EXCLUSIVE: Fat Joe Accused Of Using Former Hypeman’s Per Diem To Pay Off Taxes

Fat Joe is facing fresh accusations from his former hype an who now claims the Hip-Hop star withheld money to pay off his massive tax bill.

Fat Joe served four months in federal prison back in 2013, for stiffing the government out of over $700,000 in taxable income from 2007 to 2010.

Terrance Dixon, also known as “TA,” filed a motion in federal court alleging that Fat Joe diverted thousands in daily allowances and performance pay owed to him during tours.

The filing, part of an effort to block Roc Nation’s dismissal from the case, claims the company helped orchestrate and conceal the alleged wage theft.

Dixon says he was promised between $3,000 and $5,000 per show, plus a daily per diem.

He claims he later learned he was supposed to receive up to $30,000 per show to appear on stage with Fat Joe

Instead, Dixon claims he received as little as $250 to $1,000 per appearance.

The complaint alleges Fat Joe kept the rest, including the per diem, to pay down his tax debt.

According to the filing, Dixon learned from a former Roc Nation manager and accountant that the company was aware of the per diem arrangement and knew he wasn’t being paid properly.

The broader lawsuit, filed under the Trafficking Victims Protection Reauthorization Act (TVPRA) and the Racketeer Influenced and Corrupt Organizations Act (RICO), names Fat Joe, Roc Nation, Pistol Pete, Rich Player and several affiliated companies as defendants.

Dixon accuses Roc Nation of playing a direct and active role in the alleged scheme.

The filing claims the company managed tour finances, structured payments to misclassify Dixon’s employment, and used affiliated LLCs and accountants to hide the true nature of his compensation.

The complaint also alleges Roc Nation helped conceal the underpayment through false tax filings, burner phones and non-disclosure agreements.

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It further claims the company benefited financially from Dixon’s unpaid labor through tour revenue, publishing cuts and management fees.

“Roc Nation had actual or constructive knowledge of the exploitative conditions,” the filing states, adding that the company “actively participated in directing and ratifying the conduct of co-conspirators.”

In addition to the wage theft, Dixon claims Fat Joe forced him to have sex with over 4,000 women while members of The Terror Squad watched, that Fat Joe was in love with underaged girls and even allegedly plotted the assassination of 50 Cent during a fues, which has since ended amicably.

Fat Joe has vehemently denied Dixon’s claims and vowed to fight them.

EXCLUSIVE: Judge Tanks T.I.’s Hope To Use “Situationships” For New Movie

T.I. lost a major legal battle in New York where a federal judge barred him and his company Grand Hustle Films from using the title “Situationships” for their upcoming movie after a trademark dispute with another production company.

The ruling came after Featherstone Entertainment, founded by Cylla Senii, sued the rapper’s company over the use of the word “Situationships,” which it trademarked in 2023. Featherstone has used the name since 2015 for a web series, book and screenplay focused on modern dating.

According to court documents, T.I. and Grand Hustle Films moved forward with the project using the title in casting calls, interviews and production materials.

The company also attempted to register variations like “Battle of the Situationships” and “City of Situationships,” but the U.S. Patent and Trademark Office rejected at least one application due to its similarity to Featherstone’s registered mark.

Featherstone said it tried to resolve the issue privately. The company met with Grand Hustle Films multiple times and claims the studio agreed to change the name.

But despite those discussions, Grand Hustle kept filing new trademark applications using the word “Situationships.” After receiving no response to a cease-and-desist letter, Featherstone filed suit.

The judge sided with Featherstone, ruling the company is likely to succeed in its trademark claim and would suffer harm if Grand Hustle Films continued using the name. The court issued an injunction stopping T.I. and his team from producing, promoting or distributing any content using “Situationships” or similar terms.

The order also requires Grand Hustle Films to scrub the name from all promotional materials, websites and products. They must also preserve all documents related to the project.

T.I. responded by saying the title was never finalized and has not used the mark SITUATIONSHIPS within the last several months.

The case remains active, but for now, Grand Hustle Films is legally blocked from using the disputed name while the lawsuit plays out.

Kwon Woo Koh’s NYC Debut Proves He’s Here to Stay

Kwon Woo Koh’s NYC Debut Proves He’s Here to Stay 

Kwon Woo Koh’s introduction to the underground music scene has been an exciting development for the young South Korean-born artist. His vision has been on display in various ways, most notably during his “Your Eyes In My Eyes” exhibit in the East Village at the All St. Gallery. The exhibit was strictly for consumption by supporters, not for sale.

With underground imagery always maintaining a stronghold in music, especially in Hip Hop, creatives like Hidji World, Cole Bennett, and Jerry P Productions have all incorporated underground themes to keep artists like Playboi Carti, Lil Yachty, A$AP Rocky, Travis Scott, and many more engaging for fans of the culture. 

In Kwon Woo Koh’s most recent exhibit, he presented 12 black-and-white photographs that created an exciting yet fulfilling push, making it easy for fans to become engaged. Whether it be upcoming creators like Anycia, OT7Quanny, Nino Paid, and Joony using street-inspired artistic imagery for their art, or established multi-platinum stars like Shy Glizzy, G Herbo, and Lil Baby, who have produced a more upscale version of the raw imagery that Koh is inspired by.

At the heart of Koh’s practice is an admiration for how hip-hop visuals amplify culture and identity, something he translates into his medium. Like Hidji Films’ collage-like, sometimes surrealist framing and Reel Goats’ raw, behind-the-scenes authenticity, Koh’s work captures not just the subjects but also the atmosphere and attitude of the streets. He often incorporates typographic elements, fashion cues, and gestural brushstrokes that recall the movement and rhythm of a music video set, acknowledging the choreographed chaos that directors like Lil X mastered.

By reinterpreting these influences in a gallery context, Koh challenges the hierarchy of what is considered “high” art versus “popular” culture, asserting that the creative genius of street and hip-hop visuals belongs on the same walls as any other modern art. His art serves as a testament to how hip-hop, as a culture and aesthetic, continues to inspire new generations of creatives to innovate and express themselves boldly.

Koh’s style has and will continue to take him far. His ability to shift inspiration into unique art has become a superpower. There will always be room to grow, but Koh is no stranger to hard work.

The Conjure Family Blends Hoodoo & Hip-Hop Hustle In New Apple TV & Prime Video Docuseries

Atlanta’s newest reality TV dynasty isn’t a rap group or a label. It’s a Black family rooted in hoodoo, healin and hustle. The Conjure Family, now streaming on Apple TV and Prime Video, follows spiritual mogul Lala Inuti Ahari and her daughters as they build an eight-figure empire while staying true to ancestral traditions.

Tina, also known as The Rich Witch, is navigating motherhood and media attention while rumors swirl about a romantic connection with rapper Gunna. Chaela balances spiritual work with her pursuit of acting in Los Angeles. And Eria, the youngest, launches a music career while playing the role of peacemaker within the family.

The show brings together ritual, realism, and raw energy. Viewers will see love spells, money manifestations, and group chats that turn into family therapy. It’s hoodoo with high stakes and hip hop cameos, all presented through a lens that honors the culture.

Watch the official trailer here: https://www.youtube.com/watch?v=QRbEtAsRgoM 

50 Cent Challenged To Fight By Angry “Skillhouse” Actor

Bryce Hall is furious at 50 Cent for trying to shut down Skillhouse and now, he wants to settle it with fists—not lawyers.

The TikTok star-turned-actor didn’t hold back after a judge tossed out 50 Cent’s attempt to block the horror flick’s release. Hall, who stars in the movie, went off on the rapper and even challenged him to a boxing match.

“He tried to hold (them) hostage,” Hall said. “We beat 50 in court. I’d do it in the ring too.”

And just to make sure nobody missed the smoke, Hall posted “Smoking on that 50 pack” on Instagram, He’s not exactly being subtle.

The drama started when 50 CEnt, real name Curtis Jackson, sued GenTV and producer Ryan Kavanaugh in March. He claimed the movie used his name, face and rep without locking in a real deal or cutting him a check. He also said the movie was hyped up using his brand and that GenTV was stepping on the toes of his own streaming platform, “50 Cent Action.”

According to the lawsuit, 50 and his son Sire shot scenes for the film back in 2022, thinking a contract was on the way. That never happened. So he hit them with a $5 million lawsuit for trademark infringement, false advertising and unfair competition.

But the judge wasn’t buying it.

On July 3, a federal court ruled that 50 Cent didn’t show enough legal grounds to block the movie’s release, so Skillhouse is premiering July 11th in theatres nationwide on July 11.

Holy Bars & War Cries: Caleb Gordon’s Tactical Gospel

Caleb Gordon’s “War” is the kind of album that doesn’t just knock; it kicks, preaches, and then politely asks if you’ve got spiritual armor on. It’s 14 tracks of holy fire and trap finesse, where theology meets street-level urgency and the beats slap hard enough to make your convictions rattle and vibrate to a whole new frequency.

Caleb remains a fully independent artist, building his platform without major label backing, relying solely on faith, grit, and a mic. Earlier this year, he made history as the first Christian rapper to ever perform at Rolling Loud, a milestone that shows it’s not just catchy; it’s convincing. 

Let’s start with the title track, “War,” a reggae-infused banger that opens like a call to arms. “It’s a war in the city, it’s a war outside/Lucy spread lies, it’s a war in the mind,” he raps, laying out the battlefield not in some abstract metaphor but in the very real terrain of mental, cultural, and spiritual conflict. The production is lean and mean, no fluff, just a pulsing beat and Caleb’s voice cutting through like a prophet with a mixtape.

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Then there’s “Guard My Heart,” which feels like a journal entry written in the margins of Proverbs. Caleb’s flow is introspective but never soft; he’s pleading for protection, not from haters or critics, but from himself. The hook is simple, almost childlike, which makes the message hit harder. It’s the kind of track that makes you want to check your spiritual pulse.

“Seat at the Table” flips the narrative a bit on its head. It’s not about exclusion; it’s about divine invitation. Caleb raps like someone who’s been told “no” too many times and finally heard “yes” from the only voice that matters. The beat is warm, the delivery confident, and the message clear: you don’t need to beg for a place in the world when God’s already set one for you. And then there’s “You Can’t Cancel Me,” which is less a song and more a theological mic drop. Caleb aims to cancel culture with scripture in one hand and swagger in the other. It’s bold, maybe even brash, but never reckless. 

The album closes with “Upside Down,” which feels like a blessing wrapped in bass. It’s reflective, almost melancholy, as Caleb wrestles with the paradoxes of faith, strength in weakness, victory in surrender, and clarity in chaos. It’s the perfect ending to an album that never pretends the war is easy, only that it’s both necessary and worth fighting.

His high-energy performances have lit up stages at major Christian festivals like Rock the Universe, where he brings the same spiritual fire live as he does in the booth. He even caught the attention of NBA champion Dwight Howard, whose viral shoutout amplified his message beyond just music circles.

“War” is a spiritual survival guide disguised as a playlist. Caleb Gordon’s flow is tight, his theology sharper than most seminary syllabi, and his conviction? Unshakable. With millions of streams and a rapidly growing fan base, Caleb’s reach continues to expand, proof that truth-driven music still moves people. If you’re looking for something that hits hard and prays harder, this is it.Connect with Caleb Gordon: Instagram, TikTok, YouTube

Don Toliver Avoids AstroWorld-Like Tragedy After Crowd Surge Crushes Fans

Don Toliver narrowly sidestepped disaster on July 8 when an overwhelming crowd at his free Calgary Stampede performance caused panic and physical distress among attendees.

Held at the Coca-Cola Stage in Calgary, Alberta, the concert drew far more people than the venue could comfortably hold, leading to dangerous crowd surges and multiple safety concerns.

Some attendees described the scene as chaotic and physically overwhelming, drawing comparisons to the deadly 2021 AstroWorld Festival in Houston, where 10 people died during a crowd crush at a Travis Scott show.

“It was just too crowded and way too pushy.… I stopped being able to breathe pretty quickly,” one concertgoer told local outlet CBC Radio Canada. Another added, “Literally, I was being crushed. I’m 5’2.… I’m just there trying to survive.”

Security teams and Calgary police were forced to intervene as the crowd pressed toward the stage to watch Don Toliver.

Several people were pulled out for their own safety. Though no official injuries were reported, the volume and intensity of the crowd left many shaken.

Stampede organizers had promoted the show as a free event, but the limited space at the Coca-Cola Stage quickly became a problem.

The sheer number of attendees overwhelmed the venue’s capacity, leading to blocked exits, dehydration and at least one report of violence, including a stabbing.

Despite the chaos, Stampede officials maintained that the event was a success.

The Calgary Stampede runs through July 14 with organizers now considering additional safety measures for future high-profile performances.

Big Sean Fires Back At “Fake Abs” Claims Amid Drake Comparisons

Big Sean is shutting down steroid speculation and defending his physique after a viral post questioned whether his abs were the result of surgery or supplements.

The Detroit rapper found himself at the center of an online debate this week after wellness influencer Blake Sanburg floated the idea that Big Sean’s chiseled stomach might be enhanced by either steroids or abdominal etching. The post quickly gained traction, prompting Sean to jump into the comments and clear the air.

“Bro, unfortunately mine are real lol,” he wrote. “I got love for the fake an community tho, to each its own, but what makes this funnier is this is the way God made me. I just happen to look like a chewed up tootsie roll when im outta shape lol. But i can only speak for myself. I only have to say something cause this sh*t is getting way outta hand.”

The conversation escalated when another user compared his abs to Drake, who was recently the subject of similar rumors. Big Sean responded by distancing himself from any assumptions about others in the industry.

“’Im only speaking for myself, iont know what others do but thats just how my stomach is naturally,” he added. “I cant believe i have to even say this, but i guess its where we are as a society. Cooked.”

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The chatter comes just weeks after a side-by-side image of Drake and Benzino made the rounds online, with users pointing out facial similarities. Benzino quickly dismissed the comparison, claiming the image was doctored. “Keep in mind I’ll be 60 in 2 weeks so make it make sense you weirdos,” he wrote.

While the internet debates his abs, Big Sean has been focused on music. His latest studio album, Better Me Than You, dropped in 2024 with features from Bryson Tiller, Cash Cobain, Charlie Wilson, Dwayne “The Rock” Johnson, Gunna, Ellie Goulding, Eryn Allen Kane, Kodak Black, Larry June, Syd, Teyana Taylor and Thundercat, among others.

The Big Sean Into the Wild Tour 2025 kicked off July 8 in Denver at the historic Red Rocks Amphitheater with special guests Russ and Sabrina Claudio. It continues in Chicago on Thursday (July 10). Find the rest of the tour dates below.

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T.I. & Tiny Face Major Legal Setback In OMG Girlz Case Involving $71M Ruling

T.I. and Tiny Harris saw their $71 million courtroom win against toy giant MGA Entertainment tossed out Tuesday (July 8) after a federal judge ruled they failed to prove the company intentionally copied their girl group, OMG Girlz.

U.S. District Judge James V. Selna acknowledged that jurors had “substantial evidence with which to find that MGA misappropriated the OMG Girlz’ identity” but said the Harrises didn’t meet the legal bar for punitive damages. The decision wipes out the multimillion-dollar award and sets the stage for a new trial.

“These pieces [of evidence], when put together, establish just one passing reference to the OMG Girlz in MGA internal emails and one image of a single band member on one product designer’s Pinterest board that also contained over 1,200 similar fashion-related images,” Selna wrote in his ruling. “This is not clear and convincing evidence of willful infringement or conscious disregard for the rights of others.”

Selna also pointed out that MGA’s conduct wasn’t “reprehensible,” the OMG Girlz suffered minimal emotional distress and the Harrises are “not financially vulnerable.” He offered the couple the option to accept a symbolic $1 in punitive damages instead of retrying the case. They declined and are reportedly moving forward with a full retrial.

The lawsuit, filed in 2023, accused MGA of lifting the likeness and style of the OMG Girlz for its L.O.L. Surprise! O.M.G. dolls without permission. The original jury sided with the Harrises, awarding them $71 million in damages before the judge’s reversal.

Meanwhile, the couple is also dealing with renewed public scrutiny after former associate Sabrina Peterson resurfaced sex trafficking allegations on Instagram earlier this month. Peterson, who has previously accused the couple of misconduct, posted several messages aimed at them.

T.I. appeared to respond indirectly in a video shared online, saying, “Yeah, mane, I’m just out here, man. Just thinking how beautiful it is today, man. You know, it’s a beautiful day to not be a buster, man, it’s a beautiful day to not hate on nobody. It’s a beautiful day to not spread lies and to not be negative. It’s a beautiful day, man, to mind your business, it’s a beautiful day, bruh. God has blessed us with this beautiful day. Don’t take it for granted, don’t take this beautiful day for granted.”

He continued, “Don’t be out here spreading propaganda just because you unhappy with your life and yourself. Man, God has blessed you too, man. He got your blessings. Don’t look to nobody else or point blame at somebody else because you ain’t reached or tapped into your blessings yet. They’re coming, alright?”

The retrial date has yet to be scheduled.

Target To Bring Back DEI?

As you probably know, Target has been under an ongoing boycott. It’s been bubbling for a while now, ever since the company decided to quietly remove diversity, equity and inclusion (DEI) from its corporate priorities. DEI has been a political lightning rod lately. But let’s keep it real. Donald Trump basically gave corporations the greenlight to stop doing anything that even resembles support for marginalized communities.

Now, DEI has somehow become a dirty word, even though the whole point was to address systemic inequalities in American society. And if we’re being honest, white women have been the biggest beneficiaries of DEI programs, not Black men. Black men are still at the bottom of the ladder in that regard. We don’t gain much from it, so the backlash is ironic at best. But despite that, the boycott against Target is still active.

Last weekend, the Essence Festival took Target on as a sponsor, and that did not go over well. People saw that as a scab move. Essence is now looking wild out here for crossing that “picket line,” and their brand is taking a hit for it. I am not mad at them because they lost a lot of sponsors this year, allegedly.

But, Target is feeling a different type of heat. From what I’ve gathered, when they stripped away their DEI commitments, nobody forced them. That move came straight from the top. Trump didn’t tell them to do it. They did it themselves. Intentionally. Strategically. Well, now the rumors are breaking out.

Now I’m hearing whispers that shareholders are considering legal action because, surprise, it’s hurting the bottom line. They don’t care about DEI as a principle, but they do care about profits. And profits have been bleeding. And when the money starts drying up, even the coldest capitalists start paying attention. So guess what? Target is reportedly now looking at bringing DEI back. Yep, they allegedly want that “good thing” back.

First of all, this is a rumor and secondly, there is not a shred of info online to support this. But, sources are talking. But here’s the bigger problem. I don’t think the people are buying it either way. They pulled Kai Cenat into the mix as a kind of PR chess move to lure folks back into the stores, but come on. That’s not going to move high earners or people who feel burnt.

If they’re serious, they need to do more than hire influencers. Maybe they should advertise here at AllHipHop, because we are where the people are. Better yet, invest in the communities. Build programs. Do work that goes beyond selling us socks and back-to-school notebooks. Make it sustainable. Make it sincere. Hire me! It might not solve everything overnight, but I promise genuine change starts from the inside.

And even then… it still might not be enough. We’re tired.

Donald Trump Wants To “Take” Control Over NYC & Washington D.C. To “Make Them Great”

Donald Trump is doing a lot. The president of the United States threw political gasoline on two of America’s biggest cities, floating the idea of federal takeovers of New York City and Washington D.C. On top of that, he called mayoral candidate Zohran Mamdani out of his name, among other things.

Trump’s unfiltered rant happened during a Cabinet meeting inside the White House. He didn’t endorse anyone, but he did talk bad about Mamdani, a self-proclaimed democratic socialist.

“We’re not going to have…if a communist gets elected to run New York, it can never be the same,” Trump said. “But we have tremendous power at the White House to run places when we have to.”

Trump didn’t clarify what exact authority he would exact or how, but he was just talking from the hip. He quickly moved to Washington D.C., saying it could be next in line for federal control. WTHELLY?

“We could run D.C. We’re looking at D.C. We don’t want crime in D.C. We want the city to run well,” he added. Trump also said his chief of staff Susie Wiles has been working with D.C. Mayor Muriel Bowser on this.

Mamdani’s campaign pushed back immediately.

“Donald Trump has once again chosen to treat democracy like a suggestion and insult the more than half a million New Yorkers who voted for Zohran Mamdani’s leadership and a city they can afford,” the statement reads. “Zohran Mamdani won with a mandate, receiving the most primary votes in New York City history and as mayor, he will not allow Donald Trump to tear this city apart.”

Trump has talked about crime and he did that in this rant too, but crime is down in D.C. A 30-year low. New York is the same. The NYPD even released a statement about it. Read That Here.

That didn’t stop Trump talking more about how “good” this would be.

“We would run it so good, it would be run so proper, we’d get the best person to run it,” Trump said of D.C. “And we know the crime would be down to a minimum, would be much less. And, you know, we’re thinking about doing it, to be honest with you. We want a capital that’s run flawlessly, and it wouldn’t be hard for us to do it,” he continued. “And we’ve had a good relationship with the mayor and we’re testing it to see if it works.”

Here is where it gets tricky. The District of Columbia operates under the 1973 Home Rule Act, which gives local officials the power to govern. Congress retains authority to override its decisions. Just last year, the U.S. House blocked two D.C. laws, including a measure to revise the city’s criminal code. Hmmmmmm….

Trump wrapped up saying his relationship with NYC Mayor Adams was “a test.”

“New York City will run properly. We’re going to bring New York back.”

MSNBC’s Ari Melber Quotes Chief Keef On Air—Online Chaos Ensues

MSNBC anchor Ari Melber has built a reputation for weaving rap lyrics into his broadcasts, creating a solid list of contacts along the way. Simply put, rappers love Melber. He consistently shows love to everyone from Tupac Shakur and The Notorious B.I.G. to 21 Savage and Mos Def. Some he’s even hosted on his popular show, The Beat.

Last week, Melber managed to quote Chicago rapper Chief Keef and his 2012 single “I Don’t Like” while discussing some recent comments made by GOP Senator Lisa Murkowski. In a clip Melber shared on Instagram, Murkowski is asked about Trump’s “Big Beautiful Bill,” to which she replied, “I don’t like that.”

She added “there are Americans that are not going to be advantaged by this bill. I don’t like that.” Melber had a few things he didn’t like either. “To paraphrase Chief Keef, cutting health care, that’s something I don’t like,” he said. “Boosting the deficit, that’s something I don’t like.”

Speaking to AllHipHop, Melber explained further, “Sen. Murkowski literally admitted she didn’t like the GOP budget hurting people—but voted for it anyway,” Melber tells AllHipHop. “That captures what so many think is wrong with politics. Listening to her say that as the news broke, I immediately thought of Chief Keef. That song captures the raw, human disgust with anything fake or phony.

“It’s a banger for that energy as much as the lyrics (and beloved remix). On top of that, Murkowski’s move is also something many people don’t like! And we noticed that in the many comments on the clip, where Chief Keef fans—and people who may not watch cable news —weighed in on everything from political hypocrisy to Keef’s artistry to dissecting words and lyrics.”

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The video snippet blew up on TikTok, with more than a thousand netizens weighing in on Melber’s comments.

“Bro listens to chief keef on his drive back home,” one person wrote, while another said, “Quoting Sosa on live TV is wilddd!” Some joked he’d “gentrified” O-Block, the infamous neighborhood where Chief Keef and other Chicago rappers like Lil Durk and the late King Von frequented.

Others were impressed by Melber’s choice, saying things like, “This why chief a fckn legend wtf in this time of s### going on ain’t no way he got quoted real GOAT” and “They got new reporters using Sosa lyrics… new age yall.”

Melber’s keen ear for impactful rap lyrics has served him well. In 2022, he analyzed JAY-Z’s “God Did” verse as a way to examine America’s war on drugs, which featured a clip of Mike Wallace interviewing Louis Farrakhan on 60 Minutes in 1996. The interview is referenced by JAY-Z on the track.

Melber then explored how Hov’s verse encapsulated America’s failed drug war, highlighting several of JAY-Z’s bars lyrics that touched on the legalization of marijuana and Roc Nation’s Emory Jones serving 10 years for drug dealing.

“Those lines quickly go from prohibition to a war on street drugs associated with minorities … to fentanyl, a huge driver of drug problems and deaths, which politicians do not treat criminally the same way they attack the drugs that Jay or others once sold,” Melber said at the time. “I can tell you corporations have made over $10 billion selling addictive painkillers legally, so that’s a contrast.”

The breakdown was so profound, JAY-Z repurposed it soon after for the track “HOV DID,” which he shared on Tidal, Apple Music and Spotify.

“Seeing JAY-Z release our report on his verse as a track is definitely a first—and an honor,” he told me in August 2022. “JAY-Z sharing the segment with listeners also elevates the context for posterity—turning a Beat report into a kind of audio guide to accompany his dense, amazing verse about his life, and the arbitrariness of the drug war. And as Jay might say, he sampled my voice, and turned it to ‘a hot song.’ As for whether I was using my voice right, that’s for others to decide.”

Melber was nominated for a 2025 Emmy for Outstanding Live Interview for his conversation with Trump advisor Stephen Miller earlier this year, while The Beat with Ari Melber viewership ranges anywhere from 750,000 to 1.2 million viewers per episode. We like that.

LiAngelo Ball Files For Divorce From Rashida Nicole Days After Pregnancy Reveal

LiAngelo Ball filed for divorce from Rashida Nicole in California just one week after she publicly announced she was expecting their child, according to court documents obtained by TMZ Sports.

The former basketball player-turned-rapper, known for his track “Tweaker,” married Nicole on March 24 and listed their separation date as June 15. The filing cites “irreconcilable differences” as the reason for the split. Ball is requesting joint custody and visitation rights.

Nicole’s pregnancy reveal came only seven days before the divorce paperwork was submitted. The timing raised eyebrows online, but Ball didn’t seem fazed by the public reaction.

“When people conversate about my personal life, it don’t touch me or bother me too much. Like I see it, of course, because, you know, everybody got a phone, but it don’t rub me the wrong way or nothing because nobody really go what I go through every day. You not me, for real. So it don’t mean s**t, for real,” Ball told Billboard News.

This isn’t the first time Ball’s personal life has made headlines. In March, Nikki Mudarris—the mother of his other children—claimed he walked out on their family shortly after the birth of their second child.

“We spent three and a half years together, and last week he decided to walk out on his kids and tell me he got someone else pregnant (allegedly) and now is creating a new life with her,” Mudarris wrote in a now-viral Instagram post.

Ball has not publicly responded to Mudarris’ claims.

C-Tru and Marina’s My Spirit Fights On Hits #1 with a Story the World Can’t Ignore

Independent artists C‑Tru and Marina have struck a powerful chord with their latest single “My Spirit Fights On,” a raw, emotional track that just climbed to #1 – not through gimmicks or virality, but through truth.

The track was born from a conversation between C‑Tru, a seasoned rapper/producer known for collaborations with Snoop Dogg and DMX, and Marina, a survivor of abuse in the foster system. What started as her personal story became a rallying cry for others. “This one wasn’t just about making music,” said C‑Tru. “It was about doing justice to a story that’s been ignored for too long.”

C‑Tru, with four #1 albums already under his belt, says this moment feels different. The song’s message – about survival, injustice, and healing – has resonated deeply with listeners, especially survivors who have flooded Marina’s inbox with messages of connection and gratitude.

“For years I didn’t have a voice,” said Marina. “To see this song not just reach people, but be heard – it’s overwhelming. That #1 means our pain is being acknowledged.”

Featuring vocals from singer Tariah, the song’s impact has grown far beyond charts. Marina says one message from a young girl who said she finally believes she can heal stands out more than any accolade.

The duo is already working on a remix with a European artist to widen the reach. Marina, originally from Austria, hopes to bring in German rap legend Sido to further amplify the message.

Beyond the music, Marina is planning a film project to tell her full story and build a broader movement focused on survivor support and system reform.

“My Spirit Fights On” is more than a #1 single. It’s a moment of reckoning and proof that music rooted in truth can still cut through.

Watch the official music video for My Spirit Fights On on Marina’s Mission YouTube channel, and follow Marina’s Mission on Instagram for updates on the movement. You can also follow C-Tru on Instagram and stream his music on Spotify.

Faith Evans Accused Of Hoarding Proceeds From $100M Sale Of Biggie’s Catalog In New Lawsuit

Faith Evans is accused of enriching herself from a fat $100 million deal involving The Notorious B.I.G. and now Biggie’s fam is dragging her to court, claiming she’s been hoarding the bag.

According to documents filed in Delaware and unsealed July 8, Faith Evans is being sued by the estate of Biggie’s late mom, Voletta Wallace, for allegedly keeping the trust’s cut of the massive catalog sale to Primary Wave.

The suit says she cut out the trust from both the money and the business side of things after Voletta passed in February.

Wayne Barrow, who manages the trust, is calling foul. He says Evans became the sole manager of Biggie’s estate after Voletta died and has been moving shady ever since.

The lawsuit claims she’s been handing out checks to Biggie’s kids, Ty’anna and CJ, and probably herself, but skipped the trust.

“Ms. Evans has distributed sale proceeds to Ty’anna, CJ, and presumably to herself,” Barrow wrote. “She, however, has wrongfully withheld the Trust’s share of the proceeds, in the amount of [redacted],” Billboard reported.

Barrow also says she’s been ghosting him on all business matters and acting like the trust doesn’t even exist.

“Ms. Evans’s actions are particularly troubling given that, unlike Mr. Barrow, she has never previously been involved in the LLC’s management,” the petition reads.

He’s now asking the court to force Faith Evans to cough up the trust’s share of the sale. Barrow says the money is supposed to go to the Christopher Wallace Memorial Foundation.

He also wants her booted as manager of the LLC and wants the court to let him take over.

Inside THC Dispensary Austin Lounge. The Spot Everyone’s Talking About

In a city celebrated for its vibrant culture and discerning taste, it takes something special for a new business to create a genuine buzz. The Austin cannabis scene is full of options, but a new destination in the St. Elmo District is proving that there’s still room for a truly thoughtful and elevated experience. 


THC Dispensary Austin Lounge, also known as The High Company, has opened its doors with a clear and compelling vision. The establishment is a thoughtfully designed social and cultural hub built around a premium cannabis experience, and it’s already becoming a favorite for those in the know.

The reason for its growing popularity is straightforward: The High Company provides the sophisticated yet completely relaxed Cannabis Lounge Austin locals and visitors have been seeking. 

They’ve seamlessly blended a top-tier dispensary with a space designed for community, discovery, and connection. It’s an innovative and essential addition to the city, providing a destination for newcomers and seasoned connoisseurs to explore the best of Austin’s cannabis culture.

The Atmosphere: A New Standard for Cannabis Spaces

The first thing that strikes you upon entering The High Company is the atmosphere. There is a clear sense of intention in the design. The space manages to be both modern and comfortable, stylish and welcoming, sidestepping the sterile feel of some dispensaries and the cluttered chaos of others. They’ve described it as a “cannabis oasis,” and frankly, that’s exactly what it feels like.

The aesthetic is a unique and effective blend of styles. You can feel a hint of classic “roaring twenties” charm in the rich textures and elegant fixtures, which is then balanced by a clean, modern sensibility that is pure Austin. The walls serve as a rotating gallery for local Austin artists, grounding the dispensary in the city’s rich creative spirit. 

This isn’t just decoration; it’s a statement that signals a deep value for culture and community. The result is a polished backdrop that encourages you to slow down, browse, and have a real conversation.

The Menu: A Curated Approach to Quality

A great environment requires exceptional products to match, and the philosophy here is clearly quality over clutter. The menu at this Austin cannabis dispensary feels handpicked by people who are genuinely passionate about the plant. It’s a focused collection that showcases a deep respect for both cannabis and the people who enjoy it.

Their commitment to sourcing is a key part of this. The High Company has built strong relationships with some of Austin’s most renowned master gardeners and top local suppliers, ensuring their selection is always top-tier. The flower menu, for instance, features beloved classic strains right alongside interesting and rare cultivars that will impress even seasoned enthusiasts. 

This curation extends across their entire menu. The edibles, concentrates, and cannabis-infused beverages are all chosen with a sharp eye for excellence, favoring reliable effects and superior ingredients over novelty.

The Human Element: Guidance, Not Gatekeeping

Perhaps the most crucial element to The High Company’s success is the human experience they provide. The staff here operates with a level of warmth and professionalism that is truly noteworthy. They are aptly named “cannabis counselors,” and they function as passionate, knowledgeable guides for your journey.

Interactions are relaxed, informative, and refreshingly devoid of pressure. The budtenders are skilled at having nuanced conversations about what you’re looking for, whether it’s a specific terpene profile, advice on dosing, or understanding different consumption methods. 

They excel at demystifying cannabis for newcomers and geeking out with experts. This dedication to a superior customer experience is a core reason why word-of-mouth has been so powerful for this new spot, solidifying its reputation as a contender for the best dispensary in Austin.

The Lounge: The Future of Cannabis Culture in Texas


Image Credit: THC Dispensary Austin Lounge

What truly sets The High Company apart and fuels the city-wide buzz is its ambitious vision for the future: the creation of Austin’s first truly elevated cannabis lounge. This concept is central to the brand’s identity and its commitment to building a real community.

The plan is to create a high-end, ridiculously comfortable space where guests can unwind and connect. The vision includes a full calendar of intimate live music events featuring local Austin artists, creating a much-needed new venue for the city’s talent. 

They also plan to host educational classes and workshops, covering everything from “Cannabis 101” for beginners to deep dives into cultivation and infused gourmet pairings for the connoisseur. This forward-thinking concept—a dedicated, stylish cannabis lounge in Texas—is what makes The High Company a true destination.

How to Visit: A Quick Guide to Your First Trip


Image Credit: THC Dispensary Austin Lounge

Ready to check it out for yourself? The experience at The High Company is designed to be straightforward and enjoyable from start to finish. Here’s a quick guide on what to expect.

First, you’ll find the THC Dispensary Austin Lounge conveniently located in the St. Elmo District with plenty of parking, making the trip easy. When you arrive, the only thing you’ll need is a valid government-issued ID showing you are 21 years of age or older.

Once inside, you’re free to explore. You can browse their full menu on your own, or you can connect with one of their friendly cannabis counselors who can guide you through the selection. While all purchases are completed in person, you can view their entire, up-to-date menu on their website before you visit. 

This is a great way to see what’s in stock and get an idea of what you might like to explore further when you get there.

The Verdict

THC Dispensary Austin Lounge is a smart, well-executed addition to the city’s landscape. It succeeds by seamlessly blending a high-end atmosphere with a down-to-earth, welcoming attitude. It’s a place that respects the intelligence of its customers, celebrates local culture, and is deeply committed to providing a superior experience.

In a scene that is constantly evolving, The High Company feels like the future. It understands that the culture surrounding cannabis is just as important as the product itself. For all those reasons, it is a place that is not just worth visiting, but worth watching.

If you’re ready to see what the next generation of the Austin cannabis experience looks like, a visit is highly recommended.

Here is the new section to add to the end of the article:


Plan Your Visit

Ready to experience The High Company for yourself? 

Here’s everything you need to know to plan your trip to this standout Austin dispensary.

Mello Buckzz Dad Charged With Selling Guns, Even After Mass Shooting

Mello Buckzz’s dad kept selling firearms even after a mass shooting outside his daughter’s album release party left four people dead and 14 wounded, federal prosecutors said.

Melvin Doyle, 45, was charged with being a felon in possession of a firearm after allegedly selling 13 guns to undercover informants between May 20 and July 7, according to a federal complaint.

One of those transactions happened just days after the July 2 shooting outside Artis Lounge in Chicago’s River North neighborhood, where Mello Buckzz had hosted a private event.

Authorities said Doyle, who has prior felony convictions for attempted murder and drug trafficking, was legally barred from owning or selling any firearms.

The Bureau of Alcohol, Tobacco, Firearms and Explosives (ATF) launched an investigation in May after receiving tips that Doyle was dealing guns.

Agents used confidential informants to arrange and record multiple buys from Doyle, including one at his home on the 5800 block of South Martin Luther King Drive.

Investigators have not linked Doyle’s weapons to the shooting, and no suspects have been arrested in the case.

Doyle’s criminal history includes a 1998 conviction for attempted murder, a 2003 conviction for manufacturing and delivering controlled substances, and a 2006 conviction for heroin distribution.

Those convictions make it illegal for him to possess or sell firearms. Prosecutors say the gun sales were all captured on audio and video.

Police are still on the hunt for multiple gunmen who opened fire in front of Mello Buckzz’s mixtape release party.

They shot from a dark-colored vehicle around 1:30 a.m. July 2, targeting a crowd outside the club. The shooters fled the scene, and detectives believe the attack may have been retaliatory.

A $10,000 reward is being offered for information leading to arrests.

Diddy Notches Partial Legal Victory, Judge Dismisses Key Claims In Ecstacy Assault Lawsuit

Diddy scored a partial legal win in New York as a judge tossed out most of the claims brought by April Lampros, who claimed the rap mogul raped her in 1995 in a hotel room.

Lampros filed the lawsuit in 2023, alleging that Diddy lured her into a controlling relationship under the guise of mentorship in music and fashion.

She also alleged that in 1996, Combs forced her and his then-girlfriend Kim Porter to take ecstasy before raping her.

Justice Leslie Stroth dismissed all claims of battery, assault, and emotional distress against Diddy and other named parties, including Bad Boy Records.

The court also rejected all allegations under the GMVPL that occurred before December 19, 2000, and denied Lampros’ request to revise her complaint.

The only surviving claim stems from an alleged incident in late 2000 or early 2001. Lampros claims Diddy made unwanted sexual advances in her apartment. According to the complaint, he left after being asked to go.

The remaining accusation involves alleged groping and forced kissing. The court clarified that no rape allegations are part of the ongoing claim.

The ruling came at the pleading stage, meaning no evidence has been presented or evaluated.

Diddy has not yet had the chance to formally respond to the remaining allegation because he’s been fighting a RICO case, which he defeated on July 2, but is awaiting sentencing for two counts of transportation to engage in prostitution.

The court emphasized that its decision does not weigh in on the truthfulness of the claims.

Diddy’s legal team has strongly denied the accusations. In a previous statement, his attorney Erica Wolff.

“April Lampros filed this baseless lawsuit more than twenty years after the end of her romantic relationship with [Diddy] represented by an attorney who regularly sues celebrities and was recently chastised by a federal judge for ‘improperly fil[ing] cases to garner media attention, embarrass defendants with salacious allegations, and pressure defendants to settle quickly,” Erica Wolff said.

The case will now proceed with only the GMVPL claim related to the alleged 2000-2001 incident. No trial date has been set.

UK Rapper Giggs Calls For Urgent Action To Help Autistic Children In Schools

British rap icon Giggs used his platform on BBC’s “Newsnight” to speak openly about his autism diagnosis and the urgent need for stronger support systems for children with special educational needs, including his own two young kids.

The South London rapper expressed concern for his 5-year-old daughter Isla and 9-year-old son Israel, both of whom are navigating life with autism.

He warned that without proper Special Educational Needs and Disabilities (SEND) resources in schools, their futures could mirror the struggles he faced growing up.

“In school, I didn’t get any support, so I was always getting in trouble,” he said, explaining how his “impulsive” behavior led to frequent disciplinary issues and the conclusion, “I was good at being bad.”

That lack of support had long-term consequences. “You take that through life,” he said, referencing the path that led him to serve two prison sentences before finding direction in music.

He credits his rap career with turning his life around and said he hopes his son doesn’t have to rely on hardship to shape his own journey.

The “Talkin da Hardest” rapper posted a clip of the interview to Instagram with a direct message in the caption: “MORE SUPPORT IS NEEDED.”

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Giggs Reveals Autism Diagnosis

This isn’t the first time Giggs has spoken publicly about living with autism. On the “90s Baby” podcast, he recalled feeling “different, special, gifted” as a child, but not understanding why until his diagnosis.

He said the lack of awareness and resources at the time left him without the tools to succeed in school.

His adult son, ML, is also on the autism spectrum and has followed in his father’s footsteps as a musician. ML has also spoken about how autism influences his creativity and everyday life.

Giggs said that finally receiving a diagnosis helped things “make sense” but also highlighted how little support existed for kids like him growing up.

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He’s now using his visibility to draw attention to the broader issue of undiagnosed and unsupported autistic children in the UK.

Meanwhile, Giggs is set to headline the final night of the Somerset House Summer Series 2025 with a special “Giggs & Family” performance on Sunday, July 20. It will be his first headlining show in London in more than six years.

“Superman” 2025 Offers Light & Fantastical Take On Man of Steel

Chris “Boogie” Brown reviews the latest version of the DC classic superhero.

Superman, the first film under Warner Bros. Discovery’s new “DC Studios” banner, is directed by James Gunn and stars David Corenswet, Rachel Brosnahan and Nicholas Hoult. Here are my spoiler-free thoughts.

The film is set in a fictional universe, where metahumans have been known to society for more than 300 years. Rather than functioning as an origin story, the narrative picks up with Superman already three years into his role as Earth’s protector. The movie serves as a snapshot in time, depicting a chaotic week in the hero’s life as he navigates the duality of his Smallville upbringing and Kryptonian heritage.

Superman’s relationships, with Lois Lane, his dog Krypt and the public at-large, are explored under the cloud of backlash and scrutiny. A lot of this is orchestrated by the ever-manipulative Lex Luthor. Using social media smears and political influence, Luthor sets out to discredit the Man of Steel permanently. He’s aided by Ultraman, a powerful foe, and The Engineer, a nanotech-enhanced warrior.

In response, Superman forms an unlikely alliance with a group of metahumans including Mister Terrific, Hawkgirl, Guy Gardner and a mysterious otherworldly ally. Together, they aim to stop Luthor’s sinister plans.

Going into the film with modest expectations, I was pleasantly surprised. Superman is a solid and enjoyable superhero entry that delivers something new for fans of the character. That said, it’s important to note this movie is tonally distinct from Zack Snyder’s 2013 film, Man of Steel. While Man of Steel embraced a grounded and existential tone, Superman veers sharply toward the fantastical. It’s closer to the spirit of DC’s Silver Age.

The tone is lighthearted, playful and even whimsical, with offbeat humor and vibrant visuals. Superman aims to evoke the nostalgia of Richard Donner’s 1978 film while feeling like a live-action animated feature. Viewers familiar with Superman: The Animated Series or My Adventures with Superman will recognize the tone instantly. From the classic score to its bright color palette, this is classic material.

While the humor and sci-fi tropes don’t always land, the film embraces its comic book roots unapologetically. Key action sequences involving Superman, Krypto and the Justice Gang offer fun, uneven spectacles.

The ensemble cast includes David Corenswet as Clark Kent/Superman, Rachel Brosnahan as Lois Lane and Nicholas Hoult as Lex Luthor. Ed Gathegi plays Mister Terrific and Nathan Fillion is Guy Gardner. Rounding out the cast is Isabela Merced as Hawkgirl, Anthony Carrigan as Metamorpho, Maria Gabriela de Faria as The Engineer and the legendary Wendell Pierce as Perry White. Last, but not least: Skyler Gisondo plays Jimmy Olsen.

Brosnahan delivers a confident, sharp portrayal of Lois Lane, capturing both her intelligence and spirit. Her chemistry with Corenswet feels genuine. Hoult plays a psychologically unstable, obsessive Lex Luthor with conviction. At times some of his manic moments slide into camp. Ed Gathegi’s Mister Terrific is a standout, while performances by Fillion and Merced felt less memorable.

Corenswet shines in the dual role. He effectively capturing Clark Kent’s modest awkwardness and Superman’s earnest heroism. He looks the part—standing at 6-foot-4—and brings warmth and physicality to the role, even if the suit design isn’t ideal. His performance feels distinct among past portrayals, offering a fresh interpretation of the iconic character.

Still, the film isn’t without its flaws. Tonally, it sometimes feels like a Guardians of the Galaxy film dressed in Superman’s colors. Gunn is well known for directing the Guardians of the Galaxy trilogy for Marvel. The crowded cast occasionally sidelines Superman himself. Visually, the film suffers from inconsistencies, with cinematographer Henry Braham’s ultra-wide lens choices leading to warped or uncanny character appearances in certain shots. Although it’s an improvement over his work on The Flash (2023), the over-lighting and visual distortions persist.

Despite those issues, Superman manages to balance its story, action, and joyful tone. There is one particularly violent scene involving Luthor, but this is mostly an accessible film that could appeal to all. Reception among hardcore comic book movie fans will likely vary depending on expectations.

If you’re partial to the hopeful tone of 1978’s Superman: The Movie, this may be your film. If you favor the brooding, philosophical depth of Man of Steel, you might find this version lacking. However, if you’re simply excited to see Superman back on the big screen, Superman delivers a crowd-pleasing ride.

This Superman film carves its own path with a fresh story, distinct tone and colorful direction. As the first entry in the new DC Universe, it packs a big punch.

Superman opens in theaters nationwide on (Friday) July 11.

FINAL RATING: 3.5 out of 5 Stars