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Birth of a Prince

Artist: RZATitle: Birth of a PrinceRating: 2 StarsReviewed by: Jason Newman

The good thing about RZA is that he’s one of the few producers today willing to take chances and make the effort, amidst a sea of mediocrity around him, to change and add to the hip-hop genre. The flipside is that when people like this fall, as RZA mostly does on Birth of a Prince, they fall hard.

Birth tries to be the perfect medium between the techno-rap of RZA’s alter ego Bobby Digital, the smooth, soul-based beats of classic Wu-Tang and an unusually large dose of bouncy, ready-for-the-club music. Unfortunately, so little of it is memorable, it makes you long for the days when it was all so simple.

Not that the album is without its hot moments, but listening to most beats and verses alike makes you question if RZA is serious or pulling a Prince Paul-type mocking of the industry. He’ll never be confused with a Native Tongue, but am I really reading this chorus to “Fast Cars” right?

“We be ridin’ fast cars/Weed all in the glass jar/Chrome all on my crash bar/Glocks all in my stash bar.”

Many of hip-hop’s finest can be faulted for lack of solid choruses, but most of them on Birth sound amateurish and even bordering on parody. I know I just gave an example, but another one needs to be shared to prove my point. You could probably throw a dartboard at the list of songs and get a good case, but let’s go with “The Whistle”: “We smoke those blunts the size of bats/We got those gats as long as ax/We snatch that cheese right off the trap/We put those bees all on your map.”

It’s not that thug rap is dead, but it’s not the change many people would think, or like to hear, from the Ruler Zig Zag Zig Allah. Which makes hearing fantastic songs like “The Birth (Broken Hearts)” that much harder to listen to. Over a slow, synth & strings beat and soul vocal sample, RZA plays the role of social crusader/observer, rhyming “They use you as a fool to deceive your own people/And fillin’ my children’s head with pins and needles/But I’ll take out the pins you inserted/And I’ll avenge all my mothers that you murdered.” The psychedelic-sounding (both in title and music) “A Day to God is 1,000 Years” also sees RZA showing his deft musicianship, creatively and effectively using the flute as a main instrument in one of the standout tracks. These moments, though, are too often overshadowed by beats that are, regardless of style, lackluster.

Overall, if your friend cops this album, have them throw a couple of songs on a mix and move on.

Woodlawn High School Opens Stadium Named After Def Jam Prez

Last week, Woodlawn High School held opening ceremonies at the Kevin W. Liles Stadium in Baltimore, named after the President of Def Jam Records.Liles donated $150,000 to build a 2,000 seat stadium at his alma mater. He graduated from Woodlawn in 1986 and attended Morgan State University.Liles left college shortly before graduation, for an internship at Def Jam in 1991. The gamble paid off for Liles, who was named President of the label in 1998.The stadium is the largest of all public high school stadiums in the Baltimore County.The $550,000 project will be completed next season when the lighting for the night games are installed.

The Big Tymers: Back For The First Time

The duo of Baby and

Mannie Fresh, collectively known as the Big Tymers, have been able to change clothes

and go. From white T’s and Reeboks, to throwback jerseys and Air Force 1s,

they’ve kept it fresh to death amid the departure of three-fourths of the

Hot Boy$ and the arrival of out-of-towners to the Cash Money roster.

Now with the upcoming

release of their fifth album, Big Money Heavyweight, the twosome is taking

it back to where it all started: No outside production, no outside guest artists.

AllHipHop caught up with the Big Tymers to discuss

beef, business and lawsuits.

AllHipHop.com:

When you do the Big Tymers albums, it sticks to the script but it’s fresh

every time—no pun intended.

Fresh: That’s

the whole purpose of it. We always say that it sticks to the script. Don’t

expect no special ass sh*t, it’s gonna be a Tymers album.

AllHipHop.com: Baby, your solo album was a departure from the regular Cash Money

release since you worked with a lot of different producers and artists….

Mannie Fresh: Yeah,

that mu’f*cka [laughs]

AllHipHop.com:

Is the new Big Tymers going to be like that? Or are you taking it back?

Baby: Nah, Bird

Season, ain’t nobody producing on that but Fresh. Maybe R. Kelly gon’

get one or two on that. But, me and Fresh bout to tie it up. I don’t want

nobody else on that mu’f*cka.

AllHipHop.com:

R. Kelly is on the next single, right?

Baby: Yeah

AllHipHop.com:

How did you link up with him? Cause y’all doing the Best of Both World

2, right?

Baby: It just happened,

dog.

AllHipHop.com:

At first when you signed Boo & Gotti….

Baby: That’s

the connection (with R. Kelly).

AllHipHop.com:

At first it looked like beef, like y’all stole them or something, because

he was promoting them and everything.

Baby: Nah, it was

something he asked me to do. He got caught in a situation and was like ‘I

don’t want to hold them up and they fit y’all.’ And right from

there a vibe grew and that’s how the Best of Both Worlds sh*t started.

AllHipHop.com:

Fresh, are you going to be contributing to the Best of Both Worlds 2?

Fresh: Yeah.

AllHipHop.com:

Do you have much input? Or does R. lead and you follow?

Fresh: I mean,

it was his project anyway. You know dude was like, ‘give me a couple of

tracks.’ Songs that I gave him so far—they love.

AllHipHop.com:

And how many tracks are going to be on that album?

Baby: We doing

a double CD, dog. It should come out in February. It’s a wrap. After that

I’m not doing anymore group albums—straight solo.

AllHipHop.com:

Fresh, are you putting out a solo album?

Fresh: f*ck no.

Baby: We gonna

do a group thing every now and then.

Fresh: I’ma

stand in the back and get 50 percent of his sh*t.

AllHipHop.com:

Y’all got Juvenile back now, right?

Baby: Juvenile

got us back now.

AllHipHop.com:

What about Turk? He just had an album drop.

Fresh: I see Turk

all the time. We still cool.

AllHipHop.com:

You gonna buy his album?

Fresh: Yeah, I’ma

check it out.

AllHipHop.com:

Baby, does BG still have a lawsuit against you?

Baby: Man, him

and a bunch of more mu’f*ckas got lawsuits.

AllHipHop.com:

The Wendy Day one still going on? (Day, founder of Rap Coalition claims she

helped broker the deal between Cash Money Records and Universal Records.)

Baby: Nah, that’s

been dead.

AllHipHop.com:

How did that go down? Because it seemed clear, she helped y ’all get the

deal and….

Baby: She didn’t

help me, man. How the f*ck she gon’ help me?

AllHipHop.com:

Nah?

Baby: That b*tch

ain’t been in the projects grindin’, putting in no work with me. I

don’t even know that woman.

AllHipHop.com:

Y’all never met?

Baby: Maybe once

or twice, but she ain’t help me. She ain’t catch no bullets or spit

no fire out there.

AllHipHop.com:

She made it sound like she helped y’all broker your deal.

Baby: C’mon,

man. Well then that means she had put in 7 years worth of work.

Fresh: Featuring

Wen-dee [laughs]

AllHipHop.com:

Baby, now that your going to be putting out solo albums, how does that affect

you handling day-to-day business?

Baby: It’s

better for me to do solo sh*t, because me and this group sh*t ain’t working

out.

Fresh: I’m

about to take that spot, dude. The day-to-day business.

Baby: I’ma

do the solo sh*t and I’ma give him half of my sh*t (ownership).

Fresh: It’s

gon’ to be some cuts around this mu’f*cka [looks at entourage in the

room]. Y’all better get everything y’all can get.

AllHipHop.com:

Fresh, since you gonna start handling day-to-day business, when are we going

to see some of the other artists on the label? Like TQ, and do y’all still

have Gilly (of Major Figgas)?

Fresh: Yeah, we

still have all them. We working on Gilly’s album right now. It’s just

the Cash Money way. We just don’t throw artists out; you know what I’m

saying? You got to be here for a while

AllHipHop.com:

So when can we start expecting those albums to be released? Is it gonna be next

year? Or are they gonna fall back?

Fresh: It ain’t

that long. Probably next year. We really don’t care about…even though

it is a big issue. It ain’t about the sales. It’s about the loyalty;

you know what I’m saying?

AllHipHop.com:

Fresh, everyone recognizes you have a good sense of humor. What kind of stuff

do you do when you’re not in the studio?

Fresh: I like comedy

sh*t like American Pie. I’m about to go with Nick Cannon, man. [Points

toward flat screen TV in the room] Nick Cannon is SAFE, he don’t want no

problems in life. All y’all rappers shooting at each other and sh*t….

Nick Cannon is safe. Y’all should get up and walk outta of this b*tch with

me right now. [Gets up and fakes toward the door]

AllHipHop.com:

Fresh, are you gonna be involved on the Teena Marie album?

Fresh: Yeah.

AllHipHop.com:

Is that something that you and Jazze Pha going to work out?

Fresh: Actually

we’re kind of going to let Teena do her thing. You know, however she calls

it then that’s how it gon’ be. She knows better than anybody. So if

she wants something from me, I’m doing it. But however she wants the tracks

to go that’s how it’s going to go.

AllHipHop.com:

Have you laid anything down yet?

Fresh: Yeah, I

did a couple of songs for her.

AllHipHop.com:

How is it producing R&B? I know Cash Money had that one group Official.

Fresh: They pretty

much did they own songs. R&B is pretty much the same to me anyway. But when

it comes to Teena Marie—that’s R&B. You know right now, R&B

is just hip-hop music. But Teena Marie is true R&B.

AllHipHop.com:

So you don’t want to do a compilation album at all? A lot of people feel

your beats, but you haven’t done much work outside of Cash Money, with

the exception of projects like Biggie’s Born Again.

Fresh: I might,

you know? If I do a compilation it has to be new cats. f*ck the established

dudes. That’s already done. I’m trying to get some kids that want

to do something.

AllHipHop.com:

Do you have any say on the cats y’all sign?

Fresh: I really

don’t trip on that because that’s not my job.

AllHipHop.com:

Well, with you moving to the business side is that something you’re going

to look to do?

Fresh: Yeah, definitely.

Cause I know where the game is going.

Diddy Raises $250 G’s, Honduran Sweatshop Claim Denied

Sean "P.Diddy"

Combs spent over 16 hours on New York’s Hot 97 for a radio telethon aimed at raising

money for children’s charities.

The mogul’s efforts

raised more than $250,000 for his "Diddy Runs The City" campaign,

in which Diddy will run the 27 mile 2003 ING New York City Marathon.

"I feel blessed

that companies and individuals alike have come out to support me in my efforts,"

Diddy said. "I was especially thrilled that the people of New York came

out in full force to pledge for the radio telethon."

Diddy’s goal is

to raise at least one million dollars for charities dedicated to improving the

lives of children. Proceed’s will benefit Daddy’s House Social Programs, the

public schools of New York City and the Children’s Hope Foundation.

"By supporting

me, [people who donate] are supporting all the children of New York and I hope

they continue to do so in their own individual ways — whether that means donating

their money or their time — well after this initiative is over."

Diddy has set up

a hotline, 877-RUN-DIDDY, for people who wish to donate to the fundraising effort.

A website, http://www.diddyrunsthecity.com also has information on how to donate.

In related news,

an inspection of a Honduran factory where Diddy’s Sean John is produced did

not produce the violations that were reported.

The country’s Labor

Minister, German Leitzelar, led a team on a six hour inspection of the Southeast

Textile factory in Choloma.

Officials said

the accusations were aimed at damaging a free trade agreement the Honduran government

is negotiating with the United States, Nicaragua and Panama.

No complaints relating

to the allegations were ever filed with the Honduran Labor Ministry. Representatives

for the factory said the employee who spoke out, was being used by Honduran

and U.S. labor unions opposed to the free trade negotiations.

Philly Legends Honored During “Hip-Hop Holler-Day”

Philly Word Magazine

will present "A Great Day In Philly," in which influential rap and R&B

artist will be photographed.

The shooting will

take place on November 2, during the "Hip-Hop Holler Day" weekend,

which takes place November 1, 2 and 3rd in Philadelphia, Pennsylvania.

Legends confirmed

include Schooly D.,Lady B, MC Breeze, Larry Lar, Yvette Money, LP, BadLandz,

Golden Girl, and others.

The purpose of

the Hip-Hop Holler-Day weekend is to raise the awareness of the hip-hop generation

to their consumers, students and voters.

Organizer and publisher

of Philly Word Magazine Ogbonna Hagins told AllHipHop.com that the weekend will

"aggressively promote education and activism to youth, using the common

denominator of hip-hop."

The photo’s will

be featured on the cover of January’s Philly Word Magazine.

For more information

email: [email protected]

Timbaland, Missy Elliot Re-Working “We Are The World”

Timbaland will

produce and write a new version of the USA For Africa charity effort, "We

Are The World," to raise funds for worldwide HIV/Aids programs.

The new song, titled

"The World Is Ours," is being co-written by Missy Elliot and Justin

Timberlake and will feature more than 40 performers, who are being recruited

for the project.

"I see this

as a passing of the torch," Timbaland said. "I will use the legendary

model of We Are the World, but update it in a way that works for the trends

of the music industry today. Just as Quincy Jones, Lionel Richie and Michael

Jackson did, we will create an anthem with today’s most talented artists to

produce a song that will bring the world’s attention to the Aids pandemic."

The project is

being released with Quincy Jones’ blessings, on Tim’s Beatclub Records.

An accompanying

video will premiere on VH1 and a DVD will be produced by Quincy Jones III (QD3).

Proceeds will benefit

the YouthAIDS organization and Quincy Jones’ Listen Up Foundation.

The original We

Are The World project featured such heavyweights as Willie Nelson, Diana Ross,

Tina Turner, Cyndi Lauper, Bob Dylan.

The song was written

by Michael Jackson and Lionel Richie. Legend has it that they wrote the song

in under two hours.

The project raised

$90 million to support the famine relief effort in Africa.

Timbaland’s project

is slated to hit the stores in the Spring of 2004.

Beatnuts Sign With Penalty

Critically acclaimed

hip-hop group The Beatnuts have signed a deal with the recently re-launched

Penalty Recordings, one of the most successful independent record labels of

the 1990’s.

"I watched

their career develop on Relativity and Loud Records and I became a huge fan,"

CEO Neil Levine said. "The Beatnuts are career artists who produce, rap

and tour; they are timeless and can make hit records. This is the perfect artist

to re-launch the Penalty brand”.

In 2002, Levine

snagged a deal with Ryko Music and formed Penalty Associated Labels, which handles

the distribution for other independent record labels.

“When I started

Penalty I saw a void in the marketplace and now in 2003 with all of the consolidation

going on at the labels, this is an extremely exciting time to be an independent,"

CEO Neil Levine said. "It’s the time to take chances with the music

and to keep pushing the envelope to where the multi-nationals are afraid to

go. It’s all about great music.”

Penalty Associated

Labels handles distribution for Ice T’s Final Level Entertainment, Blackstone

Entertainment and Raptivism Records.

Levine said he

plans to announce new signing in the future.

Baby Sued For Jewelry Bills

Bryan "Baby"

Williams was hit with a lawsuit alleging that he owes $82,000 in jewelry bills.

The suit was brought against the Cash Money Records CEO and artist by King’s Jewelers

near Miami Beach.

The suit says Williams,

who also goes by the name of Birdman, ordered a $23,000 pendant made of 18 karat

white gold and diamonds, that formed the initials B-M.

The suit also claims

Williams ordered nine white gold diamond pendants inscribed with Cash Money

Records. Those pendants totaled $54,000.

According to King’s

Jewelers, Williams ordered and approved the custom jewelry but never picked

up his order.

Exclusive: Police Source On JMJ Murder

One year after the

murder of one of the most influential DJ’s in history, the entire Hip-Hop community

wonders why our heroes have been murdered and the cases never get solved. The

Jam Master Jay case has exposed things that otherwise would have never been known

about the characters of certain people in the music business.

The police are

trying to piece together a jigsaw puzzle that seems to have more pieces than

a mirror shattered on the ground.

Perhaps that mirror

could have shown the self destructive nature that the Hip-Hop industry has taken

on. And while so called "leaders" continue to use the played out claim

that rap merely "reflects what’s happening in the streets" but don’t

usher a change of thinking, mothers, families, friends and fans lose their loved

ones, while the stereotypical image of Hip-Hop continues to grow.

In an exclusive

interview, a high ranking New York Police Department detective spoke candidly

about what may, or may not have happened to Jam Master Jay. He/she requested

that their identity remain concealed for a variety of reasons. The following

is a conversation with an insider about what the police are doing and what they aren’t,

to solve the murder of Jam Master Jay.

AllHipHop: On the

night Jay was killed, they said two people entered the studio. The reports say

there were two masked gunman. How much do you know about that?

Anonymous Detective:

There were two gunman, but one of them didn’t have a mask on.

AllHipHop: So if

one didn’t have a mask on, or as reported today, that the gunman hugged JMJ,

why is it so hard for the people in the recording studio to identify the gunman?

I doubt Jay would have hugged a masked man.

AD: The case is

a lot deeper than everyone expected. It’s people really close to Jay.

AllHipHop: When

you say ‘people close to Jay,’ do you mean friends or family?

AD: I mean the

immediate circle of friends he grew up with.

AllHipHop: Who

is Tinard Washington? There has been a lot of things attributed to him in various

media outlets. He implicated a former promoter, Carl "Big D." Jordan

and his son, Noyd (Lil D, Carl Jordan Jr.) in the murders.

AD: Tinard is a

guy who’s been arrested several times. He has a reputation of shooting people.

He’s a guy who has grown up to be very feared in the neighborhood. Some of the

shootings are true, some of them aren’t. I know he’s not that tough, but he

puts on a persona that he’s this tough street dude.

AllHipHop: Have

you heard about him being involved in any other murders, mainly the murder of

Randy "Stretch" Walker?

AD: I know he shot

a family relative that is paralyzed now. There is not much evidence to make

the Walker claim credible, but we are very aware of that situation.

AllHipHop: What

about Jay’s supposed involvement in drug dealing? Is there any credibility to

any of that?

AD: There has been

a lot of mention of it. Unless someone goes on the record and says that, we

are going to just keep that as information.

AllHipHop: The

reason I bring it up, is because the drug dealing aspect could provide a motive

of why he may have been killed. You don’t know anything about Yaqin or the ten

keys of cocaine?

AD: At this time,

all we can say is that Jay always went back to the hood. He may have been reaching

out and helping to introduce people, but we don’t believe he was involved totally

in dealing drugs, where he actually did the buying or the dealing.

AllHipHop: Supreme

McGriffin. Is he still a suspect?

AD: We aren’t going

to rule anyone out, but I don’t believe Supreme had anything to do with it.

AllHipHop: The

investigation seems like it’s been played out in various media, including AllHipHop.com.

Do you feel the media has been responsible in reporting?

AD: The media is

the media. It’s a high profile murder case. But due to the various leaks, it

makes it difficult when the whole situation is played out in the media.

AllHipHop: I read

an article recently in Newsday, that said the 103rd has the highest murder rate

in the city of New York. How do you feel about how the whole situation is being

handled?

AD: The problem

is is that the 103rd is overwhelmed right now. They have had a lot of homicides

in the past month and there are several murders they haven’t solved that they

are working on. Not to say that Jay’s case is being put on the back burner,

but it kind of is, because of the rash of homicides.

AllHipHop: Are

they understaffed?

AD: There used

to be detectives with 20 plus years that could help solve murders, but they

are working with the best they can. Not all of the detectives have that many

years investigating murders.

AllHipHop: I’ve

heard that there was a seminar going on next door. Can you clarify if there

were any other witnesses to the murder other than the people that were present

at the studio?

AD: At this time

it doesn’t seem that’s a possibility.

AllHipHop: I heard

that Randy Allen chased the gunman outside of the studio. Then I heard that

they came out of the booth and saw Jay, removed his chain and the studio gun.

I also heard that a person from the seminar discovered Jay’s body first. What

happened?

AD: I can tell

you that when Jay was shot, there were people in the building yes, but everything

has been done to find out what witnesses were actually there.

AllHipHop: Curtis

Scoon. What are your thoughts on him?

AD: Haven’t ruled

him out yet, but we haven’t ruled anyone out. Scoon doesn’t appear to be the

issue, Jay’s immediate circle of friends seem to be.

AllHipHop: Randy

Allen seems to be a central character in this whole situation. What have you

heard about this supposed insurance policy? I recently heard his older sister

was the beneficiary of the policy.

AD: We are aware

of it. We aren’t sure who the beneficiary is at this time.

AllHipHop: So there

was an insurance policy.

AD: Yes.

AllHipHop: Someone

collected on it?

AD: That I don’t

know. Sometimes it’s hard to penetrate these circles as an outsider. I do have

a suggestion. The family of Jam Master Jay should contact a detective name Derek

Parker.

AllHipHop: Who

is Derek Parker?

AD: He’s the guy

that started and founded the rap and Hip-Hop squad. He’s the guy they need to

reach out to.

AllHipHop: What’s

the rap & Hip-Hop squad?

AD: The squad that

goes around and uh, watches the rappers.

AllHipHop: So there

is a Hip-Hop squad?

AD: Yes. Parker

was appointed by the ex chief of the department, Lou Anemone and Commissioner

Edward Norris.

AllHipHop: Do you

think Derek Parker could solve the case faster and if so, why haven’t they contacted

him yet?

AD: The family

may not know who he is. The rappers in the industry knows who he is cause he’s

dealt with alot of them at one point or another. He was in Los Angeles for the

Biggie murders and Las Vegas for the Pac murder. Still to this day he’s a private

investigtar for his own company, Styles Security. Parker claimed that if he

is in fact hired to assist in the case, he would have it wrapped up in a week.

Karl “Big D.” Jordan: Friend or Foe

Karl “Big D.” Jordan is a self described lifelong friend of “Jason “Jam Master Jay” Mizell. Mizell introduced Jordan to the rap game, by using his connections at Rush Management to get a job in the office.

Jordan and Mizell kept close through the years, both living in the same area of Hollis, Queens.

On mischief night, the evening before Halloween in which harmless jokes are played, Jordan heard the news that Jay had been shot and killed in his recording studio, 24/7.

It was not a joke.

Fast forward almost a year later and the man who calls Jay a lifelong friend has been investigated as a possible suspect in Jay’ murder. In this exclusive interview, Jordan speaks about his past with Jay, the men at the studio and what may have taken place on one of the darkest nights in hip-hop’s history.

AllHipHop: Give me some history with Jay. How did you first meet him?

Karl Jordan: I knew Jay for 30 something years. My father and his father were good friends. His father was looking to move outta Brooklyn. My father helped him find a house in Hollis, Queens.

AllHipHop: Was Jay your connection into the music business? You worked for Rush Management right?

 

Karl Jordan:  I guess you could say that, yeah.

AllHipHop: Do you still work in the music business?

Karl Jordan: Yeah I manage and consult record companies overseas and things like that.

AllHipHop: What was your reaction when you heard Jay was shot and killed?

Karl Jordan:  I didn’t believe it was Jay. I thought that somebody got shot at the studio, but I didn’t expect it to be as serious as it was.

AllHipHop: Tinard Washington, who is locked up, placed you at the crime scene. Why?

Karl Jordan:  My first wife got at his sister. It was like a family feued from like 20 years ago. That’s all I can think of. Tinard is a btch ass ngga. Tinard really is not in my league. It’s like an adult and a child.

AllHipHop: I heard that a few days after the shooting, you hired a cat named Shawn Jones to shoot Tinard Washington.

Karl Jordan: What?….I haven’t heard anything about that, no.

AllHipHop: Where where you when Jay was shot?

Karl Jordan: I was on the block, on 23rd right across the street from Jason’s house. I was actually working on a boiler.

AllHipHop: What was your relationship with Jay’s circle of friends?

Karl Jordan: Randy had been a good friend of Jay’s for sometime. I don’t know why Jay decided to help him to the extent that he did. I knew Randy through the neighborhood, but I aint really have no relationship with him, like that. Jay is the one that put him in the game and kept him in the game by doing the JMJ Records thing. Every time I saw him, it was pretty much I was doing something with Jay and he was floating around. He was there because Jay was there.

AllHipHop: I’ve heard that Randy Allen has a hit out on you. You heard that?

Karl Jordan: Yeah I heard something like that.

AllHipHop: Why all of a sudden does he want to get you, if that scenario were true? Do you have beef with him?

Karl Jordan:  If he’s involved with Jay’s death, than yeah. (laughs).

AllHipHop: Were you familiar with Lydia High?

Karl Jordan: Yeah I know Lulu (Lydia High’s nickname).

AllHipHop: What about the people in the studio? Reports have stated that they aren’t cooperating with the police.

Karl Jordan: Right and they should all go to jail. I don’t know why they haven’t been charged with anything yet. You know that Jay is dead. You know you got a body, something happened. A crime was committed and these people were at the scene at the crime. I don’t understand why they aint in jail.

AllHipHop: Do you think that the fact Randy Allen’s brother in law is a detective for the NYPD has anything to do what anything?

Karl Jordan: That could be, but that aint gonna work. You can only hide behind that for so long.

AllHipHop: A report says that the killer hugged Jay, which refutes what Lydia told the police. She said Tinard came in the studio with a masked gunman and the gunman shot Jay. Now they claim the gunman hugged Jay. Why would he hug a masked man? Someone in the inner circle is obstructing justice.

Karl Jordan: Not somebody man, all of em. Starting with Randy.

AllHipHop: A lot has been said about Jay being involved in drugs. Who is “Uncle?” I heard he was a big time drug dealer that Jay dealt with frequently and that he fronted Jay 10 Kilo’s of cocaine.

Karl Jordan: I don’t know nothing about that. I heard that, but I don’t know anything about that.

AllHipHop: I heard that 6 months prior to Jay’s death that you, Tinard, Jay, Chris Run (Jay’s driver) when down to Baltimore with a bunch of coke and that a friend of the Allen’s, who goes by the name of Yaqin ran off with the drugs.

Karl Jordan: I aint go no where.

AllHipHop: Do you know who Yaqin is?

Karl Jordan: Yeah he’s a kid from the neighborhood.

AllHipHop: He’s in Baltimore now?

Karl Jordan: Yeah.

AllHipHop: Was he a friend of the Allen family?

Karl Jordan: Yeah. See man, Jay’s murder could be about the studio itself. It could be about Jay catching Randy stealing money, it could be a number of things to be honest It could be about the profits from the insurance money, you know?

AllHipHop: Do you know anything about the insurance policy?

Karl Jordan: I heard Randy got paid. I heard that the way Randy had it setup, when the policy was to be cashed, he had his sister down as a beneficiary, so it wouldn’t look like the money came to him I guess. So whatever money came, went to his sister. I think that it’s unjust. A year later there are still a lot of un answered questions. Lulu and Randy to me are like one. She aint gonna say nothing unless he says it’s OK to say it. It’s my understanding that she saw who went in the studio and saw what happened and she is covering it up. At one point, over and over again they said it was Curtis Scoon. Now Curtis comes out of the wood works and Randy changes it from Curtis to Supreme, then he changes it from Supreme to me. I know that Randy is lying and I don’t know why he gotta be lying. If he aint involved, why is he lying?

There is only one story. Different people see it from different views cause they were in different rooms, but at the end of the day, the sh*t all gotta make sense. The police really can’t make sense of it, but they know Randy and his sister is lying.

AllHipHop: Why haven’t they been the focus of anything, in terms of the media or otherwise?

Karl Jordan: Randy think he’s kinda half ass smart. What Randy has done is kinda orchestrated this Murder She Wrote type novel. And the relationship with his brother-in-law and whoever his brother-in-law’s friends are, they are trying to keep him in the clear. The detectives on the case I know of, know that Randy is lying. They are just trying to get it to the point that they can prove he is perjuring himself, they can lock him up for conspiracy.

AllHipHop: What about Jay’s nephew Boe? He left right before Jay was shot.

Karl Jordan: I think Randy forced him to leave cause it was convenient. I think Randy persuaded him to leave the studio to get a haircut. Come on man, this kid wears braids. I don’t know why he needed a haircut or a line up. He left and that the time, that’s when everything went wrong.

AllHipHop: Do you think they will ever solve the murder?

Karl Jordan: I think so. I read a report that Lulu was supposed to tell the truth. I don’t know why she aint telling the truth. It’s gonna look f*cked up either way, cause she waited so long. I thought it was good thing she was cooperating. I don’t know why they haven’t locked all of them up on conspiracy charges. That should be the charge for Randy and Lydia and everyone in studio. Conspiracy to commit murder.

7-Eleven Preparing Market Test Of Pimp Juice

The Chief Executive

Officer of the 7-Eleven has announced that the convenience store chain will

carry Nelly’s energy drink Pimp Juice in select stores, despite being the subject

of threatened boycott, due to the drink’s controversial name.

"You can’t

underestimate the bottom line here. The opportunity is terrific," Jim Keyes,

CEO of 7-Eleven told the USA Today.

The company is

preparing a market test of the drink, which has shipped over one million cans

since it’s official release.

Nelly fended off

criticism of the drink on MTV’s TRL in September. "Pimp Juice is nothing

derogatory, it’s an energy drink. It’s not an alcoholic beverage or nothing

like that. I’m a big fan of sports. With The St. Lunatics, we need a lot of

energy. We’re constantly working."

The drink currently

has distribution in Miami, Chicago, all of Louisiana, Detroit, Kalamazoo, Las

Vegas, Seattle, all of Missouri, the Caribbean and Jamaica.

Biz Markie Preps First Album In Ten Years

Rap veteran Biz

Markie is preparing to drop his fourth album, Weekend Warrior. The release

is the first full length album from the beatboxing/rapping/DJ in ten years.

Biz has spent the

past years DJ’ing at high profile events and colleges across the United States.

Biz has one of the biggest music collections, with over 30,000 45 RPM records

and over 50,000 12" inches.

“I’ve

been through it all but I’m going to keep it movin’ until I can’t

do it anymore," Biz said of his longevity and staying power in hip-hop.

Biz Markie entered

the rap scene in 1985 at the tender age of fourteen. He earned his stripes as

the beat box back up for Roxanne Shante of the legendary "Juice Crew,"

which counted Marley Marl, Mr.Magic, Fly Ty, Big Daddy Kane, Craig G, Kool G

Rap, Biz Markie, Roxanne Shante, MC Shan, Masta Ace, Debbie D, Glamorous, TJ

Swan and others as members.

Biz signed his

first deal in 1988 with Prism/Cold Chillin’ Records and gained notoriety as

the first rapper in history to be sued for not clearing samples.

As a result, his

critically acclaimed album, I Need A Haircut was yanked from shelves

for using a portion of Gilbert O’Sullivan’s####, "Alone Again (Naturally)."

His newest release

features such heavyweights as P.Diddy, Erick Sermon, Jazzy Jeff, Elephant Man

and others.

Production is handled

by Chucky Thompson, Megahertz, Kevin Brown of Touch Of Jazz, J-Zone, Paul Nice,

upcoming producer O.C. and Biz himself.

Weekend Warrior

hits stores November 3 in Europe and November 18 in the United States.

50 Cent Says He Will Not Meet With Minister Farrakhan

Rapper 50 Cent

said he will not meet with The Nation Of Islam’s Minister Louis Farrakhan, despite

an offering by the spiritual leader to mediate tensions between Ja Rule, 50,

Murder Inc. and G-Unit.

"As far as

me meeting with Farrakhan…it’s not happening," 50 told Washington D.C.’s

93.9 WKYS. "I respect [Farrakhan] and all that but it ain’t going down.

Ja put himself in the position he’s in and he’s doing whatever he can for publicity."

Ja Rule met with

Minister Farrakhan last Thursday on a farm owned by The Nation Of Islam. Sources

told AllHipHop.com that the meeting took place at the urging of Murder Inc.

CEO Irv Gotti.

The contents of

their conversation was taped and is scheduled to run on 85 Clear Channel radio

stations across the country on November 4th, the same day that Ja Rule’s latest

album, Blood In My Eye is released to retail stores.

The interview will

reach over 40 million listeners.

50 took a swipe

at "Clap Back," Ja Rule’s latest release in a series

of verbal shots the men have been taking at each other.

"As far as

‘Clap Back,’ the beat’s ok, but there’s no clappin going on there. You can’t

even understand his vocals."

50 and the G-Unit did enjoy an on-air rhyme session with D.C.’s hot export Blyss.

Man Arrested For Impersonating Slick Rick- Again

A man arrested in

April of 2002 and charged with seven counts of fraud for impersonating detained

rapper Slick Rick, was arrested after calling Rick’s home and showing up across

the street from the rapper’s house in the Bronx, New York.

Steven Glenn, 29,

of Raleigh, North Carolina, was picked up by officers from the 47th Precinct

last Thursday, after police responded to a 911 phone call from Rick’s wife,

Mandy Aragones.

"I got a collect

call from someone saying he was Rick," Aragones said. "As soon as

I heard his voice I knew it was that damn Steven Glenn."

Officers said Glenn

identified himself as Slick Rick. Medical workers examined Glenn and transferred

him to Our Lady of Mercy Medical Center in the Bronx, where he remains under

psychiatric observation.

After being arrested

in April of 2002 for impersonating Slick Rick, Glenn was evaluated, charges

against him were dropped and he was released from State custody.

Aragones attempted

to file a restraining order against Glenn on Friday but failed, after the Bronx

Criminal Court decided she didn’t have enough evidence to prove Miller was a

threat.

On Friday, Aragones

also learned that Glenn had registered his name in the hospital as Rick Walters,

the rapper’s real name.

"The justice

system is broken," Aragones continued. "I should not be harassed at

will by a crazy man and my husband should not be in jail."

Walters has been

held in a Federal prison since June of 2002 by the Immigration and Naturalization

Services (INS).

Slick Rick was

convicted of attempted murder in the second degree in 1991.

He was sentenced

to three-and-a-third-to-ten years in prison. Rick ultimately served five years

and twelve days, two days more than the law allows.

U.S. law calls

for the deportation of foreign nationals who commit a crime in America.

Rick never obtained

American citizenship, but the law was waived for Rick due to his recording career,

the significant amounts of properties he owned, family ties and charitable work.

Rick was released

from prison in January of 1996 and was re arrested on June 1, 2002.

He was charged

with deporting himself and illegally re-entering

the country.

Rick has been denied

bail four times and was labeled a "flight risk."

Nelly Robbed Of $1 Million In Jewels

Nelly was robbed

of more than $1 million dollars in jewelry last night at the Aladdin hotel-casino

in Las Vegas.

The rapper was

in Vegas for the 2003 Radio Music Awards and performed the hit "Shake Ya

Tailfeather," with P.Diddy and Murphy Lee.

The hotel room

Nelly was staying in was burglarized. The theft was reported to police around

9:00 Monday evening and the incident was being investigated.

Michelle Branch,

who also stayed at the Aladdin, reported computer equipment stolen.

Over the past months

various rappers have had issues with their jewelry. Last month, Big V of the

group Nappy Roots lost almost $20,000 worth of jewelry when he was forced to

check it in before flying on Southwest Airlines.

Trina was robbed

of over $300,000 when a man posing as her manager entered her hotel room in

Greensville North Carolina and Lil Kim lost, but recovered a necklace worth

$250,000 in June.

Rapper Half-A-Mil Found Dead In Brooklyn Apartment

Brooklyn bred rapper

Half-A-Mil was found shot to death in his apartment last week in the Albany

Projects.

Details are sketchy surrounding the shooting. Half-A-Mil released two albums,

his debut Million and the follow up, Da Hustle Don’t Stop, which

were released on Warlock Records.

“We are sad over

here at Warlock,” Kyle Christmas told AllHipHop.com. “He will definitely

be missed. He was one of those outstanding, but underrated artists. He was a

good dude.”

The rapper had

worked with such heavyweights as The Firm, AZ, Nas, Just Blaze, Trackmasters,

Kool G. Rap, Capone-N-Noreaga and others.

Half-A-Mil was

working on his third album at the time of his death.

Eastsidaz Claim Snoop Owes $1 Million

A rift has opened

between Snoop Dogg and his one time protege’s, Tha Eastsidaz. According to the

group, Snoop never paid the group royalties on two platinum selling records.

The group alleges

that after they hired accounting firm Moss Adams LLP, the same accounting firm

that Snoop uses, they discovered that they were owed in excess of $1 million

dollars.

"I won’t allow

nobody to take my hard earned money," Big Tray Dee said. "If you want

to take something, let’s go head up and winner take all."

The group said

that they were given a royalty rate of 2 percent and when they confronted Snoop

about the unpaid money, he allegedly claimed that no money was made on their

self titled debut and the follow up, Duces ‘N’ Trayz…The Old Fashioned Way.

After the audit,

The Eastsidaz allege they found that Snoop had charged them $142,000 for two

gold chains worn during the "G’d Up" music video.

The group claims

the chains were gifts and that ten other people were given chains as well.

On August 6, 2001,

Tray Deee wrote a letter asking for the unpaid royalties. He said that he received

a response from the law firm of Leibowitz, Roberts & Ritholz, stating that

all of the royalties were given to Snoop Dogg.

In November of

2001, The Eastsidaz and their manager Terry Carter met with Snoop at his Dogg

House Studio.

During the meeting

the group alleges that they explained to Snoop how they trusted him and that

Snoop himself had been cheated out of royalties while working for Death Row

Records.

Tray Dee maintains

that Snoop agreed to give Tha Eastsidaz their own record label to release their

third album through TVT Records and that Snoop would contribute three songs

to the album at no cost.

The Eastsidaz say

that they are still waiting for Snoop and claim that his silence is "an

attempt to sabotage Tha Eastsidaz project."

Earlier this month

the group says Tray Dee went to Snoop’s house to return the gold chains and

to again ask for the back royalties.

According to the

group, security was alerted and Snoop "ran out the back door, hopped the

fence, fell, busted his lip and ran into the mountains. The security guards

opened fire on Tray Deee and left the premises before police could arrive, leaving

Snoop alone on the mountain."

"Let’s show

the fans who you really are," Tray Dee continued. "Quit running like

a coward behind your

security."

Sean John Investigated For Sweat Shop Conditions

According to reports, P.Diddy’s Sean John clothing line is coming under fire for allegedly using sweatshop labor in the Honduras.An anti-sweatshop group, National Labor Committee, said that the Southeast Textiles factory in Choloma, Honduras where the clothes are made, subjects workers tod daily body searches, contaminated water, 12 hour daily shifts and a whopping 24 cents for every $50 shirt that is sewn.The report said that women were given mandatory pregnancy tests and if they were tested positive they were fired.The violations are illegal but the law is rarely enforced because the government is fearful that various corporations may leave.The executive director of the National Labor Committee, Charles Kernaghan, is currently traveling on a multi-city tour exposing the harsh working conditions in the factory. 80 percent of the factory is alotted to Sean John, while the other 20 percent produces Jay-Z’s Roc-A-Wear clothing company.It was not clear whether Roc-A-Wear was part of the National Labor Committee’s scrutiny.Officials for Sean John said they had no knowledge of the working conditions in the Honduras, but planned to launch an inquiry.

Santi White: Stiffed

Although the name

Santi White may be unfamiliar to you, her emotions and lucid lyrical prowess

are more known to you than you may know.

As the scribe of

11 out of the 12 songs on the highly acclaimed How I Do album by Res,

Santi White was instantly praised and acknowledged by the critical world as

an authentic talent, while many fans of Res’ music remained ignorant of Santi’s

existence, not to mention her contribution to How I Do.

Inspired by the

success of How I Do, Santi sought to find her own musical platform, from

which her unique voice could be represented solely by herself, unfiltered and

void of any middle man, thus, Stiffed was created.

A Philadelphia native, Santi does not fall into the earthy trend of black musicians

that Philly has become so well known for. No, Stiffed is a punk rock band, pure

and simple.

Boasting fun music

and energetic live shows that promise to make you move and sweat, Stiffed is

poised for success. Stiffed’s EP, Sex Sells, was released earlier this

year and was received warmly by critics, while leaving fans hungry for a full

helping.

Before going into

the studio to record Stiffed’s first full length LP, Santi spoke with Allhiphop

Alternatives about the creation of Stiffed, what she thinks about being ‘that

black punk rock chick,’ and how she really wants it to be all about the music.

AllhipHop Alternatives: Talk a little about your background and how you got

into music?

Santi: Well…my father was really into a lot of music and he use to play music

in the house all the time when I was little kid, so I guess that’s probable

how I got into music in general. He use to be really into like jazz and reggae,

and world music like Fela Kuti. He took me to see people like Fela and James

Brown when I was seven. So we got to go to a lot of shows and stuff as kids.

And then I guess when I was little I grew into hip hop from watching Beat Street

and Breakin’ and all that stuff and me and my brother use to try and break dance.

And I remember the first little piece of a song that I wrote was after I watched

one of those movies, and I tried to write some song called City Streets (laughs),

I think I was like eight. And then after that I started writing hip hop lyrics,

from the time I was like 12 to about 19 to be honest.

AHHA: Really?

Santi: Yeah, that what I use to do, cause I use to write poems and I use to

write rap lyrics all the time and I even wanted to produce beats so I bought

a SP1200 and ASR-10. Then I think I felt like I wanted to do something more

melodic, cause I was a music major is college, so I was exposed to whole lot

of different stuff. I studied hand drumming, I studied West African Rhythms,

Experimental, Classical, just all kinds of music. And I think after that I just

wanted to add more melody and not do just hip hop stuff, not that I was actually

ever performing it, I was just writing it (laughs). So then I just started writing

songs after that just for fun and then very shortly after that I did the Res

record. Res was somebody that I knew before because our parents were friends

and I was working at Sony and Epic cause I thought I wanted to own a record

company. And then Res called and said she wanted to put together a demo, so

I ended up writing songs on the demo and I ended up quitting my job and just

working her album.

AHHA: Many people aren’t aware that you wrote 11 out of the 12 songs that appear

on Res’ album. Of course Res’ singing the sound of the album played a big part

in the albums success, but many people loved the lyrics Res sang and that attracted

many people to the album. So was there any element of frustration, in that your

work was being so well received and admired, but you remained fairly unknown?

Santi: No I wasn’t frustrated cause…I think what happen was all the press started

actually bigging me up more than anybody and it actually made it easier for

me to go and do Stiffed.

AHHA: How did Stiffed come about?

Santi: After I was done working on the Res project and I just felt like I really

wanted to…ya know I was still writing songs and I didn’t really want to be in

the situation again were I was writing songs for somebody else, because I felt

like after that I wanted to really hear my songs come out the way that I had

intended them in my head and not have to deal with somebody else singing and

somebody else producing. So I was talking to Chuck, who was our drummer at the

time and he also drummed on the Res record, I’ve known him since high school.

And I was like, yeah I want to do this, so he said come back to Philly. So I

went back to Philly and we started recording stuff and then within a year we

started playing it as Stiffed. Once we started doing shows it kinda took on

a life of it’s own. We did little shows in Philly for like a year, year and

a half. And once we came to New York is when it all started happening because

that’s where all the industry people are and all the people who knew me from

Res and all the people I knew in New York, cause ya know I lived in New York

for eight years. Right after our first show in New York, we went and recorded

the EP really quick in Woodstock, and we got Daryl from Bad Brains to produce

it, and that’s kinda when it was official cause we actually had some material

for people to buy.

AHHA: Who Comprises Stiffed and have there been any line up changes?

Santi: On the EP was me, Chuck Treece on Drums, Chris Shar on bass, and Matt

Schleck on guitar. And the only change is that Chuck Treece is no longer the

drummer.

AHHA: Wasn’t that your friend from High School?

Santi: Yeah, he still is my friend. Chuck is a brilliant amazing drummer and

he has so much history in the punk rock world and he’s just like a brilliant

person anyway. So it wasn’t like it was a happy thing to happen, but it had

to happen at the time. The thing is he’s still gona be involved with us, when

we record our new record he’s gona record some tracks on it.

AHHA: Okay, so it’s still love?

Santi: Yeah. But our new drummers name is Andy Vick and he’s not even up on

our website yet, but in the next couple of weeks it should be up along with

our trip to London and all that’s stuff.

AHHA: I read on your bio why you called the group Stiffed, but things couldn’t

have been all that bad, and if so could you expound?

Santi: There’s not much to expound on. I was going through a rough time and

I felt jerked over, so I named the project (demo) Stiffed before it was even

a band yet. And once it was a band, we were Stiffed. It’s just the notion of

being f##### over. Not too deep.

AHHA: Why is the EP entitled Sex Sells?

Santi: Because it was sort of making fun of that notion. If you look at the

cover of the EP, you see that the guy’s face is very serious and deeply contemplating

something stressful or heavy (hence all the sweat). He is also out of place

and a bit awkward (in a suit on the beach, an alien in his environment). And

then you have this half-ass lady scribbled in the background in a bikini, totally

forced, begging for attention where it’s really not that kind of show. Something

more serious is going on. So to call the album Sex Sells sort of makes fun of

the idea that you need sex to grab attention. Especially for me as a performer,

people are always telling me I need to dress sexy, and I’m not really interested

in dressing sexy. I dress to sweat on stage, and that’s it. Don’t know if that

makes sense.

AHHA: If you had to describe Stiffs sound to someone, what would you say?

Santi: If I didn’t have to categorize it, I would just say that it’s up beat

and that its fun and it’s definitely like energy music, but its melodic and

it’s definitely rock obviously and it’s pretty aggressive at times, but still

melodic. And it’s catchy and it actually has a lot of humor in it. But if I

had to classify it, I would say it’s post-punk, new wave.

AHHA: What are your thoughts on the comparisons you get to No Doubt?

Santi: Whatever. People got to feel like they know something. I think it’s a

lazy comparison, but it doesn’t really bother me. I like Gwen.

AHHA: I love you voice, do you work on your vocals or do you just sing it how

you feel it?

Santi: I don’t work on vocals, I never really even sang before this project.

I sang in chorus when I was fifteen at school (laughs), and it wasn’t selective

at all, like everybody did it, you didn’t have to be a good singer. Beyond that

I never even thought about it.

AHHA: What’s your writing process like?

Santi: Well, the main way I write is I sit down in my room and I play around

with the guitar or the bass and I just come up with some riff that I think is

really catchy and then I lay the whole thing down with not even any changes

in it, just like one riff, and I’ll write the whole melody and the whole song

over that. But mostly melody, I just sing what ever words come in my head and

usually they don’t even make sense and sometimes there not even real words.

Then I’ll go back an actually listen to what it sounds like it’s saying and

build lyrics around what it sounds like already. So if it sounds like its saying

something then I’ll just go back and write lyrics that sound like that and just

make it make sense, and usually it works. Because I feel like that way you are

letting the song dictate itself. And I’ve written enough, that it is a fun challenge

for me to make it work, and it ends up being about what ever is on my heart

at the moment. It’s a very spontaneous way of writing which I like. There’s

been other times where I actually like…like “Golden Boy” from Res’ album was

pretty much a journal entry and I took it and made it fit into a song format.

And then sometimes stuff comes to me when I’m sleeping and I’ll just roll over

and write it down, or call my voice mail on my cell phone and just mumble it

into the phone. Or sometimes my band will write stuff and bring it in and we’ll

lay it down and then I’ll just write lyrics to that, but usually theirs has

all these changes and everything in it, theirs is more complex, cause usually

when I write I don’t even put changes in it, then they come and put changes

in.

AHHA: Do you feel any pressure to make the fact that you are an African-American

woman a focus in your music or to pay attention to that in your music?

Santi: Umm…Well you can’t really separate it from the fact…I mean I am a black

person. So I don’t care if people say, ‘yeah you’re black and you’re a woman.’

Yes I am, and I’m doing this music, that’s fine, cause it’s true. And all my

experiences of being that are obviously gona be in my music just because I’m

a person and what I am comes out in my music. No, I don’t have a problem with

that. What I have a problem with is being classified, because my music becomes

not the main focus and me being African-American or being a woman becomes the

main focus, that’s when I have a problem. When they try to categorize my music

by the fact that I’m black, like it’s black rock, as opposed to just rock, that’s

what I have a problem with. But obviously my experiences culturally and sex

wise is gona come into my music, that’s just a fact. I just don’t like when

that becomes the focus, like I’ve done interviews when they just ask me about

that like the whole time and they don’t even ask me what my music is like.

AHHA: What are your thoughts on the fact that you, being an African-America

woman who is the lead vocalist of a punk rock band…you will be giving a lot

of little girls a new reality to shot for, just a different dream other than

the standard R&B vocalist kind thing? What do you think about that?

Santi: I think that’s exciting and think that is seriously one of my goals,

not just in my music, but just in how I live my life in general. I’d like to

see all black kids more open to try all kinds of things, not just things that

are typical for black or urban kids to try. Like I snowboard and do all kinds

of stuff that a lot of black kids aren’t exposed to and don’t try and that a

shame. I love when I see blacks kids even playing instruments, cause that’s

something that a lot of black kids don’t do anymore cause they don’t have the

programs or whatever. I would love to be a role model, like yes I’m a black

person but I can do anything I wanna do. Like I don’t have to only do hip hop

or play basketball…like I played lacrosse when I was in college, ya know. I

would love for there to come a time where black kids, just like white kids,

did all kinds of stuff. So if I can be role model for that, I would love that.

Especially for women, for young girls, girls aren’t even taught to go for their

dreams, their taught to do the safe thing like get married and have kids, and

that is retarded.

AHHA: What is a Stiffed live performance like?

Santi: Ahhh, it depends on what night you catch it (laughs). But I would hope

that it’s definitely fun, high energy. If you come to one the New York shows

were everybody’s too cool, you’re less likely to see dancing, but if you come

to an all-ages show you might see some people jumping around which is like the

best show really. Usually the younger the audience the more fun it is to be

honest…then again, that’s not true, cause when you get a lot of people that

actually know your music and are really into you, than it’s also fun. A lot

of times when you get a new audience and nobody’s really heard of you, people

are really into but they just kinda stand there and look at you because they

don’t really know what to expect and their just sort of watching rather than

being apart of the audience. But in general you should come prepared to move

around, cause it’s fun.

AHHA: Do you find some of the waiting and seeing is cause here’s this black

chick in front of a punk rock band, and everybody’s like ‘what’s she gona do?

Santi: Sometimes yeah, sometimes that is the vibe, but usually its fun, because

that the funnest thing when you open your mouth and everybody in the place is

like ‘what?’ I’ve had one experience where the crowd wasn’t that into it, it

was in DC and it was a really bad booking, it was a show with Cody Chestnut

and someone had booked it that I think was really trying to categorize me as

this new black rock thing and it was an R&B show, like the people before us

was doing a Soul Train line. And then we went on and they were like ‘what the

f###?’ They were just so not into it (laughs). And in cases like that it’s kinda

fun, because you just extra wild out, but usually people are really excited

especially when it’s like a straight punk rock crowd.

AHHA: You performed at the Black Lilly in Philly, how was that?

Santi: They were great, they love it. That was something I was actually a little

reluctant to do too, cause I wasn’t sure if it was the right crowd, but they

actually really loved it. They were a fun crowd.

AHHA: Right now you’re on and independent label, would you like a deal with

a Major?

Santi: Eventually, but only when it’s like we don’t have to prove ourselves,

like maybe once it’s already established that we’re good. I want it to happen

maybe after this up coming record.

AHHA: What are you listening to these days?

Santi: I’ve been listening to the same things for like the last year and a half.

I’ve got Gary Newman in my car. I’ve the best of the Cars. I just bought that

Outkast CD and I’ve got Chronic 2001 in my car.

AHHA: Okay. You mentioned a full length album earlier, how’s that coming? When

will you start recording?

Santi: We need to start recording this month, cause it needs to be done by the

end of the year.

AHHA: When will the public be able to buy it?

Santi: By the beginning of next year.

AHHA: You got any working titles for the album?

Santi: Nah

AHHA: There’s a rumor floating around that you were once involved with Mos Def,

any truth to that?

Santi: Yeah, there’s truth. Definitely past way over, it was years ago.

AHHA: There’s also a rumor that the song “Golden Boy,” from Res’ album was written

about Mos Def, any truth to that?

Santi: I don’t want to talk about that, I think that’s a stupid question, and

not to dis you, but I don’t think it has anything to do with Stiffed and I’ve

been asked it a lot and I’m not answering it anymore.

AHHA: Fair enough…how can people find out about Stiffed?

Santi: Stiffedmusic.com. Only thing is it isn’t updated, but within a month

all the new information should be up there. But the songs from our EP are on

there so people can listen to us.

AHHA: Any last words?

Santi: Nope (laughs).

Ron G: Still Rollin

Is your current

single lagging on the charts? Do you want to get your radio spins up? Then you

might want to refurbish that song with a re-mix. Look no further than DJ/producer

Ron-G.

As a youth, he

took on the title "Youngest In Charge" and he not only took charge

– he changed the game. “Ron G is definitely more than a DJ, he’s a producer,

re-mixer and percussionist," said one urban publication.

Also known as "The

Mix Tape King," Ron G has rocked celebrity events, release parties and

even does his thing on a New York radio show.

However, the DJ

has transformed into a producer that has crafted beats for A-list artists such

as LL Cool J, Kelly Rowland, J-Lo, R.Kelly, Fat Joe, Michael Jackson and Mary

J. Blige.

AllHipHop.com

caught up with Ron G who discussed everything from the state of hip-hop to his

relationship with Tupac and Biggie.

AllHipHop.com:

You have created a craze with your blends. People hear about re-mixes but few

know it stems from the blends that Ron-G started.

RG: My blends were

kind of like re-mixes and the energy that blends made caused it to be called

re-mixes. If you listen to the first Jodeci, Mary J Blige records those were

actually blends. They were hip-hop beats blended with other hip-hop melodies.

They were really blends but they were called re-mixes.

AllHipHop: What

are some of the latest projects for Ron G?

RG: Right now,

I just did a song with Michael Jackson that R. Kelly wrote ("One More Chance"),

I just did a re-mix for Beyonce ("Me, Myself and I"), I also did J-Lo

and LL Cool J ("All I Have"), I did Kelly Rowland remix for ("Stole")

and Jagged Edge (Heaven Re-mix).

AllHipHop: You

were also the first one ever authorized to release a freestyle or recording

of 2Pac on a mix-tape.

RG: Yeah that song

is called "Deadly Combination" featuring Big L and 2Pac on Rawkus

Records, that record actually went gold. It’s amazing now to look at what everybody

is doing, including Eminem. I did that several years ago taking vocals from

different rappers and combining them together on one track. The 2Pac and Big

L song also had Biggie on there but I couldn’t get his vocals cleared so I had

to take it off. That combination back then was so huge, I’m bugging on what

they are doing now because I did it years ago and they are just catching on.

AllHipHop: How

did that come about you getting 2Pac to spit on your mix-tape?

RG: Pac came to

my studio with Stretch (R.I.P). It was amazing because he wrote his verse in

10 minutes. That verse goes down in history, he wrote what he felt and he predicted

his death and how it would happen. Just listen to his verse:

Follow me tell

me if you feel me/ I think n*ggaz is tryin to kill me/Picturin’ pistols,

spittin hollow points til they drill me/ Keepin it real, and even if I do conceal/

my criminal thoughts, preoccupied with keepin steel/See n*ggaz is false, sittin

in court, turned snitches/ that used to be real, but now they petrified b*tches/

I’m tryin to be strong, they sendin armies out to bomb me/ Listen to Ron-G,

the only DJ that can calm me/

The situation was

crazy because he left my studio that night then went to the studio in midtown

and that is when he got shot. A few weeks later I was doing a party in New Jersey

and the Outlawz stepped to me and said, "Pac said he knew you ain’t had

nothing to do with that and he sends his love to you." After that I was

happy, as hell and he has been my road dog forever. I have been supporting him

since. For a person to do the things he was doing and still move the way he

was moving and be able to think the way he was thinking and write the rhymes

he wrote in the amount of time he wrote it was incredible.

AllHipHop: One

of the greatest of all times, who will never die just like 2Pac, is Biggie Smalls.

How do you feel when you hear your name over and over again mentioned on the

classic "Juicy" record?

RG: I’m going to

be real with you, you’re the first person I sat down with and talked in depth

about this situation between Biggie and Pac. Biggie was personally my friend

(short pause). It was a time in my life when Biggie was here

and I was broke and going through a huge amount of problems. I didn’t have a

dime; I bought cars only to have them stolen. There were only two things I had

to keep me going, that was Biggie and my studio equipment. I was sitting home

doing beats trying to remain focused and I called Biggie and told him my problems.

He told me, "bring me something over man." I brought some beats over

and two days later he just gave me a check for $10,000 and he never used the

songs. That $10,000 put me where I’m at today. I don’t know if Puffy or Ms.

Wallace knows that but B.I.G. did that for me and that is why he will always

be in my heart. Rest In Peace B.I.G. He done something for me no rapper has

ever done. That $10,000 he gave me allowed me to put some food in my mouth as

well as buy

another piece of studio equipment.

AllHipHop: You

never felt the urge to intervene being that you were friends with both Pac and

Biggie?

RG: I was never

put in that position because after the situation with Pac things changed. I

never saw Pac again. I seen Biggie on a few occasions. After that everybody’s

lives changed including mines. Detectives were coming to my

house every other day. It was real, it was bugged out. It was something I really

couldn’t understand. I think the situation was bigger than themselves. I just

thank God for giving me the blessing to work with these guys and learn from

their experiences in the game. I learned from the both of them.

AllHipHop: What

is the state of hip-hop and what do you think about the 50 Cent phenomenom?

RG: Yeah 50 Cent

changed the game. He made it so people got to do a whole lot of grinding themselves.

No one was showing him love. I was doing blends of his songs when he was signed

to Columbia. Unfortunately, now n*ggas is sick. Rappers is quitting…rappers

are stressed.

AllHipHop: Why?

RG: When Biggie

was here he made people feel good, because I’m a fat n*gga. So when I listen

to Biggie I saw me. Now that 50 is here, you don’t have to look like him but

similar to him. You have to be appreciative of hip-hop, of

people who follow hip-hop. Look at the rappers who are not shaped like him,

look at all the rappers who didn’t do through what he been through, look at

all the rappers who don’t have the streets credibility. Now you got rappers

like Mos Def who don’t care cause they don’t have to do that. Then you have

(I’m not gonna say no names) rappers who once were in the top ten league, he

came and sat on their face and stepped on them like " n*gga what, I’m here

now".

AllHipHop: What

are you doing now to adjust to this 50-phenomenon?

RG: Rappers are

sick behind that. I myself had to tone up. My daughter loves 50. It was to the

point, where I said, "you know what, I got to start working out now, I

got to start wearing tank tops and I gotta go change my chain." Everybody

who loves hip-hop is loving 50 Cent, if not they choose another rapper to like.

75% of the people who listen to 50 got something on them to remind them of 50.

That is powerful. Just like when Biggie was here I went out and started buying

kangols and royal blue gators. My wife was wearing diamond necklaces. My time

was Biggie’s time. But, now that 50 changed the format and image of hip- hop,

you can’t just be a skinny n*gga no more. That is why rappers are sick!