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Diddy Grants Wish To Cancer Patient

Sean “Diddy” Combs granted a wish to a Florida teenager stricken with cancer at a fundraising event over the weekend.

Chalon Keen, 17, was given the opportunity to meet the Bad Boy mogul as a part of the Make-A-Wish Foundation at the Chris Evert Children’s Hospital at Broward General Medical Center in Florida.

“I was just so choked up, she was so excited,” Ava Keen, Chalon’s mother, told the Associated Press. The teen was cheerfully tearful during the visit by Diddy.

Chalon, who hails from Sunrise, Florida has fought a form of cancer that produces tumors in her muscles. She and her doctors are exploring the possibility of getting a bone marrow transplant.

Diddy bestowed his gift to Chalon during Chris Evert’s annual charity tennis tournament in Delray Beach. The occasion has raised over $13 million dollars for needy and abandoned children.

Foxy Brown Nearly “Totally” Deaf

Foxy Brown, whose real name is Inga Marchand, is nearly deaf according to her lawyer, who made the announcement after a court appearance on Monday.

Attorney Joseph Tacopina made the revelation at Manhattan Criminal Court after he was seen passing notes with the rapper in court, reports the New York Daily News.

“She’s pretty much totally deaf now,” Tacopina said. “She can’t hear me. We have to write things back and forth. Anything I have to communicate with her now has to be written. It’s dialogue, communication.”

The Def Jam artist has already undergone one surgical procedure to relieve her hearing loss and is expected to have another to help restore her ability to listen. “Hopefully it is reversible. She has to undergo another surgery,” Tacopina said.

Earlier this year, Brown revealed she suffers from a rare condition called sudden sensorineural hearing loss in both ears. “I started breaking down in tears and screaming and I couldn’t even hear myself scream,” she explained to People magazine. “I know God is working on me. I’m on a personal journey. I believe God wants to be the only voice I hear right now. I know I will be all right.”

In addition to her health condition, Foxy Brown must contend with her legal status, where the 25 year old stands charged with misdemeanor assault, attempted assault and harassment.

Brown is accused of punching and kicking two employees of a nail salon after they allegedly refused to let her leave the salon without paying her bill. According to the Daily News, Judge Melissa Jackson adjourned the case until December 23. Brown has steadfastly maintained her innocence and rejected two plea deals that would have kept her out of jail.

Brown reportedly turned down the deals to avoid a criminal record and to circumvent a costly civil suit.

Brown’s highly anticipated album, Black Roses, is expected to hit stores in 2006 in spite of her legal and health matters.

dead prez, Chuck D., KRS Support South African Hip-Hop

The inaugural Baobab

Urban Youth Conference (BUC) will take place on Dec. 9th in Cape Town, South Africa.

The event will feature a keynote address from dead prez, as

well as recorded video messages from KRS-One and Chuck D.

Various South African artists including Emile Jansen, the BeatBanagaz,

Embawula will also deliver speeches.

Project Director Shamiel Adams describes the event as an important

step in educating youth and reaching a generation bombarded by commercialization.

"Combined with certain aspects of globalization, the explosion

of mass media and information technology have made it increasingly complex to

reach young people with alternate information," Adams said. "The disproportionate

balance between commercial and development info is worrying, and this goes across

the economic divide. The need to reach young people is urgent."

In combination with the special guests, the conference will

have workshops, concrete action programs, film screenings and an awards ceremony.

The event will be in a conference setting but will mix youth

culture elements to make it more appealing to the younger people in attendance.

"We understand and respect the standard conference formula,

but we don’t believe it works optimally for young people," said Shamiel.

"We have designed a program that we expect to revolutionize young people’s

experiences of conferences."

A similar conference will be held in Amsterdam on Dec. 17.

For more information

you can check out www.baobabconnections.com.

Wrestler Diamond Dallas Page Sues Jay-Z Over Pyramid Sign

Wrestler Diamond Dallas

Page has filed a lawsuit against Jay-Z for unlawful use of his "Diamond Cutter"

hand signal.

Page, born Page Falkinburg, filed the lawsuit in Los Angeles

Federal Court, claiming he trademarked the rights to the diamond-shaped symbol

in 1996 and has used it for wrestling and other entertainment ventures on multiple

occasions.

Page contends that Jay-Z started using the diamond symbol years

after on various commercial products, including the cover of Dynasty: Roc La

Familia 2000 and Fade to Black.

Hip-hop fans are aware that the Def Jam President has used the

diamond sign to signify his Roc-A-Fella Records dynasty.

According to Page, he introduced the "Diamond Cutter"

symbol in 1996 on WCW’s weekly Nitro and Thunder programs.

The wrestler, who uses the sign on the cover of his new book

"Yoga for Regular Guys," also says he used the symbol on monthly PPV

events, WCW live events, and media appearances, including The Tonight Show with

Jay Leno.

Representatives

for Jay-Z or Roc-A-Fella were not immediately available for comment.

Pimp C. To Be Released From Prison, Bun B. Comments

After being incarcerated for nearly five years, Pimp C. has reportedly been granted parole and could be released before Christmas.

Born Chad Butler, Pimp C. is currently serving an 8-year sentence for parole violations on an aggravated assault with a deadly weapon charge.

The Port Arthur, Texas bred rapper was sentenced to prison January 28, 2001 and was not scheduled to be eligible for parole until late 2005.

On Saturday (Dec. 3), Bun B. announced the news that Pimp C. had been approved for parole and would be released soon.

“Words coming back that he’s been approved for parole and should be home in the next 60 days,” Bun B. told WHXT Hot 103.9 radio host Charlamagne Tha God.

“It’s definitely a blessing, it’s a beautiful thing. I hope that everybody will be able to burn the Free Pimp C. shirts real soon and throwing those caps away. Then we can start rocking the Welcome Back Pimp C.”

Pimp-C. and Bun B. formed UGK in the late 80s, releasing several major label albums with Jive, including Too Hard to Swallow, Ridin’ Dirty, and Dirty Money.

The rapper has also produced records for Master P, C-Murder, 3-6 Mafia, David Banner’s group Crooked Letters and has made cameo appearances on tracks by Jay-Z, David Banner, Young Jeezy and others.

Though incarcerated, Pimp C. released his debut solo album, The Sweet James Jones Stories, in March 2005 through Rap-a-Lot Records.

After being paroled, Pimp C. will remain under the State’s supervison until 2009.

Joe Budden: The IC Interview Part One

Joe Budden is easily one of Hip-Hop’s finest lyricists. He receives the adulation of countless fans that study his art via mixtapes or Internet leaks. He’s signed to one of the juggernauts of Hip-Hop, Def Jam. The New Jersey-bred MC has remained interesting through provocative, attention grabbing leaked records, but it’s still been over two years since his self-titled debut premiered. To make matters worse, Budden maintains, an early listening session for his second CD, The Growth, gave disappointed revelers only part of his vision.

If absence makes the heart grow fonder, Joe’s admirers could be considered lovesick stalkers. The Ill Community comprises the rapper’s most rabid supporters and they have persistent questions, continued comments, but mostly want to know what is going on with the man known as “the street’s No. 1 draftpick.” With that, AllHipHop.com gave one Joe Budden addict the unique opportunity to interview the rapper and in part 2 relays the queries of the community.

AllHipHop.com: Okay, so I’ve got Morlocks on the phone from the Ill Community. He posted a thread on the IC where he’s asked people to ask questions too, so what we gonna do is, basically—

Joe Budden: I just got off the IC, and I didn’t see that thread.

AllHipHop.com: It’s up there.

[Joe goes online, sees the thread. The interview begins.]

Morlocks: Yo. What up, Budden?

Joe Budden: Sup Morlocks.

AllHipHop.com: Okay, so first off, everybody on this wanted to know – what’s your situation man? Everybody’s waiting on the album. You had the listening party earlier in the year.

Joe Budden: That piece of s**t listenin’ party that you guys attended—but, anyway—nah, man, it’s the same thing with me. I’m in the studio every single day. I’m workin’ on somethin’, whatever that somethin’ is, whether it be a mixtape, whether it be an album, whether it be somebody else’s s**t, whether it be me helpin’—I’m been doin’ a lot lately. I’m doin’ a lot. I’m helping other artists.

AllHipHop.com: We heard you’re ghostwriting for some people…

Joe Budden: Yeah, yeah.

AllHipHop.com: People at Def Jam?

Joe Budden: Come on. That’s rule number of ghostwriting. That’s why it’s ghost.

Morlocks: So what are you writing for yourself lately? What are you working on?

Joe Budden: Well, I mean—I’m still workin’ on the album. I hate to say that. It just sounds so bland because that’s what artists will always say. I’m workin’ on an album, but I’m not gonna stop workin’ on my album until it’s on the shelves.

Morlocks: Why isn’t it on shelves yet?

Joe Budden: Well, I think that Def Jam, at one point, was moving forward as if the album were going to be released in August—which is why they had the meeting and invited [AllHipHop.com] up and a couple other people up to listen to some songs. But—no—me and the label actually had a conversation that [releasing the album] probably wasn’t the best thing to do. That’s why everything kinda got pushed back or moved back, which is why I wasn’t even at the meeting. I didn’t bring any of the music to the meeting, so they were really just workin’ with what they had, workin’ with the songs they had that were available to them. So, I really couldn’t be mad at ‘em for tryin’ to get things rollin’ and just tryin’ to be positive or do somethin’ positive, but it wasn’t the best thing to do at the end of the day.

Morlocks: Why did you feel it wasn’t the best time?

Joe Buden: Before the meeting they had—they put out “Gangsta Party” with Nate Dogg, and Jay was really big on that record, right? And I thought the record was pretty cool, and the record went out. And it was at 300 spins, but it stayed at 300 spins. It stayed around the 300 to 400 spin mark for about seven weeks. That must mean that was not time to come out, or that’s not the record to come out with. When I put a record out, I’m used to puttin’ records out on my own and the record doin’ what it does on its own and then the label comin’ in and doin’ what they have to do. That happened with “Focus”. That happened with “Pump it Up”. It happened with “Fire”. It happened with quite a few other records that I just sent out, and they would go onto all these spins and whatever have you. I never had a record go out and get 200, 300 spins and stay there. It’s either gonna add or it’s gonna minus.

Morlocks: Right. Do you think that the spins depend on the listenership or the work that the label does to push it?

Joe Budden: The spins depend on a few things. You let me tell it, the spins depend on the song. It depends on your relationships, and it depends on your label. But your label comes last. If I go in the studio right now, and I make a crazy record, I can go give it to DJ Enuff, and he can say, “Yo. This record is crazy,” but DJ Enuff, for some reason, might not f### with Joe Budden, and he might not play it. That’s not the case. I’m just using his name for an example. Or I could have such a great relationship with DJ Enuff, and I go bring him a record, and he’ll play it off the strength of our relationship, and he won’t play it off the strength of the song. Or sometimes you have records that are crazy, and you give it to DJs that you f### with, and then your label just won’t kick in in time. Not saying that that’s the case either, but the spins—it depends on quite a few things.

AllHipHop.com: It seems that without an album, your name stays very strong on the Internet. In fact, the Ill Community just posted a new song of yours called, “The Future” and fans are talking. What’s your take on the Internet?

Joe Budden: The Internet – it’s pretty funny, man. My whole thing with the Internet is: I just tried to go to what I thought was going to be the next outlet for music. Aside from that, I’m just on the Internet. So, I figure I’m on here so much—I’ve been on AllHipHop. I’m on my site. I’m on it so much, let me just f**kin’ start uppin’ some s**t and see what happens, and now it just has come to a point where I don’t even have to up s**t. S**t is just gettin’ leaked from all over the place. Sometimes it’s a good thing. Sometimes it’s a bad thing. I did not want that “Future” song to be released just yet. Don’t ask me how that happened, but f**k it. I’m just grateful, and I’m appreciative that n***as still know. And I only do it—I go so hard—as of late, I’ve been goin’ a lot harder on some rap s**t.

Morlocks: What do you mean?

Joe Budden: I don’t know. I feel like if my debut album came out in 2003, we goin’ on 2006. And when that type of s**t starts happenin’, when you start seein’ that big of a gap in between albums, either people—either you start to worry, either people start to forget about you, or people just think you’re wack and you fell off—-which is what I normally say about people. I normally say, “Damn. This n***a fell the f**k off. He’s horrible now.” —where in my situation it’s the exact opposite. I’m not doin’ anything but gettin’ better in the meantime.

AllHipHop.com: Independents aren’t restricting artists like that. Did you ever think of leaving Def Jam?

Joe Budden: I thought about that, and LA Reid kept it 100 percent gangsta with me, and he was like, “Listen. If you wanna leave, then I’ll let you leave with your music. If you wanna stay, give us the game plan, and that’s what we’re gonna do.” So, at the end of the day, I f**k with LA Reid because he always keeps it 100 percent funky. He never sugarcoats s###. He tells you exactly what it is, and he told me what it was. He said, “I’ll be honest with you. I don’t know what direction to go in.” And all I could do was respect it, so at this point, nah, I’m not gonna leave. I’m not leavin’ Def Jam.

Morlocks: But didn’t you diss Def Jam in a song?

Joe Budden: Not that I know of. Or [if I did,] it wasn’t intentional. But for years—ever since I been signed, Def Jam has been sayin’ I dissed ‘em, but I don’t be thinkin’ I dissed anyone. But that—not only Def Jam. Other artists, radio people, rappers, everyone also thinks that Joe Budden is throwin’ a diss somewhere at somebody. That is never the case. I just happen to be one of the only rappers out there that are completely honest in music.

AllHipHop.com: This summer watched Young Gunz and Memphis Bleek come out. I’m not trying to speak badly about anybody at Def Jam or anything, but do you ever wonder if there’s a higher reason why you haven’t come out?

Joe Budden: Am I being blackballed, or does someone have a grudge against Joe Budden?

AllHipHop.com: Yeah.

Joe Budden: Maybe. I don’t know. I’m hearin’ all these rumors about people sayin’ that Jay-Z is dissin’ me on the new song with Biggie, but people just—I don’t pay any of that any mind. Do I know for a fact that Jay knows that I am a way above average MC? Yes. How? That’s not important, but I do know that. So, it bothers me. It gets to me. It frustrates me. Sometimes it’s disappointing, the hardships, but anything worth doing takes a little bit of time.

Morlocks: On the IC they had a thread—a Joe Budden appreciation thread that everybody was basically chimin’ in on how you were possibly, right now, the best—maybe not—maybe the best or, if not, the top couple best lyricists out currently, and I was sayin’—you basically kinda said it, but how frustrated does that make you knowin’ that you are better than or at least people’s perception of you is better than a lot of the guys that are comin’ out and gettin’ a push—major push on Def Jam, and you’re not comin’ out at all?

Joe Budden: It’s frustrating, like I said, but, on the same note, I do understand it. I read the s**t on the IC sometimes, and, unfortunately—I did a track called “Dumb Out”, and it was on the IC, and it was on quite a few other places. And a lot of people heard this track, and, basically, I just dumbed out for about six and a half, seven minutes. And the tri-state area, the people up here, or the Joe Budden fans that know that Joe Budden goes in when he wants to—we’re blessed, and we’re fortunate ‘cause we get to hear it. There’s some other n***as in Houston and St. Louis and a few other towns down that a way that ain’t really gonna check for Joe Budden “Dumb Out” when they see that because they’re just used to “Pump it Up”, and that may not be their cup of tea. And I don’t blame ‘em. It’s not my cup of tea either.

Morlocks: Right.

Joe Budden: I don’t listen to the radio and wanna hear all of this f**kin’—I don’t buy albums to hear n***as. But I do understand it. I understand why n***as put out the things they do. I know that Nelly will outspit a lot of these n***as that’s rappin’. I know that to be fact.

Joe Budden: The IC Interview Part Two

AllHipHop.com: We heard you got arrested recently?

Joe Budden: No. No. No. No. No. No. [In my life,] I have been artested. I’ve been arrested quite a few times.

AllHipHop.com: For what?

Joe Budden: Oh, man. Bulls**t. Suspended license here, child support there, different bull—random bulls**t that people go to jail for for short periods of time, but, like I said, anytime somethin’ happens to me, I don’t go and call my publicist to tell her to make a big deal out of it. I don’t tell her to go and call the magazines and call the websites and call the radio stations. Not at all. Even a couple years ago when a dude in—put that gun in my car, and I ran and tried to hurt that boy, I didn’t make a big deal outta that. I don’t even know how somebody found out about it. I’m discrete. I’m on the low. I hate all the same bulls**t that comes with this rap s**t, but it comes with the territory.

Morlocks: Okay, this question… Did you know DJ Clue was gonna put you on that freestyle with Game?

Joe Budden: I did know that.

Morlocks: Okay. Kidman123 asked this. Did you ask for that to happen so you could blow s**t up with G-Unit?

Joe Budden: No. I told Clue that I was doin’ a freestyle, and he had one already with Stack Bundles and Game, and he suggested that if I wanted to, I could get on that one. And I said I’d rather not because I don’t wanna spit 16’s. I don’t like spittin’ 16’s. It doesn’t do anything for me. And then he was like, “No. Come on.” and that’s what happened.

Morlocks: Okay, Ramzy286 asks this: who do you consider to be iller than you?

Joe Budden: Well, I’ll change that question to who I consider to be just as ill or iller. Of course, you got your usual suspects of Em and Jay and Nas.

Morlocks: Eminem five years ago, or seven years ago?

Joe Budden: Y’all know that if Em feels like it, he’ll write some s**t. Who else?

Morlocks: Did you say 50?

Joe Budden: I didn’t say 50. I’m a big 50 fan. I think that 50 can do a lot of things better than a lot of people. I’m not gonna say that he’s the best lyricist in the world. I’m not gonna say that. I’m a big Sigel fan, [Jadakiss], who else? There just ain’t too many n***as that’s just ill anymore. Common is ill. I like Kanye. I like Mos. And after that, – yeah. That’s pretty much where my list will stop.

Morlocks: MrIrreverent asks: Do you have beef with Grafh?

Joe Budden: No.

Morlocks: Why did you diss him?

Joe Budden: I didn’t diss Grafh. I said what happened. N***as was runnin’ around sayin’ I was tryin’ to sound like Grafh. And I was signed way before Grafh. Common sense will answer a lot of these. I don’t think it was a diss.

Morlocks: How do you feel about the comparisons to Canibus? Do you think that’s fair?

Joe Budden: No. And I resent it.

AllHipHop.com: Why?

Joe Budden: ‘Cause Canibus fell off like a Big Mac topping. Canibus is not the same Canibus that I once ran to the mixtape store to go and get and support. He sounds like s**t right this very second. And Canibus can’t make a song to save his life. And Canibus is not marketable. Why am I bein’ compared to Canibus? And don’t get it f**ked up. I was the biggest Canibus fan in the universe, but nah. I don’t think that that’s a fair comparison.

Morlocks: What’s the situation with the—

AllHipHop.com: Wait a minute. Wait. Wait. You skipped the Gloria Velez—

AllHipHop.com: Yeah. I skipped that one.

Male Speaker: I’m not sayin’ you gotta—

Joe Budden: [Mr. Criminal asked] Did Gloria Velez give me herpes? Gloria Velez didn’t give me herpes, or anyone else herpes, and regardless of how many people she may have slept with – I’m not saying that I know, but it’s rumored that she sleeps with a lot of people – she takes very good care of her v#####.

Morlocks: Okay, what producers are on the album?

Joe Budden: There’s no way I could answer that. I work with a different producer every single day, and I have not handed in my album, so I don’t know what’s gonna make it. I don’t know what’s not gonna make it. Well, I do know what’s not gonna make it—well, some of ‘em anyway, but Stack Bundles just asked me today what’s goin’ on with my s###, and I sarcastically told him that I’m tryin’ to be out before Christmas of ’06.

AllHipHop.com: Were you and Just Blaze cool, or not?

Joe Budden: Nah. Me and Just are real cool.

Morlocks: Snidely asks: “Ask him why I never heard a track from him, and why I would want to?”

Joe Budden: Tell him to suck my d*ck. No h### or whatever that stupid game is. Some of them guys on there are very young and immature, but I guess that’s supposed to happen when you’re on the Internet. I got in a couple of e-beefs with a couple of those guys.

AllHipHop.com: Yeah?

Joe Budden: Where I threatened to come to their house and tear they f**kin’ neck off, but that’s ‘cause I didn’t have anything better to do at the time.

Morlocks: Okay, XXclipsXX asks: what does he honestly think this music s**t has in store for him?

Joe Budden: S**t. If I was in this music s**t for me, I would’ve stopped this s**t a long time ago. Hopefully, it’ll make sure little Tre has a way better upbringing than I did, not to say that my upbringing was all that bad.

Morlocks: Fudge asked: What’s your relationship with Jay-Z?

Joe Budden: That one I couldn’t answer, either. Hov is all right with me.

AllHipHop.com: Is it because some believe you upstaged him on the “Pump It Up” remix?

Joe Budden: People be sayin’ that. I would hope not. Hov, to me, is the best rapper on the universe, so even though him bein’ the President of Def Jam, it may change how I look at him as a businessman or a person, he’s still gonna be the best rapper in the universe in my eyes.

Morlocks: Deeznutz asked: Why haven’t you done a track with Redman yet?

Joe Budden: I love Redman, and I’m a big fan of Redman. Anyone that’s ever been around Redman, knows that Redman is normally high, and he’s normally on another planet. Not to say that is a bad thing, but I don’t—I’m normally sober. It’s just—really just two totally different worlds. I would love for it to happen, and it’d be crazy from a lyricist point of view, but I don’t see it happenin’.

Morlocks: OJ LOOPZ asked: What exactly are the A&R’s saying about you that is unmarketable? Do you agree with them? Are they just coppin’ out of pushing you for other reasons?

Joe Budden: Well, I’m not gonna say that I’m not marketable. I f**k some pretty bad b######, as ignorant as that may sound. I’m not gonna say I’m not marketable. They can’t really say I don’t have too much charisma. I held down the Hot 97 morning show for a good four or five months. You can’t do that and be boring at the same time. I’m not gonna say that I agree with—I don’t even understand that one. No. I do understand. I do understand. I know exactly what it is. I take that back. It’s because rapper comes with they’re poppin’ bottles, they’re buyin’ the bar out, they’re standin’ on top of the couch, ten chains on, bunch of bracelets, watches, a bunch of s**t that I just don’t do, ‘cause I refuse to do it.

Morlocks: OJ LOOPZ also asked: How do you feel about payola?

Joe Budden: I don’t know of it to be happening. I think that it should happen more often. I love it. That’s probably totally the wrong thing to say, but—nah. I’m serious though. If DJs are takin’ money—they’re takin’ money to play records, great.

Morlocks: Acebooncoom asked: Who’s your dream collaboration?

Joe Budden: Yeah. Hov. Yeah. I’m itchin’—I am itchin’ for—to do a track with Mr. Carter.

Morlocks: What non Hip-Hop artists are you inspired by?

Joe Budden: I’m inspired by Bill Withers and f**kin’ Queen, and other s**t.

Morlocks: Last one. On your recent song, “Dumb Out”, you threw a jab at Lloyd Banks. Do you plan to continue your assault?

Joe Budden: Not at all. I have no problem with G-Unit or anyone else, and I only said that because he sent a jab at me on his f**kin’—“The Big Withdrawal” bootleg that he left in that girl’s car that she sold for $50,000. If he does it again—if a n***a comes at me, I’m comin’ at him, but I’m done comin’ at him. That was it. I spoke my piece on it, and I’m done. He puts out a record, I’m gonna listen to it. Whatever. I don’t have any beef with anybody until they say my name. Then I’m gonna say whatever I got to say, and I’m done with it.

Morlocks: Alright, that’s it.

AllHipHop.com: Thanks Joe.

Joe Budden: Let me just end this by saying I love AllHipHop.

Right About Now

Artist: Talib KweliTitle: Right About NowRating: 3 1/2 StarsReviewed by: Angus Crawford

Since and even before the debut of Black Star, Talib Kweli and Mos Def have been considered Hip-Hop saviors. While The Mighty Mos has made rapping his part time job, Kweli has been trying to rescue Hip-Hop and achieve fans’ unrealistic expectations for two solo albums. After last year’s relatively disappointing The Beautiful Struggle, Kweli has momentarily returned to the independent scene with his Koch backed Right About Now: The Official Sucka Free Mix CD (Blacksmith/Koch). On this official mixtape Kweli delivers what fans expected after Black Star and Reflection Eternal’s Train of Thought.

Crisp rhymes, dope beats, and solid sequencing differentiate Right About Now from the typical mixtape. Opening with the title track Kweli briefly recounts his rap career throwing some jabs at the music industry along the way, including calling MCA the “Music Cemetery of America”. Kweli is at his best mixing vicious one-liners with revolutionary rhymes over the Dave West produced “Flash Gordon” and “The Beast,” featuring Papoose. On the sorrowful “Ms. Hill,” Kweli shows his appreciation for Lauryn Hill with lines like “The Industry started beating her up/ Then the demons started eating her up/ She needs a savior that will bleed in a cup.”

The mixtape features many heavy hitters from the “underground”, but Jean Grae stands out with her scene-stealing verses on the soulful “Where Ya Gonna Run”. While the disc features some somber songs like “Ms. Hill” and “Two and Two”, the MF Doom assisted “Fly That Knot” and the Black Star reunion on “Supreme Supreme” will have most fans singing along with the addictive hooks and nodding their heads to beats made for a super hero’s theme.

After years of problems with major labels, maybe Kweli only needed to return to his indie roots in order to tap into his full potential, because right about now he has never sounded better.

Hip-Hop For Sale

Artist: CanibusTitle: Hip-Hop For SaleRating: 3 StarsReviewed by: Paine

Forget the Keith Murray album, Canibus is the real enigma. Since going both independent and elusive, Canibus has offered fans a steady stream of albums with unique themes and producers. Mic Club, and Rip the Jacker, largely produced by Jedi Mind Trick’s Stoupe, found Canibus getting critical praises for his vicious deliveries. Not only did these releases awaken non-believers, but showed the MC in more personal light. However, after the disastrous Mind Control collection of shelved leftovers released earlier in the year, the momentum may’ve been lost. This time, Canibus is supported by Virginia’s Nottz on Hip-Hop For $ale (Babygrande) – is it worth buying?

Critics have accused Canibus of being too self-centered in his lyrics, and when not – obsessively devoted to a certain Queens legend. Pleasantly, this album proves that Canibus has stayed with Hip-Hop the last five years. “Dear Academy” is the most obvious moment – citing Canibus’ friends, influences, and a few stale beefs. It’s interesting to hear of the artist’s awareness of who’s forgotten him, and who hasn’t. “It’s No Other Than…” shows another method of appreciation. Here, Canibus’ uses the popular trend of revising famous rhymes to a whole new plateau. Especially in the final two verses, ‘Bis borrows from Biggie, Big Daddy Kane, and Audio Two. “Punch Lines” may be the raspiest, most ferocious of the tracks. Similar to his early appearance on Common’s “Making a Name For Ourselves”, Canibus mixes bravado with threat in the name of his own advancement. Lyrically, this is a veteran returning to his early blueprint and making necessary improvements.

Unfortunately, the music with Hip-Hop For $ale feels as uneven as with Can-I-Bus. Though Nottz may be a gifted craftsman, he’s lousy in giving this artist’s theme much support. “I Gotcha” doesn’t feel like an ode to the culture, it feels like a leftover on a G-Unit beat CD. “Back Wit’ the Heat” and “Dear Academy” use horn stabs and string arrangement that sound slow-cooked, but served cold. As a profiled collaboration, this work isn’t exciting. Instead, it is newcomer Jeff Wheeler that matches the lyrical content. “Benny Riley” sets the stage with a Steinski reference, followed by a building horn arrangement that’s as arrogant as the MC’s verses. With synthesized bass and a flute accent, “Punch Lines” is the musical showpiece. Guest, Hamza provides an original chorus attacking the Hip-Hop status-quo. Though Nottz has succeeded with mainstream artist album cuts, he’s proven ineffective in his “interest-generating” work with Royce 5’9, Krumbsnatcha, and now – Canibus.

Canibus is an MC worth listening to – and it’s not mostly the voice. Hard, opinionated lyrics, and mysterious storylines have kept ‘Bis on rewind for almost a decade. Fans follow in cult-like status, and Hip-Hop For $ale is theirs for the buying. For those who applauded Can-I-Bus and 2000 B.C., this may also be a touchstone to them. But for others, this album’s musical drone may lead some new listeners to the re-released Mic Club, also for sale.

Soulful Fruit

Artist: Rob SwiftTitle: Soulful FruitRating: 4 StarsReviewed by: Martin A. Berrios

As a culture we owe it to ourselves to show DJ’s more respect. People forget that Hip-Hop spawned from breaks and backspins. Queens born Rob Swift has always tried to take the art to higher planes and his album Soulful Fruit. (Fat Beats), originally released in 97 on Stones Trow, opened doors for the turntablist music genre. Now eight years later, this work of art is once again available thanks to the reissue treatment from Fat Beats.

Rob sets the laidback mood by playing some classic breaks. On “The Mad Scientist Of The Turntables,” he lays down precise crab cuts and jabs over the original sample to Large Professor’s “Mad Scientist.” Things take a very interesting note on “Rob Swift Versus Rahzel.” In the live battle, Rob cooks up hypnotizing beat juggles encompassing Group Home’s banger “Supastar,” KRS-ONE’s “South Bronx” and Biz Markie’s “Make The Music.” Rahzel mimics them with his signature beatbox skills. The match up is a classic example of Hip-Hop creativity at its best. Other highlights include the X-Cutioner crew session “A Turntable Xperience.”

Point blank, Soulful Fruit was ahead of its time. The throwbacks are a pleasant listen and his hand wizardry only adds to this project’s official-ness. This tasty treasure should be in any die hard Hip-Hop fan’s library.

Young Buck Reaches Plea

Young Buck reportedly

reached a plea agreement in assault with a deadly weapon case stemming from an

incident at the Vibe Awards last November in Santa Monica, California.

Buck, born David Darnell Brown, stood accused of stabbing Los Angeles parolee

Jimmy James Johnson after Johnson allegedly punched Aftermath Records CEO Dr.

Dre, as was accepting Vibe’s Living Legend Award.

Dre was preparing to go on stage to receive a lifetime achievement

award when Johnson requested an autograph from the infamous rapper/producer,

then punched him when Dre refused, according to reports.

On Friday, Darnell’s attorney told Nashville’s News 2

that the agreement reached was "favorable,” but no further details

will be provided until the rapper’s December 12 court appearance.

The assault on Dr. Dre resulted in a melee in a hangar at the Santa Monica Airport,

where the awards show was being taped.

Johnson suffered

a collapsed lung in the attack and was formally charged with a felony assault

charge for striking Dre in the face.

Buck faces

up to eight years in prison if convicted of the charges.

Em, MTV, MTV2 & Showtime Team For Hip-Hop Filled Week

MTV and Showtime have

teamed up to present an exclusive 75 minute concert featuring Eminem to support

his upcoming album, Curtain Call.

MTV and MTV2 will air "Eminem: The Final Countdown,"

on Dec. 3 at 8:30pm EST, while a concert Eminem taped last August titled "Eminem

Live From New York City," will air on Showtime at 9:00 PM.

The concert was filmed at the Madison Square Garden stop of

the Anger Management Tour. The concert was directed by Grammy nominated director

Hamish Hamilton, who has also produced and directed for such artists as Madonna,

Peter Gabriel and U2.

The half-hour pre-show will be hosted by Damien Fahey and will

feature in-depth interviews with Eminem and his fellow Detroit natives D12.

MTV has also slated

a block of programming hosted by the chart-topping rapper this week, including

an MTV News segment titled “The Evolution of Eminem.”

In related news, MTV2 is preparing “Sucker Free Shout Out Week,”

which will feature new Hip-Hop videos each day.

The week long special runs Dec. 5th-11th and will feature videos and appearances

by Young Jeezy, Pharrell Williams, Kanye West, Busta Rhymes and others.

Additionally, on Dec. 11, MTV2 will spotlight the music hub of the Atlanta,

with the MTV News special, “My Block.”

Hip-Hop Video Director Dave Meyers Teams With Mecca For Ad Campaign

Hip-Hop and urban

apparel company Mecca recently announced that music video director Dave Meyers

have reunited to shoot and produce their 2006 spring line advertising campaign

dubbed “Jetsetters.”

Mecca and Meyers are creating a still photo advertising campaign that will highlight

Mecca’s new spring line.

Meyers has created award

worthy videos for artists Outkast, Jay-Z, Missy Elliott and No Doubt.

Most recently he directed

Korn’s "Twisted Transistor" video, casting Lil’ Jon, Snoop Dogg,

Xzibit and David Banner to play the members of the band.

In addition to his long

roster of videos, Meyers also directed commercials for Apple’s iPod, a

Ford commercial featuring Snoop and Lee Iacocca, and the newest Cingular phone

featuring iTunes campaign.

Mecca was Meyer’s first client when he dove into the world of print advertising.

The campaign will

also feature Ray Cash from Ghet-O-Vision/Sony and ads are scheduled to appear

in print media in early 2006.

SPIT DA TRUTH: Trial and Triumph of Irv and Chris Gotti

Victory Against Hip-Hop Profiling:

Trial and Triumph of Irv and Chris Gotti

December 2, 2005, New York City: The Federal jury that unanimously cut Irv and Chris Gotti free of bogus money laundering charges sent a tumultuous shockwave up the prejudicial spine of the government prosecutors who were confident that this latest case of “Hip-Hop profiling” would send two of Hip-Hop’s most talented leaders to prison for 20 years.

After spending millions of dollars of tax payers money on the unsuccessful attempt to thwart and criminalized the global evolution of Hip-Hop culture, it appears that the government’s overzealous effort to take down Irv and Chris not only failed, but it exposed the extent to which some misguided officials will go to satisfy their “playa hating” prejudice against Hip-Hop.

I am speaking like this because if there was ever a time that truth needed to be spit about the phenomena of “Hip-Hop profiling,” it is now. We all should remember that is took years of protests and legal challenges that caused “racial profiling” to be declared illegal.

Hip-Hop profiling or rap profiling or cultural profiling is just as illegal as racial profiling.

Hip-Hop profiling is defined as an insidious form of cultural profiling and bigotry. It is the unwarranted and unjustifiable actions, practices, and polices of police and law enforcement officials that target Hip-Hop recording artists, poets, dancers, videographers, producers, executives, managers, crews, drivers and others employed in Hip-Hop culture for surveillance, harassment, arrest, and brutality as a direct or indirect result of cultural prejudice, bias, discrimination and ignorance.

What Irv and Chris Gotti had to unjustly endure and suffer should not be tolerated nor ignored. Government agents raided the Inc’s offices and many in the established media began a systematic campaign of character assassination and pre-trial hostile judgment against the Gotti brothers. The jury, however, in the face of a skillful frame-up, did the right thing. The case should have never gone to trial and Irv and Chris should not have ever been arrested because the government never had any real evidence to substantiate money laundering.

The good news is that at the end of the day the forces of right will ultimately prevail against the forces of wrong and evil. One lesson to be learned from the trial and triumph of Irv and Chris which includes members of their families, Inc’s artists and millions of loyal supporters throughout the world, is that ones perseverance and determination to stand up and speak out for that which is right and just is more powerful and long-lasting than giving in quickly to what may appear to be the expedience of “punkin’ out” or giving in to that which is wrong.

Jury Acquits The Inc.’s Irv & Chris Lorenzo On All Charges

Jurors in Brooklyn

have acquitted The Inc.’s Irving and Christopher Lorenzo of all counts of

federal money laundering.

After two days of deliberation

that cast the brothers’ fate in doubt, jurors sided with the defense and

acquitted the Lorenzo’s on all charges of money laundering.

The acquittal of the Lorenzo’s

ends a two year investigation that climaxed with the 2003 raid of The Inc.’s

825 8th Avenue offices in New York.

The government claimed the

Lorenzo’s were laundering drug proceeds for convicted drug dealer, Kenneth

“Supreme” McGriff.

Assistant U.S. Attorney’s

Sean Haran and Carolyn Pokorny claimed the brothers wrote numerous checks to

McGriff, including two totaling $65,000 to McGriff’s company Picture Perfect

Films, which was producing the movie “Crime Partners.”

McGriff owned picture perfect

with Jon Ragin, who served as a government witness against The Lorenzo’s.

Ragin confirmed the governments explosive claims that Ja Rule’s bodyguard,

Robert “Sun” Lyons, shot 50 Cent in May 2000 and sought to have

the information included in the Lorenzo’s trial.

Ragin, like Donnell Nichols

and Phillip Banks, claimed to have seen or delivered bags of McGriff’s

drug cash to The Inc.’s offices.

Additionally, the government

analyzed hundreds of text messages the brothers sent to McGriff, hoping to establish

a connection to the brothers and McGriff’s illicit drug trade.

Attorneys Gerald Shargel

and Gerald Lefcourt defended the brothers, claiming both were compulsive gamblers,

who would bet hundreds of thousands of dollars at a time. – resulting

in tens of thousands of dollars floating around The Inc.’s offices.

The defense said the brothers

backed McGriff’s Picture Perfect Films legitimately and had not committed

a crime in doing business with McGriff.

McGriff is facing the death

penalty in a March 2006 racketeering and murder trial. In addition to drug and

gun charges, McGriff is accused of two drug-related homicides in Baltimore,

Maryland and the revenge slaying of rapper Eric "E Money Bags" Smith.

Shargel and Lefcourt also claimed

that Darryl "Hommo" Baum shot 50 Cent in May of 2000 and pointed to

50’s lyrics, as well as investigative work contained in the new book, "Queens

Reigns Supreme: Fat Cat, 50 Cent, and the Rise of the Hip Hop Hustler,"

by journalist Ethan Brown.

The brothers’ trial attracted

a who’s who in the hip-hop community, including Jay-Z, Ja Rule, Ashanti,

Fat Joe, Russell Simmons, Lyor Cohen, Damon Dash, Minister Benjamin Chavis (Hip-Hop

Summit Action Network) and others.

“This is

a great victory for the entire culture of hip-hop,” Chavis told AllHipHop.com

of the verdict. “Hip-Hop profiling in the case of Irv and Chris Gotti

exposes why the government should not attempt to censors or harass poets, lyricists

and music producers. Irv and Chris Gotti will emerge from this episode even

stronger. Hip-hop summit action network salutes them on their victory.

BG In Talks With G-Unit, Cuban Link False

G-Unit Records may

be signing Southern staple B.G. to its burgeoning roster of artists.

While the deal is not completed, Sha-Money XL, a G-Unit executive

who helps manage 50 Cent, confirmed that B.G. is in talks with company brass.

"We are in talks with B.G. to sign him to Buck’s G-Unit

South label," Sha-Money XL told AllHipHop.com.

B.G. released his first album True Story in 1993 at

the age of 11, helping successfully launch the Cash Money label into Hip-Hop

history.

B.G.’s major label debut Chopper City in the Ghetto debuted

at #9 on the Billboard charts, fueled by the hit single "Bling, Bling."

In 2001, B.G. announced he had severed his ties with Cash Money

Records to launch his own label, Chopper City Records.

Since, the rapper has released several independent albums, the

most recent being Heart Of Tha Streetz Vol. 1.

Sha-Money XL also dispelled the rumor that a Fat Joe foe was

joining the label.

Despite the gossip, former Terror Squad member Cuban Link is

not signing with 50’s growing company. "It’s not true, we are not signing

Cuban Link," Sha-Money XL said.

A number of published reports on the internet claimed 50 Cent

signed Cuban Link to the G-Unit Records imprint.

Both 50 Cent and Cuban Link have verbally sparred with Terror

Squad front man, Fat Joe.

In recent months,

G-Unit has arranged business deals with Lil’ Jon, Lil’ Scrappy, Ma$e Spider

Loc, Mobb Deep and M.O.P.

AHH Stray News: B.I.G., Kanye, X-Clan, DMX

Dec. has been deemed

"B.I.G. Mobile Month" in support of the late rapper’s Notorious

B.I.G. Duets: The Final Chapter. Over 60 custom-made ringtones were released

to the public on Thursday, according to a press statement. The ringtones were

derived from the duets album as well as Biggie’s past hits like Ready to Die,

Life After Death and Born Again. The mobile set is offered to

several wireless platforms including ringback tones and video ringers. Bad Boy

Entertainment will release Notorious B.I.G. Duets: The Final Chapter

on Dec. 20. "Big was and still is a huge presence who has had a major influence

on modern music and culture," said Bad Boy Entertainment founder and CEO

Sean "Diddy" Combs. "It is only fitting that his music now takes

on a new life with ringtones, the newest use of music made popular by our kids.

Ringtones are all about making personal statements and personal connections, and

with this new ringtone catalog, Big’s millions of fans will be able to select

the moments that have meant the most to them."

Kanye West has announced a UK tour in 2006. The rapper/producer

will commence his rounds in Britain on Feb. 16 at the Manchester MEN and finish

at the Birmingham NEC on the Feb. 28. Tickets for the tour begin selling on

Dec. 3.

February 16 Manchester MEN

February 17 Glasgow SECC

February 19 London Hammersmith Apollo

February 22 Cardiff Arena

February 28 Birmingham NEC

Socio-political group X Clan is mounting a comeback. The act,

hugely popular in the 90’s, is slated to release a new album called Return

from Mecca in 2006. According to a press statement, the opus will express

the "tradition of displaying ancestral wisdom, culture, and signature lyrical

style." In addition to a new album, the Brother J-helmed group has been

included on the Damian Marley Jamrock Tour, which ends on Dec. 6 in Norfolk,

VA. X Clan broke up in the mid 90’s after releasing a pair of heralded albums,

To the East Blackwards and Xodus.

DMX was sentenced

to seven additional days in Rikers Island on Wednesday (Nov. 30), which will

run concurrent with his 70-day sentence at the correctional facility. The rapper,

whose real name is Earl Simmons, pleaded guilty to driving in the Bronx without

a license. His license was suspended earlier in the year due to several driving

violations. According to published reports, he was driving because he thought

his wife was in labor, as she was pregnant with their fourth baby. She gave

birth three days after the occurrence. The original 70-day term in Rikers stemmed

from a road rage incident at JFK Airport in June of 2004, a violation of a previously

arranged plea deal. DMX will get out of Rikers on Dec. 31. The judge labeled

DMX " a violation waiting to happen."

Smoke & Mirrors

Artist: O.C.Title: Smoke & MirrorsRating: 3 1/2 StarsReviewed by: Starrene Rhett

Where there’s smoke there’s O.C., and where there’s O.C. there are mirrors — and he’s holding them up to himself and the entertainment industry. One of the most slept on MCs in the game is back with his fifth album, Smoke & Mirrors (Hieroglyphics Imperium). With soulful and bluesy beats produced by Mike Lowe and Fire Dept., Smoke & Mirrors is 17 tracks of pensive insight into his world.

In the first album where he has total creative control, O.C. manages to reflect on his life, and the hypocrisies and superficialities of the music industry without sounding like the mad rapper. The first lines in “Challenge Y’all,” the album’s lead single, sum everything up, “I walk through fire with gasoline drawers/Not for shock value I do it just ‘cause/this Hip-Hop thing I don’t do it for applause/not knockin’ anybody but f**k an award.” In “This is Me” he admitted to his lackluster sales but says he won’t stop because “rap’s like blood running through his veins.” Other notable tracks on the album are “Shorty,” where he’s blasting older men who knowingly mess with underage girls, “What I Need,” “Brothers Keeper,”“Emotions,” and “Gone.”

Aside from the slightly depressing quality, Smoke & Mirrors is a strong comeback for O.C. and definitely worthy of praise thanks to his clever lyricism, vivid storytelling and honesty.

Various Rappers Rally To Save Tookie Williams

A host of rappers

have convene to craft Redemption – Hip Hop United 2 Save Stan "Tookie"

Williams.

The album highlights talents like stic.man (of dead prez), P.O.W.,

Paris, Kam, Shorty (of Da Lenchmob), WC, Tank, RBX, Kid Frost, Gangsta Ridd

of the Boo Ya Tribe), Frontline and others.

The rapper efforts recently became more arduous.

The California Supreme Court declined to stop the scheduled

execution of Stanley "Tookie" Williams, a convicted murderer who has

turned his life around in prison.

Defense attorneys petitioned the court last month charging that

Williams was convicted in 1981 on substandard forensic evidence and a shoddy

investigation.

Williams was condemned to death for the slaying four people

in Los Angeles.

Williams is scheduled die by injection Dec. 13 and his supporters

are feverishly fighting to save his life.

Ballistics evidence determined that a shotgun registered to

Williams was used in multiple murders in 1979.

Snoop Dogg, Jamie Foxx, Judge Greg Mathis, and State Sen. Gloria

Romero protested the death sentence in a unique manner.

They read selections Williams’ famed children’s book series

to at-risk children on November 30.

"Tookie Williams is a special guy," said Snoop Dogg.

"He’s a guy that’s been locked up for a long time, and he’s been doing

a lot of great things with kids in the community with peace, with just trying

to educate the kids in what it is about gang banging that ain’t cool.

You kill that voice and you’re killing a lot of hope for these kids."

Williams’ books have received four nominations for the Nobel

Prize in Literature with a focus on positive, peaceful lifestyles.

"The only birthday present I want from the governor is

clemency for Stan ‘Tookie’ Williams," said Foxx, whose birthday is December

13 – the same day of Williams’ scheduled execution.

Underground rapper Scipio has penned a rap song called "Dear

Governor" in support from celebrities of the imprisoned author.

Williams’ final hope for clemency lies with Gov. Arnold Schwarzenegger.

Schwarzenegger

will host a closed-door meeting on December 8 at his Sacramento office.

Melyssa Ford: The Ultimate Hustler

With her petite frame and womanly curves, Toronto native Melyssa Ford is fully-equipped to turn heads and make people melt to their knees. After appearing in videos by high-caliber artists such as Jay Z and 112, Ford did something most scantily-clad women in videos seem to fail at. She marketed herself and her name, making it synonymous with the R&B and Hip-Hop music industry. Through appearances in videos, television shows, movies, calendars, and magazines, Ford has used her business flair to cash in on her sex appeal.

After successfully building a career in videos, she is now trading in her “video vixen” title for Hollywood. After all, if rappers can become actors then why not a video vixen? Double standards are common in this industry, especially for a lady who has “Pimpin” and “Shake Ya Ass” on her resume. But Ford is an extrovert of sorts, fully aware of how to use her mind, as well as her body, to get what she wants.

AllHipHop.com Alternatives caught up with Melyssa recently at Christo Fifth Avenue while she was on hand to support the Alliance for Women’s Equality. She spoke with us about her career beyond videos, her criticism of Karrine “Superhead” Steffans, and the double standards that present themselves in the entertainment industry.

AllHipHop.com Alternatives: How did you end up in New York from Toronto?

Melyssa Ford: Okay, I’ll make the story short for you. I was doing the ‘Thong Song’ Remix video in which I was the lead. Sisqo thought I was cool and asked me to come on tour with him. I was in University at the time and I had a job at a Satellite TV company in the Human Resources department. I figured, well, if this was a mistake then I’m young enough to make it, so screw it. I called up my employers and said, ‘I’m not coming home’. They held the job for me, but when I came home I realized I could never go back. So I packed up my stuff, and two months later I jumped on a plane to New York.

AHHA: Did you grow up in Toronto? Tell us about the T-Dot.

Melyssa: People say the T-dot is a baby New York. I am here to dispute that fact. It is not. There’s a significant difference. It’s a different country. We have a different economical system. We’re a socialist economy in Canada while it’s more of a capitalistic kind of society out here. That means that Donald Trump exists here, Martha Stewart exists here. Those kinds of people don’t exist where I’m from. It’s more of a community based way of life.

AHHA: People say there aren’t many opportunities for urban music artists in Canada. Is that true?

Melyssa: There’s not. And that became evidently clear to me when I went back this year to the Much Music Awards. I come back, after making it in the U.S and everybody knows my name, and I hear crickets. When am I going to get some love? I think I’ll have to be as big as J.Lo before Toronto catches on.

AHHA: Damn Melyssa, you get no love from your hometown?

Melyssa: It’s like a dirty little secret I tell you. It really is. It’s not like how it is here. I could go to any city, any state in the U.S and get the royal treatment. I’m trying to put Toronto on the map. I sound like Terrell Owens right now when he got kicked off the team!

AHHA: What’s your relationship with director Little X? Did he discover you?

Melyssa: Little X is the one person who I have to say is responsible for me being where I am. What do I think of X? I love him. X is a voice of reason for me whenever I’m flipping out about something. He plays by the rules. There are a lot of people in his position that could have taken advantage of somebody in mine, and he didn’t. He didn’t expect anything in return. I don’t think either one of us anticipated where he would be and where I would be. He is a really great friend.

AHHA: Everyone talks about the men in industry and casting couch. What’s your advice for women trying to come up right now?

Melyssa: Oh god, spare yourself – go back to school! That’s my advice. I would never get involved in doing videos right now. It’s not the same. The dynamic has changed so drastically. You could hold the argument that women were always objectified, but now they are really objectified. Now it’s about body parts and how well you can shake them. It’s not about the female. It’s not about appreciating the female.

AHHA: What would you say to people who claim you’ve sold out just as much as anyone else?

Melyssa: I would ask them how, how have I sold out? I’ve been extremely responsible. When it came to me choosing my video projects, as I got older I started to make much wiser choices in terms of the lyrical content, in terms of my wardrobe, it terms of the scenes that I would shoot. I became very, very responsible to myself because I started to understand the power of perception. And then I really pursued the job at BET to be seen more seriously and to show that this was in fact just a stepping stone, I wasn’t just talking out of the side of face. This is my next level and you’ve got to respect that. I’m not going to sit here and justify what I do in terms of my website content and the sexy pictures that I sell and what not, because that’s a part of my image. I never claimed to be anything other than what I am.

AHHA: You came out rather harshly criticizing Karrine Steffans book. But wouldn’t you agree that it’s one way of letting people know about how this industry can be?

Melyssa: What I will say about her book is that those were her experiences. And those were her choices. At the end of the day God gave you something that can never be taken away, unless you were some kind of Vietnam prison, and that’s called free will. You have the opportunity to make your choices, and sometimes those choices entail sacrifice. There are a lot of people who are really not aware of the sacrifices I’ve made in terms of not taking the pay check because of my pride and self-respect. That’s the story that nobody really knows.

AHHA: How does that relate to Karrine? You don’t think she made enough of a sacrifice?

Melyssa: I think she was a sacrificial lamb but that was by her choice. We know the difference between right and wrong. It’s just about how much we care about them. Its how much self-respect we choose to have for ourselves. I could use my body and go out and sleep with whoever I want, but I’m not going to do that because I treasure myself. I’m not looking for love in somebody’s pants. I have enough sense to know when it comes to men- sex and love do not equal the same thing.

AHHA: How do you fight off all the guys?

Melyssa: When it comes to fighting off guys, I think you get the same amount of respect for people that you have for yourself. I walked around those video sets with my head held high, with my shoulders back, with my posture perfect. I chose who I would speak to and who I wouldn’t. Not to say I was a snob but I would more likely be seen talking to the crew than I would to the artist. I didn’t want to let [the artist] get it twisted that he could easily take me into his trailer – it’s not going to happen.

AHHA: How did the management deal with MBK [Alicia Keys’ management company] come about?

Melyssa: We can shut that down right now. I am not represented by them at all. And I have nothing else to say about them. You can log onto www.melyssafordonline.com, the official Melyssa Ford website, where you’ll find out who represents me and what I’m up to. I no longer work with MBK.

AHHA: What do you want to get into now? Is acting on the horizon?

Melyssa: Acting is definitely on the horizon. I have to admit that when it comes to having had a video model career, the stigma is still very much prevalent. As much respect as I get in the music industry for elevating myself to a different level and being regarded as a business woman, there is still a stigma attached to me in terms of video work where people don’t want to give me serious roles in film and television. That’s completely understandable, because usually the women are nameless and faceless in videos. It’s really difficult to transcend to that next level beyond BET into more serious roles. And I’m not taking it lightly; I go to classes and I do have a private acting coach. I would never want to insult those who have invested in their craft, those who have gone into intense theatrical training, by not taking the same road.

AHHA: So no more videos? What was your last video appearance?

Melyssa: Oh god, like R.Kelly ‘Happy People’ I think. And that was because it was a request from X. I get asked quite often but unless it’s a ballad of a really well known R&B star and I’m the lead, and the only girl, and the pay check is right, and it’s going to have heavy rotation, and it could be seen as somewhat of an acting role, then yeah, I would definitely come out of retirement for that. But nothing short of that.