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Bow Wow Responds To Lil’ Romeo And Master P.

The feud between Bow Wow and Lil’ Romeo has intensified, as Bow Wow has has responded to comments Master P made surrounding the two rappers’ growing beef.

Lil’ Romeo’s father, Master P, confirmed that the two rappers had crossed paths backstage at Nickelodeon’s Kids’ Choice Award show, on April 1st.

According

to Master P, Bow Wow ran in his trailer and refused to talk about tensions with Lil’ Romeo.

Now, Bow Wow has come forward to address Master P and Lil’ Romeo.

“I can’t understand all this, but I guess that’s how it is when you ain’t getting no attention,” Bow Wow told AllHipHop.com. “You can hear me on the radio all day, every day. You [Lil’ Romeo] can’t sell no records, and your daddy is on Dancing With the Stars.

Lil’ Romeo was apparently offended at the line on the song “Fresh Azimiz,” where Bow Wow claimed to be making more money than an unspecified person’s father.

Romeo released a diss to Bow Wow titled, “Hood Stars.” Master P also accused Bow Wow’s success of going to the rapper’s head.

“I just think Bow Wow done sold a couple records and got real cocky, and forgot where he came from,” Master P said in a previous interview.

Bow Wow dismissed Master P’s allegations.

“The crazy part is the line that got them all bent outta shape was an old LL line (“The Do Wop from LL Cool J’s 1987 album Bigger and Deffer). That shows how much they know about Hip-Hop.”

Bow Wow had this to say about the Pay-Per-View boxing match between Romeo and Bow Wow.

“If Romeo wanna make some real money, come sign with me,” Bow Wow said. “Then, he wouldn’t have to pull these stunts ’cause there ain’t No Limit over here.”

Nelly Settles With Photographer

St. Louis rapper Nelly reached a settlement today (April 21) regarding a claim that his bodyguard assaulted a photographer backstage at a concert in Bridgeport, Conn.

In order to avoid a civil trial, the two sides reached an agreement in which Nelly, born Cornell Haynes Jr., agreed to pay $20,000.

The lawsuit was filed by Jerry Livingston, a 39-year-old freelance photographer from Bridgeport.

The alleged incident took place at the Arena at Harbor Yard on April 12, 2005.

According to the lawsuit, Livingston was standing near the stage snapping photos of Nelly for the Chocolate City News when the rapper’s bodyguard Brian Jones grabbed him by the right arm and escorted him to the rear of the stage.

The suit further states that Jones proceeded to “violently hit, strike and grab” Livingston, causing him to sustain serious injuries.

While the issues regarding Nelly and Jones have been settled, Livingston is still filing lawsuits against the city of Bridgeport and the Arena at Harbor Yard.

Young Buck and Tony Yayo Give Back to Hometown Students

G-Unit rappers Young Buck and Tony Yayo are giving back to youth from their home states through financial donations to two area schools.

Both rappers’ efforts were sponsored by The G-Unity Foundation, Inc., a charity that provides grants to nonprofit organizations that focus on improving the quality of life for low-income and underserved communities.

Buck donated $5,000 to the Fannie Battle Day Home for Children, founded in 1891 and located in Nashville, Tenn.

The school will use the money to purchase essential sports equipment and outdoor game supplies.

“I never thought that I’d be in a position to give back to the Nashville community,” said Buck, who surprised the Home in December with a $25,000 grant after treating 70 kids to a holiday party that included pizza and toys. “I feel good giving back to the kids because at the end of the day they are the future, and without them, Young Buck wouldn’t be who he is.”

The Fannie Battle Day Home offers services to children of low income, single parent families that are either working or furthering their education.

The organization provides childcare and encourages the social and physical development of children in a safe environment.

Tony Yayo has also reached out to students in New York with a $17,000 donation to the Ronald Edmonds Learning School (via the Fund for Public Schools), Middle School 113, in Brooklyn, N.Y.

The contribution has enabled 64 boys and girls to participate in the Center’s Annual Young Men’s College Tour and Young Women’s College Tour.

“I wish back then I had people to show me what college was like because I know I would have wanted to go. Looking back on it I wish I had gone to college,” said Yayo, who will make a surprise visit to the students when they return from their five-day trip.

The trip has made a dramatic impact on the academic performance, maturity and aspirations of participating students, according to Principal Khalek Kirkland.

Over the past six years, the school has taken more than 150 boys and girls, ages 11-15, on tours to numerous historically black colleges and universities along the east coast.

“Our seventh year of the Young Men’s College Tour has clearly been one of the best,” Kirkland said. “Our students have been able to visit college campuses, speak one on one with both students and professors, as well as sit in on college classes at some of the top historically black colleges and universities in the country,” said Principal Kirkland. “It is our hope that in just a few short years these same students will be able to conduct tours for future students at these same institutions.”

Pimp C’s Bentley Totaled By Fleeing Gang Members

UGK member Pimp C was treated for minor injuries Wednesday (April 18), after he was involved in a car accident while leaving the video shoot for his new single “Pourin’ Up.”

After the shoot concluded Pimp C and a Rap-A-Lot security guard departed in a silver Bentley.

Mike Jones, who makes a cameo appearance in the video, followed in his black Bentley.

Sources told AllHipHop.com that a mile away from the set, two groups of people in separate vehicles were involved in a dispute, when one fired upon the other.

A Port Arthur Police officer that was escorting the rappers responded to the gunfire and pursued the shooters.

As the suspects fled through local neighborhoods on a flat tire, they crossed over Gulf Way Dr., ran a red light and struck Pimp C’s Bentley at high speed.

The back left of Pimp C’s Bentley was damaged.

Pimp C was treated for minor injuries and released but the Rap-A-Lot security guard is still in the hospital, although he is expected to make a full recovery.

Keisha Hunter, one of the producers of the “Pourin’ Up'” video, said Pimp C was a victim of circumstance.

Hunter also cleared up rumors that Pimp C had actually been shot.

“It is truly unfortunate that these gentleman were innocent bystanders that happened to drive through the wrong place at the wrong time,” Hunter told AllHipHop.com. “The local residents that were shooting at one another were all apprehended and the Port Arthur police are investigating the circumstances surrounding the motivation for them shooting at one another. At no time were Pimp C nor Mike Jones the targets of the shots that were fired and at no time were any of them injured by the gunfire that was more than a block ahead of them.”

Police seized an automatic weapon from three alleged gang members, who were later arrested in connection with the incident.

“The accident was crazy,” Mike Jones told AllHipHop.com. “I seen it first hand I’m just glad that everyone is OK.”

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Pimp C’s new album Pimpalation is slated to hit stores June 13.

Video Surveillance (DVD)

Artist: Boot Camp ClickTitle: Video Surveillance (DVD)Rating: 4 1/2 StarsReviewed by: Orisanmi Burton

Beginning in 1993 with Black Moon’s seminal Enta Da Stage, the Hip-Hop collective known as the Boot Camp Click (BCC) unleashed a full clip of coveted albums, each showcasing their impressive roster of skilled wordsmiths. The Click’s Wu-Tang Clan contemporaries may be the only posse who rival the mythic status of their Voltron-like capabilities. But while Wu-Tang introduced themselves as a crew only to fracture into several solo acts, the Brooklyn-based BCC introduced groups like Smif-N-Wessun, Heltah Skeltah and OGC, then proved that their sum was equal to its parts by collaborating on For The People in 1997. Miraculously, the BCC continues to release solid Hip-Hop albums, most recently putting out highly regarded work from Sean Price, Buckshot & 9th Wonder and Tek & Steele, all within the span of a few months. To date BCC’s combined Soundscans put them at well over 2 million records sold; no small feat for a crew whose radio airtime is virtually non-existent.

Video Surveillance (Duckdown) is a compilation DVD featuring over two hours of music video’s spanning the BCC’s thirteen-year career. The preverbal underground crew has never been known for creating particularly cinematic videos so don’t expect complex narratives or special effects. Fast cars and gyrating video chicks are absent as well. Instead, the focal points are dope beats and clever rhymes. The standout video is undoubtedly “Operation Lockdown” by Heltah Skeltah. It features the squad as Native Americans preparing for battle. Adorned with beads, feathers and headdresses they dance around a blazing fire while trading verses. Other notable highlights include “Who Got The Props” featuring a super hyped Buckshot, the remixed version of “Buck Em Down” that had heads buggin’ in the early 90s and BCC’s collaborative introduction “Headz are Ready” which pays homage to the famous training sequences from the film Rocky.

It would have been nice for the video’s to appear in chronological order enabling viewers to see the progression of the group. Also, album and director credits for each video would have made it feel a bit more complete. Those minor complaints not withstanding, this DVD would be a welcome addition to the collection of anyone still p##### off that Rap City canceled Old School Wednesdays!

Bang For The Buck

Artist: Ugly DucklingTitle: Bang For The BuckRating: 2 1/2 StarsReviewed by: Brandon Edwards

Relentlessly determined and optimistic, ugly ducklings are the ones that no one wants: the hideously unloved and underappreciated. As the tale goes, the ill regarded fowl eventually transforms into the beautiful swan, adored by all. This isn’t the case for the Long Beach rap trio Ugly Duckling amidst the valiant effort they put forth on their latest full length Bang for the Buck (Fat Beats).

Diving in you feel instant Juice era, late eighties, early nineties rap music. Production sizzles and skates forward as the up-tempo opener and title track infuses bells with a hype snare and focused bass. The fingers behind the boards, Young Einstein, get busy on the majority of Ugly Duckling’s tracks employing everything from horns, high-hats and fancy key work to get the job done. The nostalgic experience and steady groove put you in a goofy party-boy mode, but the songs are still dressed to party by an average old-school tailor.

Andy and Dizzy know how to have fun with Hip-Hop. Life is definitely about not taking yourself too seriously and this pair of confident lyricists flash a friendly smile at the mic and let go a mockingly pathetic laugh at the entire industry. But their independence and unique sound is hard to grasp and even harder to listen to. Yeah, they got an old-school flavor but it’s the type of ingredient that makes jerk chicken inedible and gets a gin and tonic sent back for having 90% tonic. These guys definitely have a cool love for the music that sets the stage for a positive bond with the listener, but only if you’re a wannabe skater and hippie backpacker. Lame hooks straight up ruin songs like “Yudee!,” “Smack,” and “Lower The Boom.” “Shoot Your Shot” says it all and fails to body anything, “There’s no competition, so I don’t listen/ you think you’re dope here’s a penny, go wishing.”

The rap scene today is in dire need of balance. Between the overbearing corporate shuffling of murderers, drug dealers and Trump imitations, California’s revolution is gearing up for round three in the rap game [NWA, Death Row would be one and two]. It feels like a breath of fresh air is on the horizon, unfortunately Young Einstein, Dizzy and Andy aren’t sonically prepared to factor into that equation.

Drive Slow (Mixtape)

Artist: GLC & A-TrakTitle: Drive Slow (Mixtape)Rating: 3 1/2 StarsReviewed by: Conan Milne

If you want something done, do it yourself. While Chicago’s GLC could have sat back and waited for Kanye to release his major label debut, the rapper instead takes the admirable route of creating a buzz for himself without the aid of the normally ever-present Good Music leader. Teaming with ‘Ye’s tour DJ, A-Trak, GLC offers up Drive Slow, a mixtape with all the makings of a first album.

After an acclaimed performance on “Spaceship” on the Louis Vuitton Don’s The College Dropout release, several tracks on Drive Slow prove that GLC is much more than a one verse wonder. Reworking The Game’s#### “Dreams”, the rapper pledges his loyalty to Chi-City with the self-referential “The city where he from? He even put it on his arm!.” His deep, booming drawl sounding right at home over the thuds of the beat and the “ah’s” of the backing vocals, the casual listener could be forgiven for thinking that the cut was tailor made for West’s protégé and not the West Coast savior.

Drive Slow works best, however, as a showcase for the different styles that GLC can deliver. While he serves up notable punchlines on his afore-mentioned take on “Dreams”, “Can’t Complain” shows that this talented newcomer will not be denied, having overcome personal tragedy to attain his label deal and putting it best when he states briefly, “I lost my mom, and I lost my man, but I never lost my grind/It’s my time”. “Space Age Pimpin”, on the other hand, sees GLC spit explicit lyrics over a soothing, other worldly sounding beat. All the while, A-Trak spins the tables and shows just why he’s garnished such acclaim from impressed concertgoers, besides turntablism fans, across the globe.

At less than 50 minutes, including a handful of somewhat unnecessary skits, this project could have done with a slightly larger tracklist. Some may be disappointed that Kanye is noticeably absent, although this only allows GLC to display just why he’s next up to claim the fame. While the rapper may be easing on the gas on this release, the music served up here suggests that the self-titled “bad seed of Good Music” is ready to get into the race began by Mr. West, John Legend and Common, respectively, and is capable of carrying the Good Music baton.

Man Files $20 Lawsuit Against Snoop Over Assault

A Seattle area man has filed a $20 million lawsuit against rapper Snoop Dogg, The Game and several other rappers, claiming he was beaten onstage during a concert at the White River Amphitheatre.

Richard Monroe II, 25, is suing Snoop Dogg, The Game, Kurupt, Snoopafly and others for assault and battery in Los Angeles Superior Court.

Monroe alleges he was encouraged to come onstage and dance during a May 2005 concert featuring Snoop Dogg, The Game and Oowee. 

After climbing onstage and attempting to put his arm around Snoop as the rapper performed his hit single “Gin and Juice,” Monore, who stands 6’3, said over a dozen people, including Snoop Dogg, punched and kicked him on stage.

Monroe also stated that the rappers poured liquor on him, ripped out his earrings, stole his cell phone, watch and wallet.

“They beat me like a slave,” Monroe said shortly after the incident. “It’s horrible. They just went too far.”

Monroe was treated at the Auburn Regional Medical Center for bruised ribs and a broken nose.

Fan accounts of the incident vary, with some bystanders claiming that Monroe attempted to rush toward the artists on stage.

D12 Member Swift Attends Proof’s Funeral, Judge Issues Bench Warrant

A judge has issued a bench warrant for D12 member Swift, who missed a court hearing yesterday (April 19) to respond to charges that he violated his probation.

Swift, born Ondre Moore, now faces up to three months in prison for the infraction.

He was attending the funeral for slain group member Proof, who was gunned down during an argument inside a Detroit nightclub on April 11.

Swift and other members of D12 acted as pallbearers during the final services for Proof.

Judge Brian Mackenzie of Novi County acknowledged that Swift attended the funeral but issued the warrant anyway, stating that the rapper has made no effort to comply with the court order.

Swift pleaded guilty to a charge of operating a vehicle while visibly impaired in October 2005.

He was ordered to stay clean and sober during his probationary period.

According to reports, the rapper violated his probation last week, by registering blood alcohol levels of .079 and .084 in court-ordered drug tests.

Thousands Attend Funeral For Rapper Proof, Police Investigate Bomb Threat

D12 Rapper Proof was laid to rest yesterday (April 19) at the Fellowship Chapel in Detroit.

Proof, born Deshaun Holton, was shot multiple times and killed inside the C.C.C. club on 8 Mile Road on April 11, during a dispute with a bouncer.

Thousands of people including Eminem, 50 Cent and Obie Trice, attended ceremonies for the slain rapper.

“He taught me how to be a leader,” Eminem said. “I’m sure everybody who ever met him – even just once – can testify to the fact that he illuminated a room when he walked in it. He was a magnet. He lured you in. You wanted to learn about him, follow his swagger. Without Proof, there would be no Eminem, no Slim Shady, no D12. You’re the man.”

“Our community suffers the loss of another young man, who reflects the fact that those whom we love are dying too soon and leaving too quickly,” Reverend Wendell Anthony said during the eulogy. “The other family has also suffered a loss. Two families – both now grieving, a community now grieving.”

Anthony was referring to the death of 36-year-old Sgt. Keith Bender Jr.

Bender and Proof were allegedly involved in a heated argument that eventually turned deadly.

Police claim Proof knocked Bender to the floor, shot him and was prepared to shoot again, when Bender’s cousin Mario Etheridge shot and killed the rapper.

Bender, 36, died from his wounds on Monday (April 17).

Etheridge, 28, has been charged with weapons violations for shooting Proof multiple times.

Etheridge pleaded not guilty and has been released on bail.

In related news, Detroit police are investigating a called-in bomb threat that was made during Proof’s funeral.

Detroit police brought K-9 units to the Fellowship Chapel and searched various cars near the entrance of the church, but nothing was found.

Hood Surgeon: The Difference

When Dr. Dre acknowledged his extended brother Warren G’s referral of Snoop Dogg, “Deep Cover” was born. History may repeat itself now that Dr. Dre has met his son, known to many as Hood Surgeon. While the junior Compton native strikes comparisons to his father in appearance, he promises to also pack a “monster” sound behind the boards.

With So Hood Records, Hood Surgeon promises to bring the hood back to Tinseltown – with any one of his ten artists. The blossoming artist tells all to AllHipHop.com in regards to his father, his goals, and the credibility of a former Compton classmate. Doctors and surgeons are one in the same, and in this case, so is their hood. But will Dr. Dre and his son have a similar Hip-Hop legacy? Time will tell.

AllHipHop.com: I know that everybody has a lot of curiosity about you know, your relationship with your dad and everything. Can you speak on that a little bit?

Hood Surgeon: Yeah, a little bit.

AllHipHop.com: How is he?

Hood Surgeon: My dad is cool. I’m just doing my thing. I’m going through the grind like he did, like he had to go through. And so that way when I get it, I’ll respect it more, even though it’s there.

AllHipHop.com: Oh okay. So you don’t, do you ask him for help?

Hood Surgeon: No, I’m my own man. I’m capable of doing [the] same thing he did, you know. And you know how you respect something more if you can do it on your own.

AllHipHop.com: Were you close with your dad growing up?

Hood Surgeon: On that one, that’s really like personal because it’s like really something I don’t want to discuss about the childhood growing up, ‘cause I’d rather let them hear about that in the music, you know what I mean? I’ll put it like this: I went through the same thing he been through. So I just put it like that, so…I’ll tell y’all this though, I met him when I was 21. I didn’t know him growin’ up. I just, we just was right up under each other’s noses basically, not knowing that, you know, that that was my pop and he didn’t know I was his son, ain’t s**tting.

AllHipHop.com: Yeah, yeah. But you know it’s funny because you, you closely resemble him. I mean you know you really do look a lot like him, you know in the pictures that I see at least, you know.

Hood Surgeon: F**king identical.

AllHipHop.com: How was being raised in Compton for you?

Hood Surgeon: Oh man, I mean, s**t it was rough. Like, I’m just like him you know, he’s a little bit darker than me that’s all.

AllHipHop.com: You produce as well, right? You rhyme and produce, right?

Hood Surgeon: Yeah, when I was 12, ‘cause I found out, my mom told who my real father was. Ever since then, I started rapping, I wanted to be like him all his life, you know. You know, all that s**t. This type of s**t, this type of s###, like some of my good friends don’t even know, they sit here like, ‘Damn.’

AllHipHop.com: Well, thanks for being candid.

Hood Surgeon: No, what I’m here, I’m here for the truth. I speak the truth. Know what I mean, that’s [the] main thing with me.

AllHipHop.com: So production-wise, you know your own style. How would you describe it for people that may not have heard your stuff yet?

Hood Surgeon: Monsterish. Everything’s big. I don’t do little s**t. Everything is big. Not even to be like that, it’s just you know we do everything big, you know like a big statement. [I’m] bringing the West Coast back, we can’t come with no little bulls**t.

AllHipHop.com: Other people talk about bringing the West Coast back: Game and Lil’ Eazy-E. Have you made any connections with those kind of guys or anything like that?

Hood Surgeon: Yeah, I know them, yeah.

AllHipHop.com: Yeah are y’all cool?

Hood Surgeon: I’m me. They’re them. You know what I mean? They’re artists too, so we all, you know they’re in the, you know, they doing their thing for the West Coast.

AllHipHop.com: Okay, now with So Hood Records, you’re like the CEO of So Hood Records?

Hood Surgeon: Yeah, I’m the founder/CEO of So Hood Records.

AllHipHop.com: Okay, what made you start your own label as opposed to you know trying to use obvious leverage?

Hood Surgeon: Like most the people that I got, I don’t go and get people from Hollywood. I get people from the hood. I know how to run s**t. People from Hollywood, they’ll quit when s**t gets rough, you know what I mean? I got people that have been through the stuff, so they gonna hold it down regardless, whether we got money whatever we doing, you know what I mean?

AllHipHop.com: How many artists you got?

Hood Surgeon: There’s about 10 of us, honestly.

AllHipHop.com:What are you talking about on a record? What are we gonna hear?

Hood Surgeon: It’s like, you know you’re gonna hear the struggle I went through – hear how amazing it is now. [My] single is called "Paradise." I got a mix[tape] that’s on the street now called The Autopsy.

AllHipHop.com: What’s Compton like these days man? Is it the same or has it changed?

Hood Surgeon: Oh man, hell yes, it’s the same. I mean usually you can catch motherf**kers just nestling up, fighting or tripping. You know what I mean? It’s more shooting, know what I mean, honestly say, it was kinda, well I ain’t saying it was less, little bit less shooting. Motherf**kers can [check up on] my s**t and see what I been through and where I grew up at, and they’ll see that I’m not lying. I’m not gonna say I was out there shooting motherf**kers and doing all that, but I grew up around that, so I might speak on something that happened around me in my music. ‘Cause they ain’t gonna hear me say something I didn’t do.

AllHipHop.com: Do you feel other artists do that now?

Hood Surgeon: Oh yeah, lot of artists do that, [such as] Game.

AllHipHop.com: Yeah?

Hood Surgeon: He is the West Side story. I ain’t tripping on that fool though, man.

AllHipHop.com: Yeah, yeah now —

Hood Surgeon: I don’t know, he’s just scary man. I mean I don’t know.

AllHipHop.com: Yeah, he’s real cool with your dad though. Has there been, you know —

Hood Surgeon: Yeah, I just know the real on him, man. I went to school with him. He ain’t nobody.

AllHipHop.com: Nah, nah saying it sounds like a little friendly competition going right now. Now it’s funny to me because Game kinda was seen as, you know the new NWA so to speak —

Hood Surgeon: Nah, nah. You know what it is? I ain’t even gonna say it’s competition. It’s just look and see who’s better. You know what I mean? He ain’t f**king with us over here, man. I honestly, honestly could say, my sister and like my pop, man. You know what I mean, like honestly the n***as that I’m with, we head-busters man. We, my people we escorted Game at the club in Rosaritos, so. ‘Cause he was scared and s**t, you know walk through the crowd with him and stuff.

AllHipHop.com: Anything else you want to say to people or relay?

Hood Surgeon: Man, f**k the world. The West is back.

AllHipHop.com: I don’t know how y’all feel, but I feel like Game did a good job bringing the West back to the forefront. You know what I’m saying, ‘cause —

Hood Surgeon: He did a good job as far as sending the resume to the West Coast.

AllHipHop.com: Yeah.

Hood Surgeon: I’m gonna get the job. We ain’t getting the national recognition. Honestly, the only person that can bring the West back is probably my pop, in a real way, so who better than his son?

AllHipHop.com: Let me ask you this, this is more of a personal question, but when is the damn Detox album coming out?

Hood Surgeon: He working on it.

AllHipHop.com: Yeah, okay.

Hood Surgeon: I am the Detox.

CHECK OUT HOOD SURGEON’S VIDEO, “MALPRACTICE.”

Bubba Sparxxx Heads To Germany To Support U.S. Troops

Bubba Sparxxx is the latest rapper recruited to perform for United States troops stationed overseas.

Sparxxx will perform May 11 at Kaiserslautern, Germany’s Rhine Ordnance Barracks as part of a United Service Organizations show, while fellow rapper Master P will appear with country singer Lee Ann Womack June 14 at Caserma Ederle in Vicenza, Italy.

The performances are part of a group of scheduled concerts featuring American artists, according to Stars and Stripes’ European edition.

While some shows are scheduled during welcome home ceremonies for service members returning from downrange, all military identification cardholders and individuals with access to U.S. military installations are welcome to attend, said Heather MacTavish, touring entertainment program manager for Installation Management Agency-Europe.

The concert series kicks off May 3 with a performance from ’70s funk group War, who will take the stage at Sullivan Barracks in Mannheim, Germany, to welcome home the 5th Signal Command.

Alternative rock group Lit will play Giebelstadt Army Airfield, just outside Würzburg, Germany, on May 19.

Plans for a live radio broadcast of the concerts are also in the works, said MacTavish. All shows will be free.

Master P also performed in March in Vilseck, Germany, for returning troops.

Sparxxx will be playing for European Command personnel for the first time.

Ed Lover & Celebrity Rappers Bowl For Katrina Victims

Hip-Hop pioneer and radio personality Ed Lover is set to host Bowling with the Stars, a charity event that will aid the thousands of residents displaced by Hurricane Katrina.

The affair will be held April 22 at the recently reopened Harlem Lanes Bowling Alley in New York, starting at 8 p.m.

Nas, Russell Simmons, Fabolous and DJ Red Alert are among the Hip-Hop figures expected to attend.

Ed Lover hopes to provide shelter and housing for victims displaced by Hurricane Katrina.

“There are still thousands of survivors left homeless by this destructive act of nature. We intend to help them by visiting various local parishes and communities in the stricken area and speaking with the homeless about their needs and current situations and what measures would need to be taken to relieve their current plight. We will then initiate the steps required to help as many as possible,” Ed Lover stated. “We estimate these events will raise enough money to be able to house a minimum of 20-30 people in hotels for a month and repair 10-15 houses. We intend to house, repair and help people, until our funds run out.”

Bowling with the Stars and the process leading up to the event will also be filmed and aired on Ed Lover TV, an Internet-based television show that connects him with his fans.

“We will be editing all of the footage and airing it on Ed Lover TV as we go along,” said Ed Lover, who hosts a show on New York’s Power 105.1. “This footage will show real people doing real things to help real survivors, as well as the events that helped raise the money to help. The only actors you may see will most likely be bowling.”

IVNet.tv, a global Internet television network that streams media worldwide, produces and hosts the Ed Lover TV show and Web site (www.edlover.tv ).

YaYa DaCosta: Dancing On Air

YaYa DaCosta is more than just a pretty face. As a triple threat of actor, dancer, and model, she has set out to take the industry by storm since her time on America’s Next Top Model. While many reality television stars utilize their newfound fame as leverage for an entry into acting, YaYa’s been doing this for years. Her latest project Take the Lead has given YaYa the role closest to herself – a young woman who finds her inner strength through dance.

Speaking with YaYa, she recounts her days on the set of the film, learning a brand new dance style and her early struggles as a dancer. Let’s not forget to mention, she’s an Ivy League graduate and connoisseur of World music. With both brains and beauty, Hollywood better brace itself.

AllHipHop.Com Alternatives: For those who have not yet seen Take the Lead, please describe your character.

YaYa: My character’s name is Lahrette Dudley. She is a 17-year old girl who spends her afternoons in detention in a New York City public school. She’s a good girl that hasn’t had the easiest life. She raises her younger siblings while her mom turns tricks. [laughs] She’s really finding herself, kind of like an ugly duckling becoming a swan through ballroom dance. Antonio Banderas plays Pierre Dulaine, who’s a real life ex-ballroom dance teacher who really helped a bunch of kids like the ones in the movie find their inner strengths. It’s a really beautiful story and I’m glad that I got to be a part of it.

AHHA: What was it like working with Antonio Banderas?

YaYa: It was great! He’s a really serious actor so it was nice to see him on set, nice to see him prepare, nice to see him work. But then at the same time, he was a really cool down to earth guy. He was really friendly and hung out with everybody when the cameras were off. We had a ball.

AHHA: Did he really grasp the Hip-Hop culture the way he perceives to in the movie?

YaYa: Well I think the point of his character wasn’t to get down completely with Hip-Hop, but only to the extent that he could connect with the students and gain their trust, which he did totally. I mean in real life, he danced with us occasionally. He has rhythm – he’ll tell you that he’s not a dancer- but he’s good! It was just more about the universal aspect of dance that is fun, and when you’re dancing you feel good. He was able to transform that same feeling from the Hip-Hop to the ballroom. He didn’t necessarily have to pull his pants down and turn his baseball cap backwards to make them believe he was one of them. Obviously he wasn’t, so that was the whole appeal too!

AHHA: How did your past dance training play into your role?

YaYa: I had danced on and off my whole life, actually doing different styles like ballet, modern, West African. But I’d never done ballroom dancing before, so this was really new and exciting for me…and everybody! All of the actors started from scratch [with ballroom dancing]. Some people had dance experience, some didn’t, but we all just learned it together and grew together.

AHHA: Was it difficult to learn ballroom dancing, especially with a dance partner?

YaYa: Yeah it was definitely harder than I thought it would be. As a woman, you are actually following and never know what the next step is gonna be. Someone’s hand indicates. So it’s nice, a totally different kind of dance.

AHHA: Was acting something you’ve always wanted to pursue?

YaYa: Absolutely. I had done educational films when I was younger, and had a great acting coach when I was eleven years old, in public school actually. We had electives, so my school was a little different than the one we had at John Drake, but one of the teachers that inspired me was Ann Ratray. After college I got back in touch with her, and through her got a manager and started going out auditioning for things.

I found this audition [for Take the Lead] and the casting director cast me without ever seeing my face [in person] before. They didn’t see me on TV, just my audition tape, which was nice. You approach this as an art, and want people to see you as an artist. It was really crazy because the casting director said, “If I had known you had been on reality TV, I probably wouldn’t have cast you.” That was crazy to hear because some people think that it’s helpful, but sometimes it’s not. It was a very organic process, I loved working with everyone there, and yeah just definitely encouraged me to go out and door more and get better and better.

AHHA: Did you feel that it was easier this time behind a camera, playing a character, as opposed to America’s Next Top Model?

YaYa: No, because you’re not really yourself on television, and acting is definitely a craft that takes a lot of concentration and skill. It’s a lot harder than it looks. That’s why I’m working to get better!

AHHA: Do you mind the constant attachment to America’s Next Top Model?

Yaya: I don’t really talk about it unless someone brings it up. I tend to forget about it. I know they still air it on the marathons on VH-1. I forget that it even happened sometimes, because I’m so into what I’m doing now. I mean it’s fine; it definitely was an experience. It had its wonderful moments and had its useful moments. I definitely have moved on. It’s interesting how people still attach me to it, but I think with the more that I do- because this is a field in the public eye- people will associate me with Take the Lead and other projects that I’ll do! In due time.

AHHA: What was your college experience like at Brown University?

YaYa: It was college. I was actually really curious because people make such a big deal about Ivy League schools. I researched why they are called “Ivy League” and I mean yeah, they are some of the best schools with the best faculty, but lots of colleges are hard that are not Ivy League. When I was applying to colleges in high school, I almost went to Swarthmore, which is not Ivy League but was rated the best college that year. Part of me thinks I should have gone there, because that was a full scholarship and no loans, unlike here at Brown. I thought it would be great to go to an Ivy League, but now I have all these loans to pay back, so all of my money goes there.

However, it was a wonderful experience, [laughs] and I loved the freedom to take all different kinds of classes since I am interested in so many different things. Brown allows you to take a little bit more time exploring than other schools do. It’s a great school; they have a great president, Ruth Simmons. I’ll give her a little shout-out! It was a nice community; I loved being in Providence. People are just running around, doing their thing and encouraging each other, rather than New York where everyone’s always in competition. That’s one thing I’ve grown to dislike: malicious competition.

AHHA: Since you are a very spiritual person, how does that spirituality translate into your dance?

YaYa: That’s a nice question. I think in any setting. Right now I mentally went to this Congolese dance class at the YMCA, and then I went to a ballet class, and then I went to the club where it’s late – but you really don’t wanna go home because you’re having too much fun. No matter what setting I’m in, there’s a certain level I’m really releasing. That can definitely be a spiritual practice. It’s a way to massage your heart; you’re paying attention to your most basic instincts. When you get to that place, you don’t care that people are looking at you. You’re not trying to do the latest dance move; you’re just doing what feels good with what the music indicates. That’s true abandonment and is really beautiful.

AHHA: What’s your opinion of dancers in Hip-Hop videos?

YaYa: [laughs] One of my favorite cousins is a guy and we’re about the same age. When we were younger, we used to dance a lot. He did more breakdancing and I did more… well whatever dance class I felt like taking that day. He was working [in dance] and I wasn’t. I was working in retail and proofreading, and I really wanted to dance. It’s so hard for dancers sometimes, because music videos are one of the few things you can get if you’re not in a company, which is really hard to do. So he was getting all of these jobs in music videos and dancing backup for this person and that person. And you know the kind of dancing I thought was like dancing backup for Janet. You know, people who actually dance.

But you know so few videos these days really have people dancing. I mean, yeah they’re dancing, they’re freakin’ it. But it’s more dancing you can find in the club, it’s not necessarily trained dancers, which really turned me off as a teenager. I would get to some auditions and be like “What?!” It’s hard because you never know. All you know is the name of the artist, and you just go to the audition because you love to dance and you need work. It’s really hard to discriminate, especially as a starving artist. So I decided not to really get into that, but it’s unfortunate. I love to see dancing in videos. It’s a treat now when something comes on and the background dancers are actually dancing! Because anybody can drop it like it’s hot.

AHHA: What music are you currently feeling?

YaYa: I’ve actually been listening to a lot of foreign music recently, because I haven’t had many people to talk to that much to practice speaking non-English. Just listening to lyrics in French or something. I like Youssou N’Dour; he’s from Senegal. He has this one song that’s half in English/half in French. “Seven Seconds Away” is like my new favorite song. But yeah I like to explore in what people like to call World music. I love real instruments. I’ve always been Mary J. Blige’s biggest fan. I’ve loved me some Mary! Always. Always. Ever since What’s the 411? she’s been my girl.

AHHA: What’s next for YaYa: more modeling or more acting?

YaYa: Honestly, it’s always been about acting. Modeling was fun, but a bit of an interlude. Acting’s hard work so we’ll see what’s next. I’m just trying to learn the craft and get better at it, and we’ll see what happens!

AHHA: If you weren’t here, where would you be?

YaYa: If I weren’t here doing this, I’d be here…in New York…trying to do this! [laughs]

Dead Prez Headlines ‘Bigger Than Hip-Hop’ Tour In The UK

Dead Prez will head to the UK later this month to headline the “The Bigger than Hip-Hop Tour” to raise money for charity.

The event organizers have been working closely with groups that are speaking out for human rights, issues on the war in Iraq, as well as equality and justice.

The event has been organized independently and is aiming to incorporate political awareness and charity fundraising by hosting a Hip-Hop tour.

The tour will also showcase various UK artists, including Blak Twang, Klashnekoff, 1Xtra’s Rodney P and Skitz as well as many other underground acts and DJ’s.

“The participation of all these organizations is testament to the need for more community activism,” tour organizer Kate Glinsman said. “It is crucial that this generation understand the philosophy and guiding principles behind positive action to create a united and progressive society. It’s about more than music, but it’s a great place to start.”

The tour will commence on April 27 and will end in London on May 4.

A third of the money raised will go to charities like “Justice for Colombia” and “AfriKids” – a charity working in the eastern region of Ghana that aspires to improve the quality of life of children by providing education and health care.

“Love Music, Hate Racism,” a UK organization will also be supporting the event and will introduce key speakers to spread the message and awareness of anti-racism.

They will be urging people to vote against the British right wing political party, “British National Party” at the next UK elections.

Master P Comments On Lil’ Romeo’s Beef With Bow Wow

Master P. has come

forward to discuss the brewing rivalry between his son Lil’ Romeo and Bow Wow.

The two rappers

have traded veiled disses in rhymes, but the feud reached it’s peak when the

two rappers crossed paths backstage at Nickelodeon’s Kids’ Choice

Award show, on April 1st.

According to Master

P., accounts of their run in have been exaggerated.

"We

have nothing against Bow Wow. His bodyguard used to work for me so I was hollerin’

at him. Romeo wanted to holla at Bow Wow, but he [Bow Wow] didn’t want

to talk," Master P. told AllHipHop.com. "He ran in his trailer. Bow

Wow better be lucky he got a good person with him, which is his bodyguard, because

Romeo wanted to go in the trailer."

Apparently the

beef between the young stars started when Bow Wow allegedly dissed Lil’ Romeo

on the track, “Fresh Azimiz,” in which Bow Wow states he’s “18

and making more than your dad.”

The line didn’t

sit well with Lil’ Romeo, who stars in his own hit Nickelodeon television show

titled Romeo!

“I

just think Bow Wow done sold a couple records and got real cocky, and forgot

where he came from,” Master P said. "He [Bow Wow] done dissed almost

everybody in the industry. How you gonna diss Will Smith? Then he came back

and dissed Ronald Isley, Omarion, and now he’s taking shots at Rome. Bow

Wow is older now. When you diss someone, you have to be accountable. To us,

when you’re 12 years old you’re a man in the hood. So I just think

right now [Bow Wow] gotta stop getting beside himself and realize that it’s

real out here."

Lil’ Romeo released

a new single and video titled "U

Can’t Shine Like Me," taken from his upcoming album, God’s Gift. The

album is being released on Guttar Music, a new label headed by the rapper.

While "U Can’t

Shine Like Me" doesn’t mention Bow Wow by name, Master P. said "if

the shoe fits, where it."

“Rome is

just talkin’ about how he’s livin’ and that’s how he’s livin’.

He’s representing New Orleans; he’s representin’ the streets.

He’s a hood star. Hopefully this record and the album that Romeo got will

put [Bow Wow] in his place.”

Master P. offered

to end the beef between the two rapper’s with a Pay-Per-View boxing match, in

which all proceeds would be donated to charity.

"If you wanna

get in the ring and squash it, put some boxing gloves on and we can set up a

fight," Master P. said. "Put the gloves on, that’s how we did it every

time we had a problem."

Lil’ Romeo’s new

album God’s Gift is slated to hit stores before the end of 2006. For

more information log on to http://www.guttarmusic.com.

Food & Liquor (Bootleg)

Artist: Lupe FiascoTitle: Food & Liquor (Bootleg)Rating: 4 StarsReviewed by: Illseed

Sorry, but the almighty AllHipHop.com doesn’t condone rips, burns or copping joints from seedy looking cats on the street. Don’t take loot out of Lupe’s pocket, even though a record deal with Atlantic and a Reebok shoe deal means said pockets ain’t seeing no lint.-The AllHipHop Staff

Stepfather

Artist: People Under The StairsTitle: StepfatherRating: 3 1/2 StarsReviewed by: Conan Milne

Although other seminal West Coast Hip-Hop acts such as Dilated Peoples and Jurassic 5 have gone on to achieve some sort of mainstream acknowledgement, this sort of commercial success has evaded the People Under The Stairs (PUTS) thus far in their career. Nonetheless, the duo of Thes One and Double K have released consistently strong LP’s at an impressive clip and their latest, Stepfather (Basement Records), is no exception.

Followers of the pair will know that PUTS have a unique ability of crafting modern music that shows a great influence from old-school jams. This is evident as early as the first track proper “Step In”, where the listener joins a Hip-Hop sermon in session. Over blaring, surprisingly fast paced organ jabs and crackling drums, rhyme slinger Double K quickly preaches wise words to weaker members of the parish when he confesses that, “Your rhymes worth a penny man, somebody said they was a quarter,” before going on to dismiss said people’s skills as “chump change”. K’s energetic raps, coupled with the sudden instrumental and the brash chorus of “You know who we are and you know we be,” makes for a perfect introduction to the album. The self explanatory (and sadly brief) “Letter to the Old School”, meanwhile, sounds like it was frozen in time many years ago, due to the vintage rhyme patterns and sparse drums.

Really though, PUTS are all about bringing back feel good Hip-Hop, and this is a clear strength of theirs. Although deeper issues are addressed on the likes of the emotional “Reflections”, refreshingly, Thes and K are happier to chill by the barbeque then wax lyrical about any potential drama that may affect them. On “Jamboree Pt. 1”, funky rhymes are exchanged over a wistful instrumental made for the summertime, while “Pass the 40” and “Eat Street”, unsurprisingly see the twosome enjoying fine drink and cuisine. The former is particularly notable for the fact that its vocals sound intentionally indistinct, again channeling an older era.

While Stepfather is unlikely to take these two talented music makers from under the stairs to overground stardom, fans and newcomers alike will appreciate this quality slice of Western Hip-Hop music, that combines their past jazzy sound with a fresher collection of instrumentation that includes live guitars and thumping bass. The old and new schools of rap meet, and together they sound pretty good.

Issues

Artist: CoppershotTitle: IssuesRating: 3 1/2 StarsReviewed by: Sidik Fofana

In an age where many rappers have waited for Moses to leave them unsupervised only to worship golden calf grills, we have closed our Bibles. We have surrendered to the unfortunate reality that the next Nasir Jones is somewhere wearing a hardhat on his way to a construction site or barely paying the fine for his overdue library books, never to get his proper exposure in rap’s history. Well, here is blue collar Hip-Hop’s newest offering, Coppershot. Comprising itself of MC Longshot and producer Copperpot, perhaps this MC/Producer duo is the Casper ghost of Eric B & Rakim, the Guru and Premier understudy, or even a new branch all together on Hip-Hop’s family tree. The one certain is that their album is called Issues and the flows on it are butter.

When the intro/title track bows in, Longshot’s intelligence and skill immediately snatches the boombox. This ain’t no bubblegum rap, no sir. This here is pure ol’ Chicago Tribune Hip-Hop. The duo even has Hip-Hop esteemed professor, KRS-One, give his lyrical stamp of approval on “Forgive Me”. Longshot definitely has his head on his shoulders, well versed in the problems of the day. He takes it as his social responsibility to enlighten the dimmer side of the world. Impersonating the president on “Forgive Me”, he spits, “Dear America four more years, we got ahead of us and I’m lead us to a brighter dawn/Whether right or wrong/We gonna stay in this war against terrorism/ and our troops ain’t never coming home.” Conscious lyrics that we’ve heard time and time again on Hot 97. Just kidding, of course.

Y’all ain’t hearing it, though. With a very vague idea of Longshot’s vocal style, you are waiting for a “sounds like…[insert heavyweight lyricist here]”. Well, upon a solid listening of “Never Stand Still”, where Longshot showcases magnificent breath control in his delivery, he can be arguably described as cross between Eminem and Aesop Rock. Not bad.

On the producer’s end, Copperpot supplies solid accompaniment with well-crafted but simple beat formulas. Nobody said good beats had to have complex chops and progressions. Copperpot is definitely not splitting atoms with his catalogue, but at the same time there are no disasters within it.

The issues with Issues lie very little in the actual music. Some may take issue with how the album is marketed. For instance, the CD’s cover is a bland picture of a meeting room circle empty folding chairs laid out in an Alcoholic’s Anonymous type fashion. People may not respond well to this cover, and the whole idea of the pair’s basing their album on their own dysfunctional tendencies (anger management, group therapy, jail, principal’s office) is a bit dubious.

Yet, all in all, lace a CD with a R&B harped single like “Save Me”, throw in some collabos with reputable MC’s like UK’s Braintax, keep it at 13 tracks with a couple of bonuses and you have not steered far from the ideal witches’ brew. Just go to the restaurant a.k.a the record store and give it a taste.

AHH Stray News: Big Boi, CCC Club Facing Closure, Russell Simmons, Guru

Virgin Mobile USA and Virgin Records announced today (April 18) that four ringtones from Big Boi will be made available exclusively to members of Virgin Mobile’s “First Dibs” program. The ringtones are “Body Rock” and “808,” as well as two exclusive alternate ringtones of the hit single “Kryptonite.” Each song is taken from the Big Boi’s compilation album Big Boi Presents… Purple Ribbon – Got Purp? Vol. 2, which was released in November 2005. “Big Boi’s music appeals to a broad spectrum of listeners,” said Dominick Tolli, vice president of Product Management and Development for Virgin Mobile USA. “He joins a long line of marquee artists who have chosen Virgin Mobile USA as a launch device for their music.”

Wayne County prosecutors in Detroit are attempting to shut down the C.C.C. nightclub on Eight Mile Road, where D12 member Proof was shot and killed. A civil lawsuit was filed against the owners of the club, claiming they were selling liquor after 2:00 am. Police also said the club was the scene of multiple shootings. Police stated 18 incident reports have been filed involving problems at the club since 1996. Prosecutors could order the property vacated or sold.

The Hip-Hop Summit Action Network and Chrysler Financial have teamed to present the “Get Your Money Right” tour at the Hammerstein Ballroom

in New York this Saturday (April 22) from 1:30-3:30 p.m. The national tour will make a stop in New York to teach fiscal responsibility to young people, aged 18-35. Nas, Fabolous, DJ Marley Marl, Ed Lover, Russell Simmons and Dr. Benjamin Chavis will be among the stars attending the convention, which will feature experts explaining the importance of financial literacy. “Hip-Hop is about improving the quality of life for all people, HSAN’s Founder, Russell Simmons said. “It is our mission to

raise the level of consciousness among young adults about the importance of financial literacy and empowerment. We are committed to

helping people get themselves out of poverty. We are thankful to Nas for co-hosting the New York Hip-Hop Summit and for supporting our mission.” The “Get Your Money Right” tour will travel to Miami (May 20), Atlanta (September 16), Los Angeles (September 30) and Dallas (October 14).

Gangstarr member Guru is working on the fourth installment of his Jazzmatazz series. The original Jazzmatazz was released in 1993. The albums pair Guru and other guest MC’s alongside legendary Jazz musicians and singers. Jazzmatazz Vol. 4 will be a dual-disc release that will be enterily produced by Solor and co-produced by Guru. According to Guru, Vol. 4 is the best in the long running series, which has featured such legends as Donald Byrd, Roy Ayers, Chaka Khan, Issac Hayes and others.

“The tracks Solar and I have laid down are incredible and it’s going to be the best Jazzmatazz yet,” the rapper boasted. Jazzmatazz Vol. 4 hits stores in 2007 and features appearances by Common, David Sanborn, Ronny Laws, Raheem Devaughn, Natasha Benningfield and others.