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Field Mob Denies Dissing NY Rappers, Says Video Is Fabricated

By: Grouchy Greg Watkins (@GrouchyGreg)Category: NewsMay 2, 2006

Atlanta rap duo Field Mob has addressed the rumors regarding comments they made about New York rappers on Raw Report DVD Magazine’s “Platinum Plus Series: Ludacris Presents Disturbing the Peace.”

In the footage circulating the Internet, two portions of what is a full-length DVD were integrated to create a fabricated controversy, according Field Mob’s label and management Disturbing the Peace.

“The video that has made its way to the message boards across the net of Field Mob dissing New York rappers is false,” the label stated. “Field Mob in no way has any beef with anyone in New York. In fact, people from Field Mob’s label and management are from New York.”

In one segment on the tape, the two group members (Shawn J and Smoke) are shown poking fun at New York slang while on their tour bus.

According to the group, the dialogue was actually a joke between the duo and their manager, who hails from New York, the label stated.

The second piece of footage shows Field Mob discussing the phrase “we gotta bring New York back,” which was their way of expressing concern that the underlying sentiments of the phrase are demeaning the recent success of Southern rappers.

The original footage from The Raw Report in its entirety is available on Field Mob’s official Web site (www.feildmob.com).

Federal Judge Rules in Favor of Graffiti Artists in NYC Lawsuit

By: Grouchy Greg Watkins (@GrouchyGreg)Category: NewsMay 2, 2006

A federal judge has ruled in favor of seven graffiti artists who filed a first amendment lawsuit against the City of New York, Mayor Michael Bloomberg and Councilman Peter Vallone, Jr.

Judge George B. Daniels today (May 2) granted the group’s request for a preliminary injunction against recent amendments to anti-graffiti legislation that went into effect on January 1.

Effective Thursday, the New York Police Department and all city agencies will be largely prohibited from enforcing the amendments pending final outcome of the case.

An underlying lawsuit will now be litigated with the injunction in place.

“Today’s decision is a victory for the plaintiffs and everyone else whose First Amendment rights were being trampled upon with these laws,” said fashion designer Marc Ecko, who has actively supported the graffiti artists and was present when the decision was made. “I am very pleased that the courts have recognized the hypocrisy of this anti-graffiti legislation and its effect on the right to free expression for legitimate artists under the age of 21,” he continued.

The decision marks the end of days of litigation concerning the lawsuit, titled Vincenty v. Bloomberg, 06 CV 3158 (GBD). The suit, brought by seven graffiti artists, was filed April 25 in the United States District Court, Southern District of New York.

“As someone whose career has been shaped by graffiti art and street design, I’ve increasingly felt a responsibility to lend my support to these and other aspiring artists whose rights to express themselves through the medium of legal graffiti-inspired art were being suppressed in New York and cities across the country,” Ecko said. “The motif of graffiti is one that has the right to exist credibly, and it is great to see the courts make a distinction between illegal vandalism and the motif of legal graffiti as a legitimate art form that cannot be pushed aside by legislators.”

In August 2005, Ecko partnered with attorney Daniel Perez for a successful federal lawsuit against the City’s efforts to stop Ecko’s graffiti block party by revoking a street permit for the event. Federal Judge Jed Rakoff granted a preliminary injunction in that case and ordered the City to reinstate the permit.

Houston Rapper Big Hawk Shot And Killed

By: Grouchy Greg Watkins (@GrouchyGreg)Category: NewsMay 2, 2006

Rapper and Screwed Up Click member Big Hawk was shot and killed last night (May 1) in Houston.

Big Hawk, born John Hawkins, was struck multiple times around 10:30 pm in front of an associate’s house.

Sources said Hawkins’ car was still running when he was shot and according to police, no one witnessed the shooting.

Big Hawk became popular as a member of the late DJ Screw’s pioneering group, Screwed Up Click.

Big Hawk’s younger brother, Fat Pat was murdered in 1998.

Big Hawk recorded with such rappers as Lil’ Flip, Lil’ KeKe, Big Moe and was featured on Lil’ Troy’s#### single, “Wanna Be A Baller.”

In 2000 he released Under Hawk’s Wings, on Dead End Records.

Big Hawk leaves behind a wife and two children.

Bishop Don Magic Juan: P.I.M.P. Part Two

By: Grouchy Greg Watkins (@GrouchyGreg)Category: FeaturesMay 2, 2006

Check out Part Two of AllHipHop.com’s revealing feature with Bishop Don Magic Juan…

AllHipHop.com: On a scale from one to ten with one being the equivalent to you, rate the following pimps:

Pimpin Ken?

Bishop Don Magic Juan: Well Kenny Ivy, hes a good person at heart. Like in Hollywood, some people get caught up, and he got caught up in the pimp fascination. I dont think he played the top level of the game, because he didnt have much time in the game. His history isnt known to really be no famous pimp or nothing like that. He just caught on with the Pimps Up Hoes Down. He said it himself; he was just using the name. I give him an eight. He at least tried to stand up for the game.

AllHipHop.com: Fillmore Slim?

Bishop Don Magic Juan: Hes legendary, he got great love from different pimps and playas around the country and they respect him so I would have to give him a four.

AllHipHop.com: Mr. White Folks?

Bishop Don Magic Juan: Ive known him for a lot of years; hes been around it. Hes stood up for the game, so I would give him an eight.

AllHipHop.com: Sir Captain?

Bishop Don Magic Juan: He definitely a true blooded pimp, he definitely got it in him. I been over to his temple over there. He is true to the game, and I would have to put him with Fillmore. He gets a four.

AllHipHop.com: Charm?

Bishop Don Magic Juan: Well, he cool. He play the game at a five. A lot of these guys play it on different angles. Charm smooth, and a lot of them arent really flashy and aint really out there like that. A lot of these guys names be coming up because of the documentaries. They wanted to step it up and make themselves known. A lot of them werent internationally known like that. Theres a lot of them that are good pimps, but didnt step up to the plate because they didnt want to put it out there like that.

AllHipHop.com: Who do you think is the best pound for pound pimp right now?

Bishop Don Magic Juan: He out of Chicago, hes called Pimp Jo-Jo. Well he is the best. He just won Pimp of the Year. Thats not giving out lightly, and hes won that a few years in a row. So hes about the best as far as the whole criteria. The clothes, the cars, the girls, the jewelry, he carrying that load right now.

AllHipHop.com: What was the best strip that you came ever dealt with while you were still pimping?

Bishop Don Magic Juan: The best strip is in Chicago. The North Side.

AllHipHop.com: Every other pimp Ive spoken to always talk high about the strips in Las Vegas.

Bishop Don Magic Juan: Vegas is a seasonal thing. You only get in there and get out. Everybody that has touched that is real qualified in the game, and they went through there, but its only seasonal. You go in there, do your thing and get out. People that have tried to make Vegas their home, they have always come up with problems. Vegas is not a place for a pimp to be really staying. He should really go in and get out of there. The gangsters down there dont like that. The gangsters already got their little thing set up going on in Vegas. Then you got a trick lined up for $5000. Here, you got a pimp that will give them the same thing for a $100.

AllHipHop.com: Have you ever had any of your prostitutes lured away by another pimp?

Bishop Don Magic Juan: I never had those kind of problems. One chick of mine did get tricked by a pimp. She was up in his house smoking some weed. That was a no-no. Thats the only thing thats ever happened to me in my game, as far some chick choosing another pimp. I didnt have those kind of problems. I wasnt like those other pimps that were flight night. Most of the girls I had were with me ten or fifteen years. I was professional. It was my livelihood. This is how I breathed and thinked. Every time I saw a woman, I saw a dollar sign. These pimps today dont have that much dedication to the game. They compromising today.

AllHipHop.com: Did the law ever sweat you?

Bishop Don Magic Juan: Yeah, no question about it, man. They definitely sweated me. I was the biggest that there was. They used to arrest me, lock me up, and take my car and ride around the hoe-stroll and see my girls and pick them up and show them me to look at [me], like I was a monkey in the cage. Yeah, I got tired of that kind of stuff, jack.

AllHipHop.com: Did you ever get into beef with other pimps?

Bishop Don Magic Juan: Yeah, I had beefs with other pimps. Chicks that chose me had pimps to pull guns out on me. Other pimps would meet to squash things. One of my best friends prostitutes had chose me, and we had to settle that. Ive had guys tried to shoot at me. Endless shootouts, all of that does down in the pimp game. Ive done had the prostitute hide in they mother house, and I had to go over there to get her and the mother beat with a baseball bat like, Get out of here! and all of that. All of that is part of the pimp game, but I stayed true to it.

AllHipHop.com: Lets say Im pimping and of my girls chose you. I approach you about it because Im not trying to beef. How would that conversation go down?

Bishop Don Magic Juan: Well, this is what I had to tell my friend. His woman chose me like twice, and I sent her back. So she came this time and I said, Look man, you might as well let me keep the chick because then if you need some money, you can get some from me. She dont want to give you no money, and if you block from her giving me some, we aint going to get this money. So what I did is the last money she took that night from some trick, I gave it all to him, and I kept the broad. That was the end of that squabble. Later, my friend killed himself. Know what I mean? Its a cold game. Thats hard on a pimp.

AllHipHop.com: How did you think Terrance Howard did as a pimp in Hustle & Flow?

Bishop Don Magic Juan: Well, one thing about it is they should of put a little more character in it. They should of game him a Cadillac. If I would of directed him, he would have been more authentic; a little more harder. And still it would of shown the grind for him wanting to see his future past pimping. Hollywood wants to do it their way. They didnt even give the boy a Cadillac! Hollywood do things like that. Just like I said in the movie, How To Be A Player, they didnt let the guy be sharp.

AllHipHop.com: What do you think about Three 6 Mafia winning the Oscar for Its Hard Out Here For Pimp?

Bishop Don Magic Juan: Hey, Im all for Three 6 Mafia winning for Its Hard Out Here For A Pimp, but the only reason the song nominated probably is because white folks like to see depression on the individual. They figure its hard out here for a pimp, and the song distinguishes that. So I have dont have nothing against them doing the movie. But see whenever Hollywood depicts it like they want to depict it to be, then they give praise to it. Dont you know Curtis Mayfield should have won an Oscar? The Willie Hutch I Choose You should have won an Oscar! They stronger than Its Hard Out Here For A Pimp. In this day and age Halle Barry wins an Oscar for being a h##### and Denzel for being a crooked cop. See, if its something downgrading and they like it they are going to let them win because it downgrades the other individual, ya dig?

AllHipHop.com: Chuuch.

Bishop Don Magic Juan: Chuuch! Preach! Tabernacle!

Family Of Slain Bouncer Files Lawsuit Against Proof’s Estate

By: Grouchy Greg Watkins (@GrouchyGreg)Category: NewsMay 1, 2006

The family of slain bouncer Keith Bender filed a wrongful death lawsuit against Detroit rapper, Proof’s estate.

Bender was allegedly shot by Proof last month in an altercation at the CCC Nightclub on 8 Mile Road in Detroit – an incident which led to the death of the 35 year – old Army veteran.

According to the lawsuit, filed by Bender’s wife Jacqueline and mother Leona, Proof “violently assaulted and battered (Bender), culminating with the infection of a gunshot injury that caused the death of Mr. Bender.”

Proof, whose real name is Deshaun Holton, died as a result of the altercation as well.

According to police, Bender’s cousin, Mario Etheridge, shot the famous rapper and has been charged with carrying a concealed weapon and discharging firearm in a building in connection with the incident.

“It’s shameful that Mr. Holton is being lauded as a hero and martyr, when in fact, it was his own criminalistic conduct that not only led to his death, but took the life of an honorable, innocent man,” Michael Cafferty, a lawyer representing the Bender family told the Associated Press.

Proof’s lawyer, David Gorosh, was unable to be reached for comments.

Exclusive: Gravy Talks About Hot 97 Shooting

By: Grouchy Greg Watkins (@GrouchyGreg)Category: NewsMay 1, 2006

Less than a week after he was shot in front of Hot 97 FM’s SoHo studios in New York, rapper Gravy is addressing the incident that briefly sent him to the hospital.

According to reports, Gravy was shot in the buttocks last Wednesday (April 26) by a man who was upset when the rapper refused to let him sit in on a radio interview.

"We went up [to Hot 97] forty-six deep, promoting, like you’re supposed to do," said the rapper (born Jamal Woolward), who arrived early for an interview with on-air personality Funkmaster Flex. "He wasn’t ready yet, but when he got there, he said to come back at ten or eleven [p.m.] I went downstairs to grab a bite to eat."

It was not until Gravy returned that shots rang out, the rapper said. "I started running like anyone else would do because I didn’t know where they was coming. Once I got hit, I fell, got back up and went inside the building," he said. "I didn’t think I was hit. I thought I tripped over something and bruised myself."

Gravy described the shot as feeling "like heat and warm sensation. "It was a clean shot. It went straight through and just missed my pelvis bone and my stomach area to make me have a s— bag," said Gravy.

"It’s all about luck, it was eleven rounds and I only took one hit."

Despite being wounded, Gravy conducted the interview and was later treated and released from St. Vincent’s Hospital in Manhattan.

"I’m up there not telling them [Hot 97, Funkmaster Flex] what’s going on. I sat there for about two hours and they didn’t know what was going on. I hid it [being shot] very well," he said. "I didn’t risk my life. I just didn’t know how serious the hit was."

Police are continuing to investigate the incident. NYPD Police Commissioner Raymond Kelly said that Gravy has yet to aid them in apprehending the shooter.

"I wasn’t trying to involve Hot [97] or the streets to make it look like he’s trying to come up," the rapper told AllHipHop.com.

"Something went down, it got ugly and that’s my business, nobody else’s.

"I am not being uncooperative, I don’t know who did it," Gravy continued. "I just know one thing.—I got a lotta haters. I ain’t gotta speak too much because n***as promote me on other n***a’s DVD. Someone is always doing a DVD dissin’ me…I just know one thing. The only way to stop me from shining is to kill me."

The shooting, in addition to recent violence at Hot 97, have resulted in plans by the New York Police Department to install a surveillance camera outside the building that houses the radio station.

The camera, which will carry the NYPD logo and go up this week, is part of a $9 million plan to place 500 video recorders throughout the city.

The Hot 97 camera will be on 24 hours a day and pointed directly at the station’s location at 395 Hudson St. It will specifically focus on preventing rap-related gunplay, unlike most cameras that will target high-crime areas and potential terror targets.

"We’ll keep it in place until Hot 97 is evicted or cleans up its act,"

a source told New York’s Daily News.

Although the shooting was not captured by nearby surveillance cameras, cameras did record people running from the gunfire, according to sources. Police have since stepped up security with the addition of extra officers stationed outside the studio and a marked patrol car at night.

NYPD Commissioner Raymond Kelly announced the department’s intent to put up the cameras last month. There are currently two wireless video recorders installed at high-crime areas in Brooklyn, the Daily News reports. Sources tell the paper that the Hot 97 camera will be the first to go up in Manhattan.

The recent violence has also prompted the New York City District Council of Carpenters, which owns the building that houses Hot 97 studios, to vow to evict the station. The move has received support from several of the building’s tenants.

A spokesman for the union’s attorney Brian O’Dwyer told the Daily News Sunday (April 30) that "lawyers will be meeting with their clients [today] and examining all their options."

"They shouldn’t be blamed for an action they had nothing to do with," Gravy said. "This is Hip-Hop. This comes with the game. It happens everday in the hood."

A spokesman for Hot 97 was not available for comment.

Lil’ Kim, Other Inmates Locked-Down After Cell Phone Smuggling Incident

By: Grouchy Greg Watkins (@GrouchyGreg)Category: NewsMay 1, 2006

The Philadelphia

unit where Lil’ Kim and other women prisoners are being housed is on lock-down,

after a visitor attempted to smuggle in a cell phone.

Over half of the

female population in the Federal Detention Center has been on lock-down since

April 21.

FDC Authorities

refused to comment on the case, but sources said they were investigating a rumor

that a phone had been snuck in for Lil’ Kim, or that the phone was intended

for her use.

Lil’ Kim’s lawyer

James J. Leonard Jr. denied claims that the Brooklyn rapper was involved in

the incident.

"The rumors

that Kim was using a cell phone or had someone sneak a cell phone into the prison

for her are completely untrue," Leonard told AllHipHop.com. "While

her unit is on lock-down and has been since April 21, the reason for the lockdown

has nothing to do with Kim."

Leonard also said

that Kim received the standard 300 phone minutes per month like every other

prisoner and that she has been a model inmate.

In addition to

being locked down, Lil’ Kim and other inmates also had their visitor privileges

revoked for an undetermined amount of time.

Sticky Fingaz Directing Second Feature Film

By: Grouchy Greg Watkins (@GrouchyGreg)Category: NewsMay 1, 2006

Kirk “Sticky Fingaz” Jones recently went into post-production on the movie Caught on Tape, the second feature film directed by the rapper.

Jones, who also wrote and stars in the movie, directs a cast that includes Cedric the Entertainer, Vivica A. Fox, Bokeem Woodbine and others.

Jones’ directorial debut, a Hip-Hop musical entitled A Day in the Life, starring Omar Epps, Mekhi Phifer, Fredro Starr and others is in post-production and is also expected to hit the big screen this summer.

In related news, Jones was recently cast as the half-human/half-vampire “Blade” in Blade: The Series, based on the movie franchise.

Blade: The Series, premiers this summer on Spike TV.

LeToya Luckett: Just Me, Myself and I

By: Grouchy Greg Watkins (@GrouchyGreg)Category: AlternativesMay 1, 2006

It seems like only yesterday that four girls from Houston stepped onto the music scene and No, No, Nod their way right up the charts with Wyclef Jean. LeToya Luckett was one of those girls. She was in the group for seven years, but as fate would have it, the pop spotlight with Destinys Child was short-lived for LeToya. After the split, she was left to mature and learn all too quickly about life’s lessons, friendships, and the often ugly side of the music business.

In speaking with LeToya, there is not even a hint of animosity about the cards that she’s been dealt. With a successful promotional mixtape, What It Do!, bumpin’ in the “dirty” streets, and a self-titled debut album due out this Spring, Lady Luckett has been smiling in the face of destiny, making a name for herself as a solo artist and entrepreneur. After an attempt at a new girl group that didn’t get off the ground, LeToya performed on the debut albums of Slim Thug and R&B singer Houston. Between the opening of a successful clothing boutique, moves to Atlanta and Los Angeles, modeling and acting coaches, and her new single and video “Torn” gaining momentum, there is simply no time to feel resentment this girl is grinding!

Since the time she was handed a microphone at the age of five, LeToya belted out her first solo, and as fate would have it, this Grammy-award winner has come full circle and is once again a solo act. There’s a lot riding on the H-Town Chick – then again, “luck” is in her last name. AllHipHop.com Alternatives had the chance to kick it with introspective former “Child” about her musical journey past, present and future.

AllHipHop.com Alternatives: Your first solo album is due out this Spring. Destiny’s Child first broke up in 2000. Why such a long hiatus?

LeToya Luckett: Really, I was still working in between that time. A couple months after the incident with the “chiren,” I formed a group along with [former Destinys Child member] LaTavia called Anjel, and we were working in a studio out of Atlanta. Unfortunately [with] the production company we were working with we weren’t able to get the album out, so I decided to take it upon myself to move out to L.A. and basically shop a deal on my own. I went to some modeling agencies; I got an acting coach. I was just trying to get my hands in everything, girl. I was still in the studio. Then I met up with the production company out of Atlanta called Noontime, and we started working. We ended up coming up with five great songs and we shopped them around, and that’s how I got signed to Capitol.

AHHA: You and LaTavia are very good friends still to this day, so what prompted you to go solo?

LeToya: She didn’t want to do anything else in the entertainment business, and I wasn’t going to pressure her to do anything else, so I just took it upon myself to go and get a solo deal. I mean that was never in my plan, it was nothing that I was excited to do but I was like, you know what I always loved music. I’ve been singing since I was five so why stop now? [Before] that I was able to open up a boutique in Houston; we’re going into our third year, Lady Elle boutique, so I haven’t stepped down.

AHHA: The mixtape is off the hook – I love the concept.

LeToya: Thank you!

AHHA: What made you decide to go the mixtape route instead of releasing the first solo project?

LeToya: Well, I wanted to start off with something in the streets and it just so happened one of my good friends, Brandi Garcia from Houston, who is one of the deejays on 97.9 The Boxso we kind of got together and was like, Mmmlet’s do a ladies mixtape. You know the fellas always doing mixtapes, freestylin’ and stuff like that. So we decided to come up with a mixtape of our own and we call [ourselves] The H-Town Chicks.

AHHA: As far as music, this is a great time for Houston, and I noticed you got a gang of hometown support for your new album. Tell us a little bit about who’s on the album and your experience working with these H-Town superstars.

LeToya: You know I got my representatives Mike Jones, Paul Wall, Slim Thug, Bun B, who I’m great friends with – they’re like big brothers to me. They’re always lookin’ out. We would see each other of course in passing in Houston – it’s a big city, but it’s a small city. They were always checkin’ up on me, and they were like, You coming out with your new album, I gotta get on it, let’s do some collaborations, – and that’s how they ended up being on the album. I was so excited [because] I’m so proud of them and the whole movement that they have going on. As far as producers, I have Jermaine Dupri, Scott Storch, Jazzy Pha, Teddy Bishop, who did my first single, and Just Blaze.

AHHA: Back in the day it used to be just the R&B group H-Town and The Geto Boys reppin’ for Houston. Now you have artists like Mike Jones, Lil Flip, Slim Thug, Paul Wall – what kind of affect would you say music has had on the city of Houston overall?

LeToya: I’m so proud of it. I’ve been listening to this music since I was young. We had those young teenage clubs where you can go to the club at 14, 15 years old, and it was all about dancing; there was no violence and nobody was acting up in the street. It was all about sweating out the hair in the club, listening to the new music, so that was something that I had been doing since I was younger. I decided to make it a part of my album, and I am so glad that they’re now getting their voices heard worldwide. That is just amazing to me. Of course The Geto Boys have been representing for so long, and it’s Bun B, Pimp C they been in the game for a minute. Slim Thug’s been representing for so many years now. And I’m glad that y’all are getting a taste of some of the new things that are coming out of H-Town.

AHHA: What about the vibe of the city has that changed?

LeToya: Yeah! It’s kind of like a little Hollywood! The thing is I’m glad that H-Town has their own style. They don’t copy. They still have their southern drawl. They’re really representing for their hood. Like we have the north side, the south side; Lil’ Flip being from the south side, Slim Thug being from the north side. It’s like they’re really giving y’all a taste of what really goes down in H-Town. They’re not trying to be like somebody else. Everybody’s doing things and I’m proud of it.

AHHA: Speaking of Slim Thug, he’s been quoted as saying that you two are an item. Is there any truth to that?

LeToya: We were. Not any more.

AHHA: Good breakup? Still friends or what?

LeToya: You know we from the same city, were gonna see each other in passing. There’s no hatin.

AHHA: You were a founding member of one of the most successful girl groups in music, but here you are back on the grind, kind of starting all over. In terms of your career, what goes through your mind on the way that your destiny went down?

LeToya: God works in mysterious ways. He does things for a reason, and I think that everything that took place was the way that He wanted, of course, for it to take place and I don’t argue with that. I do miss the friendship, but at the same time He has blessed me with my own: my own gifts, I have my store and my album coming out. I never would’ve thought these things. You know you don’t know His plan, and I never would’ve thoughtI could never have seen this coming. It’s something that I’m glad happened to me; at the end of the day I’ve been able to grow as a person. I’ve been able to learn things at a very young age. It was a good experience all the way around.

AHHA: You own a clothing store in Houston, Lady Elle. Ironically, you carry [Beyonces line] House of Dereon, which makes me think everything is all good. What exactly is the relationship between the four original members, if there’s a relationship at all?

LeToya: Well we see each other in passing. We congratulate each other on everything. Like I said, Beyoncé and I have a business relationship; I do carry House of Dereon in my boutique. Me and Ms. Tina [Knowles] have done interviews together. I go to MAGIC [in Las Vegas], and they show me all the new things. As a matter of fact Ms. Tina, Beyonce’s mom, is who showed me the line. I didn’t even know it was coming out. I was walking through the Pool Show in Vegas and I ran into Mathew and I’m like, What are you doing here? And I started to see all these pictures of Beyoncé and I’m like, Is her line about to come out? And it was. So Tina showed me all the line, they had some great stuff, and Lady Elle carries a few things.

AHHA: So it’s pretty amicable between the four of you, you would say?

LeToya: Definitely! That was so many years ago. Everybody’s doing their own thing. It’s no hatin’.

AHHA: With this new project, all eyes are definitely on you and the expectations are pretty high. Do you feel like you have something to prove with this project, and if so, what?

LeToya: I think I do have something to prove, and that’s just that people and things might try to get in your way, but as long as God is in your life, and you have a strong prayer life, you will always be able to fulfill your destiny. I think that I am definitely an example of that. I kept working, I kept my head up, and though people thought it was the end for me – but, you know, if I held my head down then I’d get the total opposite. I don’t think I’m out here for, Oh yeah, I’m better than somebody. I can do this all by myself. Look at me. It was never like that. It was always something that I’ve always been in love with – I love music. I love singing, so I was just gonna keep on doing what I do.

AHHA: If you could change anything that’s happened to you in the last 10 years, what would it be?

LeToya: Losing friendship. I think at a young age we didn’t realize how important communication was, and I think if we would’ve been able to pull each other aside and kind of get things off our chest, I think a lot of things would’ve happened different. But at the same time, things happen for a reason. Beyoncé and Destiny’s Child, they were very successful and I wish them all the success in the world. They’ve definitely been blessed. LaTavia and I have been blessed at the same time. So things happen for a reason, but I did regret not having the communication that we should’ve had.

AHHA: Tell us something about you that we don’t know.

LeToya: Me? I’m a goofball! That is it! I’m not this little Ms. Thang with the attitude. I’m not that. I am goofy as they come.Watch LeToya’s New Video "Torn"

Bishop Don Magic Juan: P.I.M.P. Part One

By: Grouchy Greg Watkins (@GrouchyGreg)Category: FeaturesMay 1, 2006

f a man named Donald Campbell called to speak to your sister, you might not object. But if the man known better as Bishop Don Magic Juan rang, things would be different. Thats because through the mid 1970s to 1985, Don was the self-proclaimed king of pimping. From the North Side of Chicago, to the curbs of Las Vegas, Don has been booted and suited, as the prostitutes were recruited.

Hip-Hop culture today knows the Bishop differently. Hes seen as the flamboyant advisor in Snoops entourage and obligatory pimp on records from DaBrat, Twista, and 50 Cent. But not so long ago, the lights and cameras were off, but the action certainly wasnt.

The pimp-turned-pastor recently released a compilation, Green is for the Money, Gold is for the Honies. The Avatar Records project captures 11 crooning classics great for the Caddy or the Continental, as it circles the block.

AllHipHop.com circled the past in a blunt, two-part conversation with Bishop Don Magic Juan. Powerful truth comes out on both sides of the pimp game, Dons evolution, Snoops pimp cred, and some real talk from Don on the Oscar Awards. Preach!

AllHipHop.com: Chuuch. Hows it going playa?

Bishop Don Magic Juan: Chuuch. Hey man its going down right now, you know? Right now, we cracking that Gold Is For The Honey, Green Is For The Money Volume 1, ya dig? Its just to calm the nerves down, to bring people back to reality, and give them a chance to think again. The songs are very inspiring and Im skinning game between each track. You know what I mean?

AllHipHop.com: How did you get into pimping?

Bishop Don Magic Juan: I come from what we consider the ghetto. Its all started by money. People dont get into it just because [of the] girls, its really because of money. I lived next door to dope dealers and pimps, so my role model was looking at a dope dealer or a pimp come out every day getting in a flashy car or wearing flashy suits, having diamonds and girls. Thats what I wanted to be. If I was living next door to a doctor or a lawyer, maybe thats what I would have been. But unfortunately, I wasnt. So I patterned myself like that. I asked the girl would she do it, and she said, Yeah, and I was off and running.

AllHipHop.com: What did you say to her to get on her on the track?

Bishop Don Magic Juan: I said, If you want to be down for me, Im trying to get up with this pimp game. I just wanted to get in the game and have one girl, a flashy Cadillac, a ring and a slick suit. I didnt know I would be able to rewrite this thing. Even today, by the pimp game being strong everyone wants to pimp. A pimp song done won an Oscar [Academy Award]! So pimping is really whats happening. One time it was really being persecuted. Now people are glorifying it.

AllHipHop.com: How did you get your name?

Bishop Don Magic Juan: My original name is Donald, so the girls started calling me Don. When I got in my teens, the girls started calling me Don Juan. [The original] Don Juan was known to be a lover. At the time, I was a player. I kept on playing the game. The Pimpgod named me Magic. He said, Man, you playing the game so live, everybody else falling off and you still bringing magic to the game, they ought to call you magic. The Bishop came on as I got into the church in 1985, when God saved me and made me realized that he does exist. I started [preaching] at the church, and thats how the bishop came in at. And the Arch comes from Dolemite. The legendary Dolemite [Rudy Ray Moore] called me the Arch Bishop. He said thats the highest bishop there can be.

AllHipHop.com: Was there an actual Pimpgod?

Bishop Don Magic Juan: Yeah. His name was at the time was King Barrell. They started calling him the Godfather. He was like the number one pimp in Chicago before I came up in it. Hes about ten years older than me. As a little boy, I used to run behind his car and I used to look up to him and as I got in the game he was more like my mentor. He became the pimp god over the pimps.

AllHipHop.com: When did you know you were a good pimp?

Bishop Don Magic Juan: When the chick came back and gave me the money! I knew then it was going to be a lasting thing. [Or,] when one day, a female came home with the handcuffs on. I actually got a bobby pin, stuck it in there and [freed her]. When I did that it, I proved to the chick that I was a qualified to be a pimp, and it let me know that this was my game. From there on, I played it. When I was in the pimp game I was the number one pimp in the country thirteen years in a row.

AllHipHop.com: Whats the difference between a pimp and a mack?

Bishop Don Magic Juan: One thing about it is a pimp is superior; he is number one over all the macks, the players, the hustlers, the dope dealers. [Out of] All the people in the night life, the pimp is superior. The difference between a pimp and a mack is about convo. [The mack] dont have to have a girl on the street. In order to be a pimp, you got to have a prostitute on the street. Thats the difference between the pimp and the mack. A pimp is going to have a prostitute getting him money. A mack might not even have a girl; he just got good convo, where he can con people.

AllHipHop.com: What was your most glamorous moment of your pimp career?

Bishop Don Magic Juan: [In 1983] That was the tenth anniversary party of the pimp game. Harold Melvin & The Bluenotes were performing; Mr. T was there body guarding me and my mother. Dolemite was there, [Blues player,] Albert King was there too. That was one of the greatest heights and moments of my life in the pimp game.

AllHipHop.com: How did the pimp game change from the 70s going into the 80s?

Bishop Don Magic Juan: One thing about it is drugs invaded the pimp game. More-so than anything else, a lot of the pimps thought they could profit more if they involved the drugs in their game. A lot of pimps thought they could hold their girls by putting them on drugs. When the drugs came in, the pimps started looking like drug dealers and the dealers started to look like pimps.

AllHipHop.com: Were you careful about your girls abusing drugs?

Bishop Don Magic Juan: I was definitely against that. I didnt do it myself; I never sold drugs. I never used cocaine, heroine. I used to smoke a little PCP and mix it with marijuana, but that was as far as I went. I never shot the needle, never snorted cocaine; I never wanted my girls on it or anything like that. They knew I was strictly against it. I had no problem [with the girls] smoking marijuana. But I was strictly against hard drugs.

AllHipHop.com: Get into your upcoming show Holding Court.

Bishop Don Magic Juan: It will be a highly rated show like Judge Judy, Peoples Court, or Mills Lanes show. Ill be settling cases and beefs between rappers or marriage problems. Whatever problems they have in court, they bring them to me, and they definitely going to get properly solved. I mean this show is going to be off the hook. Ill be bringing in some of my celebrity friends to get their opinion. Ill bring in expert advice to get their opinion from attorneys. Ill be bringing my flavor to the courtroom. During deliberation, I would be having entertainment going on to the audience while in trying to figure out whos right and whos wrong.

AllHipHop.com: How would you feel if one of your daughters wanted to become a prostitute?

Bishop Don Magic Juan: I dont encourage it; I do have a son whos involved in the pimp game. I didnt encourage it, like anybody else. If they come to me for advice, Im going to give them the best advice I can considering the matter.

AllHipHop.com: Whats the difference between a prostitute and a hoe?

Bishop Don Magic Juan: The difference between a prostitute and a hoe is that the hoe gives it away and the prostitute sells it.

AllHipHop.com: Where do you buy your clothes?

Bishop Don Magic Juan: I get my stuff made. I spend seven to eight hours in the garment district whether Im in LA, New York, or Chicago, looking for specific materials different than anyone else. Then I take it to my tailor and have the shoes made, the suit made, the hat made. My stuff be custom. Im suited and booted from head to toe. So when I show up I dont have to worry about nobody up in the club looking like me or whatever the activity maybe.

AllHipHop.com: How did you get your column in Elemental Magazine?

Bishop Don Magic Juan: I got game man! A lot of people been asking me about giving them some game and I got this thing on my website called Ask the Bishop. And so I do that out of love for Elemental, where people call in the Archbishop Don Magic Juan. Ive been the spiritual advisor to Snoop, Mike Tyson, P. Diddy, Lil Kim, and Mariah Carey.

AllHipHop.com: Can a square with no natural game in them become a good pimp?

Bishop Don Magic Juan: For sure, they got to get around someone that has the game to give them the game. It definitely can be taught to a square. Like I always tell them, I got game for the lames.

AllHipHop.com: How did you go about choosing which songs made it to the CD?

Bishop Don Magic Juan: People are so interested in seeing what makes me tick. What do I listen to? Thats how I broke them down. Like track number four, Be Thankful, people got to be thankful for what they got. It brings joy to your home.

AllHipHop.com: You start off the CD with The Isley Brothers Between The Sheets. This song is held dearly by the Hip-Hop culture because of B.I.G version on I Love it When You Call Me Big Poppa

Bishop Don Magic Juan: Well, the Isleys are very powerful, and I know Ronny. It just goes to show you everybody is familiar with a classic. It helped B.I.G. step up his game because he recognized it definitely was a classic, and he used it.

AllHipHop.com: Then again, not too many people are up on Peabo Bryson.

Bishop Don Magic Juan: Now that one is really a sleeper. I dedicated it to the house. Its a love song and not only that Im going wake up some people to some of these artists catalog.

AllHipHop.com: How did you hook up with Snoop?

Bishop Don Magic Juan: Snoop came to Chicago to perform in the 90s. [He saw me in the crowd,] and he told security he wanted to meet me. He and I talked and had fellowship; we had a little pow-wow during a small chronic break. From there on, we have become friends. He told me if Im ever in California to hook up with him. I bumped into him at the airport. He gave me his number and I started giving him hat game. Showing him the right way to maneuver.

AllHipHop.com: I need you to keep it 100% funky with me. Does Snoop really have girls on the track?

Bishop Don Magic Juan: Thats really for TV. He is a married man. His game is much bigger than the pimp game, theatrical wise. [Its] doing movies and rapping. No sense in dropping that for pimping.

AllHipHop.com: Do you consider yourself a role model?

Bishop Don Magic Juan: [It] depends on who wants to follow me. Different strokes for different folks. Im a role model for all famous players around the world, because they seem to take my advice. Because one thing is, if you take it, its definitely going to work for you. I give advice that works.

Nina B: Go Up and Up

By: Grouchy Greg Watkins (@GrouchyGreg)Category: FeaturesMay 1, 2006

an a New York female MC with a pretty face be taken seriously for her art? This is the struggle that Nina B faces. The Crown Heights Brooklyn spitter explains her lyrical passion to AllHipHop.com.

Having quietly crept through the industry on The Games West Coast Resurrection album last year, Nina has recently released her 4th installment of her “Live & Learn” mixtape series. The artist turned down reported major label deals, Nina opted for unknown New York label, Ravenel Records to release her forthcoming debut. Kay Slay has not only added the artist to recent volumes Street Sweepers mixtape, he broke her record, Characters for the Hot 97 audiences as well. With national nods coming from East and West, Nina B is one New Jacqueline to watch.

AllHipHop.com: When did your interest in music begin?

Nina B: I think most of us are born with a love for music. To each his own, but it’s in us. From my childhood, I would watch my mom sing her Soul songs, and bop her head harmoniously, while she was working the mop across the

floors. You see, in my household, clean-up days meant loud music, so I guess I was taught unintentionally that music moves you. It began there right at home.

AllHipHop.com: How did it become a passion though?

Nina B: I’m not gonna front, I have been writing rhymes since [age] 13, but I was not taking it serious. I used it as an outlet for some of the stress I was dealing with, [and] also as a pastime. I would write to tracks like I was

featured on them. In my mind, I could see myself doing it. I felt like, “Why not me? I’m good.” But I struggled with the reality of, “I can be better.” I was offered a deal when I was 16 or 17 on some, “You got the look” s**t, but they was tryna do me dirty. They wanted me to have a

ghostwriter. My moms told me to go for it. I said to myself, “If I don’t get a [fair] deal by the time I’m 18, I quit.” I thought it was gonna be that easy. I wasn’t even trying. I was 18, retired, and I hadn’t even ever recorded one of my songs. When I decided to come back, that was when I was very ambitious about what I wanted, and how I was gonna get it accomplished.

AllHipHop.com: So how does all of this play into your music? What sets you apart from anybody else?

Nina B: I realized, at a very early age, that I’m not like everybody else. Not to say I’m special, but I am different, my music reflects that. I speak from a place in me, not just my heart, but a place in me, a place I visit when I’m in deep thought. I don’t just say what sounds hot, or what

I think you wanna hear. I know who I am, and what I’m capable of. My style is scrambled — a lil bit of this and a whole lot of that. It’s hood, but it’s not ignorant. It’s powerful, ’cause it’s real. It’s creative, it’s innovative, and it’s portaits on a page. My style is all that.

AllHipHop.com: You just released the 4th edition of your Live & Learn series. Saying all youve said, why hasnt there been an album yet?

Nina B: I ended the Live & Learn compilation series at volume four. The name was significant to me ’cause that’s what it’s all about, living and learning, living and growing. So with my album, I have to top that. I’m constantly trying to outdo myself. I don’t even worry about other people. Maybe that’s why Im taking my sweet time with this album, I’m teasing you all with the mixtapes like appetizers. But, that main course is gonna sit in you for a minute. I’m starting fresh with a much more insightful approach. I’m hooking up with everything and everybody.

I can’t even speak on it.

AllHipHop.com: Let’s discuss your longevity in this business of music — What do you feel has been, and will continue to be, the key to your success?

Nina B: I pride myself on my ambition, which has carried me this far. I work hard and diligently. I’m not afraid to do the footwork. I’m not afraid to re-invent. Besides,

all that, there is a natural love — a love for what I do that people can sense. I relate to them [my fans], and as long as I don’t lose touch, they can relate to me. You gotta respect somebody who doesn’t give you any other choice, somebody like me.

AllHipHop.com: The market is saturated with artists right now. As your debut awaits, would it be safe to say that you are happy with the current state of Hip-Hop music?

Nina B: Not exactly. When the going gets tough, the tough get going. So, I’m gonna roll with the punches. When I really want something, anything, I will go all out.

I will fight for it. I think now is the time for the ones who really want it show how much we really want it. I can’t say I’m happy, but then again I can’t say I’m mad.

AllHipHop.com: Whats the biggest endorsement youve gotten so far?

Nina B: I would have to say Kay Slay playing my song [Characters] on the radio for the first time on Hot 97. That feeling is so powerful. And, to have people around you who feel it to, ’cause they know how hard you work, it’s priceless.

AllHipHop.com: Looking ahead, say, five or even ten years from now, where do you see yourself?

Nina B: Well, I really can’t call it, but I’ll give it a shot. I’ll probably still be doing it, but on a whole nother level. If I keep pushing, like I’m pushing, I know that I am going to have all the respect and success I deserve. Right now, I’m just going with the flow. Hopefully by then, I’ll be an icon, and I’m taking my team with me to the top.

AllHipHop.com: As for the immediate future, what’s next for you?

Nina B: Right now, we throwing a lot of buzz records out there. I’m jumping all over mixtapes; we doing a lot of videos. My director, Worst Case Scenario, does his thing. I’m getting a lot of feedback about the quality of my videos. They play on Uncle Ralphs Video Music Box, and all your favorite public access shows. [They] got me in heavy rotation. Aside from that, I done hosted joints for DJ G####, DJ L Gee, DJ Spree, DJ Knuckles, DJ Ism, DJ Don Juan, these are all out and about. But, I’m just keeping the people entertained while I’m sitting on the album – it’s all about timing. I want you to want it, get it, and say, “Damn, that’s just what I needed.

Blood Money

By: Grouchy Greg Watkins (@GrouchyGreg)Category: Reviews / MusicMay 1, 2006

Artist: Mobb DeepTitle: Blood MoneyRating: 4 StarsReviewed by: Martin A. Berrios

Even though Mobb Deep gained enormous street fame in the 90’s with their classic The Infamous, the Queensbridge duo have never quite lived up to that earlier greatness on subsequent releases. They showed hints of again reaching their potential here and there on Hell On Earth and Murda Muzik, but didnt serve up the thorough follow-ups needed to keep their cult status granite solid. With their last album, Amerikaz Nightmare, Progidy and Havoc were met with another lukewarm response. In customary scorned rapper fashion, they blamed the label and bounced. With a new free agent status in place, 50 Cent scooped the boys up in 05 and made them G-Unit’s first official signing outside the Interscope family tree. The result is Blood Money (Infamous/G-Unit/Interscope); Mobb’s strongest batch of work since they laced us with “Quiet Storm”.

Overall P and Hav dont stray too far from their distinctive formula. The hood drama meets gritty production on the album’s first single “Put Em In Their Place”. Sha Money XL cooks up blazing horns to match the groups stern demeanor. On “Capital P, Capital H” they justify their unbecoming ways over a laid back distorted bass track laced with synth. On “Pearly Gates” the Mobb shows deeper range as they take an atheist view at life with a show stealing verse from 50 Cent. All three Queens natives converse skeptically over a playful soul sample driven track. Havocs bars ultimately put the writing on the wall: “I found myself asking God what the f### is my purpose/You go to heaven, know Im foul but put a good word in.”

Sonically, the album keeps an overall dark overtone. On “Speakin So Freely” Havoc lays some eerie guitar strings over some soft drum kicks, setting a proper backdrop for the Mobb’s thinly veiled diss to some of their former homeys. H continues showcasing his production prowess when utilizing speedy high hats and kicks with an awkward noise about every two bars on the Lloyd Banks assisted “Stole Something”. The distorted bass heavy Backstage Pass is sure to get maximum love on the block as well.

With what seems to be a necessarily evil amongst rappers, Mobb fall into the trap of forcing a radio friendly hit. “Hollywood” Hav and “V.I.” P try to recreate the magic of 50s “Candy Shop” with “Give It To Me”; but fail to connect. Even a verse from Young Buck couldnt save this joint.

While this technically doesn’t feel like a true Mobb Deep effort (the G-Unit influence is obvious throughout the disc-where’s Noyd?), Blood Money still bangs. This album is sure to push Mobb Deep back to the forefront. Curtis wins again.

T.I. Tapped To Kick Off Apollo Theater’s Black Music Month

By: Grouchy Greg Watkins (@GrouchyGreg)Category: NewsMay 1, 2006

T.I. has been tapped to kick off the Apollo Theater’s June Black Music Month celebration.

The Atlanta rapper will also be the first Hip-Hop act billed under the Apollo New Legends Series.

The latter event aims to honor and showcase top artists from a variety of musical genres whose music has had a strong impact on society.

In celebration of Black Music Month, T.I., whose fourth album King hit gold in its first week of release, will perform his first solo concert for one night at the Apollo Theater.

The event will take place June 1 at 7:30 p.m. and 11 p.m.

Tickets are available at the Apollo Theater Box Office and all Ticketmaster locations.

T.I. also recently kicked off his nationwide King tour at Tennessee State University, with support from Grand Hustle/Atlantic labelmate Young Dro and Yung Joc of Block Entertainment/Bad Boy South.

Jermaine Dupri, Lil Jon Shoot Commercial For Heineken

By: Grouchy Greg Watkins (@GrouchyGreg)Category: NewsMay 1, 2006

Atlanta Hip-Hop stars Jermaine Dupri and Lil Jon recently wrapped a thirty second television spot for Heineken titled “Jet Bet.”

In the ad, the pair wager on who will take home the most Grammy’s, with the winner receiving a 12-pack of Heineken, personally delivered by the loser of the bet.

After Dupri wins, Lil Jon flies on a private jet to deliver the prize, one bottle short.

“I think they’re gonna love it because it’s real young fly and flashy,” Dupri told AllHipHop.com. “It kinda takes from my video with Jay-Z [“Money Ain’t A Thing], but here we are betting 12 packs instead of money.”

It’s full of private planes, Bentleys, girls, Heinekens and all the s**t we do! It’s straight up Hip-Hop, from the look, [to] the actors [Dupri and Lil Jon] to the soundtrack.”

The commercial is slated to begin airing May 7 during the NBA playoffs.

Develop[Mental]1

By: Grouchy Greg Watkins (@GrouchyGreg)Category: Reviews / MusicApril 28, 2006

Artist: Various ArtistsTitle: Develop[Mental]1Rating: 3 1/2 StarsReviewed by: Brandon Edwards

Just because you play the role, it dont mean you get the part. Mixtape newbies and comfortable vets take heed, Norcal DJ Icewater is exceptional at mixing posse cuts. The shouting echo of mixtape DJs was tired the day the trend began. Smooth blends and precise cuts make for easy listening. NatAural High Records give their artists a bona-fide chance to shine on the Develop[Mental]1 (NatAural High) compilation. The balancing of tables in the rap game has made the masses open-minded for an appropriate change in sonic logic. In other words, the Bay has something significant to offer: a vacation from bullet-riddled, doped up, club soundtracks.

Take a breath of fresh air and peep the choice sounds of NHs flagship act. Holding strong in 3rd place on this compilation, Lunar Heights welcomes listeners with witty punch lines and playful skill from a backpackers notebook on Da Music, produced by DJ Vinroc. LHs potential opportunities as underground emcees goes unscathed even with thumbs down for doing too much on Shake and failing to omit the lazy chorus.

Spank Pops has star personality. With his easy-going demeanor, eclectic hooks and straight out the Yay energy, you can feel the funk in the air, on your collar and under your shoes. Like Me Now is an official low-key club joint. Pops gets the ladies and gents involved while Jem Eye tosses a dime with light keys and a mellow bass. Populate is that s**t for the trunk, windows down, car parked, dancing on the hood, From the Golden Gate, this is everyday. A versatile-chopped up two bar flow and introspective mind surprises listeners on Small World, produced by and featuring Trackademicks. With a serious flow and pastoral approach, Spank Pops goes in, Every rapper got a drink coming out/Trying to turn our kids into drinkers/What we need is some thinkers/ better schools and more teachers.

The standout appeal on Develop[Mental]1 comes from Texas wordsmith Bavu Blakes. Rap pioneer, the D.O.C., deems Bavu as one of Texas brightest new stars, that sounds nothing like any rapper from Texas on your radio today. With classic material like Play The Role, produced by Symbolyc One, fans will undoubtedly look to this confident MC with jazzy vocals for future songs. Bavu gets at the pseudo-thug, wannabee starMC, white Rasta and permed out sistah on this cut. Dropping gems with an in-depth view of each particular circumstance, Bavu disassembles the loudmouth gangsta, Are they punks trying to cover it up perhaps/So shrunk they cant penetrate the naps/Now you know some kind of insecurities can be traced cuz folks be popping off at the mouth to save face.

A solid compilation and meaningful contribution with minimal duds, Develop[Mental]1 manages to showcase star product and thoughtful commentary.

Floe Almighty (Mixtape)

By: Grouchy Greg Watkins (@GrouchyGreg)Category: Reviews / MusicApril 28, 2006

Artist: Edgar Allen FloeTitle: Floe Almighty (Mixtape)Rating: 3 StarsReviewed by: Starrene Rhett

Edgar Allen Floe has returned, swinging his lyrical sword of justus”. Although he hasnt dropped an official LP yet, he garnered solid footing on his space in the Hip-Hop universe with his EP, True Links. The next installment from the Edgar Allen Floe series is the mixtape Floe Almighty (Shaman Work) and musically a good good omen as far as future Floe projects are concerned.

Hailing from North Carolina, he is a southern rapper who doesnt go out of his way to sound like a southern rapper catch the drift? He does him, and it shows. With most of the production done by Slicemysta, his alter ego, he also has tracks laced by fellow Justus League affiliates 9th Wonder and Khrysis.

Floe Almighty begins with Skyward”, a soulful informational about Floes plans to take his career to the top. As I write this I want everybody to witness legend in the making/Serious business/Gotta keep this unique swagger, chic character/Learn a little something says the new street ambassador/Time for change. Floes confidence shines and rightfully so. He also reminds you to throw your hand skyward if youre feeling him, via the hook.

The title track, is also pretty good. Yo step right up you know what you might see/Unique technique/Take a chance/I dare yall to try to bite me. This comes from the songs hook where he challenged would be biters and those who are afraid of listening to someone or something new. Other tracks you should check out are Livelyhood (Remix)”, “One and One”, featuring Diablo Archer, and Nightwatch”, featuring Mal Demolish.

Mixtapes generally tend to be lengthy and boring, or new coasters. This one is neither. Its simply 12 tracks of gritty, soulful Hip-Hop. Overall, Floe Almighty was good, however it would have been nice to see more guest spots (considering that its a mixtape) and although Floe definitely has flow, its obvious that hes holding back. In other words, hes a mic-tease. Dont worry about it though. This is only the beginning. On a freestyle he says, I am a newcomer, I got legends co-signing me. Considering some of his influences, from Big Daddy Kane to Rakim, thats pretty impressive, and so is this mixtape.

Hot 97’s Landlord’s Start The Eviction

By: Grouchy Greg Watkins (@GrouchyGreg)Category: NewsApril 28, 2006

The landlord of the SoHo building which houses New York’s Hot 97 vowed to evict the controversial radio station because of various shootings and altercations in front of the station.

Stuart GraBois, a member of the New York City District Council of Carpenters, which owns 395 Hudson St., said the eviction process has started.

“We’ve directed our attorneys to begin the eviction process,” GraBois told the New York Daily News. “We’re concerned about the safety of the public and our other tenants.”

The decision was made after several violent accounts occurred outside of WQHT-FM’s offices.

Brooklyn rapper Jamal “Gravy” Woolard was grazed by a bullet on Wednesday and taken to St. Vincent’s Hospital, according to authorities.

Police said that the shooter was angry because the rapper refused to let him sit in on the interview.

“Mr. Gravy has been largely uncooperative,” Police Commissioner Raymond Kelly said.

This is just one of many violent acts associated with the popular radio station.

Last year, Reverend Al Sharpton called for R&B and Hip-Hop stations to voluntarily ban artists promoting violence for 90 days.

Among the participants was Hot 97 owner Emmis.

“All television and radio stations are required to meet community standards established by the FCC,” Emmis said in a statement to Reverend Sharpton. “We make every effort, and will continue to make every effort to meet and even exceed those standards through quality programming that is in touch with our audience. We are an entertainment option. We in no way condone acts of violence. We hope that the perpetrators of these violent acts are prosecuted to the fullest extent of the law by the proper authorities.”

The Hot 97 building was the site of a shoot out between members of 50 Cent and the Game’s entourage, in February of last year.

Another incident erupted in 2001, when Lil Kim’s crew had a run-in with rap duo Capone-N-Noreaga and bullets flew outside the station.

As a result of these incidents and several complaints from other tenants in the building, GraBois tightened security in the building, and allowed artists to bring only one person into the station with them.

The station is also required to notify the police of guest appearances, at least four days in advance.

Hot 97 host, Miss Jones, expressed her frustration with the drama surrounding the radio station on her show yesterday morning.

“We’re tired of you bringing your beef to our building,” she said. This is some stupid kind of beef among nobodies.”

UK Takeover 4 Hip-Hop Fest Kicks Off In May

By: Grouchy Greg Watkins (@GrouchyGreg)Category: NewsApril 28, 2006

BBC 1xtra DJs Mistajam and Rodney P have signed on to host UK Takeover 4, one of the largest independent British Hip-Hop showcases.

The main event will be held May 29 in Nottingham, at Rock City.

Headlining artists include Kano, Klashnekoff, Jehst, Professor Green and MOBO award winner Sway.

The showcase was launched in 2003 by Mistajam and UK Hip-Hop producer Joe Buddha.

“The idea behind the UK Takeover was one that my business partner Joe Buhdha came up with after noticing that the crowds we were deejaying to across the country were noticeably segregated along lines of race, background and class depending on who else was on the bill with us,” UK Takover creator Mistajam told AllHipHop.com.

“While the audience [was] segregated, the music was the same so we decided to organize an event that would bring all factions of British Hip-Hop together,” he added. “It’s a concept that has worked and each event has gone from strength to strength, each one getting the cross section of the audience we wanted.”

The two day event will also consist of a 60-Second Assassin Emcee Battle, hosted by UK rapper Blade, as well as a chance for DJs to battle to appear at this year’s DMC DJ Championship finals.

An open mic session will also be available, as well as a chance for up-and-coming rappers to drop off their demos at a free BBC Radio 1Xtra seminar, which will take place before the event.

BBC 1Xtra is also providing free bus services to Nottingham from many cities around the UK, including London, Bristol, Cambridge and Manchester.

“It has grown to be the biggest single event in the UK Hip-Hop calendar,” Mistajam told AllHipHop.com. “It will hopefully continue the tradition to strengthen and build the scene for the next generation of Hip-Hoppers and beyond.”

UK Takeover will air live on BBC 1Xtra on May 28 and 29.

Hot 97 Announces Summer Jam Lineup

By: Grouchy Greg Watkins (@GrouchyGreg)Category: NewsApril 28, 2006

Busta Rhymes, Sean Paul and Mary J. Blige are among the performers slated to take the stage June 4 at New York radio station Hot 97’s 13th annual Summer Jam concert.

More than 50,000 people are expected to turn out for the event, which will also feature performances by Jamie Foxx, Chris Brown, Ne-Yo, T.I., Young Jeezy, Mobb Deep, Dem Franchize Boys, Jermaine Dupri, Three 6 Mafia, Remy Martin and The Dipset.

Additional performers will be announced later.

Since its 1994 debut, Summer Jam has become the longest running urban radio station concert event. Past performers include Jay-Z, Notorious B.I.G, P. Diddy, Eminem, 50 Cent, Kanye West, Snoop Dogg and Missy Elliott.

This year’s event, produced by Trevanna Entertainment, marks the fourth consecutive year Summer Jam will be held at Giant’s Stadium in East Rutherford, N.J., as well as the third consecutive year organizers are partnering with Boost Mobile.

Additional sponsors include Xbox 360, WHITEBOY, The Tobacco Coalition and XXL Magazine.

Tickets for Summer Jam 2006 are on sale now at all Ticketmaster outlets (www.TicketMaster.com).

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Kulcha Don: Native Son

By: Grouchy Greg Watkins (@GrouchyGreg)Category: AlternativesApril 28, 2006

Unlike other dancehall and reggae artists, who in most cases are Jamaican, Kulcha Don is ready to put a musical twist to Caribbean music and negate common stereotypes. Kulcha Don was born on the small Island of Montserrat, but admits that having a Jamaican father and being surrounded by Jamaican culture heavily influences his own musical style.

Inspired by acts such as Ninja Man, Shaggy and Shabba Ranks, Kulcha Don began to do his own research on different Caribbean cultures, and was determined to morph the outlook of Caribbean music. He left Montserrat at 18, and made his way to New York to pursue a career in music. Although hes been on the scene for quite some time, and has performed with renowned Hip-Hop artists including The Fugees and Tupac, Kulchas name is still not synonymous with reggae heavyweights.

Kulcha Dons rational approach to the industry along with his confidence and perseverance is proof that hes done his homework while being on the grind. Currently residing in Bronx, New York, Kulcha blends the sounds of dancehall reggae, soca and reggaeton on his latest album, Its All About You. Although hes been traveling a lot these days, we caught up with him to discuss his diverse inspirations and creative direction.

AllHipHop.com Alternatives: You sound so Jamaican when you speak. Im sure you get that a lot.

Kulcha Don: I get that all the time. As you know, Jamaica has played a big part in my career and in my whole being. I spend more time in Jamaica than I do in Montserrat.

AHHA: You fuse dancehall, soca and reggaeton music in your latest album. Why not one or the other?

Kulcha Don: As I like to emphasize, Im a different type of artist. I am what the next artist is not. Im dealing with what I call world sounds. Me understan its a big world out there and I always wanted to reach out. The album to me is entertainment. Its my vehicle to do what I want to do. Its time we come outside of the box that we live in. Instead of sitting down trying to differentiate, Im dealing with unity and people.

AHHA: Many would agree that this album sounds more commercial than your previous music. What do you have to say about people who may think youre selling out?

Kulcha Don: Im gonna get that criticism. The myth in the industry is that dancehall doesnt sell. Does it get radio play? Yes. Does it get played in the clubs? Yes. Does it actually sell? No. My goal, my object on this album is to reach out to the dancehall and Caribbean artists and tell them we need to start focusing more business wise. Im thinking like how Jay-Z and Diddy thinks. I have no choice, maybe thats what living in America does to me but that is the way to selling some records. We alone [Caribbean people] understand our music, and if we dont have the resources to put into our music and get it out there, it nah go work.

AHHA: Dancehall is similar to Hip-Hop in the way that some artists feel that a lyrical battle is sometimes necessary to hype things up. Are you prepared for other dancehall artists who may come at you regarding your style of music?

Kulcha Don: Im going to get that, trust me. I look at it as an inspiration. If I inspire another artist to be like me, Im all for that. But if youre going to try to be like me, but in denial and try to dethrone me, then its a different story. Its a cultural problem we have that instead of riding together, were strictly trying to replace each other.

AHHA: You teamed up with Beenie Man for the first single Drive You Crazy. How did that come about?

Kulcha Don: Beenie and I have known each other and been friends for years. That was actually the producers idea [for the collaboration].

AHHA: Is the video out already?

Kulcha Don: Yeah, its on Tempo and it was aired on VH1, and its on local channels in New York, and its supposed to premier on BET.

AHHA: Is there a special lady in your life at the moment?

Kulcha Don: Its difficult because being an artist, women cant tolerate the lifestyle that an artist has, and I understand that. Its hard, thats all I can say. Its hard to be in a serious relationship when youre out here with your career on your mind – and vice versa for a woman whos career-driven being in a serious relationship.

AHHA: What about the women you meet on the road?

Kulcha Don: I grew up with six women in my moms house. From the time I was in high school, I had all the girls. I opened for Sean Paul last week in Philadelphia and there was like 2,000 girls screaming. It feels good, it boosts your confidence – but thats not all Im about.

AHHA: Whats your take on other Caribbean artists?

Kulcha Don: A lot of Caribbean artists, their vision is limited. Theyre into a hit song and a tour. I want to emphasize Im in this for real – Im in to establishment.