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C-Murder Sentenced To Full Time House Arrest, Denies Violating Probation

Rapper

Corey “C. Miller” Miller, formerly known as C-Murder, was placed on

house arrest by a Louisiana state judge after attending a Hurricane Katrina documentary

premiere in New Orleans. Miller

was ordered to remain on full home containment until his second trial on a second-degree

murder charge.Miller,

35, is awaiting a retrial in the 2002 shooting of a teenager, 16, outside a Harvey-area

nightclub in New Orleans. His original conviction was overturned after a judge

ruled that prosecutors had withheld the criminal backgrounds of key state witnesses

from the defense.She

ordered him back on full house after seeing his interview at the Aug. 16 premiere

of Spike Lee’s HBO documentary, When the Levees Broke: A Requiem in Four Acts

on New Orlean’s based WDSU-TV, claiming he violated the terms of his probation

by attending the premiere after his 10 PM curfew.During

a recent hearing, no evidence was presented suggesting Miller had violated the

order. Miller testified he was at the premiere to meet with Spike Lee about a

project, but had returned home before 10 p.m. Miller

also said he gave more than one interview and did not violate any terms of the

gag order in the case. Sassone

said prosecutors could investigate the matter as long as Miller’s lawyers were

contacted in advance. Sassone apparently planned to give Miller only partial house

arrest, but later changed her mind."You’re

on home incarceration to prepare for a defense, not to have a social life,"

Sassone told Miller. The

judge allowed Miller to attend Sunday church services, but rejected a request

to let him exercise in a park.

Marc Ecko Links With Nissan To Create Custom Pathfinder, Armada

Clothing

and magazine mogul Marc Ecko has teamed with Nissan of North America to modify

the design of the car giant’s two popular SUV’s, the Nissan Pathfinder and the

Nissan Armada. The

new partnership, dubbed "SHIFT_unltd," was forged to allow both brands

to expand their audience, yet retain their individuality. The

ecko unltd. Nissan Pathfinder will contain a modified grill, a custom black and

grey camouflage paint job, black leather 1960’s style seats, accent molding, a

wood grain steering wheel and other accessories.Ecko’s

Cut & Sew Nissan Armada comes with a cream Landau roof, whitewall tires, custom

hubs, an extra roomy glove box, metal gas and brake pedals, a wireless communication

system, roadster-style gauges and other custom features. “Side

by side, these two vehicles share a design heritage, yet each has its own distinct

character,” Ecko said. “My goal is to take that character to the next

level and to express the vehicles’ individuality through bold, original design

and superior execution.”Ecko

will also create limited co-branded jackets, T-shirts, leather key chains, woven

button-downs and other accessories that will be give away at events and sold online

at www.nissan.eckounltd.com. Proceeds

of the accessory sales will benefit Sweat Equity Enterprises, a nonprofit that

teaches youth professional design and technology skills, while working for leading

design companies. “Both

the Nissan Pathfinder and Nissan Armada are known for their power, style and energy,

which is also characteristic of Marc Ecko’s creative artistry and compelling

vision,” added Jan Thompson, vice president of marketing, NNA. “His

design will bring together two great brands that already have an established relationship

with street culture, making it a natural and ideal fit.”The

two Nissan SUV’s designed by Ecko will be unveiled at a special invite-only event

taking place in New York this Oct.

Common Tapped For Gap Ad Campaign

Rapper

Common has been tapped to participate in a new ad campaign from the retailing

chain the Gap.The

Chicago artist will join fellow celebrities Jeremy Piven, Mia Farrow, Aaron Eckhart

and Natasha Bedingfield for the store’s ‘T-Shirt Shop’ ad campaign. The

recently launched venture will focus on the Gap’s new line of T-shirt’s as the

company celebrates its heritage in self-expression and individuality.Black

and white print ads, shot by acclaimed photographers Inez van Lamsweerde and Vinoodh

Matadin, will feature celebrities wearing their favorite Gap T-shirt in a way

that expresses their individual style, personality and energy.A

message reading ‘long live individuality’ will be included with the campaign,

which also features images with corresponding taglines – such as your expression,

your spirit, your attitude – that capture the emotion of the shot."T-shirts

have become the ultimate vehicle for self-expression," acknowledged Gap marketing

vice president Kyle Andrew. "And while Gap has always been famous for great

Ts, our collection of T-shirts this fall is better than ever before."Other

stars participating in the campaign include Fall Out Boy member Pete Wentz, Eva

Herzigova, Lou Doillon, Paula Patton, Kristen Stewart, Brice Marden and Yvonne

Force. In

addition to the print ads, the campaign also includes portraits from renowned

artists that feature celebrities in their favorite Gap T-shirt. The

"T-shirt Shop" print campaign will run in the September issues of magazines,

including Vanity Fair, Elle, InStyle, Vogue and GQ.Gap

customers recently helped the company celebrate the launch of the new campaign

through special T-shirt customization events in select Gap stores in Los Angeles

and New York. Common

and Piven were on hand for the events, which were held at the Gap’s Hollywood

and Highland store in Los Angeles and the Lexington Street store in New York City.

E-40 Strikes Gold

Bay

area rapper E-40 is celebrating the success of his latest album My Ghetto Report

Card, which was certified gold by the RIAA this week.Fueled

by the Keak Da Sneak-featured "Tell Me When 2 Go," and the current single

"U And Dat," featuring T-Pain and Kandi Girl, the album’s good fortune

will lead to bigger things, according to the lyricist."It

feels good," E-40 told AllHipHop.com. "I got my second wind [and] it’s

the beginning of a new beginning."Executive

produced by Lil’ Jon, My Ghetto Report Card debuted at number one on Billboard’s

R&B/Hip-Hop charts and number three on the Billboard Top 200 chart.

In addition to Lil’ Jon, the Reprise/BME/Sick Wid It Records release features

production by Rick Rock, E-40’s son Droop-e of the Pharmasuticles, Bosko, and

Studio Tone, as well as guest appearances from Mike Jones, T. Pain, Keak Da Sneak,

Turf Talk, Juelz Santana, B-Legit, The Federation, 8Ball, and UGK.The

video for "U And Dat," is currently in heavy rotation at BET, MTV and

Fuse.Fans

can look for more of E-40 with the release of his new DVD, E-40 & The Hype

of Hyphy. The

disc, which hit stores Tuesday (Aug. 29) includes the videos "U And Dat"

and "Tell Me When To Go" as well as a behind the scenes look at the

making of the videos. Viewers

can also learn about the Hyphy movement through a "Hyphy movement" special

on the DVD, which features special appearances by Federation and B-Legit, among

others.

New Rudy Ray Moore Compilation Hits Stores Features Classic & New Material

Legendary comedian

and actor Rudy Ray Moore will released a compilation of his works on the new album

The Best Of Rudy Ray Moore And Friends via RNB Entertainment Group’s imprint,

The Pen.The

new disc set will feature a collection of Moore’s works including classic skits,

along with first-time-ever-on-CD comedians like Billie McAllister, Lady Reed,

and Jerry Walker."We

are ecstatic about this release, which is destined to become an instant collectors

item, and which will help bring Rudy a few more well-deserved props," stated

Tom Cartwright and Warren Foster of RNB Entertainment Group.Billed

as the "Godfather of Rap" and "The King of Party Records,"

Moore has served as an inspiration to a slew of Hip Hop artists, including the

late Eazy-E, Ice-T and Snoop Dogg, who enlisted Moore as guest in his 1994 music

video for "Doggy Dogg World."In

the mid-1960’s, Moore starred as Dolemite, a smooth talking mythical black hero

with super strength who could kill women with the power of his lovemaking.He

released several albums under the moniker Dolemite, but the albums were so raunchy

that they were regularly banned from record stores.The

79-old comedian also made history as the first black artist to have two releases

on the Billboard charts simultaneously.The

Best Of Rudy Ray Moore And Friends#### stores yesterday (Aug. 29.)

Foxy Brown Pleads Guilty, Changes Her Mind

Foxy Brown pleaded

guilty Monday (Aug. 28) to assaulting two nail salon workers in a dispute over

the cost of a manicure and later attempted to changed her plea to not guilty,

but was rejected.The

rapper, born Inga Marchand, 26, originally pleaded guilty to assaulting the women

in August 2005 after being charged $20 for a manicure she claimed she never received.

Brown allegedly began hitting and kicking the women as a result.Shortly

after the case was heard, Brown returned to the Manhattan Criminal Court and requested

to change her plea with Judge Melissa Jackson, stating "I’m innocent in this

case," Brown said. Jackson

rejected her plea, leaving the guilty plea standing.

Brown was spared jail time for pleading guilty. On Oct. 23 the Brooklyn rapper

will be sentenced to three years probation. She must also undergo regular drug

testing and attend anger management classes.Jackson

said if Brown wished to withdraw her guilty plea, she was was required to submit

a motion to the court before the Oct. 23 court date.

Eminem Apologizes For Throwing Water On Playboy Model, Hef Allegedly Not Happy

A recent prank

has resulted in Eminem apologizing to one of Hugh Hefner’s girlfriends after the

pair had a nonviolent altercation on a video shoot.The

rapper allegedly doused Kendra Wilkinson with water during a recent video shoot

in Los Angeles for Akon’s song "Smack That A**."According

to published reports, Eminem came out of his trailer during the video shoot and

threw water on Wilkinson, one of the Playboy mogul’s trio of girlfriends

who are featured on the E! Television reality series The Girls Next Door,

which Hefner also executive produces.Wilkinson’s

agent told The New York Post’s Page Six column that Eminem came

out of his trailer, "threw water on her and was really disrespectful.""He

flipped out on her," Wilkinson’s agent Jonathan Baram told Page Six. "She’s

a tough girl. She didn’t take it, and they went at it, not physically but verbally."Wilkinson

claimed in the Page Six report that the incident was a joke and that she didn’t

want any controversy between her and the platinum-selling rapper.A

post on Wilkinson’s official Myspace.com site (myspace.com/kendrawilkinson)

shortly after the incident but later removed, was widely circulated on the Internet

and revealed more details on the incident."The

reason for me doing the video wasn’t for the money, it was to make all my fans

happy that I finally did a rap video," the 21-year-old Wilkinson wrote. "We

all know how much I talk about how much I wanna be in one…right?"Wilkinson

said she was accompanied by a friend to the video shoot, where she was greeted

by R&B singer Akon. After

being greeted by the singer, Wilkinson wrote that she waited in a cafeteria for

a number of hours (10) and was finally called in to do her shoot."We

start by doing some warm-ups and I was dancing my a** off (literally) [because]

it was my time to shine in front of David Banner, Lil Zane, and a couple other

rappers and 100s [hundreds] of people," Wilkinson continued. "Everyone

was loving my dancing and makin me feel good. Then Eminem walks in the room."According

to Wilkinson’s account, Eminem entered the room and was cordial. He allegedly

said he was a fan of the The Girls Next Door, and had even purchased a

copy of the Sept. issue of Playboy which, he sought to have autographed."Then

we start doing our scene and everything is going good until we go on a break.

I went over to sit on the couch to rest a lil bit," she wrote. Wilkinson

said she was talking to a "really nice guy" sitting next to her when

Eminem walked in her direction."I

smile and say ‘what’s up?’ He takes out a bottle of water and pours it all over

me!" Wilkinson alleged. "There goes my makeup, there goes my hair, there

goes my tears, and there goes my first rap video!"Despite

the incident, both Wilkinson and Eminem have agreed to leave the incident behind

them. The

rapper sent a blooming bouquet to the Playboy mansion where Wilkinson currently

resides, to make amends.And

while she may not hate Eminem, Wilkinson wrote that her 80-year-old-flame isn’t

too fond of the rapper."Hef

[Hugh Hefner] hates him now! So I lived and I learned right?," Wilkinson

said. "I will never do a rap video again unless its Three 6 Mafia, Too $hort,

Bow Wow or Nelly!"

Cynthia McKinney Presents Hip-Hop Forum at Congressional Black Caucus Legislative Conference

Congresswoman

Cynthia McKinney (D-GA) will host a Hip-Hop forum at this year’s Congressional

Black Caucus Legislative Conference.The

Hip-Hop Powershop, scheduled for Sept. 7, will feature a panel that will discuss

gang summits and industry manipulation of the true message and meaning of Hip-Hop

artists. Panelists

include DC Hip-Hop artists Asheru and Head-Roc as well as Rev. Yearwood

(Hip-Hop Caucus), Jared Ball (University of Maryland, Hip-Hop historian, Blackademics

on WPFW), Lisa Frager (Industry Ears, Hip-Hop media expert) and former Crips and

Gangster Disciple gangmembers. The

event is one of a series "braintrust forums" McKinney will host that

will examine critical current issues facing African-Americans and the entire country.

Other

forums will address past victims of COINTELPRO abuses, and their renewal in many

forms since 9/11 as well as discuss the award-winning films American Blackout

and Sir! No Sir!American

Blackout documents Black voter disenfranchisement and voter fraud in national

and local elections, while Sir! No Sir! Looks at the hidden history of

GI and veteran resistance that ended the war in Vietnam.An

outspoken critic of the Bush Administration, McKinney spearheaded a national investigation

into the 2000 election voting irregularities. Last

year, she introduced House Resolution 4210, a new bill that calls for the United

States government to release all documents it has collected on slain rapper Tupac

Shakur.HR

4210 calls for "the creation of the Tupac Amaru Shakur Records Collection

at the National Archives; and a second repository at the Tupac Amaru Shakur Center

for the Arts in Stone Mountain, Georgia."The

Congressional Black Caucus Legislative Conference will be Sept. 6 through 9 at

the Washington Convention Center, 801 Mt Vernon Pl., NW.The

following is a schedule of events and list of participating panelists:The

New COINTELPROSept. 7, 1 p.m. – 2:50 p.m., Room 143 CPanelists: Lillie

Coney, Electronic Privacy Information Center, EddieConway, COINTELPRO victim,

Bill Goodman, Center for ConstitutionalRights, Dick Gregory, COINTELPRO victim,

activist, author of Callus onMy Soul, Tom Devine, Government Accountability

Office, Kate Martin,Center on National Security Studies, J.E. McNeil, Center

on Conscienceand War, Chuck Michaels, ACLU Baltimore, MD, author of No

GreaterThreat, Patrick Radden Keefe, author of ChatterHip-Hop

PowershopSept. 7, 4:00 p.m. – 5:50 p.m., Room 144 BCPanelists: Rev. Yearwood,

Hip Hop Caucus, Jared Ball, University ofMaryland, Hip Hop historian, Blackademics

on WPFW, Crown, a Y.G. fromHarlem Crips, Lisa Frager, Industry Ears, Hip Hop

media expert, Asheru,DC, Hip Hop artist, educator, G$, formerly Gangster Disciple

Nation,Head-Roc, Mayor of DC Hip Hop – performingAmerican

BlackoutSeptember 9, 11 a.m. – 12:50 p.m., Room 144 AModerator: Cedric

Muhammad, BlackElectorate.comPanelists: Rep. Cynthia McKinney, Ian Inaba,

director, Steven Freemanand Joel Bleifuss, co-authors of Was the 2004 Presidential

ElectionStolen?Sir!

No Sir!Sept. 9, 2006, 2 p.m. – 3:50 p.m., 144 AModerator: Cedric Muhammad,

BlackElectorate.comPanelists: Sgt. Kevin Benderman, Gulf War veteran, Iraq

war objector,Monica Benderman, military family member, David Cline, Vietnam

VeteransAgainst the War, in the film, Greg Payton, Vietnam Veteran, in the

film,Demond Mullins, Iraq veteran, The Ground Truth film and GarrettReppenhagen,

Iraq Veterans Against the War.

50 Cent Hit With Lawsuit Over 2004 Incident In Massachusetts

50 Cent has been

hit with a lawsuit stemming from an incident in Springfield, Massachusetts, after

the rapper had been sprayed with water during a performance in May of 2004.The

lawsuit, which was filed in Hampden County Court, alleges that 50 Cent injured

two females when he hopped off the stage and into the crowd, seeking an unknown

individual who dosed him with water while he was performing at the Hippodrome

in Springfield.The

rapper was pushed back on stage by security and two police officers, where he

continued his performance. Two people were later arrested and charged with disturbing

the peace. The

women claimed the rapper assaulted them during the incident and the rapper was

hit with assault and battery charges filed by Donna DeJesus, 25, and Taneka Nesbitt,

27.DeJesus

said that 50 Cent punched her in the face during the melee, while Nesbitt claimed

the rapper pushed her down, causing her to undergo knee surgery. In

May of 2005, 50 Cent entered into an agreement to avoid jail time stemming from

the incident. The rapper was sentenced to probation, random drug testing for two

years and a mandatory anger management program. Additionally,

the rapper was sentenced to make an anti-violence public service announcement.

The

women are seeking an undisclosed amount.

Idlewild

Artist: OutKastTitle: IdlewildRating: 3 1/2 StarsReviewed by: Robert Longfellow

Despite what its artwork may say, Idlewild (LaFace/Zomba) damn sure ain’t no OutKast album. And therein lies the rub, though you should have seen it coming. Hip-Hop’s greatest two man collective’s bi-polar affair that was their ultra-successful Speakerboxxx/The Love Below album was supposed to be an anomaly. Showcase their solo skills for a taste, then return to true form. Instead, they have slapped “OutKast” on what realistically is just a soundtrack to their Idlewild flick and will no doubt mislead plenty of their fans. But to their credit, the music here is jamming, though they will be hard pressed to dispel rumors of their break up since Andre 3000 and Big Boi appear together on a grand total of two tracks.

After the duo get through ripping the zoot suit worthy “Mighty O” and invite in Snoop Dogg and Lil Wayne on the gothic “Hollywood Divorce”, the Atliens go their separate ways. Though Mr. 3000 may be awol along Big Boi’s side, Sleepy Brown gets a two for one special. Not only is his own solo album, Mr. Brown, soon to drop, but he flexes his vocal stylistics on the albums better jams. Along with Scar, he helps Big Boi strut over marching band percussion on the stanky “Morris Brown” (produced by Andre 3000, by the way) and on the groovy “Peaches”.

Andre is in his usual too bored to rap so let me keep singing mode. Dre’s speakeasy inspired ditties aren’t as immediately engaging as “Hey Ya” but the man’s continued growth as an all around musician is undeniable. Case in point is the guitar and harmonica driven juke joint revival that is “Idlewild Blue (Don’t Chu Worry ‘Bout Me)”. “Life Is Like a Musical” is another gritty but funky display of his improved singing. Andre drops a slick rhyme on the too short “Chronomentrophobia” (and also on “Hollywood Divorce”) that will surely spark fans to crave him to rhyme a just little bit more than he has lately.

The album is rounded out by Dungeon Family guests. Organized Noize produces a number of tracks including the Khujo of Goodie Mob assisted “N2U”. Purple Ribbon artist Killer Mike drops a verse on “In Your Dreams” while singer Janelle Monae kills the walking bass of the uptempo “Call The Law”. But there are snoozers, though they’re weighted towards the albums close. Macy Gray under-whelms on “Greatest Show on Earth” and “Mutron Angel” never feels like it catches its legs.

After you become comfortable, or at least partially accept, that this isn’t the next stop in the official OutKast train of classic albums, you will be appreciative of the good music available here. The duo’s “unity” may be in the idle mode, but their music is still kinetic.

Hip-Hop Infused Poker Television Show Coming To Television

Czar

Entertainment, Premo Pictures and IMG Media announced the premiere of “Hip-Hop

Hold’ Em,” a new weekley television series showcasing Hip-Hop artists

competing in tournament-style poker challenges.“Over

60 million Americans play poker at least once a month, and a growing amount of

young adults are driving this new trend,” said Tone Boots, executive producer,

and co-founder of Premo Pictures.Tone

Boots also served as producer and creative consultant to MTV’s popular Direct

Effect series from 2004-2005.“We

believe that fusing poker with the elements of celebrity lifestyles and music

will bring our viewers a fresh spin on the poker phenomenon,” Tone Boots

continued. The

new one-hour show, which is slated to debut nationally October 6th, will feature

five celebrities from the world of music, sports, television, movies and fashion

competing for their favorite charities in a game of “No Limit Texas Hold’

Em.”The

original series will blend the element of professional poker with the style and

music of Hip-Hop culture. The show will also give viewers a behind-the-scenes

tour of one of the celebrity players’ homes, as well as a musical performance

from one of Hip-Hop’s rising artists.Premo

Pictures, a division of Czar Entertainment, develops and produces films and new

media projects and previously produced the documentary Infamous Times: Volume

I – The Original 50 Cent.Check

local listings for air times.

Euricka: Patient Survivor Part 1

As one of the most devastating storms to ever hit the country, Hurricane Katrina changed the lives of thousands of New Orleans residents, who relocated to various areas to start new lives from scratch. For R&B songstress Euricka, Katrina became a giant obstacle on the way to releasing her new album The Takeover. The singer currently lives in Houston, Texas with her family while finding new life on the Echo Vista Records roster.

Now, as the nation marks the one-year anniversary of the storm, Euricka shares her experience battling Katrina and FEMA, facing a hostile military, reconnecting with family and fans and finally getting the chance introduce herself to the masses.

AllHipHop Alternatives: How has life changed for you and your family since the hurricane?

Euricka: I’ve learned to do without and not to take everything so serious. And all that bling-bling stuff and all that, I’ve learned to just know that that sure ain’t got nothing to do with life. Nothing. Because when you get everything taken away from you in a blink of an eye, you start really appreciating the little things, like the birds chirping in the morning and knowing that your lights are on and knowing that you can take a bath. Knowing that you have running water to flush your toilet. You know that kind of stuff, that little stuff. That stuff people take for granted.

AHHA: It’s been a little more than a year since Katrina hit New Orleans, have you gone back to see what was done and if things can be fixed?

Euricka: Yeah. We’ve been back so many times. And there’s like this car pool that sends people from New Orleans back and forth for $90 each way. So we do that when we can. But right now, we’re back in Houston because we have no way of staying in the houses that we were in in New Orleans because they’re all demolished. And we’re just, right now, just going back and forth with FEMA with finances with getting our home completed and renovated. So it’s the same story that everybody else has and it’s sad, but we dealing with it.

AHHA: Describe the amount of damage that was caused to your home.

Euricka: It’s about 15 of us living together. So all together all of our homes were underwater, but where I live, in these apartments on the lake, I was on the third floor. So I was spared from water coming in my apartment, but the roof caved in where I was and I was the one that stayed in the area where I lived. Everybody else went to a hotel like around the French Quarter area. Yeah, I was the knucklehead [laughs] so I got trapped for like a week.

And eventually, I got enough nerve to just leave the house because I had ran out of stuff to eat. I was afraid that the vandals were going to come by because they were raping people and killing people and all that kind of mess. So I thought it was best for me to leave the house. And my family was afraid for me so they, you know, encouraged me to leave because they were already in Houston here. And I got a boat ride from literally swimming to the area where the boats met you because they wouldn’t come to you. So when I got to the area, from the water to the boat area, they eventually took us to the bridge, where they dropped us off at.

AHHA: You were one of many people who was stranded waiting for help, but when help arrived they passed you over saying rescuing folks ‘was not their first priority.” How did that, as well as the false promises of rescue make you feel?

Euricka: I really felt like I was stuck. I was so scared. I can’t believe the military won’t help us. They told us we had to swim in the water and get to the rescue boats from there. They would not take us themselves. You had to swim to the boats. If anybody can vouch for this who was in New Orleans stuck there like I was, you had to swim to wherever the rescue boats were. They weren’t coming to you.

And I think another reason why they couldn’t necessarily come to you (was) because the power lines and stuff . The water was so high, they didn’t know if they were gonna go over dead bodies or if they were going over cars or whatever and it would have ruined the boats. So we had to swim in that infested water with the bodies and all of that, the f#### matter or whatever because afterwards a lot of ladies and a lot people who were in that water they got like this kind of fungus on their legs.

And I was telling my sister weeks after I had got rescued. I’m like ‘I got these ringworms or something on my legs. I wonder where that was from because I wasn’t playing in no dirt or nothing.’

And my sister said ‘Girl, you got that stuff everybody get who was walking in that water.’ I said ‘Lord, have mercy.’ So I went to the doctor and from there I had to get treated for months for that.

And FEMA has not paid me yet. I spent so much money getting treated for that. FEMA hasn’t given me nothing. I’ve been practically living off of my momma and them from what FEMA been giving them.

AHHA: Is the fungus gone now?

Euricka: Oh yea. Honey, I’ve got beautiful legs. [Laughs] I just put up the money and my family put up the money themselves. That’s fine because it was like a little fungus. And a lot of women will vouch for this and a lot of people that waded in that water that they got this fungus. It was treatable, but FEMA not paying for nothing. That’s what I wanted to say for that. Medical expenses, FEMA not even paying for anything you went through with that. They still giving you the runaround with getting your money for that. So I just threw my hands up.

My sister was asking me yesterday, ‘Euricka, you really need to find a way to get your money from FEMA.’ I’m like ‘I’m not going to worry about it. I hope this album sells tremendously, you know what I’m saying. Because I can’t keep running behind FEMA and stressing myself out. It’s ridiculous.

AHHA: How long was it before you were finally rescued?

Euricka: It took me about four days to realize that nobody was going to rescue me. So by then the fifth day I walked in the water and I got to the boat. The [people on the] boat gave me a can of vienna sausages. I shared that with me and my dog. From there, they dropped us off on the bridge. And from there it was 20 hours. So I’d say five days, six days I was in New Orleans before I got to Baton Rouge, where a friend of ours picked me up and drove me to Houston to reunite with my family.

AHHA: How did you survive during all this time before you got rescued?

Euricka: Honey, some things I’m going to leave to keep in the book. That’s all I’m going to say. Some things I’m leaving for the book because it was horrible. Like I said, I didn’t have running water. I couldn’t use the toilet, you understand. It was survival of the fittest. And some things you had no other way to do but the way you had to do it.

AHHA: What were some of the things you saw while you were stranded?

Euricka: What really stuck out in my mind was when we all got together at the bridge, a lot of people started seeing people they knew. And me being a singer from New Orleans, a lot of people knew me already. And they were like ‘Euricka. Euricka. Oh, that’s Euricka.’ And I’m like ‘Yea, girl that’s me. I got stuck too.’ [Laughs]

And one of my fans…the girl didn’t have no shoes on her feet…The water had came in so fast she was saying that she didn’t have time to get no shoes or nothing’. The water just crashed into her house. And it was an apartment. She was on the third floor, she told me…And what stuck out in my mind is that she didn’t have no shoes and guess what else? You could tell she was in shock She had said she had witnessed her cousin drowning right next to her. They were all swimming together and the cousin drowned. And this girl was just so happy to see somebody she knew to tell her story. I’m not saying she was happy, but you know how you’re just talking and getting everything out. And she hadn’t even realized it. It hadn’t even stuck to her yet that her cousin was dead. She had just witnessed a death, a drowning. And obviously she had seen other bodies in the water like everybody else getting out of the places,

I saw the Army people when we were getting on of the buses and stuff, it was like we were prisoners. They had bazookas in our faces and at us screaming real loud. And I understand that you know when you’re in the Army you’re used to screaming at people and stuff like that, but it was too much. At first I thought ‘maybe we did do something wrong. Maybe it was our fault’ because they were screaming and had guns in our faces. I’m talking about children. People holding their two-year-olds in their arms and they got guns pointed at us. You had the dogs, the bomb dogs and all of that. And they didn’t have no ambulances there. They didn’t have no water for us, no food. We were just on this bridge, sitting there waiting on buses for like 20 hours. Nothing. No FEMA was there. No Red Cross. No nobody. And this was four or five days later.

AHHA: Looking back on it, did you expect the rescuers to react to you that?

Euricka: When I was in my house by myself, I’m thinking ‘Okay, It’s time for me to be rescued. I need to go where these people are rescuing people.’ People are telling me word of mouth, people on the street and people are riding and over are saying ‘Go this way. They got food. They got supplies. They got everything.’

When I get there, I wished I would have stayed home, do you understand what I’m saying. I’m thinking that I’m going to gloryland. I’m going to the promised land, where they got food, where they got water. They didn’t have nothing! I’m sitting in the hot sun on the bridge and then in the dark with cockroaches crawling on me with no lights. New Orleans the city was pitch black at night. You couldn’t see nothing but the lights from the buses when they came.

And then all we heard was the helicopters. And them helicopters was close by and that was scary too because all you heard was that helicopter every 10 minutes dropping off more people. It was like ‘Why are they bringing all these people here and they don’t have no food, no water, no nothing?’ It was like chaos. It was like the end of the world.

AHHA: What drove to carry on and survive?

Euricka: What I want to say is you know what stuck with me and what made me say I’m going to make it out of this? When I finally got to Houston, I got with my family. And we didn’t have nothing. I mean the house was empty because somebody put us in an empty house. It was a real estate person. He said we could just live in that house for right now. It was empty. And the first thing we needed was water.

I was like ‘We ain’t got no water here.’ And I’ve always been the type of person that wanted to help my family out. So what I did was I walked to the church and all I did, I begged them with tears in my eyes. I said ‘All I want is some water for my family.’ And those people was so nice. They gave us air mattresses. Pillows. Blankets. Used clothes. We didn’t even have no clothes. We didn’t have nothing to wear. I had the shoes I had on my feet in the water. I was wearing raggedy shoes. Nothing. And I was happy too. People was giving us their used underwear to wear. Do you hear me? And I was happy to have that. People was giving us their used pots and pans. Honey, I didn’t have no attitude. I took it and and we cooked with it and ate with them.

And then I had to deal with looking at my family, all of us. All of us was going through something. It was almost like we were all zombies, walking around. You know when you’re in shock?…It was almost surreal. We was looking around the house like ‘What just happened to us? Did something just happen to us?’ Do you understand?

Oh my God For Christmas, I stayed in my room and I just cried… And for Christmas we had three poinsettias by the chimney. The three poinsettias and we had our presents around the poinsettias. We had about four presents, four gifts.

And we had Christmas in that house, in that empty house which is still empty, you hear me. You know what’s the most blessings. I got a record deal, honey. I’m so happy. I’m so happy to have a record deal. You just don’t know. I know some people be out here doing everything to mess up their deal. Partying and buying Cristal and all that, but I’m just that believed in me enough to give me a deal.

Euricka: Patient Survivor Part 2

AHHA: When did you get the record deal?

Euricka: I got it in May of this year. Through Echo Vista International.

AHHA: How did they hear about you?

Euricka: I had heard from the girl that introduced my package to him…it was a friend of a friend. After they had found out what had happened with Katrina, they were like ‘We gotta get this girl out of this situation. Let’s help her.’ So everybody got together and started just sending packages out on their own. And this girl remembered a friend who needed somebody that was looking for a female singer. They had gotten my package in December, I think, and were like ‘We want her.’

Everybody started really catching on to my music when they were sending the packages out. A lot of people were meeting with me and stuff and saying ‘Oh we love the story. We want to hurry up and sign you’ but nobody never went through with it. So the girl, in return, went back to Echo Vista and said ‘Are you still looking for that girl from New Orleans?’ And the guy was like ‘Yes! We’ve been waiting on her.’ So I got flown up to Miami and as soon as I walked in the office, Jeffrey Collins is his name, he kissed me on my cheek like he was family…He looked me in my eyes with everybody standing there and said ‘Let’s get you a distribution deal and get you out.’

And I mean to tell you I had tears in my eyes. And he didn’t even need to talk to me anymore. He said ‘Well, that’s it.’ I said ‘That’s it?’ He said ‘That’s it. We’re going to get you a distribution deal. I’ll talk to your people. I need to talk to your lawyer.’ And that was it. I said to myself ‘Is it that easy?’ But he had been seen my package too. And he had been waiting for the girl to get back with him. So it was like a miracle. I can only say that it was a miracle.

AHHA: Now that you’re reunited with your family in Texas, how has life been with everyone staying in the same place?

Euricka: [Laughs] We’ve learned not to touch certain people’s food in the refrigerator. We have days where somebody wants the air conditioner on colder than the others. You know, them little bitty things that get on people’s nerves. But other than that, we’re happy and we’re blessed because we’re a praying family. My grandmother is an ordained minister. My mother is a person that’s in the church all the time. And we all believe that God has something better for all of us and that we’re here for a purpose and whatever we went through was for a purpose. So that’s what keeps us sane. But yeah, we have those little difficult days of being in the house together.

AHHA: Do you think more could’ve been done with the rescue effort and prevent the damage done by the hurricane?

Euricka: Oh yea. I’m sure somebody somewhere took some money that could’ve been put on the levees. Somebody somewhere. I don’t know who to blame that on, but somebody forgot to repair the levees and get them up to speed with a hurricane of that magnitude. For all of those people to die like that and to be displaced like that was uncalled for because that hurricane, honey, was not a bad hurricane. I was there. I saw it. It didn’t leave no water. The water came a day later. [Laughs] The water came that evening, late that evening. It was surreal. We were outside surveying the damage and seven, eight hours later we seen water all the way up to the rooftops of the houses around us with no warning. So think about that.

So that’s why I wrote the song, “Sweep the Floor,” which is on myspace.com/euricka504. It came to me after the storm. I was literally helping my mother and all of them get their houses together. We all pitch in and help each other sweeping the floor. And I made the song and in it I say ‘this is my year. I’m taking over.’ And I mean I’m taking back my life. That’s why the album is entitled The Takeover.

Basically, the album is about me taking my life back, releasing all the stress that happened on last year amidst the past months and on that everything is going to be a new day and it’s time for my takeover.

AHHA: How did Katrina affect the making of this album?

Euricka: I still want my fans to get that Euricka sound that there used to, but it’s just some little dashes that I put in there now that people can possibly pick up and know ‘OK, well this song must’ve been written after the storm,’ you know. I’ve remade Patti LaBelle’s On My Own so that’s definitely dedicated to the New Orleans situation. It’s a really powerful song. Nobody can do it like Patti did, but I’m hoping that she gives me her grace and say that I did it some justice you know.

So that’s one of the main songs, “On My Own,” that I dedicated to Katrina. Most of the songs are Hip-Hop, R&B orientated. I don’t want people to be remembering some bad situation. I want people to, you know when they put on my album, my CD, that they rejoice and just have good music and hear good music. Quality hip-hop R&B music.

Kevin Powell: Let’s Get Free Part 1

K

evin Powell has long stood as the voice of activism, politics, Hip-Hop, poetry, and revolution since the dawn of the 90’s. One of the most assertive voices of our time, Kevin emotionally connects to every line he writes. As a soldier for Hip-Hop, his work with VIBE Magazine echoes to this day through his journalistic relationships with some of the most important MCs in history. His book Who’s Gonna Take the Weight: Manhood, Race, and Power in America presented the most troubling aspects of our societal structure, as well as Kevin’s self-analysis in response to the world around him. Kevin Powell has authored a number of books on life, politics, and the assimilation of Hip-Hop. His latest work, Someday We’ll All Be Free, presents the talented humanitarian at his most vulnerable hour with his personal anecdotes and reflections on Democracy and the struggle for freedom.

Over the past five years, America endured two of the most disastrous events in recent American History: 9/11 and Hurricane Katrina. The common thread woven through both occurrences is the resounding question Why? Traumatically touched by both 9/11 and Katrina, Kevin recounts the days, weeks, months, and even years leading up to and following these horrific tragedies in Someday We’ll All Be Free. More than words in print, Kevin’s work is the result of enveloping himself in the pain that every individual sustained regardless of race, color, or creed.

As America memorializes a year following Hurricane Katrina, the work is far from done. Meeting with Kevin Powell in Brooklyn for the Katrina Memorial, he recounts his days in New Orleans, responsibilities of the media, and how we can all do our part in making the move towards freedom.

AllHipHop.Com: When was the last time you visited New Orleans since Katrina hit?

Kevin Powell: The last time I was in New Orleans since Katrina was in March. We took college kids down the Gulf region. We stayed in Selma, Alabama for two days, and then shipped down to New Orleans to Biloxi, Mississippi, and Mobile, Alabama. So it has been about four or five months at this point. From what I understand, not much has changed since then. What we did was we came to Selma, Alabama- and we picked that place because of its connection to the Civil Rights Movement. We came back after seven days on a weekly rotation with students from all over the country. It was incredible. You can tell how affected they were by the work they were doing. So that was the last time [I’ve been to New Orleans]. I definitely plan on going again this fall.

AllHipHop.com: You traveled to New Orleans right after Katrina, and in your book you described the stench of death in the air and bodies on the ground. How did the atmosphere change when you returned in March, 2006?

Kevin Powell: You know…and I just found this out watching Spike Lee’s [When the Levees Broke], and I think I read it in the New York Times somewhere, they’re still finding dead bodies down there, which is crazy. It still looked like a war zone, which is unfortunate because New Orleans is such an important city. It is the most African, the most European, and the most Caribbean city in America. It’s a gorgeous mosaic and just so sad to see what happened. God only knows what’s got to happen for it to get back on its feet. The people who made New Orleans happen may never be able to go back.

AHH: Why did you choose to make 9/11 and Hurricane Katrina the focal points of your recent book Someday We’ll All Be Free?

Kevin Powell: Well, I knew I wanted to write a book about Democracy and freedom in America. When I was in college – I went to Rutgers University, gotta shout out Jersey – I studied Political Science. Even though it was possible that the only way we’d meet each other was if someone was a Hip-Hop head for a long time, what’s happening in this world has always had an effect on us. Politics, racism, sexism, and homophobia: all of those [issues] are important to me. So I wanted to write a book that captured some of the things I’ve been saying on the lecture circuit for the last ten years. That’s how I make my living; I speak more than I write. Traveling around the country for the past decade, I’ve been to practically all 50 states. I’ve been to colleges, universities, prisons, community centers, the whole nine. You start to put ideas out there, and the best part is when you have a dialogue with the audience and they put questions out there that challenge you. And I said, “You know what, I’ve got to start putting some of this stuff down in book form. An essay form.” My heroes are people like James Baldwin, and I really feel like the Hip-Hop generation, the Hip-Hop community has got to develop writers who are not just going to write about music or Pop culture and entertainment, but what’s happening in the world as well.

AllHipHop.com: You quoted Malcolm X in your book stating that the South was everything south of the Canadian border. Keeping that in mind with regard to the Hip-Hop community, there are a lot of voices speaking out about Katrina, but do you feel there was action to balance it out?

Kevin Powell: I tell you, it’s been a year since [Katrina]- and like you said, I’ve been in it since the beginning. I remember when we did a huge benefit at the Canal Room down in Tribeca. It was packed, man, unbelievable to see all of the people that came out. We know Mr. Bush and the Bush administration talked a good game. In the New York Times Magazine this week, there’s a great cover story about the children of the storm. Poor Black kids, poor white kids, affected by this thing. A year later, a lot of stuff that they promised hasn’t happened. People are not able to go back, public housing hasn’t been rehabilitated in the poor areas of New Orleans, people in New York City who were displaced haven’t been given Metro cards, some of the hotels are being sued for back rent by FEMA. A lot of property owners have to file actions against insurance companies because they’re still not getting their [insurance] policies fulfilled at this point. So there are some major injustices happening to a lot of people of various backgrounds.

AllHipHop.com: How do you respond to the statistic that rent’s gone up 30% since Katrina?

Kevin Powell: I refer back to a New York Times Magazine cover story about three or four months back about a developer down there who’s been buying up mad buildings and just sitting on them like New York City. You buy a building, sit on it, and hope for gentrification to come along. So, I’m not surprised by that. This country- and I don’t care what’s your racial background- I’m concerned about working people; poor people. The way we get divided is people start the racial bag, “Oh I’m black. I’m white. I’m Latin. I’m Asian.” They need to understand that Katrina is really a mirror reflection of how the Bush Administration has really, really controlled the power of this country, and really divided people and made it a country of haves and have nots. Where the Hip-Hop community can come into effect- even though Hip-Hop was created by African American, Puerto Rican, and West Indian brothers and sisters back in the day- it’s a culture that belongs to everybody. Chuck D said it, Hip-Hop is everybody who grew up…if you were born after 1980, you’re a Hip-Hop head; born after 1985, you’re a Hip-Hop head. You’ve been touched by it in some way, you know. I think that we had a chance for all of those cultural powers to be creative. You know, two turntables and a microphone, the graffiti with spraycans, magic markers, the cardboard you can dance on, the fashion, whatever it was that we wore, and we have a chance to put that into political power. If you put Generation X and Generation Y together, you’re talking about over 100 million young people in this country between the ages of like 13 or 14 to probably like the early 40’s. That’s serious. So, when I think about Katrina, I say to people out there you know, understand that could have been you no matter what’s your background. It was you, if you consider yourself a human being then you felt that. Just like I feel that if a woman is assaulted or raped, I should feel that. The tsunami and its affect on the Asian community, I should feel that. We as Hip-Hop heads man, the country should see how we can use [Hip-Hop music] to talk about our different struggles. And Katrina, after a year people don’t want to talk about it, they’re tired of talking about it because nothing’s happening. We have people there who are permanently deeply depressed and traumatized. You think about that and you think about September 11th, how a lot of the workers who were doing clean ups are now suffering diseases from what they took into their lungs, and not being able to get any relief from the government. How many Americans are going to be disregarded before people wake up and start to do something about it. I’m not saying some massive revolution…although that’d be nice [laughs]. I’m just saying do something. Like what y’all are doing; be a media person. Tell the truth through the media. Do something.

Kevin Powell: Let’s Get Free Part 2

AllHipHop.com: You brought up a point about the World Trade Center in your book about how the 3,000 people counted did not include immigrants or the homeless. There’s kind of a parallel happening in New Orleans with the prisoners not being offered any assistance. What would you suggest for the average person to do to take action?

Kevin Powell: To me, it’s really basic. People have computers and go on the internet every single day. Do a simple Google search “How to help Katrina survivors.” Commonground.org, you’ve got ACORN down there, The People’s Hurricane Relief covers Mississippi, Alabama, and Louisiana is down there, local chapters of the National Urban League, NAACP, there’s so many different organizations there. People need to understand, there’s not going to be some grand leader like Bobby Kennedy or Malcolm X. If you look back to the 1960s there was a whole bunch of people. Many of them young people like our generation. There’s not going to be some instant change here, it’s gonna be gradual. Look at the Montgomery Bus boycott, students protesting and sitting in, students deciding they are going to drop out and go to the South for their summer break; that was at least 13 years. Gradually, things start to happen. Then you look at the Women’s Rights Movement, fighting for equal rights, fighting for abortion rights, slowly over a period of time. You look at any movement of any group of people, it’s a gradual thing. People have to take the initiative and do the research. Make it happen. I just named you like four or five organizations, and how many people who read AllHipHop.com are going to actually take the initiative and look that stuff up and say, “How do I get involved?” Another organization that I have a lot of respect for is MoveOn.org. I just went to their Katrina benefit last week and Moby was there, The Roots were performing, Julia Stiles the actress was there, and it was a great event. MoveOn.org is strictly an internet base, they have no overhead and three million members all through the internet. So when Katrina hit last year, they made HurricaneHousing.org, and 30,000 of their members opened up their doors around the country for Katrina survivors. That’s what I’m talking about. This ain’t rocket science. Just care. That’s all we can ask, and if we don’t [care] then we’ll have this erosion of American society in my opinion. We are so distracted by, “Oh I’ve got the cellphone, I’ve got the Blackberry, I’ve got five email addresses, digital cameras.” We’ve got all of these gadgets, but we need to understand that a lot of these things dumb us down because we allow ourselves to become addicted to these material things and they affect our spirit. I’m not trying to prophesize. It doesn’t mater if you’re Baptist, Catholic, Presbyterian, Muslim, whatever you practice, Rastafarian, Buddhist. Something Frantz Fanon said that I read several years ago applies directly to the Hip-Hop community, “Each generation must, out of relative obscurity, discover its mission, betray it or fulfill it.”

AllHipHop.com: What went through your mind as you watched celebrities who were taking action in New Orleans travel down with a camera crew to ensure they were being filmed as they pulled people from the water and rubble?

Kevin Powell: I think those people were opportunists, not just celebrities. Like I said in my book, they were treating the people [of New Orleans] like animals in a zoo and taking pictures of them. People like Moby, like Bono, Sean Penn, Spike Lee who recorded a four-hour documentary in less than a year, that’s deep. There were a lot of people affected by it who were really sincere. Charity for some made you feel for a moment, give a little change, show up to a couple of events and then change the channel in your mind. How many people really remember what the tsunami was about, you know? Justice means that no matter what you are in life: film maker, writer, whatever it is, in some small way you’re gonna try to make this world a better place. Unfortunately for a lot of celebrities it was a trend. I respect someone like Elton John because he consistently has an AIDS charity every year for a long time. But then you have celebrities who are like, “Hey let me jump on that for a minute, take my obligatory trip to Africa,” and then it’s a wrap. I can’t really respect people like that, and I think that unfortunately in these times, a lot of celebrities are not encouraged to think outside the box and be profound thinkers. If you look at our history, Sean Penn, his father was very active. He got ostracized in the 1950s for being politically socialistic or whatever, I respect people like that. Harry Belafonte, Susan Sarandon. Look at what Robert DeNiro did. When 9/11 happened, he went and bought up all of that property in downtown by Tribeca and now Tribeca Cinemas is his institution and they do a lot of stuff. He wanted to give something to the community. That’s the kind of stuff I’m talking about. Don’t do it because you can do it. Do it because you care.

AllHipHop.com: Do you believe in the conspiracy theory that what happened in New Orleans was a racially motivated action?

Kevin Powell: I can’t. No. Maybe when I was 20 during my Black militant nationalist stage, “Huey Newton Kevin Powell.” Back then, I’d have been like, “This is a conspiracy.” I think we have to be very careful if we are in a public position to say stuff like that. But I do think that people do have the right to ask questions. I’ll put it to you like this: was it a conspiracy for Native Americans to have their land taken in this country? Was it a conspiracy for Africans to be enslaved in this country? Was it a conspiracy for people from Ireland or Italy to come here and be forced into ghettos in New York City and do the kind of labor that was inhumane? Was the Holocaust a conspiracy? What happens in Haiti or Liberia or Rwanda…is that a conspiracy? What’s happening in the Middle East where people are literally blowing each other away, is that a conspiracy? And poor people, black people, like in Spike’s film said, “I heard a snap,” or “I felt like these levees were purposely breached.” You do wonder what is going on here, but to me as a public servant, I have no proof of that. But Katrina demonstrated that we do have a reckless disregard for black people and poor people regardless of race. I can definitely say that for a fact.

AllHipHop.com: Do you feel that Hip-Hop’s indifference towards what is going on in the world is a result of the powers that be or just plain apathy?

Kevin Powell: There’s Hip-Hop the culture, and Hip-Hop the industry. It used to be one in the same; now it’s split. We know what the culture is, who Afrikka Bambaataa is, the DJ, the MC, graffiti writers, the dancers, and knowledge knowledge. Well think about it, over the past 27 years since “Rapper’s Delight,” the DJ fell to the back, MC put up front. There was a brief period where graffiti writers and breakdancers had their moment, movies like WildStyle, Breakin’, etc. For the most part they were even ostracized except by the people who were underground and really trying to maintain the culture. That’s when the industry started to kick in. Let’s put this one person out there in the front. The other problem was- back in the days, we didn’t have positive rap or negative rap. There was no such thing as backpackers or alternative rap. It was all one family, so in my house in the late ‘80s, I would have Boogie Down Productions’ Criminal Minded, I would have De La Soul, I would have Kwame with his polka dots [laughs], Beastie Boys, 3rd Bass, Public Enemy, MC Lyte, Latifah, all of that was Hip-Hop. N.W.A. was just as important to us as Public Enemy.

I would say by the early 1990s, it began the dumbing down process of the music and the culture. There was a real split between the culture and the industry. The industry came strictly about making money off the worst attributes to come from the inner city. Now I’m from Jersey City, I lived in Newark, and now I live in Brooklyn, so I know every single day ain’t murder and mayhem and just the kind of madness we hear in the music. But if you play the same stuff over and over again over a period of time, people will begin to believe that there is nothing more than the n-i-g-g-a-s or the b-i-t-c-h-e-s. For young ladies a reckless disregard or disrespect and in some cases a hatred. Life is nothing more than material things, especially if you’re poor. So where does your self esteem come from? From your grill, from your ice, your SUV. I think that with the explosion of the last media age Hip-Hop changed. When Hip-Hop started, growing up in New York City you had ten channels. Now I have direct TV with 500 channels.

When I was growing up, the TV went off at midnight and it was just a blank screen. At 6AM, “The National Anthem” would start playing and then the cartoons came on. Underdog, Flinstones, whatever it was, it was meant for kids. Now when you turn the TV on or the radio in the morning, they’re wilin’ out [laughs]. So imagine if you’re a child in 1979 compared to a child in 2006. A huge shift has happened. The breakdown of the American family structure is very different. I’m an only child so I grew up watching a lot of TV, but to balance that I went to the library. Even if you were a video game junkie, you had to go to the arcade. Now I see heads with the video games all up in their faces. All of this technological stuff has contributed to the dumbing down of people in America.

I’ve worked in the Entertainment industry for a long time, I worked at MTV, VIBE, places owned by multi-national corporations. And I consult at corporations. A lot of the events that I do- holiday party we had Best Buy, Microsoft as sponsors. So naturally there is a relationship with those corporations, but at the same time I’m always looking for corporate responsibility like, “Yo man, these are kids you’re selling this stuff to. Yo man, you’re over-sexualizing a whole generation of kids.” And you wonder why the teen rate of HIV and AIDS has shot through the roof in this country, why is there teen pregnancy in this country? I was just reading an article about a brother who is considered the best running back in high school football in America, eighteen, and he’s got two kids! He better get an NFL contract, you know? So I think that the culture is still important for Hip-Hop and that’s what I try to represent. I’m in the industry and I have been in the industry. Everyone is making money, making paper, but what happens all the time is people get caught up in it. And as for me, I see heads I came up with who are deep in their thirties running around talking about “What up, son?” You’re 35 with a big t-shirt on. You look mad ridiculous. At what point do we become grown men? I did a workshop at Grady High School, Coney Island. 70 bloods in the room, half of them had on Al Pacino Scarface t-shirts. So I said to these cats, “What does Scarface represent for you?” and they were like, “He’s gangsta,” and I said, “Well, how’s the movie end? He dies.” You realize heads are being socialized and programmed just to be violent, individualistic and to care about nothing but material. This is why I feel that those of us in the Hip-Hop community need to step up and help.

Hurricane Katrina Survivors, Activist Convene For One Year Anniversary

Survivors of Hurricane Katrina, community activists and elected officials still reflect, organize and plan action in the aftermath of

the tragedy.

In recognition of the one year anniversary of Hurricane Katrina and the catastrophe that devastated New Orleans and the surrounding Gulf

region, writer/community activist Kevin Powell and other community forces will convene for an insightful meeting of the minds called Hurricane Katrina: One Year Later.

“We are doing Katrina: One Year Later as a way to remember the tragedy of late August 2005, and to stress to folks that all is not well, still, with Hurricane Katrina survivors,” Powell told AllHipHop.com. “Families are scattered all over the country, hotels [and] places like New York City have moved to sue survivors for back rent, and New Orleans remains a city still devastated by debris and death.”

Katrina survivors, community leaders, elected officials, and other organizations intend to pack Brooklyn’s Hanson Place Central United

Methodist Church to face the policies, politics and glaring disparities in the aftermath of Katrina.

“People can do something by helping survivors find jobs, housing, or by helping, in some way, to defeat the Bush administration’s agenda and the Republican control on Congress,” Powell continued.

Additionally, Powell charged that while the Hip-Hop community has done much in the past for Katrina victims, help work was needed for those

afflicted by the catastrophe.

“As far as us Hip-Hop heads go, we need to step up again. A number of the displaced Katrina survivors are teenagers, 20-somethings, and 30-somethings,” he said. “and we need to understand that a young

person like [displaced student] Brandi Kilbourne needs help. To me, Hip-Hop in its pure form is about looking out for each other. Will the real Hip-Hop heads stand up, then?”

But, the challenges are not limited to Hip-Hop as society on a whole must come to terms of what Katrina truly means.

“I say the challenge for us on this one year anniversary of Hurricane Katrina is to understand the difference between charity and justice.

Charity just means we feel something for a moment, give money or time, then change the channel in our minds. Justice means we are committed in our bones not just to money, material things, status, and all of that, but to helping people who are less fortunate,” he concluded.

The Hurricane Katrina: One Year Later memorial service takes place today (Aug. 28) at 7 p.m at the Hanson Place Central United Methodist in downtown Brooklyn.

Lil’ Kim’s Lawyer Says Copyright Lawsuit Filed By Jamaican Artist A Ploy For Money & Press

Rapper Lil’ Kim has become embroiled in another lawsuit shortly after being released from prison.

In the suit, filed last week in Manhattan federal court, Tanya Stephens, a popular Jamaican reggae singer/songwriter, accuses the rapper (born

Kimberly Jones) of stealing her lyrics for use on Lil’ Kim’s 2005 album The Naked Truth.

The suit springs from a 1999 meeting between Stephens and Lil’ Kim, who flew the singer out to New York to sing on one of her albums.

Lil’ Kim, who admitted to owning several of Stephens’ albums, later sang the song

she’s accused of stealing lyrics from, “Mi and Mi God,” according to the suit, which stated the rapper belted the tune as a way of showing

Stephens what a big fan of hers she was.

The track was originally recorded in Jamaica and released in 1997, Stephens representatives said.

Although recorded the song with Lil’ Kim, her vocals never made the album.

Stephens and her representatives from the Royalty Network were surprised upon listening to the song “Durty” off The Naked Truth.

According to the lawsuit, the song’s lyrics match almost word for word with “Mi and Mi God,” said the representatives.

The suit further stated that Jones sang the tune with a West Indian accent.

Stephens believes the lyrics are so similar that she should own the song and receive all past and future royalties.

“The lawsuit against Atlantic Records and Lil’ Kim is the result of Royalty Networks Inc’s failed attempts to extract unreasonable sums and

percentages of Lil’ Kim’s new song for an interpolated use of a song which happens all the time in Hip-Hop,” said Lil’ Kim’s attorney L.

Londell McMillan, who vowed to fight the accusations.

“There are no damages to Tanya Stephens, they never objected until after their efforts failed, and Kim was and remains willing to be fair. This matter should have been resolved but it appears to be another money and media play at Lil’ Kim’s expense. This issue was no secret. Kim was advised licenses

were obtained by those who handle clearances at the time. We shall defend this action.”

Established in 1993, the Royalty Network works to help educate artists, songwriters and producers about music publishing, copyright ownership

and the inside operations of the business.

Its clientele includes Hip-Hop, R&B and reggae. songwriters, producers and artists.

Stephens is preparing her sixth album, Rebelution, Tuesday on VP Records.

Her current single, “These Streets” was number three in Jamaica last week.

The singer, whose style is a mixture of reggae, dance hall and R&B, is scheduled to take part in the West Indian Parade on Eastern Parkway in Brooklyn over Labor Day weekend.

The lawsuit follows Lil’ Kim’s July 3 release from federal prison in Philadelphia.

The Brooklyn rapper, who completed house arrest on Aug. 3, served 10 months for lying to a grand jury about a shooting that erupted outside New York’s Hot 97 radio station.

Dirty Harry To Releases 2 New Mixtapes, Launches Radio Show

By Rodrigo Lopez

DJ Dirty Harry has recently released Unforgiven, his latest mixtape offering and launched a Sirius Satellite radio show called Sudden Impact, which airs on Saturday afternoons.

“It’s been a long time in the making,” Harry told AllHipHop.com about Unforgiven, which debuted last week, and his latest business ventures that include a radio show, DVD, and new Web site.

The DJ began hosting his Sirius show two weekends ago and is set to release another mixtape, currently untitled, to coincide with the upcoming re-launch of djdirtyharry.com.

“I want to bring good music, but I always wanted to show my skills,” Harry said of his transitioning from mixtapes to radio. “But it’s really about promoting the music you feel is making a difference in the game. [And] that’s been my philosophy since day one.”

The notable mixer, known for his Rap Phenomenon and Living Legend series, has also partnered with a Smack DVD founder to premiere Encore DVD, which he says will serve as a visual companion to his mixtapes.

A tightlipped Harry refused to elaborate on his next mixtape, expected to drop around the beginning of September, but explained the reason for his slower-paced output compared to his DJ contemporaries.

“I put some work into my tapes. The lifespan is more than one week,” he explained. “It’s kind of like a lifetime. I put out re-mastered CDs from ’95 and people say they sound fresh and brand new.”

Harry was also coy in regards to the next Rap Phenomenon project.

After putting together a Biggie and 2Pac series, with DJs Vlad and Green Lantern, Harry remained mum on the next candidate.

“We’re deciding who would make [part] 3 crazy, a couple names, and a couple ideas,” said Harry. “It’s just trying to coordinate who would be right. But [expect it] by the end of the year, Christmastime.”

DJ Dirty Harry’s Sudden Impact airs every Saturday on Sirius Satellite radio between 5PM to 6PM eastern standard time.

Esthero @ Hiro Ballroom (Concert)

Artist: Concert ReviewTitle: Esthero @ Hiro Ballroom (Concert)Rating: 4 StarsReviewed by: Kathy Iandoli

Esthero possesses this unspoken magic that radiates from her groundbreaking albums to her live sets. The buzz from her previous tour resonated with pleas for an unplugged go ’round. Armed with two acoustic guitars, one mic, a Pekingese (Oboe), and umpteen Jaeger bombs, Esthero justified our obsession with her for the past seven years.

The fairie-child floated to the stage clad as a sultry candy striper with hints of her signature color pink. Esthero greeted her disciples with her sexually electrifying “If Tha Mood.” From there it was anything goes. Of course the crowd hooted the very favorites that sparked the initial love affair, such as “Superheroes,” “Country Livin,” “That Girl,” and “Breath From Another.” The absence of backbeats made for a deeper appreciation of Esthero’s flawless vocals. Interjecting with humorous anecdotes of Mike Patton c###-blocking and the late Left Eye’s undercover Krispee Kreme addiction, Esthero created an enveloping intimacy that left everyone inspired and in love.

An impromptu performance by Shae Fiol (google her) was a warmly welcomed segway for part deux. Blessing the crowd with newer songs like “Gone” and “Fastlane,” Esthero continued with the unreleased “Amelia” and Concrete Blonde’s “Joey.” Her two guitarists, brother J. Englishman and Ricky Tillo recreated the instrumentals with perfection reminiscent of Santana’s young adulthood.

Closing with “We R In Need of a Musical ReVoLuTIoN,” fists in the air weren’t lowered until the last note was sung. As NYC’s Hiro Ballroom not-so-graciously ushered Esthero off the stage, she proverbially flipped the bird and invited every homosexual and proud v##### owner onstage for a closing cover of Olivia Newton-John’s “Got to Believe We Are Magic.” Even intoxicated, Esthero didn’t depart until every fan

befriended her.

After two and a half hours of emotional rebellion, anyone who arrived with an opposing favorite artist left completely smitten over Esthero.

Idlewild (Film)

Artist: Movie ReviewTitle: Idlewild (Film)Rating: 3 1/2 StarsReviewed by: Oyama Caviness

“The A’s” dynamic duo strikes again. This time not in record sales, but with their big screen debut Idlewild (Universal Pictures). With the help writer and director Bryan Barner, once again Outkast takes you on a magical ride, this time to Idlewild, GA where two small town friends get caught up in big time gangsta drama. Idlewild tells the tales of gangstas and hustlers in a creative, corky way.

Andre Benjamin and Antwan Patton do not give overly impressive acting performances simply because their characters Percival and Rooster, respectively, are not a far stretch from the Andre 3000 and Big Boi you all know as Outkast. However, a stellar cast with the likes of Ben Vereen, Cicely Tyson, Ving Rhames, and Terrence Howard make Idlewild worthy of any Hollywood accolades it may receive.

The compelling and layered storylines keep the audiences attention throughout the film. Percival, an unpopular, timid musician finds a love who encourages him to reach his true potential and follow his dreams. Rooster, the outgoing, street smart performer who looks out for Percival, maneuvers through grimy gangsta politics while trying to maintain a stable family structure.

Bryan Barber, the mastermind behind many Outkast videos including the award winning “Hey Ya” pushes the visual envelope with captivating “church” (the club in the movie) scenes. Outkast favorites like “Bowtie” and “Church” are performed with uptempo swing choreography from Tony winner Hinton Battle and touched with subtle ATL flava reminiscent of the the “The Way You Move” video. Throughout the film, fast paced scenes are contrasted by slow motion isolation which takes the cinematography to a level in line with the box creativity of Outkast themselves.

Unfortunately for viewers that are not die hard Outkast fans, the musical performances may seem a bit corny at times. These musical elements, which serve as the soundtrack and upcoming Outkast album, are edited brilliantly between scenes which only add to the dramatic storyline. A steamy sex scene between Percival (Andre) and his romantic interest Angel (Paula Patton) more than make up for any disappointments-an added treat Andre 3000 groupies are sure to enjoy.

Overall, Idlewild is an entertaining musical told in a bizarre fashion that only Outkast could manage to pull off.