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Hip-Hop Rumors: BET Awards Rumors, ATL Is Hot, Diddy Slapping Fire?

THE BET HIP-HOP AWARDS

 

Well, I heard a lot of stuff went on over the BET weekend. It’s so much, I can’t even really relay all that I heard. I will try. 

 

I heard Katt Williams was very good. I got a quote where he said of Michael Vick, “I’m not saying what he did was right, but we killed 30 Iraqis today.”

 

The crowd really loved and respected Common.

 

Lil’ Wayne performed and really got into it. He got so into it, that when he finished, he threw everything on the ground – his glasses, his coat and other stuff – and went into the crowd. He was hugging his family, Baby and his kids.

 

JD and Keyshia Cole are about the same height.

 

Krs-One mentioned on air, to the crowd that they are working on an updated version of “Stop The Violence” aka “Self Destruction.” KRS took home the “I Am Hip-Hop” Icon Award, which was presented by Dr. Cornel West.

 

Somebody saw Terrence J attempting to lift up the booty of Deelishus of “Flavor of Love” who was in the crowd.

 

I don’t know which one, but I heard one of the “Flavor of Love” chicks wasn’t allowed to walk the red carpet. I also heard that the same chick bought her ticket from a website that didn’t make it.

 

During the course of the show, T.I. was on everybody’s mind, I heard. Wyclef, Busta Rhymes and Alpha Mega performed in his honor. The only thing is,  nobody knew Tip’s raps, I heard. On top of that, I heard it seemed that T.I. was there, but it was actually Katt clowning.  T.I. was supposed to be the closer of the show, but you will see who actually does that.

 

OUTSIDE OF THE AWARDS – OTHER GOINGS ON

 

JD and BET had the really big party over the weekend at his Club 72. I heard it was pretty poppin’ like popping corn. Nelly and Ashanti came out to the place, but only Nelly did the red carpet. Good too see them going strong. I don’t know for sure, but I think that Ludacris showed up as well. I heard others came through, but I don’t know. Rumor has it, the ladies were looking fantastic.

 

There were other parties that day that went well too.

 

OTHER STUFF

 

Ne-Yo had a midnight breakfast at his studio Compound in the A. I heard the studio is really nice and a lot of the socialites in the area came though. I heard BET’s Deb Lee was there, as was Trina the Diamond Princess. People ate waffles, grits and turkey bacon.

 

On Sunday, Minister Louis Farrakhan had a brunch with many in the Hip-Hop Nation.From what I heard, it was a great event. I heard Chuck D, Prof. Griff were there with the S1W’s. Here is a listing of the other people I heard were there: Killer Mike, Teddy Riley, Dougie Fresh, Diamond D, No ID, Organized Noise, Cee-Lo, David Banner, DJ Toomp, N’Dea Davenport of the Brand New Heavies. I will have more information on the Minister’s speech, but right now, I don’t have that information.

 

Also on Sunday, DJ Drama had a video shoot for his album. I heard that there was a pretty damn somber vibe, because T.I. is now incarcerated. Tip was supposed to be in the video, but was MIA due to the feds. Still, Jim Jones, Juelz Santana, and Freekey Zeekey were there together, showing Dipset is still very strong. This video seems to be cool from what I heard.

 

DJ Khaled was there in The A doing a video too. I don’t know. I think it was a remix for “I’m So Hood.” Fat Joe was there in a very boss-like capacity. So was Rick Ross. Young Berg was in the house. So was Cassidy. Busta Rhymes, Slim Thug, Dougie Fresh, Jalil from Whodini and KRS-One reportedly showed up to support. I heard Baby from Cash Money was very late getting to the video shoot.

 

Rumor has is Disturbing Tha Peace had a bowling party at midnight Monday morn.

 

Lil’ Wayne stayed at one of the very ritzy hotels in the Atlanta and he was very cool. I heard he took pictures with people and didn’t trip with all the people requesting pictures.

 

The Girls from Crime Mob were spotted all over the city at various events.

 

T.I. has a day in court today.

 

DIDDY SMACKING CATS UP?

 

I don’t know what happened, but I heard Diddy slapped the fire out of this dude down with Dame Dash named “Stevie.” I mean, I don’t know what happened, but the rumor says Stevie and Diddy got into some sort of an altercation over a girl. I can’t really say what happened. I heard there was a verbal spat and a two-piece to the noggin. Now, some say it was a slap and other say it was a pair of punches. Then Diddy’s security got into it and handled their biz. Anyway, this Stevie dude is in the video for Dame’s “International Grizzly.”

 

See below.

 

https://allhiphop.com/blogs/multimedia__video/archive/2007/10/04/18688527.aspx

 

 

DID TINY GET ARRESTED TOO?

 

We know that the Feds got T.I.,but I am hearing word that they bumrushed his house and arrested his girl Tiny as well in their ongoing investigation. I mean, I hope not. Sheeeeeeeesh! I honestly have not read any media reports on this case (not even AHH) and I’m hearing that Tip allegedly was coppin’ in response to some sort of fight. Hey, I am willing to be ignorant on this one. I’m just hoping the homey T.I. isn’t guilty of what they are accusing him of. It would be like a mouse gettign caught going for the cheese.

 

ILLSEED’S QUICKIES

 

According to young black and fabulous, Lauryn Hill is pregnant by her man Rohan. Well, they aren’t together so I guess he is a baby daddy.

 

Did you all hear about Foxy missing a court date because her hair and makeup weren’t done? Jail doesn’t have a stylist as far as I know.

 

Wu Tang is coming back, but it’s looking like a rocky road with all the rumored infighting, More on this later, but it’s not far off from what I said before.

 

I am hearing Timbaland is all set to produce most of Beyonce’s next CD.

 

A Jadakiss CD on Def Jam might actually come under the Roc-A-Fella brand.

 

Bizzy Bone isn’t back with Bone Thugs, but he’s got a solo CD on the way. I also heard that he was at the BET Rap Awards and was ready to mingle with a certain white female in the music game.

 

Young Jeezy is rumored to be working on his new CD. I heard Jeezy was all over ATL doing work. I heard he opened a clothing store in the A as well.

 

My Free obsession just won’t go away. She has a new song (new to me at least) with Faith Evans. Click the link below for the vid.

 

http://www.zshare.net/audio/4194506d4c4f60/

 

R.I.P. to Big Moe.

 

Peace – one thing I learned over the weekend. 1) Respect your life and 2) Be careful. One wrong decision and your life changes course on a dime. More rumors later in the day.

 

TOMORROW, WE LOVE YOU!

They keep us talking, but if we stop talking about them then they should worry!-illseedWHO: illseedWHAT: RumorsWHERE: AllHipHop.com, MySpace.com/TheIllseedHOW: Send your rumors and ill pics to illseed at [email protected].– allhiphop rumors

Houston Rapper Big Moe Dies After Heart Attack

Houston rapper Big Moe passed away early yesterday morning (October 14) due to complications from a heart attack, sources revealed to AllHipHop.com.

 

As previously reported, Big Moe, born Kenneth Moore, suffered a massive heart attack on Sunday (October 7) and had been a coma since he was hospitalized.

 

He never came out of the coma and was on life support 24-hours a day.

 

Big Moe was a member of DJ Screw’s Screwed Up Click. He was best known for his 2002 single “Purple Stuff,” which was taken from his sophomore album titled Purple World.

 

“Big Moe was one of the pioneers of the Screwed Up Click and the H-Town sound,” Texas legend Michael “5000” Watts of Swishahouse told AllHipHop.com. “This man brought what we are on the street to the mixtapes & CD’s. I’m personally honored to have had a feature from him on one of our [Swishahouse] albums.”

 

Other rappers from Houston agreed that while Big Moe may not have enjoyed platinum success as an artist, his presence on the Houston rap scene was undeniable.

 

“The TMI Boyz and TMI Entertainment sends their deepest condolences to Big Moe’s family,” said Houston rap collective The TMI Boyz. “Without him, Southern Hip-Hop wouldn’t be were it is today. Our prayers go out to his whole family.”

 

“The thing about Moe was he always stayed Moe,” added Houston rapper Kiotti. “He always treated you like he wanted to be treated. Honestly, if more Houston artists had a heart like his, our music scene would be where its supposed to be. My heart and prayers go out to him and his family.”

Herbie Hancock: Future Shock

Herbie Hancock is from the land of the “Go.” That’s Chicago, and it’s a longshot, but maybe part of the Windy City’s proficiency in Hip-Hop music can be traced back to Hancock’s use of scratching in “Rockit” [Note: Peace to Grandmixter DXT]. After all, though Hancock had long been considered a giant in jazz circles, “Rockit” is what earned the talented pianist his first Grammy award. Methodical in his speech – every word will be accurately understood – Hancock offered up insight in everything from his days in Miles Davis’ band, to utilizing Hip-Hop in his music, on down creating his latest work on Verve Records, River: The Joni Letters inspired by singer/songwriter Joni Mitchell’s work. AllHipHop.com Alternatives: You’ve been successful in varied genres of music. If someone unfamiliar with your work, say on Jupiter, asked you humbly what you did, what would you tell them?Herbie Hancock: It happens, I meet people who don’t know me. Basically I tell them I’m a jazz musician; that’s a simple way. AHHA: You’re from Chicago and classically trained…Herbie Hancock: That was the only training you could have back then [laughs].AHHA: How influential was your Chicago upbringing in your music?Herbie Hancock: Oh very [influential]. Chicago, first of all – it’s a very cultural city. It’s very supportive of the arts, particularly the graphic arts. It’s got a lot of art museums, and the Art Institute is a major educational facility there. And when I was a young jazz musician in Chicago, what I experienced was a lot of support for developing musicians. Not just the guys that had their act together, but the ones that are trying and the ones that are working on developing [themselves] – a lot of support for that. AHHA: By support you mean the established artists looking out for the younger ones?Herbie Hancock: Yeah, ‘cause it’s the kind of support that I needed to encourage me to develop and get to the point where I could go – at that time, [to] New York – and get with the big boys [laughs].AHHA: When did you know jazz was going to be your focus?Herbie Hancock: It was in college where I really made that big decision. I started off as an engineering major in college, electrical engineering, and then I changed to music composition. One day I looked in the mirror and said, “Hey man, who you trying to kid?” As much as I like science, music was my heart and that was the thing that was really inspiring. AHHA: Is there any one lesson that stands out from your days with Miles Davis?Herbie Hancock: The first one that comes to mind is the importance of listening. What I noticed was that Miles, when it came time for his solo, was playing in a way that indicated to me that he was listening to me. At the same time, I could tell he was listening to the drummer, Tony Williams, because of certain rhythmic things that Miles would do against the rhythms of the drums. And at the same time, I could [tell] he was listening to Ron Carter the bass player because of the direction of the notes would sometimes be in contrast – like if Ron was going down playing his notes, Miles would be playing something going up. Contrary motion we say. And, I was so impressed that Miles would listen to me? [laughs] I said to myself, “I wanna learn how to do that.”Before Miles would play, sometimes we’d all be playing different things that we would be working on because Miles told us, “I pay you to work on stuff, not to be perfect,” which was already great. When he would play it would kind of bring it all together. The whole was greater than the sum of its parts; that was a really important lesson. I mean it taught me something about respect for what the other musicians were playing as well as listening. It’s quality listening. And Miles was not judgmental in playing. He’d never say, “Don’t play that.” Unless we were playing something that we had practiced in our room –he said, “Don’t play that.” Play something fresh, for the moment.AHHA: You get a lot of praise for your unique use of chords. What do you credit that to?Herbie Hancock: That goes back to Chicago again. Chicago is one of those places where particularly the piano players prided ourselves in developing an ability to re-harmonize a melody and kind of put a different spin on it by figuring out another set of chord changes or chord patterns or chord placement that would be special in the moment. I remember that sometimes two or three piano players would get together and we’d decided to take some song, and each guy would play the song and create some new harmonies for it, and when he finished doing the one chorus, then the next guy would come up [and] play the same melody but come up with some new harmonies. Piano players really developed a harmonic approach to music. One of the teachers that I had was a guy named Chris Anderson, who still lives in New York, he’s an amazing player. He has a particular gift about harmony and melodic structure. Using melodies in the voicing of the harmonies. He played stuff that would bring tears to your eyes it would be so beautiful. I studied with Chris not long – it was only a week or so – but even in that short a time, he opened up some things in me that carried through even up to today. AHHA: What’s your opinion on sampling?Herbie Hancock: Look, sample me [laughs]. As long as you pay me it’s great. And for the most part people have been honoring that. What I like about it is many of the pieces that are written in the past…sometimes they were kind of obscure things that were on a record, but didn’t get much attention. Sometimes artists from today find these things, find something that they can use, flip it and make it viable for the audience of today. Put it in a context where it would be “happening” for the ears and the tastes of today. And that’s cool with me. It would be like re-purposing something that I did in the past that had been long since dead and resurrecting it in a new form. I love that. It breathes new life into something in a present day. AHHA: You got your first Grammy in 1983 for “Rockit.” What made you open to using this emerging Hip-Hop sound, scratching, since you got flack from your peers for doing so?Herbie Hancock: I had been through that before. I already had developed an attitude, and it was very clear for me about what I should respond to and what I shouldn’t. Realizing that I’m the only one behind the keyboard and as long as I’m doing something I believe in, that’s what I’m supposed to do. But what attracted me to the whole sound of scratching had nothing to do with Hip-Hop. To me, it was a sound that actually reminded me of something that we’d use in a band I had called Mwandishi; well we call it that now. It was an avant-garde period for me when we were playing some far out space music. We would take any kind of sound, not just from a musical instrument, and if it sounded interesting, we’d use it in some way that we felt was musical.So that’s what I heard [scratching]. I had actually heard scratching on a tape that a young friend of mine had sent me the week before we recorded “Rockit.” When I heard that sound I said, “I like that. I want to do something with that.” Bill Laswell and Michael Beinhorn, who were the producers of “Rockit” and the record, Future Shock, when they flew from New York to LA to my studio, they always like to prepare some ideas they’d recorded to bring to me and then we would shape it. I was prepared to tell them I want to do something with scratching. So the first thing they put on had scratching on it! I said, “This is cool” [laughs].AHHA: Was your openness to embracing new sounds related to why you embraced the synthesizer?Herbie Hancock: When I first did synthesizer I didn’t know I would get flack for it. The first time I had synthesizer on one of my records was with the Mwandishi band recording called Crossings. I think it was “Crossings,” which I think is one side of the vinyl record, my then manager David Rubinson, suggested since we were always looking for a way to include elements in this far out music that could help bridge the gap between what people were used to hearing and the new stuff that we were doing. David said, “Hey there’s this thing called synthesizer that’s starting to show up on a lot of rock records. So you might consider having something with the synthesizer on this record.” He suggested there was a guy [Patrick Gleeson] in San Francisco, where we were recording, that had all the equipment and he had his own studio and he was a synthesizer player, he could do it. So I said, “Okay why don’t you have him do an introduction to this song?” We actually gave the guy the tape and the next day he brought the tape back and we played it. And the introduction knocked me out! Right after that I hired him to go on tour with us. This is the early days of synthesizer where you had to “patch” things, none of it was digital, none of it was programmable, you couldn’t store sounds, there was no presets, none of that stuff. The next thing I did was the Headhunters record, and that was the first time I played synthesizers. But what I wanted to tell you was, when I was in college I was a science major at first, I was an engineering major. So I was accustomed, I always liked science. Even when I was a kid, it’s my basic nature. I’m a musician who is a frustrated techie [laughs]. I don’t get to do that stuff very much, except with synthesizers I do. So when synthesizers came out, I wasn’t afraid of them. It was natural to me. It was like water to a fish. I knew the language, I had a concept of what amplifiers were, what voltage was, resistance, some of those electronic terms because back in those days because they didn’t have presets you had to deal with some more technical basic things in order to be able to get a sound and play it on the instrument. I just jumped right into that; I loved it. Synthesizers were so new when I did Crossings, and the band wasn’t like a space avant-garde band so I didn’t get any flack [from fans] that were into that far off space music. It fit right in. Then when I did Headhunters and it was funky jazz that was a whole different thing. Then a lot of the critics were like, “Oh you’re not supposed to play that [laughs].” My thing is, do you know where I was born? You know what ethnic group I’m in? What do you mean I’m not supposed to play that? [laughs] This is music for my peoples, ya know? What did they think I listened to when I was kid, rhythm and blues. It’s where it all comes from. I’m from Chicago, [a] blues town. So for me that’s part of my heritage. So nobody can say I’m not supposed to do that. AHHA: Now River: The Joni Letters, how did this new record come about?Herbie Hancock: Actually it was the suggestion of the person who’s head of A&R for Verve Records, which is the label I’m signed to. When I was first discussing with her what I might do for my next Verve project, she knew that I had a great respect for Joni Mitchell and that she was a friend. So she suggested, “Would you consider doing a record of the music of Joni Mitchell?” I though about it, I said, “What a hip idea!” because I really respect Joni. She’s awake and aware, she’s independent and she speaks her mind. She’s not afraid to tell the truth.[I’ve known her] since we did a record called “Mingus,” that was her record. Since then I got to know her, we knew mutual friends. One person was her then husband Larry Klein, who is now her ex-husband but he’s the producer of River. Although I wasn’t familiar enough with a lot of my music to consider myself a fan, from that standpoint I was a fan of hers. It wasn’t typical of jazz musicians to pay attention to words and that’s where she comes from…words. She’s a poet. The words to songs were not something that immediately attracted my attention. But she would talk in the same kind of metaphors like the words she writes and it’s just fascinating to hear her talk. She’s a genius. She’s so creative.  I thought it was a great idea to do her music. AHHA: How did you approach making music around lyrics first?Herbie Hancock: Since her music is driven by the lyrics, it was clear to me that if I was really going to do justice to her music, I had to have the lyrics be the primary source for me. It gave me a great opportunity to do something I really didn’t have experience in doing, which is paying attention to the words. So for the first few months of working on this record that’s all [Larry Klein] and I talked about. He would suggest certain songs I might think about for the record. I would look at the lyrics, I’d discuss it with him because he not only [had] been married to her, he’s a bass player and played in her band. We spent a lot of time discussing the meaning of the lyrics and the conditions under which she might have been stimulated to write the song and the structure and textures of the songs. Little by little, we whittled down the number of songs to choose from until we got the songs we wanted. By then it marinated in us, [so] we were coming from that standpoint of empathy for the spirit of the lyrics [when recording]. That was a new experience for all of us. AHHA: Did you listen to the original compositions?Herbie Hancock: Yeah, that’s what I did first – listen to how she did the songs. We had decided early on that we didn’t want to do it the way she did because that was already done. We wanted to create our own fresh musical environment that comes from us for these versions of the songs. Herbie Hancock’s “Rockit”

Will Smith, Big Boi Team For New TV Show “Uncle Rudy”

Outkast group member Big Boi has teamed with Hollywood superstar actor/rapper Will Smith to develop a new television comedy series.

 

The television show, titled “Uncle Rudy,” is a half-hour comedy series that is one of a slew of projects Smith’s Overbrook Entertainment is developing to be pitched to a number of networks.

 

According to The Hollywood Reporter, Smith’s Overbrook Entertainment is also developing “Hitch,” a half-hour comedy/drama adapted from the hit 2005 romantic comedy of the same name. Smith will executive produce “Hitch” but will not star in the series.

 

The company will also premiere “The Cipha” on BET in 2008. The animated series focuses on a group rappers with superpowers.

 

A show tentatively titled “Courage Crew” about a group of punk rockers is also being developed, based off of an idea by Smith’s wife Jada-Pinkett.

 

Other shows Overbrook has produced for major networks include “Raw Materials” for ABC, “Almost” for A&E and “Gimmee Twenty,” an investment special on ABC News.

AllHipHop Staff Picks—10.14.07

Now we’re not saying these joints are the end all be all to what should be on your Hip-Hop musical palette. But, we won’t deny that our tastes are highly refined. That said, we thought it would be nice to share what we’re bumping.Jigsaw (Saw IV)Kanye West “I Wonder”The song is representative of a lot of people striving to do better and also maintain some of the other core things in life – like a stable relationship. Trying to pursue dreams and such comes at a price. No matter the walk of life, people can relate. It’s a great song on a great album.

Aqua (The Life Aquatic with Steve Zissou)Talib Kweli “Eat To Live”So many rap fans claim to be starving but that lyrical sustenance and Hip-Hop nutrition isn’t so hard to find, if you know where to look.

Kathy Iandoli (The Italian Job)M.I.A. f/ Bun B and Rich Boy “Paper Planes (Remix)”Anyone who uses gunshots and plane sounds as a backbeat is cool with me. M.I.A. is a movement by herself, but gets more street cred with MCs on the remix…well, at least Bun B anyway.

Dove (Purple Rain)“I’m So Hood” DJ Khaled f/ T-Pain, Trick Daddy, Rick Ross & PliesFive of my Florida favorites on one track… it just doesn’t get any better! I’m not hood, but I know what they’re talking about when they say walk it out.

Steve Raze (Hell Raiser)Eminem “Untitled”Not too many people can not drop a song in a year and have a song played on the radio and cause a frenzy.  Eminem hasn’t lost a step and the people want to hear more from him.

Odeisel (A Man Apart)Jay-Z “Blue Magic”PSK cadence. Rakim Flow. Absence of a chorus. Simple refrain and minimalist drums. Less is definitely more and Jay-z puts it down for those of us old enough to remember. Blue magic IndeedJamile Karout (Space Jam)Jay-Z “Blue Magic”The lyrics are real and it has a smooth flow that doesn’t sound like anything I’ve ever heard from Jay. After hearing this, I can’t wait to hear the rest of American Gangster… Hov’s baaackkk!

Police Investigating Sean “Diddy” Combs For Alleged Assault

Police are investigating an incident yesterday morning in which Sean “Diddy” Combs allegedly assaulted an acquaintance at a SoHo nightclub during an argument, allegedly over a woman.

 

According to The New York Post, Combs was at Kiosk around 3:30 am yesterday morning, when he started to argue with a man named Steven Acevedo.

 

The two men exchanged words while walking away from each other, but later crossed paths again and continued to argue.

 

Combs then allegedly threw a “one-two” combination and struck Acevedo in the face, leaving the man with a bloody nose and swollen lip.

 

When Acevedo attempted to continue to brawl, one of Combs’ bodyguards allegedly reached under his waist, as if he was pulling a gun.

 

Acevedo fled the club, went home and dialed 911 and filed a police report.

 

Police are looking at surveillance video and have contacted Combs to get an official statement.

 

Combs has not been arrested or charged with any crime.

T.I Faces ‘Long Prison Sentence” Over Machine Guns

Rapper T.I. was arrested in Atlanta yesterday [October 13] by agents of the Bureau of Alcohol, Tobacco, Firearms and Explosives (ATF) after he allegedly attempted to purchase three machine guns and two silencers from an undercover agent, acting as an arms dealer.

 

In addition to the three machine guns found in his College Park home, police also recovered six additional firearms from a closet in the rapper’s house.

 

T.I. has been charged with felony possession of unregistered machine guns and silencers and possession of firearms by a convicted felon.

 

According to U.S. Attorney David E. Nahmias, T.I. allegedly sought to purchase an unregistered machine gun, as well as numerous other weapons.

 

T.I. allegedly paid almost a total of $21,000 in cash to his bodyguard to purchase over 25 firearms on his behalf.

 

The bodyguard, who was acting as a cooperating witness, told agents that he was purchasing the machine guns on T.I.’s behalf because the rapper is a convicted felon.

 

The man, who had been employed since July 2007, allegedly purchased nine weapons for the rapper as well as one weapon on behalf of another, unnamed individual.

 

The bodyguard purchased a total of nine weapons for T.I. and 17 for others on behalf of T. I., because of his prior felony conviction, which prevents him from legally owning firearms.

 

“Machine guns pose a serious danger to the community, which is why they are so carefully regulated,” said David E. Nahmias, United States Attorney for the Northern District of Georgia. “The last place machine guns should be is in the hands of a convicted felon, who cannot legally possess any kind of firearm. This convicted felon allegedly was trying to add several machine guns to an already large and entirely illegal arsenal of guns. Thanks to the good and quick work of ATF, he is now in custody and his firearms have been seized.”

 

The bodyguard, acting as a Confidential Witness [CW] placed a series of phone calls to T.I., which were recorded by the ATF.

 

The CW called T.I. and said “he had everything,” referring to machine guns he was allegedly supposed to purchase on behalf of the rapper.

 

On October 12, T.I. called the CW and ordered him to deliver the weapons yesterday [October 13].

“This investigation developed very quickly,” said Vanessa McLemore, Special Agent in Charge of ATF’s Atlanta Division. “We learned only this Wednesday that the cooperating witness was allegedly buying the machine guns for Harris. The cooperating witness told Harris on Thursday that he had obtained the items, and on Friday Harris made it clear that he wanted them delivered to him today. Harris then agreed to meet and took possession of the machine guns this afternoon. He now faces serious federal charges and a potentially long prison sentence.”

 

T.I. will remain in federal custody until Monday, October 15, when he will appear before US Magistrate Judge Alan J. Baverman at the United States Courthouse in Atlanta.

Fox Host Blames Hip-Hop For Success Tech Shootings

Shades of Don Imus’s controversial radio scandal arose this week, as nationally syndicated Fox News host John Gibson placed the blame of a recent school shooting in Cleveland, Ohio on Hip-Hop culture.

 

During a Wednesday (Oct. 10) broadcast of Gibson’s radio show the John Gibson Show, Gibson said he “knew” that the person at the center of the shooting, 14-year-old Asa Coon, was white, because “‘he killed himself.”

 

Coon was a student at Success Tech Academy, a predominately black high school in Cleveland.

 

According to reports, Coon went on a shooting rampage on Wednesday (October 10th), wounding two teachers and two other students before killing himself.

 

“Black shooters don’t do that; they shoot and move on,” Gibson said.

 

During his show on Thursday (October 11th), Gibson defended his comments,  as he alleged that Coon’s suicide did not fit the mold of a “classic Hip-Hop shooting,” after realizing the student was a fan of rocker Marilyn Manson.

 

“He killed himself. Hip-Hoppers do not kill themselves. They walk away,” Gibson explained. “Now, I didn’t need to hear the kid was white with blond hair. Once he’d shot himself in the head, no Hip-Hopper.”

 

As authorities continue to investigate the incident, Gibson hinted that the influence of Hip-Hop may have been a motivator.

 

“I mean, where do they think these kids are getting these messages of, you know, loading an extra shot in their mac? [Military Armament Corporation Model style of gun],” the radio host said of the criticism, before playing a portion of 50 Cent’s song “Fully Loaded Clip.”

 

“I got a fully loaded clip. Why would you think African-American kids would be so enamored with messing around with guns?,” Gibson asked after playing the song.

 

“I mean, it’s only in every third Hip-Hop song,” Gibson continued.

 

Although his views have generated opposition, Gibson justified his stance with his observation on what he called “African-American gangster shooters.”

 

“I’m being accused of being a racist for making this observation about an issue we’ve been talking about here for over a year, and that is the black-on-black boundaries of the African-American community,” he said. “They [African-Americans] don’t shoot somebody and then say, ‘Oh, I’m so unhappy. This is such a scar on my soul, I’ve got to shoot myself in the head.’ Am I right about that or wrong about that?..Gangster shooters don’t do that. They’re happy they got off the first shot. They’re happy they killed the guy they were aiming at. They get in their car, and they move on down the road, probably looking over their shoulders a little bit.”

 

Prior to the shooting, Coon had been suspended after a fist fight on Monday (Oct. 8).

 

His 19-year-old brother, Stephen Coon was taken into police custody on Thursday, adding that it was unclear why he was taken away.

BREAKING NEWS: Feds Raid T.I.’s ATL Home; Rapper Misses BET Awards

Sources have confirmed with AllHipHop.com that rapper T.I. was arrested today (October 13) in his hometown of Atlanta, Georgia, after police executed a warrant and searched his Atlanta home.

 

T.I., born Clifford Harris Jr., was taken into custody earlier in the afternoon, causing him to miss being honored for Album of the Year for T.I. vs. T.I.P., as well as a scheduled performance at the BET Hip-Hop Awards.

 

Federal agents investigating the rapper executed a search warrant utilizing agents from The ATF, Fugitive Task Force, Fulton County SWAT, DeKalb County PD and the Atlanta PD Violent Crime Impact Team at the rapper’s Southwest Atlanta home today.

Sources told AllHipHop.com that weapons were recovered in the raid, but as of press time, authorities have not revealed the reason for the investigation and subsequent raid, or what was actually recovered.

 

T.I., 27, led all nominees of the BET Hip-Hop Awards with nine for his album T.I. Vs. T.I.P. including nominations for MVP of the Year, Lyricist of the Year and Album of the Year, which he won.

 

The rapper recently released a new single titled “Hurt” which features DJ Drama, Alfamega and Busta Rhymes.

 

The trio performed the new single without T.I.. Busta Rhymes lent his support to the rapper by yelling “free T.I.!” during the performance.

Percee P: Breathe Easy

The story of Percee P is long and battle-laden enough to deserve it’s own feature length documentary. This is a man that started rhyming in kindergarten, put out his first record in ‘89, and has been on the grind like a skateboard ever since. Thanks to the recent surfacing of video footage capturing his legendary battle with future collaborator Lord Finesse in a DVD titled “SBX: Holding Down the Tradition” released on BDP Records, along with the capabilities of sites like MySpace and YouTube, it’s now easy to get a taste of what this MC has brought to the table for the last two decades. Those fortunate enough to speak with the humble artist will know he always comes from the heart, and whether it’s on the street or at a show, all he really wants is a chance to be heard.(Story continues below…)It hasn’t always been this easy to get schooled on the legend. For years now, the only modes of getting the Bronx native’s music out was through the numerous singles and mixtapes he himself distributed hand-to-hand on the streets of New York City; humbly introducing himself to anyone outside Fat Beats, or at the End of the Weak battle on Sundays. Although his location and free agent status have changed, his hustle is still the same.With his signing to Stones Throw Records and his debut album, Perserverance, produced by Madlib, the Rhyme Inspector relocated to California where he’s been for three years, still selling CDs outside Fat Beats, getting a good level of recognition from the people, and slowly learning his way around the city.“I miss New York a lot, though that’s my family and all that,” admits Percee P. “But over here it’s more like a fresh start. I’m still kinda learning about Cali, and how to get to a lot of places. Sometimes I hang out with people, especially when I’m grinding and trying to get to shows, I roll with people that know how to get there themselves, so I can get the hang of things. But the response is really good, a lot of different MySpace people be leaving comments and stuff. I just feel it’s going to get better with the album out. Cause right now it’s just coming out, kicking some verses, grinding in the crowd, and the feedback is coming back from people who get the mixtapes and hear it like “Damn.” Or I’ll pop up in a club, and people who heard it will give me good responses.”Percee knows dropping this album has been a long time coming, realizing that fans will take its 20 years in the making into account when judging it. But, he feels he’s made it worth the wait. Before Percee was selling his own music to anyone standing in a line, he was hustling tapes of Cold Crush Brothers and others from his collection of rare and vintage tapes from the ‘80s. Demand was high, so he took advantage of bootlegging his old stash by walking around with his stereo bumping the cassettes. People were copping enough of the tapes that eventually he started putting his name and pager number on the back of them, which led to more than a few customers asking if he was the same Percee P they had heard on collaborations or through word of mouth.“I thought it would be a good idea to put my pager number with a voicemail and my name,” say Percee. “Then people were like are you the same Percee P that recorded with Lord Finesse? [“Yes You May”] And I’m like “Yeah.” They’d be like “Yo, whatever happened to you?” So I’d ask if they’d ever heard a particular record or song, and eventually started putting songs I’d recorded on tapes, and called it “Now and Then.” So I kept that going over the years, just updating the tracklisting as I’d make newer songs, adding them on and shuffling it around. It kept my name going, and that was the smartest thing I could have ever done for myself.”Not one to be held down by the typical 9-to-5 lifestyle, Percee decided to keep hustling in the streets and put it all on the line, knowing full well the struggle that laid ahead. “I quit my day job, and made that my day job,” remembers Percee. “It’s something I’d rather do anyway, and usually I’d get more money that way. So that’s my mind state, and I’d try to do field research before I’d go to stores like Fat Beats. I know I wasn’t guaranteed to sell anything there, but I was more likely to sell [there] than if I was standing in front of a Tower [Records], cause artists I’d collaborate with would have records in Fat Beats. So people were more likely to know songs I’d made, and are more open to underground Hip-Hop anyway.”It was in lines out front of Fat Beats where international visitors from as far away as London and Japan would buy Percee’s mixtapes, and eventually spread his music around the world. It was in one of those lines moving copies of his own fast-pace lyricism where he’d make the contact that would take him to the next level.“This dude I knew returned a favor by taking me to see Jurassic 5, and basically any shows I was definitely trying to go to, especially if I didn’t have to pay to get in,” says Percee. “Plus J-5 was a big group, and I didn’t even know that they knew of me. It was at Irving Plaza. I saw Cut Chemist in line, and I was reluctant to go over to him, and my friend was telling me to go over because he’d probably know who I was. So I went over and introduced myself to him and tried to sell him a tape. He said “Word, that ‘Scatter Brain’ joint is one of my favorite records of all time,” the one DJ Shadow put me up on. So he bought a tape from me, called all the rest of the fellas over and was like “Yo, guess who this is?” They were all kind of excited, and I was excited too. This is a sold-out show at Irving Plaza, and they ask me to come on stage. So that was a real big accomplishment for me, and since that day every time they come to New York they had me come up with them.”From there J-5 brought Percee into the studio to record “A Day At the Races” with Big Daddy Kane, who Percee had known for some time from doing shows together, but had never recorded with. Chali 2na happened to have a video camera with him that day in DJ Numark’s home studio, and caught the recording process on tape from inside the booth as the two dropped their verses. After the album was released, it wasn’t long before Madlib got wind the legendary MC was still working, and decided to find out if he was interested in recording a full-length album together.After all this time, fans and critics alike will be wondering what to expect from a debut 20 years in the making, anxiously awaiting the day when they can either praise or pass over the project. But if you think that the Rhyme Inspector is going to let his first effort fade into the obscurity of countless, underwhelming independent releases, you’re in for a rude awakening.“Basically I tell the story of myself, and I’m still bragging like most MCs with the battle rhyme style, but I say a lot of personal things too,” explains Percee. “Still in that battle mode, but a lot of things that other people can use when they listen to it that might inspire them. My mind state is more from the level of an artist who’s trying to make it in the business, even though I was out there, but not on the level of a mainstream artist. My thing is ‘Don’t sleep, take a peek.’ I have a lot to prove, and I dedicate my album to those cats out there grinding on the street, no matter where you from, I know the feel that you going through personally. I know people treat you differently when you’re standing on the street, they’re not trying to hear your music. But now I pull out my 12-inch vinyl on Stones Throw with Madlib, and they’re like “Oh, let me get a copy.” But they haven’t heard me rhyme yet, and they still want a copy now.Percee knows he’s with a good team now, but he doesn’t want people to forget the reason why anyone wanted to get with him in the first place. He’s quick to provide motivation to the next dude he sees grinding on the street, since he knows the current state of music doesn’t exactly promote individual choice when it comes to what they’ll take the time to listen to. “I wish people could [go] back to having an ear for music. Cause people now are just following trends, listening to whoever they’re told to like,” says Percee. “I think DJ’s jobs should be finding dudes on the street and showing them some love on the radio, to expose him or her to other people. That’s what it was with Kool Herc and Bambataa, the records they played was them trying to have a good ear, thinking something was dope and playing it at they’re next party.”Percee’s first single off the album is “Put It On The Line,” accompanied by a video that depicts scenes from the late ‘70s in the Bronx, during a time of serious change and upheaval. When matched with his music, the scenes of struggle create quite the compliment to the brash flow of the music, which is precisely what he was trying to achieve. “I wanted to show people that whatever they’re talking about now, all that stuff been around, it’s just a new time and date,” explains Percee. “Back in them days gangs was always around, there were jams in the park, and that was the time when I started rhyming. And a lot of times people today push that stuff like something big, but the drugs and hood lifestyle been around. I was never one to try and push all that, I just try to give pride to the people where I’m from that grew up poor and let them know you can make it out.”(Story continues below…)All these years later, Percee still feels like he’s spitting what you ain’t getting, which is what he describes as the raw, uncut substance as opposed to the polished, shiny objects that flood today’s market. His training regiment has been more physically and mentally straining than most, and with nothing to lose yet everything to prove, the man is confident his product will break ground as well as necks.“I’m hoping cats will get motivated back to MCing again, and I’m hoping people will get from my album what people expected from Kool G. Rap or Rakim. Giving you a reason to recite lines, and everything you’re not getting from these cats on TV and videos—the art of rhyming. There’s more history to be made, going against the grain and being myself. Even if it’s me walking around in a crowd pushing my own music, I hope people can judge me off the music, and maybe appreciate meeting the artist.”

NBA 2007/2008 Preview Nets, Knicks, 76’ers

New Jersey Nets

 

Projected Starting Lineup:

C Jamaal Magloire

PF Nenad Krstic

SF Richard Jefferson

SG Vince Carter

PG Jason Kidd

Coach: Lawrence Frank

 

The good news: Jason Kidd is still there, and that means there’s still hope.

 

The New Jersey Nets were on the verge of losing it all last season.  The Nets were struggling  on the verge of sending Jason Kidd to the Los Angeles Lakers for spare parts.  The deal was so close Jason Kidd already had his bags packed bracing for the deal.  Of all things, Jersey native Andrew Bynum held up the trade as the Lakers did not include him.  Vince Carter almost seemed destined to leave Jersey at the end of the season and Richard Jefferson has been(and remains) the subject of trade talks as injuries have dogged him recently.  Team President Rod Thorn and GM Ed Stefanski managed to not only keep all three together (Carter signed a 4 year deal to remain a Net) but to add even more pieces to this team.  The free agent signing of former all-star Jamaal Magloire is huge as well as the drafting of talented but troubled power forward Sean Williams out of Boston College.  That almost assures Nets fans that they’ll see a little less of Jason Collins.  Second year PG apprentice Marcus Williams has another year to learn from Jason Kidd and the return of Nenad Krstic gives them a big man that they sorely missed when he tore his ACL.

 

The bad news:  It can still fall apart for them if they don’t produce.

 

This team is getting older fast.  Jason Kidd is 34 and aging fast.  Vince Carter is known to be a quitter when times get tough.  Richard Jefferson is overpaid.  Oh yeah, let me not forget.  Jason Collins is still a Net.  The Boston Celtics with their Big Three trumps the Nets’ Big Three and if things take a permanent nose dive, Thorn and Stefanski may just call up Mitch Kupchak and ask for Bynum again.  With the Barclays Center set to open in Brooklyn in 2010, now is a good time to see what they have.  If they win, it would be great for Jersey residents.  If they rebuild, although Sean and Marcus Williams will be able to spearhead that process, it will be painful for a franchise ready to leave the swamps of Jersey for the streets of Brooklyn.  This is a make or break season for the team

 

The outlook: 7th seed in the East, 3rd in the Atlantic Division, first round exit.  Richard Jefferson, probably traded.

 

 

New York Knicks

 

Projected Starting Lineup:

C Eddy Curry

PF Zach Randolph

SF Quentin Richardson SG Jamal Crawford

PG Stephon Marbury

Coach: Isiah Thomas

 

 

The good: The Knicks will be once again be the team to watch… for right and wrong reasons.

 

The Knicks are quality television.  Say what you want about Cablevision and their ownership (I will in a minute), but, nobody brings more unintended entertainment value than the Knicks.  Imagine what you get to see this season.  You get to see Stephon Marbury get closer to God—whatever that means, the fattest frontcourt in the league, and the aftermath of Anuchasandersgate.  All jokes aside, the Knicks won’t be an absolute train wreck despite Isiah Thomas’ best efforts.  This is a team that, when focused on basketball, can win many games.  Jamal Crawford will now be a fixture in the starting lineup and adding a 20 and 10 guy in Zach Randolph is always a good thing.  The Knicks saved about $40 mil in contracts by getting rid of Steve Francis and Jalen Rose’s deals and Allan Houston’s return should provide additional drama if not results.  First round pickWilson Chandler has a lot to prove and David Lee is a threat for Sixth Man of the Year.  Playoffs could be a possibility in NYC again.

 

The bad:  Zach Randolph and Eddy Curry will be at your local pizzeria.  And McDonald’s.  And corner bodega.  And in Zach’s case, Sin City Cabaret in the South Bronx. Where they won’t be is guarding their man in the low post.

 

Now the Knicks may have more offensive firepower, but they have defensive deficiencies .  If the team wants to get anywhere, Stephon Marbury has to go.  The Coney Island prospect needs to get his head together instead of wanting to see the spit come out of NBC Sports Analyst Bruce Beck’s mouth.  He has to become a pass first guard, and  needs to take charge of this team before the Knicks find someone else to be the point man.  Nate Robinson needs to show maturity and the ability to play contained basketball.  Most importantly, head coach and GM Isiah Thomas needs to put this summer’s trial behind and coach like his job is on the line (it should be anyway).  He got his extension last year and the Knicks tanked.  This year, the Knicks need play the way they’re capable of, not cause Knicks fans to revert back to Baseball Hot Stove discussion in January.

 

The outlook:  11th in the East, 4th in the Atlantic, no playoffs.   

 

 

Philadelphia 76ers

 

Projected Starting Lineup:

C Samuel Dalembert

PF Reggie EvansSF Kyle KorverSG Andre Iguodala

PG Andre Miller

Coach: Maurice Cheeks

 

The good news: Your franchise player is still A.I.: Andre Iguodala.  Get used to it.  It should be easy to do so.

 

Philadelphia traded franchise guard Allen Iverson last year.  All was lost with the team.  People were ready to throw GM Billy King all the way to Camden, NJ so Philly residents could have more of a reason to hate him.  But then, Andre Iguodala took off.  He finished the season averaging 18.2 points per game, 5.7 rebounds and 5.7 assists per game.  He was so good he carried the Sixers to playoff contention until the last week of the season.  Samuel Dalembert showed improvement, averaging nearly 2 blocks per game and showed signs of becoming the rebounder Sixers fans have wanted to see from him since he arrived in 2001. Veteran PG Andre Miller will be back for another season of playmaking and mentoring Louis Williams, who needs to show he belongs in the NBA. 

 

The bad news: The Sixers’ mismanagement in the 2007 NBA Draft will cause them to take a step back this season.

 

The Sixers had three picks in the first round of this year’s star studded NBA Draft.  THREE!  And they have little to show for it.  They drafted Thaddeus Young out of Georgia Tech with the #12 pick.  He has the potential to be a franchise player, but he is very raw and inconsistent.  They then drafted Daequan Cook out of Ohio State—only to trade him for Colorado State big man Jason Smith.  Although the Sixers have a thin frontcourt as is, Smith was a wasted pick and won’t amount to much.  With the last pick in the first round they took Petteri Koponen.  Great.  Then they ship him off to Portland for Vanderbilt guard Derrick Byars.  They had a chance to clean up at the draft only wound up making a bigger mess for themselves.  An influx of youth is always a good thing, especially if you know who your franchise player is.  However, if the ceiling isn’t high and your team is still mediocre, it’ll take time for the team to get better. Philly fans are running out of time and patience with the Sixers.  Expect Allen Iverson’s return to Philly as a Nugget to be very anticipated.  It seems the Sixers didn’t know last year whether to lose or not.  Now it isn’t their choice to make anymore.

 

The outlook: 13th in the East, 5th in the Atlantic, out of the Playoffs.

Foxy Brown Refuses To Appear In Court; Date Rescheduled

Rapper Foxy Brown is at the center of more controversy according to prosecutors in New York.

 

According to correction officials, the 28-year-old rapper allegedly refused to get on a corrections bus three times today (October 12) for a court appearance.

 

Officials said that Brown, born Inga Marchand, refused to leave Rikers Island to be arraigned in Brooklyn Supreme Court.

 

Reports stated that Brown missed the first bus because her hair and make up were not ready. She missed the second bus because she had not eaten lunch.

 

When a third bus came, Brown inexplicably refused to get on board.

 

As a result, Brown’s court date has been moved to Tuesday (October 16).

 

The rapper is serving a one year prison sentence for violating the terms of her August, 2004 probation for assaulting two manicurists in a Manhattan nail salon.

 

In July, Brown was involved in a neighborhood dispute in Brooklyn with Arlene Raymond, 25, over the volume of the rapper’s car stereo.

 

Brown allegedly hit Raymond in the face with her Blackberry, resulting in a charge of felony assault, misdemeanor assault and criminal possession of a weapon.

 

If Brown refuses to attend her arraignment on Tuesday, prosecutors may issue a court order allowing correction officers to handcuff her and force her to appear in court next week.

Rappers Celebrate Pitbulls At Atomic Dog Super Bully Show

Rap veterans DJ Quik, E-40 and WC will be among those showing up to support Atomic Dogg Magazine’s first-ever Super Bully show.

 

The event, which will take place Oct. 20th at the El Rancho Farralon in El Monte, Ca., will celebrate the best breeds of pit bull dogs, by featuring various pit bull lovers from the Hip-Hop community as well as top of the line show dogs.

 

Presented in conjunction with the American Bully Kennel Club, the Super Bully show is the newest endeavor from Atomic Dogg, a pit bull lifestyle publication that highlights the culture of breeding and lifestyle practices for pit bull lovers and those who appreciate the sport of raising dogs.

 

Pit bull lovers who have been covered in the magazine include Master P, Paul Wall, Lloyd Banks and Zach Randolph.

 

For the magazine’s editor Big Juan, Atomic Dogg is a vehicle to show the public a different side to pit bulls, who are often seen in a negative light.

 

“People always think dog breeders only train dogs to fight but Atomic Dogg has made it a point to highlight the entire culture,” he said of the two-year-old publication. “Atomic Dogg has gotten a lot of respect for the way we feature the better side of what raising pit’s is about.”

 

In addition to WC and E-40, the Super Bully show will include appearances from Glasses Malone, Bishop Lamont, Suga Free, Guerilla Black, Psycho Realm, DJ Skee, Ya Boy, The Federation, J. Wells, J. Rocc, Nino Brown, Sinful, Technique Dynamic, Certified, Famous Crow, Cecy B and Western Union.

 

The event, which will be hosted by Power 106’s Luscious Liz, will also feature various Chevy’s and lowriders, as well as food and music.

 

Special invited guests include Royal Bloodline, Elite Edge, the Real Gotti Line, Grey Line, Cali’s Finest, Gotti Line Elite and Certified Bloodline.

 

For details on the Super Bully show, visit www.myspace.com/theatomicdoggmagazine.com.

 

 

 

Do Or Die’s Belo Gets 10 Years For Murder

Do or Die member Belo pleaded guilty to second degree murder yesterday (October 11) for the shooting death of Raynard “B-Dog” Pinkston in November of 2002.

 

According to The Chicago Sun-Times, Belo, born Darnell Smith, will receive a 10-year sentence for the crime.

 

Prosecutors said Pinkston and Smith were watching two people fight, when Pinkston attempted to break up the ruckus.

 

Police said Smith warned Pinkston to stay out of the dispute and when he refused, Smith shot Pinkston to death on the street.

 

Smith’s girlfriend Felicia Hamiton, was also charged in the case, after she attempted to bribe witnesses $1,000 in attempt to get them to change their testimony against Smith and keep him out of prison.

 

“I think it’s a good outcome, and I thank God for it,” Pinkston’s brother D’Angelo Dixon told The Chicago Sun-Times. “I’m glad that guy got 10 years.”

 

Belo will be formally sentenced on November 8 in Chicago.

 

Group members Belo, Nard and AK-47 hit big when they collaborated with fellow Chicago rapper Twista for the hit 1996 single “Po Pimp,” taken from their album “Picture This.”