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AHH Stray News: Public Enemy, Ecko, Busta Rhymes, Jada Pinkett-Smith

Public Enemy performed

twice last week in Arizona for the first time, since the group launched a boycott

of the state. The socially conscious group imposed the ban on Arizona with the

controversial release of “By the Time I Get to Arizona," taken from

their classic 1991 album Apocalypse ’91: The Enemy Strikes Black. The song

and the boycott of the state that followed came after Arizona officials refused

to recognize Martin Luther King Day as a paid holiday. “It’s over and

done with,” Chuck D. told the Arizona Daily Star. The state voted

to formally recognize the Dr. King Holiday in 1992, because of the national attention

that the legendary group brought to issue. Public Enemy recently launched its

56th tour and decided to take the show back to Arizona as part of the West coast

leg of the outing. Fashion

designer/entrepreneur Marc Ecko and Airborne Entertainment recently announced

a new union that will produce an exclusive suite of mobile products from Ecko’s

various businesses. Under the new deal, Marc Ecko, with the help of Airborne Entertainment,

will release new ringtones, ringbacktones, message alerts, screensavers and wallpapers

from his lifestyle brands including ecko unltd., Zoo York, Avirex and Cut &

Sew. "Airborne Entertainment is the perfect partner as we look to bring a

broad array of branded content to the mobile entertainment space," Marc Ecko

said in a statement. "We look forward to working closely with their team

and anticipate quickly emerging as a force in this rapidly expanding direct to

consumer marketplace." In addition to the new mobile content scheduled to

be released in early 2007. As the youngest member to serve on the Council of Fashion

Designers of America’s board of directors, Marc Ecko oversees Marc Ecko Enterprises

which include fashion brands Marc Ecko "Cut & Sew," G-Unit clothing

and accessories, Zoo York and Avirex Sportswear Collection. Busta

Rhymes is facing a new weapon charge in an assault case, which stems from an incident

in August, where the rapper allegedly assaulted a fan. Police claim Rhymes, born

Trevor Smith, kicked and stomped Roberto Lebron in the head and body, after Lebron

allegedly spat on Rhymes’ Maybach, as the luxury vehicle was passing by in mid-town

Manhattan. Lebron filed a formal criminal complaint and Rhymes was arrested and

hit with various assault and weapons charges. When Rhymes was arrested, police

searched his SUV and found a machete and a smaller, 10-inch blade. In October,

the charge of possession of a weapon pertaining to the machete was dropped, but

according to Reuters, prosecutors recently filed a new charge of misdemeanor criminal

possession of a weapon over the 10-inch blade. The rapper refused a plea deal

in October regarding the assault and will strand trial on the various assault

charges. Lebron, a former John Jay College of Criminal Justice, is also planning

a civil lawsuit against Busta Rhymes. Jada

Pinkett Smith donated $1 million dollars to her former high school, the Baltimore

School for the Arts. Pinkett-Smith attended the art school with legendary rapper

Tupac Shakur and developed a close friendship with Shakur, who was gunned down

by unknown assailants in 1996. The monetary gift was donated by the Smith’s Will

and Jada Smith Family Foundation, which is based in Baltimore. Pinkett-Smith,

who hails from Baltimore, hopes to have the new school theater named after Shakur,

the best-selling rapper of all-time.

Tragedy Strikes Family Of Cash Money’s Williams Brothers

Tragedy has struck

the family of Ronald "Slim" Williams and Bryan "Baby" Williams

yesterday (Dec. 11) when their sister Tamara Williams, 26, was killed in a head-on

collision in New Orleans. Williams,

who majored in psychology and was studying for a nursing degree, died when her

2006 Toyota Camry was struck by a motorist who was driving the wrong direction

on a downtown boulevard. She

leaves behind a husband and three children. The other driver, Jason Williams,

30, is in a local hospital where he is in serious condition.Tamara

Williams was the youngest of six siblings.

Evel Knievel Sues Kanye West Over “Touch the Sky” Video

Legendary daredevil

motorcycle stuntman Robert Craig "Evel" Knievel has filed a multi-million

dollar lawsuit against Kanye West, claiming the Chicago rapper tarnished his image

in the video for the hit single "Touch The Sky."The

lawsuit, which was filed in U.S. District Court, accuses Kanye West of trademark

infringement and unauthorized use of the Evel Knievel image by using vulgar,

sexual and racially questionable content. Roc-A-Fella

Records and "Touch the Sky" video director Chris Milk are also named

as defendants in the lawsuit. Knievel,

68, claims the video disgraced him and accuses Kanye West of ripping his image

apart. The

video, which stars actress Pamela Anderson Lee, features Kanye West as a fictional

stuntman named "Evel Kanyevel" attempting to jump a canyon. Evel Knievel’s

lawyer Richard Fee claims the video is a recreation of Knievel’s failed attempt

to jump the Snake River Canyon in Western Wyoming in 1974."In

my opinion, this video maybe reflects West and his way of life, but it’s sure

not mine," Knievel told the St. Petersburg Times. "I don’t want

my children or my grandchildren associated with this kind of thing…I want it

stopped."Knievel

is also seeking royalties and an injunction to prevent Kanye West from using Evil

Knievel’s image in the future. The single and video for "Touch the Sky"

are taken from West’s triple platinum album, Late Registration.West

and the "Touch the Sky" video were subject of controversy last month

at the MTV Europe Music Awards. The

rapper burst onto the stage as Justice and Simian were being awarded Best Video

and went into a tirade over losing in the category. West

later apologized to Justice and Simian for his antics.

More Fish

Artist: Ghostface KillahTitle: More FishRating: 3 1/2 StarsReviewed by: Martin A. Berrios

Ghostface Killah must love his craft. Starks dropped one of the best albums of ’06 with Fishscale but the sizeable sales numbers to match his rep still elude him. Instead of going into hibernation after taking that respectable “L”, Tone is back in record time with another tasty offering. The appropriately titled More Fish picks up where its predecessor left off with a twist of more repping time for his Theodore Unit crew.

The monster don gives the opener “Ghost Is Back” a different splash with a humorous intro featuring comic Tracy Morgan and a slick rendition of Rakim’s classic “Juice (Know The Ledge)”. Taking from the R’s original cadence, he flows on the track as if ’92 never left us. On the drama filled narrative “Miguel Sanchez”, Trife Da God and Ghost’s seed Sun God connect their verses to tell a story about on a commissioned hit on a Columbian drug lord the same name. Fantom Of The Beats sets the tone with dark horns and gritty drums while S.G. closes the song out with hard bars that steal the show.

With all the friendly help around, P. Tone still holds it down for delf. On the stellar

“Block Rock” we get Ghost in rare form, spitting classic lines like: “Best cuts, diamonds sitting sideways like they sit in a cup/You can pour goose on it, juice on it, you can make it a slush!” Beat smith Madlib implements a dusty arrangement of organ notes to give the track an abstract feel. “Outta Town Sh*t” finds the Staten Island goliath OT in a tense dice game that leads to some gunplay. His trademark vivid description paints the visual sans a brush over mellow keys.

Unfortunately the album loses some steam midway. Produced by Kool Aid and Peanut, the first single “Good” alienates his core fan base with a forced attempt at radio spins. When it comes to the supporting cast outside of Sun God and Trife, the rest of Theodore Unit is adequate but set themselves apart. Shawn Wigs in particular catches the biggest brick on the team with the snoozer “Pokerface.” Wigs tries to capitalize on the popularity of Texas Hold Em’ poker but doesn’t have enough finesse to make the joint stand out. He also hooks up one hit wonder Eamon for a quick fast forward on the unbearable “Gotta Hold On.” Additionally, “Josephine” was originally featured on Hi-Tek’s The Chip, though, here with a Trife verse.

With the heavier focus on Ghost’s supporting cast and the lack of ANY appearances from the 9 Milli Brothers other than Cappadonna, More Fish feels more like a glorified Theodore Unit project. Listeners will wonder if the waiter got their order wrong but still be privy to a savory dish.

The Game: Not Like Daddy

When The Game visited the UK last week, I was honored to be granted a face-to-face interview. I was however warned that he may not turn up, say little, or could lock it off at any time. As I waited in the lobby of a posh London hotel, the previous journalist emerging from his own interview told me that The Game didn’t look up from under his hood once. I was a little apprehensive. Having grown up in foster care, I was interested in asking him about his own experiences in care. From the age of five through 13, The Game lived in a foster home after his sister accused their father of sexual abuse. But after hearing this from the journalist, I decided to tread carefully.

In what turned out to be a candid and personal interview, The Game reveals his experiences pertaining to family, as well as reflects on who many perceived to be his Hip-Hop father: Dr. Dre. This isn’t the kind of conversation normally associated with Hip-Hop interviews, but then again, The Game is hardly a typical Hip-Hop artist.

AllHipHop.com: You’ve lived through so much. What’s the most important life-lesson you’ve learned along the way?

The Game: The most important lesson I’ve learned in life is that you have to be a father before anything else. As long as I be doing that, I seem to be having a lot of good love with everything else I try and fall into.

AllHipHop.com: You’ve said before that Dr. Dre is like a father figure to you. What’s the most important thing that he’s taught you?

The Game: Is that you can’t trust anybody in this business, and at the end of the day, you’re all alone so you gotta make the best of what you got.

AllHipHop.com: What’s the one thing you wished you knew growing up that you’d like to instill in your son?

The Game: I just wish I’d known how it feels to have your father there for you and really taking care.

AllHipHop.com: You grew up with a foster family for part of your childhood. What impact did this have on you?

The Game: That situation is the reason that I’m as f**ked up as I am today. I’m trying to straighten it out now 20 years later, and it’s a slow process but I’ll get there.

AllHipHop.com: I grew up in a foster home too… [The Game looks me directly in the eye unflinchingly for several seconds, then proceeds.]

The Game: It’s horrible, you feel alone sometimes, right? And you really wish that you had family, a mom and dad, and placemats and silverware, and mom coming home, dad coming home, shouting, “Honey I’m home!” and then they call you out the room where you’re doing your homework, and you come running down the stairs and jump on your dad – but that’s not our f**king reality, is it? No, it’s f**ked up. It’s a bad situation, and I don’t wish that on anybody. I always try to at least give words of wisdom, if not some type of financial or clothing donation, to kids in foster homes around the world. Because it’s a sad, sad story and people don’t know until they’ve been there, and if you’ve been there you never wanna go back. You can’t say enough how messed up it is to grow up in that type of situation.

AllHipHop.com: But going through tough times makes you stronger though…

The Game: Of course, and so I would never change that aspect of my life because I’ve learned so much from that situation and others that I went through. But we all know that trials and tribulations make for a good story, which is why there even is a Hip-Hop, or a gangsta rap movement.

AllHipHop.com: How does it feel being the spokesperson for West Coast rap?

The Game: I just tell my story, you know, I wake up everyday, I do these interviews, and this is just me telling my part, I’m only one person, one man, one father, one musician – and it’s just me speaking my piece.

AllHipHop.com: Dr. Dre receives a lot of praise on your new album, yet he doesn’t feature or contribute to production…

The Game: Too bad for him! I don’t want anybody to do anything that they don’t wanna do. When I found out Dre wasn’t gonna be working on the album, I lifted my head up and opened my chest out and I had to get it done.

AllHipHop.com: So you wanted him on there but he refused?

The Game: I didn’t really care, it’s either you do it or you don’t, I don’t have time to be worried about other people’s feelings; I basically just wanted to complete my album and it was either with or without Dre – I was gonna do that. On this album it was without, so I had to make do with what I had.

AllHipHop.com: Will he be working on any of your future albums?

The Game: If I could tell you that then I should probably quit rapping and start some psychic hotline or something.

AllHipHop.com: What about the title track, “Doctor’s Advocate,” that’s pretty much a tribute to Dre…

The Game: I was drunk on that song, so I don’t remember or care what I was talking about that night. That was just that night, and it was documented and it’ll forever be remembered ‘cause it’s on that album; it’s just the way I was feeling that night and not the next morning and not the day before.

AllHipHop.com: So you and Dre are not as tight as some may think?

The Game: I mean, me and Dre didn’t grow up together breaking peanut butter and jelly sandwiches in half. I met Dre in 2001/2002 and we’ve had a great friendship since then, but I haven’t known him for 20 years, so I don’t expect him to jump off a mountain for me, and I definitely wouldn’t do the same for him. But Hip-Hop is every man for himself; we’re all independent artists so we gotta make the best of what we’ve got.

AllHipHop.com: Thank you so much for speaking with me, I’d like to talk more but time’s running out…

The Game: I would love to talk to you all day but I don’t make the time and [gestures at entourage] these people, they’re crazy.

[Before I leave, I ask The Game to sign my iPod. He happily obliges, and I wish him all the best with that night’s show. On the subway back to the office, I turn over my iPod and see that he’s finished the message with the words “Foster Kids.” I smile to myself and continue my journey.]

Legal Wrestling Match Between DDP & Jay-Z Continues, Rocawear Added To Lawsuit

The legal wrestling

match between wrestler Diamond Dallas Page and Jay-Z continues in court, as the

wrestler has added Roc-A-Wear to a trademark and copyright infringement lawsuit.Diamond

Dallas Page filed the original lawsuit in December of 2005 in Los Angeles Federal

Court, claiming that Jay-Z’s popular Roc-A-Fella diamond hand gesture was illegally

adopted from his patented "Diamond Cutter" symbol. Today

(Dec. 11), a federal judge granted a motion to add Rocawear, Roc Apparel Group

LLC, Urban Menswear LLC and Rocawear Licensing LLC to the lawsuit, which seeks

an injunction to prevent Jay-Z from using the symbol, as well as an unspecified

amount of monetary damages. Page

decided to add Rocawear to the existing lawsuit, after he learned Jay-Z recently

used the hand gesture to market and promote the Rocawear clothing line."Many

athletes and celebrities also flashed the Diamond Cutter sports celebration move,"

states the lawsuit, which was filed in Los Angeles Federal Court. "In Game

6 of the 1998 NBA finals against the Chicago Bulls, Karl Malone, the Utah Jazz

star basketball player, flashed the Diamond Cutter Trademark during the game and

referred to the symbol as Plaintiff’s hand sign. Similarly, former professional

football player and Dallas Cowboy star running back, Herschel Walker used the

Diamond Cutter Trademark after a 64 yard touchdown run and also acknowledged that

it was Plaintiff’s signature trademark." Page,

who is shooting the movie Gallow Walker in South Africa with Wesley Snipes,

says that he used the symbol to promote his DDP character while working for World

Championship Wrestling (WCW) as early as 1996.The

wrestler used the hand gesture just before executing his signature finishing move

in the ring, the "Diamond Cutter."Due

to the popularity of the hand gesture, Page used it in other business endeavors

including a pair of inspirational products including the Yoga For Regular Guys

DVD series and book, and an upcoming audio book titled Own Your Life.

B.G. Introduces Chopper City Boyz’ Debut

New Orleans

native B.G. will introduce The Chopper City Boyz’ debut album We Got This on

his Chopper City Records imprint this February. B.G.

has helped The Chopper City Boyz (Sniper, Hakim aka Hakizzle, VL Mike and Gar)

develop a following by featuring the group on four of his last studio albums that

were released through his Chopper City imprint, which is marketed and distributed

by KOCH Records."After

being in the game for 12 years, I’m introducing my new group," B.G. said

in a statement. "The Chopper City Boyz are the next step in the Chopper City

movement. Since the breakup of my super group, The Hot Boyz, there’s been a lack

of talented real Hip-Hop groups from the South. The Chopper City Boyz are gonna

change all that." The

first single from the album is "Make Em Mad," which features The Chopper

City Boyz and B.G. The single was produced by Mississippi producer and rapper,

David Banner. "I’m

the s**t on the boards and this is the first part of my take over [on production],"

David Banner told AllHipHop.com of the single. "I’m sick of playing!"As

a member of Cash Money Records’ group The Hot Boyz, B.G. helped usher in a new

Southern sound in Hip-Hop along with former group members Lil’ Wayne, Juvenile

and Turk, who is serving 10 years behind bars for weapons charges stemming from

a Jan. 2004 shootout with Memphis SWAT Team members.During

his stint as a member of The Hot Boyz, B.G. was featured on critically acclaimed

and commercially successful albums like Get It How U Live (1997), Guerrilla

Warfare (1999) and Let ‘Em Burn (2003). As

a solo artist, B.G. had a massive hit with the single "Bling Bling,"

which was taken from his 1997 album Chopper City in the Ghetto. The term,

which is slang for expensive jewelry, eventually made its way into the Oxford

English Dictionary and Websters dictionary. We

Got This hits stores February 27th 2007. Below is the album’s tracklisting:

1. Intro

– Ziggy2. Taking Over – Hakizzle, Sniper, VL Mike, Gar3. Bounce – Hakizzle,

VL Mike, Gar, Sniper4. Make Em Mad – Hakizzle, Sniper, VL Mike, Gar feat.

B.G.5. Thoro Street N#### – VL Mike, Sniper, Gar6. It’s Real – VL Mike7.

What I Like About Her – Hakizzle, Sniper, VL Mike, Gar, B.G.8. Flatliners

– Sniper, VL Mike & Gar9. Chopper City – Gar10. Never Had – VL Mike,

Sniper & Gar feat. Mercedes11. Knuckle Up – VL Mike, Sniper & Gar12.

Heart of a Killer – Sniper13. I Can Do That – Gar feat. B.G. & Lady Dolla14.

Going On – Hakizzle, VL Mike feat. B.G.15. Crucial S### – Hakizzle16.

All We Got – Sniper & VL Mike17. Shake Em Off – Gar, Sniper & VL Mike18.

All Eyes On Me – Gar feat B.G.19. The Price Is Right – Hakizzle feat. B.G.

Will Smith Discusses Shift in Acting Style in ‘Pursuit of Happyness’ Experience

Through

the course of his career, Will Smith has carved a niche as a likable actor who

brings a bit of himself to each role. But

that persona, according to the Philadelphia rapper, is nowhere to be found in

his latest feature, The Pursuit of Happyness. Instead,

Smith brings a new dimension to his acting style by entering a realm that was

different from what he’s accustomed to. They

(Pursuit director Gabriele Muccino and Ali director Michael Mann)

see right through me, all of the Will-isms and the things I know how to do to

make the audience smile and cry," Smith told AllHipHop.com during a press

conference promoting the film. "It’s scary for me right now because

I’m moving into a space where I just have no idea what’s going to happen

when I go into these scenes. I’m living in the moment."I’m

at such a different place in my life right now," continued Smith, who shares

screen time with Thandie Newton and his son Jaden. "Michael Mann opened my

mind up to a completely different way of working and creating and it’s grown

through this process right now through Gabriele Muccino and the last little spark

coming from Jaden."Based

on the true life story of Chris Gardner, The Pursuit of Happyness follows

Smith as he struggles to make ends meet in his quest to support himself and his

son (played by Smith’s real-life son Jaden Smith), while living on the street.

Although

Gardner ultimately triumphs over adversity, his biggest obstacle may not be the

obvious. "The

biggest -ism that I ever had to deal with was not racism, it was place-ism,"

revealed Gardner, who currently serves as the President and CEO of Gardner Rich,

a Chicago-based brokerage firm. "I’m not from a politically connected

family. I had not gone to college. I had no money of my own. Who’s going

to do business with you? That’s place-ism. That’s not racism… So the

racism thing was totally secondary. My love for what I had an opportunity to do

and my love for my child and the commitment minimized everything else."Smith’s

role in the film has garnered talk of an Oscar nomination for the entertainer,

who received his first Oscar nomination for his performance as in 2001’s Ali.

Smith

was recently honored by a friends and colleagues for his film work by the Museum

of the Moving Image at its 22nd annual black-tie salute. The

annual event is held to raise money to support the Museum’s education programs,

which help more than 25,000 intermediate and high school students each year. The

salute, which was held in New York City, will air in January 2007 on the Bravo

network. Smith, a co-producer of the UPN show All of Us, joins past recipients

which include Robert De Niro, Sidney Poitier and Steven Spielberg.Newton

saw first hand how involved the rapper became in doing Gardner’s story justice.

"I

was around Will in probably one of the most challenging roles of his life,"

she said. It was a very complex role… I do think that this movie stretched him

to his limit. And yet you look at it and there’s Will being majestic and

giving a beautifully led performance. And there’s his son giving a beautiful

performance. Nothing had to be comprised and yet he had so many roles to play

in the project."Gardner,

who established a solid friendship with Smith, recalled a conversation the two

had after showing Smith a picture of him and his son in front of the first house

the two lived in, after more than a year of living in the street. "I

say to Will ‘We can talk about the script or we can talk about these two

guys. What do you want to do?’, " said Gardner, who took Smith on a

series of walks to show him the places he and his son slept at during their homelessness.

"You

know what he chose. ‘Let’s talk about these two guys.’"

First Annual Urban DVD Awards Brought Together Emerging New Artists

Hip-Hop fans

packed New York’s Club Avalon last Wednesday (Dec. 6), for the first annual

DVD awards, where the Artist to Watch Movement was launched.The

event was produced by The Best of the Block CEO, Littles,

and NY Event promoter, Mook Diamond.

The awards brought together a group of emerging East coast artists, known as The

New Big East. The

line up featured many rappers performing together for the first time, included

Siagon, Tru Life, Maino, Stack Bundles, Red Café, Jae Millz, Grath, J-Hood,

and Uncle Murder. “We

bridged Hip-Hop together last night. There were a few crews and clicks on the

bill that didn’t get along, and to get all of them together on one stage

is a huge deal”, said Littles. Other

celebrities to attend the awards were

Remy Martin, DJ

Kay Slay, Consequence,

DJ Cipha Sounds, Zab Juda, Marley Marl.

The DVD awards were the first to recognize trailblazers in the Urban DVD genre.

Pioneering Urban DVD brand All

Accesss won top honors for Best Commercial DVD. "We

work hard to create exclusive content for every release and it was an honor to

even be nominated," All Access CEO, Kraze commented. "We’re able

to get into places that BET and MTV can’t. I started doing this five years

ago and just recently signed a major deal with Stars Network. This event and that

business partnership only reflects how far we’ve come ,that bigger entities

are aligning themselves with Urban DVD producers."

Maino who performed as part of the artist to watch Movement, also won an award

for the most consistent artist on a DVD. "This

event was all about recognizing the urban DVD creators and showing emerging artists

and their fan base. We had so many artists supporting The Artist to Watch Movement.

There’s a huge underground movement that’s about to rise to the surface.”

For

a complete list of the Urban DVD Award winners visit http://www.myspace.com/theurbandvdawards.

Big Cat Records, Gucci Mane Ink Seven Figure Deal With Atlantic

Atlanta-based

Big Cat Records is ending 2006 on a high note, after signing a seven figure deal

with Atlantic Records for Atlanta rapper Gucci Mane.Atlantic’s

track record of developing the careers of artists proved to be the catalyst for

Big Cat owner Marlon "Big Cat" Rowe to make the deal official. "We’re

excited about the deal with Gucci Mane and Atlantic Records," said Big Cat

Records President Mel Breeden. "Major distribution will help artists who

are really out there trying to tour. We have sold a great amount of albums with

Gucci Mane, but Atlantic will create a bigger demand that will ultimately affect

records sells as a whole."Gucci

Mane, born Radric David, is best known for his hit single "Icy." The

track, which features former friend-turned-foe Young Jeezy, stayed on the singles

charts for almost eight weeks and helped the rapper’s album Trap House

sell more than 130,000 copies when it was released in May 2005. The

placement of the single on Trap House sparked a

deadly feud between Gucci Mane and Young Jeezy, who also wanted the single

for his album Thug Motivation: Let’s Get It. Gucci

Mane Gucci Mane, born Radric David, was charged with the murder of Henry “Pookie

Loc” Clark III, after Clark and four other men burst into a house and attempted

to rob and assault him in May of 2005.Clark

was shot and his body was found a short time later. In December of 2005, prosecutors

dropped the murder charges against Gucci Mane, citing a lack of evidence. Gucci

Mane followed up Trap House’s success this year with Hard to Kill, which

was powered by the song "Go Head." Big

Cat Records is currently developing other artists while preparing albums for its

current roster, which includes Maceo and Young Snead.Maceo’s album, Black

Magic, is scheduled to hit stores in the second quarter of 2007.

Déjà Vu: Power Moves

Maybe video killed the radio star and satellite radio killed the radio listener, but neither affected the stock value of radio personalities. Scanning radio stations in every city across the country, there are a number of local celebrities waiting to make someone’s day on the air. Listeners in the New York tri-state area know that following their hectic morning rush, they can tune into Power105.1’s Déjà Vu for some mid-morning enjoyment.

We recently spoke with Deja about the trials and tribulations in the industry, and she shared her thoughts with us on the tragic shooting of fellow Power 105.1 radio personality Carl Blaze. With two charity organizations well under way, Déjà Vu proves that the duties of a radio personality can continue once the microphones are turned off. And when that’s not enough, she rattles a Pamprin bottle.

AllHipHop.com Alternatives: How are you and the rest of the staff at Power 105 coping with Carl Blaze being shot? Is there anything you’d like to personally share regarding the incident?

Déjà Vu: In light of the shooting, the Power staff as well the community send prayers and well wishes to Carl and his family. It hit hard for me personally, because I was on the air when I heard the news. When I delivered the info to my audience, I had a semi-breakdown on the mic. The frailty of life was heightened in my mind. It was as if someone had punched me in the stomach. Life is too short for senseless violence.

AHHA: Has this shooting raised any red flags with the rest of the staff on personal safety?

Déjà Vu: The staff has been affected by this tragedy. We have to be extra careful with our surroundings and the places we visit. Hatred and drama loves to raise its ugly head just when you least expect it. It shouldn’t be that serious for a radio and mixshow DJ, but it is. For some reason, people seem to think we are like major celebs when that generally is not the case. But maybe we should have bodyguards too, just in case! Welcome to the new world of the music grind.

AHHA: Coming up, you began as an intern. Can you discuss the importance of having an internship?

Déjà Vu: Well first I need to stress the importance of starting out as an intern, as an intern, not as an intern trying to be a superstar. [laughs] So many people get it twisted right now, straight up they get it twisted like, “Oh I’m at the station so now I’m supposed to be a star” or whatever. But interning gave me that entry into that business that I probably wouldn’t have had until I got out of school. So I interned for a year and a half…for free. Eventually I was doing radio spots…for free. I did it because I loved the business, so if they’re gonna get into this industry they have to have a passion for it – whether it’s radio, record, even trying to come up as an artist – you’ve gotta have that definite passion and not try to be an overnight superstar. Although ultimately, I want to be that superstar – but I’ve been grinding and it gave me a greater appreciation for my business.

AHHA: What was it like being on air in Birmingham, Alabama?

Déjà Vu: Girl…[laughs] well first off, I come from a smaller city anyway – Jacksonville, Florida is not Miami, you know? It’s totally different from Miami, but it’s a lot different from Birmingham too. It’s a whole lot of Black folks doing a whole lot of…just stuff. It was different, because in Jacksonville we knew which areas to go to because they have the Confederate flag raised and stuff like that. Birmingham wasn’t as bad, but then you’d see some things and you could get a feel of it. Some of the racial tension still was on back in that day.

Actually the radio fans were just awesome because we were like superstars to them because it was a smaller city – they didn’t have a basketball team or a football team or anything like that. So the radio personalities were the stars. I could be shopping at the mall signing autographs like I’m a for real celebrity.

AHHA: How did you make that change coming to New York?

Déjà Vu: Coming into New York, I had been with Clear Channel for several years and they asked me if I wanted to come up here when they started up the station Power 105.1. I had just gotten in as being Program Director in Richmond, and my boss called me and was like, “Yo would you like to make the move to New York?” I was like, “Ok. Richmond…New York…Richmond…New York.” Although I wouldn’t be like the boss or whatever in New York, I’ve still got this to put on my resume as this opportunity to be a little country girl coming up to the big city. So, it was awesome to be able to have that experience.

AHHA: Whenever you’re on the air you have so much energy. Being women, we have our days. How do you get on air every day and get that personality going without being like “not today”?

Déjà Vu: I mean I have my “not today” days. I’ll tell my listeners, because after a while, the listeners become your friends. It’s like, “Ok y’all, you have to help me out today ‘cause I’m not feelin’ it.” I’ll say it on the air, “Y’all gotta give me some energy today, I feel crappy or it’s about that time [of the month].” I have this one segment on one of my shows where I shake the Pamprin bottle into the microphone and say, “I’m shakin’ the Pamprin bottle right now so you know.”

I think also radio is theater of the mind so we are actors and actresses. I tell my interns that you gotta fake it sometimes because you’re there to entertain. Yeah it’s cool to be real, but a lot of times they are trying to use the radio as escapism too. They might be having a bad day, and if you’re bringing them down, are you serving your purpose? So I have some bad times, but I try to keep it upbeat for the most part. I’ve had really bad times you know if you’re going through a breakup or whatever, and you say your little spiel, “Power 105.1!” and then get off the microphone and start crying. Yeah, I’ve had that…few and far between.

AHHA: A lot of crazy things have happened over this past year at Power 105.1, especially with Star. What was it like being a part of the station when that madness was going on?

Déjà Vu: Well I can’t really speak on him, but we actually didn’t get affected by it as much as we could have been because that entity [Star and Bucwild] – they had their own studio, their own room, and everything like that – so we didn’t really have anything to do with that. They did bring a lot of new listenership to the station that wasn’t previously there, that’s for sure.

AHHA: Have you witnessed anything crazy at the station?

Déjà Vu: Not anything to the full extreme, but there are regular artists that come through all the time. Off air, you’ll find that they’re just regular folks who like to talk trash just like everybody else and have fun just like everybody else. Real cool. It’s a cool vibe at the station; it’s not like going to corporate America at all. We go in there and have fun everyday. Yeah we get mad at each other or whatever as far as personalities are concerned, but we still keep it moving. And with artists it’s the same thing. They might have a little beef with someone or whatever, but when they come up here, they’re usually cool…or high. [laughs]

AHHA: Who is your favorite artist to be around?

Déjà Vu: Probably Remy [Ma] is the realest. She’s bananas. She was on our float for the African American Day Parade and she was just so real. She was telling me high school stories from back in the day, just stuff like that. She’s real cool to be around.

AHHA: Coming up as a woman in radio, did you experience anything negative?

Déjà Vu: Not anything negative, but you just have to be on your guard at all times. You have to know that. Well for me, I’m a double minority: I’m Black and I’m a woman. People are going to look at you differently like, “Oh who does she think she is?” I just always keep my head focused on whatever it is that I’m working on. People are going to look down on you.

When I first got in the industry, there weren’t hardly any female Program Directors at the stations – no females making the major decisions. It’s changed vastly since then, and I have been able to see and experience that and it’s an awesome thing. It gives you something else to strive for because a lot of the money is not just made on air; it’s made behind the scenes as well. To be one of those power players, to be one of the people to pull the strings and take over the budget at a station like Power 105.1 or something like that is an awesome aspiration.

AHHA: Besides Power105.1, you’re also involved in two other organizations: The Flava Unit and SistaGirlz.

Déjà Vu: Flava Unit is my youth group, and we do community service throughout the five boroughs and every station that I’ve been at. I have a lot of success stories from different kids and stuff who have achieved different things. One girl went and started up her own volunteer chapter when she went off to college. I have students who are studying for their PhD. One of my kids was on BET; I don’t think he’s on there anymore. He got into radio being around the station and being a part of that. He actually went to work for our competition when I was in St. Louis, so that was interesting. [laughs]

SistaGirlz is my new initiative…not necessarily new, but it’s being finely tuned. It’s going to be similar to the Flava Unit, but I’m doing more motivational things for women. A lot of young women – especially the ones that we target at the radio station – they lack direction as far as being a lady. Yeah we can kick and this and that, but are we being real ladies and handling our business as far as getting our money in order or if we have kids, getting our kids in order. Following up with your goals as well. It’s about women. Blazing the trail towards empowerment of women.

AHHA: In your opinion, have women in the industry evolved or devolved?

Déjà Vu: I think we have evolved. I think though a lot of stuff that may have gotten our foresisters in the industry [angry] we let brush off our shoulders. I think it’s because of our generation. So I can listen to [AMG’s] “B*tch Better Have My Money” and whatever. I can sing right along with it, but I still know how to handle myself in a different way. I don’t think it’s desensitized me to the situation, I think it made me more cognizant of it. I can separate what’s entertainment versus how people might feel like a song might be degrading. I know there are a lot of women out there who actually do get offended by some of the lyrics and stuff.

I guess being in the industry, I am a part of that but that’s why I have the SistaGirlz stuff I guess to counter[act] the negative things. ‘Cause yeah, I’ll be in the club and I’ll be dancing to that kind of music, but at the same time you wanna prove to the women and let the women know that we are go-getters, we are achievers, we’re not your ho or your b*tch or whatever.

AHHA: Who are some of the artists you’re feeling right now?

Déjà Vu: I’m still loving the Beyonce CD – not just because she has a song called “Déjà vu” [laughs]. I know a lot of people were hatin’ on it. I like that CD, it’s been in constant rotation. All Dirty South “get crunk” music. I’ve been ridin’ with Lil’ Jon before he blew up. I love E-40, and of course my conscious Hip-Hop: Common, Talib, Mos Def.

AHHA: How does it feel to have your neck of the woods [the South] finally getting some big love?

Déjà Vu: It’s amazing to me! Because I’ve been ridin’ with Lil’ Jon and he was doing that “get crunk” stuff ten years ago. A lot of people don’t know that. They think it just came out a couple years ago. So it’s amazing to me, and they remember me from when I used to be in my smaller markets when they come up [to Power105.1]. It’s cool to see that the South is blowin’ up. Definitely.

Styles P: Black is Back

Regardless of any current trend in Hip-Hop, Styles P continues to remain one of the street’s most provocatively blunt and respected lyricists over time. His career and personal life has seen many changes since 1998. He went from being a Bad Boy to being a Ruff Ryder, from getting jiggy to getting high, from enjoying the freedom of independent artist to facing time incarcerated. Styles has definitely stood the test of time and is gearing up for the coming holiday season.

After four years since his debut solo album A Gangster and a Gentleman, Styles will be releasing his highly-anticipated sophomore LP Time is Money on December 19th. And this time around, he is taking a new approach to his project- by not approaching it at all. Time was created both for himself and for loyal fans, leaving The Ghost to abandon the mainstream and investing his time in enjoying life. While taking a break from traveling the world and enjoying freedom, Styles reflected to AllHipHop about the Kramer incident, the n-word, politics and Hip-Hop. Here are his two cents: feel free to keep the change.

AllHipHop.com: What did you think of the Kramer incident?

Styles P: Wow. Somebody should have beat the s**t out of him! Somebody should have hung his ass and put a fork up his f**kin’ ass! F**kin’ devil.

AllHipHop.com: Immediately following, there has been the N-word controversy. The Black Community has chastised [Michael Richards] for the word while we use the word amongst each other. Even in rap music, we use the word frequently. There’s an undeniable double standard…

Styles P: That’s totally f**king insane to say. When somebody from the hood is calling you [“n***a”], there is no emotional attachment. He’s not trying to degrade you or disgrace you or anything- he’s saying it out of love. So when someone other then that calls you that, it takes it to another level. I think from us using it with each other it’s kinda turning a negative into a positive. For them to still use it, it’s a negative-negative. When we use it, it’s a loving and endearing term. No matter where the word came from, it’s [about] the context of what we use it now. The word came from somewhere but the word hot originally meant something was hot, but hot means something is cool now. It’s alright to switch those words around, but it’s not correct to switch [“n***a”] around.

AllHipHop.com: Last month we’ve had an extremely vocal midterm election. If you were given the chance to vote, would have voted?

Styles P: Do you really think it would count? I just watched a National Geographic [Channel] special on the voting machines. I seen how they switched the whole s**t around. Not just on paper, inside the computer. To tell you the truth, honestly, I wouldn’t [vote]. Whoever is running…when it was Bush versus Kerry, what would have been the use? They’re all in the same secret society, anyway. There’s another government besides the government. I don’t think it’s ever what the people want. Let me ask you something, you ever think there’d be a woman president?

AllHipHop.com: I think Hillary [Rodham] has a strong chance. I also wouldn’t count out the Illinois Senator, Barak Obama.

Styles P: I think if either one of ‘em would win, they’d get killed. [Barak] definitely wouldn’t stand a chance- he’s Black. [Editor’s note: Barak Obama is of multi-racial ethnicity] He might as well hang it up. I think the closest Black person that could have won would have been Colin Powell. You’ve seen what he did- he gracefully bowed out.

AllHipHop.com: Speaking of being Black, “I’m Black” wasn’t as accepted as much it could have been. Both mainstream and by fans. How do you feel about that?

Styles P: It’s f**ked up. You try to help the hood, drop a little jewel. I think the state of mind in Hip-Hop, and the world itself, is f**ked up. I’m Black, I just been in jail, I’m an entertainer – so I see what’s going on. I tried to drop a jewel for the young boys on what it is. Usually, I try to sneak the jewels in; that time, I was just trying to be blatantly out right with it. Nah, but I still think it’s something that needs to be done… years down the line, it might kick in and be useful. You have to use sneak techniques. If you don’t- its not gonna work. They showed me that firsthand.

AllHipHop.com: The response was definitely surprising considering the success of [Jadakiss’s] “Why”…

Styles P: Hip-Hop has its ups and downs. You ask me, it’s definitely at its downtime. The music ain’t great right now, man. There’s a lot of boosting stars without the work to back it up. This is an industry now with one hit [and] you’re it. Back in the days- from KRS-One’s days all the way to Wu days and B.I.G days- you had to be really spitting or you were nowhere. Back in the days, if you made songs that were too big or too pop you were a crossover. All that s**t’s over. You might get a bunch of good music, but you’ll never get to hear it. You gotta go search for that s**t. If you don’t do that, you can forget about it.

AllHipHop.com: We recently lost the great Gerald Levert, who appears on your album. How was it working with him?

Styles P: I actually didn’t do the song with him. I had met Levert a couple of times and Scott Storch hooked it up. [Storch] called me when he was in the studio. The song’s crazy though. God bless him.

Semtex: Oceans Apart

If you look up the word Semtex in the English dictionary, you would find the definition: A general-purpose plastic explosive.

But ask anyone from the UK to define Semtex and you would get: Hip Hop Radio/ Tour DJ, Def Jam UK Head A&R/ Marketing Honcho and UK Music Ambassador.

With an insight in both the street marketing and promotional aspects of the music industry, Semtex has been representing the UK for years. Starting off as a street entrepreneur, Semtex is now working as the head A&R and Marketing consultant for the legendary Def Jam label’s UK branch. He breaks down his local music scene, and why the US and UK are oceans apart.

AllHipHop.com: So what’s going on currently? Are you about to sign anyone or just signed anyone to Def Jam?

Semtex: Ah, you know I can’t say if I’m about to sign anyone, but I have just recently signed an act called Mr. Hudson, and he’s very different. He’s not a Hip-Hop act per say, and he’s not an R&B artist. I really don’t think you can categorize the kind of music he does. He has Hip-Hop influences and he sings like a cross between David Bowie and Sting and the band are phenomenal. It’s really some next level type of music, it’s going to blow. It’s really going to be all about Mr. Hudson and the band in 2007.

AllHipHop.com: Being predominately a Hip-Hop lover/ DJ, do you find it hard to A&R acts from different genres?

Semtex: The whole thing of me looking at different types of artists and genres of music was that I wanted to challenge myself. I work with Hip-Hop artists everyday, I got into A&R because I wanted to sign Dizzee Rascal but that didn’t work out. I hadn’t seen anyone that moved me the way Dizzee did before in the UK. When I saw Dizzee perform the first time, I saw five albums straight.

When I picked up this artist Mr. Hudson, I just felt it in my heart. You know I was an avid fan of Duran-Duran growing up and I could hear those elements in the music but I could also hear Hip-Hop elements as well. I just wanted to be involved in this project.

AllHipHop.com: Your new mixtape is called Grime Wave. With the UK music industry saying, “Grime is dead, Nas saying, “Hip-Hop is dead,” and others saying, “Crunk is dead,” Why is the music industry doing so badly at the moment?

Semtex: [Laughing] Everything’s dead. The world is over. [Pauses] Nah, okay: I think what we’re basically saying over here with the Grime scene and for Hip-Hop and Crunk in the US, is that we need something new. We need some more stimulation, we need to shock ourselves and I don’t think that’s happening at the moment. I think we need some new artists to come out with some new ideas. We need some new producers to break the rules.

AllHipHop.com: So do you agree with the statements?

Semtex: I don’t think anything is dead, I think we’ve got people with nothing new to write about. Also if you think about online, you have x amount of websites, you have Myspace and you have Youtube. We’re consuming so much so fast that I don’t think the artists can keep up the quality with the demand being so high.

We’re constantly hungry for more and more hit albums. I think with the way the technology is changing, the demand is getting higher and the turnover getting quicker, I think the artists just can’t keep up, so the quality has started to lack. It’s basically greed, as the buying public want more hits faster and the artist want more money so they keep putting out albums just for the sake of it.

AllHipHop.com: What DJs do you respect in the United States?

Semtex: Besides Cipha [Sounds], I also respect Clinton Sparks and Green Lantern. I think DJ Drama is the future – what he’s doing, his mentality and also the team behind him is unbelievable. He’s going to go far. And all these guys are repping UK music and showing UK artists love.

AllHipHop.com: Every UK artist wants to break the US market. Do you think people in the US will accept Grime/ UK music?

Semtex: Everything goes full circle, West Coast had its turn, South had its turn, Midwest, East Coast and sooner or later the UK will have its turn. The US needs a new sound/new artists and I think if they start to look for the next big thing from outside the US then it will be coming from the UK.

For example, I had begged Kevin Liles to sign Dizzee to the label but at the time, he just didn’t get it. I saw him again at the Power Summit a couple of years later and he came up to me and said, “You were right. I get it now.” So it’s only a matter of time before more people start to get the music.

AllHipHop.com: What’s your role in Dizzee’s Future? Are you still going to be his tour DJ?

Semtex: Dizzee is a friend and I’m a fan of Dizzee’s as an artist. I’ll always help him out behind the scenes and that. I just want to see him and artists like Sway succeed, and it’s important that we all support artists over here in the UK and help them get to the next level.

AllHipHop.com: Dizzee and Sway have both been doing collaborations with US artists; do you think that will help them break in the US?

Semtex: Dizzee Rascal is on the UGK album; shout out to Bun B for putting him on that. You know Bun B and Pimp C are legends in the South, legends in the US and UGK are going to have a number one album, so I think it’s great for Dizzee to be involved in the project.

AllHipHop.com: You also had a lot to do with the Sway and Lupe Fiasco’s collaboration right?

Semtex: Yeah, I hooked them up. I just wish that Lupe had put that track they did on the album. That would have been a very good look for the UK but also good for Lupe as Sway has a huge fan base and it would have helped Lupe sell more albums here in the UK. But it’s good Lupe reached out and brought Sway on stage when he was here in the UK, it’s good for both of them.

There’s also a Chamillionaire and Sway collaboration. The joint is f**kin’ sick. You couldn’t write down on paper the result of the track. That was a perfect collaboration. I think this will be the track that will help Sway break into the US market.

I honestly think 2007 is going to be an exciting year for the UK, I think someone like Dizzee or Sway is going to finally crack the US.

AllHipHop.com: Do you think the UK media are not supporting UK talent enough?

Semtex: I don’t think they do as much as they should. I think mainstream press are too quick to link violence and Hip-Hop music.

AllHipHop.com: Did you think the meeting of David Cameron and Ryhmfest has helped or was a good idea?

Semtex: You’ve got one of the main members of government, possible a future prime minister of the UK, meeting someone from the US to talk about what’s going on in our streets. It doesn’t make sense.

I think David Cameron missed an opportunity to work with a UK artist who’s in touch with the UK streets and try and find out what the problem is.

AllHipHop.com: Do you think it was a publicity stunt?

Semtex: Yeah. You basically have a politician who missed the boat to speak to the people and find out what’s going on over here and an artist who is trying to use the situation for publicity to try and sell a couple more albums.

So it’s sad more than anything else, in the end it didn’t actually help anyone. The real issue is getting the guns off the street and that’s what they should be focusing on.

AllHipHop.com: You get a lot of love and respect from US artists. Kanye thanked you when he won a Brit Award here in the UK and countless other artists like Lupe and Jay have sang your praises, how does that feel?

Semtex: Bwoy. What can I say? Kanye didn’t have to do that. He’s such a huge artist. It just shows that they appreciate what we’re doing out here and remembers the work we’ve put in.

You know, It’s still weird sitting in a marketing meeting with Jay-Z. One minute you’re sitting there being an executive and saying something like, “Actually Jay, I think we should market it like that,” and then the next you’re thinking, “S**t, I’m in a meeting with Jay-Z, imagine if the boys could see me now.”

But what I’m trying to say is that I’m a fan of the music first and foremost and I always wanted to be a core part of the music industry and help market great albums and break new talented artists. It’s great to get appreciation from important people in the industry and to be told your doing a good job.

AllHipHop.com: What’s to come from you in the future?

I just want to do what no other DJ has done before and get to the highest levels. I want to be involved with breaking artists and making history with UK music.

The music industry is very unpredictable, very critical and sometimes there’s absolutely no logic to it whatsoever. So you learn something different every other day, the market changes every month and ultimately I want to keep staying relevant and to be that number one UK DJ that no one can follow.

Check out Semtex live on air on 1XTRA Every Friday and

Saturday 7pm to 10pm On DAB Digital radio or online:

WWW.BBC.CO.UK/1XTRA

Howard University Unveils New Hip-Hop Courses

After exploring

ways to enhance academic course offerings by including courses that focus on Hip-Hop,

Howard University recently unveiled three new Hip-Hop related courses in the spring

semester of 2007. The

upcoming classes are geared toward engaging undergraduate students in a critical

analysis of Hip-Hop using research, policy, and program review, as well as including

activist perspectives.Undergrad

students will be able to enroll in “Hip-Hop and the African-American Experience”

in the spring and next fall, the university plans to offer another new Hip-Hop

course titled “Black Youth and Hip-Hop” to students."Hopefully

the success of the courses will motivate other departments at the university to

develop new and innovative courses that study Hip-Hop from a historical, cultural,

and contemporary perspective," said Joshua Kondwani Wright, a doctoral student

in Howard’s Department of History.In

addition to the undergraduate students, Howard plans to offer a graduate class

to students called “Hip-Hop History.” The

seminar will include AJ Calloway, the original host of BET’s 106 & Park, as

a frequent guest lecturer.Early

this spring, Howard played host to a "Hip-Hop and Higher Education Symposium"

that focused on creating Hip-Hop related courses at Howard University. The

courses were designed to serve as a model for other Historically Black Colleges

and Universities (HBCUs) in hopes that they will eventually incorporate them into

their curriculums.

Bred 2 Die Born 2 Live

Artist: Lil ScrappyTitle: Bred 2 Die Born 2 LiveRating: 3 StarsReviewed by: Latifah Muhammad

What’s the recipe for an album that’s sure to have sick enough beats that the lack of lyrical range gets lost in the bass? Simple, ask Lil Jon and 50 Cent to executive produce. You may not remember his last album, but Lil Scrappy’s raspy mature voice remains unmistakable on his sophomore release, Bred 2 Die, Born 2 Live (Reprise/BME).

The first track “I’m Back” shows his self-imposed anticipation. “Everything’s all good, ’cause I’m f*ckin’ with Lil Jon.” While the first single, “Money in the Bank (Remix)” featuring Young Buck, solidifies the album’s uniform feel music that is knockable in the car and that sounds even better in the club.

Despite some lyrical ineptness on songs like “Gangsta, Gangsta” where Scrap kicks, “I’m so gangsta, I eat cereal out the milk.” Also, Lil Jon’s champion screaming throws the song in such a direction that you almost don’t care what Scrappy has to say. And as if we needed an answer to Fantasia’s baby mama anthem, “Baby Daddy” attempts to be a personal song, but ends up showing Scrappy’s immature reasoning; questioning why his baby mama left him when all he did was cheat on her.

Scrappy half-way redeems himself on “Police” whose concept directly faces police brutality and racial profiling-“Wanna go by the book, when you know you the biggest crook.” Though the blows are softened by the infusion of comedic skits, the message doesn’t get lost in the laughter. Transitioning to a life story track, “Like Me” cracks open the true essence behind the album’s title. Showing how far he’s come from selling drugs with his mother to going to church and taking care of his family.

Complete with more than a few courses of crunk appetizers on “Touching Everything” featuring Yung Joc, the symphonic beat garnishes the sly lyrics almost perfectly. But the placement of “Ni**a, What’s Up” featuring 50 Cent, sticks out like a sore thumb. Sounding more like 50 than Scrappy, it’s no wonder the album has mostly a Lil Jon sound.

Scrappy’s indecisive topics and straightforward rap style are sprinkled throughout the album, but are acceptable due to his youth. He doesn’t sound like a child trying to hang in the adult rap game, but he is still trying to find his niche. By mostly sticking to the rap sound made famous in A-Town, the album doesn’t reach for new boundaries but at least shows strong effort.

Police: Grudge May Have Been Reason Carl Blaze Was Gunned Down

Police are doubting

reports that Power 105.1 DJ Carl Blaze was the victim of a robbery and are now

exploring the theory that an old grudge may have been the reason the DJ was shot 13

times early Thursday morning (Dec.7) in New York. Officials

said DJ Carl Blaze worked a party at the X-Bar in the Bronx Wednesday (Dec. 6).

After

dropping friends off, Carl Blaze headed to an apartment located at 578 Academy

St. in Inwood, where he was shot 13 times and stripped of his necklace. Now,

police are seeking to question a New York area woman named "Ivy." According

to reports, Ivy is a 20-year-old rapper. Police claim the 30-year-old DJ was gunned

down in the foyer of her apartment. A

witness at the scene told police Carl Blaze, born Carlos Rivera, grabbed Ivy’s

leg outside of her apartment door after being shot numerous times and yelled out

"Ivy! Ivy!." The

woman calmly replied ""Carlos, you’re going to be OK. You’re going to

be all right." DJ

Carl Blaze is still in critical condition at New York’s Harlem Hospital.

Dr. Dre To Detox In September 2007

Apparently,

Dr. Dre has settled on a time frame to release his highly anticipated album, Detox.In

a video clip in circulation on the Internet that features Dre, the producer and

his protégé Bishop Lamont reveal that the album will be released

in September of 2007.The

clip is a mere 31 seconds long, but Bishop Lamont states, "You see this man

right here, we gonna do shameless promotion – Detox [in] September. This is not

make believe." The

pair are in a recording studio and the camera pans to show some of the sophisticated

equipment. Dre and Lamont share a couple crass jokes before the clip finishes.Fans

have waited several years for an announcement such as this. While

there are no confirmations why the album has taken so long, many speculate that

Detox’s tracks have gone to the likes of Jay-Z, Busta Rhymes and The Game,

who have all benefited from the productions of the incomparable beat maestro. The

album was initially announced around 2002, planned for 2004 and people have been

waiting since.Even

The Game, one of Dre’s affiliates quipped, "I might just put out Detox

myself" on "Compton" from Doctor’s Advocate.The

album boast appearances, production and assistance from several top artists like

Eminem and producers like Kon Artis, Nottz, Mahogany, and Hi-Tek. Dr.

Dre’s last album 2001, came in 1999 and was a phenomenon on a pop level

as well as amidst the Hip-Hop community.

Lil’ Wayne Explains Jay-Z Comments, Clipse Fire Back At Lil’ Wayne

After setting the

streets ablaze with controversial comments about Jay-Z, The Clipse, Young Buck

and Pharrell in the December/January issue of Complex magazine, Lil’ Wayne

recently called in to DJ Absolut’s Hot 97 show in an attempt to temper his words.

During the 7-minute interview, Weezy addresses comments he made to Complex

about Jay-Z.“I

don’t like what he’s saying about how he had to come back because Hip-Hop’s

dead and we need him. It’s not your house anymore, and I’m better than

you," Lil’ Wayne told the magazine. When asked to explain, Lil Wayne

explained that he didn’t like the concept that Jay-Z’s comeback album was built

upon the notion that Hip-Hop is dead. “I

think I speak for everybody when I say it’s not dead as long as I’m

still dropping albums,” Lil’ Wayne told DJ Absolut. Wayne

also disclosed that some of the comments stem from the brief courtship between

him and Roc-A-Fella last year when he his weighing his label re-signing options.

“I

want people to just look at it like that dude who came out of college that was

supposed to get drafted by the #1 team, which was Roc-A-Fella/Def Jam,” stated

Wayne. “They passed on me and now I with a good team and a good coach and

of course on every interview I’m gonna cut down the team that didn’t

pick me.Lil’

Wayne also stuck to his position that he is a better rapper than Jay-Z. "I’m

better than this game," Lil’ Wayne declared. "We could be having this

conversation about any other person in this game. It was who I was asked about

at this time. Yall trying to build a case on me. But I tell you what. If you build

a case against me and take me to trial, I will beat it." In addition

to Jay Z, Wayne also had choice words for The Clipse and Pharrell saying, “"I

don’t see no f—ing Clipse. How many years them n— been around?

Who the f— is Pharrell? Do you really respect him?” Upon hearing

his comments, The Clipse took to the airwaves in WWHV Hot 102.1 FM in Virginia

to respond to an already tense situation. “Wayne,

you sort of copying The Clipse right now,” Pusha T told DJ Derrick Da Franchise.

“I think he made a bad judgment call and just decided to take a swipe at

us…maybe he’s got an album coming out. This is a small thing to a giant,

he’s just acting out.” "If

anything, I am upset about him using the F word before my name, being as though

he likes to sit around and kiss men. If you gonna kiss men, you can’t even use

them words in conjunction with The Clipse, Pharrell, or any of the [Star Trak

] family. He’s definitely acting out right now. Jay-Z? Do what you gotta do. But

involve The Clipse? You don’t want to do that. I already don’t look at him like

a G. He aint nothing like me."

Justo’s 10th Annual Mixtape Awards Cut Short

Hundreds of fans

and industry executives braved the frigid New York cold for Justo’s 10th Annual

Mixtape Awards, which were held at the famed Apollo Theater in Harlem last night

(Dec. 7).What

was supposed to be a celebration honoring Orpheus "Justo" Faison’s legacy

and the music industry’s top mixtape DJ’s turned into a chaotic scene, with many

left stranded when doors to the event were closed early, even though the Apollo

was not filled to capacity.In

addition to celebrating its 10th year of honoring the best in the mixtape game,

this year’s event was supposed to celebrate the life and memory of founder Faison,

a popular industry executive who was tragically killed in a car accident in Richmond,

VA in 2005.Long

and disorganized lines, coupled with a strong and ominous presence by the New

York Police Department dampened what was meant to be a celebratory evening.Inside,

comic Donnell "Ashy" Larry attempted to lighten the atmosphere with

jokes that often made the crowd laugh."Hip-Hop

aint dead but it needs a hug," said Donnell "Ashy Larry" Rawlings,

who joked that somebody should "tickle" the culture into lightening

up.When

DJ Clinton Sparks accepted his award for Best Club DJ, members of the audience

were vocal in their displeasure of the category’s winner."If

you don’t win, suck it up and take it on the chin," said Luv Bug Starski,

an iconic figure in the mixtape world. "Y’all shoot each other outside."

Starski said that some of the DJ’s were only in the business because they were

"scared of them [drug] corners."Outside,

photographers and executives waited in lines, only to be told no one else would

be admitted into the venue. When no logical explanation was given, tempers flared,

resulting in several, loud arguments between men at the door and members of the

finicky crowd.Inside

the Apollo, members of the audience refused to comply when Justo’s close personal

friend Bill Duke (X-Men: The Last Stand, Get Rich or Die Tryin’,

Menace II Society) requested for a moment of silence."I

loved him like a brother and I came here to give respect to him. He deserves one

moment," said, Duke who pleaded for silence from the crowd.Mick

Boogie was one of several DJ’s who had the brief chance to accept his award, before

a scuffle that allegedly involved members affiliated with Dipset and G-Unit had

attendees heading for the exits."In

my quest to be known as one of the most creative and consistent DJs in the game,

I was excited to win an award that not only recognized me, but showed love to

my region as well," Mick Boogie told AllHipHop.com . "I wish the awards

could have occurred without the negativity, but hopefully next year will build

on the positives of this year."Sources

also said a dispute with the Fire Marshal helped the evening come to an early

end.

The Game, Ed Hardy Founder Christian Audigier Team To Help Foster Children

The Game is spreading

a little Christmas cheer early to underprivileged youth in Los Angeles his native

city of Compton, California.The

rapper’s Black Wall Street Foundation teamed with popular fashion designer and

Ed Hardy clothing founder Christian Audigier to design original limited edition

Black Wall Street / Ed Hardy inspired shirts.The

stylish shirts will benefit Hands for Hope, a Los Angeles-based charity organization

that believes enriching and rewarding experiences will challenge underprivileged

students to make choices that will positively impact their careers and lives.The

custom shirts, valued at more than $80,000, will be given as gifts to foster children

throughout Los Angeles, Compton and surrounding communities. The

clothing, which will never be sold in stores, will be split between Hands for

Hope and foster children in the Compton area. A

small portion of the shirts will also be auctioned off for charity on Game’s official

website, www.thegame360.com.The

rapper’s goodwill comes on the heels of the release of his new album, The Doctors

Advocate. The

album debuted at No. 1 on Billboard’s Top 200 Albums chart, with 358,988

copies sold during its first week in stores. The Game will hit the stage

tonight (Dec. 8) at the Hammersmith Palais in London as part of a European trek

that includes stops in Switzerland, Italy, Germany, Belgium, Norway, Sweden, Denmark

and the Netherlands. The rapper’s European tour ends on Dec. 22 in Berlin,

Germany at the Columbia Club.