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Pitbull Prepares Sophomore Album, Spanish Only Album

Miami rapper Pitbull

is preparing to release his sophomore album El Mariel.The

new release is named after the infamous Cuban boatlift that relocated almost 125,000

Cubanos to Florida. According to Pitbull, El Mariel will offer a political perspective

from the rapper, who addresses the current state of his native Cuba, as well as

the war in Iraq.“They

have this misconception about Pit,” the 25-year-old MC said. “They’ll

say, ‘He’s just this Latin rapper, he’s a reggaeton act, he’s crunk.’ They

don’t know what to say about me. [After El Mariel] a lot of folks are gonna

start saying, ‘You gotta watch out for that boy Pit.’"“Some

[Marielitos] yes were criminals, some came from a negative background but you

have those who became politicians, lawyers, judges, and doctors, you name it,”

continued Pitbull, who sees his musical rise as following the example set by those

who arrived in the boatlift. "Now that I got my foot in the door it’s time

to take opportunities like the Marielitos did."El

Mariel is the follow up to Pitbull’s debut album M.I.A.M.I.: Money

Is A Major Issue. The

2004 release, which sold more than 600,000 copies, was the biggest-selling bilingual

hip-hop debut since Cypress Hill’s 1991 self-titled debut, spawning the singles

“Culo,” “D##### Man,” and “Toma.”Although,

El Mariel is slated to hit stores Oct. 17, fans won’t have to wait

long for another Pitbull as the rapper will follow with the release of his first

full-length Spanish only album, Armando.“[Armando]

is an Afro-Cuban based project. A lot of energy and just a different movement,”

explained Pitbull, who revealed the album will contain production from Lil Jon,

Orishas, the Diaz Brothers, Jim Jonsin, Echo from Puerto Rico and Mr. Collipark.

“I

would love for me and Jon to have a number one record on the Latin charts,"

Pitbull said. "It would be me bringing him over just like he brought me over

to his side.” Armando

is scheduled to be released in early 2007.

Snoop Teams With B-Real, Kid Frost For ‘Vato’ Video

Cypress Hill’s B-Real,

legendary rapper Kid Frost and Oscar nominated actor Edward James Olmos have teamed

up with Snoop Dogg for his new video for "Vato."Directed

by Phillip Atwell, the video casts Snoop Dogg and B-Real as gang members who come

together as a show of solidarity.In

wake of violence in recent months in L.A., the short cinematic clip also aims

to promote a theme of unity between black and Hispanic people."It’s

about time we start to fight for each other rather than fighting against each

other,” Snoop Dogg said. "I have homies from all cultural backgrounds

and love all of my brothers, black and brown.""Vato,"

produced by Pharrell, is the lead single from Snoop’s highly anticipated

eighth LP The Blue Carpet Treatment which arrives in stores Nov. 21.The

album features production from Dr. Dre, Timbaland, Rick Rock, Pharrell and features

guest appearances by artists such as Stevie Wonder, Ice Cube, The Game, Brandy,

R. Kelly and MC Eight."Vato"

will make its video debut on August 30th on BET’s Access Granted.

Eminem and Nike Hook Up to Release Limited Edition Air Max Shoes For Charity

Rapper

Eminem has teamed up with Nike to create a limited edition run of the company’s

Air Max series shoe.The

effort will go towards raising money for the lyricist’s Marshall Mathers Foundation

and ninemillion.org.Eminem

will design limited-edition uppers of eight different shoes in the series, from

the Air Max ’87 to Air Max 360. Sixty-four pairs of shoes will be produced before

being numbered and autographed by the rapper and auctioned off over a four-week

period at Nike stores and on eBay, beginning Aug. 31."If

you told me ten years ago that I’d be designing this whole series of Air Max’s,

I never would have believed it," Eminem said. "It’s one of the hottest

lines that Nike ever produced, so I’m honored to make my own contribution. My

only problem was figuring out how to make the shoes different from stuff they’ve

already done: Nike always has the dopest color combos."Led

by the UN Refugee Agency (UNHCR), with founding partners Nike and Microsoft, Ninemillion.org

is a global campaign designed to raise awareness and funds to bring education

and sport programs to the world’s refugee youth.The

Marshall Mathers Foundation is a non-profit corporation set up to provide funds

for organizations working with troubled youth in southeast Michigan."We’re

always looking for new ways to try to raise money and awareness for the foundation,

so when Nike approached us we jumped at the chance," stated Eminem, who was

further drawn into the project after looking at the information on ninemillion.org.

"It made even more sense. Who wouldn’t want to design their own line of Nikes?

And to do it for charity makes it that much better."The

Aug. 31 auction will take place in conjunction with an event at NikeTown London.

One pair of the Max 1 and the Max 90 will be offered at the event and later posted

for auction on eBay. All eBay auctions will be 00:00 hours on the scheduled days

and run for seven days. It concludes at 23:59 hours the following Monday.Proceeds

will be split equally between the foundation and ninemillion.org.The

following is a schedule and listing of items that will be auctioned:Aug.

31 NikeTown

London Air

Max ’87 1 pair

Air Max ’90 1 pairSept.12

eBay

Air

Max ’87 7 pairs

Air Max ’90 7 pairsSept.

16 NikeTown

Berlin

Air

Max 180 1 pair

Air Max ’93 1 pairSept.

19 eBay

Air

Max 180 7 pairs

Air Max ’93 7 pairsSept.

22 Nike

Store, Paris Air

Max ’95 1 pair

Air Max ’97 1 pairSept.

26 eBay

Air Max ’95 7 pairs

Air Max ’97 7 pairsSept.

28 NikeTown

London Air

Max ’03 1 pair

Air Max ’06 1 pairOct.

3 eBay

Air

Max ’03 7 pairs

Air Max ’06 7 pairs

Rap City VJ Mad Linx To Host U.S. Open’s Arthur Ashe Kid’s Day

Rap

City VJ Mad Linx is scheduled to perform and host the U.S. Open’s Annual

Arthur Ashe Kids’ Day on August 26.The

pre-tournament celebration for families, named after one of tennis’ most

famous players, is designed to attract scores of families to Flushing Meadows

Park in Queens, N.Y. to show support for tennis and music, while also honoring

the career of the legendary tennis star.The

Queen-bred DJ formerly taught tennis at various country clubs and to city youth

for several years while based in Tampa, Fl."I

have been playing tennis since 1989," Mad Linx said. "I still follow

the players on the circuit as closely as I can and I play every chance I get.

My tennis racket is never far from my reach."The

U.S. Tennis Association and Hess announced that a portion of the proceeds from

the event would benefit the National Junior Tennis League, originally established

by Arthur Ashe, Charlie Pasarell and Sheridan Snyder in 1969."Not

only does [Arthur Ashe Kid’s Day] celebrate one of tennis’ greatest players,

but it also encourages the next generation of players,” Mad Linx said.The

first round of the 2006 US Open begins on Monday, Aug. 28, at the USTA Billie

Jean King National Tennis Center in Flushing, N.Y.

New Project ‘DPG Eulogy’ Premiering On Cable

Daz Dillinger will

chronicle the history of Snoop Dogg and Tha Dogg Pound on the small screen with

his new documentary titled DPG Eulogy. The project, set to debut

on September 1 on Pay-Per-View, Starz, Vongo.com, and Comcast, will highlight

the prolific history of the careers of Daz, Snoop Dogg and the entire Dogg Pound

brand. “I really want the urban community and everyone to really

take a very intimate look at our personal life and struggles to find out not just

about me but as me as an artist,” explained Daz. “I hope that this can

be an inspiration. I love creating so this won’t be the last film that I create."

The documentary includes personal accounts and rare footage from Snoop,

Daz, and the entire DPGC community. In July, Daz announced that the launching

of a new behind-the-scenes DVD magazine titled Tha Dogg Pound DVD. The

DVD will feature footage of Tha Dogg Pound, up and coming artists and issues that

are pertinent to the urban community. Check

local listings for DPG Eulogy air times.

CL Smooth: Back to the Lecture at Hand

A

product of Mt. Vernon, New York, CL Smooth and former counterpart, Pete Rock, took Hip-Hop by storm with their colorful sound. The 1991 EP All Souled Out and 1992’s Mecca and the Soul Brother LP, spawned memorable cuts like “They Reminisce Over You (T.R.O.Y.) ” and the self-titled “Mecca and the Soul Brother,” tagging the duo’s names across the walls of Hip-Hop history. After splitting up in 1995 and again after a failed effort to reconcile their differences in 2004, the duo parted ways, taking different paths in life.

While Pete Rock made a name for himself as a producer for Jim Jones and Ghostface among others, CL Smooth took a different route. Similar to Miles Davis during his, post-Cool Jazz/ pre-Fusion eras, CL took a break from music, unsure if he would ever return.

While attempting to build a life beyond music, CL Smooth went back to his roots in Mt. Vernon. Struggling to maintain a similar lifestyle to the one that his previous career had awarded, CL Smooth had to do a lot of soul searchin’.

CL’s up and coming release, American Me shows a more reflective and spiritual side than previously seen by the MC. Keeping in mind of the classical Hip-Hop mantra, “Knowledge of self,” AllHipHop.com spoke with CL Smooth about his personal growth, versatility, and return to the mic he left behind.

AllHipHop.com: With the release of the, “Man On Fire Mixtape” and American Me, soon to be released, how does it feel to be back in the game?

CL Smooth: It feels good. It’s been a process where I did a lot of soul searching and I’ve got some great music that I want the world to listen to. I’m really excited about it.

AllHipHop.com: When you first took the break, did you always plan to eventually come back?

CL Smooth: I didn’t really know. I was too busy building my life beyond music and making sure that I was maintaining the lifestyle that I was used to, because of music and my success in it. I was busy building, but I knew in the back of my mind that I would have to eventually prepare for it. My success beyond music would bring the success of a return. Plain and simple, people everywhere asking me, “Please, we need you to come back.” Once the industry started saying, “Ya gotta’ come back and really do something.” That’s when I really started to get myself motivated and was prepared to do it.

AllHipHop.com: A lot of early ‘90s rappers try to make comebacks, but have a hard time connecting with the current generation. How are you able to touch old and new fans?

CL Smooth: I think that it’s a basis of just being creative and talented enough. This is a great opportunity to break that stigma, to break that mold and show that having history shouldn’t be your cause for not making more. I think that the new album will break that stigma of vintage artists who have a hard time coming back and making that next level of creativity work for them. This is breaking that mold.

AHH: Why name the album, American Me? What’s its significance?

CL Smooth: I think it’s the vibe of when you go around the world and people ask you, “How do you feel about America being the most hated country in the world? How do you feel about that?” That was a question that really shook the core of me. That’s what a young black man goes through everyday in America, the struggle – the struggle of segregation, the struggle of not being heard and being misunderstood, and having police as boundaries in order to have a peace. I feel like its an underdog and everybody hates you. You have to love that one; everyone hates you because you want to win. You know the odds are very slim. I took that energy, thought process, artistry, and molded it into something that I thought would motivate me in my quest to do the impossible.

AllHipHop.com: The album is supposed to be about misconceptions relating to current day issues, but more so about you. What steps are you taking to rectify or change people’s opinions and misconceptions?

CL Smooth: I think just by being creative, truthful and putting yourself out there; not caring about what people say or think about you and just giving them your all. The true form of what you go through everyday. An intimate look at what your struggles and plights are. How goal orientated and serious about life you are. I wanted to bring theses things out and share a little bit of my pain with the audience and the people that care about Hip-Hop on a level of truthfulness. That’s what I wanted to project.

AllHipHop.com: You mentioned that when you took the break, you tried to maintain a certain lifestyle in which you were accustomed. What kinds of efforts and jobs did you do to keep that intact?

CL Smooth: I think my thing was providing myself with what I earned and investing it the right way. If I’m gonna be in a certain hood and represent it, I should rightfully own something in that hood, providing a shelter for the people in it. I put myself on a medium of dealing with people on an intimate level of living. Not only that, it took a lot of steps and sacrifice to be me. There was a lot of suffering due to striving to be successful. In that, certain things suffer, but you grow stronger and hopefully learn from your mistakes. You provide yourself a great life if you’re serious and are honest with who you are and what you’re about.

AllHipHop.com: It definitely sounds like you’ve grown from your experiences. When you look back on your career, were your actions based on the time and place?

CL Smooth: I feel that when I was making records as a young kid, I was basically, “F**k that!” It was gonna happen because I wanted it so bad. Now that I have it, it’s been good to me. What I want to do is feed it positivity. I love what’s going on. There’s a lot of great avenues out there to work with. I just want to give people who don’t know about CL Smooth, a chance to know that he’s still making great music to add to the catalog. I’ve been blessed to do everything in two and a half [Pete Rock & CL Smooth] albums, and now I’m adding on to that catalog.

AllHipHop.com: I heard that you’re quite the real estate wiz…

CL Smooth: I’m starting from square one. I’m still in the learning process. I should have been in it years ago. When you’re creative and trying to maintain a certain lifestyle, you want to create avenues where people respect you. At the same time you divert back. You could do it as a child, so you can do it as a grown man. Actually, you really can’t. I wanted to show people that I could maintain a certain lifestyle that I’m living. It’s not too extravagant, but poor on my level isn’t dead broke. This is America and you should be able to do anything that you want. I feel that with my reputation and how I was raised, it was best for me to create a life beyond music and in the end, it will rebirth a life for music.

AllHipHop.com: You mentioned that the album has a mainstream sound to it, so then why not release it on a major label opposed to an independent, like Shaman Work Recordings?

CL Smooth: I feel that you have to start from somewhere. Nobody was knocking on CL’s door really and saying, “Come on CL, let’s do this!” I felt at the time, it was something that I had to prove. The [“Man on Fire”] mixtape proved that I still have it. The mixtape proved that I can still go on a track, perform, and execute what I need to execute, making people conscious of what I’m doing. My demographics from the mixtape really motivated me because it was hitting high school students. It’s students in Mt. Vernon and New Rochelle and where even I was, giving them access to the mixtape. It really set off a movement to what I’m doing. It really assured me that I’m on the right track. I’m in the right demographics to make a transition as an artist coming after 10 years and really doing it.

AHH: Speaking of this, on the album at one point, you say you pioneered the “Black Card Movement”…

CL Smooth: It was a movement, and I had to name it. You can’t just have the focus on CL all the time. CL has to be his own entity. I wanted to put an umbrella under myself that people can join and grab on to. Not just ride my coattails, but ride the coattails of an umbrella that keeps you dry when it rains. It keeps you healthy. It let you know more or less that the body of work has to be serious. Coming from the basement, it was a name that I can safely say fit that mold of where I was coming from and the music that I made from the deep dark dungeons of the basement. The name signifies that.

AllHipHop.com: It’s odd to ask, but what makes CL so smooth?

CL Smooth: I think it’s the way that I [carry] myself after my grandfather and being raised by my grandparents. Being the son of a teenage mother while still in high school, I just developed his style and my grandmother’s heart. It made a great combination for me to adopt. In the beginning of my career I just took a lot of his words and mannerisms; creating a legendary group with a unique sound and approach. Really being ahead of my time in thought processing, putting things together that has realism and reality checks to it. Just patenting myself after my grandfather, his swagger, it was something that I felt was really important to me and I thank him for that.

DJ Greg Street, DJ Kay Slay Connect Hip-Hop Scenes With ‘The Champions’

Atlanta’s

V-103 DJ Greg Street has teamed with DJ Kay Slay to create The Champions: North

Meets South, a new compilation album which hit stores August 22.The

album’s first single "Can’t Stop The Reign 2006" features Miami

Heat basketball star Shaquille O’Neal, Papoose and Bun B, with a remix added

featuring Busta Rhymes. The

video was shot in South Beach, Miami.Street

and Kay Slay said their collaboration was an effort to create music for a more

eclectic group of Hip-Hop lovers and to bridge the gap between the northern and

the southern Hip-Hop scenes.“We’re

looking for support of real riders; people who don’t like listening to the same

songs in their CD players as they hear it 100 times a week on the radio,”

Street told AllHipHop.com. “We’re simply asking people to expand their minds.”Street

said the album was something that every Hip-Hop music lover could relate to, and

that it was important for he and Kay Slay to bring together different regions

of Hip-Hop and create songs for the music lover.“It’s

something we did out of respect for all parts of the country,” Street said.

“[It’s] like when you went to a club and you went crazy to Eric B. &

Rakim, Run-DMC, Big Daddy Kane, but at the same time you rocked to DJ Jimi, Luke,

Home Team, MC Thick, Chuck Brown, Madonna, Ice-T, World Class Wreckin’ Crew,

Jonzun Crew, MC Shy D, etc. We’re simply asking people to expand their minds.”Greg

Street’s album, 6 O’clock Vol. 1, went gold in 2001, selling over

100,000 copies with one single released. 26,000 copies of the album were sold

in Atlanta.The

Champions: North Meets South is in stores now on Shaquille O’Neal’s label

Deja34/Koch Records.

Jim Jonsin: Rebel With A Cause

South Florida has long been known for its sandy beaches, beautiful women, eccentric nightlife and the indelible sounds of Miami Bass music. In 2006, the area is conquering new grounds. With several powerhouse Hip-Hop artists repping Miami such as Trick Daddy, Rick Ross and Pitbull, and production stars like duo Cool and Dre, South Florida is giving a new meaning to the phrase “dirty south.” What’s missing from the common references to the scene is the musical genius of a Brooklyn-bred, South Florida-raised Jim Jonsin, a true veteran in the Miami sound.

Once a scratch DJ, Jim Jonsin – formerly known as DJ Jealous J of Cut It Up Def Records – reinvented himself and began bringing back the thump of Miami Bass mixed with modern day Hip-Hop, R&B and a touch of Rock n Roll. The mastermind behind the sounds of Trick Daddy and Slip-n-Slide Records, Jonsin has scored over seven top ten hits, including the Jamie Foxx’s Grammy nominated hit “Unpredictable.” He’s even crossed over into urban pop music with Danity Kane’s first single “Show Stopper.”

Since recently becoming Atlantic Records’ sole in-house producer and Head A&R for South Beat records, Jonsin is steadily proving that he’s worth his weight, and the wait. The personable producer and family man, who has upcoming projects with Pitbull, Christina Milian, Mario, J-Shin and Christina Aguilera, spent time with AllHipHop.com Alternatives discussing race and rap, being a father, breaking barriers and crossing genres.

AllHipHop.com Alternatives: Miami is doing really well right now, with Rick Ross and Pitbull stepping up, as well as producers like you and Cool and Dre. Do you think Miami could be the next big area to blow up, like Atlanta recently, and previously Chicago?

Jim Jonsin: I think it’s happening already. A lot of talented artists are coming out of [Miami]. It could be the next Mecca of music, you know. There’s a little more unity down here now, which has always been hard to get.

AHHA: Your single, “Unpredictable,” which you produced for Jamie Foxx, turned out to be a top ten hit. Were you surprised at the success of the record?

Jim: Not too surprised. Once we cut the record we knew it would be a hit. But since it was Jamie Foxx, we knew it was going to do great. But I was still surprised at the success of the song itself.

AHHA: Now did you produce it for Jamie, or was it something you had in the stash and Jamie just got his hands on it?

Jim: We did it thinking of him, actually.

AHHA: Do you think it would have reached such success had another artist performed it?

Jim: I would hope so, but Jamie did such a great job. You would think a song is a song, but sometimes that artist makes the song what it is. I don’t know though. I couldn’t imagine anyone else on that record besides Jamie.

AHHA: You’ve worked with other artists on Atlantic Records, like Trey Songz and Twista. Is it different with each artist or each song, or is the formula the same?

Jim: I approach each artist differently when I’m doing something for them. But when I do catalogue stuff, I just do whatever I’m feeling. We just did a record with Trey Songz and I think it’s a smash. It’s different from anything he’s ever done. I think that’s important and something we try to bring to each artists, taking them out of their element, doing something different.

AHHA: And what exactly is the formula for making a hit record?

Jim: Music starts with the music…an idea. If the track is a sample, I flip it to get the same feel but with new elements. And the same with an original track, but I just bring in writers and musicians together. The artists play a big part in that. R&B requires finding the right writer. If it’s Hip-Hop, I get a feel for the person and their vibe. I don’t do it all alone though. I’m a part of a team. I feel like a lot of credit should go to the writers and arrangers, and sometimes producers forget how important that is- appreciating those people that come in and help you bring it home.

AHHA: Being the sole in-house producer at Atlantic Records is big, congrats!

Jim: Thank you.

AHHA: How did that deal come about?

Jim: I think it derived from the relationship I had with Atlantic already. I had been doing records for Atlantic and Slip-n-Slide records. I produced seven hit records for them, including singles from my group Pretty Ricky. I had been working with Craig Calman, he helped. I think they just realized I wasn’t just a producer. I had a vision and was well-rounded. Really, we’re all business men.

AHHA: Many producers are starting their own labels and becoming the head honcho of them, like Jazze Pha, Pharrell, and Jermaine Dupri. Why do you think this idea has become so popular?

Jim: Well for the most part, you can develop your acts. What we do as producers, we take the songs and give them to a label and they assign them to artists. But those aren’t our artists. It would be better if we could develop those artists and have more control, like Jermaine Dupri with his acts, and Jazze Pha with Ciara. It’s guaranteed hits, guaranteed money. I’ve always been that guy that wanted to have a label too, but now I’m being a little more careful about it. I think all executives at labels were those dudes making records back in the day…like Russell Simmons.

AHHA: You’ve done something like that with your label, Rebel Rock Entertainment, right?

Jim: Right. We just signed one artist out of Palm Beach, Twenty One Reef. That boy is nasty. We have Lauren Green out of Texas. She’s kinda like a Kelly Clarkson meets Sarah McLaughlin.

AHHA: That’s what’s up. What’s more fun, being a producer or a label executive?

Jim: Definitely being a producer. Labels are a pain in the ass. That whole executive thing isn’t much fun. Being in the studio is so much fun. That’s why I’ve been doing it for so long,

AHHA: And we can expect versatility from this new label venture, since you’ve clearly crossed genres by producing for everyone from Trina to Christina Aguilera?

Jim: Yeah exactly. If the artist is talented, we will show interest. It can be rock, Hip-Hop, whatever. As long as they have talent, we’re in.

AHHA: Now what ethnicity are you?

Jim: I’m a white dude. I’m Irish.

AHHA: Working in an industry that’s widely considered “urban,” do you find it difficult to stay relevant and ahead of the curve?

Jim: Nah. It comes with a couple of little bumps and bruises, but I’ve been involved since 1985. I’ve been a part of the movement from the Sugar Hill Gang to Trick Daddy, so it’s never been an issue for me. I’m confident in what I do. And I don’t worry about that. I just realized I pretty much just gave away my age.

AHHA: [laughs] it’s alright. Now, you have a family back home. Is managing family life harder since you are becoming increasingly busier?

Jim: My family is great! It’s funny you ask that actually. I’m going to bring [my girlfriend] to the BMI Awards. I miss my daughter so much. But they’re strong. They’re good. There’s a movie out with Adam Sandler, Click, it reminds of me of my life. I’m trying to balance my life and not miss out on those moments, and sometimes you wish you had a remote to control that aspect. So all you single ladies out there, I’m taken. You missed out. [laughs]

AHHA: Speaking of daddies [laughs], you got your start working with Trick Daddy, right?

Jim: Yeah, he gave me a big opportunity for sure, Trick and Slip-n-Slide [Records]. That was one of those bumps I was talking about earlier. At first when I played them some of that rock-orientated stuff they looked at me like I was crazy, but after I flipped it, they were feeling it.

AHHA: Was that a learning experience for you?

Jim: Oh yeah, definitely. My personality has changed somewhat [with regard to] dealing with certain people. You have to know that every artist is different in every aspect. Dealing with Trick, he’s so different from me as a person, but we can still kick it. A record produced for Trick wouldn’t sell for someone like T.I., because they’re different people. That’s what I took from that experience. You have to know the people you work with.

AHHA: I always wonder if it’s hard for up-and-coming producers to decide to put their energy into an artist that has yet to be established, as opposed to fishing for a record with a more established artist?

Jim: Nah. Pretty Ricky would be a great example of that. The payoff was so much better. When you help develop a group and support them from the beginning, when no one else does, and they blow up, you look like superman.

AHHA: Understandable. Now you started out as a DJ, scratching and spinning. Do you miss it?

Jim: A little bit. I don’t miss carrying the records though. But I miss beating up the clubs. That alcohol got to me though. Too many late nights. That’s where I learned my A&R skills, dealing with so many different artists, being out all the time.

AHHA: What new records do you have in the works?

Jim: We have two smashes on Ruben Studdard’s upcoming album; two smashes on Mario’s upcoming album; J-Shin’s album is getting ready to drop; A Trey Songz banger. Trick Daddy; and Pitbull’s in the studio now. You wanna talk to him?

AHHA: No, but I want him to stop talking to you while I’m trying to conduct this interview. [laughs]

Jim: [laughs] Nah, that’s not him. There’s like eight people in here right now.

AHHA: Oh, okay. I’m kidding. So, of the multiple albums you’re working on right now, which ones are you really feeling?

Jim: I can’t answer that question. [laughs] But I love the record “Happy” I did with Ruben, and this record for Pretty Ricky called “Peer Pressure.”

AHHA: Alright, fair enough. Well I’ll let you go get back to the studio. Thanks for taking out the time to chat with me for a while. Make sure you keep us updated on what new moves you’re making.

Jim: No problem. Hit me up when you’re in Florida next time. This would probably be a lot easier if we can sit down and talk. [laughs]

AHHA: Sure thing.

DMX Cancels Trip To Kuwait, Iraq, U.S.O. ‘Extremely Disappointed’

Rapper DMX has

canceled a planned week-long tour to entertain United States troops in Kuwait

and Iraq.According

to the United Service Organizations, the rapper, born Earl Simmons, was supposed

to depart for the Persian Gulf region on Aug. 22. DMX

delayed his departure until Aug. 23, but failed to appear on time for a flight

to Kuwait. "We

are extremely disappointed that DMX decided not to complete the tour he asked

us to arrange for him," said John Hanson, USO senior vice president for marketing

and communications. "When we announced this tour, troops were extremely excited

about the possibility of seeing a performer they admired. We understand their

disappointment."The

USO said the military worked hard to accommodate the superstar rapper’s travel

requests, due to his popularity among the troops."Typically,

it takes up to 45 days to arrange transportation, housing, production assistance

and country clearances for entertainment tours," Hanson said. "This

tour was put together in just under two weeks, because we know how much service

men and women appreciate his performances. Mr. Simmons let a lot of people down."The

USO is a non-profit charity organization dedicated to the morale, welfare and

extracurricular activities for U.S. military members at home and abroad. 50

Cent, Ludacris, Master P., Lil’ Romeo are among the entertainers that have volunteered

their time for performances in recent years. "We

will continue to provide quality entertainment to the people who defend us daily

around the world in some remote and often dangerous places," said Hanson.

"Fortunately, most performers honor their obligation to perform once they

make the commitment."

Master P Creates Hip-Hop Gospel Play About Hurricane Katrina

No

Limit Records founder and rapper Master P. is taking his new Hip-Hop gospel play

on the road. The

play, titled Uncle Willy’s Family, features Terry Miles as Uncle Willy,

an ex-Vietnam vet who would do anything for his family, even the ones he doesn’t

care too much for. Willy,

who lives with his niece Jacky and her son Chris (Romeo), is forced to deal with

a home full of relatives, who arrive after being forced out of New Orleans after

Hurricane Katrina.Uncle

Willy’s Family is the first play from Master P, who stars in the production

with Romeo, Silk the Shocker and Miles. Marilyn

Harris, Percy Anthony Smith, Iovanna, Erica Pitts and others round out the cast.

According to

Master P. the play, which includes a gospel choir, offers country humor and inspiration.The

play will hit theaters in Meridian, Jackson and Greenwood Mississippi and make

a stop in Beaumont, Texas. Miller

said additional dates were being added in New Orleans, Houston, Baton Rouge, Los

Angeles, Atlanta, Chicago, and New York.For

more details, visit www.unclewilly.com.The

following is a list of tour destinations for Uncle Willy’s Family:Sept.

7Temple

TheaterMeridian, MississippiShowtime: 7:30 p.m.Sept.

8 & 9Thalia

Mara HallJackson, MississippiShowtime– 8 p.m. Sept. 8Showtimes–

3 p.m. and 8 p.m. Sept. 9Sept.

10Leflore

County Civic CenterGreenwood, MississippiShowtime– 5 p.m.Sept.

16Jefferson

TheaterBeaumont, TexasShowtimes– 3 p.m. and 8 p.m.

AHH Stray News: 50 Cent, Diddy, E-40 & Big Rich, Sureshot Vs. Poe Boy

Rapper 50 Cent

joined undefeated welterweight contender Dmitriy "Star of David" Salita

at a benefit for the Tikva Children’s Home at Chelsea Piers in New York. 50 Cent

was present at the event for the non-profit organization, which is dedicated to

caring for abandoned and homeless Jewish children in Odessa, Ukraine. Salita,

who will face off against Francisco Campos Sep. 20, was born in Odessa. It

was announced yesterday (Aug. 23) that Sean "Diddy" Combs and Kim Porter

are expecting their second child. Combs and Porter already have an 8-year-old

son named Christian. Combs also has a 12-year-old son named Justin from a previous

relationship with stylist Misa Hilton. Representatives for Combs said the couple

was "thrilled" about the news. E-40

has teamed with Koch Records to release Big Rich’s new album E-40 Presents

Big Rich – Block Tested, Hood Approved. The album is being released in conjunction

with Big Rich’s label 3 Story Muzik and Street Cred Music Group. E-40 and Big

Rich, who hails from San Francisco’s Fillmore District, have assembled an assortment

of rappers for the album. Hell Rell of The Diplomats, Sheek Louch, J-Hood, Stress

of the Federation, San Quinn, TurfTalk and others make cameo appearances. EA Ski

& CMT, Droop E (E-40’s son), Cello Mac, Mal Amazing, D-Clyde, King Cydal and

Rashaad Wiggins handled production duties on the album. E-40 Presents Big Rich

– Block Tested, Hood Approved is due in stores Oct. 3. Sureshot

Recordings and Chris Landry have filed a lawsuit against Miami based Poe Boy Records

and the label’s CEO Elric "E Class" Prince. Landry and Sure Shot Recordings

filed a $2 million dollar lawsuit in Manhattan Federal Court, alleging fraudulent

inducement to enter into contract and emotional distress. Sureshot was founded

in 1996 by Chris Landry, who has worked for Profile Records, Franchise Records

& Marketing and Landspeed Records. Poe Boy Entertainment is best known for

releasing "Nookie," a minor hit for female rapper Jacki-O. Poe Boy’s

Elric "E Class" Prince also manages chart-topping Florida rapper, Rick

Ross.

Bill Cosby Adresses Absent Fathers, Criticizes Hip-Hop

Actor/comedian Bill Cosby went on the offensive against rap music Tuesday (Aug. 22) while encouraging fathers to raise their children.

The 69-year-old author and Grammy-winner, who spent the last five minutes of his speech voicing his displeasure of the content of rap, spoke in front of a standing room only audience at the Heritage United Church of Christ in Northwest Baltimore, the Baltimore Sun reports.

“They put the word ‘n####’ in a song, and we get up and dance to it,” Cosby said.

The two-hour Coppin State University-hosted event dubbed “Fatherhood Works,” was the last stop on the entertainer’s day-long visit to the

city.

In addition to hip-hop, Cosby expressed his views on teenage pregnancy, re-emphasized the importance of a good education and urged

fathers to take a more active role in raising their kids, as he visited three West Baltimore elementary schools and the church.

“This is a great evening because we’re calling on men to come claim their children,” said Cosby, who spoke for 20 minutes before joining a panel to field questions. “And that’s part of being a man. You cannot be a man at all if you haven’t claimed your child. Some of you have three, four, five of them. You have more children than you have jobs.”

The church event also provided an opportunity for Cosby to reject the idea that life was better for black people when the races were segregated.

He also applauded Black Muslims for confronting drug dealers on street corner.

The entertainer’s visit isn’t the first time he has spoken in Baltimore.

Cosby has come to the city at least three other times in the past two years, according to the Sun.

He will return in October to attend a fundraiser at Morgan, said Coppin President Stanley F. Battle.

Despite the warm reception he received in Baltimore, Cosby has come under fire in recent years.

While appearing at a gala in May 2004 Cosby came under fire for criticizing low-income blacks who give their children expensive sneakers instead of books.

“They think they’re hip,” Cosby said. “They can’t read; they can’t write. They’re laughing and giggling, and they’re going nowhere.”

Although some accused Cosby of insensitivity and elitism, the comedian stood his ground and hit the road to promote family values and education.

Foxy Brown Misses New Jersey Court Date, Must Attend Next Hearing

Foxy

Brown skipped another court hearing today (Aug. 23) on charges filed by a former

colleague.

Brown’s lawyer, Brian J. Neary, told Judge Cynthia D. Jackson that Inga "Foxy

Brown" Marchand would be present to contest the two complaints filed by Rasheeda

Ellis, who did not have a lawyer present. Jackson

told the rapper’s lawyer that Brown was mandated to attend the next session.During

the three-minute session, the judge granted Neary’s request for a probable cause

hearing, which was set for Sept. 26. Neary said Brown has never had an issue with

Rasheeda Ellis, who accuses the rapper of harassment, terrorist threats and verbal

abuse.Ellis,

worked for Brown and quit in June. She claims that when she attempted to collect

back pay from Brown, Brown showed up at her place of employment with two other

people, and threatened through Ellis’ cellphone."Foxy

says she’s never had a problem with this woman," Neary told The Associated

Press.He

described Ellis as a former consultant to Brown’s management company. Neary said

he did not know when and where any incident may have occurred with Ellis, a New

Jersey resident.Brown,

a native and current resident of New York, stated that Jersey City police were

never involved. Brown,

26, also faces charges for allegedly assaulting two nail salon workers in New

York over the cost of a manicure in 2004.

Angela Simmons New Executive Editor Of Word Up! Launching New Teen Publication

Angela

Simmons, daughter of rap pioneer Joseph "Rev. Run" Simmons, has hooked

up with Word Up! magazine to launch a new magazine for teens. The

monthly publication, titled Angela’s Rundown, will target youths age

14-18 and cover teen issues, style, music and fashion while offering fashion tips

and in-depth celebrity interviews. Among

those featured in the first issue will be Kimora Lee Simmons, Chris Brown, Ne-Yo

and Bow Wow."It

feels good. I feel empowered. I’m happy with it," Angela Simmons told

AllHipHop.com. "It’s a great opportunity for me. It connects back to

what I like to do, which is fashion and I want to be a fashion designer. So everything

that’s in the magazine is what I love."Angela’s

Rundown is the end result of Angela’s desire to start her own full-fledged

magazine, after distributing a newsletter/mini-version of the publication at her

school. Viewers

got a chance to witness the magazine’s creation on MTV’s show Run’s

House. The first seven issues of the publication will be packaged and sold

with Word Up! as part of an agreement between Angela, Rev. Run and Word

Up! founder Scott Figman.Once

the magazine gains acceptance, it will spin off as it’s own full-fledged publication,

according to Figman. Additionally,

Angela will become the new executive editor of Word Up!, said Figman, who

embraced the opportunity to work with the young businesswoman."Angela

showed me a lot of enthusiasm, a lot of creative ability and the willingness to

work hard and join forces with us. And I was very impressed with her. She’s

going to have a nice long career," Figman said."The

exciting thing about this is she’ll be a teen that owns a teen magazine.

And you don’t see many 18-year-olds who have their own magazine and taking

on all this responsibility," said Rev. Run, who believes the magazine will

fill the void left by recently defunct publication Teen People. "First

of all, I believe that Angela has a mindset that would service her community better

than anyone," Rev. Run said. "I don’t think that there’s anyone

that can talk to teens better than teens, but I don’t think people understood

that…for somebody to invest this type of money into a young kid says a lot about

this kid. In the state of magazines right now, it also says something. So we’re

very excited over here. Me and my brother and the family. It’s just pretty

unbelievable to us that we can have this going on."In

addition to Angela, Rev. Run revealed that her brother Diggy will step into the

world of journalism with his own Word Up! column, titled "Diggy’s

Doin’ It." Despite

pulling double duty as executive editor of Word Up! and publisher of Angela’s

Rundown, Angela is up for the challenge."Yes,

it’s definitely going to be a task, but I know that I have a lot of help

there at the same time," she admitted. "It doesn’t all fall on

me because I have a team there working with me. It probably will be a little bit

of a challenge, but I’m up for it. It’s worth it."The

premier issue of Angela’s Rundown hits newsstands next week. The

creation of Angela’s Rundown comes on the heels of MTV’s recent decision

to renew Run’s House for a third season. Taping

for the new season begins Sept. 26, stated Rev. Run, who added that the new episodes

will be preceded by a Christmas special. "It

was a big deal," Rev. Run told AllHipHop.com about the renewal. "We

jumped up and down because it’s not easy to get this type of show, especially

on MTV, the type of show that we have. It’s like a sore thumb. Everything

else looks totally different from our show on MTV. MTV has one look. Run’s

House has another. So how it fits there is really pretty amazing. It’s

God."

Pharrell: I Dream in Color Part 2

AllHipHop.com: You’ve already said that you’re reluctant to take credit but you’ve played a big role in this hybrid of skateboard and Hip-Hop culture. What do you think of the fact that there are kids with trucker hats skateboarding in Harlem now?

Pharrell: Yessir, it makes me proud ‘cause I grew up like that. I had a flat top ‘cause Cameo was the s**t with “Word Up,” I was a young kid. But, Vans was the s**t ‘cause I went to school with white boys. So n****s wore Vans, the checkerboard Vans, the blue and grey Vans, the pink and greys, the pink and blues, all that s**t. For me that was everyday, [at school] it was like, “Why is your hair like that.” Then when I went back to the ‘hood they was like, “Why you wearin’ them shoes, where your Jordans?” My mom couldn’t afford them Jordans, but Vans were 30 dollars, so I was good. Getting caught in the crossfire was a beautiful thing for me.

AllHipHop.com: Speaking of shoes, when the Ice Cream’s first dropped it was about 200 bucks a pair, now you’ve got the new line for 70, are you consciously trying to scale it down?

Pharrell: Nah, the “two for a pairs” are coming back, we had to do new models. The shoe that you’re referring to is a skate shoe. Skaters work hard for their money and you can’t really bang ‘em in the head for that [$200]. The first pairs you were talking about are the boutique pairs.

AllHipHop.com: Business moves like that must allow you to travel a lot, what area of the world do you most love outside of the United States and why?

Pharrell: I love Paris, I absolutely love Paris-but Tokyo, Japan is my home. That’s my home away from home. I love the culture, the mannerisms; they’re just all around good people. They’re some of the most polite individuals you’ve ever met in your life. They’ll always put the stranger first. For example, if you have a cold you’ll walk around with a facemask on-you know the kind that doctors wear? You’ll wear one of those because you don’t want anyone else to get the cold. When I saw that s**t I bugged out like, “What the f**k is this?” It was just so incredible to me and I was just so inspired I just like, I don’t know…

It’s been like five or six years, but now when I meet people I always shake their hand and look down and bow before them-not all the way, but just a little bit, because to me that just lets a person know that it’s a pleasure to meet them too. They bow, but I just nod and I shake your hand at the same time, it’s just out of respect.

AllHipHop.com: I’ve never been to Tokyo, but as a Long Beach native, I’m obligated to ask what’s going on with Terry Kennedy from the Team Ice Cream?

Pharrell: That’s my n***a, he’s good. His s**t is looking really great. We’re working on a skate show for Team Ice Cream and we’ve got the DVD coming, we’ve got a new shoe that we’re about to debut that’ll be a second component to the skate line. He’s got a bright ass future. I’m just trying to keep him out of trouble, you heard he got shot up?

AllHipHop.com: Yeah, I was visiting out there when that popped off. Unfortunately that’s how it goes on the Eastside.

Pharrell: He got shot up being in the wrong place at the wrong time and s**t. But, it’s cool because we’ve got it documented and we’ve just got to show the kids that you could be trying to do the right thing and get caught up in the wrong bulls**t. It’s important to keep focus and keep God first and keep your eyes on the prize so you don’t f**k around and lose it being in the wrong place at the wrong time. I told him, “Yo, you’ve got a lot of kids looking up to you.” That n***a’s got gangbangers skating now and s**t. Who would’ve though n****s would, not necessarily put their rags up, but kind of put ‘em in their pockets to skate?

AllHipHop.com: Taking it back to the music, when you deal with so many different genres from Rock, Pop, Hip-Hop, or even something like Coltrane what’s the one

thing that’s remained constant throughout it all?

Pharrell: You know what…I just love all kinds of music. Speaking of Coltrane, “Giant Steps” is a very generic track in comparison to his whole entire catalogue. But “Giant Steps” in itself was brilliant because the steps he decided to take were incredible. That song is based off of an exercise [The Chromatic Scale] by this brilliant Russian scientist and composer by the name of [Nicolas] Slonimsky-it’s incredible those exercises, and I only know because Quincy Jones told me. I love it, I can recognize it but I can’t read the keys, I can only read percussion. I was classically trained as a percussion player, that’s how I got into music to begin with-when I was in seventh grade. He [Quincy Jones] challenged me like, “Yo, you should really be able to read it, because if you can read it then when you’re on a plane you won’t have to do what you do.” Right now I have to remember it or hum it into my phone until I get to a piano, and then when I’m at the piano I play it out. Once I can play it out I can remember it until I can get in the studio. He’s telling me that I can write it on napkins, you know just write down like F-sharp, [laughing] I don’t even know if there is an F-sharp.

AllHipHop.com: So this is like transcribing music?

Pharrell: Yeah. You can just go into different keys-it’s amazing. I know this is like getting off of Coltrane but that dude was incredible. I love classically trained piano players, the ones that I know of–I don’t know them all, but the ones I know of are great. That s**t is just inspiring to me.

AllHipHop.com: When you put it into that context it sounds like musically we’re only getting the tip of the iceberg, is there some other stuff you want to tap into?

Pharrell: I get different producers to put together iPods for me. I got Q-Tip to put together an iPod for me and [BBC Radio 1’s] Gilles Peterson is currently putting one together for me.

AllHipHop.com: What kind of experience is it to go from growing up listening to A Tribe Called Quest, and then having Q-Tip do an iPod or collaborating on a song?

Pharrell: It’s f**kin’ incredible dude, I can’t even tell you. I’m the biggest…n****s don’t know, I don’t know how the world perceives me, and I think that’s my gift. I don’t know how they perceive me so I just kind of do what I do-I’m not really limited by what people think I should be doing and sometimes it hurts me, but a lot of times it helps me. I’m really, really, really a fan. Seriously, I’m like a f**kin’ fanatic! I’m pretty sure you know what the definition of that is, like I’m really a f**kin’ fanatic. I’ll be around these n****s like, “Oh s**t that’s f**kin’ Q-Tip, yo! That’s f**kin’ Jay-Z, Elton John.” I’m that guy, I may not say it as much and they may not believe me when I say it. But, I’m from Virginia, I never thought in a million years that I would meet any of them n***as, ever.

AllHipHop.com: That really came across when Michael Jackson was giving you the Q&A treatment for Interview magazine…

Pharrell: That was crazy, right? This n***a Michael is interviewing me! Michael motherf**kin’ Jackson, dude. This is the n***a that had the world captivated when that n***a stopped the music after his brothers walked off stage and then [beat boxes and hums the melody to “Billie Jean”]. What? N***a I almost burned a whole in my socks tryin’ to moonwalk. That n***a was the king man, and he’s interviewing me, s**t!

And I told Prince I wanted to work with him and that n***a was like, “Umm, okay we’ll just have to have a few conversations first.” I’m like, “Yo, whatever dude you’re the king, you don’t need me. You’d actually be doing me a favor is what you don’t understand,” and he just laughed. I’m thinking, “N***a, I’m not asking you to work with me ‘cause you need me. I’m telling you I want to work with you ‘cause I need to work with you. I need to be able to say I did something with Prince!” Yes this is for me: me, me, me, me, me, me. It’s selfish, but what do you say to a guy like that? How do you pose that to a guy like that, what is the need for him to want to work with you? This n***a made all kinds of records and was naming them all kinds of wild, crazy, bananas names and them s**t’s was working.

AllHipHop.com: I guess it all boils down to a respect thing?

Pharrell: You know? Them n***as is kings, they don’t need me.

AllHipHop.com: Like it or not, people are looking up to you the same way now. I don’t want to lump you all together but you, Kanye, Lupe Fiasco, seem to be ushering in a style where it’s okay to “be yourself.”

Pharrell: Yeah, but do people really see me that way though? I’m not sure. I don’t know if people know that I’m really a backpacker. Do you think they really get that?

AllHipHop.com: I guess it depends on who you ask. It would seem like anyone who analyzes the lyrics would pick up on that-especially an N.E.R.D. album. Aside from the fact that you occasionally mention it, if they’re tuned in to that same frequency, so to speak, don’t you think the audience picks up on it?

Pharrell: Hmmm, you’re right about that.

Estate of Slain Man In CCC Club Files Lawsuit Against Proof Estate

The family of Keith

Bender Jr. filed a lawsuit today (Aug. 22) in Wayne County Circuit County against

the estate of rapper Proof. The

lawsuit, which seeks an undisclosed amount, is seeking damages for a fatal shootout

at the CCC Club on Eight Mile Road on April 11. The

lawsuit alleges Proof was responsible for escalating a fist fight, when the rapper

pulled a gun on Bender and shot him. As

Proof stood over Bender preparing to fire again, a bouncer at the club named Mario

Etheridge – who was also Bender’s cousin – open-fire on Proof, who died from multiple

gunshot wounds later in the evening.Prosecutors

announced they would not press murder charges against Etheridge in May, when prosecutor

Kym Worthy said Etheridge acted lawfully in defending Bender, who died almost

a week after being shot."The

evidence clearly shows that Mario Etheridge acted in lawful self-defense of another

when he shot DeShaun Holton," Worthy said "Once the gunshots started,

everything happened fairly quickly." The

Detroit Free Press reports that Bender, a Desert Storm veteran, was celebrating

news that he had overcome a serious illness when he was shot.

AHH Stray News: DMX, Ludacris, Radio One, Irv Gotti

DMX will perform

for American troops stationed in the Persian Gulf region, as the rapper is preparing

to embark on his first United Service Organization (USO) tour. The event, which

is sponsored by AT&T, brings entertainment to troops stationed througout the

world. Past guests include Master P., Lil’ Romeo, Shinedown and La Mafia. DMX

recently dropped his sixth solo album Year of the Dog…Again, which debuted

at #2 on Billboard’s Top 200 chart. The USO is a nonprofit, charitable

organization, which relies on donations from the American people and strategic

corporate partners. Ludacris

will have the honor of being the first artist to perform at University of Texas

at Arlington’s new Maverick Stadium. While general admission prices are being

negotiated, students of UTA can catch the rapper on stage for $15. Students were

polled about what performer they would like to see live on campus, with Ludacris

winning almost 400 of the 700 votes completed online. The rapper will earn a reported

$100,000 for his appearance, which takes place Sept. 7. Radio

One, the African-American radio media powerhouse, celebrated it’s 25th anniversary

Thursday evening (Aug. 17) in Washington. Beyonce Knowles, P. Diddy, Jay-Z and

Aretha Franklin were all on hand for the event in the nation’s capital. Smokey

Robinson, Natalie Cole and Beyonce, who performed a three-song set just after

midnight, were among the performers at the elaborate event. Other notables who

joined the anniversary celebration of the African-American focused media company

included Reuban Studdard, Ciara and Janet Jackson. Sean “Diddy” Combs

paid tribute to the legacy of Cathy Hughes, who started the network, which is

a lifestyle and entertainment network targeting African-Americans. The network

has nearly 14 million listeners each week and now includes a television cable

network, TV One.Irv

"Gotti" Lorenzo is finalizing negotiations with Universal Music Group

to become the chief of a new profit-sharing venture with the Universal/Motown

label. According to the New York Times, Universal will advance Gotti almost

$10 million under terms of the deal, which could allow him to eventually purchase

Murder Inc.’s master recordings. The new deal with Universal comes after a massive

federal probe into Murder Inc. Records, which was accused of laundering money

for convicted drug kingpin Kenneth "Supreme" McGriff. Gotti was acquitted

of all charges after a highly publicized trial. Ja Rule and Ashanti are still

on the roster and Gotti is currently negotiating with various new artists. “It’s

like a rebirth," Gotti told The New York Times. "It feels like God put

me through hell, showed me a lot of things, showed me who the good people and

bad people are around me, and lined me up to do what I’m put here to do.”

Gotti had been in talks with Warner Music Group, where former Def Jam president/CEO

Lyor Cohen is currently head of North American operations. Gotti told The New

York Times he passed on WMG’s offer, labeling the proposed deal as "extremely

disrespectful."

Man Who Was Allegedly Beaten By Busta Rhymes Planning Civil Lawsuit

Flipmode Squad leader

Busta Rhymes will be the subject of a civil lawsuit to be filed this week by a

man who said Rhymes assaulted him on Aug. 12.The

incident occurred after Robert Lebron accidentally spit on the vehicle the lyricist

was riding in."Me

and my friends were walking across the street. I spit on the street and it landed

on a moving car. It was a Maybach. That car stopped, along with two black SUVs,"

the 19-year-old told The New York Times. Soon

Lebron came face to face with Rhymes. "He

asked me, ‘Homie, did you spit on my car?’ I said ‘Sorry, I didn’t mean to. We’re

big fans of yours.’ That was the last thing I said," Lebron alleges.After

he fell to the ground upon being hit in the face by a member of Busta Rhymes’

entourage, Lebron recalled the rapper coming over to "finish the job."

"While

I was on the ground, he was kicking me in the face," Lebron said. "I

saw him kick me."Lebron,

a former John Jay College of Criminal Justice student, revealed he was kicked

and punched by Rhymes and his entourage in the middle of Sixth Avenue near 19th

Street. The

group later yanked his Nike sneaker off his feet and tossed them away before leaving

the scene after about two minutes.Lebron,

who suffered a concussion and a split lip, filed a formal criminal complaint on

Saturday (Aug. 19). Later, authorities arrested Rhymes after his concert at Randalls

Island.The

rapper was arraigned Sunday (Aug. 20) on misdemeanor assault and weapons charges.The

incident is the latest brush Busta Rhymes has had with police.While

being held for the alleged assault, Rhymes, 34, was questioned about the still-unsolved

murder of his bodyguard, Israel Ramirez. Authorities

believe the rapper was standing next to Ramirez and witnessed the killing, which

occurred in February at a music-video shoot in Brooklyn.Despite

having him in custody, investigators were unable to get anything out of Rhymes,

who refused to answer questions. Nearly 100 interviews with potential witnesses

have been conducted since the investigation began, deputy police commissioner

Paul J. Browne said. "No

one has come forward as an eyewitness," said Browne, who believes a change

of heart from Rhymes could prompt others to come forward. "Some have acknowledged

being there but didn’t see anything."One

option for authorities would be to subpoena Busta Rhymes. Although

it is possible to subpoena an uncooperative witness to testify, Kenneth M. Taub,

a prosecutor in the Brooklyn district attorney’s office, said the practice was

rare because the witness would then have immunity from prosecution.

Street Music

Artist: DefariTitle: Street MusicRating: 3 1/2 StarsReviewed by: Jessica Dufresne

West Coast vet and Likwit emcee Defari comes full circle with a back-to-basics return to the level his fans have been asking for since his debut, Focused Daily. Street Music (ABB Records) is just what the title says, tailor-made not only for Cali blocks but for sidewalks worldwide.

The mixture of production by all-stars Alchemist, Evidence, DJ Babu, E-Swift and Mike City with Defari’s famed lyrical “spittery” makes for a result heads can’t even be mad at this time around. Fire is displayed on the lead single, “Make My Own”, where Alchemist, as usual, comes through with a soulful head-nodder where Defari spits about his accomplishments and how only he controls his fate in life and the rap game. In a switch to a double-speed flow, Defari lets everyone know that he comes in both “Peace and Gangsta”, and to demonstrate that paradox he’ll, Shake ya hand and shank ya.

And what would a Defari album be without a visit from fellow Likwit emcees? J Ro of the Alkaholiks pops in on two songs along with cameos by Dilated Peoples. Other guests include Deadly Threat, B-Real, Tuffy from Channel Live and Boo Kapone.

Production wise, “Clowns” stands out from everything else with its smooth blend of Frank Sinatra’s version of the classic “Send In the Clowns” and snippets of Mobb Deep, Rakim, KRS, Special Ed and Run-DMC over a snapping snare hit. Featuring Dilated Peoples, the song is a pointed observation of how the industry is full of Bozos and perpetrators; outing them with lines like: Rappers are actors that play the part/On a video a gangsta/ In the streets a mark. Following is the official “The Bizness”, where Defari goes all out with the crisp “spittery” over a high-pitched horn and a looped vocal chant: You n*ggas got pipe dreams f*cking with the mic king/You better off easing the pain with the vicodine.

It’s been a minute since Defari dropped a full-length treat and it’s nice to hear that unlike many artists, he actually took heed to what his fan base wanted, offering what he refers to as a “steroid” album; juiced up until maximum results are achieved. This is one legal and welcomed way to get a hit.

Snakes On A Plane (Film)

Artist: Movie ReviewTitle: Snakes On A Plane (Film)Rating: 4 StarsReviewed by: Edwardo Jackson

Sean Jones (Nathan Phillips) witnesses the murder of a federal

prosecutor at the hands of nefarious gangster Eddie Kim (Byron

Lawson). FBI agent Neville Flynn (Samuel Jackson) convinces Sean to testify against Eddie in Los Angeles while under federal protection. On the trans-Pacific flight from Hawaii to LA, Eddie Kim’s people have unleashed a zooful of poisonous, p##### off snakes onboard in order to kill Sean, bring down the plane, or both. But not if Flynn has anything to do with it.

Pre-fab camp classic (just add venom), Snakes On A Plane (New Line Cinema) is deliciously tacky, a B-movie that thinks it’s a B-movie and wears its B-ness as proudly as an A+. The script is ridiculously on the nose, with groan-to-laugh inducing, disposable cliches such as “I need you to be strong” tossed about like stale movie house popcorn. Where Snakes does get some fang for its buck is with the inventive, freaky, scary good snake attacks. You gotta love these pheromone-juiced reptiles (“Well that’s good news,” says Jackson’s Flynn dryly. “Snakes on crack.”), the most sexually predatory pests in history (you may never feel safe in an airplane bathroom again). Along with amusing innovations like the Snake Cam (or “Snake-Vision,”—a greenish, reptilian point of view that incites third grade giggles whenever presented), director David R. Ellis (Final Destination 2 invokes outrageous, great fun, concocting even more outlandish deaths and human retaliations than the next. Between the aerial histrionics of turbulence, pilot incapacitation and error, as well as snake assaults that ratchet up the fast and venomous action, Ellis creates a movie through which it is impossible to sit still or quietly.

This ain’t “Snakes on Broadway”, it’s Snakes on a Plane. Byron Lawson’s a well-cut but horrendously acted gang lord as Eddie Kim. Rachel Blanchard’s strawberry blonde hair is as appealing as her performance. Ditto for Julianna Marguiles’ feathered, flight attendant/hair. Besides our hero, only Flex Alexander’s “Awwwwight,” Diddy-ish, germphobic rap star Three Gs, auteur behind the hit “My Booty Go Thump,” offers a semi-interesting performance – but mostly for the paranoia.

Sam, of course, does Sam. As has been widely reported, he took on this role for the title alone. As has been widely reported, the Internet community also inspired the latest profane entry into the pantheon of Samuel L. Jackson angry one-liners. And as also been widely reported, the reshoots made after production had wrapped were egged on by the fan craze and Jackson himself in order to beef up the movie from a p###### PG-13 to a kickass R. Flying on the strength of his whole toolbox of Sam Jackson incredulous looks and sarcastic, take-no-crap remarks, Snakes holds its own on both the human and serpent sides.

In spite of a wholly preposterous (is there any other kind in a movie this aggressively ludicrous?), convenient non-twist at the end and a surprisingly tame Trevor Rabin (Armageddon) score, Snakes on a Plane is as reckless and fast-paced as a runaway airline drink cart. To quote the perpetually exclamatory Samuel L. Jackson, “People either want to see this movie or they don’t. So let ’em know: If you’re coming to see this movie, you’re going to see some deadly-ass snakes. That’s what it should be called. ‘Deadly-Ass Snakes on a Plane.'” I’m with you, Sam, even if it takes the guesssssts of honor a half hour to arrive. In an age where you can’t even bring a ginger ale on a flight, people could use a good scream and a good laugh. Oh, and some motherf***ing snakes on my motherf***ing screen.

Edwardo Jackson ([email protected]) is an author and LA-based screenwriter, visit his website at www.edwardojackson.com