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Jamie Foxx Reportedly Expecting Baby With Girlfriend Alyce Huckstepp

Jamie Foxx sure knows how to make a comeback. The Oscar winner is expecting another child with girlfriend Alyce Huckstepp, according to several reports.

Huckstepp is several months pregnant with a lil brown bun in the oven if these reports are right. It should be noted that neither Foxx nor Huckstepp or their PR has publicly confirmed the news. This would mark Jamie’s third child overall and his first new baby in nearly 20 years. What away to start over.

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Here the part most people ain’t saying…Jamie jokingly swore of whites last year.

In his 2024 Netflix comedy special “What Had Happened Was…,” Jamie Foxx joked that he was done dating white women and had been “cured.” He said he was “back on the Black side of town.” The comments came where he humorously referenced potato salad with raisins. The jokes were one thing, but nobody really fell for it. Bro has famously dated numerous white women and that includes Alyce Huckstepp. That was a helluva stroke.

The relationship with Huckstepp itself has moved somewhat quietly. A stroke will do that.

Foxx and Huckstepp almost broke up, but they are never breaking up now. At least, not as parent. I’m imagining they get along well, since Jamie is 58. Damn. He’s old enough to be a grand father.

If the reports are accurate, this baby is new era for the entertainer. Jamie already shares daughter Corinne Foxx with former partner Connie Kline and daughter Anelise Bishop with another ex Kristin Grannis. Corinne really supported her father through his health journey. God bless that Black Queen!

As for Huckstepp, she is about 31-years old and something of an enigma. And now she is dating one of the biggest entertainers in the world. People are about to find out about her now.

Jamie Foxx will say something soon.

Willie “Prophet” Stiggers, Kevin Liles Celebrates PACE Act Victory For Hip-Hop Artists

Willie “Prophet” Stiggers and the Black Music Action Coalition just delivered a message that’s been decades in the making.

Maryland Governor Wes Moore signed the PACE Act into law, and the timing couldn’t be more pointed.

Just weeks after James Broadnax was executed in Texas with 40 pages of his handwritten rap lyrics used against him during sentencing, Maryland’s new legislation stands as the strongest state-level protection for artistic freedom in America.

The PACE Act doesn’t ban lyrics from evidence entirely. Instead, it creates a four-part legal test that prosecutors must satisfy before a judge can even consider admitting creative work in court.

They’ve got to prove the lyrics were intended as literal statements about the facts of the case, not artistic expression or storytelling. That’s a massive shift from how courts have historically treated rap music, where prosecutors have weaponized lyrics as confessions for nearly four decades.

“This is bigger than music. This is about whether creativity can be treated as a crime when it comes from Black voices,” Stiggers said. “The execution of James Broadnax forced this country to confront a painful truth: in America, art created by Black people is too often viewed through the lens of criminality instead of humanity.” He continued by connecting the dots between voting rights erosion and the criminalization of Black creativity, warning that “old Jim Crow tactics are reappearing in new forms.”

Kevin Liles, chairman of Free Our Art, brought his own story into the fight.

“As a young man who grew up in West Baltimore making music, hip-hop saved my life. This legislation is about paying it forward to the next generation of creators.” The data backing this fight is undeniable. Researchers have documented over 820 cases since the 1980s where rap lyrics were introduced as criminal evidence, while lyrics from every other musical genre combined were used just four times and thrown out every time.

According to the Black Music Action Coalition, the coalition brought this message directly to Rolling Loud in Orlando, reaching over 100,000 young music fans and voters about the dangers of criminalizing artistic expression.

The urgency of this moment reflects a growing national movement to protect artistic freedom and address racial bias in the legal system. Maryland’s action signals that states can no longer treat rap music as a confessional booth for prosecutors seeking easy convictions.

The Recording Academy, SONA, and the Music Artists Coalition all applauded the signing, recognizing it as a watershed moment for creators’ rights.

Federal protections through the RAP Act remain the ultimate goal, but Maryland just proved that change doesn’t have to wait for Congress.

Delegate Marlon Amprey, who led the four-year fight to get this bill passed, has set a template that other states are already watching closely.

Are Chrisean & Blueface Back Together Again?

Chrisean has us in absolute shambles – again.

Blueface might be back in her life. Just when people thought she was fully tapped into a spiritual glow up, this happens. Just when we though it was all prayer circles and boxing drills, this happens! She recently pops up looking cozy with the very man we thought was in the rearview mirror forever.

From what I see, fans are frustrated. Nevaeh reportedly isn’t feeling it either, since they have a baby together. We have watched this relationship spin through toxicity, public humiliation, alleged lies and more. Chrisean had been pushing this connection with God…and now we are feeling a number of ways.

The wildest part is people remember exactly what he said. “I don’t want a better b#tch. I want my b#tch better.” Ugh. It all smells like unrefrigerated milk. And, yes, Chrisean actually does seem…better. But dang.

READ. UP: Blueface Refuses To Accept Chibu Loss After Getting Beat 

In the video, they are play boxing and stuff. Remember she won her last and first fight and he lost. He got knocked out of the ring, even though it may’ve been a slip.

Listen, I have seen enough celebrity boxing footage to know when somebody is just shadowboxing versus someone that is really learning how to fight. Chrisean learning. This woman is blocking punches now. Do you understand how serious that is? Now she’s slipping shots, weaving, using head movement and actually landing play jabs with intention. Is she trying to tell him something? Could it be “closure” or something like that?

(Oh yeah, there was a concert in Seattle somewhere in there too, but look at the videos for those details.)

READ ALSO: Chrisean Rock Claimed Controversial Victory As Mayweather Family Took Center Stage

We do not need this toxic pay per view event.

And yet, we’d buy it if it sold tickets.

W genuinely want Chrisean to win in life, not just in a boxing ring. And, this backlash feels like a backpedal! I thought she was finally finding peace.

Maybe this is redemption. Maybe this is closure. Please do not let this show up on Zeus!

One thing is certain. Everybody’s watching.

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Cuckoo Bananas Donald Trump Calls White House A “S### House”

Donald Trump took a jab at the White House’s condition before his renovations while speaking to law enforcement leaders, calling the historic building a “s### house” in its previous state.

The president’s blunt assessment came as he lauded the changes he’s making to the residence during his second term.

Trump has been aggressive about reshaping the White House and Washington D.C. more broadly, with projects ranging from a $400 million ballroom to a 250-foot Independence Arch.

Trump’s renovation efforts have drawn significant criticism from preservationists and the public.

A Washington Post-ABC News-Ipsos poll from October found 56% of Americans opposed his planned ballroom project, with only 28% supporting it. The ballroom would replace the demolished East Wing, which previously housed the first lady’s offices and the White House movie theater.

Beyond the ballroom, Trump has undertaken numerous other changes to the White House.

He transformed the Oval Office with gold accents, statuettes, and portraits of famous Americans.

The Rose Garden’s iconic grass lawn was replaced with a white stone patio and umbrella-covered tables, similar to the setup at his Mar-a-Lago Club in Palm Beach, Florida.

Trump said the stone was necessary because women wearing high heels would sink into the soil.

Inside the residence, Trump tore out the green-tiled, retro-styled bathroom in the Lincoln Bedroom and replaced it with a modern version featuring white and black marble.

The green tiles dated back to President Harry Truman’s White House renovation in the 1950s.

Trump’s broader Washington makeover includes plans to renovate the Kennedy Center at an estimated cost of $200 million.

The cultural center saw show cancellations and slumping ticket sales after Trump’s takeover and the Trump-appointed board’s decision to rename it the Trump-Kennedy Center.

The president also announced plans to remodel the historic Reflecting Pool near the Lincoln Memorial, where Martin Luther King Jr. delivered his “I Have a Dream” speech in 1963.

Trump said the pool was in bad shape and he decided to get more involved in the project. He said the pool was resurfaced with “American flag blue” materials and released an AI-generated image of himself and cabinet officials floating in the pool.

Trump’s renovation projects face ongoing legal challenges.

An appeals court on April 17 allowed the Trump administration to continue construction of the ballroom on the site of the demolished East Wing and set a June hearing to review a Washington judge’s order to halt the project.

The work on the ballroom project provides a daily cacophony of construction noise between the White House and the Treasury Department, a disruption likely to continue for much of Trump’s three remaining years in office.

Yung Miami Wants Another Baby But Won’t Live With Her Man & Here’s Why

Yung Miami is getting real about what she’s looking for in her next relationship.

During a recent SiriusXM interview, the rapper opened up about her dating preferences and what it takes to win her heart.

The City Girls member made it clear she’s not interested in men her own age.

Instead, she’s drawn to older guys who bring maturity and patience to the table.

“I like older. It’s just fun. It’s different,” she explained. “I feel like they older. They seasoned, they mature, they got a little more patience. Like, I need somebody to be patient with me and I need somebody to treat me like I’m a queen. Like, these little, you know, the ones that’s in the same age range, they still trying to have fun.”

The shift in her dating preferences comes as Yung Miami navigates a new chapter in her life. She recently parted ways with JT and the City Girls after the duo’s 2023 album RAW failed to gain traction commercially.

The split marked the end of an era for the Miami-based rap group that had dominated the charts for years.

Beyond her music career, Yung Miami has been dealing with the aftermath of her high-profile relationship with Diddy.

She’s been open about how that connection cost her deals and damaged relationships in the industry. Now, she’s focused on moving forward and finding someone who can meet her standards.

When asked if she’s looking to settle down, Yung Miami didn’t hesitate.

She wants another baby and the whole package that comes with it. But there’s a catch: she’s not willing to move in with anyone.

“I don’t know too soon cause I don’t want to live with no men. So it’s just like that’s where I get like I do want to be with a men and have kids and stuff but I don’t want to move. I just need my personal space and I think a man need their personal space and I think that you know I respect people privacy and I think it’s it just give them it just keep the relationship kind of like on your toes. It’s like I miss you. Where you at? I’m coming to your house right now.”

For Yung Miami, maintaining distance is key to keeping the spark alive. She believes that living separately allows couples to appreciate each other more and keeps the relationship fresh.

It’s a different approach to modern dating, but one that works for her.

Boosie Badazz Signed Artist Playbwoi The Great Shot Dead, Mother Shares Heartbreaking Last Conversation

Cornell Davis, the Indianapolis producer known as Playbwoi The Great, was shot and killed Tuesday night at his home on the 6000 block of Windsor Avenue.

The 37-year-old artist left behind a legacy that stretched far beyond his hometown, with collaborations from major names in Hip-Hop and a devoted fanbase that celebrated his music.

Playbwoi The Great’s mother, Jenetta LeShore, spoke exclusively about her son’s death and his impact on the music industry.

“My son. My king. I was his number one fan. I used to pass out his CDs. I was selling his CDs. I was going to get CDs stamped and printed. That’s how much of a big fan that I was,” LeShore said, reflecting on her unwavering support throughout his career.

The Indianapolis music community recognized Playbwoi The Great’s talent early on.

He worked with major artists, including NBA Youngboy, Bleu DaVinci and Kevin Gates and was signed to Boosie Badazz’s Bad Azz Music Syndicate.

LeShore recalled the moment her son shared his biggest breakthrough.

“He’s done music with Kevin Gates. He was signed to Boosie, and he called me. And he said, ‘Mama.’ He said, ‘Guess what?’ I said, ‘What, son?’ He said, ‘I just got signed to Boosie.’ I said, ‘Really?’ He said, ‘Yeah.’ So, I was so excited. I said, ‘He’s finna come up,'” she explained.

Beyond his professional achievements, Playbwoi The Great was a devoted father. He leaves behind a 17-year-old son who is also pursuing a career in rap.

His son, who goes by the stage name Cowboy, carries on his father’s musical legacy. The loss hit LeShore hardest when she reflected on their final conversation.

“Before we get off the phone, I always heard that soft voice. Mama, I love you. And I didn’t know that was going to be the last time I would hear his voice,” she said, her voice breaking as she remembered their last exchange.

Police interviewed one person of interest in connection with the shooting and have since released them. Investigators believe the shooting was targeted because the producer had just recovered after being shot months earlier.

The investigation into Playbwoi The Great’s death continues as the Indianapolis music community mourns the loss of one of its brightest talents.

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“Odyssey” Director Defends Casting Travis Scott

Travis Scott is stepping into ancient Greece as a bard in Christopher Nolan’s “The Odyssey,” and the internet’s reaction has been nothing short of chaotic.

The casting announcement sent shockwaves through social media, with fans questioning everything from Nolan’s creative judgment to whether he’s lost his mind entirely.

But Nolan’s reasoning is actually rooted in something deeper than most people realize.

“I cast him because I wanted to nod towards the idea that this story has been handed down as oral poetry, which is analogous to rap,” Nolan explained in his TIME interview.

The director sees a direct connection between Homer’s ancient storytelling tradition and modern Hip-Hop culture, positioning Travis Scott as the bridge between those two worlds.

It’s a bold, creative choice, but one that makes conceptual sense when you understand Nolan’s vision for the film.

The backlash, however, has been relentless. Twitter users, Reddit threads, and TikTok videos erupted with criticism the moment the casting became public.

People complained about everything from the dialogue sounding too modern to the overall ensemble feeling miscast.

One common refrain: “Ruined WWE and now to ruin a Christopher Nolan movie.”

Elon Musk even weighed in on social media, claiming Nolan had been “compromised,” though his involvement only amplified the noise rather than clarifying anything.

The criticism wasn’t just about Travis Scott specifically, but about what his presence seemed to represent to skeptics who viewed the entire project as compromised or too experimental.

According to TIME, Nolan spent over 20 years dreaming about adapting Homer’s epic, and he’s committed to bringing it to life with the scale and ambition it deserves.

The film, shot entirely on IMAX, represents the culmination of his career-long obsession with large-scale storytelling.

Matt Damon plays Odysseus, with a supporting cast that includes Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, and Charlize Theron. Travis Scott’s role as the bard Demodocus is just one piece of a massive ensemble puzzle.

“The Odyssey” arrives in theaters on July 17, 2026, and it’ll be the first feature-length film shot entirely on IMAX cameras, a technical achievement that required solving problems filmmakers had never faced before.

Self-Proclaimed “King Thief Of Atlanta” Going To Prison For Stealing Beyoncé’s Unreleased Music

Fulton County Superior Court handed down a sentence that sends a clear message about stealing from one of music’s biggest names: Beyoncé.

Her unreleased music and confidential tour materials were stolen from a rental vehicle in Atlanta, and the man responsible just faced serious consequences for his actions.

Kelvin Evans, 40, pleaded guilty on Tuesday to criminal trespass and entering a vehicle with intent to commit theft, accepting responsibility for the July 2025 break-in that targeted her choreographer Christopher Grant and dancer Diandre’s SUV.

The judge wasn’t lenient about it.

Evans received a five-year sentence that includes two years in prison followed by three years on probation, plus a mandatory order to stay away from the victims and the location where the theft occurred.

Surveillance footage presented during the plea hearing showed Evans driving through an Atlanta parking garage, positioning himself next to the victim’s vehicle, peering inside, and then removing black suitcases before carrying them into a building connected to his sister’s residence.

Prosecutors emphasized that those suitcases have never been recovered. The stolen items included jump drives containing unreleased Beyoncé tracks, footage plans for her live performances, and both previous and upcoming set lists from her tour.

During his interview with authorities, Evans referred to himself as the “king thief of Atlanta,” a boast that didn’t help his legal position.

His own niece became a witness against him after she received a stolen iPhone and several chargers that were part of the theft, items that prosecutors confirmed matched the stolen property report.

According to Variety, Evans had initially rejected a plea agreement that would have resulted in the same five-year sentence, choosing instead to proceed toward trial before ultimately changing course and entering his guilty plea.

The theft occurred during Beyoncé’s ‘Cowboy Carter” tour stop in Atlanta, when her team discovered the break-in at Krog Street NE on July 8, just two days before her first Mercedes-Benz Stadium performance.

An arrest warrant was issued on July 14, and Evans was arrested the following month after investigators tracked him down.

Evans will be eligible for parole consideration after serving his two-year prison term, though the probation period will extend his supervision well beyond his release date.

Jason Aldean Explains How Ludacris Ended Up On “Dirt Road Anthem”

Jason Aldean took a major risk when he decided to add rap to “Dirt Road Anthem,” and the country star opened up about why he chose Ludacris for the remix.

“There was nothing like that song out at country radio when we put it out,” Aldean said in a recent interview with Billboard. “And I remember my some of my friends are like, wait, you’re going to rap in a song? What are you doing? I like Eminem, you know, like there would be an occasional guy like that that I would be like, oh, he’s cool. Snoop, I love Snoop, you know, Lil Wayne. There would be certain guys that I like but it just as as a whole it was never something that I would just listen to all the time.”

The collaboration was a bold move for Aldean, who wasn’t typically known for Hip-Hop influences. But when it came time to find the right artist for the remix, Ludacris stood out as the perfect fit.

“But Ludacris was one that I thought, man, this is a perfect fit for this song,” Aldean explained. “Like get him to come out and I was like, just write a verse, come out, do your thing, and it was awesome.”

The remix became a massive hit, blending country and rap in a way that hadn’t been done before on country radio.

Aldean’s willingness to step outside his comfort zone and collaborate with a Hip-Hop legend showed his versatility as an artist and his openness to experimenting with different genres.

The “Dirt Road Anthem” remix remains one of Aldean’s most memorable collaborations, proving that sometimes the best music comes from taking risks and trusting your instincts about who the right partner is for your vision.

George Floyd Family Blasts Tony Hinchcliffe Over Netflix Roast Joke

Tony Hinchcliffe made a George Floyd joke during Netflix’s roast of Kevin Hart, which has the Floyd family and their foundation absolutely furious right now.

The comedian delivered the line “The Black community is so proud of you… right now George Floyd is looking up at us all laughing so hard he can’t breathe” while roasting Hart on May 10, and the response has been swift and unforgiving.

Travis Cains, a spokesman for The Gianna and George Floyd Foundation, told TMZ that Kevin Hart’s condoning of this material is “sad for the culture.”

The foundation’s position is clear: Hart should’ve shut this down before it ever made it to the stage, especially knowing Hinchcliffe’s history with this exact subject matter.

This isn’t even the first time the comedian went there with George Floyd references.

During the Tom Brady roast, Hinchcliffe joked that Rob Gronkowski “looked like the final boss in George Floyd the video game,” prompting people to question his judgment and taste.

Now he’s doing it again on a bigger platform, and the family’s response reflects real pain about what this means for their community.

The foundation called Hinchcliffe a “racist comedian” and questioned why Hart would allow this to happen on his own stage.

The foundation’s final statement cut deep: “We are trying to rebuild things for our community and make things better in our community. Let’s try to be a little bit more positive and not sit up there doing colon inspections by white comedians.”

The roast itself was packed with controversial moments beyond just the George Floyd material.

Dwayne Johnson dropped an R-word slur during his set, and Pete Davidson made a “gay Nazi” joke about Kanye West that reignited their ongoing feud.

The Netflix event, which aired live from the Kia Forum in Los Angeles, drew massive viewership numbers.

The Tom Brady roast drew over 2 million viewers on its first night, and industry insiders expected the Kevin Hart roast to draw even bigger numbers, given the star power involved.

The message is direct, and it’s resonating with people who see this as a pattern of disrespect toward a man whose death sparked a global movement.

George Floyd’s brother, Terrence, has previously spoken out against disrespectful references to his sibling in entertainment, making it clear that the family won’t stay silent when they see their loved one used as a punchline.

Byron Allen Takes Over BuzzFeed In $120M Acquisition Deal

Byron Allen just scooped up one of the internet’s most recognizable digital media brands for a fraction of what it was worth a decade ago.

The media mogul and owner of Allen Media Group is taking control of BuzzFeed with a $120 million deal that gives him a 52 percent majority stake and the CEO position, replacing founder Jonah Peretti, who’s shifting focus to artificial intelligence development.

The structure of this acquisition tells you everything about where BuzzFeed stands right now.

Allen’s putting down $20 million in cash, with the remaining $100 million coming as a promissory note due 5 years after the deal closes in May.

Meanwhile, BuzzFeed just reported that advertising revenue dropped nearly 20 percent year-over-year, and the company lost $15.1 million last quarter.

That’s the kind of financial reality that forces founders to make tough decisions about their legacy.

Peretti built BuzzFeed into a cultural force in the early 2010s, when viral content and Facebook distribution were essentially the same thing.

The company was so hot that Disney reportedly offered him $650 million back in 2014, but he turned it down. Now he’s watching his creation get picked up for $20 million upfront.

According to The Hollywood Reporter, the company’s also spinning off its Tasty food brand and studios division into separate entities, which could mean those assets get sold off to other buyers.

What happened to BuzzFeed is basically what happened to every digital media brand that bet everything on social platforms.

When Facebook and Twitter changed their algorithms to keep users on their own sites instead of sending them to external links, the whole model collapsed.

BuzzFeed News shut down in 2023, and the flagship site’s traffic has been steadily declining.

Allen’s betting he can turn this around by pivoting toward streaming video and user-generated content, positioning BuzzFeed as a competitor to YouTube.

He’s already proven he knows how to acquire media assets and restructure them, having picked up Weather Channel properties and recently taking over the Late Show time slot on CBS with his Comics Unleashed series.

Peretti will oversee a new division called BuzzFeed AI, focused on products built around recent advances in artificial intelligence.

Eminem’s Ex-Wife Admits To Driving Drunk & She’s Going To Be Sentenced For It

Eminem and his ex-wife, Kim Mathers, are living in two completely different worlds right now, and the contrast couldn’t be more stark.

While the Detroit rapper just celebrated 18 years of sobriety on April 20, 2026, his former spouse pleaded no contest to impaired driving charges on May 11 after a hit-and-run incident that put her son and his friends at risk.

Kim Mathers, 51, of Chesterfield, Michigan, entered her plea in the 42-2 District Court in New Baltimore after the February 16 crash, where she was driving a white Range Rover and struck a parked silver Dodge Ram pickup truck.

The impact was severe enough to push the truck approximately 50 feet from its original position.

According to ClickOnDetroit, police determined she was impaired at the time of the collision, and her son, Parker, along with three of his friends, were passengers in the vehicle.

The charges she faced were operating while impaired, a 93-day misdemeanor, and failure to stop after a collision, another 90-day misdemeanor.

She immediately pleaded no contest to both counts, accepting responsibility for her actions that day.

This moment represents yet another chapter in Kim’s ongoing struggles with substance abuse, a pattern that’s haunted her for years while those around her have moved forward.

Just three weeks before Kim’s court appearance, Eminem posted a photo of his 18-year sobriety coin on Instagram, marking a decade and a half of staying clean after his near-fatal overdose in 2007.

The rapper, who’s been open about his addiction struggles, has become a symbol of recovery and resilience.

As for Kim Mathers, her sentencing hearing is scheduled for June 17, 2026, at 9 A.M. in the same courtroom where she entered her plea.

Foogiano Rumors Had Everything Wrong

They must want Foogiano back in jail. They are saying that the rapper is already back in federal custody just weeks after regaining his freedom. But hold up…is the rapper’s comeback over already?

Foogiano, born Kwame Khalil Brown, was allegedly booked into the Montgomery Residential Reentry Management facility for supposedly violating the terms of his probation or supervised release. There is a post that says just that. And, along with that, there is a mugshot fueling jokes like the internet is known to do.

But hold up.

Foogiano is off the hook after social media spent the better part of the day insisting the rapper was in the bing again.

Foogiano’s manager shut the rumors down directly, saying, “Don’t listen to the internet, that sh#t hype. Foo is not back in the feds, that’s clickbait sht. Foo good… from the CEO mouth himself. Ain’t no motion stopped.”

The confusion appears to stem from people misunderstanding what the RRM system actually is. According to reports from, Montgomery RRM is not necessarily a prison placement. It is part of the Bureau of Prisons’ reentry process that helps supervise inmates transitioning back into society after incarceration. OK.

Still, that did not stop the internet from internet-ing.

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They even said the rapper had supposedly traveled to Georgia to see his children and may have violated conditions tied to his release. Foogiano some prayer hands and they then took that and said he was begging for a release.

Then there was the mugshot.
A booking photo was cap and lied on that man. Blogs and social media pages kept running the story!

After serving years behind bars connected to a federal firearms case and supervised release violations, Foogiano’s return is still moving forward. 1017 and Gucci still have one (I think).

Lil Baby Explains Why He Turned “Mrs. Trendsetter” Into To Real Community Action

Lil Baby turned Mother’s Day into something real for Atlanta families by setting up a free flower pop-up where kids could show their moms they care.

The event wasn’t just about handing out bouquets either. Children got to pick custom arrangements and write handwritten cards expressing their gratitude, turning the whole thing into something personal and meaningful.

Family photos were captured in a red-carpet style setup, giving mothers the recognition they deserve as the backbone of their communities.

The pop-up was connected directly to his latest single, “Mrs. Trendsetter,” which has been dominating the airwaves since its release earlier this year.

The track hit number one on Mediabase’s Urban Radio Chart, and the official music video has already surpassed seven million views on YouTube. In the visual, a group of women link up in a group chat and celebrate their confidence and collective hustle.

Lil Baby’s reasoning behind the event came straight from his own experience.

“To me, mothers are the original Mrs. Trendsetters,” he shared. “Being raised by a single mom, I know first-hand how hard women work to make it happen for their kids, so this was just a small way for them to show their moms some appreciation.”

That perspective shaped everything about how the event came together, making it feel less like a promotional stunt and more like genuine community love.

The single stands out from his December 2025 mixtape, “The Leaks,” which became his fifth number-one project on Billboard’s Top Rap Albums chart.

The project also reached number five on the Top R&B/Hip-Hop Albums chart and landed at number seventeen on the Billboard 200.

Daz Dillinger Sues Over Missing 2Pac Royalties

Daz Dillinger is going after Tupac’s estate, claiming he was never properly compensated for his production and songwriting work on some of the biggest tracks in Hip-Hop history.

The legendary West Coast producer filed suit against Amaru Entertainment, the label founded by Tupac’s mother, Afeni Shakur, that controls a massive catalog of 2Pac’s most iconic records.

The tracks in question read like a greatest hits compilation. Daz helped create “I Ain’t Mad at Cha,” “Got My Mind Made Up,” “Skandalouz,” “Ambitionz az a Ridah,” and “2 of Amerikaz Most Wanted” – records that defined an era and continue generating serious revenue.

According to TMZ, Daz demanded his royalties back in October 2024 and received a check for over $91,000, but here’s the problem: no detailed accounting came with it.

He’s got no breakdown of where that money came from, what he’s actually owed, or if there’s more sitting on the table.

Now he’s asking the court to force Amaru to open their books completely. He wants every revenue stream, every profit margin, every reserve, every contract, every license agreement, and every way these songs have been exploited across platforms and territories.

This isn’t just about getting paid once; it’s about understanding the full picture of what these records have generated over decades.

But Daz’s problems don’t stop with Tupac’s label.

His cousin Snoop Dogg, who now owns Death Row Records, has become another target in what’s turning into a full-scale royalty war.

Daz claims Snoop deliberately blocked him from producing on Tha Dogg Pound’s 2024 album W.A.W.G. (We All We Got) to keep production profits for himself.

He’s also accusing Snoop of trying to trademark the iconic Dogg Pound pawprint logo without his consent and planning to sell the entire Death Row catalog to Universal for a billion dollars while stiffing artists on their royalties.

When Snoop caught wind of Daz’s public complaints, he fired back with a threat: “In a minute I’ma f### you up, cuz. On some real s###. Not physically, but business wise.”

Daz responded by calling his cousin out on Instagram, claiming Snoop hasn’t paid a single royalty since buying Death Row in 2022 and is using artist money to cover his own staff salaries.

The tension between these two Long Beach legends has escalated from family disagreement to potential legal warfare.

Daz has previously sued major figures in the industry over publishing and catalog disputes, and he’s made it clear he’s willing to take the same approach with Snoop if necessary.

The difference this time is that both lawsuits – against Amaru and potentially against Snoop – center on the same core issue: artists not getting their fair share from the catalogs and deals that made them legends.

Daz is demanding accountability from everyone involved, whether it’s Tupac’s estate or his own family.

Ice Cube Accused Of Blowing Off Lawsuit From Best Boys And Grips

Ice Cube is staring down a serious labor dispute after six crew members from a 2024 music video shoot are demanding payment they say they never received.

The situation’s gotten messy enough that the workers are now pushing courts to issue a default judgment against the rapper, essentially giving them an automatic win if he keeps dodging their legal requests.

The crew got hired on July 2, 2024, to work on a video for Ice Cube’s track “Ego.” By the next day, the production wrapped, and they were sent home without a single dollar in their pockets.

That move violated California labor law, which is crystal clear about one thing: entertainment workers must be paid immediately upon release from a shoot. No delays. No excuses. No “we’ll process it next week.”

Steadycam operator Adeshola Adigun and five other crew members filed suit in August 2024, claiming they were never fully compensated for their labor.

According to court documents from MyNewsLA, the case has been grinding through the system for months, while Ice Cube’s legal team has submitted responses to interrogatories that the plaintiffs say don’t actually answer the questions posed.

It’s a classic stalling tactic, and judges don’t appreciate it.

In February 2026, Judge Brock Hammond reviewed the crew’s motion for terminating sanctions, which would’ve resulted in a default judgment if approved. Hammond found that most of Ice Cube’s responses were technically compliant with court rules, so he didn’t grant the default.

However, he ordered Ice Cube to correct the responses that fell short and to stop playing games with the discovery process.

The crew is alleging violations of California’s entertainment payroll statutes, waiting-time penalties, itemized wage statement requirements, and breach of contract.

Legal experts note that California entertainment workers have specific protections, and employers who ignore them face serious financial consequences.

Ice Cube’s defense centers on the claim that he wasn’t actually the employer, that Video God LLC and director Gabriel Hart held that responsibility.

But California courts have consistently ruled that who controls the work and makes hiring decisions matters more than paperwork when determining liability.

Rolling Loud Orlando Crushes With Ken Carson, Young Thug & Sexyy Red Bringing Chaos To Closing Night

The final night of Rolling Loud in Orlando closed with pure mayhem as Ken Carson delivered one of the festival’s biggest sets, bringing out Young Thug and Lil Tecca to cap off a weekend that showcased the best of Hip-Hop’s new generation.

The packed final day also featured explosive performances from Sexyy RedBossMan Dlow, NoCap, PlaqueBoyMax and more as fans flooded the grounds from open to close. OsamaSon also previewed unreleased music from his upcoming album Nocturnal

Throughout the night, surprise guests turned nearly every stage into an event of its own. 1300SAINT brought out Young Thug, while BossMan Dlow welcomed Hurricane Wisdom, Nardo Wick and Wopp. Elsewhere, Loe Shimmy surprised the crowd with YTB Fatt, and Hurricane Wisdom brought out Wolfacejoeyy. 

Additional standout moments included TiaCorine bringing out 1900Rugrat and Skrilla surprising fans with an appearance from 6kfly. Sexyy Red also brought out PLUTO for a performance of “WHIM WHAMIEE Remix.” 

Outside of the music, Rolling Loud leaned heavily into immersive fan experiences. The Loud Theater, presented with Cinemark and Sprite, debuted the teaser trailer for Rolling Loud the Movie, which is set for theatrical release on October 2, 2026. The film stars Owen Wilson and Matt Rife, with appearances from Travis Scott, Sexyy Red, Ski Mask The Slump God and Ty Dolla $ign. 

Festivalgoers also packed activations from Red Bull, Under Armour and the Hennessy Social Club, while legendary skateboarder Stevie Williams hosted the Sherb Skatepark experience. 

Rolling Loud continued highlighting local Orlando culture by featuring area food vendors and businesses throughout the grounds, reinforcing the festival’s effort to connect with the communities it touches. 

The entire festival streamed live through Amazon Music on Twitch, Prime Video and the Amazon Music app. 

Below are a few images courtesy of Rolling Loud.

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6ix9ine Breaks Down 21 Savage’s U Visa, Addresses Accountability With Big Bank

6ix9ine sat down with Big Bank on “Perspektives With Bank” for a raw, unfiltered conversation about his federal case, industry politics, and the accusations that have followed him since his cooperation with authorities.

The interview, which aired on May 10, 2026, became a heated debate about accountability, street code, and who gets a pass in hip-hop.

The conversation kicked off with 6ix9ine addressing why he responds to rappers who mention him first.

“So when I when I wake up, right, I don’t wake up with n##### on my mind. I wake up me responding to n##### right? I’m from New York. I feel like a lot of rappers, they wake up and mention 6ix9ine, they not from New York. When Meek Mill mentioned me, right, when Meek Mill mentioned me, he not from New York. When Lil Durk mentioned me, he not from New York. When King Von mentioned me, he not from New York. When 21 Savage mentioned me, he not from New York. What? Why do they got an opinion on my life, my case, not being from New York or having any do with my case?”

6ix9ine then pulled receipts on 21 Savage, breaking down the rapper’s U visa status. He explained that a U visa is specifically for non-citizen victims of crimes who cooperate with law enforcement.

“21 Savage here on a U visa. That means he was a victim of a crime and is helping. Look, I’m not making this up.”

The point wasn’t lost on Big Bank. 6ix9ine was drawing a direct parallel between his own cooperation and 21 Savage’s legal status, questioning why one gets celebrated while the other gets condemned.

When Big Bank pushed back on 6ix9ine’s antics and trolling, 6ix9ine defended his position.

“Every action has a reaction, right? So I’m just reacting to these mentioning me.”

He argued that he has every right to defend himself when rappers attack him first, especially those with no connection to his case or his New York roots.

The interview shifted to accountability.

Big Bank asked what part 6ix9ine takes in the situation. 6ix9ine responded directly: “Who came out and said, ‘Yeah, I did what I did.’ That’s accountability. Accountability is what I did. My thing is like, ‘Yeah, I I told, but these n##### was sleeping with my baby mom, stealing millions, kidnapping me. They did all of this. That’s accountability. I said it on the first live when I came home. I wore it.'”

6ix9ine then brought up Gunna, claiming the rapper cooperated but the industry swept it under the rug. He contrasted this with how he’s been treated.

“We knew Gunna wasn’t no gangster when he told the first time and we swept it under the rug. you CALL that accountability?”

Kendick’s Drake Disses Disappear Or Did They? The Internet Investigates!

Kendrick Lamar – hold up right now – several major pieces of his catalog suddenly disappeared from streaming platforms overnight. The culprits are “Not Like Us” and “luther” appear to have been removed from YouTube, while the album “GNX” and the Drake diss track “euphoria” became unavailable on Apple Music for many users. 

But what is this:

Theories have jumped up and out. Drake fans think “ICEMAN” has people super scared. You know the album comes out this week. Some commenters – which I do NOT agree with – think Kendrick could be preparing a deluxe edition or surprise drop. NAH. This could be something else involving PGLang.

Right now, there’s no official explanation from Kendrick’s camp. Like nothing. But, clearly something is awry even with the discrepancy.  

Most of Kendrick’s catalog are still live on Spotify and other places. People in places like Reddit quickly downloaded their purchases but some said “not available in your country.” Uh Oh.

Conspiracy theorists are all trying to make it sinister . “Not Like Us” remains one of the biggest diss records in rap history. It was ominating charts, winning Grammys, and becoming culturally unavoidable after the Drake feud exploded in 2024. Something is askew but I don’t think it is what people say it is. And Kendrick is definitely not afraid of Drake.

Can’t wait to hear the new album though! Let’s get icy! LOL!

It could be a technical glitch or somebody playing games.

Developing…

Snoop Dogg Delivers On Promise With Major Music Equipment Donation To Special Needs School

Snoop Dogg made good on his promise to Warringa Park School in Werribee.

The Grammy-winning rapper donated professional music equipment, including microphones, stands and speakers, to the special needs school months after recording with students on their track “Drip.”

The donation came after Snoop Dogg visited the school last year when students reached out to him on Instagram.

During that visit, he spent time with each student and recorded a verse for their song, which was inspired by his classic “Drop It Like It’s Hot.”

The students called the experience once-in-a-lifetime.

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“Last year when Snoop Dogg came to record his vocals on our song Drip, he said he wanted to donate some studio equipment to our school,” the school posted on social media. “True to his word, he followed through.”

The equipment donation gives the school’s music program a major upgrade. With professional-grade microphones and speakers, students now have access to tools used in real recording studios.

It’s the kind of gear that can transform a classroom into a legitimate creative space. Snoop Dogg’s generosity reflects his ongoing commitment to supporting music education.

The rapper has long been vocal about giving back to communities and supporting young artists. The “Drip” collaboration was released in May 2025 on the album 2025 by Radio On.