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Country Music Back On The Air In Florida After Police Bust Pirate Hip-Hop Station

An aspiring DJ

in Hollywood, FL has been arrested for illegally broadcasting Hip-Hop

music over the airwaves of a local Country music station.Darin

Satter, 34, allegedly set up a pirate radio station, which interfered with 99.9

WKIS-FM’s signal. For several weeks, fans of the station – which is known as Kiss

Country – heard Hip-Hop music playing instead of the usual country format.When

fans of the station started complaining about the music selection, WKIS engineers

tracked the pirate signal to a local trailer park.

Broward Sheriff Office detectives arrived and found a 30-foot-tall broadcasting

antenna outside of Satter’s trailer.Satter

was arrested and charged with unauthorized transmission/interference with a licensed

public radio station. He is facing up to five years in prison and a $5,000 fine.

"I

figured he had a 2way radio, you know a hand radio," Satter’s neighbor said

of the 30-foot-antenna.

Ludacris, Dallas Austin Judge Rising Musicians In New Talent

Ludacris,

mega-producers/songwriters Dallas Austin (Brandy, Michael Jackson), Sean Garrett

(Usher, Beyonce) and Block (Young Jeezy, Jazze Pha) have signed on as celebrity

judges for the “How Down Is Your Sound?” talent contest sponsored by

Atlanta media personality Ryan Cameron and Kaneva.com.The

online contest, open for submissions until October 9 and open to everyone in the

U.S., asked the celebrity judges to assist in searching for singers and musicians

with uploadable songs and music videos that display their skills.Online

voters at Kaneva.com will vote for their favorite entries through October 25,

and the top 10 contestants will be invited to perform “live” in front

of the four celebrity judges who will determine the winner of a grand prize valued

at over $60,000."’How

Down Is Your Sound’ represents the talent search of the future," said Ryan

Cameron, official host of "How Down Is Your Sound." "Where else

in the world can someone off the street with literally no entry barriers, get

the chance to share their sound and performance — whether it is rap, Hip-Hop,

or rock — with millions of people worldwide, as well as with hit making producers

who can help rocket them into celebrity status."The

grand prize package will include a $7,500 studio recording session in Dallas Austin’s

DARP studio, a one-day internship with Sean Garrett, a demo deal that includes

a 5-song package with Block’s producers, and a professional photo shoot.

The

winner’s music will be showcased on Kaneva.com at the contest’s conclusion.In

related news, Ludacris is preparing to release his new album Release Therapy

on Sept. 26, and will sign autographs at 6 pm at the Virgin Megastore in Union

Square in New York City. The

album’s first single “Money Maker” made a debut on Billboard

Hot 100 charts at #2.

Beanie Sigel, Tommy Lister Support Peace Rally

In

the midst of recent killings throughout American cities, the Hood March Movement

Committee and Before & After Entertainment have organized a silent hood march

scheduled for Saturday, September 23 at noon in the city of Wilmington, DE.The

event, inspired by Margaret “Cookie” Melton, mother of Donminico Melton,

35, who was murdered in July in Wilmington, will be held at Brown Burton Winchester

Memorial Park, formally called Prices Park.Melton

will host the event alongside actor/activist Tommy Lister, known as “Deebo”

from the movie “Friday”. The rally and march will have guest celebrity

speakers and will conclude with a peace party in the evening.State

Property rapper Beanie Sigel will also host a peace party to promote nonviolence

in underserved areas.For

more information contact: (302) 275-8243.

Shooting After Jim Jones Rap Concert in VA Beach Leaves 1 Dead, 3 Injured

One person died and three others were injured in a shoot-out that erupted early this morning (Sept. 22) after a Virginia concert last night by Dipset rapper Jim Jones, sources reported.

The shooting occurred around 2 a.m. at the Miami Restaurant and Lounge in Virginia Beach.

Witnesses allege that multiple shots were fired, and one male victim was taken away in an ambulance after the club was placed on lockdown by local police.

“The shooting occurred when the club was clearing out,” Virginia Beach Police media relations officer Margie Long told AllHipHop.com. “We are still conducting interviews, because there were numerous shooters. One victim died and the [other] victims suffered serious injuries. One victim was flown out by helicopter to [a] local trauma center.”

The name of the victim was not released, pending notification of next of kin.

No arrests were made in the shooting, and the motive of the crime is being investigated.

In July, a concert featuring fellow Dipset member Juelz Santana turned violent at a club in Allentown, Penn.

Two people were arrested and four were treated for minor injuries in that incident.

Fonzworth Bentley Supports Outstanding Music Students, Hosts ‘All That Jazz’

Fonzworth Bentley is better known for his impeccable dress and his former role as Diddy’s umbrella-hoisting assistant.

In October, the rapper will showcase his musical side as host of the All That Jazz concert at the Atlanta Symphony Hall.

For Bentley, the concert will be a precursor to his upcoming debut C.O.L.O.U.R.S. (which stands for CoolOutrageousLoversOfUniquelyRawStyle), due via Kanye West’s GOOD Music/Sony imprint.

The All That Jazz line-up features jazz and instrumental groups from the Atlanta Public School System.

Bentley, who is a product of North Atlanta High School and Morehouse College, recalls hearing Beethoven’s 5th Symphony at the tender age of 18 months.

By age 2, he says he was learning to play the violin, and in high school, he was the concert master of his school orchestra.

“It’s time to show you can be smart, you can dress appropriately, you can speak the king’s language and still be hip,” Bentley said in a statement.

All That Jazz is being held in conjunction with the Quest, an Atlanta-based nonprofit that supports musical endeavors in public schools.

The concert takes place Oct. 22 at the Atlanta Symphony Hall from 3-5 p.m.

Russell Simmons To Speak at Inaugural CRO Conference

Hip-Hop activist/mogul Russell Simmons will be among the speakers at the first-ever Corporate Responsibility Officers Conference.

The entrepreneur, who will be featured in Fireside Chat with Russell Simmons, joins Wall Street Journal assistant managing editor Alan Murray, best-selling author Andy Savitz, and Citigroup vice chairman Lewis Kaden as part of the event’s 20-speaker roster.

“Russell Simmons has been at the forefront of many modern cultural movements, driving social change,” said conference chair and CRO co-founder Michael Connor. “His participation will enlighten our audience and reinforce the importance of corporate responsibility.”

CRO is a corporate membership organization that increases the strategic impact of Corporate Responsibility Officers (CROs) by utilizing three related disciplines: audit, risk management, compliance, and ethics; corporate social responsibility; and socially responsible investing, sustainability, and philanthropy.

In addition to bringing Hip-Hop to the mainstream via music, television, and fashion, Simmons is noted for creating the Hip-Hop Summit Action Network (HSAN) and co-founding the Rush Philanthropic Arts Foundation.

Simmons also serves as the chairman of the Foundation for Ethnic Understanding, a nonprofit dedicated to strengthening relations between ethnic communities.

The mogul’s inclusion at the conference highlights the foundation’s “ongoing focus of working alongside corporations to meet the needs of disadvantaged youth in the most relevant, effective ways possible,” said Rush Philanthropic Arts Foundation’s executive director Tangie Murray.

The inaugural CRO Conference will be held Nov. 1 at the Marriott New York Financial Center.

Fredro Starr Introduces Onyx Spin-off, Yung Onyx

"Papoose

can’t be the only one to bring New York back," said Onyx frontman-turned-actor

Fredro Starr. "Yung Onyx is here."With

a notable legacy that dates back to 1993, Queens, N.Y., rap team Onyx was among

the kings of gritty street anthems.No,

they aren’t making a comeback, but their protégés, under the name

Yung Onyx, plan to offer that same rough edge with their own contemporary spin."There’s

no more groups in the game now who bring that raw street s**t," Fredro Starr

told AllHipHop.com of the young rappers, one of which is the son of original Onyx

member Big Kie. "They

don’t rap about jewelry and cars…they rap about the block."Onyx

first hit the Hip-Hop scene in 1993 with singles like "Throw Ya Guns"

and "Slam," which earned them a Soul Train Award for best rap album

that same year.Thirteen

years later, the new crew of youngsters–Khaos, 18; Khaos’ cousin Skitso, 19;

M.I., 16; and Primo Starr, 19–assembled to re-create themselves in the image

of their predecessors.The

three MCs and R&B singer "Primo Starr" caught the ear of Fredro

Starr, who decided to executive-produce their debut album Bangout, which

was released on Sept. 11.The

Queens-based Hip-Hop quartet is set to release their first single "In Da

Hood Like" under South Side Records.Their

musical style, described as gritty, grimy, and "strictly for the streets"

is not only a reflection of former Onyx members, but also of present-day artists

such as Sticky Fingaz, whom the group looks up to."They

bring energy to the game and a crazy stage performance," Starr continued.

"Onyx already had a million fans worldwide for over ten years, [and] Yung

Onyx is for their little brothers. Like they say, history always repeats it self."

Jet Li: Enter The Wu

When 43-year-old Jet Li walks into a room, you don’t know whether to bow or stretch out your hand. It’s that kind of respect that Li’s career demands, though perhaps being in America has made him completely oblivious to the hoopla of celebrity. His non-threatening demeanor and brotherly smile add to his larger-than-life persona. So as much as you try, and as welcoming as he is, it’s hard to forget that Li is considered a legend to billions of people around the world.

Born in Beijing, Li studied the art of Wushu (a general term for martial arts). By the age of 11 he had won his first national championship, and by 17 he was being offered starring film roles in China. After a successful career in Asia that included over 25 movies, Li made his Hollywood debut in 1998’s Lethal Weapon 4.

It is the realness of his stunts, and the skill and discipline required to fight, that have fueled a continuing fascination with Jet Li within the Hip Hop community. This combination of Hip-Hop and marital arts has facilitated Li’s transition into Stateside cinema with movies such as Romeo Must Die alongside the late Aaliyah, and Cradle to the Grave with DMX.

Following such a sensational career, fans will be sad to know that Li’s latest martial arts epic is actually his last. It’s also his most ambitious crossover film to date. In Fearless [subtitled in English], Li brings his craft full circle, depicting the real story of Master Huo Yuanjia, whose life is somewhat parallel to his own. Directed by Ronny Yu, Fearless depicts classic brilliance in its action sequences, plot, and in Li’s dramatization of Yuanjia.

We spent some time with Jet Li while he was in New York to discuss his career decisions, upcoming work with Jackie Chan, and the challenges of being an Asian actor in Hollywood.

AllHipHop Alternatives: How long are you in the States for?

Jet Li: Two weeks. It’s very busy!

AHHA: What makes Fearless different from all the other martial arts films you’ve done?

Jet Li: Fearless is based on a true story of a martial artist. He is a philosopher from the last century. He changed people’s mind on martial arts. Before him, martial arts was about fighting; about killing each other. He turned it into sports. I’ve been learning martial arts for 35 years, and I believe was he says.

Martial art is not just about the physical. Action films usually focus on the physical – they beat on each other and have competition on who is stronger, or they fight for revenge. Sometimes it is good but it’s just one part of martial arts. This story talks about the whole idea of martial arts – how to control your martial arts instead of letting martial arts control you. You can use it in the right way. This is also my last Wushu movie.

AHHA: Why is this your last movie?

Jet Li: Everything I believe I put in this movie. Both the physical and mental parts of martial arts are in this movie. I wrote it. I found the producer for the film. I knew what I wanted to make.

AHHA: That would explain the similarities with the character in this movie and your real life. What do you plan do to now?

Jet Li: Yes. He died at 42 years old; I made the movie at 42. I am still making movies. I’m living my normal life and doing things that I believe in. I just finished a movie a few months ago. It’s a about the FBI fighting with the mafia.

AHHA: So you’re still going to do action movies?

Jet Li: Yes, but it is not my belief. It’s not a philosophy. It’s not traditional martial arts, and the movies won’t talk about martial arts. It’s just physical; action movies with martial arts in it, but not pure martial arts. It’s entertainment.

AHHA: Are you and Jackie Chan working on a script?

Jet Li: Yes, next year. Unless it changes, we are scheduled to make it next April.

AHHA: Are you going to be doing comedy?

Jet Li: I don’t know. I can’t talk about it!

AHHA: What do you think of Jackie Chan?

Jet Li: He’s great. Many people know Jackie Chan. He has done a great job in the last 30 years. He does different kind of action films and different types of characters.

AHHA: How do you prepare for a movie like Fearless?

Jet Li: The story was in my head for many and many years. We had a 90-day shoot. It was 60 days fighting for this film. It’s a lot of work.

AHHA: Why did you cross over to English movies?

Jet Li: I think every actor in the world wants to make Hollywood movies. You learn a lot from making Hollywood movies. And in Hollywood movies you need to speak English!

AHHA: What do you want to achieve in Hollywood?

Jet Li: I just want to do my job and do my best. In Hollywood, you need to prove yourself. You need to prove you can do something and then they will offer you the role. If you do not prove yourself, then they won’t offer. So that’s why I keep working here and in China and in Europe – I change it a lot. I work around the world.

AHHA: What do you think of the stereotypes in Hollywood for Asian actors? I’m sure you’re always offered action roles; would you like to do more drama?

Jet Li: In studio movies, it is different. You are just one kind actor. They believe that one way [action genre] you can make it happen. So you need to prove you can make it in other ways. It’s difficult for actors to make a change. My philosophy is never to complain about the system. I want to create what I believe. I want to change it. If you cannot change it, then you go somewhere and do something different. That the business.

AHHA: What was your experience like working with DMX?

Jet Li: I will only say that he is living in his own world.

AHHA: What was it like working with Aaliyah?

Jet Li: We worked together seven years ago. She was very charming. When we worked together, her mom and her brother were always with her. We had the same acting coach. We had a wonderful time. That is why I did the video to Try Again for her. I never did that before. She gave me leather pants as a present that I wore for many years. It’s like the loss of a family member. She is in many people hearts. If you love Aaliyah, then you know she is here. I believe she is always around us.

AHHA: Why does everyone, regardless of background, love Jet Li?

Jet Li: I am honest. I love the work and I bring a lot of the world to them. From generation to generation, I try to show martial art is physical. It does not mean good or evil. It really depends on who is using it. It is a nice way to help people. Martial arts is nice. Do not hurt people. I want to share my physical strength and my beliefs. And I smile! Not just in the movies, in life I smile a lot! I’m like a friend.

AHHA: Many women think you are sexy…

Jet Li: In Asia, a lot of actors and actresses are sexier than me. I don’t know why, but in the States, suddenly Jet Li becomes sexy! I really don’t know!

AHHA: What do you find sexy about a woman?

Jet Li: When you feel warm and you want to be close to her. That is sexy. It gives you the feeling that it is safe. It is all about love. ‘Pretty’ has no definition. Everyone has their own opinion on what is pretty.

AHHA: Who should we be looking out for as the next Jet Li? Is there someone coming up in China we should know about?

Jet Li: I think it depends on the audience. The audience is the true master; the true boss. They make things happen. When they like someone, they will always support that actor or that filmmaker. They will smell it. Then they will find a way for that person. It may take a few years but someday they will find it. For example, look at my career. I made many movies in Asia already. People begin to know me from the movie store [renting martial art films] and then the studio smelled it. They found Jet Li. The audience will create the future.

Food & Liquor

Artist: Lupe FiascoTitle: Food & LiquorRating: 4 StarsReviewed by: Paine

One leaked album don’t stop the show. After Lupe Fiasco’s Food & Liquor (1st & 15th/Atlantic) was made illegally available several months ago, fans reacted with strong opinions, both championing and ridiculing Chicago’s next MC. Endorsed by Kanye West and Jay-Z (who executive produces), the skateboarding rapper now brings an album that combines nutritious lyrics with the numbing appeal of the mainstream. Revisions were made, as many feared that like actualy food and liquor, Lupe’s arrival had grown stale in waiting.

Vitamins have a long shelf-life. “Just Might Be OK” chronicles Lupe’s rise to stardom, with lyrics and a chorus that still resonate to listeners battling any kind of oppression. The critics of Lupe’s carbon-copy image to Pharrell will find affirmation in “Sunshine”, a love ballad that has more lyrical substance than typically seen from Skateboard P, but utilizes a soundalike beat from Soundtrakk nonetheless. The actual Neptunes collaboration “I Gotcha” is a traffic jam of shorter, uninspired bars with a lackluster beat. However, “The Pressure”, Lupe’s collaboration with Jay-Z is the critical cosign that the bootleg lacked. Not unlike “Diamonds Are Forever”, Jigga slides in to close an anthem of self-appreciation, a joining of the king with the prince of swagger. Perhaps the greatest reaction Lupe shows to the pitfall of the leak is “Kick, Push II”. Under a different beat, Lupe recycles his chorus with a new connotation, which not only proves to be a fresh spin, but an inflammatorily street answer to those skeptical of the skater theme.

Unlike Rhymefest’s debut earlier this year, production seems to be a secondary thought on Food & Liquor. In-house newcomers Soundtrakk and Prolyfic bless the album with half of its content, and most of its highlights. “The Emperor’s Soundtrack” shines from Soundtrakk creating an evil drum and choral arrangement that Lupe matches with equally dark lyrics while Prolyfic reels in attention with “Just Might Be OK” and “Pressure”. Kanye’s contribution in “The Cool” is unlike previous beats. Faster but soft drums lead the way as synthesizers accent the dramatic epic of chasing acceptance. Whether it’s a seven figure beat or an unheard of producer, the production succeeds in that Lupe matches the music almost perfectly with themes that go from dark to light, energetic to intimate.

As Ludacris already suggested in his own album title, food goes well with liquor. Though Lupe Fiasco’s debut album lost critical buzz points, the album delivers the same punchy freshness that bootleg owners largely believed. This is an album that muddies the lines between street and conscious, something Common achieved so brilliantly with BE. Whether the masses choose to ingest sustenance or toxins remains to be seen, but Lupe has stocked the refrigerator with groceries in an era of fast-food Hip-Hop.

Blood Brothers

Artist: OuterspaceTitle: Blood BrothersRating: 3 1/2 StarsReviewed by: Omar Hamza

Holding the underground torch high while stressing how it is no sin to like money and nice things seems to be the trend of the day for many a subterranean rapper. Outerspace, the Philly duo who have been putting in work for many years is back for their second official full length in the form of Blood Brothers (Babygrande). Coming stronger than they have on their albums, features, or crew performances this is the group’s best work to date. The addition of a stepped up set of producers makes Blood Brothers a must cop for any fan of the Army of the Pharaohs collective.

Planetary and Crypt the Warchild are students of the art of emceeing, graduating from the academy of Pun and G Rap. This is a fact that they do not keep secret but in fact revel in it by sampling lyrical emcees throughout the album. Their precise lyrics and intricate metaphors have been their calling card since they first appeared on Jedi Mind Trick’s Violent by Design. These elements are displayed in the unbridled adrenaline rush of “Reign of Chaos” and the wild out anthem, “The Boiling Point”. The most noticeable difference between this album and previous efforts is the increased gun talk and mention of the good life. That issue is addressed on Altered Beasts, where Planetary states, “Yo Planteary man what’s with all the gun talk?/You too underground/Ni**a this the onslaught!”. The aforementioned new view on the nicer things in life comes to a head on the spacey “Grown Ass Man”. The hook is self explanatory declaring, “I ain’t got to write graf/I’m allowed to like cash/Who you think you talkin’ to/I’m a grown ass man.”

The duo bucks the trend of their brethren and go outside the crew for a couple of collaborations with so-so results. The Sheek Louch-assisted “U Don’t Like Me” sounds like a D-Block mixtape reject. While the Royce da 5’9″ collabo, “Street Massacre” is well produced by Sake with his operatic background, it breaks no new ground lyrically. Outerspace still sounds the most comfortable trading lines with JMT’s Vinnie Paz on the piano fused, rolling drum vibe of “Silence”.

In the end, this album will satisfy the appetite of the old Outerspace fans while helping them recruit new ones. The group manages to do what a lot of their counterparts in the underground don’t…improve. Usually listeners notice a drop off in the second release from an under the radar artist. That is not the case here. With a little less rugged production, Outerspace might even find themselves on the commercial level of their hero, Big Pun.

The Second Coming

Artist: Deep RootedTitle: The Second ComingRating: 3 1/2 StarsReviewed by: Paine

San Diego’s conscious Hip-Hop comes to the light by way of the experienced collective Deep Rooted. Former Battle Axe Records producer Mr. Brady backs a group that features the talented songstress Brea with MC Johaz and DJ Artistic. The Second Coming (Open Myndz) is an album that has a familiar agenda in loving the music, but Deep Rooted does more with that music than most.

“Break of Dawn” is Deep Rooted at their best. Supported by Michigan’s One.Be.Lo, this song captures the late-night euphoria of Jay-Z’s “Feelin’ It” and adds a bit more common-man vibes to the lyrics. “Weekends” furthers the theme, chronicling the financial hardships amidst a dream job of being a fulltime MC. Johaz and Brea have a beautiful chemistry, and in an age where guest crooners are brought in, Brea adds a sensuality and warmness to lyrics that respect the nod factor.

The Second Coming is Mr. Brady’s strongest work to date. Though the beats are largely sample-based, the compositions feel so complete that the ear says otherwise. “Live Your Life” suggests the busy approach: a jazzy piano loop, Dilla-like drums, DJ Artistic cutting up a Wu record, as Brea sings lines from Junior’s “Mama Used to Say”. Deep Rooted lives up to their name in terms of going beyond a sticky beat and a hard rhyme. This is thoughtfully produced music. “Break of Dawn” incorporates a dramatic string sample with playful keys, to which the MCs all respond with syncopated deliveries. Oh No and Jake One also provide additional production within an album that shows Mr. Brady truly breaking through.

At a time when soulful Hip-Hop reached its own monotony, Deep Rooted gives the genre a new spin. Brea gives the group a sensibility that others lack, and her singing only enhances the lyrical subject matter. The Second Coming is a musical look at struggles, day-jobs, and the pursuit of a dream. This group is a more grounded City High, with respect for Hip-Hop, and sincerity in their lyrics.

DJ Paul Says MTV’s ‘Adventures In Hollyhood’ Sure To Draw Laughs

Memphis,

Tenn.-based rap group Three 6 Mafia has teamed with MTV for a new comedic reality

series.The

show, titled Adventures in Hollyhood, is set in Los Angeles and follows

the Oscar-winning collective and their entourage as they set out to Hollywood

in an effort to make the most of their fame and "establish themselves as

Hollywood players.""The

show…is about us winning the Oscar and coming–not moving–to LA," DJ

Paul told AllHipHop.com. "We still live in Memphis, but we got spots in Los

Angeles to capitalize and chase paper. I can’t do that in the hood. It’s a comedy

and we got a lotta celebrity cameos. It shows us taking meetings, recording, filming,

etc., but comedy with it. No boring sitting there negotiating s**t."The

series, which was green-lighted Wednesday (Sept. 20) by MTV, will premiere in

the first quarter of 2007 with eight half-hour episodes.Adventures

in Hollyhood is the latest in a string of accomplishments for Three 6 Mafia

since the group captured a best original song Oscar this year for "It’s Hard

Out Here for a Pimp," from the film Hustle & Flow.They

were recently seen performing in the series premiere of NBC’s Studio 60 on

the Sunset Strip.Fans

can also catch the group in the upcoming Jackass 2 film, in theaters on

Friday. With more than 15 years of experience under their belt, the group is still

amazed at how fortunate they’ve become."It

feel good as hell man," said DJ Paul. "You know after ‘Sippin on Sizurp’

and ‘Chicken Heads’ blew real big in 2000 I thought that would be the career highs

for us. ‘Ridin’ Spinners’ did real good, but not as big as those. But we still

sold over a gold album with just that one single so that still was a blessing."But

we was like ‘let’s just keep the underground rolling. We’ve done our run.’ That

was like 2002, already 12 years in the game," Paul continued. "Then

all of a sudden in 2005 the label called us and said ‘when u n***as gonna give

us another major release."That

call marked the beginning of the group’s transition into the mainstream, as work

began on their breakthrough release Most Known Unknowns."I

call it the ‘Watch what you wish for album’ cause we fussed about not being known

and getting credit for our role in Hip-Hop being the pioneers of Crunk and at

that time, 15 years in the game," said DJ Paul, who was surprised at the

reaction to "Poppin’ My Collar," the group’s follow up to its hit lead

single "Stay Fly.""That

was a record for us cause we never had a second single do big in our career,"

he said. "Then we win an Oscar, of all awards, and we never even been nominated

for anything before! I never won s**t in my life–not even in a Sprite bottle

top. My winning luck was bad."Bad

luck seems to be the furthest thing associated with Three 6 Mafia now, as the

group prepares for reality show stardom. "Hollyhood

shows how that all went down and more," DJ Paul said about their rise. "It’s

something different from all reality shows. It’s the new Three’s Company,

Sanford & Son of this time."

Kurtis Blow Forms Gospel Label With Holy Hip-Hop Music

After announcing the launch of his new church-based television series in July, Hip-Hop pioneer Kurtis Blow and Holy Hip-Hop Music have partnered to form Music Ministry Recordings.

The strategic alliance is part of an exclusive agreement with EMI Gospel, in which Holy Hip-Hop Music and Pastor Kurtis Blow will produce, distribute, and market Music Ministry.

“Don’t get it twisted, God has always existed,” Kurtis Blow said. “In terms of these young people out here who love God but do not like to go to church, only Hip-Hop can bring them back to the church.

“Pastor Kurtis Blow is always on the forefront as a pioneer and person who not only can see clearly what is to come, but has no trepidation in acting on vision to fulfill destiny and to accelerate movement,” added Panchetta Harris, General Manager of Holy Hip-Hop Music. “These qualities are why Holy Hip-Hop Music and EMI Gospel are proud to be in close covenant and partnership with Pastor Kurtis Blow fulfilling the mission to advance Hip-Hop Ministry, advancing the Gospel, worldwide without delay.”

While details of the first project have yet to be revealed, the new disc has been penciled in for a Spring 2007 release.

In July, Blow revealed that he was bringing Hip-Hop to the church and the small screen with the launch of his new television series Hip-Hop America.

The innovative show, set to feature live church services, will also include breakdancing, a youth choir, and a surprise guest every week.

Limited Edition Ghostface Dolls Hit Stores Nov. 6

Wu-Tang Clan member Ghostface Killah and 4 Cast Limited have teamed together to release 1,000 hand-numbered Ghostface Killah dolls.

Arriving in stores Nov. 6, the action figures boast a real 14k gold chain, an authentic GFK robe and a chalice with Swarovski crystals.

Collectors can also purchase the signature Ghostface golden eagle bracelet, which is sold separately.

Purchase of the doll automatically enters the collector in a sweepstakes that gives them a 1 in 500 chance to spend a day with the Def Jam recording artist.

The limited edition 9″ vinyl figure also speaks original recordings of Ghostface Killah catch phrases, and each doll comes complete with a

copy of the upcoming Ghostface Killah mixtape.

In related news, the Wu-Tang affiliate is set to win the Alumni Woodie after being nominated for the mtvU award on Sept. 12, which honors the artist that “Never forgot where they came from.”

Ghostface will compete for the honor against AFI, Fiona Apple, Muse, and Red Hot Chili Peppers.

The winner will be announced live at the 3rd Annual mtvU Woodie Awards Oct. 25 at New York’s Roseland Ballroom.

Proof’s Murderer Convicted On Weapons Charges

A suspect charged in the murder of D12 rapper DeShaun “Proof” Holton was convicted on weapons charges related to the incident.

After a three-day trial, Mario Etheridge, 28, was found guilty of carrying a concealed weapon and shooting the firearm indoors after the April 11th shootout in a Detroit nightclub, that left Proof and one other individual dead.

He faces up to five years in prison if convicted.

Etheridge, a bouncer at the club, allegedly fired warning shots inside the building in an attempt to break up a fight between the rapper, 32, and Keith Bender Jr., 35.

Proof, who police said shot and killed Bender, was then shot by Etheridge moments after the altercation escalated.

“There was too much testosterone in the club, and he added another cupful,” assistant county prosectutor Elizabeth Walker told Detroit News reporters after the verdict. “You’re not going to make a situation better by bringing a gun into it.

Etheridge remains free on bond until sentencing.

He was secretly escorted from the courthouse due to threats of revenge directed towards him by Proof supporters.

E Ness: Nessesary Roughness

A lasting career in the music business is not promised, even if you are lucky enough to be chosen out of 40,000 people to star in your own MTV reality show. E Ness learned this lesson, but luckily, he knew the rules of engagement. Having already experienced regional success before his MTV stint, Ness wasn’t too worried when Diddy announced that he was dismantling Da Band in 2004.

Ness, regarded as the boy wonder of the group, was one of three members selected by Diddy to be solo artists on Bad Boy. Two years on the shelf could make any thirsty MC start a riot to be released from the label. Ness used his time to start his own label to help put out up and coming Philly artists, write for Diddy’s new album, shoot a movie with Freeway, and release the latest installment in his “Rhyme or Crime” series with the DJ Drama-cosigned “The Ness Best Thing.” As a prequel to his much delayed Nessesary album, Ness shows that the time off allowed him the opportunity for some lyrical exercise.

AllHipHop.com: Let’s take it back. When Diddy made the announcement to break up the band, what went through your mind?

Ness: I just thought it was all over. I thought I had to start from scratch as far as getting back in the game solo. Da Band was a good situation, but after it was over, I was glad it was over, because I wanted people to see Ness in the light I want them to see him at.

AllHipHop.com: You were one of three Band members that Diddy kept, weren’t you and Babs supposed to be packaged as a Bonnie and Clyde duo?

Ness: We were supposed to, but that didn’t go down. I got a lot of material recorded for my album, so [Bad Boy] thought it was best to go with who had the work done already. Not saying that [Babs] is not working, it’s just that I’m extra hungry.

AllHipHop:.com Who’s on the new album?

Ness: The name of the album is called Nessessary. I got everybody production-wise from Bink, Will.I.am, Just Blaze, Kanye West, of course the Bad Boy staff, D-Dot, Tony Dofat, Stevie J, Chad West, a lot of people.

AllHipHop.com: You had a single called “My Hood” that got a lot of airplay in Philly when you first went solo. You didn’t capitalize on the momentum and the album was pushed back, did the delays frustrate you, or do you feel the delays helped you put out a better product?

Ness: If you woulda asked me if I was ready to come out with an album then, I woulda said no. It was frustrating, but it was kinda a blessing in disguise.

AllHipHop.com: Do you think being on a reality show hurt your credibility?

Ness: Um, not really because that was just one look. People don’t really know Ness. They don’t know that I already had a little name in my city prior to Making The Band, and I was already on that grind. The show gave me exposure and opened up Ness to a new market, that’s it. As far as the s**t people make fun about [walking to Brooklyn for cheesecake], that’s just part of the game. When you come in there’s things a lot of things that you gonna have to do that you don’t wanna do. People don’t understand that that was just a TV show and we did things just to keep up the ratings.

AllHipHop.com: On the show you had the battle with Jae Millz that ended in the infamous draw. Do you feel you won that battle?

Ness: Yeah. They always ask me this question because that’s the last time they seen me in the ring duking it out. But, I don’t think they shoulda called it a draw. Rhyme for rhyme, I gave him work. They put him in front of me for my deal. I had to go through him to get my props. They just put two gladiators in the ring, they called it a draw I didn’t agree, but at the end of the day people got a chance to see me.

AllHipHop.com: So you believed you won?

Ness: Yeah.

AllHipHop.com: have you spoken to Jae Millz since?

Ness: Yeah, I’ve spoken to him, he say the same thing ya’nahmean, that he won. It’s just being an MC. Everybody feel they number one. I’m not gonna go nowhere and say I lost the battle.

AllHipHop.com: “Ness Best Thing” is getting some acclaim quickly…

Ness: No doubt. I actually went to [Central High in Philadelphia] with DJ Drama, people don’t know. So it was actually bringing it back home. This is actually the third in my “Rhyme or Crime” series.

AllHipHop.com: Diddy said on one of the interludes of the mixtape that he kept you locked in the dungeon with no food or water to keep you hungry. He gave you a ringing endorsement, do you feel he’s 100% behind you at this point?

Ness: Um, no. I mean, you gotta understand that he has a label to run, he’s the CEO and he’s also the artist, and there’s also a lot of acts everywhere. I could say this, whenever I call him or I need anything, he would make sure it gets done. Money-wise, contractual-wise, any problem I have the door’s always open. People may be saying, “Why you still down with Bad Boy, Puff is a jerk artist or whatever,” but I’d be the first to say if you don’t handle your business, you’re gonna run into obstacles. Me and Puff got an understanding; he knows that I love the music. I can’t speak on anybody else’s situation, but I know all my paperwork is straight.

AllHipHop.com: You touch on a lot of topics on the mixtape, one being your hometown and the jealousy you experience in Philly. Is the hate really that bad?

Ness: It’s not really that bad. The jealousy is always gonna be there when you trying to do something and you build it from the ground up. I love Philly to death, but it just don’t have the influence on the industry as the other cities. We got a lot of up and coming artists and I do music with all of them. Philly breeds the hungriest MCs, Diddy has said this to my face. It’s just that we don’t handle our business correctly. That’s the thin line between love and hate with this s**t. You love to do the music, but you hate to deal with the business side. I got Philly on my back and wherever; I go I’m one of those dudes that big up the city.

AllHipHop.com: Your former band mate Young City was recently dropped from Bad Boy South, have you spoken to him recently?

Ness: I haven’t spoken to him recently, but I know he put out a song coming at Bad Boy or whatever. I don’t know if he said my name, I heard he said my name but [we’ll see].

AllHipHop.com: When’s the new album dropping and what can we expect from it?

Ness: It’s slated for 2007. It’s just my story from when I got locked up, before I got locked up, while I was locked up, life after I got out of jail to getting my opportunities in music. I did what I wanted to do. I got with one of the most notorious n***as in the game, as far as Hip-Hop. So I pat myself on the back. I did the rap thing and it’s time for me to put other n***as on.

SO SO Gangtsa

Later, people would also recognize

D-A-Z as the producer of classic Death Row jams like “Tha Doggfather”

and “Ambitionz Az A Ridah”. Unfortunately, after swooping under the

mainstream radar following his departure from Tha Row, the West Coast

figure would become as well known for his controversial interviews and

questionable independent output as he would for his best material. With

major-backed set So So Gangsta (So So Def/Virgin), this Dogg

Pound ‘G’ has a bone to pick with anyone who dared to dismiss his

talents after leaving Suge’s one-time empire.

Beginning with the ominous “Thang On My Hip”, the rapper lays

waste to his lyrical adversaries over a thunderous No I.D. production

that refuses to let up on its menace. Warning the hypothetical

opposition that he keeps his weapon of choice by his side, Daz’s

subject matter harks back to the lyricism of Dogg Food, albeit not quite as fresh as it once sounded. Needless to say, many of the cuts on offer here live up to the albums

eyebrow raising title. The self-explanatory “Rat-A-Tat-Tat” works well

because Daz’s flow sounds as good here as it did in his Death Row

heyday, and another classic beat ensures some sloppy lyrics can be

forgiven. Other tracks don’t fare quite as well: haven’t we heard

enough odes to being a Dogg Pound Gangsta without another in the form

of the mediocre “DPG Fo’ Life”?

In the presence of strong company, Daz excels. “Strizap” is saved from being another

gun homage via a stellar Ice Cube verse that motivates Dillinger to

come with his ‘A’ game. On “Weekend”, meanwhile, it’s nothin’ but a

gangsta party, with an inspired JD production and the sultry vocals of

Johnta Austin combining to provide a clear standout.

There’s no question that some will be put off by Daz’s relentless

gangsta persona, which is certainly beginning to show some age.

However, great production work from Scott Storch (“Money On My Mind”)

and, of course, Daz himself, coupled with the sheer energy that

pulsates through every offering, means So So Gangsta avoids the dog house. Having said that, this canine could stand to showcase some newer tricks next time he’s unleashed.