.
Related:Exclusive: Cassidy Says Meek Mill Doesn’t “Deserve” A Diss Record From Him
In a recent sit down with AllHipHop.com, Cassidy revealed that there are more important matters on his mind these days, such as focusing on making a positive change in the community through his music and through his love and belief in GOD.
“I’ve always had a relationship with God, but I bettered my relationship with God when I went to jail,” revealed Cassidy. “I decided to read the Bible cover-to-cover, and I did that almost twice.
“That’s when my rhymes started to take a little turn, ’cause I realized that I wanted to put positive things in the street. Make people who do believe in God comfortable enough to come out with it.
“I want to let people know that you can be cool, you can be poppin’, but you could still have a relationship with God.”
Check out the exclusive interview with Cassidy below to hear the rapper explain how he re-discovered his belief in God, and how he plans to use his music to better his community:
(AllHipHop News) Miami Hip-Hop star Rick Ross continues to face challenges in his career, after a hearing yesterday between former drug baron Freeway Ricky Ross and Warner Brothers Records.
Lawyers for both sides squared off in court yesterday (December 6), over a lawsuit over the name Rick Ross, and the alleged usage of the former drug barons image.
In March of 2012, Freeway Ricky Ross lost a $10 million trademark infringement case to the rapper, born William Leonard Roberts III, when a judge ruled that Freeway Ricky Ross had waited too long to file his complaint against the rapper, resulting in a dismissal of the case.
A new lawsuit was immediatley filed against Warner Brothers for false advertising, unjust enrichment, and unfair business practices, resulting in the hearing yesterday.
Yesterday, trial dates in the case were set for January and the case is slated to go to trial in early 2013.
According to Freeway Ricky Ross, he has received support from hip-hop mogul Marion “Suge” Knight, who actually showed up at one of the court hearings earlier this year, to reveal on record that he officially spoke to rapper Rick Ross about the case.
“The reality is I want justice done. I know that he took his name and image from my life and believe he is unfairly profiting off my story,” Freeway Ricky Ross told AllHipHop.com in an exclusive interview. “At one point Suge Knight came down to the hearings earlier this year and specifically laid it out to all of us, including all the lawyers, that he spoke to William the rapper directly. Rozay (the rapper) said clearly he talked to people that were around me when I was dealing and studied me in taking on my image and name.”
Just yesterday, Rick Ross was forced to cancel two concerts in Greensboro and Charlotte North Carolina, due to security concerns, after threats of gang violence on the Internet has appeared over recent weeks.
Members of various factions of the Gangster Disciples around the country have taken issues with Rick Ross’ usage of Larry Hoover’s name in his hit song “B.M.F.,” as well as his use usage of the gang’s six-point star.
“This guy (Rick Ross) just doesn’t have the right people around him to explain the streets, and then say that when you violate someone just address it as a man,” Freeway Rick Ross told AllHipHop.com. “You need to say that it wasn’t intentional or nothing like that. It’s ok to apologize and make things right with a real agreement out of respect.”
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