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Steroids: Is It Really That Serious?

 

 

I love wearing my throwback jersey’s, especially those from the Negro baseball leagues.  These jerseys symbolize so many things: pain, suffering, success, fun.  But most importantly, they represent hard work that the individuals who wore them endured so that other African American players could achieve the American Dream:  baseball, hot dogs, apple pie, and Escalades!?  I wonder how my now two-year-old daughter will feel about wearing the throwback jersey of the greatest player to ever play the game of baseball, Barry Bonds. 

 

Despite his success in this sport, Bonds’ name and his records have been tainted with the accusations and stench of steroid use and his athletic prowess has come in to question.  The “clear and the cream” substances given to Bonds by his personal trainer who failed to inform him of what they contained were actually illegal substances used to enhance performance. But why is this steroid thing such a big deal?  Why is the home run record that Bonds now holds in question?

 

Simply stated, steroids are illegal, potentially harmful, banned in most professional sports and college, and usage is considered cheating. Among athletes on the elite level, some feel that if you are not using steroids, then you are not trying hard enough. Steroids can build muscle and increase an athlete’s speed and strength – that has been proven. The problem is that penalties are placed on athletes found to be using them, and if used for long periods of time the side effects can be embarrassing and potentially life threatening. 

 

In women, the side effects of steroids include facial and body hair growth, male pattern baldness, deepening of the voice, reduced breast size and menstrual problems.  In men, reduced sperm count, impotence, breast growth, and decreased testicle size have all been documented.

 

All individuals who use steroids are at risk for high blood pressure, strokes, high cholesterol, nausea, sleep disturbances, acne, increased aggressiveness, and mood disorders including anxiety and depression. Some of these side effects like the breast development in men and voice changes in women are irreversible. It amazes me that I get continue to get requests from athletes in my private practice for steroids. 

 

Hip-Hop has had its bout with accusations of steroid use. LL Cool J was rumored to have used steroids to transforms his body into that of a Greek god.  He has denied using steroids as well as plastic surgery to improve his physique in his book LL Cool J’s Platinum Workout.

 

Whether it is to win at any and all cost or to look good and ripped in a shirt, success and vanity outweigh life and longevity in the psyche of steroid users. That is, until something bad happens like being banned from your sport, having a heart attack or not able to “get it up” when the time is right.

 

The road to success in sports is hard and education on proper nutrition, exercise, and rest is of the utmost importance.  Commitment to the sport on all levels is the only way to be successful. Is Barry Bonds guilty? Unfortunately some believe he is, despite being the greatest player to ever play the game of baseball. My advice to him and any young athlete is to never take or rub something on your body without knowing exactly what it is that you are taking or rubbing on you.

 

For more information on steroids visit www.nida.nih.gov or www.h2doc.com

 

Dr. Rani Whitfield is a board certified Family Practice and Sports Medicine Physician who lives in Baton Rouge, LA.  He is affectionately known as “Tha Hip Hop Doc” as he uses music and medicine to educate young people on health issues.  He can be contacted directly at [email protected]

 

Wayne Wonder: Island Star

While hardcore dancehall was a mainstay of music in the early to mid ‘90s, its presence began to wean with the emergence of new artistic expressions of music, such as neo-soul and reggaeton. Yet, somewhere between the sheets, Jamaican born Wayne Wonder found a niche and introduced the world to reggae music with an R&B feel. Since recording his first song in 1988, Wayne Wonder has made a solid, yet subtle, statement of his ability to cross genres and make quality music. In 2003, he struck Gold with the Billboard hit “No Letting Go.”With no pressure to be anyone but himself and a soft spot for the ladies, Wayne Wonder is back with a new album, Foreva, to prove that reggae music, like all other forms, can be anything you want it to be. On his visit to New York, Wayne Wonder shared with us his love and appreciation of women, how much he admired Alicia Keys, and the pressure of being yourself, musically, in Jamaica.AllHipHop.com Alternatives:  You’ve been at this for many years. What keeps you motivated to keep at it when music is evolving so drastically?Wayne Wonder: I guess I love it. I always put my heart into it.  I’m always finding ways to reinvent myself by getting inspired. My creative juices flow in whatever direction they flow, like a river, you know? And I guess that’s inspired by the love of the music.AHHA: Now part of your creativity, once upon a time, was your alter-ego Surprize. Wayne Wonder: He’s still a part of it. My alter-ego is a part of my creative flow. It’s the surprise of it. So at times you’ll hear me open a song saying, “Wayne Wonder, featuring Suprize.”  That’s the part that surprises and motivates me. Even still, Surprize is that inner energy that pushes me. AHHA: You’re considered a dancehall artist, yet, you are very unconventional in your approach. Why do you prefer the ballads and mid-tempo songs to the harder, raunchier style of most dancehall artists?Wayne Wonder: That’s where my energy lies. That’s how I was inspired. My inspiration and encouragement come from [ballads and soul music]. I could get a hardcore dancehall beat, but I’d still be able to apply a nice melody to it and make it plain at the same time. You could take away the beat, later, and apply nice R&B chords around it and it would make a nice R&B record too. So that’s how I make my music, you know? It’s for everybody.AHHA: You have a unique, easily recognizable voice. Who were some of your musical influences?Wayne Wonder: Musical influences came from early on. I grew up in a house with my mother listening to Mahalia Jackson. We grew up on that and Beres Hammond, Barrington Levy, Jackson 5, Michael Jackson. Listening to them was like, yo, such remarkable talent, you know? We found ourselves gravitating to the people with that talent. Like, I listened to R. Kelly in the early days…Honey Love and 12 Play.AHHA:  The first song I had ever heard from you was “No Letting Go,” which was infectious here in the States. Where were you when you wrote that song and what was going through your mind?Wayne Wonder: I was actually in Queens, New York, in the basement and I was listening to the track. And I was just jamming to the song and playing some additional chords to it to let it compliment a song. It’s just about a girl…my relationship, you know? Me wanting to tell her how much I appreciate her, how I’m going to stick by her. It’s just a song of appreciation so all the ladies can appreciate it.AHHA: Do you think you’ll ever be able to top the success of that single?Wayne Wonder: Well I don’t even think about it that way. I treat it the same as any song that has good content and quality, that’s coming from the heart. I’m sure Jah will bless me and people will gravitate towards it. AHHA: Speaking of writing, for the early part of your career, you did mostly cover songs. Why?Wayne Wonder: In Jamaica it’s really hard to write, as producers don’t really believe in spending time to develop a writer. Like if I’m sitting down writing a song that needed a little more arrangement, they didn’t have time to do that, so they would be like, “Why don’t you sing something that people know?” Then I realized that it was time and it was okay to be myself. And Beres Hammond was the one that told me to write my own song and it will sound like a cover song. I did, and since ‘93 I haven’t turned back. It paid off for me.AHHA: After hearing some songs off your new LP Foreva, I am reminded of authentic R&B with a reggae tinge. Do you ever feel pressure to please both the people in the States by making your music more generic, and the people in Jamaica, by making your music rawer?Wayne Wonder: I just know that sometimes you have to let the music make itself, and that’s my philosophy. If I’m sad, I’m gonna sing about that. If I’m happy, I’m gonna sing about joy riding. If I had a bad night last night or I run into some cats that p##### me off, I might sing about something defensive, like enemies or struggle. It’s all about the feel, not so much thought into the pressure of it. I know that dancehall music is more DJ dominated, but as a singer I know there’s a place for me to fit in. Like you said, I’ve been doing this for so long. People must feel the music in some way and appreciate what I’m doing.AHHA: True. So tell me about this album. What are your top three favorite tracks and why?Wayne Wonder: “Again” is one of my favorites. You know, I’m a personal person, so when I put my pen to my paper or I hold a guitar to write a song, it’s gotta be something true. My work is time consuming. Sometimes I’m on the road and I tell my wife I’m going to call her and I don’t call her. I’m supposed to be calling and checking in, you know? So “Again” is just really saying, whenever I touch the road again, I’ll be taking you, so don’t cry. I like “Gonna Love You” also. It’s another one of those songs that let’s a lady know she’s appreciated, you know? And then there’s a song called, “L.O.V.E.,” inspired by all the war I see going on, and we need it. So those are my three favorites on the album.AHHA: Well we can never have too many of those songs, showing love to the ladies.Wayne Wonder: Yeah, because I learned one thing- love is lovely and war is ugly.AHHA: I couldn’t have said it better. I’m going to have to use that. Now on this album you collaborated with Trina, but in the future, who would you like collaborate with?Wayne Wonder: My dream is to do something with Alicia Keys, but then Baby Cham already got that chance, but I’ve always been such a big fan of hers. I actually read that she was a fan of my music as well, and that was surprising because I didn’t know that. So definitely Alicia Keys.AHHA: Ya’ll should make that happen. Have you heard her new song “No One?” It has a reggae feel to it.Wayne Wonder: No, I haven’t heard that. But I’d like to hear it. I know I think her father was Jamaican, so it’s in her blood, you know?  Maybe I should go by J Records and wait for her. [laughs]AHHA: Now reggae music has become a thriving force in the music pool over the past few years. What direction would you like to see it go in the next five years?Wayne Wonder: Straight to the top, with people to represent it the proper way, as one ofthe top forms of music.

Joe Budden Released By Def Jam

Rapper Joe Budden is no longer signed to Def Jam Records after being heralded as one of its most promising acts in the early 2000’s.The rapper said he was pleased to be leaving the label and looked forward to the next steps in his career. “I’m just happy we were finally able to cut all ties. I feel like I have all the talent in the world, but for some reason was never able to showcase it there,” Budden told AllHipHop.com. “I’m looking forward to whatever God has in store for me, and Joe Budden fans should know – today is a beautiful day.”While Budden’s self-titled 2003 album sold over 500,000 copies, he never released another album on the label. He also scored a hit record with “Pump It Up,” which was used in an NBA Campaign. In 2005, Def jam held a listening session for Budden’s second release, The Growth, but the album never materialized. Even without a second album in the market, Budden stayed relevant by releasing several popular mixtapes via the internet and the streets, most notably Mood Muzik 1 & 2.Def Jam president Shawn “Jay-Z” Carter recently told AllHipHop.com that he wasn’t exactly sure how to release Budden as an artist. “If you just want to throw an album out there then next week, [fine]… [Then] you’re recording [songs] about how we didn’t support it. We could do that,” Jay-Z said. “We could do that tomorrow. I don’t think that what he wants. I don’t think that what he needs. Maybe…I don’t know.”Urban legends and gossipers speculated that a 2003 lyrical sparring session might have led Jay-Z, who eventually became Def Jam’s president, to harbor resentment against the younger rapper.When Joe Budden’s “Pump It Up,” began to gain popularity in 2003, Jay-Z recorded his own version of the song, which began to get significant radio play. Shortly, Budden recorded a verse and added it on to Jay-Z’s. In each’s verse, it seemed like they were sending subtle lyrical jabs at each other. Jay-Z insisted that notion was completely false and backed up his statement with present examples. “That [lyrical sparring match] had never influenced my decisions. You see Beanie has a record with R. Kelly (one of his adversaries). Juelz Santana has put and album out. I’m way too big of a person to [do that]. I would never block anyone’s blessing, because of anything personal. If I didn’t want to deal with him, there’s other people there,” Jay-Z said. “I mean, why do we have a problem, I freestyled on his record. He probably made his career off of freestyling over other people’s records. If I start freestyling over other people’s records…Lord forbid.”Joe Budden has yet to reveal his next move, but the third installment of the Mood Muzik series has been highly anticipated, especially on the internet. Jay-Z has recently revealed his next album, American Gangster, to be released on Nov. 6. Fans can read an extensive look at the album by reading Manifest Destiny (The American Gangster Story). Listen to the Jay-Z / Joe Budden “Pump It Up” Freestyle below:

Koch Records in Bidding War for Death Row Records

The fate of Death Row Records continues to hang in the balance as independent record label Koch Records positions itself to buy the once influential West Coast rap label.

 

The New York Post reports that Koch is one of two companies who stand the best chance of purchasing Death Row.

 

The other company, Evergreen Copyrights, made its presence known in May by purchasing the writer’s share of Death Row rapper Tupac Shakur’s music catalog.

 

Although the music publisher and Koch are in the running to obtain Death Row, two sources involved in the process told The Post that the sale of the label remains stalled in light of outstanding claims from producer Dr. Dre and Afeni Shakur.

 

Dre’s claim is over royalty payments pertaining to his classic Death Row release The Chronic.

 

Afeni Shakur’s dispute with the embattled label involves the question of who owns the rights to unreleased music by her son Tupac.

 

Death Row controls the rights to roughly 10,000 master tracks.

 

In addition to the outstanding claims, the sources revealed that confusion exists among buyers as to what assets Death Row founder Marion “Suge” Knight still holds over the label.

 

The circumstances surrounding the sale and assets are latest in a series of events surrounding Death Row since the label filed for bankruptcy in April 2006, listing $137 million in debt and just $4.4 million in assets.

 

Sources estimate that Death Row will get less than $20 million on net revenue of roughly $2 million.

NBA 2007/2008 PREVIEW: Toronto Raptors

We continue our 2007/2008 NBA Preview with a look at the Toronto Raptors.

 

Toronto Raptors

 

Projected Starting Lineup:

C Andrea Bargnani

PF Chris BoshSF Jason KaponoSG Anthony ParkerPG T.J. Ford

Coach: Sam Mitchell

 

The good news: Their international squad has balance.  Call ‘em the United Nations Raptors.

 

The big surprise of the Eastern Conference is back a year older, a year wiser, and a year hungrier for respect.  Superstar forward Chris Bosh and Co. are coming off winning the Atlantic Division title, though they lost in the first round to the New Jersey Nets in six games.  The talent is there, thanks to GM Brian Colangelo.  While keeping the core of Chris Bosh, T.J. Ford, and last year’s #1 overall pick Andrea Bargnani intact, the Raptors made a splash in free agency landing former Heat sharp shooter Jason Kapono and guard Carlos Delfino from the Pistons.  Perhaps one of the better moves of the offseason for any team was keeping 2006/2007 Coach of the Year  Sam Mitchell, once on the hot seat, back for another run.  Lastly, Jose Calderon.  The Spanish point guard turned some heads last year with his solid play and ability to not turn the ball over.  The Raptors will be very deep with Calderon, T.J. Ford, Joey Graham, and Carlos Delfino leading the reserves.

 

The bad news: In a division that made many moves, the Raptors didn’t do much.

 

The Raptors fell back and watched as the Celtics grew stronger via trade, the Nets gained strength via the draft, and the Knicks bulked up in both areas.  The Raps are relying heavily on the current group of players to lead the way.  It’s not necessarily a bad idea, but at this point it’s perfectly justifiable to sleep on this club again.  Personal growth may be a strength, but it also gives other clubs an idea of what they are facing ,which means this could be a year where they get figured out. 

 

The outlook:

 

5th seed in the East, 2nd in the Atlantic.  They’ll be out in the East Semi-Finals.

Rapper Common Launches The Common Ground Foundation

Chicago rapper Common has announced the launch of The Common Ground Foundation Inc., a San Francisco based global initiative to educate and empower urban and disadvantaged youth.

 

The rapper’s foundation will also focus on HIV/AIDS prevention programs targeting youth in communities around the world, specifically Africa.

 

“I always believed that if we started with the youth then we would be planting the seeds for our future to blossom,” Common said in a statement released today (October 9).

 

The foundation’s national and global programs will be directed by Jodie Blum, a 12-year-veteran of event production, specializing in nonprofit consulting and fundraising for world leaders, celebrities and professional athletes.

 

The foundation came to fruition after several years of planning.

 

Common revealed details about the Common Ground Foundation to AllHipHop.com in December of 2004.

 

“I feel that it’s my duty to speak out on conscious matters that are affecting our community a lot, because I know that I do have a voice,” Common said in a previous interview with AllHipHop.com. “It’s a platform for millions to hear me speak. Why not speak? It might save a life.”

 

Common will star opposite Denzel Washington and Russell Crowe in the upcoming flick American Gangster, which hits theaters in November.

 

For more information visit http://www.commongroundfoundation.org

Mistah F.A.B.: Combat Debriefing

Freestyle battles are not all they’re hyped up to be. The music from the DJ is hard to hear. There is a lot of standing around and waiting. And let’s remember, a true freestyle battle is just that, completely on the spot, nothing pre-written or memorized. As a result, lyrics aren’t always syncopated and sometimes lines don’t even rhyme. Battlers don’t finish their barbs exactly when time expires and the crowd isn’t going to jump in halfway through an artists’ round to chime in with “there ain’t no such things as halfway crooks.” In a nutshell, a lot of the mysticism surrounding Hip-Hop battles is lost fairly quickly.Take Mistah F.A.B.’s recent freestyle battle against Detroit emcee Royce da 5’9”, as part of AllHipHop.com Week when the two squared off in New York at the AllHipHop’s Breeding Ground Showcase and Celebrity Rap Battle hosted by Fatman Scoop.“[As an artist], I have a lot to lose,” says Mistah F.A.B. “And I didn’t want to lose on crowd participation. I’m from the Bay and I’m battling in New York – I already have the crowd against me. We don’t want to see that we got crushed and or [my] career is over; especially when we have a record coming out.”Originally, the battle was supposed to consist of emcees from different parts of the country, and was billed as featuring Phonte of Little Brother, Joe Budden, Royce da 5’9” and Mistah F.A.B. Phonte backed out. Joe Budden’s brother was reportedly shot that very same day and, despite repeatedly stating that he would show, Budden never made it to the event. This left Royce and F.A.B.“For like 30 to 40 minutes we were waiting for Joe Budden,” says Mistah F.A.B. “It’s like if you have momentum at a baseball game, then there is a rain delay and you’re the leadoff batter. You have to wait. I’m thinking, ‘Wow, I have to wait on him? They wouldn’t wait on me.’ But I had to stay focused. I didn’t want to come all the way to New York to come home and tell my mom that I lost. I can’t come back home letting people down.”Even with the delay, Mistah F.A.B. unleashed everything he could think of when the microphone was handed to him. With Chamillionaire, Remy Ma, Saigon and Maino all in attendance, the Bay area artist used his hip-hop contemporaries as the foundation to eventually win the crowd over, and win the battle.“My main thing is looking at a crowd, seeing who is in the crowd and seeing where the people were from,” says F.A.B. “You have to be able to play the crowd in a battle, like, ‘Wow, he said that? How did he come up with that?’ A lot of people don’t do that these days.”There is no downplaying Mistah F.A.B.’s performance anyway one wants to spin it. Royce came out flat and never got the crowd interested in what he was saying. F.A.B. poked fun at all his hip-hop colleagues who attended and kept the audience tuned in to him. F.A.B. says he was a little stunned by Royce’s lines, and says that Royce simply didn’t come to the microphone as hungry as F.A.B. did. Da Baydestrian sat down with AllHipHop.com and broke down his battle, highlighting some of his best punch lines of the event and shed some insight as to how he won the crowd and won the battle. AllHipHop.com: First, you said, “I’m from the hood, even my momma pop guns. The ni**a got shot like Joey brother dunn.”Mistah FAB: That was a crazy line. That was a bitter line. The whole reason we delayed the battle was because [Joe] Budden’s brother got shot. And we had to wait 45 minutes for him. At the end [of the event], I patched it up by asking the crowd to give his condolences to him. I’m from damn near the murder capital of the world. So I know the value of losing someone and what they have to go through. But that line was like, “Come on, Joey, you should be there.” AllHipHop.com: “I’m so high that I roll mountains. Put you in a box and you ain’t going to come out like Saigon’s album.” Mistah FAB: Saigon and I talked for like an hour about that line. Saigon and I are closer than a lot of people think, we’re label mates and we’ve known each other for years. It’s not a cheap shot, but we’ve been waiting for Saigon’s album for three years. And I’ve heard The Greatest Story Never Told and it’s crazy. The content is something the game needs right now. It might sound like a cheap shot, but it’s about trying to get the album out. AllHipHop.com: “I slap dudes, kidnap and clap dudes. And bring drama to any king like Papoose.”Mista FAB: You know the “Drama King” Kay Slay and you know Papoose. It’s some wordplay. Royce also had a line that the crowd may not have understood. He said, “You ni**gas is about as fly as a pair of wings on a pet. If you the king, then I’ll turn you to a King on the terrace.” He was talking about Martin Luther King Jr. and how he got shot on the balcony. At first, you may not understand the words, but I thought that line was crazy. It was he and I playing with our words. AllHipHop.com: “I showed your b#### my chain, she swears to god Shyne got out.”Mista FAB: And then I followed it with, “That ni**ga still locked up. I’m a real bad boy and I’m real racked up.” I think when Shyne gets out he is going to take the game over. It was so unfortunate to see the case get flipped on him. Most of my lines were about New York, so I wanted to get as many New York references I could for my verse. When I said, “You playing around with big thugs, I’ll have your whole city red like when they killed Big Blood,” the people from Harlem jumped up and couldn’t believe that line. [Big Blood was Nathan Hodge, a 38-year-old who died of a heart attack in May 2007] It was red everywhere. I just happened to be in Harlem when he got killed. And it was all red in New York when that happened. I think I won over a lot of New Yorkers. Everyone is trying to party with the south right now, but New York is open. If you can win over New York, you’re going to go places as an artist.AllHipHop.com: “I never live the good life. I got ni**as scared in the hood like that ni**a Suge Knight.”Mista FAB: Regardless of what you say, when you see Suge, you think twice. If someone says he is in the building, you say, “Where is he?” And in rapping, cats are ducking me. Bar for bar, in a freestyle battle I’m one of the best. Cats that want to battle are scared. If you say Suge is here, someone is going to be like, “Where? I’m out.” When you see how big he is, you get scared. AllHipHop.com: “You see the chain. You know the chain glow. Reach for it and I’ll scar your face like Maino.”Mista FAB: It was crazy because I was reading an article on him, and Maino is a real street dude. But he’s got a scar on his face. He had a lot of guys at the event. He’ll scar your face, and he has a scar on his face. But he’s a solid dude. AllHipHop.com: “I’m sick as sh*t. You all ni**as snitch like them ni**as Vick be with.”Mista FAB: His homeboys snitched on him. The case didn’t even go to trial and his boys were like, “He did it.” They snitched fast. And now he has state charges against him. That’s ugly. Someone came up and thought I said something about 50 Cent. AllHipHop.com: “You all ni**as tuck in your chains like I was running with True Life.”Mista FAB: You know he’s the goon. He’s the goon of New York. I’m in his area. I have to respect him. Everybody knows how True Life gets it in. They seen the beast, they seen the smacks. He gets in it. Even just hearing about him, you can’t believe he’s getting it in like that. You want him on your side. You don’t want to go against him. AllHipHop.com: And then you finish off your third round verse by saying, “Plus I’m racist, motherf*cker, like my ni**as from Zulu.”Mista FAB: That was what they were known for. It was a hype thing. In this day and age, you can’t be racist. Where I am from, all of my fans are White, Asian or Pilipino, but rarely Black. But in the Bay, they say ni**a more than Blacks do. They sound like a DJ scratching when they say it. I’ve been going down south lately and seeing blatant racism, like Jena 6. We don’t see that we’re I’m from and you don’t tolerate it. But I don’t judge anyone on his or her colors.

Jake One: Hitting Paydirt…with 50 Cent, Sha Money, and Young Buck

 In

the digital age we live in, when everybody and their friend is making

beats, it can get difficult to distinguish the real from the fake, the

fluke from the official. It’s at the point where producers are almost

forced to ‘Just Blaze’ their beats to keep from getting lost in

a sea of mediocrity, where biting is abundant and originality is the

key to buoyancy.

      Luckily

there are guys like Jake One at the helm of this Hip-Hop ship. One listen

to his signature ‘blap’ and it’s clear that what you’re hearing

is genuine dope, and you will most definitely need another fix. Curtis

Jackson certainly did, and there’s a long line of A-listers who have

been hooked. Timeless and genius are not words that are thrown around

often, but with each press of the ‘Rewind’ button the legacy of

Jake One is being established worldwide, by mainstream and underground

heads alike.

Not

one to buy into hype, the Seattle native is only beginning to adjust

to life without a regular 9-to-5, and still has time to give some direction

to fellow producers while checking in with the good people at AllHipHop.com. 

AllHipHop.com: Yo Jake, what’s

up man? 

Jake One: I’m just trying

to find a place where somebody’s not blasting some music. There’s

literally like 10 different studios where I am and people are just off

into whatever they’re doing. It’s really some crazy s**t.  AllHipHop.com:  Let’s jump right into it. Sha Money XL has been your manager for a couple

years, you’ve got a couple tracks on Curtis, so the money must just

be rolling in right now right? 

Jake One: (Laughs) You know,

things are good. I don’t have to work a job and I’m comfortable,

but it’s not all it seems sometimes. I think people have a funny way

of looking at the industry and what kind of money they really think

is there in the fist place, and what you can actually make. It’s definitely

a big, big blessing to have two songs on [Curtis] and have two songs

on [Young] Buck’s album, and some other things I’ve done the last

few years. But the money takes time to come around, you don’t just

catch the big check the day it comes out. You gotta wait for it all

to cycle around and all that. I’m definitely happy about it, but you

know I wish I would have caught that Get Rich or Die Trying

$10 million dollar check. I’m not complaining about that, but it’s

definitely disheartening to see the sales go down the toilet for everybody

as soon as I start placing all these records. But in the end, I don’t

really do it for that. It’s a great bonus and it’s great that I

can set up my future with music, cause I never even would have that

I would get paid to do music. I was working a job until two years ago,

so I always treated it as a side thing. It’s always been something

I loved to do, but I didn’t think it was really going to pay me money

or pay my life. I don’t even look at it like that now. I figure some

day I’ll probably have to do something else.  

AllHipHop.com: Well at least

you’re an educated dude. You’ve got a Sociology degree from the

University of Washington, and as you said worked a 9 to 5 as a file

clerk in a courthouse. Have you been able to apply that education to

the game and working within the industry? 

Jake One: You know, I don’t

think anything particular I learned in college has really helped me

as far as that. More than anything it’s just being disciplined and

following through on things and being on top of whatever it is. Whether

that’s sending somebody beats in a timely fashion, or showing up somewhere

on time, or just being reliable and being somebody of your word. I think

going through education on some levels gives you more structure in your

life. Some people have issues with that and it costs them gigs, so I

would say that part of it has been real good. 

AllHipHop.com: Tell me a little

about where you are? I know you’re doing your thing in Toronto

right now, but what was it that brought you to my neck of North America? 

Jake One: It’s basically

a project that three guys from Germany started called Red Bull Music

Academy. They bring 30 different people from around the world, all different

kinds of music, people from different places. It’s really like some

UN meeting up in here. So there’s 30 participants and four studio

mentors. I’m one of the the guys in the studio, Om’Mas from Sa-Ra

[Creative Partners], my boy Zanku’s the drum and bass guy, and another

guy from Detroit named Todd Osborn who does a little of everything.

So you know, we all hang out and everyone kind of knows what they’re

doing already, but we just help them record their ideas and give them

our experience and knowledge. 

AllHipHop.com: From what I

know, you got your start digging for records back in the early ‘90s.

As you were taught it, how’s digging in the crates different from

just record shopping. 

Jake One: I really became aware

of what it was from ’91 or ’92, and just realizing that songs I

liked all came from samples. So at that point when you start, you’re

just looking around at James Brown or just the standard stuff. But the

more I got into it, all of my favorite music that I was really into

like Pete Rock, Diamond D and D.I.T.C., Premier, they weren’t just

using the obvious records that you could find anywhere. So that got

me into the whole mind frame of going out and just trying to find something

obscure all the time. It might not of even been that obscure, but to

me at the time it was. But the more time you do it, the more you understand

the music of the past and you will have the knowledge to know when something’s

genuinely rare or not. 

AllHipHop.com: So has your

taste and preference developed as you’ve been producing more? 

Jake One: I started

buying records just because I wanted to make beats. And over time I

bought a lot of stuff not necessarily to sample, just because I liked

the music. Like I’m really into Sweet Soul right now, so I’ll go

out and buy whatever it is I’m into. I might have bought a lot of Jazz

records because that was what was going on back then. But now, I don’t

have a particular thing I’m looking for, just something that moves

me that might get me headed into the direction of making the beat. I’ve

tried not to sample as much and work with musicians, but it might set

off an idea that I have. 

AllHipHop.com: Alright, let’s

talk about your album White Van Music that’s being released

through Rhymesayers. I think it’s a lot of people’s dream to be

in a position like yours, have a full album of their own production

and get their favorite MCs to get down on it. Was that how it felt for

you? 

Jake One: Yeah, I had been

working with a lot of different people, and people have been telling

me “You should do a project where you make the decisions.” Cause

when I do songs for other people, I’m not necessarily in charge of

making the decisions on what’s going to roll. So basically just getting

out there what I think is a representation of me instead of just what

people choose beat wise. But obviously if they chose the beat, I made

the beat, that was what I was feeling at the time. I’m sure a lot

of producers will tell you a lot of the beats that end up coming out

aren’t necessarily their favorite ones. So this is my opportunity

to just do some records that people haven’t heard me do, and put it

all together and show the diversity of music I do. It’s not like I

just do one thing at all, and that’s been the fun thing. It’s also

challenging trying to figure out ways it’s going to somehow fit together,

because I’ve got so many different kinds of artists on it. 

AllHipHop.com: One beat that

you’re well known for is “Rock Co.Kane Flow” by De La Soul. Now

when I first heard that track, it bugged me out when they spit “Write

pens lines without saying the producers name all over the track/ Yeah

I said it/ What you need to do is get back to reading credits.” I

don’t know how you were feeling when they said that, but I’d have

been thinking, “Aww s**t, I wish they’d have just said it!” 

Jake One: (Laughs) You know,

I thought it was funnier that they did it that way. It honestly didn’t

bother me at all, I’m not the one out here crying for attention. I’m

good with what I’m doing, and people find out I do things and it comes

the right way. Even when I first made beats, I wasn’t psyched to just

to go “Oh, wait til my beats come out, or wait til I do this,” that’s

just not really my style. I’d rather you hear the music, be like “Who

did that?” and find out eventually. And you know, a lot of people

have. So he was just going at the cliché. When they came out with “Just

Blaze!” that was dope, cause you were like “Who the f**k is Just

Blaze? I like all his beats.” But then everybody was whispering the

names at the beginning, like I’d get people’s beat CDs and the drop

is playing like five million f***in times. And it ain’t about that,

you should have a sound that when they hear the beat they’re like

“Damn, I think so and so did this.” I think a lot of times when

I make stuff, it has the certain sound to it, where if you know my style

you don’t need to hear them yelling my name on the s**t.  

AllHipHop.com: A guy like me,

I’m checking all the credits on the albums I pick up. But I mean with

MP3 technology and iPods… 

Jake One: Yeah that’s kind

of crazy. I will say one thing good about tagging a beat, because there’s

no doubt about who did it. I’ve had a lot of beats I’ve done for

people, it gets to the net and people are calling it a Dr. Dre beat,

or somebody else. Like I did a record for Hot Rod with Mary J. Blige

called “Be Easy.” A lot of people still think Dre did that record,

when he didn’t have anything to do with that record. And it’s not

like he had anything to do with saying he did the record, it’s just

m############ make s### up. They’ll make up an internet tracklisiting,

that’s f****ng hilarious! Who the f**k sits at home and makes up titles?

C’mon now. (Laughs) What the f**k is that? It’s ridiculous. But

I guess that’s just the age we live in. 

Screwed Up Click Member Big Moe Suffers Heart Attack; Texas Rappers React

Original Screwed Up Click member and Houston, Texas based rapper Big Moe has suffered a heart attack and is currently in a coma sources revealed to AllHipHop.com.

 

Big Moe, born Kenneth Moore, suffered a massive heart attack on Sunday (October 7) and is currently hospitalized on life support, struggling to stay alive.

 

Big Moe was one of the first Screwed Up Click members to enjoy national success.

 

He debuted on Wreckshop Records in 2000 with the album City of Syrup.

 

In 2002 Big Moe released his sophomore album titled Purple World, which spawned his best known record, “Purple Stuff.”

 

He remained active making cameo appearances on a number of singles and mixtapes with Houston artists like Z-Ro, Mike Jones and UGK’s Pimp C.

“Big Moe has been a part of the Texas scene forever it seems like,” Paul Wall told AllHipHop.com. “Its tough to see somebody you admire and respect holding on for their life. I can only imagine how his family feels. My heart and prayers go out to them and he stays in my thoughts and prayers. God willing he will pull through. I feel selfish as a fan I want him to keep making music. But as a friend I just want him to hold on and keep living.”

 

The Screwed Up Click is a famous rap collective which was founded by Robert “DJ Screw” Davis Jr.

 

Some members of The Screwed Up Click have gone on to national prominence, while others have fallen victim to crime or drugs.

 

The original group consisted of rappers like Lil’ Keke, Big Pokey, Botany Boyz, Z-Ro, Lil’ O, Trae, Lil’ Flip, E.S.G., brothers Fat Pat and Big Hawk and numerous others.

 

Both Fat Pat and Big Hawk were both tragically murdered on the streets of Houston.

 

DJ Screw died of a heart attack in November of 2000, after overdosing on a lethal dose of codeine and cough syrup.

 

“Me and my whole Boss Hogg Outlaw Gang wanna send our prayers out to Big Moe and his family,” Slim Thug told AllHipHop.com. “We hope to see him get better soon. I just was informed of this situation and its sad to see him in bad health after all the loses S.U.C. has suffered so far.”

 

Houston radio personality the Crisco Kidd echoed Slim Thug’s seniments about the tragedies S.U.C. has endured over the years.

 

“It’s sad to see another member of the legendary S.U.C. in an unfortunate situation,” Crisco Kidd stated. “Everyone reading this, please stay positive and will Moe to recovery.”

 

According to sources close to Big Moe, he was recording material for a new album, which was slated to be released sometime next year.

 

Other members of the Houston Hip-Hop community offered words of support and their prayers for Big Moe and his family.

 

“What he’s done,with the help of the S.U.C., was create a music scene that will continue to define Houston Hip-Hop for years to come,” said Maddhatta of Houston’s Maddhatta Morning Show on 97.9 The Box.

 

Rapper Rob G. labeled Big Moe part of “the back bone that made Houston music what it is today.”

 

“He’s part of the reason guys like me step on that stage with their head high and say ‘I’m from Houston,” Rob G. added.

 

Houston rapper and S.U.C. member Trae is optimistic that Big Moe will make a full recovery.

 

“I know the homie is gonna pull through, he’s a solider. The world needs to say a prayer for my bro, my teammate, my click member and on behalf of Houston and the South we love him. Recognize him now, don’t wait till someone is gone to recognize them.”

National Runaway Switchboard Honors Ludacris

Rapper/actor Chris “Ludacris” Bridges and his Ludacris Foundation will be honored next month during the National Runaway Switchboard’s (NRS) annual Spirit of Youth benefit.

 

Ludacris and the Foundation will receive the organization’s 2007 “Spirit of Youth” award at the event, which will take place Nov. 1 in Chicago.

 

The “Spirit of Youth” award recognizes individuals and organizations who work to keep America’s runaway and at-risk youth safe and off the street.

 

“I am extremely happy my association with the National Runaway Switchboard has had a positive impact on reaching out to runaways and potential runaways,” stated Ludacris, who set out to provide another option for those experiencing difficult situations in life with “Runaway Love.”

 

“When I wrote the song, I wanted young people to know running away from their problems is not the answer and that they did not have to face every problem alone,” Ludacris revealed.

 

Ludacris attracted the attention of the NRS when he expressed his concern over the issue of runaways in the lyrics to his 2006 hit song “Runaway Love” featuring Mary J. Blige.

 

Additionally, the rapper has used the Ludacris Foundation as a vehicle to help youth by partnering the charitable foundation with the NRS.

 

According to NRS executive director Maureen Blaha, the alliance has yielded positive results.

 

“Since Ludacris and The Ludacris Foundation have been involved, we have experienced a 50 percent increase in calls to our hotline, and the number of visitors to our Web site has increased more than 60 percent,” she said.

 

Established in 1971, the National Runaway Switchboard serves as the federally-designated national communication system for homeless and runaway youth.

 

The organization, which receives support from more than 150 volunteers, handles an average of 100,000 calls annually as it provides crisis intervention, referrals to local resources and education and prevention services to youth and families throughout the country 24 hours a day.

 

The Spirit of Youth benefit will kick off National Runaway Prevention Month (NRPM), an annual campaign held in November to raise awareness of youth runaway issues and to educate the public about the solutions that help prevent youth from running away.

Gucci Mane: About That Time

After the success of his single “Icy,” featuring a yet to blow Young Jeezy, Gucci Mane was set to be the next big star out of Atlanta. But a murder charge and six months time served for assaulting a promoter seemed to stall out any hopes Gucci had for mainstream success. But you don’t sell half a million albums independently without knowing how to generate a buzz for yourself. Gucci Mane is back with a new album, Back to the Traphouse, on his label under Asylum/Atlantic records, So Icy Entertainment, and a new understanding of how to handle business both inside and outside the booth. That other Gucci Mane album, Trap-A-Thon, doesn’t have his seal of approval and he speaks on why below. Let’s hope time served was a lesson learned.AllHip-hop.com: Explain to the world what led to the situation leading to the charges and time served?Gucci Mane: Well, where I’m from it’s kind of wild. Robbing, stealing, selling dope, all that. You either a predator or prey over there. And sometimes people will try and make prey out of you. After everything was over and I was released I got focused. I look at things differently now. I’m more focused on what I need to do and don’t worry about the bullsh*t. AllHip-hop.com: You mentioned that your legal problems effected how you look at things. You being the man you are now, would you consider working with Jeezy again?Gucci Mane: Honestly, I’m not really looking to do anything with him. He and I haven’t spoken. We don’t have any problems, he’s in his space and I’m in mine and we keep it moving in separate directions. AllHip-hop.com: With your success as an independent artist, I’m sure you had a few choices when it came to linking with one of the majors. What attracted you to Atlantic Records?Gucci Mane: They came with the best deal, and also with the best play. You know what I’m saying’? And they was really interested in me, they promised me they would be behind me 100 percent. AllHip-hop.com: It’s often difficult to achieve success as an artist and an executive. What’s your formula for winning? Gucci Mane: When it comes to being an owner, being an executive you have to be on top of things man. You have to study and do research. You also have to have a good team around you. I go harder than everybody man. I push it in over drive. I’m trying to win by making this good music and keep dunking on these fools.AllHip-hop.com: While we’re talking business, there have been rumors that you’re looking to sign Shawnna, is there any truth to that, and if so, how close are you?Gucci Mane: We’re real close to getting Shawnna. We’re working with her on her next solo project. She’s amazing, we love her over hear man. She’s real focused and she works hard. On top of all that she spits. She’s better than a lot of dudes out there man. AllHip-hop.com: The new album is called Back to the Traphouse, what’s the meaning behind that name?Gucci Mane: The first album was Traphouse and it was a classic, some of my best work. And I know for a fact this new album is a classic so I called it Back to the Traphouse. I’m taking it back to that feeling and I giving yall another classic!AllHip-hop.com: As far as production you’ve always seem to have a unique sound. Who did you work with on this album?Gucci Mane: As far as production I worked with Nitti. My producer, So Icy’s own, Zaytoven he made “So Icy” and he got four or five joints on the new album. I got Shawty Redd, Fat Boy from Beat Bangers, Supa Sonics dropped that “Bird Flu” that might be a single… A few others man. They gave me what I needed to write great songs. AllHip-hop.com: Your lead single, Freaky Gurls, features Ludacris. How did that come to be and what was it like working with him? Gucci Mane: I already had the song out in the streets. Luda heard it and said he liked it and wanted to be on it. Shout out to DTP because Luda showed me love by jumping on the track. He’s a good dude and a real talented artist.AllHip-hop.com: Is there any other artists you worked with on the album?Gucci Mane: Well really, I’m not looking to collaborate too much. I got the joint with Luda. Snoop reached out, said he liked the music, so we got a song together. I got Pimp C and Rich Boy, did some work with Shawnna. That’s about it. I really want be to focused on my music. I’m trying to show people that I am a great song writer.AllHip-hop.com: Your former label has recently announced the release of some of your older work. You never authorized the release and have made it clear you don’t support it. Why is that?Gucci Mane: They did that to tarnish my legacy. It’s not fair to me and it’s confusing to the fans who want the real music.AllHip-hop.com: So, even though you can make money off this additional release you’re still against it?   Gucci Mane: Everything I do I try to put my best foot forward. The music on their is not my best work. AllHip-hop.com: How does the material on that album differ from that of your official release?Gucci Mane: There was more thought and more effort put into this album. This album was made for the fans. The beats are better, I stepped it up lyrically, I got more features…It’s just better. My fans deserve the real thing and that’s what I gave them with Back to the Trap House. AllHip-hop.com: How can artists protect themselves from being in a similar situation? Gucci Mane: Have a good lawyer. Always be careful who you get in bed with. I mean that as far as deals  are concerned. Be aware of everything. Always be aware of what’s in your contracts, the people around you and be careful of who you deal with.    AllHip-hop.com: With all the labels backing the dance songs and ringtone raps, did you feel compelled to come up with that type of record?Gucci Mane: It’s not in me to do that. Like, I make street music. I can’t make nothing but music for the streets. But it’s going to reach everybody because I’m a great songwriter. AllHip-hop.com: So fans shouldn’t expect Gucci Mane to be on any pop records any time soon?Gucci Mane: I’ll put it like this; If I got an okay jumpshot, but I know I’m going to get two points dunking, I’m going to dunk on fools the whole game. That’s how I approach my music. I give the people what they want every time. I don’t try to do what’s in style or whatever. I do me.   

Hip-Hop Rumors: Mos Def Battles Kanye! Jay-Z Engaged? Kay Slay/Pap Break With Busta

VH1 HIP-LAWSUIT?

Last night, I loved the Hip-Hop Honors Awards show, especially for A Tribe Called Quest and Whodini! But, all were very deserving. I caught a lil’ legal birdie the other day after all the hype. I heard that some guys are claiming that they actually started the Hip-Hop Honors and they were jacked for their whole idea! Now, I’m not suggesting it was stolen…I am saying that somebody is possibly going to address this in a court of law. We’ll see! Shout out to all the honorees!

JAY-Z AND BEYONCE – ENGAGED?

Here we go again with this song and dance. Apparently, Jay-Z refers to Beyonce as his “fiancee” on the new album, American Gangster. I’m not falling for it, but if they are engaged – GREAT. From what I read about this album in AHH’s own feature, Jay-Z uses a lot of double meaning and lyrical trickery. Furthermore, he knows exactly what to do to get the people talking. I’m certain this works for them in terns of promotion.

Click here to read Jay-Z: Manifest Destiny (The American Gangster Story). I promise you’re going to learn about Jay-Z’s new state of mind, his new approach to artistry and what this CD was all about. Holla – only if you hear me.

PHIFE DOGG…PRAY!

Like I told you last week, Phife Dogg has had some issues with diabetes and is in need of a kidney transplant. See? It wasn’t any of those other ailments you heard it was based on his thin frame.

“For the last three years I’ve been a dialysis patient,” the rapper told AllHipHop.com. Phife underwent physical changes from treatment received by doctors. “The first two years I was on peritoneal dialysis, which caused me to gain a great deal of weight.”

“For the last seven months I’ve switched over to hemodialysis, which has caused me to lose weight and has me feeling a whole lot better,” continued Phife Dawg. “Most people aren’t used to seeing me at this weight. Initially, I weighed too much for my size and height and now I’m where I need to be.”

Click here for the full news story and see Phife’s plans about getting a new kidney.

KRS-ONE SPEAKS ON 50 CENT & KANYE

So, after the Hip-Hop Honors (everything centers around that, eh?), AllHipHop’s roving reporter Jamile got at The Teacha KRS-One about his thoughts on Kanye and 50 Cent. Now, she didn’t even tell me what happened, but I heard later that KRS “dissed” Kanye and bigged up 50 Cent! I didn’t go into any details! Here is the video and as a special treat, we have KRS’s rebuttal! (There is no beef here of any sort. I’m not going to get PM Dawn’d)

How dope was KRS’ freestyle for Hip-Hop Honors? The only thing I didn’t like was when his VH1 Honor badge broke!

DIDDY FIGHTS FOR HIS LADY!

Well, this is what we know to be true now: Diddy is the father of another girl. Yes, the DNA tests don’t lie. You know all about the child by now, but here is some info if you don’t. The baby’s name is Chance (I like the name) and this is the mogul’s his sixth child. The child’s mother is Sarah Chapman and she was dead on with her claims. Anyway, Diddy has committed to being a great father. Obviously, this means another hefty child support check, but that’s not what its about! It IS about the welfare of the kids and making sure they aren’t on welfare.

On the other tip of support, I heard that Diddy REALLY wants to get back with Kim Porter and that she’s his true love. Now, tmz recently caught Didster and Kimmie out shopping for their twins. The dynamic duo picked out matching jumpsuits, baby hair accessories, and two dining sets for their little angels. Hopefully they get on some Brenda K. Starr s**t, “I still believe someday you and me will find ourselves in love againnnnnnnnnn…”

LIL’ KIM AND FOXY: IN LOVE?

You know, a lot of females have come out dissing both Foxy Brown and Lil’ Kim, the originators of the ultra sexual female rapper. Well, Foxy and Kim deaded their 10-year and running beef. I heard they are planning some sort of collaboration when Foxy comes home from the bing. Now, Foxy is releasing her new jawn on Nov. 20th and Kim comes out next year. Could they be working on a new, female version of “Brooklyn’s Finest” or “I Love the Dough”… Hmmmmmmmm??????

STUPID LIL’ KIM RUMOR!

Ok, this is a stupid, little rumor, but I will address it anyway. A night or so ago, somebody affiliated (not employee) with AllHipHop got an IM from Hillary Weston, Lil’ Kim’s manager. In the instant message, Kim’s manager was basically saying she got fired by the Queen Bee and was looking for another artists to manage. Anyway, the AHH affiliate (not employee) hits a few people alerting them that she’s looking for possible clients for this manager. AHH is in her signature so there is confusion right there. Anyway, come to find out, Hill didn’t get fired – somebody HACKED into her IM sign-on name and started spreading gossip like she got fired. The AHH affiliate (not employee) immediately told people it was a fiasco, but the damage was done. There. All clear?

KAY SLAY BREAKS AWAY FROM BUSTA!

Kay Slay is so real! He’s so real that he said the following, “Me and Busta Rhymes are no longer in business together. I don’t have time for that dude, yo. He’s on his own planet and me and Papoose got things to do. No disrespect, but nice doing business with you. We going our way – go yours.”

I’m not an internet d**k so I kept it short and sweet, like Nia Long and Lil’ Moe.

Listen to Mr. Slay right here!

MOS DEF AND KANYE BATTLE?

Be nice to get a new album from Mos, but until then we’ll have to settle on this battle with him and Kanye West. Hey Dame and Biggs were there too! Why wasn’t I invited!?

Sikskillz – thanks!

“NEW YORK” SAYS NO SEX ON SEASON 2!

Last night marked the sordid return of the very popular show “I Love New York..Season 2!” New York recently checked in with the “Trey the Chocolate Jock Morning Jump-off” (Power 92 Chicago) and she shared some interesting details about what we can all expect to see on Season 2. First, according to my home girl, Kendra G. (Morning Show Co-host) it seems like the winner this season may be out of four guys. If you are a fan of the show, remember these names: Knock Out, Punk, UnSure and Buddha, those are the guys New York said you should pay attention to. Also, New York said there will be NO SEX on the second season! What?! Now I am not trying to imply that in the past “New York” has been rather “loose with her goodies” but that statement is hard to believe! Well according to Kendra G. New York said …and I quote…”New York never has sex…period point blank! It is always about making love with me and you know if I am in love and if I feel the connection is there than yeah I will go ahead!”

In other words…we can expect to see some bedrooms scenes this season! Shouts to Trey the Chocolate Jock and Kendra G. for holding Chicago down!

THE DREAM SAYS “SORRY”

Apologies are the latest rage in Hip-Hop and R&B! Well, songwriter/singer The Dream is the latest guy to say, “shorry.” He’s apologized to Chris Brown about saying he would never work with him again.

In an exclusive statement to Pop-Junkie.com, he said:

“I’m apologizing for comments directed toward Chris Brown on Billboard.com. I spoke to Chris and I advised him that when he made the statement I was disappointed because he said things that were in my direction and that since I’m the only public figure surrounding the song ‘Bed,’ I took it as disrespect as well as the media and respected friends felt the same way. Chris said the comments were towards another part of the situation surrounding the song and I stand here not to defend my comments but take full responsibility for my classless choice of talking through the media.

I apologize to Chris, Mark Pitts, and Jive Records.”

Now, say sorry for using “Ay” in all of your songs (J. Holiday, Rihanna and your own).

YUNG JOC AND HIS “H” TALK ABOUT THE RUMORS

Yung Joc’s “H” is like a human now. That damn charm/chain is stepping up to talk about whether it was stolen. Will “Deshair” Foskey caught up with Joc at the Boostmobile Rockcorp Concert and The H and Yung Joc gave the goods on what really happened in London.

AllHipHop.com: Yung Joc, you have got to give me the lowdown on this majestic piece of jewelry around your neck. (he drops his “H” chain on the table and the sound on impact, startles the press room) And also, talk about that neck support mechanism (clasp)…

Yung Joc: Nah, it was like, “This s### is so heavy man, we can’t put no regular clasp on it.” We need an industrial sized clasp for support.

AllHipHop.com: And Joc, can you please address the rumor surrounding your “H” chain?

Yung Joc: Now the rumor out of London was just one of those things where, I don’t care if you never saw me a day in your life, but if I walk into the building with something like this on my neck, people are going to be like, “I never saw anything like that before.” However, if a huge fight breaks out, s### flying, security everywhere, and I walk out with this chain on my neck, what are you going to think?

AllHipHop.com: You’re right; people are going to think that it got stolen.

Yung Joc: Hold on, let me call somebody over here real quick (his bodyguard walks over to the table with a silver briefcase large enough to hold the “H” chain). So as me and T-Pain watched the altercation began to take place, I said, “Hold up, homey, let me protect this.” Because if I hit somebody with this chain, I wouldn’t end up on the net about a necklace supposedly getting stolen, I would have been on the news for attempted murder.

AllHipHop.com: This s### is 14 pounds; you would definitely mess somebody’s life up with that.

Yung Joc: It’s crazy, people taking pictures saying, “Yo’ Yung Joc just got his chain stolen, they got him.” I’m at my house the same night like, WOW.

“The H”: Man, these cats is nothing but b***h made. Ain’t nobody stealing me, son. Steal me and get ya melon twisted, son! We don’t play that. The whole alphabet got my back and “The S” will cut you and “The Z” is bigger than me, yo.

Shout out to Will “Deshair” Foskey on the interview!

ILLSEED’S QUICKIES

First, you have to see this hilarious thread that the Ill Community did. They took a new artist and compared them to something from the past. Like Britney Spears is the new Bobby Brown. You have to see it to believe it. Click here.

Izod beat Jay-Z and Rocawear out on his bid to rename the Continental Airlines Arena in New Jersey.

Uh Oh! Britney Spears has been robbed of her alleged sex tapes, explicit and other decadent personal material.

After saying he got off the Britney train just in time, JR Rotem is back with the pop t###! They were seen shopping in Cali, as the paparazzos swooned.

Kim Kardashian has new show and it’s all about her booty. Check the E! Channel for listings.

Dame Dash got his wife Rachel Roy tatted on his forearm. She’s pretty enough!

SKILLZ AND QUEST LOVE!

Quest Love (Brother ?uestion and ?uestlove) was at the Hip-Hop Honors with Skillz (Skillz was with Quest). Now this is what was explained to me. Quest was back stage right before the performances got to rollin’ and apparently Kanye was back there. Well, Questie was convinced that Ye was going to make an appearance during the Tribe set. So, here he is after realizing it wasn’t going down. Funny! Anyway, Ye never showed up, but Lupe did, only to flub up Tribe’s lyrics. People are heated!

JIM JONES IS BALLIN…WHILE IN THE STRUGGLE….

Of course, there is a lil’ 50 Cent and Cam’ron in there. It was really windy on this day. LOL. “Cam is stuck in his own world…” READ ON!

SIGNS THE WORLD IS COMING TO AN END

A cop crashes a pizza party. At the end, six people are dead. Read the summary below, compliments of the Associated Press.

CRANDON, Wis. – A young sheriff’s deputy (Tyler Peterson) who opened fire on a pizza party and killed six people reportedly flew into a rage when he was rebuffed by his old girlfriend, and others at the gathering called him a “worthless pig.”

Peterson told Kegley that he had gone to his ex-girlfriend’s house early Sunday morning in hopes of patching up the relationship after a recent breakup. But, he said, Peterson lost control when the meeting ended in an argument and other people started ridiculing him as a “worthless pig.”

Police, who declined to provide details of the argument, said Peterson stormed out, retrieved an AR-15 rifle from his car outside and burst back into the house firing 30 shots that killed all but one of the people at the party.

Read the whole tale, right HERE. (Thanks, Dadynasty.)

RZA TALKS ABOUT “The Heart Gently Weeps” (I love this song!)

TOMORROW, WE LOVE YOU!

They keep us talking, but if we stop talking about them then they should worry!

-illseed

WHO: illseed

WHAT: Rumors

WHERE: AllHipHop.com, MySpace.com/TheIllseed

HOW: Send your rumors and ill pics to illseed at [email protected].

– allhiphop rumors

KRS-One: ON Kanye and 50 Cent

At the 2007 Hip Hop Honors I was asked by AllHipHop.com about my musicalpreferences this year—50 Cent or Kanye West? I chose 50 Cent. At the time my answer was spontaneous and said without much thought. It was simply a quick honest answer. However, the next day I get a Google alert that somehow my comments “dissed Kanye West”. This could not be further from the truth. As I’ve said repeatedly and on many occasions, “rap is something we do; Hip Hop is something we live”, and when youask KRS about his musical choices his answers are going to reflect the life that he (KRS) actually lives. If I have to compare 50 Cent’s album “Curtis” with Kanye West’s album “Graduation” I am more motivated by “Curtis” than I am “Graduation”. Of course, Itotally respect “Graduation” and what it means to and for Hip Hop. But personally, I relate more to 50 Cent’s subject matter more than I do Kanye’s.I like both albums. I personally went to Circuit City and bought two copies of each album the day they came out and listened to them both. After listening to both albums I found myself rewinding several of 50 Cent’s tracks—track 2, track 3, track 4, the rhyme style on track 5, track 12, the joint with Mary-track 15, track 16 and track 17. For me, ALL THAT S### WUZ HOT! On the other hand, when I listened to Kanye’s album I found myself rewinding only track 1, track 6, and track 10.  Honestly, I felt that Kanye’s album related more to women whereas 50’s album related more to men, maybe that’s why I gravitated more toward 50’s album? Maybe I’m just too “old skool?” Maybe I’m just a New York n#### at heart? Maybe I’m still stuck on that “gun  talk?” Whatever. In any event, I totally respect Kanye’s message and his album was clearly a breath of fresh air for Hip Hop. Even Kanye’s musical production style was superior to 50’s in my opinion. But for motivation, hard beats and rhymes, or when I’m driving through the “hood” for me 50 Cents album “Curtis” simply delivered more “bang” for the buck.When I stated that I preferred 50’s album over Kanye’s album the Allhiphop.com interviewer seemed shocked and surprised. This caused me to think about my response a little more. Why did I choose 50 Cent? I began to think about this with more depth. First, when it comes to Hip Hop and its cultural preservation we must never equate record sales with artistic excellence. Just because Kanye out-sold 50 Cent does not mean that Hip Hop as a community has made a choice as to its cultural direction. In fact, I would argue that Kanye out-selling 50 Cent has more to do with the record buying public’s demand for more soulful, thoughtful and innovative music than it has to do with Hip Hop making a statement about itself. Hip Hop is about the mood of the streets; all of  it, the so-called “conscious” streets as well as the so-called”gangsta” streets. True Hip Hop (cultural Hip Hop) is not about the selling of a CD. So one must ask, did Hip Hop buy Kanye’s album or did the American public buy Kanye’s album? Secondly, let us not equate the “conscious” Hip Hop movement with CD sales. Remember, we are still getting ripped-off contractually by those corporations that exploit and sell our music with nothing going back toward Hip Hop’s actual preservation. Just because you put out a “conscious” album does not mean that you are a “conscious” person. Your album presentation does not make you an “activist” or a “gangsta”. It is your actions in real life that determine your propensity for revolutionary thought or rebellious activity. The questions are; what have you done with your success to support and preserve Hip Hop’s actual cultural preservation? How does Hip Hop’s existing organizations benefit from your success? If 50 Cent actually builds Hip Hop’s museum/archive with the money and influence made from his “gangsta” music and Kanye (as an example) buys more Gucci and gold chains with his money and influence who has really served theculture? Please, let us keep things in perspective here. Finally, let me make this last point very clear. KRS ONE is an artist that has produced both “Criminal Minded” as well as “Edutainment” and this is what I have found to not only be the key to my own professional longevity, this is also what has kept Hip Hop itself vibrant and self-sustaining for over 30 years. Hip Hop thrives upon its variety of styles and diversity of ideas. Remember, Hip Hop is a continuous international urban conversation; it is not a dictated lecture or a one-sided statement. It is an on-going urban discussion about life and living expressed through art and culture. EVERYTHING ABOUT HIP HOP IS GOOD! Our music and art reflects life itself.When I hear artists like 50 Cent, Fat Joe, Camron, Jadakiss, Snoop Dogg, etc I hear courage, fearlessness and victory over the streets. And when I hear Kanye West, Common, Talib Kweli, etc I hear vision, innovation, and the pursuit of life’s higher ideals. ALL OF THIS IS HIP HOP! And all of it is good. ALL OF IT! Not one style over another or one style better than another. All of it together is Hip Hop, and you will not have true Hip Hop without this balance of ideas and expressions. Hip Hop cannot be one thing or it will cease to exist as Hip Hop. The key word here is BALANCE, and I am proud to say that in 2007 with the release of 50 Cent’s “Curtis” and Kanye West’s “Graduation” Hip Hop has achieved such a balance. The struggle now is to convince mainstream media to honor such a “balance” in its public presentations of our culture and lifestyle. Yes, I remain Hip Hop’s “teacha” and authentic cultural voice; and yes, I will continue to promote both spiritual and political thought through Hip Hop. Like most people I too seek the “Good Life”, but let’s just keep it really real; “N#### MY GUN GO OFF!”Big respect to both Kanye and Curtis!KRS ONE—the Teacha

Shape Up: Steroids vs. Supplements

 

 

Hey what’s good everybody?  Once again, it’s Darrell Butler, your AllHipHop.com fitness specialist. 

 

You know, I think one of the saddest sights that I witnessed over the past week had to have been the images of disgraced track star Marion Jones appearing outside of a New York courtroom to apologize for using steroids. After bringing home five medals from the 2000 Olympic games, Jones was destined to go down as a national hero.

 

What makes the situation even more depressing is that Jones is far from being alone when it comes to performance enhancement drugs. From NFL defensive lineman Sean Merriman, MLB slugger Rafael Palmero, Tour de France winner Floyd Landis and deceased wrestling legend Chris Benoit, Jones has plenty of company in the scandal department. 

 

Across every race, sport and gender, the heroes just seem to keep on falling, don’t they?

 

There’s been an enormous wave of controversy among various sports and media outlets in recent months concerning the subject of performance enhancement drugs. These illegal substances include but are not limited to anabolic and androgenic steroids as well as human growth hormone (also known as HGH).

 

Not only do these substances provide an unfair advantage in competitions against non-users, they also promote very serious (and often fatal) side-effects including heart disease, liver failure and brain damage. 

 

This column is primarily a forum for me to share my genuine passion for fitness and to help you reach your goals. With that said, I have no intention of turning this into a soapbox for ethical issues. I would like to encourage anyone reading this, however, to think carefully before putting any of these dangerous substances into your body. If the shame of being caught and the fact that they’re illegal isn’t enough to make you reconsider, scroll through the headlines of all the recent untimely demises of various users. 

 

While this subject gets much less publicity due to the major headline grabbing sports and entertainment scandals, non-steroid supplementation among average citizens can often be fatal as well. Although they’re sold legally, the FDA doesn’t strictly regulate supplements; meaning that most products found at your local shops are without their approval. Therefore it’s very important that you read labels, do your research and consult with your physician before putting anything new into your body.     

 

Most supplements sold in health stores tend to be fairly harmless, such as protein shakes and vitamins, but trickier things, such as thermogenic fat burners for example, affect your heart rate. For someone with a family history of heart disease, this could prove to be a very dangerous substance to ingest.

 

Another thing to bear in mind before using supplements is that they are just that:  supplements. That means that they are to be used to further what you’re already doing naturally, not to replace it completely. Most nutrients can be found in real foods, and most fat loss or muscle building can be done with a lot of old fashioned hard work and determination. Unfortunately many people just want a quick fix and now their bereaved or disgraced families, and loved ones are the ones ultimately paying the price for these short cuts. 

 

So before you take anything, first consider the affect it may have on your body in the long run. If it’s a legal product and your research has determined that you’ll remain healthy and active for years to come, then perhaps it’s worth giving a shot.

 

If it’s an illegal substance or will take years off of your life however; seriously ask yourself if it’s worth the risk. Sure you may end up being the most diesel brotha or leanest female in your coffin, but that doesn’t change that fact that you’re still in a coffin. I don’t know about you, but I’ll gladly take being the most average guy above ground over being the most muscular below ground any day…

 

In my next column, we’ll begin to break down the three key ways to transform your body. 

 

For now, as promised, here is this week’s MP3 soundtrack:

 

“Barry Bonds” –  Kanye West ft. Lil Wayne

“Shoot ‘Em Up” – Nas

“Rehab” (remix) – Amy Winehouse ft. Jay-Z

 

I’d like to thank all of you who responded to the last article via email or posted comments.  Some of you suggested other tracks to check out so let’s keep that discussion going.  I’d also like to hear your thoughts on the Marion Jones scandal and that controversial beef between fashion designer Mark Ecko and Barry Bonds. 

 

Until next time, be good… or be good at it

-Darrell

 

 

Darrell W. Butler is a certified personal trainer and strength coach with the American Council on Exercise (ACE).  He is the founder of Industrial Strength & Performance (I.S.P Fitness) and has trained at facilities throughout the nation. You can find out more about his work at www.isperformance.com

Idris Elba: Across The Board

 

As the child of a Syrian father and a Ghanaian mother, the Afro-British cinema and television actor Idris Elba built his reputation as a performer in sitcoms and cable dramas. His most notable role to date was on the critically acclaimed HBO series The Wire, where he played business-minded drug deal Stringer Bell. Stringer Bell met an untimely demise in Season Three, and since then Idris has been lying low from the public building up his resume.

 

Of course we spoke to him during AllHipHop.com’s infamous “Wire Week” and learned of his passion for DJing. Since then, Idris has been developing his skills as a producer and songwriter, and he still has a lot more up his sleeve.

 

Idris is now ready to make a big splash on the big screen, working side by side with Denzel Washington in the highly anticipated drama American Gangster. We recently spent some time catching up with Idris in the U.K. to discuss his various upcoming work with the likes of T.I., Chris Brown, Ludacris and Angie Stone.

 

AllHipHop.com: Rappers in the past have come under attack by actors who feel that rappers should not be given big film roles. You’re in a unique position being an actor who wants to also dabble in music. What are your thoughts on the debate?

Idris Elba: By my own definition; if you’re an artist you’re an artist – whether you’re a rapper, actor, musician or painter. If you’re good at various different art forms, then why not… and I’m not just saying this, as I also dabble in music. People may not realize, but a lot of artists actually have acted before they started rapping or singing; Mos Def, Talib Kweli, Jill Scott were all actors before musicians. For me it’s really a case of if you can do it then who’s to say you can’t. Certain people believe you should do what you’re best at and stay in your lane, but I honestly feel if you can do a few things well then why shouldn’t you be allowed too.AllHipHop.com: You’re real breakthrough came in the U.S. Did you feel the U.K. market was not supporting you? Is that why you moved?

Idris Elba: For me personally, my ambition is and was huge – larger than life. I always had giant dreams. I always wanted more than I could actually do. In the U.K., I found as soon as I came out I was auditioning against people who I was watching on TV, people who I admired throughout the years and that just made me realize that England couldn’t house my ambition. You could only reach a certain point in the UK and then you would be stuck on that level.

 

Also, there isn’t really a star support system here in the U.K. for actors of African or Caribbean decent. You could be a white actor in a show and your considered a star and they’ll support that, there publicity and promotions will support that and the next thing you know you’ll get more work and offers and that’s not the case with Black actors. In America they have a history of Black stars – stars in general, not just actors – and they have a history of celebrating people who have done well and are doing well.AllHipHop.com:  Do you think, especially here in the U.K., that Black actors are still getting the stereotypical roles rather than opportunities to do something different?

Idris Elba: I definitely feel [in the U.K.] there’s still the element that “Oh, he’s Black, then he can’t have a story line that isn’t relevant to his culture or the stereotype.” If he’s Black, then they’re like, “Black people are violent, or Black people are angry”. So yeah, I feel England still suffers from stereotypical roles. I don’t feel they know how to express a storyline that has a Black man in it without including some cultural issues. If a Black man’s in a TV show then they have to include some issues that link to his race.

 

America seems to have gotten over that, which is why you can see characters playing roles that have nothing to do with their race. Me personally, I have always avoided stereotypes. As an actor you have to be able to show you can play different roles, different styles, and different personalities. Idris the person is very much a Black man, I might even be considered a stereotypical Black man, but when it comes to my work I won’t accept that. I won’t have you pigeonhole me.AllHipHop.com:  But in America, your most well known character was a drug dealer right?

Idris Elba: Yeah, but It wasn’t a stereotypical drug dealer. It was a drug dealer that completely flipped it on his head, and since then I haven’t been playing drug dealers, I’ve been playing a variation of different roles. The route I’m taking is a longer route as normally actors will play what they are known for, so you have actors like Tom Cruise that is always hired for action movies, or certain actors that will always do comedy – but I think Black actors really need to avoid doing that as we can be typecast.AllHipHop.com: Your next film is American Gangster. How was it like working with Denzel Washington? All your scenes were with Denzel right?

Idris Elba: Yeah they were. Honestly, I really can’t talk about what it was like working with Denzel the person, it was the character he was playing. Denzel is a method actor, so Denzel the person wasn’t there; it was the character ‘Frank Lucas’ that he was playing. And was that amazing? Of course, because he was very dedicated to that character, and I walked into a room with an actor that is giving 110%, but there are no real personal stories that I can give you. I respect him as an actor.

 

Too be honest, I don’t like talking about Denzel Washington, because in America for some reason people keep saying the next ‘Denzel Washington’ when my name is mentioned, and I get annoyed with that.AllHipHop.com: Why does that annoy you?

Idris Elba: Well I think that’s kind of limiting me. He’s great, but is that it? Is that the best that there is? Is he the best that ever did it? I don’t think so. There are some fantastic amazing actors that I rather be compared to that haven’t even broken yet.AllHipHop.com: Do you also find it annoying that Black actors are only compared to other Black actors?

 

Idris Elba: Exactly… I don’t want to be just the next so and so. That’s like saying we can only have one star. So if that’s Denzel then we can only have him until he retires then you can have the next ‘Denzel.’ That’s just putting us in the box. We can all be stars and have individual styles.AllHipHop.com: You’re a household name in America, but not so much in the U.K. where you’re from. Why do you think that is?

Idris Elba: I’m always home, but when I’m home in the U.K. I don’t really like talking to the press. It’s just in my nature to keep myself to myself; it’s who I am as a person. When you see me in American magazines, it’s usually me doing a phone interview here from London.AllHipHop.com: But if you’re talking to American press than why not the British press?

Idris Elba: In America, the support system for stars is crazy, so even if you don’t want to be a star, they’re going to get you out there. In America they really like to celebrate the fact that you’re good, and that’s great. Don’t get me wrong, I know it’s a blessing, and if it means that I get more work then that’s brilliant, but for me personally I honestly don’t want to be famous. I rather you know what I do and you respect and enjoy my work, but you don’t know nothing about me personally, you just connect to the characters I play. I love being in London,as not many people recognize me or know I’m on TV and doing films in the states.AllHipHop.com: That’s going to change though. You’re in a lot of big budget movies that are about to come out?

Idris Elba: I’m definitely embracing the idea that I will have to promote myself to keep the momentum going. I’m not hating on it, and I understand at the end of the day; I have to do it, its work. That’s another reason I enjoy doing music, photography and other projects as then people find it hard to pigeonhole me.AllHipHop.com: Let’s talk about the films you have coming out.

Idris Elba: I have two more films coming out this year; American Gangster and this Christmas film which is with Chris Brown. Next year I have a film called Prom Night which is a good old fashioned American thriller, a slasher film, and I play the hero cop that comes and saves the day on a prom night. Then I have a part in the Guy Ritchie film which is called RocknRolla, and Ludacris is also in that film.

 

On the music side, I have this character that I have developed, and I have some music attached to this character that I’m about to put out there. When you’re an actor or you’re known for one thing, then people are not willing to use you or hire you for anything else, and people in the acting side also start to act funny – especially music journalists. They’re like, “What’s this guy doing, he’s no artist.”

 

So I’m putting this character together and putting this music out via this character, so I can say whatever I want basically. The first song that I think I’ll attach to this character is a song called “Pervert.” I like the fact that the project’s going to be faceless. It’s great that all these famous artists and famous actors get their shine, but I think sometimes it takes the focus away from listening to the music.AllHipHop.com: I wanted to also ask you about your ‘sex symbol status.’ You were one of People Magazine’s most beautiful people…

Idris Elba: [Laughs uncomfortably] I guess I look at it in two ways. On one side I’m really pleased. Black people don’t usually get the Black sex symbol status regularly. That’s the sign of the times when you got white girls saying you’re sexy. Black men before were never really considered sex symbols – it was either they’re very athletic, they’re great basketball players or they’re very mean looking or whatever, it is but personally for me it’s like, who cares?

 

Some people think you’re sexy and some people don’t. If it helps me sell some tickets at the box office then great. While I was growing up; no one ever called me sexy, so it’s strange for me getting that now. It’s a compliment, but not everyone finds me sexy.AllHipHop.com: You seem uncomfortable with that title.

Idris Elba: If you see me every day, you see I’m a scruffy guy. Obviously in films and photo shoots; I’m scrubbed and clean up nice, but it’s not who I am every day. I have a friend of mine, the most beautiful, beautiful girl and anywhere she goes people are like “oh s###” and it just gets on her nerves. She can’t even have a real conversation with someone as they can’t see past her beauty, and therefore she just feel she’s being dumbed downed by people. I rather people talk about my acting than me being sexy.AllHipHop.com: Any directors, actors you really want to work with still?

Idris Elba: Antoine Fuqua who did Training Day and Shooter. I’d like to work with him; I think he’s smart and a force to be reckoned with. I’d like to work with Ridley Scott again. He directed American Gangster. I had fun working with him, he’s fantastic.AllHipHop.com: Are there any roles you would like to try out?

Idris Elba: You know what I would like to start doing comedies. I enjoy goofing around, and think I’d have fun playing some light hearted roles.AllHipHop.com: What is your biggest achievement to date?

Idris Elba: My biggest achievement is my daughter. She I five years old and I love her to bits, she definitely keeps my grounded and focused. She’s changed the way I live.

 

AllHipHop.com: What’s to come in the future?

 

Idris Elba: I see myself directing eventually and fusing pictures and music together. I’ve started writing treatments for videos in America, and I might be directing Angie Stone’s next video, her second single. I actually wrote a song on her new album with a partner of mine and she loved the record. It’s hopefully going to be her second single, so she might be giving me a shot at directing the video also. The song is a duet with her and James Ingram and it’s on her new album. Shout out to Angie!

 

AllHipHop.com: Ok finally just out of curiosity, who did you buy on September 11th? Kanye or 50?

 

Idris Elba: Kanyeezy! 50’s cool, but his music lately just hasn’t been doing it for me.