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Common & Q-Tip: 2K Sports Bounce Tour, New York City—07.07.2007

Only one word can describe Common’s NYC show the of evening Sunday, October 7 at Nokia

Theater…FIYA!!!  The energy packed showed only helped ignite the

already hot crowd.  Fans of Hip-Hop from all ages and numerous races

were in attendance to give Common their undivided attention. 

 

The opening rap act was 19 year veteran Percee P.  However, P’s lyrics were inaudible, though he was able to keep the cowd slightly

enthused thanks to the help of his DJ.

 

At about 9:30, the living legend Q-Tip, one of the founding members of A Tribe Called Quest

came out in his NY Yankees fitted with blazer and vest with his back to

the crowd with one finger in the air.  He came on with his newest single,

very rock induced with deep bass.  Tips’ DJ for the night was the

legendary DJ Scratch of EPMD fame.  Tip took it back when he rhymed

over “Paid in Full” and both he and Scratch took turns

scratching on the turntables.  His entire set was a mixture of his old

tracks as well a few of his new singles, interpolated with some old school tracks.  Just when the crowd was picking it up after going

low for engine #9 (Black Sheep “Choice Is Yours”, but you knew that), Dres

from Black Sheep erupts onto the stage making the crowd go crazy.  Just

when we thought Tip was done and leaving the stage he hits us with

“Bonita Applebum”  followed by “Electric Relaxation.”  Tip’s

performance left the crowd fulfilled and eager for Common.

 

Common ran onto the stage to a very anxious crowd at 11:08 pm to

be exact.  He dapped his band and DJ up one by one as they were playing

the intro to Finding Forever.  And from there it was on. He

started out with “Go” and for a second you would have thought the floor was going to

cave in because folks were  rocking so hard. Common has recently

stepped into the acting game and he showed us his newly developed

skills as he acted out the courtroom scene to “Testify”.  From there he

took us on a Hip-Hop anthology and did some lyrics from Bigggie…it

was all a dream, Biz Markie…..you got what I need, Eazy E….I’m from

Compton. The entire time he was doing the various artist lyrics he

would go from one rhyme to the next saying Hip-Hop…Hip-Hop…Hip-Hop; letting us know that Hip-Hop is indeed still alive and he’s

carrying the torch.  To everyone’s surprise and glee DJ Dummy, Common’s DJ,

starts spinning BDP’s “South Bronx” and BOOM….KRS-One jumps on the

stage and the crowd literally screams; girls and boys included.  But there’s more, just

when you thought it can’t get any better Q-Tip comes back on and they all

take turns freestyling.  KRS One gave Common a very hefty moniker during one of his

flows, calling him the “King of NY,” for that night.

 

Common rounded out the evening paying homage to the late great producer

J. Dilla by rhyming over some of his Slum Village beats and and ended the night with “The Light.”  Claiming that’s what J. Dilla

was….a shining light in Hip-Hop who will live on Forever.

The evening’s attendees saw prolific lyricists

who breathe, eat and sleep Hip-Hop and let the masses know that the culture is more than spewing gratuitous lyrics about money, hoes

and clothes.  Life, love, unity and peace have their place too, and the 2K Sports Bounce Tour helped us find forever in Hip-Hop.

 

Trey Songz: Spotlight Live, New York City—10.2.2007

Anybody who’s somebody shows up to New York City’s Spotlight Live for their infamous Tuesday night R&B showcase. To commemorate singer Trey Songz’ second album release, Trey Day, on Oct. 2, 2007, BMI and Atlantic Records put together a line-up showcasing Trey and other up and coming R&B artists. Songwriters turned singers was the theme of the night, with guests including P. Diddy, Gabrielle Union, Kevin Liles, and Terrance Howard. First up was Corte Ellis, who has written songs for Beyoncè and Fantasia. He energetically took the stage with his band, back-up singers, and a set that proved he reserved some of his exceptional songwriting for himself. Following was Jaiden, who has worked with Lauryn Hill and Alicia Keys. While his performance was more toned down than his predecessor, it was soulful as ever. The New York native performed a healthy helping of love songs, and even took a seat at the piano. His talent was undiluted by the sex-symbol mantra that other male R&B singers mistakenly carry. Instead he showcased his artistry, letting his talent speak for itself.Sadly, the same accolades cannot be given to singer Ray Lavender. Gaining notoriety for his current single, “My Girl’s Gotta’ Girlfriend” and for being the newest “inmate” on Akon’s Konvict label, Lavender gave a stand-out performance free of a live band and back-up singers. He hyped the crowd on his own, which was admirable, but the praise stops there. Lavendar’s oversexed performance included several tired moves – showing off his abs, doing pelvic thrusts, and suggestive tongue movements. For the most part the audience seemed to enjoy this throwback performance, comparable to old-school Bobby Brown with training wheels.Closing out the show was Trey Songz in all of his pretty boy glory. The self-proclaimed Prince of Virginia opened with a single from his debut album Gotta’ Make It and went on to perform several tracks from Trey Day. Thankfully Trey Songz is a quality artist who sings and performs well without the use of simple-minded lyrics and overdone dance moves. The authenticity of his songs was matched by the crowd’s reception.The climax of Trey’s performance was an extended version of “Gotta Leave,” where Trey called on various members of the audience to sing. Dru Hill’s Nokio (who also sang back up for Trey) and Jaheim were among the singers who elevated the crowd’s excitement level. By the end of the evening, it felt like one big party that all present were lucky enough to attend.

Phife Dawg Speaks on Personal Struggle with Diabetes and VH1 Hip Hop Honors

With their jazz-inflected brand of Hip-Hop and insightful lyrics A Tribe Called Quest have earned their recognition at tonight’s (Oct. 8) VH1 Hip-Hop Honors ceremony.And while the honor is a milestone in the group’s history, it is Tribe co-founder Phife Dawg who has garnered the most respect among the collective through this battle with diabetes.“For the last three years I’ve been a dialysis patient,” said the rapper, who underwent physical changes from treatment received by doctors. “The first two years I was on peritoneal dialysis, which caused me to gain a great deal of weight.””For the last seven months I’ve switched over to hemodialysis, which has caused me to lose weight and has me feeling a whole lot better,” continued Phife Dawg. “Most people aren’t used to seeing me at this weight. Initially, I weighed too much for my size and height and now I’m where I need to be.”Hemodialysis is a medical procedure used to remove waste products such as potassium and urea, as well as free water from the blood when the kidneys are incapable performing the function.Phife Dawg is among a large group of African Americans who live with diabetes. According to statistics, African Americans are disproportionately affected by diabetes compared to the general population as 3.2 million or 13.3 percent of all African Americans aged 20 years or older have the condition.Additionally, African Americans are 1.8 times more likely to have diabetes as non Hispanic whites. Twenty-five percent of African Americans between the ages of 65 and 74 have the condition, while one in four African American women over the age of 55 has diabetes.Despite his health situation, Phife Dawg joined fellow Tribe members  Q-Tip, Ali Shaheed Muhammad and Jarobi as they closed out the Hip Hop Honors performances after being acknowledged for their contributions to Hip-Hop.”I am grateful that my group is receiving this honor, and would like to thank friends, family and fans for their prayers and well wishes,” the rapper said.For Fab 5 Freddy, the event’s co-executive producer, Phife Dawg’s well being became a top priority while organizing the annual event.“Working on this year’s show was a labor of love, our best ever, and Phife’s health was constantly on our minds as we re-worked shoots and interviews to accommodate his good days and bad days all the while hoping and praying that he’d have a good day on show day so the world could nod there heads once again to A Tribe Called Quest, one of Hip-Hop’s most unique and creative groups,” the former Yo! MTV Raps host said. “They were prime representatives of young black artistic intelligence throughout the ’90s, a rare commodity in today’s Hip-Hop landscape. Phife had a great day at Hip Hop Honors and Tribe closed the show with a big bang.”“Phife Dawg is not just a honoree but he is a fighter,” added Q-Tip, who expressed his admiration towards Phife. “Diabetes is a disease that can be survived, and he is a testament to this. I’m proud to be associated with him.” While word of Phife’s diabetes may be new to many rap music followers, the rhymesayer’s condition has been common knowledge among longtime Tribe fans.“As you all know, my friend Phife a/k/a ‘the funky diabetic’ has battled diabetes for several years,” said Jarobi, who cited Phife’s reference to his condition on Tribe’s#### song “Oh My God. “I know you all are concerned about his appearance lately, but rest assured he is on the road to recovery. We appreciate everyone’s support and concern and wish you all nothing but the best.”Although he receives support of fans and group mates, rumors pertaining to Phife’s health have become a conversation topic among those who were surprised to hear about the rapper’s condition.“Let’s put in deep check and school any that you know or hear about who make ignorant and selfish comments about someone’s appearance on a negative tip without understanding the real deal. Especially a cat like Phife, a hero and a 2007 VH1 Hip Hop Honoree on his greatest night ever,” said Fab 5 Freddy.As Phife’s health “remains a serious health concern,” Muhammad has witnessed how the rapper has persevered in spite of the obstacles placed in his path.”We all face challenges in life and this is one that I believe Phife has dealt with gracefully,” he stated.The Hip Hop Honors award recognition isn’t the only positive news for Phife. The rapper recently found out that his best friend and manager Rasta Root, passed the screening process to become a potential kidney donor after volunteering to be tested“It’s great news for me!,” said an optimistic Phife. “Hopefully that will happen sooner than later. It’s been a tough year, but things are looking great for me.”In addition to A Tribe Called Quest, the VH1 Hip Honors will recognize, Snoop Dogg, Missy Elliott, Whodini, the classic film Wild Style and the New Jack Swing movement. The event, hosted by 30 Rock’s Tracy Morgan, airs at 10 p.m. tonight on VH1.

Jay-Z Planning His Own ‘American Gangster’ Movie, Tour

Rap star/mogul Jay-Z is planning to release a movie based around his upcoming conceptual album American Gangster.

 

The album contains all-new original material from Jay-Z and is his lyrical interpretation of the movie American Gangster, which stars Denzel Washington as 1970’s heroin kingpin Frank Lucas.

 

“What I really plan to do is shoot [American Gangster, the album] as a movie. Like a better Streets is Watching.” Jay-Z told AllHipHop.com during a recent interview. “Doing it like a musical. Real stories and get somebody in there that’s [going do to]…real writing. Someone to shoot it like ‘Godfather.’ I know that’s a little ungracious, but that’s how you gotta place it…”

 

Jay-Z’s American Gangster features guest appearances by Beanie Sigel, Nas and Bilal and production from Jermaine Dupri, The Neptunes, Just Blaze, DJ Toomp, Sean “Diddy” Combs and others.

 

Jay-Z, who also plans to star in the movie version of his album, is also in the process of selecting a band for an upcoming tour.

 

“I really look forward to touring, because of the music…the musicality of it all,” Jay-Z said. “I’m looking at a band right now. I’m looking to tour this summer. With all that instrumentation that’s in that album [American Gangster], forget about it.”

 

For the full feature with Jay-Z, click here.

Jay-Z: Manifest Destiny (The American Gangster Story)

THE PRELUDE: THE AMERICAN GANGSTER STORY

It would seem like Jay-Z is about to do what he once rapped about on the intro track, “The Prelude, ” of Kingdom Come, his 2006 “comeback” album.

The game’s f**ked up

N***a’s beats is banging, n***a your hooks did it

Your lyrics didn’t and your gangster look did it

So I would write it if y’all could get it

Being intricate’ll get you wood, critic

On the Internet, they like, “you should spit it”

I’m like you should buy it, n***a that’s good business

The mogul and Hip-Hop veteran seems genuinely concerned about the state of Hip-Hop, even though he’s got a rep as a staunch, cold business man.

“When a guy says – and this is definitely no disrespect, because everybody has their place – but when a guy says, “I can make a mil saying nothing on a track,” you know you have reached a bad place,” he says referring to Mims’ recent hit “This Is Why I’m Hot.” His brow furrows. “Not only did you think about it, you said it. So, [Hip-Hop] is way past salvaging. So, I’m just gonna do what I do. I’m just gonna go over ‘there’ – way over there. This is why this is what it is. I’m going so far over there.”

“The Prelude” ends with Jay exclaiming, “The real is back!”

So, with American Gangster, is Jay-Z’s 2006 lyrical prophecy coming true a year after its scheduled appearance?

ACT 1: THE CELEBRATION

It’s a celebration!

On a Friday night, Jay-Z is in his full glory at the recording labyrinth known as Roc Da Mic studios in mid-town New York City. The evening is in full swing and the Patron is flowing into tall, lanky shot glasses. The options in the room are quite limited, but most attendees are either 1) dancing 2) nodding their heads or 3) reciting Jay’s rhymes. Some occasionally look up at the “American Gangster” movie that has been playing continuously during the session.

At 6 pm, one Shawn “Jay-Z” Carter explained — to a small group of journalists — the intricacies and the artistry of his forthcoming 10th album, American Gangster, which drops November 6.

The “American Gangster” movie (in theaters on Nov. 3) provided the perfect segue for Jay to venture back into those dark places he once resided as a former drug dealer. He then bonded his vision with the movie that features Denzel Washington, Russell Crowe, T.I., Common and Cuba Gooding Jr.

“Who you become as [a] person, you have layers on it. With a basketball player, you didn’t want to go to practice so you not a basketball player, you a dope dealer, then you become a rapper – you put layers on stuff,” he explains, responding to a query from AllHipHop.com’s scribe. Jay-z has displayed a number of layers, evolving from street dealer to artist to executive. “I never thought I would be able to get back in that zone. I’m just not that type of person [anymore]. I grow. The movie allowed [me] to re-live those kinds of emotions – naturally.”

Right now, about 10 pm, Jay-Z performs “I Know” with the vigor and passion of a young lion, explaining the Pharrell-produced song’s double and triple meanings. The lush tune is about a woman at war with heroin, but to the untrained ear, it plays like a man serenading a hesitant female. At times, he’ll stop a song like “I Know” and explain the verse if he doesn’t think people get it. “That record comes from a twisted mind,” he jokes. There are other moments when he explains even if attendees do comprehend.

The music is fresh and Jay is…exultant. His people are joyful. When Beyoncé strolls in, well into the session, the former Destiny’s Child member and Hov hold hands for a few moments before she starts partying to the sounds bumping out of the studio woofers. Jay’s long time friend Ty-Ty and engineer Young Guru are spitting each and every new song word-for-word, proof they’ve ingested this album several times. Eventually, producer Just Blaze strolls in to offer his co-sign. Matthew Knowles, Beyoncé’s tycoon father, even stops by, receiving an ovation like Norm from “Cheers.” No one in the room can really resist the energy being generated, so they simply submit to it.

Seriously…it’s a celebration.

American Gangster isn’t about Shawn Carter becoming Superman to save Hip-Hop in 2006’s Kingdom Come. It’s not about paining fans with a dramatic exodus as with the Black Album (2003). Over the last year, there have been those that have quietly questioned whether or not Jay is still the god MC he professes himself to be. They pondered why he doesn’t just bow the hell out. He’s traveled from the Marcy projects in Brooklyn, achieved so much and now seemingly enjoys a view from a distant mountaintop.

ACT 2: THE EXPLANATION

Jay-Z has had his peaks and valleys, but his tenure has extended over a decade of resolute consistency – from his nine previous albums to countless guest appearances to mixtapes. Why keep on fighting the good fight? That answer lies in part within the opinions of those aforementioned detractors, he says during the discussion period earlier in the evening.

“That’s the beauty of it. That’s the beauty of the challenge. You want to test it. It’s music. What happens? Right? At the end of the day, it’s music. It’s subjective and it’s music. You didn’t like Kingdom Come? Ok…I’m still breathing,” he explains as the small crowd begins to swell into laughter. “If you die, or get brain [damage]… Let me take that back. You get brain damage if you go too far in boxing. If you go too far in rap, you just say, “Yo…I like Reasonable Doubt.” More laughter.

Jay-Z is snail-slow to compare Gangster to his classics, despite his exuberance. Still, he’s confident enough to mention it in the same breath as the two albums widely considered his finest works.

“For me, the music, the lushness…it’s like Blueprint-esque,” he says, choosing his words cautiously and deliberately. “But the story lines and the way it’s put together lyrically (mumbles ‘Its almost like a sacrilege for me to say this’) it’s like between Reasonable Doubt and Blueprint – a mix of those two albums.”

He started recording this opus sometime in September and only began to truly focus on American Gangster two weeks ago, he claims.

When journeying though the album, Jay-Z rarely homes in on one song, but describes them in groups. It’s as if he doesn’t want one to outshine the others.

He begins to explain a song that correlates with a scene in the movie.

“In ‘Success,’ there is the scene [in the movie] where he shoots the guy in front of the [restaurant]…”

Suddenly, he starts spitting lines from the song.

“I’m way too important to be talking about extorting /Ask me for a portion is like askin’ for a coffin.”

Then he resumes the answer as if it weren’t just sliced in two by a rap bar.

“…where the guy tries to extort him in front of the diner,” he says moving to the next few songs. “ ‘Pray’ is the corruption with the cops. ‘Fallen’ is, his fall from grace. [The album] is all of the pieces and bits of emotions I pulled from the movie.”

But this American Gangster isn’t a soundtrack, even though it probably could have been if the movie producers had heard it earlier. This is inspired work at its finest. And Jay maintains that fans should consider the story he weaves as a “cautionary tale.”

“The last song is a song called ‘Fallen’ and that’s everything just falling apart,” he says, eventually reverting back to his brash brand of bravado. “[The album’s conclusion is] not really true and s**t, ‘cause I’m a bad ma’ f**ker. I really made it and s**t. I’m better than Al Capone – he ain’t make it. Michael Corleone [from “The Godfather”], Scarface – I’m iller than all them n***as.”

The room remains silent.

“Y’all gotta give it to me,” he coos…charming them into laughter. “That’s some very true s**t.”

ACT 3: THE CONSTELLATIONS

Jay-Z says he never intended to record an album this year, but due to some seemingly divine design, the stars aligned perfectly for the Def Jam president.

First, he got a call from Universal’s soundtrack executive Kathy Nelson, who felt that he should see “American Gangster,” a movie that weaves the bloody tale of Harlem drug lord Frank Lucas. “She thought it was something that I need to see. She had some type of intuition and she just reached out,” he expounds. “That started everything in motion.”

Word traveled fast.

Incidentally, AllHipHop’s own rumor guru illseed was the first to publicly reveal that Jay-Z was recording a new album in the AHH Rumor section after receiving a tip on September 16.

Chronologically, Sean “Diddy” Combs, the head mogul of Bad Boy Entertainment, was the second star to fall into alignment for Jay-Z. Now, things musically began to take shape in Daddy’s House, Diddy’s recording facility.

Jay-Z explains, “When I saw the movie, I was thinking, ‘Maybe I should do it, maybe I should do it.’ Puff had called me and he’s always like, ‘Let me do an album, like executive produce the album.’ And I’m like, ‘I’m an executive my damn self. Stop talking to me like that.’” The room giggles again.

“I believe in Karma and all that ‘everything happens for a reason [stuff],’” he continues. “So, he called me like, ‘You gotta come to the studio. I never call you to come to the studio. You gotta come to the studio.’”

After finally meeting with Diddy, Jay-Z said he was also introduced to a cornucopia of beats that his Uptown counterpart and his former production team The Hit Men had crafted years ago. Oddly, Diddy didn’t even know that Jay-Z was contemplating an album, nor did he realize that he was about to lay the foundation for American Gangster’s rich 70’s soundscape.

“I go to the studio and he’s playing all these tracks. And it hit, the [70’s] time period. But, he didn’t know about it [the album]. I’m like, ‘What are you doing with all these tracks?’ He’s like, ‘I just don’t have anybody to give them to.’ I was like, ‘Let me get those and it really set the [tone for the album],’” Jay admits.

Diddy and friends would go on to produce “Roc Boys,” “Pray,” “No Hook,” among other joints. With a solid groundwork, both sonically and thematically, Jay quickly pulled in others.

“[Diddy’s tracks] pretty much set the foundation and [other producers] had to produce into the sound that was already there,” he said. “Like JD [Jermaine Dupri] did ‘Fallen’ and that’s not a typical JD record, but it fits right into the album. And he did ‘When The Money Go’ as well.

Atlanta’s DJ Toomp (“Say Hello to the Bad Guy”), Kanye’s mentor No ID (“Success”), The Neptune’s Pharrell Williams (“Blue Magic” & “Hello”) and former Roc-a-Fella in-house maestro Just Blaze (“Ignorant S–t”) all provide backdrops to American Gangster. Nas, singer Bilal and Beanie Sigel all round out an album that could go down as one of Hov’s best.

THE CONCLUSION (AKA The Beginning.)

Jay-Z never really left, but he’s back.

American Gangster is an album, not an event per se. Many of Jay-Z’s previous works seemed bogged down with the pageantry of the pre-fight anticipation, from the retirement to the return. It’s an album that should morph into an event, where fans of the Brooklyn native will commemorate and doubters will likely be silenced.

The album wasn’t even finished at press time, which is also a testament of how poignant this impromptu gala is. Even when the New York Yankees lose to the Cleveland Indians, nobody seems to care too much.

Jay’s path to victory will involve a number of post-release events, which will organically support the album and extend the creativity.

“What I really plan to do is shoot [American Gangster, the album] as a movie. Like a better ‘Streets is Watching.’” he says, piquing the interest of the writers. “Doing it like a musical. Real stories and get somebody in there that’s [going do to]…real writing. Someone to shoot it like ‘Godfather.’ I know that’s a little ungracious, but that’s how you gotta place it to get somewhere near.”

And, when asked if he planned to act in this movie, he responds briskly, “Yeah, yeah. I mean, who else gonna do that s**t?”

And then there is the obligatory tour, which always creates fervor with fans.

“I really look forward to touring, because of the music…the musicality of it all. I’m looking at a band right now. I’m looking to tour this summer. With all that instrumentation that’s in that album, forget about it. Forget about it,” he says trailing off.

By the end of the night, well after 11 pm, after repeated listens to American Gangster, attendees have immersed themselves into the lyrics, hidden codes, the samples and even picked their favorite records.

After a mention from a writer, Jay fesses up that he might leak “Roc Boys,” one of the album’s standouts, but he’s got his artistic reservations.

“You gotta put records out there to let people know [there is an album coming out], but I really want [American Gangster] to stay as one piece of work. I don’t want just one single out there,” he says, dismissing that he’s becoming a “weirdo artist.”

“But it should be heard as a body of work.”

He’s even considering placing the 80’s-themed, Rakim-influenced “Blue Magic” – the lead single – as a bonus cut, because it weakens the CD’s cohesion. There’s even a with a song with powerful Marvin Gaye sample Jay had stashed until finally letting the room hear. He just doesn’t quite know what to do with that song.

He does know what he wants with his career. Jay-Z once courted retirement from rapping. Hell, he went to the altar, but got a divorce three years later. Even in his late 30’s, he’s looking younger than the American Gangster promo pics on iTunes. He takes time to pull his pants up like a younger Hip-Hop head.

But, Jay recognizes there is more at stake and only a grown man can tackle the nonchalant notion Mim’s expressed on “This Is Why I’m Hot.”

American Gangster is pertinent to the present landscape for several reasons. Without the overabundance of hype, with how present people adore this album, Jay-Z’s 10th will represent a true test of the marketplace. There’s no fight night hype of an opposing artist, not even his own. [“I respect (LL Cool J). He’s a legend. I’m not doing that.”] There are no histrionics here.

It will also do something Kingdom Come could not. How this CD fares, will dictate if quality – regardless of content – is really what people want in a slumping sales market.

Furthermore, those notions of retirement are over, Jay stresses.

“Ahhh…I’m like the boxer. You know the boxer…boxers don’t stop.”

Pop the cork.###-2007 – AllHipHop.com

The Trailer to “Blue Magic”

Lil’ Wayne’s Lawyer Says Arrest A Misunderstanding

Lil’ Wayne was released from prison in Boise, Idaho on $20,000 bail on Saturday evening (October 6) and according to the rapper’s attorney, his client’s incarceration was the result of a “misunderstanding.”

 

Police arrested Lil’ Wayne early Saturday morning following a concert at the Qwest Arena, after authorities in Fulton County, Georgia issued a felony arrest warrant because he missed two scheduled court dates to answer a charge of felony possession of drugs.

 

His lawyer William Head filed for an emergency release order, claiming that Lil’ Wayne may not have been aware of the court dates.

 

“When someone’s this successful, there are chances things will fall through the cracks,” Lil’ Wayne’s attorney William Head told Atlanta’s Fox Channel 5. “They were under the impression that those charges had either been resolved or dismissed.”

 

The charges are the result of an incident in August of 2006, when Lil’ Wayne was arrested on drug possession charges in Atlanta Georgia, after a housekeeper found marijuana in his hotel room.

 

Police later searched the room and recovered 60 pills of Alprazolam and 59 pills of hydrocodone.

 

Lil’ Wayne, born Dwayne Michael Carter, was arrested and charged with felony possession of drugs.

 

The rapper is due back in court in Fulton County tomorrow (October 9).

 

“We want to make sure the court knows he’s not trying to stay away from Georgia,” Head said.

 

Thousands of angry fans bombarded the local jail housing the rapper.

 

“Every other phone call that we’ve picked up have been about him — people who have tickets wanting to know where his concert will be, people calling to see if it’s true that he’s incarcerated,” a deputy told Boise’s KTVB Channel 7.

 

In related news, thousands of fans in Eugene, Oregon were disappointed Saturday evening when Lil’ Wayne missed a scheduled concert appearance at the Gods of Hip-Hop and Comedy Tour at McArthur Court.

 

The concert was promoted by the University of Oregon and local Hip-Hop radio station 94.9 Jamz.

 

According to reports, the crowd was “crude” to other acts on the bill, including opening acts, as well as host Charlie Murphy and rapper Fat Joe.

 

Murphy threw his microphone down and angrily exited the stage after 20 minutes of tormenting, while Fat Joe was subjected to cries of “Weezy” during his set, which lasted a little longer than Murphy’s performance.

Former Bad Boy ‘Consultant’ Names Diddy in $19 Million B.I.G. Lawsuit

Unpaid money for music by the late Notorious B.I.G. is at the heart of a new lawsuit filed against rap mogul Sean “Diddy” Combs.

 

According to the Associated Press, James Sabatino, a former consultant for Combs’ Bad Boy Entertainment Inc., claims that Combs owes him more than $19 million for music by the rapper.

 

In the suit, Sabatino said that he flew B.I.G. to Miami in 1994 to perform at a show and record some music.

 

About 17 minutes of vocals were recorded by the rapper during the session, which was captured on 90 minutes of video footage.

 

The lawsuit further stated that although a contract was never signed, it was understood that both belonged to Sabatino because he paid for the B.I.G.’s travel expenses and studio time.

 

According to the suit, Combs agreed later that year to pay Sabatino $200,000 for the recorded music and video footage.

 

Sabatino received a check for $25,000 with a promise from Combs the rest of the money would be paid in 60 days.

 

Sabatino, who is still awaiting payment, claims Combs cited the Los Angeles Police Department’s investigation of B.I.G.’s murder as the reason for the delay, saying the LAPD had named Sabatino a person of interest in the rapper’s death.

 

Sabatino was a no-show for a scheduled meeting with B.I.G. on the night of the killing.

 

While arrangements could’ve been made to pay the money, the suit stated that Combs worried it could be misconstrued if the public found out his company had paid a person of interest in the killing.

 

Sabatino, admitted that he felt pressured not to talk about his situation with Combs, because the mogul had been questioned by authorities about B.I.G.’s death, according to the suit.

 

Although Combs apparently told police he did not feel Sabatino was involved in the slaying, Sabatino revealed that he was afraid that Combs would change his story and implicate him even if it was not true.

 

Combs’ attorney did not immediately comment Saturday night, the AP reports, adding that a listing for Sabatino’s attorney could not be found.

 

Sabatino, who is currently in prison, is seeking $19 million for both actual and punitive damages, according to the suit.

Duo Live: Live At Five

How many independent artists can attest to moving 220,000 units on the streets of New York, recognition in some of today’s most popular urban music magazines, and garnering the praise from the snootiest of industry types? You might be at a loss for words, but the dynamic duo, known as Duo Live, has a lot to say. From selling mixtapes on the streets of New York, working with Alicia Keys and Angie Stone, to the fulfillment of their second album The Color of Money, Fre and Sid V have flipped the script on what it means to be an independent artist and are demanding the respect they deserve.So how do two regular dudes from Brooklyn become arguably the most successful independent group in New York City?  AllHipHop.com asked the conscious MC and prolific DJ/producer to give us the ups, downs, ins and outs to making it as an independent artist. Relax and take notes. Rule 1:  Master Your CraftFre: We are the self-proclaimed pioneers of the “Stop Light Hustle.”  We were the first cats in 1996, in the city of New York, to actually organize, mobilize and sell what was then a cassette tape at stop lights, on the corners, running up on cars, etc. Today we’ve sold 220,000 records the same way. Anyway, to get there you have to realize that as an independent, you are David versus Goliath. When you do something independently, you are stepping outside of the box, not following the in-crowd; you are creating your own-in-crowd. In doing so, you have to be better, not just comparable, better than the mainstream. Because if you’re not, you’ll never get the recognition or even be seen as an independent, unless you can almost overshadow your mainstream competition. Sid: And by competition we don’t mean the underground scene, because being independent doesn’t necessarily make you underground.  You have to be better than everybody. Fre: We went from 1989 to 1996 without ever putting one record out. We had studios in my house, in Sid’s house.  We got offers from major labels in ’96. In fact, we got a development deal offer from Atlantic [Records], but they were telling us s**t that we didn’t want to hear.  They loved my voice, they loved Sid’s beats, but they just weren’t sold on us doing our own thing. They wanted us to do what everyone else does, and we didn’t want to do that. So we spent all of that time building ourselves as artists. We didn’t put our first single out until ’96, and we still didn’t put our first album out until 2000. So, 11 years without putting an album out… How many cats can say that they were working on their f***in’ craft for eleven years before putting an album out?  And that’s why when we came out, we were better than everybody on the underground and independent circuit. People don’t want to hear wack music, and because you sellin’ it independently doesn’t make it okay. When we would pitch to people, we would say that we were somewhere between Jay-Z and The Fugees.  We wanted you to know that our music was comparable to your favorite Hip-Hop artist, ‘cause that’s what it was. Cats have to work and perfect their craft. You have to be a musician first.  What happened to being a musician before you try to sell some music? Being a salesman is cute, but Hip-Hop is art and we need to get back to that.Rule 2: Strength in Numbers/OrganizationSid: Once you master your craft, people begin to notice and appreciate your music, and you create a following. Like, my cousin was feelin’ our movement and got down and started helping sell CDs, you know? And once we started assembling a team, we developed a presence in the streets. A lot of these dudes out here selling their music independently, it might be them by themselves, or one other person. They don’t understand that there is strength in numbers and organization.Fre: Let me tell you, the rise and fall of Duo Live all revolves around organization. We grew and blew because of organization, and the reason we reached that glass ceiling and started to come back down the pole was lack of organization at the same time. One thing that Black people are not taught is how to organize and mobilize, collectively.  We are taught to be independent thinkers, these European concepts of business, relationships and life in general. There was a time when we were making 10,000 dollars a month, in the streets, more than most of these drug dealers hollering about moving crack. N****s ain’t sell as much crack as I sold CDs. And the same reason a drug dealer falls is the same reason Duo Live fell, because we were not taught how to organize and manage money, and how to sustain it.  That’s exactly why our album is called The Color of Money, because the color of money was our lesson. Rule 3: Blood, Sweat and TearsSid: After you mobilize you just have to persevere.Fre: Yo! We fought, cried, bled on the streets of the city. One interesting story… a little personal.  We had two teams out there working with us, selling the album in Miami.  We had a team on Lincoln Road and a team that worked Ocean Drive. We had a van, our office, parked on Lincoln Road and I get a call from one of my dudes saying that the police were chasing another one of my guys on Ocean Drive. Imagine that. We literally run to my van, I’m running red lights and everything just to get a few blocks over to Ocean to find out what the f**k is going on.  When I get there the police have my guy sitting with Tasers still stuck in his chest. I run over and try to pull them out and the police are rushing me now.  And all this happened because we were making so much money along the strip that a lot of the workers and store owners felt like we were taking their money. Some girl that worked at this spot called The Clevelander literally tried to shoo my guy. I mean, how disrespectful. He’s like, “I’m workin’ like you workin’.” So the cops come running. It was so f***ed up because we worked really hard to build relationships with the businesses.  Like, “Look, we’re bringing people into your restaurant and such. We are a business entity too. We respect your hustle so respect ours.” These n****s used to call police on us regularly. It was crazy. But anyway, we had to bail him out of jail, and guess what we did? We wrapped my dude in a Duo Live flag that we used to carry in the street, and the next day we were back on the motherf****n’ strip.  Cops couldn’t tell us s**t and we sold more CDs than we sold the day before.  That’s the kind of s**t that Duo Live did. S**t felt like Rocky. [Laughs] That’s why we’re legendary in the streets for our grind, because our grind could not be stopped. That’s what we mean by blood, sweat and tears. Rule 4: Things Change/AdaptationFre: You have to have the ability, especially in the music industry, to change with the times. The digital revolution came in and it not only affected retail sales, it affected our street hustle. We didn’t think it would. We were like, “That s**t ain’t got nothin’ to do with us,” but it changed everything. That’s when Duo Live had to change and figure out how to get this music out and step it up a notch; which brings us to where we at now. Change is not easy, especially when you’re doing well.  You know, if it ain’t broke, don’t fix the s**t. LL Cool J is one of the greatest figures in Hip-Hop music, and it is for that reason. He has managed to change with the times, and that’s why he’s still relevant to Hip-Hop.  He’s more relevant than any of his predecessors. If the music changes and the beat changes, he gets those producers.  If he needs to change his look, style, whatever, he does that. We are still changing too, in a different way.  There was a time that we made music for ourselves, and our clique. We make Rasta rap. We had to change our whole thought process and realize that we weren’t following the footsteps on his Imperial Majesty if we are limiting ourselves and limiting our music. So we started to evolve, and this latest album is the beginning of the evolution.Sid: We also changed because initially we were based in New York City, and once we made the transition to Miami, it was like a whole new world. What they listen to is totally different than what we listen to in New York, and of course we wanted to make music that the people down here where we live could listen to. In New York, the strip club is not culture. In Miami, the strip club is culture, so we do the strip clubs down here, and that changes your music. Fre: Like, we never popped bottles in New York. We drank 40s in the stair case. Out here in the south, it changed our lifestyle. We pop bottles now.  And that whole thing changes your music, your perspective.  You realize now what people in other places are listening to.  Before, I couldn’t relate to a lot of Bad Boy music. Now, I listen back and I get it. We’ve been traveling a lot and it’s helping us grow as artists.  Like, some of the music Duo Live is about to put out, some of our existing fans may be like “What the f**k are they doing?”  But trust me; it’s going to open us up to even more fans because of the message. The key is the message, and our message has never changed. We make freedom music. We make music for the people, and that’s what we still puttin’ out.Rule 5: To Be Determined…Sid: You know, that’s where we are right now-changing, growing, etcetera. Fre: We will come back to AllHipHop once we figure out what rule five is. We are at rule four. Once we figure out how this works out, we will let you guys know. The next chapter is going to be crazy, because the next rule is going to be the one.  Like, it might be something like, “Never sign with a distribution company.” [Laughs]  Or it could be something like, “Scratch all the rules and start here, ‘cause we have figured some other s**t out.” But those are the four most important rules for independent artists, labels, and Black businesses period, brought to you by Duo Live.

Hip-Hop Rumors: Jay-Z Talks Joe Budden! Royce Da 5’9″ Is A-OK!

Hey, y’all! You know how much I love Columbus (sike) so I would never disrespect him, but it’s a national holiday and I have to take it easy this day! I need it. But, I would never leave you just hanging so I have a couple rumors to pass over to you like that other holiday.

ROYCE DA 5’ 9” – LETS CLEAR SOME THINGS UP

First and foremost, Mistah F.A.B. is a damn good rapper, especially in the battle world. But, in a recent interview he spoke on some stuff that was categorically false. He made a statement that said to the affect that the rules of the AllHipHop Celebrity Battle told him that he couldn’t say a bunch of stuff about Royce Da 5’ 9”. “Mistah F.A.B. wasn’t allowed to mention some stint in rehab Royce had and an alleged divorce.” Well, Royce has NEVER been to any sort of rehab…no he is not Amy Winehouse. And NO, Royce isn’t divorced. (Shout out to the family!) On top of it all, AllHipHop would never have access to information like that to even tell Fabbo. We don’t know ’bout Royce’s biz like that! The truth is, there were rules to the battle. We didn’t allow the emcees to make personal references to each other for obvious reasons. For example, could you imagine what could have happened if Joe Budden was present when F.A.B. made reference to his brother getting shot eight times? We don’t even want to think about it. Even though F.A.B. sent his condolences out, that could have been a mess. Both artists did their thing in a major way. Anyway, F.A.B. is a artist and artists express THEIR views and opinions, but not AHH’s. Royce tips his hat off to Fabster for a great battle (and so does AHH) and let it be. Now, how Budden and F.A.B.’s battle turns out is a different story. It looks like the gloves are going to come off 100% on that one. Tell you more later…

Oh yeah, Royce said he is going to go out and have a drink tonight. CHEERS!

JAY-Z TALKS JOE BUDDEN

AllHipHop’s Jigsaw had the chance to chat with Jay-Z on Friday regarding his new CD, American Gangster, and you know we had to ask about Joe Budden, since his first and only album came out in 2003! On top of everything, Budden has been removed from the Def Jam website! WTF? (Hell, even Sam Scarfo is still on the roster! Foxy Brown isn’t even on Def Jam and she’s there!) Is all lost? Read below for the deal straight from Young Hov himself.

AllHipHop.com: Is Joe Budden ever coming out?

Jay-Z: The problem with that is, coming out how? If you just want to throw an album out there then next week you recording [songs] about how we didn’t support it. We could do that. We could do that tomorrow. I don’t think that what he wants. I don’t think that what he needs. Maybe…I don’t know.

AllHipHop.com: At one point he was seen as sort of the heir to Def Jam’s throne so to speak and then you guys had a lil’ something on that song.

Jay-Z: That had never influenced my decisions. You see Beanie has a record with R. Kelly. Juelz Santana has put and album out. I’m way to big of a person to [do that]. I would never block anyone’s blessing, because of any thing personal. If I didn’t want to deal with him, there’s other people there. I mean, why do we have a problem, I freestyled on his record. He probably made his career off of freestyling over other people’s records. If I start freestyling over other people’s records…Lord forbid.

But, I would never block anybody’s blessings. You don’t stay successful like that. Things catch up to you. I believe in that for real. Karma. You can’t just do what the f**k you want…sh***ing on people for no reason.

Check out Joe and others (Jean Grae, Talib Kweli, Swizz, Cassidy) at the AllHipHop Week concert at Nokia Theater.

Hopefully, Jay sees this. Look at the fans…They love Joey!

SEE YOU TUESDAY!

Well, that’s it! See you all on Tuesday! Happy Columbus day (wink wink!)! If you are off, enjoy it! If you are working…still enjoy it.

TOMORROW, WE LOVE YOU!

They keep us talking, but if we stop talking about them then they should worry!

-illseed

WHO: illseed

WHAT: Rumors

WHERE: AllHipHop.com, MySpace.com/TheIllseed

HOW: Send your rumors and ill pics to illseed at [email protected].

– allhiphop rumors

MF Grimm: The Hunt For The Gingerbread Man

Does anyone else seem to feel as if MF Grimm is developing a fetish for gingerbread men? When he released the 2005 single “Gingerbread Man” on Day By Day Entertainment, it was a clever song. Grimm turned the once fabled story of the delectable cookie-shaped man into a gun-slinging, cold-blooded killer. But Grimm can’t be serious. Can he? Not only has he released The Order of the Baker: the Gingerbread Mixtape and is planning to release a comic book series following the dough-boy concept, but he’s also just released The Hunt for the Gingerbread Man (Class A Records), the 13-song opus tracking the alter ego of Percy Carey and the darker side of Candyland.With production nods from Stricknine, Sammsonite, Akism and Metabolis, rhyme persona MF Grimm leaned on more sinister musical accompaniment to the conceptual-based Hunt for the Gingerbread Man. Yet, the album that only scratches the surface of what MF Grimm is really trying to accomplish. The moody songs are deftly chosen, and are the quintessential elements to pinpointing Grimm’s murderous interpretation of the gingerbread man. Songs such as “Gingy” are heart-pounding in nature, with teeth-cringing violin and piano accompaniment. Similarly, “My House,” with its pitter-pattering drums and light chimes, is a foreshadowing of the evil-natured overtones of the album.It’s Grimm’s lyrics that get the emcee into trouble. “My House” features a dapper “Gingy” driving to Hershey Park, picking up a caramel-colored female and take her back to his licorice-laced and peppermint layered gingerbread house. On the song “The Fox,” Grimm reminisces over the original fable of the gingerbread man and the fox, rhyming, “Too strong, mind over matter, can’t break me/Upset his stomach, how much longer can he take me?” Even on the album’s first single, “Earth,” Grimm stoically rhymes about being trapped in a sort of purgatory he calls Earth after starting a war in heaven.    What these tracks serve to illustrate are predictable and, more often then not, shallow concepts that go along with trying to personify the gingerbread man. Having a candy-coated cookie pick up a “shortie” and take her back to the “candy mansion” seems to lack some creative value. We know the gingerbread escaped from the fox. But one’s strongest point in the song shouldn’t be to say that one upset the fox’s stomach. And to ply out regurgitated verbiage about being too gutter for heaven and too gangster for hell, well, really typifies an MF Grimm who has taken prototypical Hip-Hop music and now rapped about it from a gingerbread man’s point of view.Maybe the gingerbread man is really a commentary about the direction Hip-Hop seems to be going; a subtle assault on the gun-toting rhymes and flamboyant outfits of today’s rappers. Or maybe that’s just giving MF Grimm too much credit.SOUNDCHECK:MF Grimm “Gingy”MF Grimm “My House”

NBA 2007/2008 PREVIEW: Boston Celtics

It’s that time of year again!  The NBA is on its way back.  While you video game heads got NBA 2K8 and NBA Live 2008 (though I don’t see why you’d want that game) getting hyped up for the upcoming season, I’ll let you know who got better over the offseason, who got worse, and what to expect from your favorite teams this season.  For some, the eyes remain on the NBA Championship;for others, it’s merely just going to be a slow march to the lottery. 

 

People can finally stop speculating over the impressive draft class in 2007 and stop wondering how Kevin Garnett, Paul Pierce, and Ray Allen will fare in Beantown.  We’ll finally get to see Allen Iverson’s long awaited return to Philadelphia as a Nugget, KG’s emotional return to Minnesota, the state that he called home for the last 12 years, and for all you Lakers fans out there, Chris Mihm!  Instead of predicting MVPs, Rookie of the Year candidates, or who you should draft first in your fantasy leagues (hint: Rajon Rondo = sleeper, bet that), we present The NBA 2007/2008 Season Preview, coming to you daily, beginning with the Atlantic Division and the Boston Celtics.

 

 

 

Boston Celtics

 

Projected Starting Lineup:

C Kendrick Perkins

PF Kevin Garnett

SF Paul Pierce

SG Ray Allen

PG Rajon Rondo

Coach: Doc Rivers

 

The good news:  Ray Allen and Kevin Garnett have made Boston a relevant basketball city again.

 

Before these trades, some writers were labeling the Celtics as the Clippers East, the team for some reason nobody wanted to play for anymore despite its rich history.  It’s funny how a couple of deals could turn Danny Ainge from failure to runaway offseason GM winner.  Although some criticize Ainge for trading tons of potential in the KG trade (most notably forward Al Jefferson), if there was ever a time to cash in your potential for a chance at a ring, now is the time to do it.  Ray Allen, KG, and Paul Pierce on the same team is the type of stuff you would only be able to pull off in a video game.  Now you get to see them wear the same uniform.  The Celtics are now one of the hottest tickets in town and jerseys are flying off of the racks (yours truly is the first one to have a KG home Celtics jersey, just ask anybody in the NBA Store!).  With savvy veterans such as James Posey and Scot Pollard rushing to sign there, the pieces are set to make a championship run for a long time.

 

The bad news:  One injury could turn them into the Denver Nuggets.  Two injuries renders this experiment a failure.

 

Although on paper it was worth it to trade the young talent, rather than trading Paul Pierce and beginning a painful yet possibly productive rebuilding process, Celtics’ brass is banking on this team being the team to win it all.  Nobody knows whether it will come to fruition.  They are also relying heavily on 2nd year player Rajon Rondo to be the PG for this team and center Kendrick Perkins to overcome inconsistency to just exist alongside the new Big Three.  Health is the most important thing for this team.  Although KG is an ironman, Allen and Pierce have had injury troubles lately.  Staying healthy will maximize the team’s efforts to win.  A major injury forces them to go a thin bench for help. 

 

The outlook:  2nd Seed in the Eastern Conference, winning the Atlantic Division, getting to the NBA Finals.

NFL WEEK 5 Picks

Last week, we saw some big losers.  The Mets were bumped from the play-offs on the last day of the baseball season, easily giving them one of the biggest collapses in sports history.  There were some big upsets in college football.  Some big upsets in the NFL.  And finally, we saw Marion Jones upset because she lied about using steroids and now she faces 6 months to 10 years in prison for a check cashing scam and lying to a federal grand jury.  She lost her five medals, her freedom and her ever loving mind.  Good luck brushing you cellmate’s hair….and teeth. 

 

Here are my picks:

 

1pm games:

 

Atlanta Falcons (1-3) vs. Tennessee Titans (2-1)

Location: LP Field, Nashville, TN

 

Joey Harrington and the Falcons won their first game last Sunday.  Good for them.  Too bad they’re going to lose this weekend.  Vince Young and his Titans teammates are well rested.  I’m going with the Titans for the win, but don’t be surprised if the Falcons pull off the upset.  I feel this weekend may be another weekend where we will see a number of upsets and close match-ups.  The Titans are a little better at QB with the athletic Young.  But if you really look at Harrington’s numbers, his numbers aren’t that bad.  So far for the season he’s 89 for 125 with 983 yards, 4 TDs and 2 INTs.  His numbers are better than the team’s record suggests.  Look for the Titans to pound the Falcons out with a mix of pass and run to tire out that Falcons’ D-line.

 

My pick: Titans

 

Jacksonville Jaguars (2-1) vs. Kansas City Chiefs (2-2)

Location: Arrowhead Stadium, Kansas City, MO

 

Larry Johnson had 100+ rushing yards for the first time this season in last Sunday’s game.  The Jags, like the Titans, are well rested as well. Both teams have sub-par QBs, so don’t look for them to try to carry the games.  I think both teams are going to use their run game and try to wear down the other team’s defense.  If that’s the case, I think the Chiefs have a better chance to win this game than the Jags.  Although the Jags have RBs Fred Taylor and fantasy football favorite Maurice Jones-Drew, the Jags also has one of the leagues weakest run defense.  I think LJ will go for another 100-yard game and the Chiefs get the win.

 

My Pick: Chiefs

 

Arizona Cardinals (2-2) vs. St. Louis Rams (0-4)  

Location: Edward Jones Dome, St. Louis, MO

 

The Rams are a broken up team on both offense and defense.  With Stephen Jackson out and Gus Frerrote getting the start for the injured Marc Bulger, the Rams are in a hole that will be very difficult to get out of with 3 weeks to go until the halfway mark.  The Cards have gone to a “QB by committee” format and it seems to work.  As I stated last week, Matt Leinart may be the future, but with Kurt Warner in a Cards uniform, look for Leinart to continue to split time.  In short, too many injuries and a healthy Cards team is too much for the Rams.  Look for the Cards to strike on the ground and the air.  I think there will be big numbers for the Cards big three in Edgerrin James, Anquan Boldin and Larry Fitzgerald.

 

My Pick: Cardinals

 

Cleveland Browns (2-2) vs. New England Patriots (4-0)

Location: Gillette Stadium, Foxboro, MA

 

Its funny how every time I look for some info on the Pats for the write-ups, most columnist and scouts just title their previews as, “The Pats have too many weapons…..”  No matter which team it’s been this season, no one gives the Pats’ opposition a chance.  Well that trend continues this week as well. There’s noting I can say that’s bad about the Pats.  They are the most complete team in the league right now.  I wish I had some insight for the Browns to give them a chance, but that’s not happening.  I know there were a lot of upsets last weekend, but this would be the biggest upset to date if the Browns could pull it off.  I don’t think it’s going happen.

 

 My Pick: Patriots

 

Carolina Panthers (2-2) vs. New Orleans Saints (0-3)

Location: Superdome, New Orleans, LA

 

Deuce McAllister is out for the season and it’s time for Reggie Bush to step up and show the world why he was the 2nd pick in the 2006 NFL Draft.  Jake Delhomme is out again this week with an injured right elbow, so “White Gloves”, David Carr, will start again this Sunday.  Look for Carr to go to the air and hookup with Steve Smith against a weak Saints secondary.  With the RB tandem of DeAngelo Williams and DeShaun Foster, the Panthers have the better chance of winning this game.

 

My Pick: Panthers

 

NY Jets (1-3) vs. NY Giants (2-2)

Location: Giants Stadium, East Rutherford, NJ

 

On the weekend football fans get the “Red River Shootout”; New Yorkers get to have their Tri-Annual “Hudson River Shootout”.  The Jets are coming in to Sunday’s game off a poor performance against the Bills. What happened to the Jets run game?  It disappeared like Marion Jones’ dignity.  The Giants hope to carry their record breaking defensive performance from last week into Sunday’s game and I think they will.  I think Eli Manning and the Giants D-line has gotten their “groove back” and will give the Jets a hard time this Sunday in a home game for both teams.  And what does the winner of the game get?  They get the bragging rights for the state of New Jersey.  Only in America can teams from one state have their home field in a bordering state.  You gotta love it.  That’s New York for you.

 

My Pick: The New York “Football” Giants

 

Seattle Seahawks (3-1) vs. Pittsburgh Steelers (3-1)

Location: Heinz Field, Pittsburgh, PA

 

The Steelers are 1-1 against NFC West teams this season.  They will be 2-1 after Sunday’s game against the Seahawks in a Super Bowl XL rematch.  One question, why do they call these games rematches?  I know the two teams met before in the Super Bowl, but will the losers of the previous Super Bowl get a chance to take the title away from the winners if the previous losers win the game?  Did that make sense?  Now I’m confused.  Never mind.  Looks like I picked the wrong week to stop sniffing glue.  The ‘Hawks demolished the Niners last Sunday in the worst game of the week. The Steelers had a rough loss last week against their old offensive coordinator and current Cards’ head coach, Ken Whisenhunt. I think the Steelers still have that bad taste of losing in their mouth and want to wash it out with a win.

 

My Pick: Steelers 

 

Detroit Lions (3-1) vs. Washington Redskins (2-1)

Location: FedEx Field, Landover, MD

 

The Lions need 7 more games to win and Jon Kitna will cash in on the “10 wins” promise he made earlier in the season.  One of those 7 wins won’t be this Sunday.  The Lions haven’t really moved the ball on the ground this year.  Most of their numbers have come through the air and Kitna is on pace to break the record for Most Passing Yards for a single season.  The problem here is that the Redskins have some very good D-backs who will shutdown the Lions WRs.  The ‘Skins will win, but it will be close.

 

My Pick: Redskins      

 

Miami Dolphins (0-4) vs. Houston Texans (2-2)

Location: Reliant Stadium, Houston, TX

 

The Texans are the better team overall in this match up.  The Dolphins are a mess and I don’t see them putting up much of a challenge against the Texans.  Matt Schuab will have a huge game against the Dolphins and pad his stats with some good numbers.  Despite the fact that both teams’ defenses have been sub-par in their performance at this point, I think the Texans have the stronger, faster, younger defense that can give the Dolphins trouble this Sunday.

 

My Pick: Texans

 

4pm games:

 

Tampa Bay Buccaneers (3-1) vs. Indianapolis Colts (4-0)

Location: RCA Dome, Indianapolis, IN

 

Colts’ head coach, Tony Dungy, will cross paths with his old team; the Tamps Bay Buccaneers.  This is a team who fired Dungy in 2002, traded some draft picks to the Raiders so they can hire Jon Gruden, and then wins the Super Bowl in 2003.  Anyone else would come into this game mad as hell, but not Dungy because he won his ring last season while the Bucs finished the season 4-12.  This year, the Colts have picked up where they last left off from their Super Bowl win of last season while the Bucs have surprised fans this year with their 3-1 record and 1st place in the NFC South.  The Bucs are without Cadillac Williams and Luke Petitgout for this game and every game for the remainder of the season with injuries, so the offense is beat up just a little. 

 

The Colts are hurting on both offense and defense.  I would name some of the players, but then I would be writing this up to Christmas.  The names that stand out the most of the injured are WR Marvin Harrison, LB Rob Morris, who is out for the year, Safety Bob Sanders, and RB Joseph AddaiJohn Clayton is reporting that the Colts will most likely sit their injured players this week so they may get healthier for their game against the Jaguars in Week 7.  Thankfully the Colts have a bye next week, so I think they can afford to sit the injured players this week.  Besides, you all read last week’s recap, so you already know that with Peyton Manning as your QB, the Colts don’t need a lot to win.  The Colts will win the game but Jeff Garcia and the Bucs’ WR corps will definitely give the Colts’ defense a headache this Sunday.

 

My Pick: Colts

 

 

San Diego Chargers (1-3) vs. Denver Broncos (2-2)

Location: Invesco Field, Denver, CO

 

The Chargers should win this game.  I’m serious.  All the Chargers have to do is go back to basics and run the ball.  That’s all they have to do. Travis Henry has been suspended for testing positive for marijuana and is planning to appeal the year long suspension.  If he doesn’t play this Sunday, I’m sure he’ll keep himself busy.  For every one good series Jay Cutler has, he will make a least one mistake that can hurt his team.  If the Chargers put some serious pressure on Cutler and run the ball, they can win this game.   

 

My Pick: Chargers

 

Baltimore Ravens (2-2) vs. San Francisco 49ers (2-2)

Location: Monster Park, San Francisco, CA

 

The Niners stunk up the joint last Sunday against the Seahawks and in the process lost QB Alex Smith indefinitely with a separated shoulder.  Trent Dilfer will get the start this Sunday against the Ravens’ defense.  Good look.  The Niners D-line looks weak and with OT Jonas Jennings out of Sunday’s game with personal reasons, the O-line looks weaker than it did last week.  Look for Willis McGahee to get a lot of touches this Sunday and watch him put a hurting on the Niners’ defense.

 

My Pick: Ravens

 

 

Sunday Night Game:

 

Chicago Bears (1-3) vs. Green Bay Packers (4-0)

Location: Lambeau Field, Green Bay, WI

 

With the injuries the Bears have had so far this year, I don’t see them pulling off the win.  Brett Farve is on fire right now and it will be hard for the Bears’ defense to try and stop him.  The only thing that favors the Bears is the fact that Green Bay doesn’t have a real defense.  The Packers have been getting by on the arm of Farve and who knows how much longer that will hold up throughout the season.  Plus, the Bears have that issue at QB and according to what happened last week, Kyle Orton may end up starting for the Bears before the end of the season.

 

My Pick: Packers

 

 

Monday Night Game:

 

Dallas Cowboys (4-0) vs. Buffalo Bills (1-3)

Location: Ralph Wilson Stadium, Buffalo, NY

 

The Bills are beat up and the ‘Boys are on a roll.  Tony Romo may have not gotten the contract extension he wanted before the beginning of the season, but with the way he’s playing he has surely raised his stock.  Cha-ching!!  Romo and the “Boys will give the Bills stomach aches by the end of the first half.  The ‘Boys defense has really gotten it together and their offense was already clicking.  This may be the blowout game of the week.

 

My Pick: Cowboys

 

 

 

Teams with Bye weeks:Cincinnati Bengals, Oakland Raiders, Minnesota Vikings, and Philadelphia Eagles

 

Lil’ Wayne Arrested After Concert In Boise, Idaho

Cash Money Records rapper Lil’ Wayne was arrested this morning (October 6) in Boise, Idaho, following a concert at Boise’s Qwest Arena last night.

 

Police booked the rapper into the Ada County Jail around 7:30 am for being a Fugitive in the state of Idaho, because of an arrest warrant issued in Fulton, County Georgia.

 

According to Boise city police, Lil’ Wayne, born Dwight Michael Carter Jr., was arrested on a felony warrant out of Fulton County, Georgia, for felony possession of drugs.

 

The rapper was taken into custody without incident and will remain in custody until his arraignment and extradition hearing, which takes place on Monday (October 9).

 

The arrest warrant stems from an August 14, 2006 incident in Atlanta, Georgia, in which Lil’ Wayne was arrested on drug possession charges.

 

In that incident, police were called to Lil’ Wayne’s hotel room, after a housekeeper found marijuana in plain view.

 

In addition to the marijuana, police found 60 pills of Alprazolam and 59 pills of hydrocodone.

 

In July 2007, Lil’ Wayne was arrested after his first performance in New York, after police allegedly witnessed him smoking marijuana near his tour bus.

 

Police searched the bus and found a .40-caliber pistol.

 

Lil’ Wayne and a companion were charged with criminal possession of a weapon and possession of marijuana.

 

Representatives for Lil’ Wayne were not available for comment as of press time.

Arrest Warrant Issued For Beanie Sigel Over Rental Car

Rap star Beanie Sigel will surrender to police on Monday (October 8) on charges of theft and unauthorized use of an automobile, because he allegedly failed to return a rental car for over a month.

 

According to the Philadelphia Inquirer, Sigel – who’s license is suspended – rented a 2007 Nissan Altima from a Payless Rental Car service in Philadelphia on July 23.

 

The car was due back to Payless on August 13, but police claim Sigel never returned the car.

 

While Payless continued to charge Sigel’s credit card for holding on to the car, the company reported the vehicle stolen on September 6.

 

“Apparently there was some misunderstanding over when it was to be returned or whether or not payment was continuing to be made,” Sigel’s attorney Fortunato Perri, Sigel told the Philadelphia Inquirer. “We’re now working out a time for him to surrender on Monday.”

 

The Altima was returned to the dealership yesterday, just as police went to arrest Sigel’s at his home outside of Philadelphia.

 

Sigel, born Dwight Grant, was in New York on business when the police went to his home, which neighbors said has been unoccupied for months.

Breast Cancer: You’re Not Too Young

 

 

After accidentally feeling a lump in my left breast back in December 2002, it took almost five months to be diagnosed with breast cancer because everyone, including me, thought that I was too young. I’d just turned 28-years-old and my life was in high gear! I was being a super-single mother to my six-year-old daughter, I was running my own boutique Public Relations company and I was the lead vocalist for a Soul-Funk band.  I was truly a sister who was doing her thing and was invincible! Yet, something inside my body was growing that would change the course of my life forever.

 

On April 2, 2003, my doctor in the classic textbook fashion gave my diagnosis to me: “I’m sorry but I have bad news, you have breast cancer.”  No! I screamed internally as the tears began to seep down my face. Perhaps he was just being inappropriate and would retract such a cruel post-April Fool’s Day joke. I waited for him to deliver the punch line and crack a smile. To no avail, his solemn demeanor remained in tack. This was real. I had breast cancer. 

 

I was shocked, because it didn’t run in my family to my knowledge and I ate fairly well and worked out. Why did I come to this appointment alone? The doctor began rambling about treatment options, and other incomprehensible stuff.  When he mentioned chemotherapy, I defiantly proclaimed to myself: “I am not doing chemotherapy, I do not want to be bald!”

 

My resistance to chemotherapy would hold no weight. After that day my world-wind affair with cancer began. First I had a mastectomy to remove the entire breast because the tumor was about five centimeters. Luckily I was able to have reconstructive surgery, so I retained somewhat of my figure – although I went down from a 34D to a 34C. I then had to endure four months of chemotherapy which, in addition to common side-effects like fatigue, it made me become bald and beautiful. I got the beautiful part from my daughter who told me that, “Mommy, you look beautiful bald, but you have to wear a wig to my school!”

 

I obliged because it was already a lot for a six-year-old to bear seeing her mother change so much physically. I tried my best to maintain emotionally intact for her sake and simply told her that my breasts were sick because I didn’t want to scare her. Overall, I remained prayerful and optimistic that all would be well. I was empowered by my loved-ones, and I drew on my internal strength in order to make it through. Today, I am healed.

 

Since then, I have resumed my stride.   I now work as the Diversity and Programs Manager for the Young Survival Coalition (YSC) – the only international, non-profit network of breast cancer survivors and supporters dedicated to the concerns and issues that are unique to young women and breast cancer. I am dedicated to using my face and story to help change the perception that breast cancer is the disease of older women. 

 

Indeed, women over 40 should get mammograms, but generally this is not an effective tool to detect breast cancer in young women because it’s hard to detect abnormalities this way because our breasts are denser. However, I am encouraging all women to take control of their lives and bodies. If you feel that something is wrong, do not ignore it; follow up with your doctor. Do not take the answer that “you’re too young.” I didn’t, and I am alive today in great part because I decided to be my own best advocate. You can too. 

 

The Facts: 

 

Breast cancer is the leading cause of cancer death in young women ages 15-54.

 

More than 11,500 women age 40 and under will be diagnosed with breast cancer this year, and close to 1,400 will die.

 

There are more than 250,000 women in the United States age 40 and under currently living with breast cancer.

 

One in every 227 women between the ages of 30 and 40 will be diagnosed with breast cancer in the next ten years.

 

Young women’s cancers are generally more aggressive and result in lower survival rates.

 

The five-year survival rate for young women with breast cancer is 83 percent, which is lower than their post-menopausal counterparts.

 

There is no effective breast cancer screening tool for women ages 40 and under.

 

Young women with breast cancer struggle with many issues that their post-menopausal counterparts don’t face, including: the possibility of early menopause, pregnancy after diagnosis, more advanced cancers at diagnosis and higher mortality rates.

 

Younger women are an underrepresented population in many breast cancer research studies.

 

Source: Young Survival Coalition, www.youngsurvival.org or 877-ysc-1011

 

Khadijah “Vibes” Carter is a professional singer and an inspirational speaker whose new CD This Day – a compilation of Inspirational songs and poems – was written while she was undergoing breast cancer treatment.  To read more about her story, hear the music and support the cause, please visit: www.thisdaythemovement.com or email her at [email protected].

 

 

Game Review: Transformers: The Game

 

 

Game: Transformers: The Game

Publisher: Activision

Released: 2007

Platform: Available on all systems, tested on the Nintendo Wii for this review

Rating: 3.5 out of 5

 

Activision’s Transformers: The Game transcends the common movie tie-in with a robot bust up which ranks among the best videogame titles for the Cybertron natives, and in many ways surpasses the outstanding Atari Transformers offering of 2004. The graphics are excellent and the controls responsive, while the game play is engaging and challenging.

 

The Transformers is one of the most innovative and endearing toy lines ever. However, most of the videogames licensed for the franchise have been sub par at best. Some of them were straight up horrible. This “Next-Gen” offering is sure to excite and entertain the diehard fan of the toys and the casual gamer alike.

 

The first Transformer I ever saw was Soundwave. This was in back elementary school when my friend brought this bizarre boom box / robot toy into assembly.  Me and the boys had never seen anything like it before and went apesh*t over it. Before that school year was out Transformers took the rest of the world by storm, with wave after wave of “robots in disguise” – Autobots, Decepticons, Dinobots, Insecticons, Unicron, Beast Wars, Triple Changers… they just kept coming.

  

Cybertron is shown as a war-torn husk in the opening sequence of the game, which pretty much follows the movie and sets the mood off spectacularly. I was amped to begin kicking some robot ass. The game layout is similar to another popular invasion title, “Destroy All Humans,” where you move throughout a somewhat open-ended environment to different missions which are highlighted on a map. The missions range from button-mashing robot battles and timed car chases, to all out environmental destruction. 

 

There are two story arcs here. The campaign closest to the movie plot is the Autobots storyline, which rotates the player through different characters as the chapters progress. You begin playing as Bumblebee, then to Jazz, Ironhide and by mid-story you are controlling Optimus Prime, driving in automobile mode through the city and suburbs – then transforming into a robot to battle the various challengers on a quest for the Allspark. For long-time fans of the cartoon, you will be transported back to the first generation of Transformers by the outstanding voice work of Peter Cullen and Frank Welker, who were the original voices of Optimus Prime and Megatron in the cartoon.

 

The Decepticons story arc starts you out in the desert and has a military feel to the navigation and combat. One thing that sets this title apart from other military style shooters is the ability to transform instantly from a robotic foot soldier to an attack helicopter at the push of a button. As the bad guy, your goals are primarily to destroy various structures and facilities. This desert campaign was a fun concept, and I feel would have translated nicely to the live multiplayer format. I have already heard that a sequel to the flick is in talks, so perhaps we will get another Transformers game with cooperative options in the near future.

 

Anyone who plays this game will be thrilled just to move around in the Transformers universe as a deadly giant robot – it’s dope! I would recommend at least renting it for all Wii owners, as it among the best looking games currently out for the Nintendo system.

 

The environments are nicely scaled with the robots looking properly huge, plus the explosions and destruction are rendered grandly. It should be noted that the backgrounds are somewhat more detailed on the Xbox 360 and PS3 versions. The controls are responsive on all platforms. The major drawback on the Nintendo version is that the camera is mapped to the targeting system of the Wii Remote, and you really have to really concentrate to point it correctly in order to follow the action. Because it is so difficult to control the view during game play, this took me about 45 minutes or so of practice to actually be competent enough to go on the missions.

 

Some missions I blew right through. Some were hard as f**k! I’ve read where some reviewers accused this game of being too easy, specifically for the Xbox version. The Wii version is not easy! It takes a great deal of effort to control the camera perfectly.  I spent a few frustrated hours on one particular chase sequence in the Autobots campaign. Even though there are challenging moments, you are not likely to have to Google a walkthrough to complete any of the objectives. Most of the enemies can be easily battered to bolts by punching a few times, and the tough guys can be swatted with anything handy around you.  In fact, you can pick up most any object and chuck it right at them, breaking through any defense.

 

The cut scenes are right from the movie, and simply serve to move the story forward. Where this game really shines is the mechanics. The action is immersive and the movement is expertly crafted. You can zoom right in on the Transformers models and see that every detail is right out of the movie, and they look fantastic.

 

The graphics and game play are robust and make this title a must-have for the hardcore gamers. However, casual players may not find much replay value in this title. Activision’s Transformers: The Game is a tight rental, and there is enough content to justify a fan’s purchase.

Snoop, Talib, Others Honor Jam Master Jay At J.A.M. Awards

Rappers Snoop Dogg, Talib Kweli, De La Soul and numerous others will be among those hitting the stage to perform at the first ever social Justice, Arts and Music (J.A.M.) awards in New York City.

 

The event, which is scheduled to take place Nov. 29 at the Hammerstein Ballroom, is a joint venture between the Jam Master Jay (JMJ) Foundation, EPOPInternational, adidas and New York radio station Hot 97.

 

“These unique awards are built on our efforts to promote social justice, arts and music (J.A.M.),” said Jam Master Jay’s wife, foundation creator and J.A.M. Awards co-host Terri Corley-Mizell. “Every year, one honoree from the Hip-Hop community will be selected and honored in the field of social Justice, one in the Arts and another in music. The winners will be selected based upon the impact they have made in their respective category and their record of helping others in their local community and around the world.”

 

The J.A.M. Awards is the latest in a series of events put on by the Jam Master Jay Foundation, a charitable organization dedicated to supporting music and arts education, as well as promoting the legacy of the late Run-DMC member, Jam Master Jay.

 

Although it is designed to showcase the positive aspects of rap music and let the world know that Hip-Hop is alive and well and as relevant today, DMC believes the J.A.M. Awards represents a deeper cause.

 

“This unprecedented event is not designed merely for music fans, but also for people who want to see Hip-Hop answer its critics with a resounding voice of hope and inspiration,” the rap veteran said. “I can’t yet mention everyone who will be there; I will go on record to say that it will be historic. I know Jay will be with us in spirit.”

 

In addition to event CO-host DMC, Mobb Deep and Papoose, confirmed J.A.M. Awards performers include Marley Marl, Talib Kweli, Dead Prez, Raekwon, Q-Tip, Everlast featuring DJ Muggs, De La Soul and Snoop Dogg, who expressed his enthusiasm for being a part of the event.

 

“The J.A.M. Awards will be over the top. Jam Master Jay and Run-DMC paved the way for me and everyone I know,” the rapper said. “As pioneers of Hip-Hop, their positive message will live on through this J.A.M. concert and future J.A.M. Awards.”

 

Since news of the J.A.M. Awards broke, the event has been met with support from numerous sources.

 

“This is Hip-Hop at its best,” said JMJ board member and U.S. Recorded Music for Warner Music Group chairman and CEO Lyor Cohen. “The message we’re promoting with the J.A.M. Awards is simple and unassailable. Many relevant artists I know, including all the members of Run DMC, were inspired by social justice, arts or music–those are the necessary elements to build a dream.”

 

Foundation Board Members include: Terri Corley-Mizell, DMC, Russell Simmons, Lyor Cohen, Erik Blamoville, Jesse Itzler, Stephen Nitkin, Rob Principe, Constance Schwartz, Cathy Symeonidis, Ivan Taback and David Weisswasser.

 

Tickets for the inaugural J.A.M. Awards are available now through Ticketmaster.