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Lil’ Kim’s Lawyer Says Copyright Lawsuit Filed By Jamaican Artist A Ploy For Money & Press

Rapper Lil’ Kim has become embroiled in another lawsuit shortly after being released from prison.

In the suit, filed last week in Manhattan federal court, Tanya Stephens, a popular Jamaican reggae singer/songwriter, accuses the rapper (born

Kimberly Jones) of stealing her lyrics for use on Lil’ Kim’s 2005 album The Naked Truth.

The suit springs from a 1999 meeting between Stephens and Lil’ Kim, who flew the singer out to New York to sing on one of her albums.

Lil’ Kim, who admitted to owning several of Stephens’ albums, later sang the song

she’s accused of stealing lyrics from, “Mi and Mi God,” according to the suit, which stated the rapper belted the tune as a way of showing

Stephens what a big fan of hers she was.

The track was originally recorded in Jamaica and released in 1997, Stephens representatives said.

Although recorded the song with Lil’ Kim, her vocals never made the album.

Stephens and her representatives from the Royalty Network were surprised upon listening to the song “Durty” off The Naked Truth.

According to the lawsuit, the song’s lyrics match almost word for word with “Mi and Mi God,” said the representatives.

The suit further stated that Jones sang the tune with a West Indian accent.

Stephens believes the lyrics are so similar that she should own the song and receive all past and future royalties.

“The lawsuit against Atlantic Records and Lil’ Kim is the result of Royalty Networks Inc’s failed attempts to extract unreasonable sums and

percentages of Lil’ Kim’s new song for an interpolated use of a song which happens all the time in Hip-Hop,” said Lil’ Kim’s attorney L.

Londell McMillan, who vowed to fight the accusations.

“There are no damages to Tanya Stephens, they never objected until after their efforts failed, and Kim was and remains willing to be fair. This matter should have been resolved but it appears to be another money and media play at Lil’ Kim’s expense. This issue was no secret. Kim was advised licenses

were obtained by those who handle clearances at the time. We shall defend this action.”

Established in 1993, the Royalty Network works to help educate artists, songwriters and producers about music publishing, copyright ownership

and the inside operations of the business.

Its clientele includes Hip-Hop, R&B and reggae. songwriters, producers and artists.

Stephens is preparing her sixth album, Rebelution, Tuesday on VP Records.

Her current single, “These Streets” was number three in Jamaica last week.

The singer, whose style is a mixture of reggae, dance hall and R&B, is scheduled to take part in the West Indian Parade on Eastern Parkway in Brooklyn over Labor Day weekend.

The lawsuit follows Lil’ Kim’s July 3 release from federal prison in Philadelphia.

The Brooklyn rapper, who completed house arrest on Aug. 3, served 10 months for lying to a grand jury about a shooting that erupted outside New York’s Hot 97 radio station.

Dirty Harry To Releases 2 New Mixtapes, Launches Radio Show

By Rodrigo Lopez

DJ Dirty Harry has recently released Unforgiven, his latest mixtape offering and launched a Sirius Satellite radio show called Sudden Impact, which airs on Saturday afternoons.

“It’s been a long time in the making,” Harry told AllHipHop.com about Unforgiven, which debuted last week, and his latest business ventures that include a radio show, DVD, and new Web site.

The DJ began hosting his Sirius show two weekends ago and is set to release another mixtape, currently untitled, to coincide with the upcoming re-launch of djdirtyharry.com.

“I want to bring good music, but I always wanted to show my skills,” Harry said of his transitioning from mixtapes to radio. “But it’s really about promoting the music you feel is making a difference in the game. [And] that’s been my philosophy since day one.”

The notable mixer, known for his Rap Phenomenon and Living Legend series, has also partnered with a Smack DVD founder to premiere Encore DVD, which he says will serve as a visual companion to his mixtapes.

A tightlipped Harry refused to elaborate on his next mixtape, expected to drop around the beginning of September, but explained the reason for his slower-paced output compared to his DJ contemporaries.

“I put some work into my tapes. The lifespan is more than one week,” he explained. “It’s kind of like a lifetime. I put out re-mastered CDs from ’95 and people say they sound fresh and brand new.”

Harry was also coy in regards to the next Rap Phenomenon project.

After putting together a Biggie and 2Pac series, with DJs Vlad and Green Lantern, Harry remained mum on the next candidate.

“We’re deciding who would make [part] 3 crazy, a couple names, and a couple ideas,” said Harry. “It’s just trying to coordinate who would be right. But [expect it] by the end of the year, Christmastime.”

DJ Dirty Harry’s Sudden Impact airs every Saturday on Sirius Satellite radio between 5PM to 6PM eastern standard time.

Esthero @ Hiro Ballroom (Concert)

Artist: Concert ReviewTitle: Esthero @ Hiro Ballroom (Concert)Rating: 4 StarsReviewed by: Kathy Iandoli

Esthero possesses this unspoken magic that radiates from her groundbreaking albums to her live sets. The buzz from her previous tour resonated with pleas for an unplugged go ’round. Armed with two acoustic guitars, one mic, a Pekingese (Oboe), and umpteen Jaeger bombs, Esthero justified our obsession with her for the past seven years.

The fairie-child floated to the stage clad as a sultry candy striper with hints of her signature color pink. Esthero greeted her disciples with her sexually electrifying “If Tha Mood.” From there it was anything goes. Of course the crowd hooted the very favorites that sparked the initial love affair, such as “Superheroes,” “Country Livin,” “That Girl,” and “Breath From Another.” The absence of backbeats made for a deeper appreciation of Esthero’s flawless vocals. Interjecting with humorous anecdotes of Mike Patton c###-blocking and the late Left Eye’s undercover Krispee Kreme addiction, Esthero created an enveloping intimacy that left everyone inspired and in love.

An impromptu performance by Shae Fiol (google her) was a warmly welcomed segway for part deux. Blessing the crowd with newer songs like “Gone” and “Fastlane,” Esthero continued with the unreleased “Amelia” and Concrete Blonde’s “Joey.” Her two guitarists, brother J. Englishman and Ricky Tillo recreated the instrumentals with perfection reminiscent of Santana’s young adulthood.

Closing with “We R In Need of a Musical ReVoLuTIoN,” fists in the air weren’t lowered until the last note was sung. As NYC’s Hiro Ballroom not-so-graciously ushered Esthero off the stage, she proverbially flipped the bird and invited every homosexual and proud v##### owner onstage for a closing cover of Olivia Newton-John’s “Got to Believe We Are Magic.” Even intoxicated, Esthero didn’t depart until every fan

befriended her.

After two and a half hours of emotional rebellion, anyone who arrived with an opposing favorite artist left completely smitten over Esthero.

Idlewild (Film)

Artist: Movie ReviewTitle: Idlewild (Film)Rating: 3 1/2 StarsReviewed by: Oyama Caviness

“The A’s” dynamic duo strikes again. This time not in record sales, but with their big screen debut Idlewild (Universal Pictures). With the help writer and director Bryan Barner, once again Outkast takes you on a magical ride, this time to Idlewild, GA where two small town friends get caught up in big time gangsta drama. Idlewild tells the tales of gangstas and hustlers in a creative, corky way.

Andre Benjamin and Antwan Patton do not give overly impressive acting performances simply because their characters Percival and Rooster, respectively, are not a far stretch from the Andre 3000 and Big Boi you all know as Outkast. However, a stellar cast with the likes of Ben Vereen, Cicely Tyson, Ving Rhames, and Terrence Howard make Idlewild worthy of any Hollywood accolades it may receive.

The compelling and layered storylines keep the audiences attention throughout the film. Percival, an unpopular, timid musician finds a love who encourages him to reach his true potential and follow his dreams. Rooster, the outgoing, street smart performer who looks out for Percival, maneuvers through grimy gangsta politics while trying to maintain a stable family structure.

Bryan Barber, the mastermind behind many Outkast videos including the award winning “Hey Ya” pushes the visual envelope with captivating “church” (the club in the movie) scenes. Outkast favorites like “Bowtie” and “Church” are performed with uptempo swing choreography from Tony winner Hinton Battle and touched with subtle ATL flava reminiscent of the the “The Way You Move” video. Throughout the film, fast paced scenes are contrasted by slow motion isolation which takes the cinematography to a level in line with the box creativity of Outkast themselves.

Unfortunately for viewers that are not die hard Outkast fans, the musical performances may seem a bit corny at times. These musical elements, which serve as the soundtrack and upcoming Outkast album, are edited brilliantly between scenes which only add to the dramatic storyline. A steamy sex scene between Percival (Andre) and his romantic interest Angel (Paula Patton) more than make up for any disappointments-an added treat Andre 3000 groupies are sure to enjoy.

Overall, Idlewild is an entertaining musical told in a bizarre fashion that only Outkast could manage to pull off.

Slick Pulla: Talkin’ Slick

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hroughout the history of Hip-Hop, it would seem that artists who come into the game as the protégé of another artists never quite live up to the hype, or even to the success of the friend, mentor or whatever who put them on. You can argue that record sales don’t always reflect the popularity or skill of these protégés and crews, but the reality is: the proof is in the numbers.

Slick Pulla, the first artist slated to be released on Young Jeezy’s Corporate Thugz Entertainment, may just be the guy to break that mold. After all, Slick’s priorities lie in shattering stereotypes. The Fourth Ward Atlanta native understands that he entered the race by following the competition’s rules on mixtape single “Birds Fly.” Now in, Slick Pulla says he’s got the lyricism that it takes to last the long haul in rap. While those promises have been made and broken before, few ATL newcomers are using their budget to solicit beats from Hi-Tek and Alchemist in addition to the usual suspects – an indication of Slick’s direction.

The “Trapublican” candidate from Atlanta declares his platform, and introduces himself to the consumers he’ll need to keep him off the block and in the office.

AllHipHop.com: Now, I know the album and everything is scheduled for ’07. Have you started working on it already?

Slick Pulla: Oh yeah, I been working on it for a minute now. I’m in deep. It’s gonna be like my presidential campaign on CD. At the end of the day, when you finish listening to the album, it’s gonna give you the same effect like, “You know what? This cat need to be president! Let’s go ‘head and put him up there.” When the time is up, I know all eyes is really gonna be on me hard. Like, it’s cool now, everybody know I’m doing a album [or] whatever. But it get time to jump, the whole game gonna be looking. ‘Cause first of all, it’s gonna be the first installment of CTE. I mean, [Jeezy’s] album was the first installment, but this is gonna be CTE [Corporate Thugz Entertainment] on a business aspect, [and people will want to know about] the first artist, Slick. “Is he gone do good? Is he gone be on the same type of s### Jeezy was on?” All that kind of s**t. So the ball’s in my court now.

AllHipHop.com: Who are some of the people that you’re working with on the album so far?

Slick Pulla: Right now, I was really just messing with the young hungry cats, as far as production-wise. But now that I’m towards the end of everything, I’m starting to get in with people. Like I got in with Cool & Dre, I got a hit from them. I’m [trying to] get in with Hi-Tek, Alchemist, cats like that. I just wanna get in with all the heavy hitters, cats who make those kind of songs and then, after that I should have the perfect dinner for the streets. They can come eat.

AllHipHop.com: You said Hi-Tek and Alchemist? That doesn’t sound like what most people would expect from an artist coming out of Atlanta…

Slick Pulla: Yeah, but see, I’m from Atlanta, but I got a flow that’s universal. I got a flow where I can go on any kind of beat and it’s gonna always be South ‘cause of my slang and my flavor. But I’m one of them lyricists who, I can get on a West Coast beat, I can get on a East Coast beat. I can still do that and it be all good. I’ve always liked Hi-Tek music and Alchemist music, they nice with it. Imma also get in with Manny [Fresh] and [DJ Paul and Juicy J]. I’mma get in with everybody that needs to be got in with.

AllHipHop.com: Now you said the album’s gonna be like your presidential campaign. Ugly stuff often likes to come out during presidential campaigns…

Slick Pulla: Yeah, but you know, with the whole Trapublican thing, when I go into that mode, I’m really just speaking about social issue and just letting cats know I got another type of mind frame. Like, I can do the street, I can do the club, and also I got a conscious mind too where I can let you know I see stuff that’s going on with the government, like the way they treat us. Stuff like that, I’mma speak on all that kind of stuff. At the end of the day, I mean shoot, I’m just tryna get everybody to see me how I am. Slick Pulla is me all day. If it’s gonna be spoke on, it need to be spoke on. Imma handle it. I ain’t got no skeletons in my closet what I’m running from.

AllHipHop.com: Speaking of skeletons that you don’t have, what happened with the shooting by Slice last year?

Slick Pulla: I really felt the cat was tryna make a little slick move. So I peeped the move, and then shoot, that’s what resulted in the end.

AllHipHop.com: But who was he? There was a rumor that he was some homeless dude from Tennessee…

Slick Pulla: That’s definitely not what it was, it was a cat from another city. He was saying he was from Memphis. But he definitely wasn’t no homeless dude. But due to the way they handled me after that, I don’t do too much talking about it, ‘cause the police took me to jail after that..

AllHipHop.com: A lot of times, artists don’t take the opportunity to speak on situations. This is your chance right now to really speak on it and tell us what really happened, since all we had was rumor…

Slick Pulla: I mean, s**t, I don’t really wanna go too much in depth with it ‘cause of that. But [the assailant] wanted me to listen to some music, and I was like, “I’ll do that when I’m finished.” But then he was [bothered by that]. So when I’m outside talking, he was saying something. Then I peeped that he was armed, I just seen up under his shirt a little bit. So I made a move, then I tried to dip. And that’s when he did what he did. ‘Cause like I said, I felt the dude was tryna’ take off. I felt the dude was tryna’ try something on me, so I kinda took off. And then that’s when he backed up and then, boom.

The reason I don’t be talking on that stuff [is] that kind of stuff really happen everyday. That’s not my claim to fame. Like really talking about that a whole lot is like giving a n***a ammo to take a shot at me. ‘Cause like, I got shot in the leg! Come on man! I got n***as shot four, five times in the chest. So like, really that’s nothing. But then if you hear somebody talking bout it all the time. “Okay, this cat tryna talk about getting shot in the leg?” Then you give a n***a ammo. Next thing you know, you hear a diss record. That s**t ain’t nothing but a little flesh wound. That s**t went in and out, boom. [I] wrapped my s**t up, keep it moving.

AllHipHop.com: So how did they end up taking you to jail behind that though?

Slick Pulla: ‘Cause like I said, I took off on the dude. When I peeped the move, I’m like, “Hold up man! What the hell you trying?” And then boom, I made a move. But when I got shot, I went on to the hospital. But they caught him on the scene. He probably tried to kick the innocent role then, ‘cause I ain’t there. And then, they was already looking at me a certain way. But yeah, that’s why I don’t really do all that talking about it, ‘cause I got shot in the leg. Wasn’t nothing major like that. That’s what they think most people try to do to get on by doing. That s**t happen everyday. Like, right now, somebody probably getting hit up. That’s just part of life. So I don’t try to take them kind of things like that and capitalize off that, ‘cause I feel like my lyrics and my swag is what my claim to fame is.

AllHipHop: How did you get started with the music game?

Slick Pulla: I’ve always loved music. Like, I always used to work with music, but it wasn’t something I could take serious, ‘cause I got two kids. And then it’s a certain way of life I want. I feel like it’s all this money out here, everybody should be subject to the same amount of money. Everybody can get rich. It’s just about how you put your grind down. I’m not one of them type of people who gonna settle working 9-5 like, “Okay, I’ll just get paid $8.50-9 an hour,” like I’ll just take a paycheck the rest of my life. That means you containing yourself to just living a certain way. Sky’s the limit, you could do way more than that. So I was just like, if this happens, it happens. If it don’t, I still gotta get money, I still gotta feed mine, and then I still gotta be able to do the things I wanna do in life. So really, I was just really in the trenches, getting it how I live. And then that’s when I bumped heads with Coach K, Jeezy and Kinky B, Yussef and all those cats. And they took me under they wing, and everything been everything since then. But what it is with me is, I’m a loyal cat. So say for instance if this didn’t work, it won’t be like I would go sign with somebody else. ‘Cause these n***as is like my big brothers and stuff. This my family ‘cause they have changed my life. So I really wouldn’t wanna do it with anybody but them, unless I was doing it myself. And it still would be kinda wack just doing it by myself, ‘cause shoot, I wouldn’t have my homies there.

AllHipHop.com: It seems like so far, whenever an artist comes out and they’re really successful, whenever they bring their crew behind them, they don’t really pop off like that. And automatically, the people that don’t know you, when they go to describe you, Jeezy’s name is gonna pop up. Do those things bother you at all?

Slick Pulla: Nah. It don’t bother me because cats haven’t really heard me yet. “Birds Fly,” that was a street anthem we leaked. The mixtape stuff, that’s mixtape stuff. Cats ain’t really heard, heard me yet. The album’s gonna surprise a lot of people. I think it’s gonna blow a lot of mu’f**kas’ highs. People [are] underestimating me. Y’all don’t know what I talk about at home. Y’all don’t know what I’m doing in the booth!

AllHipHop.com: But cats in the South haven’t really had to do that, though. Clearly, in Atlanta, over the last 18 months or so, you don’t really have to have lyrics.

Slick Pulla: True indeed, I could just go in there and say [anything], put a nice hook on it, get a nice producer on it, and it’ll do something. But at the end of the day, I’mma kill myself at the end. ‘Cause that’s what you call fast fuel [or] fast food music. That’s just something for right then. What about next year? Cats are doing stuff like that, but who you gone be checking for four-to-five years down the road? That come from lyrics, making the person identify with you, touching a mu’f**ka heart all the way in Oregon or all the way in London. You can do that fast food music, but next year, mu’f**kas not gone wanna eat that. ‘Cause it’s gone’ always be somebody coming up with some s**t like that. So now you pretty much outta there ‘cause of the new cat. I mean it’s enough to get you a deal and your first album, that fast food s**t. A fan can’t grasp on to a little fast food song and just keep on like, “that’s my s**t,” for three, four years. But like ‘Pac, that the stuff where mu’f**kas like, “This is my s**t!” – even still now. But that fast food s**t, you can’t hold on to that for too long.

Blood Raw: The Wrath of ‘Caine

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ot all lessons are learned on the first try. Around the time Trick Daddy was telling haters to “Shut Up,” Panama City, Florida’s Blood Raw was supposed to follow-up the sunshine-state charge. While label drama was one thing, it was ultimately Federal agents that halted Blood Raw’s charge to the game. A drug-trafficking conviction landed the rapper in state prison, with a dim future.

Since being released in 2004, Blood Raw has been committed to meeting his dreams with the mic in lieu of the measured grams. Despite that new outlook, the rapper is aligned with Young Jeezy’s Corporate Thugz Entertainment by way of U.S.D.A. (United States Dopeboys of America) with Slick Pulla. The trade secrets of Blood Raw’s speckled past push his rhymes forward. With hopes of releasing The True Testimony in the next year, Blood Raw intends to carry the Trap Star baton in the rhyme relay-race of the South. Get to know Blood Raw, and read a story that could just as soon air on Court TV as MTV or BET.

AllHipHop.com: What’s going on, man? What are you up to today?

Blood Raw: I’m just running a couple or errands and kicking it with my son while I’m in town. Other than that, man, I’m handling business. I’ll probably work from around seven o’clock until whenever. Really man, my day consists of just getting up, hitting the gym, and doing what I have to do during the day and work at night.

AllHipHop.com: How old is your son?

Blood Raw: Well, he’s six but he acts like he’s 23-years-old, for real.

AllHipHop.com: When did you first move into the rap game?

Blood Raw: I’ve always been a fan of rap music. I like the way it really moves people, inspires people, and gets people through their day. As it went on, the different types of music started losing me. It went away from [being about] people [to being about] people just trying to make some money. Back in the day, people like Tupac and Biggie influenced a lot of people. They made people want something out of life. It made people believe that even though we come from the struggle we do have hope.

I was initially just dabbling. I kind of wanted to do it, but I really didn’t have my head into that. What really woke me up was that back in 2002, I caught a trafficking charge. I was like, “Look man, I gotta do something else.” You know? These folks ain’t playing. In January of 2005, the Feds picked me up on a conspiracy charge. I really feel like God took me on this paid and he showed me that he would deliver me from anything. And on April 6, 2006 I was acquitted on all charges.

AllHipHop.com: When was it that you got up with Jeezy?

Blood Raw: I signed in like December, 2004. So I was already running with him for a whole year before we were getting ready to go over to Europe. These folks met me at the passport office. I don’t know what type of feeling that would be to anybody else, but to me, that was my worst nightmare. I mean, for me, to be a [fearful] man, it’s unbelievable. When I tell people this story, they don’t believe me because you and I know that when the Feds grab you, nine times out of ten, you ain’t gonna see no daylight anymore – especially dealing with that type of charge where it only takes two people to convict you.

AllHipHop.com: What do you feel the best way to fight “Fed time” is?

Blood Raw: I mean the best way to do it is to put your trust in God and keep your mouth closed. The younger generation doesn’t really know the definition of a “gangsta” or a “real n***a.” To them, it’s just a title that the younger generation is carrying. It’s really funny, I’m going to say about 90% of the artists in the industry are pretending to live a lifestyle that they never really experienced. They’re not worried about the consequences or they’re not thinking about the consequences. Nowadays in the Federal System, they feel like it’s cool to snitch on a n***a, and it’s cool to get ten years. That’s not the way I was raised and it’s not in my blood. I would rather take life than to put my family through it knowing that I done told on somebody or even dealing with that. It’s not in my blood, homie. I don’t get these n***as.

AllHipHop.com: From hearing this though, it might seem that you’re new to the game. But weren’t you supposed to be on Genovese’s unreleased album in the late ‘90s?

Blood Raw: Genovese is my man; that’s my heart. He helped me man when a lot of people doubted me and didn’t believe. There was a lot that went on in terms of the politics. The industry is so full of s**t and they would waste a wholeheartedly good n***a, or a good artist or a good dude to deal with these bulls**t, watered-down cats. They can accept them easier than they can accept the truth. It’s because they can’t handle guys like us who are going to keep it real and give the truth to you. He was just too real and Universal [Records] couldn’t accept that. I mean, I do believe that somewhere down the line, my dude ‘Vese is going to come back and it’s going to be shocking because the same people who didn’t do their job are going to be on his d*ck.

AllHipHop.com: You’re running with Jeezy’s USDA camp, will there be a group album coming out from that clique?

Blood Raw: Actually right now, we’re working on a domino effect. Jeezy fittin’ to drop in October, then me, and then Slick Pulla will drop.

AllHipHop.com: Southern Hip-Hop has come a long way in the last ten years. Did the greater Hip-Hop audience miss out on some great rappers?

Blood Raw: I mean, one thing about Southern artists is that their mentality is “We’re not going to get recognized.” So when you come in with that mentality, you get your business sense. You’re not looking for no deal, you’re looking to get money. Down here, they package their s**t up, or they sell it out of they trunk or they get a small distribution deal. As far as an up North artist or a West Coast artist, they’re right near the labels and they try and get deals first, because of the connections. Down here, without connections, we try to get it on the hustle.

AllHipHop.com: Were you rapping while you were in prison?

Blood Raw: Yeah I rapped in prison. That’s actually where I got the name “Blood Raw” from. Blood Raw is slang in Florida for whatever you see that is real tight or real dope. Like a n***a down here will say some s**t like, “Damn. that s**t’s Blood Raw.” So when I was in prison, prison is really like the streets, so I was doing my thing rapping the older cats started calling me Blood Raw. So, I kinda liked it. Blood is the purest form and Raw is uncut.

AllHipHop.com: Did you record anything?

Blood Raw: Nah, in the Southern prisons, man, you don’t really get that, except for in the Federal system. I did time in the state at first, and they don’t really have that.

AllHipHop.com: What is your new album like?

Blood Raw: My new album is going to be called The True Testimony and it’s going to be like the new ghetto gospel. I’m going to take people back to the old s**t, the Tupac and the B.I.G. and give people the struggle. I’m going to give people the real definition of pain and struggle.

AllHipHop.com: We’re sure the album is for the streets, who do you have coming with you?

Blood Raw: You know I’ve got the camp with me. I’ve got Jeezy, I’ve Slick Pulla, I’m trying to work with Beanie Sigel, and I’m trying to get at Lyfe Jennings. I’m f**king with Cee-Lo. I got a few cats. I’m going hard and trying to bring the real soul back into the game from my heart. This s**t is s**t to help people get through their day and not want to party all the time and go to the club.

AllHipHop.com: If you could do an All-Star track with only Southern artists who would you pick?

Blood Raw: Oh man, as a matter of fact, I got a song where I’m going to collaborate with Trick Daddy and Rick Ross, with Jeezy on the hook. It’s a real crazy Chevy song and it’s going to be real summer anthem.

Starr Status

Artist: Kenn StarrTitle: Starr StatusRating: 3 1/2 StarsReviewed by: Andrew Kameka

The Maryland/D.C. metro uh-rea has produced few major Hip-Hop artists. B. Rich repped hard for MD with “Whoa Now”, but not even a Jeffersons sample could move the state on up to the top of the music industry. Kenn Starr is determined to change that with his debut album Starr Status (Halftooth). Out to prove that the place he calls home deserves more hits on Hip-Hop’s radar, the Maryland-by-way-of-Virginia MC flashes ego-slicing lyrics and soul-pleasing music. It’s very clear that the Old Line State has some heat to offer.

Starr Status should bring more attention to Kenn’s side of the Mid-Atlantic region. The album’s dynamic sound adds to his understated delivery without overpowering him. Producer Oddisee gives “The Same Pt. 2” a beat that teasingly accelerates and crashes back to its normal pace seconds later. Starr’s restrained confidence and rich wordplay excel on the emotional build-up, much like they do on the title track. Easily controlling a sleek, mesmerizing beat, the proud Terrapin gives a glimpse into his hometown by rhyming, A place where they say slim, champ, brother, and young/Joe, bamma and some, hold hammers and guns/Four-fours leave your foes frozen, can’t even run.

Starr attempts in vain to capture that magic and spread it throughout Starr Status. On tracks like “Relentless” and “U Will”, he crosses the thinner than a Hollywood actress line between keeping true to a record’s theme and being repetitive. Though each cut is individually fit, they resemble other songs on the album because of similar vibes and Starr’s uniform cadence. Even with pace-switching contributions from Young Cee on “Nothing But Time” and Aussie beatmaker M-Phazes’ pounding track for “Back At It Again”, Starr Status has a few tiresome moments.

Kenn Starr’s voice sounds arrogant in nature and humble in spirit, an enjoyable diversity that doesn’t always shine through on this project. Even so, Starr Status remains strong thanks to his wit and exceptional delivery. His natural, almost effortless ability to wrap words around any beat placed before him makes this a memorable collection. Despite what you may have seen or heard in Wedding Crashers, Maryland obviously does something well besides just crab cakes and football.

You Already Know

Artist: AgallahTitle: You Already KnowRating: 3 1/2 StarsReviewed by: Kathy Iandoli

Fans of Purple City’s Agallah will be pleasantly surprised by his long awaited release You Already Know (Babygrande). The Brooklyn native crafts an LP that combines the basic elements of the grimy NY underground mixed with the essentials of a commercially viable Hip-Hop record. Agallah’s

lyrical ability to ride any beat undoubtedly comes from his decade-long history in the rap game.

Starting like most of his peers, the Don Bishop was a battleground king getting his weight up through circuits like E.O.W, attracting

prominent figures in the industry. After brief stints on Tommy Boy and Elektra, Agallah helped birth the Purple City crew and found a home at Babygrande Records. While his mixtape Propane Piff pacified most fans of the live show legend, all breaths were held for You Already Know.

Perhaps the most intriguing thing about Agallah and his record is the crazy respect his comrades in New York’s Hip-Hop scene have for him. Agallah isn’t afraid to let the world know either, as an interlude on You Already Know is a drop from Prodigy of Mobb Deep professing his pride for the soldier. Agallah’s self-production only comes second to the gifted hands of DJ Premier and Alchemist. Cameos by both members of dead prez seem like unlikely fits for the MC who carries braggin’ rites on his back, but he manages to make it happen.

Tracks like “Ride Out (O.G.G.G.)” and “On the Ave” have strong Dipset undertones, and understandably so due to Ag’s extended family ties. “Hardcore” is laden with machismo brags like, I’m hardcore, I’m hard like a criminal/Straight to the point, I ain’t gotta be subliminal/I’m the maximum, y’all dudes is minimal, while “Club Hoppin'” was ready

for radio yesterday.

An unfortunate tone of the record is the

frequency of money, muscles, and power, since it’s obvious that Agallah has more potential than that. “New York Ryder Music” is an average track saved by the guitar-licked samples of Preemo’s production. “Right Now!” takes Agallah’s proclamation of all-city domination, complete with a co-sign of Kool G Rap. “Losing My Mind” featuring Carl Anthony is a journey into the life and struggles that Agallah faced up until this moment. A dedication to his mom provides another

glimpse into the pain that this MC has endured throughout his life.

Agallah is a diamond in the rough. If you didn’t already know, you will now.

Manchester UK Live (DVD)

Artist: Public EnemyTitle: Manchester UK Live (DVD)Rating: 3 StarsReviewed by: Bill Zimmerman

From Flavor Flav’s wild outfits and crazy antics, to the S1Ws synchronized marches and fake machine guns, Public Enemy was always a group that took pride in delivering a quality stage show. During Manchester UK Live, filmed Oct. 26, 2003, the crew was no longer rap’s most controversial group, Terminator X was gone and the Security of the First World was only two strong and armed with swords, but the rebels without a pause seemed like they didn’t age a bit as they rocked Manchester for the first time since 1987.

Joined by Professor Griff and backed by DJ Lord and a band dubbed PE (Yes, it’s confusing), Chuck D and Flavor ran through most of their classic cuts and gave a high energy show complete with protest chants (F**k George Bush, f**k Tony Blair!), calls for unity among races and one extremely drawn-out “Yeah boyeee!” from Flavor Flav. Chuck kept moving, Flavor was spastic as ever and dripping with sweat and the S1Ws stepped with precision under the lead of Griff who showed off some impressive martial arts moves during one routine.

The backing band was skilled, especially when ripping through “She Watch Channel Zero?!”, but one can’t help but long to hear Public Enemy rap over most of the beats as the Bomb Squad had intended them to sound, and at times the music drowns out the vocals. Another technical gripe is that at times it clearly sounds like Flavor Flav is rapping over a recording.

Public Enemy delivers, but the concert lags when Flavor Flav and Griff took the stage for separate outings while the others rested. In all, it’s a solid performance, but why it was so special that it needed to be preserved on film is unclear, and why did it take nearly three years to be released? And for a DVD of footage that old, you would think the creators had enough time to make sure that the on-screen graphics correctly match every song that was being performed.

The bonus footage on the concert disc includes a tour photo slide show and a discography which is only accurate up to 2003. The best bonus footage is of Public Enemy performing “Can’t Truss It” at a benefit show in Europe. A second disc consists of a tour diary from the Revolverlution tour and a low-quality tour video from the group’s heyday that are mostly boring. The older video only picks up steam at the end when Public Enemy performs at the Apollo in 1988 during a rally for then presidential-hopeful the Rev. Jesse Jackson.

The concert and the few interesting bonuses make Manchester UK Live definitely worth checking out, but with nothing out of the ordinary taking place, it will likely only have replay value for the most hardcore of Public Enemy fans.

Foxy Brown Accused Of Stealing Belts, Irate Behavior In Brooklyn

The

owner of a New York boutique filed a complaint against Foxy Brown, alleging the

rapper stole two expensive belts worth $400 last Thursday (Aug. 24). Brown,

who was a longtime client of upscale boutique Limpasse, allegedly went into a

rage as she was picking up lingerie she left for alterations that had not been

finished. A

surveillance camera captured Foxy Brown upset, cursing at the clerk and waving

her arms wildly. According to the New York Post, the rapper allegedly haggled

over the price of a gold rhinestone belt. She then put the belt in her bag and

grabbed another one without paying. Limpasse’s

owner Tony Khayat said that Brown had displayed "diva behavior" in previous

encounters, but had never seen the rapper go to such an extreme.Earlier

that evening Brown allegedly almost attacked a 17-year-old family friend in Brooklyn.

"She drove the car really close to me," Sheena Parker told the New

York Post. "I was really surprised and said, ‘Hey! What are you doing?’

Brown

then allegedly got out of the car, shouting and running toward Parker before allegedly

threatening the girl. Brown was allegedly dissuaded when irate motorists convinced

Brown to drive away. On

Wednesday (Aug. 23), Brown skipped a court date in Jersey City Municipal Court

to respond to charges filed by a former assistant. Rasheeda

Ellis accuses the Brown of terrorist threats, harassment and verbal abuse, after

she attempted to collect back bay from the rapper.A

new court date of Sept. 26 has been set in that case. On Monday (Aug. 28), Brown

will stand trial for for allegedly assaulting employees in a Manhattan nail salon

last August.

Instrumental Mixtape Vol. 2

Artist: OddiseeTitle: Instrumental Mixtape Vol. 2Rating: 3 1/2 StarsReviewed by: Sidik Fofana

Look yonder across this new world as youngsters are bumping the sweet noise pollution. If Kodak was a time machine, one would picture a brother like Oddisee fifty years ago with a trumpet in his grasp, outshining ni**as off the bandstand with complex flutterings and seductive ass bebop melodies. But as a citizen of the millenia, Oddisee is a new breed of musician and his offering to the butterfly effect of black music is his latest-Instrumental Mixtape Vol.2 (Halftooth Records).

Ahmir makes beats. This is a very simple declaration but if you consider that he supplies the very thing that makes an MC’s cortex light up with brilliant new angels of thought, then you can rightfully say that Ahmir makes blood. Oddisee’s makes you aware of why cats out there are in their basement doing this Hip-Hop thing strictly for the love, perfectly content if their contribution to boom bap never raises a red penny.

On this 24 track painting palette, the stories have already been stroked. Oddisee is a composer who can conduct without a master of ceremony. The track “Brother” evokes the image of those guys chatting and laughing right before the start of Marvin Gaye’s What’s Going On. On the track, “Love At First Sight,” you’re posted up by a fire hydrant as a fine nightingale walks by and makes your day. The beat, “Hottness” is a Neptunes meets Nu-Soul vibe chill enough even to make Pharrell want to skateboard to the nearest coffee house.

Real talk, just like Hip-Hop’s thirty-somethings once believed that Pete Rock and DJ Premier could do no wrong, Oddisee is a superhero of this new generation of beatsmiths. His portfolio includes gems he crafted for Talib Kweli, Little Brother, J-Live, Wordsworth, Freddie Foxx, and others. Instrumental Mixtape Vol.2 is an output from a seasoned tradesman who knows that a picture is worth a thousand words and that a good tune can inspire just as many.

Mac Dre’s Family Considers Moving Rapper’s Remains To Vallejo

In response to

the theft of rapper Andre Mac Dre" Hicks’ tombstone, the family of the slain

Hip-Hop star is considering relocating his remains to Vallejo, California.

Bernard Hicks, the uncle of Mac Dre, said the family is considering returning

the Oakland-born rapper’s remains to Vallejo, to keep a better watch over them.

The 50-pound tombstone was recently reported missing from the Oakland Mountain

View Cemetery after a visitor attempted to visit Mac Dre’s cemetery plot,

but was unable to find the location. "We just think it’s some kind

of fan. Some crazed fan who put it in their house," Hicks told Oakland newspaper

The Argus. Hicks

said he was notified of the theft by Oakland police on Tuesday (Aug. 24).

"They said it was taken and they didn’t have no suspects, that’s all we know

right now." While there is a $10,000 reward for any information leading

to the arrests of the perpetrators, Hicks says that the family won’t go to

the police if the tombstone is given back. “There

will be no trouble, no going to the police, we just want the headstone returned,"

Hicks said.In

the mid 1990’s while enjoying a surge in popularity on the Northern California

rap scene, Mac Dre was accused of being affiliated with The Romper Room Gang,

a group of men accused of robbing a string of banks. In 1991, Dre was

arrested and charged with bank robbery when the FBI spotted him riding in a vehicle

with one the suspected bank robbers. He served five years in prison. Mac

Dre was later killed in a drive-by shooting and crash on Kansas City’s U.S. 71

highway in November 2004. Police have no suspects in Mac Dre’s death, but believe

he was gunned down after a dispute over a payment for a concert.Police

suspected Kansas City rapper Anthony "Fat Tone" Watkins was behind Mac

Dre’s murder. There was a rumor that Fat Tone admitted to the shooting, charges

the rapper denied.Six

months after the murder of Mac Dre, Fat Tone and friend Jermaine "Cowboy"

Akins were murdered in Las Vegas. Fat Tone’s family members told police that he

went to Las Vegas, after Mac Minister promised a meeting with Snoop Dogg.In

May 2005, the men were found shot to death in an abandoned construction area.

Fat Tone was shot 20 times, while Akins was hit 13 times with an assault rifle.Prior

to his murder, Fat Tone had been involved in a number of violent altercations

in Kansas City. He was arrested for the murder of a pregnant woman, but the charges

were dropped. In

2003, he was shot multiple times while riding in an SUV with Sacramento rapper

C-Bo, San Francisco rapper Messy Marv and others. In

2004, an unknown gunman shot at Fat Tone, one month before Mac Dre was gunned

down. Police

claim Mac Minister was in Las Vegas, staying with a friend named Jason Mathis

and a call girl named Lee Danae Laursen. The two men were allegedly scene leaving

a hotel with Fat Tone and Akins hours before their murders.Mac

Minister was featured on Fox’s America’s Most Wanted in Feb. 2006. He was

apprehended a month later. Two

days after Mac Minister and Mathis were indicted for the murders of Fat Tone and

Akins, Laursen was found dead from a gunshot wound to the head. Mac

Minister is currently in a Las Vegas jail and will stand trial for the murders

of Watkins and Akins on Sept. 11.

Corinne Bailey Rae: Nice and Breezy

When you hear Corinne Bailey Rae’s music, there is something about her sound that pins you and soothes your soul. Her self-titled debut album peaked at number one on the British charts, and the Leeds, England native is now scoring many American fans.

A product of mixed culture, with a West Indian father and a Yorkshire mother, her background has helped craft her into a captivating musical treasure. Corinne began singing in church as a child, which led her to picking up instruments such as the guitar and violin. Originally influenced by rock music, Corinne eventually moved towards developing a soulful sound.

While pursuing her degree in English Literature at Leeds University she worked as a hat girl in a local jazz club, where they often let her grace the stage. She developed her niche, and the rest is history. We recently made the best out of five strong minutes with Corinne during her hectic American tour.

AHHA: How have things been going for you?

Corinne Bailey Rae: Really well. I just been working and touring and had a week off.

AHHA: Are you enjoying touring in the U.S.?

Corinne: Yes, I love it. I like touring anywhere. Specifically here. I find the crowds to be very genuine.

AHHA: Do you have a favorite American city yet?

Corinne: I love New York, but also I really liked L.A. and San Francisco. I had a good time in Seattle, and we just did a great gig in Houston.

AHHA: Your name is very unique, were you named after anyone in particular?

Corinne: Well no. Rae is my husband’s last name, and Bailey is my maiden, so I have both those names.

AHHA: What was it like growing up with a mixed heritage in England?

Corinne: It was good. There are a Black people in England, which a lot of people don’t realize. It was a normal thing and we lived around a lot of families with the same kind of make up. It was good to have two different families who were quite similar in a lot of ways, and whose cultures were quite different.

AHHA: Your first single “Put Your Records On” speaks about not being afraid to be yourself and not worrying about always being accepted. Was something that you encountered growing up?

Corinne: Yes, that was something that I had to learn. I got singled out a lot in school for a lot of things, and that made me feel different. I would have appreciated that message when I was younger, so I figured I’d put it in a song for other young people.

AHHA: What do you like about your album in particular?

Corinne: I like the fact that I was able to be involved in all the aspects of it: writing the songs, choosing the people to work with, and being involved in production. My favorite part of this job so far is the creative parts. Writing music, deciding on the arrangements, what instruments to play myself, and being involved with the mixing and mastering. It’s great how much freedom you get. You get to decide how you want it to look, how you want it to sound, and who you want work with in videos. There’s a lot of creative control in the particular deal I got and I really appreciate that.

AHHA: Your music speaks a lot about life and relationships that seem to be very personal. What’s it like to share that and get such a big response from people?

Corinne: It’s amazing, because it means so much. I think the thing I’ve gotten the most is different people coming up to me and saying, “I wish I could say this to my ex-boyfriend” or “I wish I could trade the things that you say in songs.” And people shouting out during a gig, “I know how you feel” or “been there.” Things like that make it feel really real, because I probably wouldn’t have been as effective if I wrote thinking, “What will people like” or “What will people relate to.” I feel like I’ve just written about my own experiences, and because of that I think the album seems quite real to people. I’m really liking people’s response to it.

AHHA: Some of your songs seem to end with no resolution. Is that a style of writing that you chose to use in your music?

Corinne: Yeah, I think that life is like that. I wanted to reflect that I think life and certainly love, relationships and family relationships are a lot more complicated and unresolved and continuous than songs or films tend to make out. I’m kind of happy to make them like that, because they feel a lot more real.

AHHA: Tell us something that most people don’t know about you.

Corinne: Well most people don’t know that I was part of this indie band called Helen that was mostly guitar music, and I played an electric guitar. A lot of people don’t know that’s how I started out.

AHHA: You were at the BET awards this year. What was the experience like for you?

Corinne: It was amazing. It was the wildest thing I had ever been to. To see how people were dressed on the Red Carpet, and how aggressive the photographers were, and having to stand at all the different points while different people interview you. I had never been to a Red Carpet before. It was unreal. And when I went inside it was even more unreal. One of the best things of the night was Beyonce’s performance to “Déjà Vu.” I like the American thing to be really over the top and I like being around that sometimes. It was good to recognize faces like Puff Daddy and Kelis.

AHHA: When you found out that your video for “Put Your Records On” was nominated for a BET award, were you surprised?

Corinne: Definitely! Because I was still at the point where I really didn’t know if anyone had heard of me. I was really surprised and excited. I knew I really wouldn’t win, but it was nice to get an invitation.

AHHA: Are there any American artists that you would like to work with in the future?

Corinne: There’s a lot of artists that I really admire, but there’s no one that really jumps out that I want to work with at the moment. I think I’m the still in the process in wanting to develop my sound and my own style.

Diddy Talks Danity Kane, Outkast Race For #1

Bad Boy Entertainment’s R&B girl group Danity Kane could top the album charts next week with their self-titled debut album.

The group’s album has sold over 100,000 units since its August 22 release and is projected to move over 200,000 copies by next week, making it one of the fastest selling albums in the U.S. this week.

"The girls are a phenomenon, you know what I’m saying?" Combs told AllHipHop.com. "Their record just went to radio so they didn’t even have a record, no spins at radio. It shows the true testament of their fanbase people that watch the show and how hot the album is. The word of mouth on the album is so crazy, with the production from Timbaland, to Scott Storch, to Rodney Jerkins to Brian Cox. It’s something out of no where."

The Making The Band 3 reality-TV stars’ first single, "Show Stopper,"

premiered at #14 on the Billboard Pop 100 chart, and peaked at #17 on the Top 100 singles chart.

"It’s the culmination of many factors, and Danity Kane actually brings back the excitement of what the music business is all about," said Steve Lerner, Circuit City’s Senior National Buyer/Music.

"The kids are going to the stores and the stores are sold out," Combs said. "We are rushing to keep it in the stores. [As] soon as we put in the stores it sells out. If these girls outsell [one of the] biggest rap groups in history, that’s just gonna be crazy.

It’s crazy for them [Danity Kane] to even be in contention. It’s the story of the year in the music industry, the story of the year at retail."

Popular Atlanta rap group Outkast’s Idlewild soundtrack is also expected to contend for the chart-topping spot. The album is expected to move over 200,000 copies as well. Their film Idlewild also premiered in theaters today (Aug. 25).

After a strong first week of over 356,000 copied in sales and a chart-topping spot on Billboard’s Top 200 album chart, pop star Christina Aguilera’s album Back To Basics is also expected to do well in it’s second week and can possibly reclaim the top spot.

Rappers, Celebs Prep New Branded Spirits

Straight

Up Brands, Inc. has announced various deals to produce wines and branded spirits

in conjunction with Hip-Hop stars and nationally known celebrities.The

three-year old company, headed by CEO David McCallen and president Vincent Viola,

will produce five branded products that are developed by various celebrities along

with leading vineyards, master blenders and world-class distillers.The

new brands include a sparkling wine (Black Rose) produced with Foxy Brown and

Jay-Z; a vodka (Storm) produced with DJ Clue; a Long Island iced tea (Gravity

Blue) produced with Don "Magic" Juan and a Mohito (MoMo) produced with

Ja Rule.Each

celebrity was intimately involved in the production of their beverage, choosing

the ingredients, valor, name, and glass packaging.Ten

different distributors, including Southern Wine and Spirits, Opici and Stoller,

will disperse the new spirits in over 17 different states.Straight

Up Brands is set to begin producing and adding the new product lines with additional

celebrity endorsements prior to the end of 2006, and continuing through 2007.

AIDS in Black America: I’m Liftin’ Your Skirts

AIDS in Black America:  I’m Liftin’ Your Skirts

 

In a move that may shock America, ABC News aired a primetime special report on the epidemic of AIDS within the African-American community.  "Out of Control:  AIDS in Black America" primarily focused on the fact that African-Americans constitute roughly 50% of AIDS cases; more to the point, out of all women infected with the disease, reports exist that show 68% consist of Black women.  While such staggering numbers should all too familiar for us, they seem to be conveniently skirted by the very people whom are supposed to address and represent the issues affecting society.

 Aside from raising awareness, this program boldly exposed a dirty and problematic secret:  even those at the highest sociopolitical level remain conveniently ignorant and distanced from the ravaging effects of AIDS.  This was most evident in the vice presidential debate between Dick Cheney and John Edwards where both illustrated oversights of obliviousness to the plight of HIV positive Black women in America. 

 If you missed this program which aired on Thursday, August 24, 2006, you missed an extremely poignant and sobering piece.  A piece which has afforded a second chance to readdress the ideologies behind the ignorance of our government which publicly disrespected and disturbed the existence of AIDS among African-Americans on the night of October 5, 2004:

In America, “Black women between the ages of 25 and 44 are 13 times more likely to die of AIDS than their [white] counterparts”

                                                      — Gwen Ifill

"I have not heard those numbers with respect to African- American women.  

I was not aware that it was — that they’re an epidemic" 

— Vice President Cheney  

"On the Outskirts of Ignorance"a.k.a.

"I’m Liftin’ Your Skirts"

So the Vice President

of these United States

Didn’t know that this AIDS disease

is heightened in my race?

Our women have the highest stake –

and he didn’t know that statistic?!!

Though African-Americans are

70% of all female cases,

This @ss’ awareness failed to place this…

This data is famous –

even rock hermits know the specifics!

Where was AIDS back in the day

When Black slaves got tragically raped?

That would’ve been hapless fate

for his great-great-grandfathers.

If HIV had been created by mankind then,

Cheney’s stakes would be mad high then…

As a cure could ratify the sin

of date-raping our land’s daughters.

But since he turned and copped

a blind eye and spit in mine,

I’m liftin’ skirted topics sky high

with Dick in mind.

It’s not just his justice that’s blind –

social bifocals need to be added

to the Senate, too.

They’ve ridden for so long

in tinted Cadillacs

That they’ve developed

intense cataracts…

That’s why this written battle ax extracts

with no local anesthetics used.

Just imagine the impact

of this epidemic

If it’d been in the past when

slave masters sexed our kindred.

Their best would’ve been

infected and blacklisted –

Jefferson would’ve been a

definite denizen of an AIDS clinic.

It’s interwoven in his lineage,

I’m not outing Thomas –

It was his stolen privilege to p####

his black roses’ flowering content…

While Big Momma’s momma couldn’t

even inherit his lousy monik’ –

just the shame of being a temptress.

But just envision it – such justice

would’ve been splendid.

For every 10 Black women that died –

7 white lives would’ve also ended.

If you’re offended or defensive, good –

I intended to p### you off.

My eulogizing something

so mortally fatal

Is how Edwards and Cheney utilized it

as a sordid debate angle…

They both evaded it with the same bull –

forget politics, John and Dick,

I must insist that you both screw off.

Neither wanted to address

the dire straits

Of Black women infected

in the United States.

That fight was fake –

democracy’s a hypocrisy.

If I took the time, I could use

logic to catalog it,

But that’d only prove

to be catastrophic…

I’d be glad if Bush lost the office –

but there will always be a

philosophy of forgotten needs.

That’s why I’ll always write hostilely

As long as poor folks struggle

with the cost of hospital fees.

I believe in that like the Apostle’s Creed –

forget a presidential oath!

I felt so dissed and neglected

When this d*ck, Cheney missed

and blatantly disrespected

The fate of my women

with AIDS so reckless –

with numbers rising since

the 90’s in exponential growth.

As johns and d**ks, they’d

better pay attention

The second that AIDS is mentioned.

Cheney’s daughter is gay,

he may want to listen –

she may date interracially, too.

Why does it have to touch home first

Before these folks attest

to a subject’s whole worth?…

How can they corrupt the whole earth

yet have the nerve to turn away

as they rape our seeds, too?

Click here to discuss "Out of Control:  AIDS in Black America" in the Ill Community.

© 2006 Reggie Legend

Steel Waters, Inc.

[email protected]

 

Pitbull Prepares Sophomore Album, Spanish Only Album

Miami rapper Pitbull

is preparing to release his sophomore album El Mariel.The

new release is named after the infamous Cuban boatlift that relocated almost 125,000

Cubanos to Florida. According to Pitbull, El Mariel will offer a political perspective

from the rapper, who addresses the current state of his native Cuba, as well as

the war in Iraq.“They

have this misconception about Pit,” the 25-year-old MC said. “They’ll

say, ‘He’s just this Latin rapper, he’s a reggaeton act, he’s crunk.’ They

don’t know what to say about me. [After El Mariel] a lot of folks are gonna

start saying, ‘You gotta watch out for that boy Pit.’"“Some

[Marielitos] yes were criminals, some came from a negative background but you

have those who became politicians, lawyers, judges, and doctors, you name it,”

continued Pitbull, who sees his musical rise as following the example set by those

who arrived in the boatlift. "Now that I got my foot in the door it’s time

to take opportunities like the Marielitos did."El

Mariel is the follow up to Pitbull’s debut album M.I.A.M.I.: Money

Is A Major Issue. The

2004 release, which sold more than 600,000 copies, was the biggest-selling bilingual

hip-hop debut since Cypress Hill’s 1991 self-titled debut, spawning the singles

“Culo,” “D##### Man,” and “Toma.”Although,

El Mariel is slated to hit stores Oct. 17, fans won’t have to wait

long for another Pitbull as the rapper will follow with the release of his first

full-length Spanish only album, Armando.“[Armando]

is an Afro-Cuban based project. A lot of energy and just a different movement,”

explained Pitbull, who revealed the album will contain production from Lil Jon,

Orishas, the Diaz Brothers, Jim Jonsin, Echo from Puerto Rico and Mr. Collipark.

“I

would love for me and Jon to have a number one record on the Latin charts,"

Pitbull said. "It would be me bringing him over just like he brought me over

to his side.” Armando

is scheduled to be released in early 2007.

Snoop Teams With B-Real, Kid Frost For ‘Vato’ Video

Cypress Hill’s B-Real,

legendary rapper Kid Frost and Oscar nominated actor Edward James Olmos have teamed

up with Snoop Dogg for his new video for "Vato."Directed

by Phillip Atwell, the video casts Snoop Dogg and B-Real as gang members who come

together as a show of solidarity.In

wake of violence in recent months in L.A., the short cinematic clip also aims

to promote a theme of unity between black and Hispanic people."It’s

about time we start to fight for each other rather than fighting against each

other,” Snoop Dogg said. "I have homies from all cultural backgrounds

and love all of my brothers, black and brown.""Vato,"

produced by Pharrell, is the lead single from Snoop’s highly anticipated

eighth LP The Blue Carpet Treatment which arrives in stores Nov. 21.The

album features production from Dr. Dre, Timbaland, Rick Rock, Pharrell and features

guest appearances by artists such as Stevie Wonder, Ice Cube, The Game, Brandy,

R. Kelly and MC Eight."Vato"

will make its video debut on August 30th on BET’s Access Granted.

Eminem and Nike Hook Up to Release Limited Edition Air Max Shoes For Charity

Rapper

Eminem has teamed up with Nike to create a limited edition run of the company’s

Air Max series shoe.The

effort will go towards raising money for the lyricist’s Marshall Mathers Foundation

and ninemillion.org.Eminem

will design limited-edition uppers of eight different shoes in the series, from

the Air Max ’87 to Air Max 360. Sixty-four pairs of shoes will be produced before

being numbered and autographed by the rapper and auctioned off over a four-week

period at Nike stores and on eBay, beginning Aug. 31."If

you told me ten years ago that I’d be designing this whole series of Air Max’s,

I never would have believed it," Eminem said. "It’s one of the hottest

lines that Nike ever produced, so I’m honored to make my own contribution. My

only problem was figuring out how to make the shoes different from stuff they’ve

already done: Nike always has the dopest color combos."Led

by the UN Refugee Agency (UNHCR), with founding partners Nike and Microsoft, Ninemillion.org

is a global campaign designed to raise awareness and funds to bring education

and sport programs to the world’s refugee youth.The

Marshall Mathers Foundation is a non-profit corporation set up to provide funds

for organizations working with troubled youth in southeast Michigan."We’re

always looking for new ways to try to raise money and awareness for the foundation,

so when Nike approached us we jumped at the chance," stated Eminem, who was

further drawn into the project after looking at the information on ninemillion.org.

"It made even more sense. Who wouldn’t want to design their own line of Nikes?

And to do it for charity makes it that much better."The

Aug. 31 auction will take place in conjunction with an event at NikeTown London.

One pair of the Max 1 and the Max 90 will be offered at the event and later posted

for auction on eBay. All eBay auctions will be 00:00 hours on the scheduled days

and run for seven days. It concludes at 23:59 hours the following Monday.Proceeds

will be split equally between the foundation and ninemillion.org.The

following is a schedule and listing of items that will be auctioned:Aug.

31 NikeTown

London Air

Max ’87 1 pair

Air Max ’90 1 pairSept.12

eBay

Air

Max ’87 7 pairs

Air Max ’90 7 pairsSept.

16 NikeTown

Berlin

Air

Max 180 1 pair

Air Max ’93 1 pairSept.

19 eBay

Air

Max 180 7 pairs

Air Max ’93 7 pairsSept.

22 Nike

Store, Paris Air

Max ’95 1 pair

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Rap City VJ Mad Linx To Host U.S. Open’s Arthur Ashe Kid’s Day

Rap

City VJ Mad Linx is scheduled to perform and host the U.S. Open’s Annual

Arthur Ashe Kids’ Day on August 26.The

pre-tournament celebration for families, named after one of tennis’ most

famous players, is designed to attract scores of families to Flushing Meadows

Park in Queens, N.Y. to show support for tennis and music, while also honoring

the career of the legendary tennis star.The

Queen-bred DJ formerly taught tennis at various country clubs and to city youth

for several years while based in Tampa, Fl."I

have been playing tennis since 1989," Mad Linx said. "I still follow

the players on the circuit as closely as I can and I play every chance I get.

My tennis racket is never far from my reach."The

U.S. Tennis Association and Hess announced that a portion of the proceeds from

the event would benefit the National Junior Tennis League, originally established

by Arthur Ashe, Charlie Pasarell and Sheridan Snyder in 1969."Not

only does [Arthur Ashe Kid’s Day] celebrate one of tennis’ greatest players,

but it also encourages the next generation of players,” Mad Linx said.The

first round of the 2006 US Open begins on Monday, Aug. 28, at the USTA Billie

Jean King National Tennis Center in Flushing, N.Y.