BEST IN TEXAS BREEDING GROUND: Double A – Destroy and Rebuild

[Editor’s Note: “Drinkin'” was the track that let me know Double A had something more than the normal street MC. After meeting and talking with Double A, his knowledge of the industry, his connections and his skills all made me realize he’s Breeding Ground worthy. – Steve Raze]Ask Double A about the Dallas music game and its clear who he feels is best:  “I have a solid vision for [my] music and I feel I simply know how to put songs together better than others.”   While

much of the mainstream music coming out of the Lone-Star state is

classified as party music, Dallas-bred MC Aaron “Double A” Carter, is

seeking to add more substance, more respect, “…[essentially] I’m really

out to destroy and rebuild.”

This may not be a far-fetched goal for the self-proclaimed “Best rapper in Dallas.”  At

23 years old, Double A has collaborated with the best of the best,

released and been featured on numerous mix tapes, appeared on AllHipHop.com’s

“Heater of The Day” all the while maintaining a

solid allegiance to the streets that helped him create the solid

underground fan base that has made him an artist to watch.

 

Music:Double A Ft. Drake “Slow It Down”

Double A Ft. Inertia “The Untouchables” [Heater of the Day]

Double A Ft. Lil Pooh “Drinkin” [Heater of the Day]

 

AllHipHop.com: You moved around a lot as a child.  When did Dallas become home for you?

Double A: I was back and fourth from Houston to Kansas City, Missouri but I would say that Dallas became my home back in 1994.  

AllHipHop.com: What do you feel sets you apart the most from other artists in your position?

Double A: I think it’s

the fact that I actually know what I’m doing with the art form. I know

how to paint a vivid picture in my songs and I listen to all kinds of music

so I’m not just stuck in one box or lane. I have a solid vision for

music and I feel [that] I simply know how to put songs together better

than others.

AllHipHop.com The karaoke machine played a huge roll in your start in the game.  Did you aspire to rap before your 15th birthday or was this a talent you stumbled upon?

Double A: I’ve always

had a passion for the art form. It was kind of like therapy for me and,

it was a way for me to be creative in a positive way. 

AllHipHop.com:When did you decide to make music your career?

Double A: When I was 15

I really made up my mind that I could go at this game full throttle.

Myself, Das Mobster and Lil Pooh started a label called NST (Nauf Side

Team) and we just started feeding the streets with mixtape after mixtape. We started as one group but, as the years passed, we started to

focus on separate obligations and I was left alone by myself to carry

the brand name. I continued and my cousin, J Staccs, [along with] Young

Fava of Real Money, Ent. gave me a shot to actually carry my brand as a

whole.  The rest is history.

AllHipHop.com Who were some are some of your primary musical influences growing up?

Double A: I would say 2pac, Jay-Z, Biggie, UGK, Marvin Gaye, and B.B. King.

The way that they all put music together and let the beat dictate what

direction they should go on a song is epic. They also know how to follow

the emotion of the song [while] taking control of the overall concept

of the beat.

AllHipHop.com: You

have collaborated with quite a few big names, most notably, Drake on

“Asthma Team” and “Slow Down.”  How did that connection start?

Double A: My producers came at me wit that collaboration.  Those

were mixtape records. One day myself and the homie [Drake] will get in

the lab together. The connections are in place; we just have to get it

done. It is coming soon, I can promise you that! 

AllHipHop.com: Many artists have gravitated towards social media.  How has Twitter, Myspace and YouTube helped you as an artist?

Double A: It has actually put the face with the music so the general public can better identify with me as an artist.  Everywhere

I go I have the cameras with me so that the fans and supporters can

experience the moment with me. I think the Internet and behind the

scenes footage gives the people more of a connection with me and [allows

them to see] what I do when I’m in their city.

AllHipHop.com: You seem to be a supporter of a few Dallas artists.  How do you think Dallas music has impacted the Hip-Hop scene as of late? 

Double A: I’m really

not a strong supporter of the artists that we have in Dallas. There are

only a few that I respect, really will support and listen to their

music. [Artists like] Ray Paul, Inertia, Ace Mitch, B Hardy, Chase Pat,

Fat B, Young Nino, Mr. Pookie, Mr. Lucci, Douski G, and Big Chief.  Everybody

else is just in the way of progress. I don’t really see classic

material out of a lot of the artists because they have already shot

themselves in the foot because of the way they have entered the game.

So, I don’t support the current Dallas movement that is occurring right

now. I support the new movement of rappers in the city that can actually

have longevity. I just feel it is time for something completely new

and I feel I can lead that movement. I have full support of the streets

because that is how most of the rappers and DJ’s in my city know me.  Every city I go to it seems like [Dallas is] the laughing stock of the music industry.  At the same time, everybody comes here to throw parties and make money.  I’m

really out to destroy and rebuild, start a whole new wave of MC’s, and

give people a fair chance without being forced to make dance or club

records to get some kind of recognition. That is why I call myself “The

Best Rapper From Dallas” so I can raise the bar and get people to raise the stakes. 

AllHipHop.com: You’ve had quite a few songs make “Heater of the Day” on AllHipHop.com.  Tell us how “The Untouchables” came about.

Double A: First off,

shout out to Baby Boi, Inertia and the whole G4 family for all their

support and loyalty. I received a beat from my producer, Legacy

Beats, and he told me a couple of days prior that he had an epic beat

that he just finished. I heard the record and the beat and I went in.  I felt Inertia, who is a Play-N-Skillz Artist, would compliment the beat and plus, [the collaboration] has been long overdue.  So, I sent him the record and he went in on it and history was made. At the end of the day, that record was so powerful that it went from being just a song and turned into The Untouchable Mixtape.  Inertia and I are simply out to destroy and rebuild. 

AllHipHop.com: You’ve

released and have been featured on several mix tapes.  Do you have one

tape in particular that speaks to who you are as an artist?

Double A: I would say the At the Crib 27 mixtape with DJ Slikk.  DJ

Slikk was one of the first DJ’s to not politic, just accept my craft

for what it was and give me one of my first full length mixtape

features. During this time DJ’s in my city didn’t want to do tapes with

me because they didn’t think it would have an impact due to the style of

music my city was used to at the time. DJ Slikk took a chance on me and

we made history together. That tape really gave me a chance to show

that I can give a full body of work that you can enjoy and something

that will keep your interest for sixty-plus minutes.

“I’m most

proud of just being able to have people’s attention and ears on a

worldwide level instead of just a regional radius. The connections that

I’ve made in this game have been a life changing experience.”

AllHipHop.com: To date, what are you most proud of musically?

Double A: I’m most

proud of just being able to have people’s attention and ears on a

worldwide level instead of just a regional radius. The connections that

I’ve made in this game have been a life changing experience. I’m just

proud to be able to put out consistent material that the streets and my

peers can enjoy.

AllHipHop.com: With

the entire buzz you’ve created independently, have you thought about

remaining an independent artist or are you eager to sign with a major

label?

Double A: A major label is the main focus because at the end of the day, if you want to be a big artist you need that big push.  You can only do so much independently and there is only so far you can go.  I

want to be the best to ever do it or at least be mentioned in that

select few. I have five major label offers but I just want to have more

leverage the next time I go into one of those meetings and have the

whole building behind me. My priority is to have my buzz so big that the

major labels have no choice but to make my projects a main priority.

AllHipHop.com: What projects do you have coming up that we should look out for?

Double A: My Destroy N Rebuild Mix tape with Slip N Slide DJ Shaiimillz, the Something Epic Mix tape with DJ Holiday, my street album The Moment and the sequel, Still In The Moment.  I also have

the Rags to Riches Tour coming up with Slip N Slide DJ Sinafold and

their new artist, Mike Bless. When all is said and done, I plan on

re-writing history with music. As long as the streets allow and I have a

demand to create epic material then I will be here.  My

label, NST, which includes: Lil Pooh, H-Dot, KWill, 1word, and Pablo C,

and I will do our part to keep Hip-Hop healthy and alive.

 

Visit Double A atwww.myspace.com/nstdoubleawww.twitter.com/ItsDoubleA

2Pac Ft. Hussein Fatal and Kurupt

“Ride For Me”

Kanye Returns As ‘Kenny West’ For ‘Cleveland Show’ Opener

(AllHipHop News) Rapper/producer Kanye West will star in the season premiere of The Cleveland Show, which will air later this month on Fox. Kanye West reprises his role as “Kenny West” in the debut episode of The Cleveland Show’s second season. Kenny is a single dad and struggling rapper that Cleveland mentors after learning some surprising news about his former childhood basketball nemesis. According to reps for The Cleveland Show, Cleveland and Kenny have recorded a new hit single titled “Be-Cleve In Yourself,” which turns into a hit for Kenny, who “leaves Cleveland in the dust.”The Cleveland Show features the reoccurring voices of Seth MacFarlane, Sanaa Lathan, Mike Henry, Arianna Huffington and others. Guest voices for season two of the show include will.I.am, T-Pain, Justin Timberlake, Snoop Dogg, Will Forte, Jamie Kennedy, LeBron James, Shaquille O’Neal, Dwyane Wade, Steve Nash, Dirk Nowitzki, Dwight Howard, Kevin Garnett and others. Season two of The Cleveland Show debuts September 26th at 8:30PM on FOX.

WIN TICKETS FOR JAY-Z & EMINEM

AllHipHop.com is working with Roc Nation to give away a pair of tickets for the JAY-Z and EMINEM concerts on Sept. 13 / Sept. 14 at Yankee Stadium in the Bronx. The tickets have been sold out since going on sale. It will be the second of a home-and-home series of shows for New York City-native JAY-Z and Detroit-area-native EMINEM. The pair already performed at Detroit’s Comerica Park.

While this event will serve as the Stadium’s first official concert, JAY-Z has previously performed at Yankee Stadium, singing his hit “Empire State of Mind” with Alicia Keys on Oct. 29, 2009, prior to the Yankees’ 3-1 victory over the Philadelphia Phillies in Game 2 of the World Series.

To enter, all we want to know is what is your favorite song by Jay-Z or Eminem and why. Send answers to Send an e-mail to [email protected]. Include your name, address, e-mail and telephone number. Winners MUST live in the NY-area or within distance to attend the show.

Russell Simmons Files $55 Million Lawsuit Against Hong Kong Clothing Distributor

(AllHipHop News) Hip-Hop mogul Russell Simmons has filed a $55 million breach of contract lawsuit over his “American Classics By Russell Simmons” and “Russell Simmons Argyleculture” clothing brands. Simmons, who co-founded founded the legendary Def Jam Record label, also launched the pioneering Phat Farm clothing line in 1992 before selling it to Kellwood for $140 million in cash in 2004. According to Simmons’ this is the first lawsuit he has ever had to file against a partner. Simmons claims Hong Kong-based apparel licensing company Li & Fung, USA was supposed to help the mogul market and distribute his flagship Argyleculture brand. The mogul claims that Li & Fung USA “expressed a false enthusiasm” for his flagship brand in order to induce the mogul into licensing them his mass market brand, which is American Classics by Russell Simmons. “Almost 20 years ago I pioneered a space that enabled an entire generation of minority designers and entrepreneurs to redefine the landscape of fashion,” Simmons said of the lawsuit. “Similarly today, there is an enormous void in the market to fulfill the aspirations of the Urban Graduate, who has grown out of this urban fashion trend but isn’t represented by the mainstream brands…”Simmons claims that he waited two years hill Li & Fung USA failed to execute and offered no development or support for either of the brands, resulting in the legal maneuver. “I have taken this action to protect my partnerships with retailers and recover millions in damages on behalf of my brands and to protect my name and reputation in the industry,” Simmons said. “Over the last 30 years and with the help of numerous partners, I’ve built successful groundbreaking businesses in music, apparel, television, film, jewelry, games and multiple charities and causes. Not once have I ever had to file a lawsuit. For the first time in my career I found myself with a partner in Li & Fung, which had executives who willfully and repeatedly put the integrity of my brands at risk.”

Raekwon Gives Advice To Older Rappers Seeking Comebacks

Last year Raekwon of the Wu Tang Clan made one of the most remarkable comebacks in the history of Hip-Hop, if not the greatest return ever. His Only Built 4 Cuban Linx PT II put him right back into the light with other elites even though his last classic album was in 1995. AllHipHop asked The Chef to give advice to other seasoned artists looking to hit Hip-Hop in a major way. Here is what he said. As told to AllHipHop.com

“All I would say is go with your heart, know what I mean? If you dedicated to your craft and you know that you want to do something-it’s like nine times out of 10 you sayin’ if you want this to happen, it can happen, but at the same token come with the right product. Don’t go away from your craft if you sayin’ you going to take it back to what you take need to take it back to.

And at the same time, analyze the last s**t that you did that was hot; pay attention to it. Study it like how a boxer studies their fights. My thing is just stay believing in yourself, and be relevant. You can’t make you’re a** relevant when you aren’t out on the street, if you not really around to be found.

It takes a lot; a lot of dedication, and a lot of time, and the right staff and the men around you. If a ni**a tell you something is weak, or “No, I don’t get that from that,” then be willing to take that criticism in a great way. I think that’s what I did, I had a lot of people around me that were determined not to let me do what the f**k I felt, and it had to make sense to everybody. If I had one person that was against that, that bothered me. I was like why did you feel like that? “Yo I feel like that because of this or whatever”. And then they had a great thing that I had to pay attention to.

I just say, at the end of the day, have a correct team around you, and stay on your grind.”

“What’s Up With Rappers [Allegedly] Using Coke?”

In the famous song “Dopeman,” spit by Ice Cube over 20 years ago, one line stood out for being the most memorable: “Don’t get high off your own supply.”  We all remember that lyric, because getting high was the job of the crack head, and the man in charge made sure he was always in control.  Even club owners aren’t the ones partying and getting drunk.  Instead, they sit in the back room and count their paper, while encouraging everybody else to go out and have a good time. 

Since the time of Ice Cube and NWA, some things have changed.  We have reports of Soulja Boy getting busted with blow and the ridiculous video of Gunplay

from Rick Ross’ group The Triple C’s getting high on camera.  For some reason, some people now think it’s cool to dig into the white powder that creates crack babies, bloody gang warfare, mass incarceration and the destruction of our families.  

The only thing worse than being the dealer is to be the fiend who depends on the dealer. The life of a dope fiend is never good: You lose all of your money, your teeth fall out, and the people who once loved you are quick to abandon you.  You become the funky, dirty, sneaky, skinny, nasty ass negro that nobody wants anything to do with.  Who wants to sign up for that? 

Maybe it’s time for all of us to take a stand and call bulls**t out when we see it.  The rappers who brag about blow need to be given the Vanilla Ice treatment and sent back to the crack house where they came from.  We’ve got enough problems in urban

communities without stupid people encouraging kids to get high.   

Maybe it’s also time for the real hustlers to stand up for what black men truly represent.  Respect can be given to brothers who do the ordinary thing, but I’d like to see some credit given to brothers doing the extraordinary thing.  For every dollar a rapper makes for busting a rhyme, the record label exec who went to business school is making $100 bucks.  Every time an NBA player gets paid for dunking a basketball, the owner of the team is making 100 times more.  There are a thousand ways to hustle, and the best hustle of all is education, which only comes down to putting in the time.  All those hours we spend working on our jump shot or hustling on the corner can be put into a book, where the payoff is much higher than the other stuff we do.  

But the bottom line on getting ahead in life is

that you don’t get there by getting high.  That’ll only give you a free ticket to the morgue.  

Rapper Gunplay discusses his “relapse” with AllHipHop.com