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Tour Log: De La Soul 20th Anniversary Concert

Tour Log: De La Soul 20th Anniversary Concert Atlanta, 8/7/09

Venue: The Masquerade The secret desire of all Hip-Hop artists is to remain forever young. In an art form centered on youth and freshness, the death knell is when you’re viewed as aged, obsolete. The chase for the fountain of youth can manifest in many ways: ranging from mature musicians conceding to making bubble gum, juvenile music, to men in their late 20s and 30s sagging their pants to their kneecaps.

 

This is not the dilemma for De La Soul. Rarely, an artist can craft an album that transcends time periods, and forever encapsulates the beauty and power that is music. A clear example is their influential debut 3 Feet High and Rising, which the Long Island trio is celebrating through a nationwide, 20th anniversary tour.

 

De La hit the stage past the 11 o’clock hour after sufficient performances from local eclectic act Psyche Origami and Little Brother’s Big Pooh (suffering from a severe sore throat). Even though the bill professed to focus on 3 Feet High and Rising, the group obliged to cover tracks from their other celebrated LPs with the full backing of the 10 piece band Rhythm Roots All-Stars.

 

Already melodic, up-tempo tracks like “Saturday” and “Potholes In My Lawn” became more lush and filled out courtesy of the backing bands strong bass, guitar, and horn instrumentation. This was no easy task, as De La Soul holds the distinction of using more samples that any group in history. To balance out, Maceo helmed the turntables and made sure the original album scratches and other distinct sounds were still present for long time fans.

 

 

Their mid 90’s social critiques on Stakes Is High still prove to relevant 13 years later in today’s ever-changing but cyclic Hip-Hop scene. The dangers unimaginative trend-hopping and materialism was addressed on “Itsoweezee (Hot)” and the classic single “Stakes Is High.” The latter samples Ahmad Jamal’s ethereal jazz piece “Swahililand,” and with the live instrumentation, hot crowd, and challenging lyrics, the song morphed into a defiant, blazing assault on all that is wrong with Hip-Hop culture.

 

When the rhythms of “Buddy” hit, the crowd exploded in instant recognition. While The Jungle Brothers and Q-Tip weren’t present to handle their guest spots, Phife and Jarobi casually appeared on stage to pick up the slack. At first, the crowd appeared dumbfounded before recognizing the extended Native Tongue royalty in front of them. The atmosphere reached an even more fevered pitch when Maceo dropped the beginning bass line for Tribe’s “Buggin’ Out,” causing a near riot.

 

 

With their set now extending past 1am, De La took time to remind the younger audience members that rocking a true live show has become a lost art in 2009.

 

“We didn’t come here to do four songs then bounce to the afterparty,” explained Posdnous. “We’re from the era where you rock on stage for 3 and 4 hours. I can tell some of ya’ll aren’t used to that. If you’re about 35 and older, you know what time it is.”

 

The DAISY originators finished up as strong as when they came on, hitting off the crowd with a perfect rendition of Run DMC’s “Rock Box,” and their biggest singles in “Ring, Ring, Ring” and “Me, Myself, and I.”

  Say No Go (1989)

 

Next year, De La Soul will enter their 4th decade as Hip-Hop artists. They continue to build their legacy, and be living examples that Hip-Hop doesn’t end past your mid 30s. And even 20 years on from when they surprised the music world with 3 Feet High and Rising, De La Soul remain as one of the best examples of Hip-Hop done in its purest form.

Floyd Mayweather: The King Is Back, Part 1

Admit it, you’ve missed Floyd Mayweather. His trash-talking and lavish lifestyle aside, “Money” Mayweather is one of the most skilled and gifted athletes sports have seen in the last 25 years. In boxing, pound for pound talent like him comes around once in a lifetime, and has guided Mayweather so far to a perfect fighting record of 39-0.

 Mayweather retired in 2007, and left fans and critics wanting him back to face a handful of final challenges in the welterweight division. On September 19, 2009, Floyd will face number 2 pound-for-pound fighter, Juan Manuel Marquez in a bout to be televised on HBO PPV and live at the MGM Grand in Las Vegas. Now that he’s returned, Floyd is on record as stating “everyone can get it,” one by one. But in his early 30’s, does the self-professed GOAT still have what it takes to be boxing #1 pound for pound?

 AllHipHop.com: Welcome back, champ. About a month ago when the fight was postponed due to your rib injury, you stated you physically felt fine but wouldn’t know for sure until you started having physical contact. How are you feeling now that you’ve been sparring?

 Mayweather: I feel great. Once you engage in combat, you try to focus on offense and mixing up your arsenal to take as less punishment as possible. I’ve been working on a lot of offense [for Marquez] but my defense has always been tight. With everything in the sport of boxing you’re always trying to be a better fighter overall.

 AllHipHop.com: Since you mentioned the focus on offense, how has your timing been since you’ve been out for nearly two years?

 Mayweather: My team uncle Roger [Mayweather], Leonard Ellerbe, Rafael Garcia, Nate Jones, and Juan Blake has stated my timing has been tremendous, and it looks like I never even left the sport. I’m working extremely hard and pushing myself to the limit to come back better than when I left. The point is to come back faster, stronger, and be a complete, intelligent fighter. And this time of course an exciting fighter for the fans, because I want to bring [that] excitement to the sport. Of course for myself first, but the fans do count. The performance has to be there for them.

 AllHipHop.com: As this fight shows, the field is open to you as far as fighters ranging from lightweight up to welterweight. A lot of people still bring up how good you looked at 140 pounds against DeMarcus Corley, Henry Bruseles, and Arturo Gatti. With guys like Manny Pacquiao and Timothy Bradley at 140, do you feel you could still make that weight, or is your comfort level at 147 pounds?

 Mayweather: I feel that all roads lead to Floyd Mayweather, so we’ll take one fight at a time. Marquez is one of the best fighters pound for pound, and Mexico’s best fighter. Mexicans have always produced exciting fighters and champions going back over a hundred years. My main focus is Marquez, you can’t overlook guys. I think when fighters tend to overlook guys they come up short. We’re going to execute the gameplan, get him out the way, and see where we go from here.

 

 AllHipHop.com: This will be one of the biggest matchups of the year. Usually, you wage a lot of psychological warfare on your opponents to rile them up. But with Marquez, you’ve really laid off that. Is that because of your respect for him as a fighter?

 Mayweather: No, it’s not that. That’s just versatility. Every fight can’t be approached and marketed the same. Some fights we’ll talk trash and other we’ll just go out there and do what we have to do.

 AllHipHop.com: Just based on resume, do you feel Marquez will be the most skilled fighter you’ll have faced in your career?

 Mayweather: [Pauses] Uh, I can’t really say since we’ve never engaged in combat before. Some I’m able to tell [beforehand]…of course he’s a very good counter-puncher and boxer. He’s solid, but I can’t give him the best until we have battle. Then I’ll tell you where he ranks.

 AllHipHop.com: Even in retirement you were still present at a lot of boxing cards, and you co-signed light-heavyweight champion Chad Dawson as one of the future stars in the sport. When you look at him and other young stars like Andre Berto and Paul Williams, how do you think they carried the sport in your absence? And how was the overall health of boxing?

 Mayweather: I have nothing but respect for all fighters going out there and working hard to put food on the table. But there’s only one Floyd Mayweather. I don’t believe everybody was born to be a flashy entertainer and sell tickets. And sell PPV’s like I’ve done. I think Dawson’s a hell of a fighter, and so are Berto and Paul Williams. You have to realize we all come from the same background and had to work our way from the bottom to the top. I have respect for these fighters trying to reach the highest level you can possibly reach, and that’s the Mayweather level.

 AllHipHop.com: You made a profound statement during your last run in regards to marketing fights. You said that a lot of times you approach fights akin to a rap beef because that’s what people want to see and confrontation always sells tickets…

 Mayweather: Well, boxing is entertainment. I’m in the show business. But also look at this; I’m in the check-cashing business! As far as PPV, I hold the record, and the highest grossing gate. [Writer’s Note: The 2007 bout with Oscar De La Hoya sold 2.4 million Pay-Per-Views and posted $120 million in revenue]. I’ve won six world championships, and did that all in a decade. So I’ve brought a lot to the sport of boxing. I took care of things inside the ring, and now have added a tremendous team outside on the business end.

 

 AllHipHop.com: We can look at the 2005 Gatti fight as the beginning of your ascent to superstardom being that it was your first PPV. Is that when you began cultivating the “Money Mayweather” persona that you’ve been presenting to fans over the last few years?

 Mayweather: I think I was just held back. I could have been a bigger quicker if I wasn’t held back from PPV by [my former promoter] Bob Arum. I feel that my first PPV fight should have been with Angel Manfredy. Bob Arum is biased against black fighters; he leans towards Hispanic fighters and keeps them on PPV. He tried to install in our minds that blacks can’t sell PPV or sell out arenas. But that’s not true; we are known for having the best entertainers and the best athletes. That’s been known for many years. But you live, learn, and keep striving.

 

 AllHipHop.com: Let’s switch gears to your music label Philthy Rich Records. How has that been going being that you’re managing it simultaneously with your ring career?

 Mayweather: Yeah! People want to know why we really never came out with any artists or albums. In the beginning we were working with a cousin of mine whose rap name was Sacrifice and [another artist named] Jumbo, but he had problems back home. And with my cousin, sometimes family and business get mixed up. So they never got off the ground.

 The next artist was real underground, and at the time there were really no underground artists that were taking off. We moved on to H-Flow, and H had manager problems and everyone felt like we owed them something. The next one, Lombardi, he fell in love with a girl. Things just kept happening.

 Then we started Mayweather Music. Tasha White was running that, and I think it was too much for her. She was more like a mid-level manager instead of an executive. We needed someone who had been around the game and knew the ins and outs to run Mayweather Music, which was more for R&B.

 We were working with an artist named Freck Billionaire. When he came aboard we asked if he had any contracts and he said no. Come to find out he was signed with somebody. The guy was trying to sue us and Freck stole one of our watches and left. So we’ve been looking for Freck Billionaire but he’s been ducking and dodging us. He stole a diamond watch and left.

 So that’s what has been going on. The business is so dirty.

 AllHipHop.com: What all that said which do you see as more difficult and cutthroat, boxing or the music business?

 Mayweather: Which is more cutthroat? Both!

 AllHipHop.com: Since your good friends with 50 Cent, did you consult him for advice being that he’s probably went through similar issues with his own label?

 Mayweather: We just talk on a friendship level. I don’t ask him about music, but I’m sure he would give me advice if I asked for it.

 

 AllHipHop.com: You already have a Hip-Hop collaboration under your belt with the Ludacris song “Undisputed.” With what has happened with the label so far, do you think you’ll now take a more visible approach ala Diddy or keep yourself in the background?

 Mayweather: I love music, and right now the most talented artist I’ve come across is Freck Billionaire. But he does business so dirty we couldn’t work with him. We let him walk in our studio for free and put him up in a hotel free of charge. Anything he needed he got, he was comfortable. It’s the people around you. They all end up being the same way. Leonard Ellerbe, Al Haymon, James McNair, and the rest of my team have never let me down. Everybody else comes and goes while feeling like you owe them something. But they never get in the ring for you and throw the punches, or run on the ropes, the roadwork, hit the heavy bag, they don’t do anything.

 In the Hip-Hop world today, everybody is a gang-banger. It’s a fad. It’s so crazy; you got Blood and Crips in New York City. I see a lot of things in Hip-Hop that aren’t cool. I just like to hear good music.

 

 AllHipHop.com: On that note, your popularity has caused rappers to mention your name on occasion. When you have an instance like the Rick Ross line on “Mafia Music,” (That Mayweather money looking funny in the light) does that bother you or do you feel flattered at any type of crossover recognition?

 Mayweather: Nah, they say Rick Ross was throwing shots at me. I feel like this, Cassidy already did “I’m a Hustla,” [and] he’s an East Coast rapper. That’s already been done. Freeway already came out with the beard look. And then the real Rick Ross was really getting it as a hustler. I don’t have to take no shots at Rick Ross. I don’t think he’s making $20-$30 million every time he goes out there to perform. I got my own name, Floyd “Money” Mayweather. That’s original. With his rap career, I wish him nothing but the best.

 [His] stats and credentials don’t rhyme. One minute he said he wasn’t a CO or cop, next minute he is. He can learn how to get money from me. If he’s a cop and rapping about selling drugs, I guess he was a dirty cop! You know me, I’m not ducking and dodging no one, it’s not hard to find me. I’m in Miami all the time, Atlanta, everywhere.

 It’s crazy because me and my manager Al Haymon were the ones that did Lil Wayne’s last tour. So when I seen Rick Ross in Miami on the first show, he broke his neck to speak to me. Rap has truly changed. He was at my Hatton fight, cheering me on. I guess he got upset because I’m cool with 50 Cent. But like I said if I need someone arrested I’ll call him.

 Part 2 Coming Soon, where Mayweather Talks His Welterweight Rivals (Cotto, Mosley,etc)

 

DG Yola Starts Bid For Shooting Cousin

Upcoming Atlanta rapper DG Yola confirmed reports that the rapper surrendered to authorities last Friday (August 7), to serve a one-year prison sentence.

 

DG Yola, born Mario Talley, is an independent rapper from the Westside of Atlanta, best known for his single “Ain’t Gon Let Up,” released via his Power Hitter Records, which is distributed by Atlantic Records.

 

According to DG Yola’s manager Lady B., the rapper was out on a $100,000 bond, while waiting to serve a one-year sentence for aggravated assault.

 

DG Yola, 23, is serving the time behind bars for shooting his cousin in the chest, after the man allegedly attempted to rob the rapper of a 2009 Jaguar and an undisclosed amount of cash.

 

DG Yola was also shot, in the face during the robbery attempt, which occurred on March 24th in 2007.

 

“He is already up and about and writing. Yola ain’t gonna let up,” his family told AllHipHop.com shortly after the shooting. “We respectfully request privacy and appreciate the well wishes and prayers of Yola’s fans during this time.”

 

Despite his incarceration, DG Yola is still planning to release his debut album Gutta World, which he has described as a “handbook for self-determination.”

 

DG Yola’s Gutta World is due in stores this October on Power Hitter Records/Atlantic.

AHH Stray News: Kanye, Jay-Z, Ludacris, Lil Wayne

A new short film featuring rapper Kanye West is slated to be released this September. Spike Jonze, who directed West’s “Flashing Lights” video, directed We Were Once A Fairytale. The short was originally supposed to be the video for “See You In My Nightmares,” but ended up becoming a bit lengthier. We Were Once A Fairytale debuted at the Los Angeles Film Festival, features Kanye West as himself, drunk in a club. The 15-minute clip will be released through iTunes on September 8.

 

 Jay-Z will be the headlining performer along with Lady Gaga at the 2009 MTV Video Music Awards. Jay-Z will take center stage in an evening that also features performances by Green Day, Pink, Muse and others. Jay-Z’s single “D.O.A. (Death of Auto-Tune) is up for three awards this year for Best Male Video, Best Hip-Hop Video and Video of the Year. Nelly Furtado, Miranda Cosgrove, Ne-Yo and others have already been announced as presenters during this year’s ceremony, which takes place September 13 in New York.

 

Ludacris continues to diversify his business portfolio with the launch of a new cologne. Ludacris recently entered a deal with Tag to produce a scent for its Signature Scents line. In addition to creating his own scent, Ludacris, born Christopher Bridges, will also design the can for the fragrance. Ludacris recently revealed to AllHipHop.com that he is working on Ludaversal, the follow up to his 2008 album Theater of the Mind.

 

Lil Wayne’s lawyers were busy this week, as two high profile cases involving the rapper were in two separate courts. On Tuesday (August 11), Lil Wayne appeared in a Manhattan court for a hearing in relation to his gun-posession case. Lil Wayne has pleaded not guilty to second-degree felony count of criminal posession with a weapon. The charges stem from a 2007 incident when police searched his tour bus and found a .40 calibre handgun. Prosecutors claim DNA evidence links Lil Wayne to the gun. Yesterday, Lil Wayne and his attorney Stacy Richman disputed the evidence and claimed the gun is legally registered to the rapper’s manager, Cortez Bryant. In related news, a copyright infringment case involving Lil Wayne was postponed today (August 12). Lil Wayne is accused of illegally sampling Karma-Ann Swanepoel’s tune “Once” for his song “I Feel Like Dying.” The trial, which was scheduled to start October 26 but has been pushed back. A new date has not been set.

Masta Ace, EDO G. Form ‘A&E’; Prep Album

Hip-Hop veterans Masta Ace and EDO. G. have announced they have formed a new group that will release an album next month. Brooklyn -bred rapper Masta Ace and Boston emcee

 

EDO. G. are known as A&E and will drop their debut, Arts & Entertainment in October.

 

The new album features guest appearances or production by a number revered rappers, producers and artists, including Large Professor, Posdnus, KRS-One, Double-O, Do It All, M-Phazes, DJ Spinna, Marsha Ambrosious, Chester French and others.

 

The first single from Arts & Entertainment is titled “Little Young” and was produced by M-Phazes.

 

The single was released to the Internet last night (August 11).

 

Masta Ace is a member of the famed Juice Crew, which featured legendary producer Marley Marl and rappers like MC Shan, Craig G., Roxanne Shante, Kool G. Rap, Big Daddy Kane and Biz Markie.

 

EDO. G. hit big with his group The Bulldogs in 1991 with the singles “Be A Father To Your Child” and “I Got To Have It.”

 

The release date for A&E’s Arts & Entertainment album is October 6, 2009.

 

A full track listing is below: 1.) Hands High (produced by M-Phazes) 2.) A’s &E’s f/Marsha Ambrosious (produced by Baby Dooks) 3.) Fans f/Large professor produced by (DJ Supreme One) 4.) Little Young produced by (M-Phazes) 5.) Ei8ht Is Enough (produced by Frank Dukes) 6.) Good Music f/Posdnus of De La Soul (produced by DJ Spinna) 7.) Pass The Mic f/KRS-One (Produced by Double-O) 8.) Reminds Me (produced by DJ Supreme One) 9.) Rounds And Round f/DOITALL of Lords Of The Underground (Produced by DJ Supreme One) 10.) Over There (produced by M-Phazes) 11.) Here I Go f/Jamelle Bundy (produced by Rain) 12.) Dancing Like A W.G. f/Chester French & Pav Bundy (produced by Pav Bundy)

Dr. Dre Teams With Hewlett-Packard To Improve Sound

Dr. Dre is part of an ambitious plan being launched by Hewlett-Packard and Interscope CEO Jimmy Iovine, to improve the sound quality of digital music.

 

Under the new agreement, Hewlett-Packard’s laptops and headsets will feature the Beats by Dr. Dre software starting this Fall according to CNET.

 

“We have to fix the entire chain,” Iovine told CNET. “Our position is to go to all the sources and try to improve sound and educate people. We can’t put anything weak in the line. Whoever puts out things that sound bad shouldn’t be as cool as something that sounds great.”

 

The goal is to improve the quality of digital sound files. Last year, Dr. Dre and Iovine teamed with Monster Cable and released their Beats By Dr. Dre headphones in a first attempt to address the issues with digital files.

 

Celebrities like LeBron James, Snoop Dogg and Kobe Bryant have been seen wearing the high-end headphones, which retail for around $300 dollars.

 

“I just want our product to sound better,” Iovine said. “The record business committed many, many mistakes in the last 10 years, and I’m right in there. One of them was letting its product get degraded. It’s one thing to let it get stolen, it’s another to allow it to be degraded because then you really don’t have a chance…video games and TV quality are getting better and the quality of our work is getting lower. If that happens, then music will become disposable. That’s something we can fix.”

 

The news comes as Dr. Dre puts the finishing touches on his long-awaited album, Detox, which is scheduled to hit stores sometime this year.

Vibe Magazine Purchased, Website to be Re-launched

The Vibe brand may be in store for a resurrection, as InterMedia Partners have confirmed their purchase of the defunct company’s assets.

 

Vibe, which was founded by legend Quincy Jones and Time Warner in 1993, had been a staple brand in urban culture until the changing market forced them to shut down the magazine and website in June.

 

With the name recognition for Vibe still strong, InterMedia Partners and its portfolio company Uptown Media Group are banking that a strategic re-launch will bring the brand back to its former 90s prominence.

 

“Vibe is the preeminent brand in R&B and Hip-Hop. We feel privileged to purchase and resurrect such a storied brand,” explained David Koff, a Senior Partner at InterMedia Partners. “Together with the re-launch of Soul Train this fall and the rapid expansion of Uptown Magazine, a reinvigorated Vibe enables us to serve a broad spectrum of the African American audience with high quality entertainment and information.”

 

The new focus for Vibe will be cultivating a “Vibe Lifestyle Network” which will include various other websites to crossover sponsorship and ad sale opportunities.

 

This task is in conjunction with Blackrock Digital, which handled the digital sales for Vibe before the June closing.

 

“Creating a preeminent lifestyle network anchored by two meaningful brands in the urban space is a fantastic opportunity that we had to get involved with,” Blackrock Digital president Chris Smith told AllHipHop.com. “Vibe.com has been a top performing web property for so many established advertisers, and we look forward to bringing that back to life along with key partner affiliate websites.”

 

The new team responsible for Vibe’s vision will be Brett Wright (Uptown Magazine Co-Founder), Chris Smith (Blackrock Digital President), Parker McNaughton (Blackrock Digital), and original 1993 Vibe team members Robert Miller and Leonard Burnett.

 

Vibe.com is set to officially re-launch in November or December 2009.

 

In 2010, the company will devote fewer resources to print issues, and follow a quarterly format for releases.

 

At press time, the terms for Vibe’s asset purchase have not been disclosed.

Hillary Clinton Will Beat You Down

I’ve watched the video of Hillary Clinton spazzing out on that poor Congolese college student at least 10 times and each time it gets me hype. She was in the Congo to speak on behalf of women’s rights specifically the epidemic of Congolese women and girls being raped and used as weapons of war. During a stop on her tour, she took questions at a town hall-style meeting on Monday.

One male student made the mistake of asking the Secretary of State: “Mrs. Clinton, we’ve all heard about the Chinese contracts in [The Congo]… What does Mr. Clinton think through the mouth of Mrs. Clinton…Thank you very much.”

For a split second I could see the sista in her, I think there’s even a visible neck roll and if you look closely I’ve been told you can see her lips mouth “B***h, please!”

Her reaction is priceless.

Once she took her headphones out I knew it was a wrap!

Later, Congolese officials tried to say that the student meant to ask about President Obama and not Bill Clinton. If that’s true, that’s what I call a Freudian slip.

The world may love Prez Obama, but they are still very emotionally attached to Big Bill. His show stealing release of Euna Lee and Laura Ling from North Korea further cemented his legacy. Sure, the White House says they didn’t send him (yeah right), stating he acted on a personal mission. However, let’s not overlook the fact that North Korea requested Bill Clinton knowing that his presence would garner them a world stage. The man’s been out of office for nearly a decade and is still in hot demand.

All of this makes Hillary one p##### off woman. She had to put the muzzle on him during her presidential campaign because he was coming out of pocket and stealing her shine. Now, she is the Secretary of the State and is still being asked questions about her husband.

Hillary should have jumped into the audience and beat the crap out that college kid.

“Don’t you know who the eff I am? I’m Hillary M####-effing Clinton. I run this show. Bill is my b***h. Now, ask your question again.”

Behind the matronly headbands, knee length skirts and pearls she uncomfortably wore during her time as First Lady, I always knew that Hillary Clinton was a spitfire. I would have paid anything to see the smack down she delivered to Bill after his cigar antics were revealed with Monica Lewinsky. You can’t tell me she didn’t hit him with a one-two combo.

During her run for President, a major complaint from voters was that she wasn’t likeable. She wasn’t soft and pink. Sure she was a bit of an ice queen but that’s OK. After seeing her snap on ol’boy, I like her even more now.

If she was to become our President we’d need the Hillary that was about to break some necks in the Congo to prove to the world that she deserved to be in the White House and needed to be taken seriously.

Hillary Clinton is strong, damn it! She’s a beast.

I’m so in awe of angry Hillary that I think she deserves her own theme song.

Just change “Papa” to “Hilly” and “Man” to “Woman”.

– CH

The X Fact(her) is a weekly column that appears on 99problems.org. Started on Inauguration Day 2009 by the League of Young Voter’s Education Fund, 99problems.org is a non-profit initiative that aims to keep young people engaged in the political process through activism and community involvement. Please visit 99problems.org to find out how you can get involved right now! For more on Chloé A. Hilliard visit www.chloehilliard.com.