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(AllHipHop News) Bone Thugs-n-Harmony rapper Krayzie Bone was arrested for drunk driving this morning in Los Angeles.
The rapper was driving his vehicle about 12:30 am and police pulled him over in a “routine” traffic stop, according to TMZ.com.
Krayzie Bone, 39, was suspected as being intoxicated, authorities said.
The police asked the rapper to perform a sobriety test and a breathalyzer came in over .10, which is over the legal limits in California.
The rapper was arrested and taken to jail.
He was cooperative.
AllHipHop.com was unable to obtain a statement from Krayzie Bone at press time, but the rap star recently conducted an interview with AllHipHop.com that was published earlier this week and revealed he was working on a double LP titled Chasing The Devil.
“I’m going to release the first one for free digital download,” Krayzie Bone told AllHipHop.com. “Just to give something back to the fans. I actually forgot to mention that it is going to be a double CD when I made the announcement, so I’m clearing that up now so everybody knows it’s going to be a double CD, and the first CD is going to be released for free digitally. However, I am going to have the whole double CD album available for physical purchase if people would like to do so.
TGI……Everyday!!!!
Welcome to the only day you know you have for sure!! It is estimated that, each day, 70,000 people die worldwide! That’s 70,000 people who no longer can take a breath! 70,000 people
who can no longer dream! 70,000 people who have no more chances to take!
As you read these words, realize that tomorrow is not promised! As your eyes scroll further, understand that when your time is up, your time is up! But also realize that your moment is NOW! There’s nothing to wait for! No condition to become better! Simply using what you have
at this very moment to create your happiness!
Yesterday doesn’t want you, and tomorrow is running from you! This is your moment! Live in it! Cherish it, and make it great! Take NOW for granted if you want, but NOW has been the only time that has ever consistently been by your side. Show your appreciation and seize the Moment! You only have one live to live!! Live it right!!
-Ash’Cash
“Be happy for this moment, for this moment is your life.” -Omar Khayyam
“Every moment is a golden one for him who has the vision to recognize it as such.” -Henry Miller
“You are, at this moment, standing, right in the middle of your own ‘acres of diamonds.”” -Earl Nightingale
“Realize deeply that the present moment is all you have. Make the NOW the primary focus of your life.” -Eckhart Tolle
“You’ve gotta dance like there’s nobody watching, Love like you’ll never be hurt, Sing like there’s nobody listening, And live like it’s heaven on earth.” -William W. Purkey
“The purpose of life is to live it, to taste experience to the utmost, to reach out eagerly and without fear for newer and richer experience.” -Eleanor Roosevelt
“Write it on your heart that every day is the best day in the year.” -Ralph Waldo Emerson
“Guard well your spare moments. They are like uncut diamonds. Discard them and their value will never be known. Improve them and they will become the brightest gems in a useful life.” -Ralph Waldo Emerson
TO HEAR THE AUDIO VERSION OF THE DAILY WORD – CLICK HERE.
Ash’Cash is a Business Consultant, Motivational Speaker, Financial Expert and the author of Mind Right, Money Right: 10 Laws of Financial Freedom. For more information, please visit his website, www.IamAshCash.com.
(AllHipHop News) Baltimore’s Bad Boy artist, Los, was recently highlighted by BET for their 2012 Music Matters campaign. The campaign spotlights the next BET superstars through music, bios, videos, photos, and intimate interviews. Launched in 2010, the BET Music Matters initiative focuses on up-and-coming new talent by showcasing their music through live performances, monthly showcases, and the Music Matters Tour.
In the interview, Los describes how being raised in Baltimore shapes his style as an artist, as well as his personal feelings towards music. As of late, Los has been at work on his debut effort that will be distributed through Bad Boy Entertainment.
In addition, his mixtape, Becoming King, is dropping next month and will feature appearances by fellow Bad Boy recording artists, production by J.U.S.T.I.C.E League, and more.
Jay-Z and Duracell have collaborated to market Duracell’s new product the Powermat. The cell phone charging device and/or station is being marketed to businesses across the world as the technology can be installed on tables, countertops, bars, and virtually any resting place for a phone.
In the commercial, an iPhone user is seen carrying his phone with the Duracell’s Powermat technology as he maintains a charge on his phone throughout his daily schedule, never entering the red zone on his battery charge. Take a look at the commercial below, and for more information check out the Duracell Powermat site.
What a silly lil’ game this turned out to be.
Anyway, I knew The Game was playing. Come on son. I said it in the post I wrote. Ain’t now way dude is going to do his girl that way on the international stage.
[Read: Hip-Hop Rumors: The Game Calls Off Wedding]
The wedding date is all set for late August…oh and so is the reality show.
See, reality shows need some aspect of drama to drive those commercials being bought to fuel the show.
[Read:Hip-Hop Rumors: The Game To Film Wedding For Reality TV???]
So, they basically are hustling and thats a good thing. Hustle on.
Anyway…may God, and Viacom bless their union.
🙂
![game martians vs goblins photo game martians vs goblins Game Ft. Tyler, The Creator & Lil Wayne Martians Vs Goblins [Video]](https://i0.wp.com/cdn.urbanislandz.com/wp-content/uploads/2011/12/game-martians-vs-goblins.jpg?resize=570%2C376)
#AirCanada – it’s more than just a hashtag for a trending topic on Twitter. AirCanada represents an artist out of Canada that is fully representing Canada to the fullest. With the recent release of his “Free Agent” mix-tape, Canadian artist J Star is known for living his life with little-to-no boundaries and limitations.
“Free Agent” is J Star’s second mixtape with the lead single, “Clap, Clap, Clap” featuring Vado and Twista – has he gotten your attention yet? By the end of this interview, we’re sure the features listed on his lead single will be the least interesting thing you read:
AllHipHop.com: You’re originally from Jamaica and have citizenship in Canada, correct?
J Star: I was born raised in Jamaica and immigrated to Canada when I was seven. Though I live in Canada, I still consider Jamaica home, and I try to go back every two years. Canada is were we immigrated to, but I’ve lived all over. I’ve lived in Windsor (Canada), Detroit, Philly, Vancouver (Canada), and New York, but at the end of the day, Toronto is home. I rep Toronto, but I show love to all of Canada – that’s why I say “Air Canada.”
AllHipHop.com: How are you going about establishing yourself as an Artist and appealing to the U.S. market?
J Star: There are one out of five people trying to break into the music industry right now. New mixtapes are popping up daily on the web and in the streets. You have to separate yourself, so I’ve been doing that with myself and my music. Music is my passion, so I don’t allow what I hear on the outside (musically) to interrupt or sway my own creative process. My network allows me to take my music abroad, touching certain cities with my sound. Music is my baby and I continuing work at it daily. When you have good music it appeals to everyone!
AllHipHop.com: How long have you been around as an artist?
J Star: I’ve always been around – behind the scenes type of stuff, so I’ve always been around the game, writing here and there. Years wise, I’ve been around for the last 10 years. I started off working with two produces 10 years ago, writing and shopping beats. As far as branding myself personally as an artist, that happened within the last five years or so. I still work with a very close friend of mine who produces on our label, “Face Beats”
AllHipHop.com: Do you think you’ve grown since the release of your first project?
J Star: Of course, everyone grows with time. I think my first tape, The Plane Is My Home, had a lot of what I wanted to give the public, which was a variety of music. I went with the title, ‘The Plane Is My Home’, because the music came from all over, and I was traveling a lot while putting together the compilation of music. It was a different album, and it gave people a sample of me musically. My second project was the growth of me as an artist. It wasn’t a real storyline behind, “Free Agent”; it highlighted me more as “game-changer” in the industry. I gave the public me and the music I enjoy making verses trying to meet industry standards. The beats I chose for my second project had harder baselines and were more punchline driven, I like to refer to it as “punch you in your face” music.
AllHipHop.com: What have you taken from your first project to this current mixtape style-wise?
J Star: My aim was a “Summertime Vibe.” I wanted to create something people wanted to put in their stereos and blow their speakers. I took the energy from my first mixtape and amped it up to 10! Free Agent is full of energy! I did the last tape for various amounts of people, and this one gives the fans a whole lot more of me lyrically.
AllHipHop.com: Forever Young Entertainment is the “Indie” label you’re working with, correct?
J Star: Yep, I’m coming off of Forever Young Entertainment out of Canada. My clique goes by the name “Forever Young Fly GanG.”
AllHipHop.com: You’re gearing up to release a special project. Can you talk about that?
J Star: I just got back from L.A., recording a collaboration project with Twista and Vado, “Clap Clap Clap ” with. I’m geeked about the project; it took a lot of time to get this ready, and now it’s about to drop.
Vado got on it and then Twista got on it – Twista heard the track and he liked it, and it’s been epic. It’s been a blessing working with him, as he is a legend in the game. Everything else came together with it – video shot and all. Now it’s just time to run with it – it’s going to be a single but, I look at it more as my introduction track.
AllHipHop.com: What else can we expect from you?
J Star: Free Agent is out. It’s available at datpiff.com and livemixtapes.com. (http://www.datpiff.com/J-Star-Free-Agent-mixtape.371164.html) My Twitter name is (@ Fyejstar), everything is on twitter so just hit me there.
Next, for me to connect with the people, the streets, club, office building, anywhere people are at – just to get the music out there. I am working on my next project, LIV, trying to stay ahead of the game. Always expect music from me – not just rap but music. LIV is going to have more surprises feature-wise. Free Agent doesn’t have any features besides the bonus track, “Clap Clap Clap”, which is a remix from the first mixtape.
AllHipHop.com: How did you go about securing DJ Mustard to host your mixtape?
J Star: I’m a fan of his past mixtapes. To see his production take rise, it’s a signature sign that hard work pays off, so it wasn’t a hard decision to have him host Free Agent. I sent him the tracks, and he was all the way in. DJ Mustard hosted my mixtape because he is on that level where he is breaking into a producer – he is buzzing with “Rack City”. It shows that his hard work is paying off and I noticed it, so I wanted him to host my tape. He’s still new, but he’s been around for a minute, and I respect his hustle.
AllHipHop.com: How do you make yourself stand out from other up and coming artists?
J Star: I’m consistent, and I don’t put myself in a lane. Sometimes as artists, we forget the music and worry so much about the business that we sacrifice the sound. I’m able to move when I want to, and that is one of the keys to this biz, being in the right place at the right time. I’m versatile with my delivery, and it’s always catered to the sound and the vibe of the song, so the audience can’t pinpoint the next thing coming, usually; it leaves a element. One of the biggest assets about me as an upcoming artist is I understand branding.
AllHipHop.com: Are you looking to get signed major label?
J Star: If the deal is right. There are a lot of games played when trying to control and steer your own destiny, at the point in my career, with the help of the almighty, I like to have some control right now. I’m blessed, and I keep one thing in mind – there’s always someone that wants it just as bad as me, so my advantage is no sleep, ’cause money don’t sleep, why should I? The majors aren’t going to look at you if you aren’t already being looked at by the public. That’s what it is, so #Dowork.
Follow J Star on Twitter (@fyejstar).
Well lookie what we have here! Lets not even play games. Ice Cube has revealed to us exclusively that he’s fully confirmed for a new movie in the “Friday” series. But, this time, he managed to get Chris Tucker on board to get everybody sky-high once again. Let me tell you – this is good news!
Now as far as the “everybody” else, I am not sure who that is, but I’m thinking everybody else may be overload for the movie. Too many laughs!
There you have it.


And here they are like forever years later!

Source: illseed.com DAAAAAAAAAAAAAMMMMMMMMM!

(AllHipHop News)
Correction: Drake is not a party to this lawsuit.
Houston’s J Prince Jr., son of Rap-A-Lot founder and CEO J Prince, is suing Drake’s management team for breach of contract and breach of fiduciary duty, in what totals 10 claims against Cortez Bryant and his business associates.
According to documents filed today in New York State Supreme Court, J Prince, Jr. stated that he deserves a cut of the profits earned for introducing Drake to Lil’ Wayne and Cortez Bryant’s management team, Aspire.
In the lawsuit, J Prince Jr. alleges that Bryant and Drake verbally agreed to pay J Prince Jr. a portion of the profits earned.
Prince claims that Bryant verbally agreed to, “use their experience, influence, and relationships to persuade Drake into entering an exclusive recording agreement and an exclusive management agreement with the two of them and Bryant, and was to use his influence to compel Lil’ Wayne to sign and promote Drake to and through Lil’ Wayne’s record company YME, once Drake signed the agreements.”
In addition, given J Prince, Sr’s relationship with Cash Money Records, the distributor of Young Money would “consult with them and take the lead on their business dealings with YME and CMR.”
The lawsuit also claims that on December 10, 2008, Bryant signed Drake to an exclusive management agreement with his company and defendant Roberson’s companies, Laurent and Three Kings, and that Bryant signed Drake to an exclusive recording agreement with his company, Aspire.
J Prince Jr. also claims that in or around April 2009, Bryant made J Prince aware of the signing and pledged to honor the original agreement.
Prince wants the court to appoint a receiver to stop Drake and team from renegotiating their contracts with Drake until they get paid the agreed upon amount. More news as details emerge.
(AllHipHop News) Tonight (July 26, 7:30p.m. EST) at Irving Plaza in New York City, Coors Lights’ second annual “Search For the Coldest MC” will come to a close when host Ice Cube and judges DJ Drama and DJ Khaled select one of four finalists to be crowned as the “Coldest MC.”
The remaining finalists won their respective regional heats in Baltimore, Philadelphia, Atlanta, and Charlotte throughout the spring, with hopes of making it to New York to battle it out for the ultimate achievement.

”I’ve had the opportunity to grow my career into many areas, but Hip-Hop is where it all began for me,” said Ice Cube earlier this year.
“As a fresh and innovative brand, Coors Light is a natural fit with the Hip-Hop community, so I’m excited to partner with Coors Light to find the next Coldest MC in the country,” he added.
The grand finale event will come to a close with a live performance from Def Jam recording artist Fabolous, who is currently at work on his sixth studio album, Loso’s Way 2: Rise To Power, which is set for release later this year.
The event will be live streamed tonight (July 26) exclusively on OurStage.com beginning at 7:30 p.m. EST.
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(AllHipHop News) Huntsville, Alabama-bred and Universal/Republic-signed rapper Jackie Chain recently spoke with AllHipHop.com about his upcoming work titled The Bruce Lean Chronicles Volume 1, which is set to release next week on July 31.
The Slumerican affiliate explained his diverse style of music, his recent change of labels from Universal Motown to Universal Republic, and his grind of performing shows across the country at varied locations for a wide spectrum of fans.
While his releases as of late have been more dance inspired, Jackie Chain says that this project is a return to the dirty south rhythms and melodies of his initial work.
“It’s just the last couple CDs that I put out, man, have been more club orientated and on some dance and some getting f*cked up sh*t,” Jackie Chain told AllHipHop.com. “Bruce Lean is really more of what I’ve been going through in my life, man. I’m just really back on that trap sh*t, man, and it’s me going back to my original roots and more of a street album, on that selling dope and pimpin’ h**s and that sh*t that we do in the South, man.”
With a steady work pace, Jackie has already started compiling The Bruce Lean Chronicles Vol 2, a project he says is more feature heavy.
“With the Bruce Lean Chronicles, I saved a lot of my features for the Chronicles 2, like, I got Bun B and Big K.R.I.T., but for my production on the Chronicles Vol. 1, I got production from MMG’s Beat Billionaire, I got production from Sonny Digital, Diplo and Burn One. So, I got so many different producers, and on my last one, I just used one producer for the whole CD. So I got street sh*t, as far as beats go; I got sh*t that people would have never thought they would hear me on, so I like the vibe that is on this CD.”
While some Hip-Hop fans may not be used to artists from Alabama and more remote parts of the South like Mississippi, these two states have turned out several of Hip-Hop’s top billed artists over the past decade, including but not limited to David Banner, Big K.R.I.T., Yelawolf, Tito Lopez, Joker and Jackie Chain himself.
“I didn’t really have anyone that went national in my area out of Alabama, so we had a lot of outside influence from, of course, Atlanta, Texas was a big influence, and Tennessee with Memphis and Nashville. So Huntsville sort of got a little bit of all the surrounding areas, and we grew up in an army base town so people from all the different areas brought all their influence,” Jackie explained.
“All these different styles came together – and I didn’t grow up around graffiti, and I didn’t grow up around subways like in New York; I didn’t see the same stuff that L.A. had with the ’64 Impalas with the rims and hydraulics. It was easier for me to relate to the Southern music, but when I heard UGK and when I heard 8Ball & MJG, I could relate – the Cutlasses, the ’73 ‘Lacs, ’73 Donks, the dudes out there with the jheri curls, and the ‘Bama pimps out there pimpin’ hoes.”
But despite Jackie’s upbringing of listening to the music from the “Dirty South,” he has embraced dance inspired styles of music, as it was those fans who were booking him and listening to his music from the beginning.
“I listen to so many different types of music – like rap is just one type of music I listen to. But, my first song that most people knew me by was ‘Rollin,'” which is a dance song, even though I’m talking about being in the club getting faded type sh*t,” Jackie noted. “I got booked at raves in Miami, raves in Austin, or L.A., like they didn’t wanna see my street sh*t, like they just wanted to hear my dance sh*t. But, man, I’m a hustler, so if I can get some money doing a show at a rave, a Hip-Hop show, or even a country show, I’m tryna get it, homie. I ain’t no spring chicken, know what I’m saying?” he noted.
It’s true Jackie isn’t new to the game, as he was signed to Universal Motown almost five years ago, and for that very reason, he is focused on putting out work regardless of the label’s financial support for his work.
“I’ve been signed to Univeral Motown since ’08, but at the end of last year, they disbarred the whole label, so I was fortunate enough to get moved over to Universal Republic, with Drake and Lil’ Wayne and Nicki and the whole Young Money camp, and Kid Cudi, and Pac D##. They moved us over, so with those caliber of artists, I felt blessed to not have been dropped and to be brought over to the Universal Republic Family,” Jackie said. “At the end of the day, I’m not waiting on nothing. All the videos I’ve put out, they ain’t never paid for na’a one video, even the Bun B video, I put my money into that. I got love for the label, but I ain’t waiting on nobody.”
Cris Cab has some very interesting relationships in the music industry. For the emerging talent to have worked with so many iconic players in such a short amount of time is almost unheard of, but it’s something that is well-deserved and far from a publicity stunt.
Who are these legends, you ask?
Well, for one, nine-time Grammy Award-nominated producer Pharrell Williams is Cris’ primary mentor, followed by “Uncle Wyclef,” who has been producing frequently for Cris as well over the past year.
Both Pharrell and Wyclef joined Cris on stage last week during his headlining show in New York City – one that had fans lined up around the block for hours before the doors even opened. Cris, who is signed to Mercury Records under Island Def Jam, is currently pushing his Echo Boom project and preparing to release a new full-length release later this year, spearheaded by the recent single “Good Girls” with Big Sean.
Before Cris hits the stage at Grand Central in his hometown of Miami tonight, read up on his story and relationships with some of the biggest names in the industry below:
AllHipHop.com: Speak on your recent show in New York City, and what it meant to get those guys to come out and support you.
Cris Cab: It was a great night. We had a lot of label people come out as well, and coming to support the show. I brought out Pharrell, Wyclef, and Mavado, who are all great dudes and I work with all of them. Pharrell is really the first person I met in the music industry when I was about 14 or 15, and he’s always been like a big brother to me and a mentor, and he came through and showed love. And Wyclef, too, who I just met like five or six months ago. He’s already like a big brother to me as well; he came out and showed love and we got to do “No Woman No Cry” together which was awesome.
AllHipHop.com: Well, I think it’s safe to say that if there’s anyone in this industry to be your mentor, Pharrell is at the top of the list.
Cris Cab: Oh, for sure, man. He’s like Yoda.
AllHipHop.com: How exactly did that relationship begin?
Cris Cab: Well, we kind of met through a friend of a friend of a friend, one of those type of deals, and I brought him some of my music which I had been recording in my room at the time on like a 12-track recorder. And I came in with a CD and played him some songs, and he was loving it. I saw him bobbing his head, and he just told me, “I love the music, I love your style, but there’s some stuff you need to work on.” I was like 15, and he gave me X, Y, and Z, and really when he told me that, I took it to heart.
He told me that people think the music business is all fun and games, but it’s one of the hardest businesses to get into because there’s a lot of sacrifice, and there’s a lot of time you dedicate. You have to be in it 200 percent, or else it’s not going to sound good. I took all of that to heart, and in a year or two, I came back to him, and he was blown away and kind of took me under his wing. Then we started working together and recording together. He taught me about songwriting, song structure, and yeah, the rest is history.
AllHipHop.com: You have a very eclectic style and sound. If you don’t mind me asking, how would you classify our music?
Cris Cab: You know, to classify the genre, I don’t even know if there’s one classification of what I’m doing. I would describe it as a fusion of music. It’s a bunch of different genres; it’s Hip-Hop mixed with Reggae mixed with acoustic and soulful melodies on the vocal side. I listen to a lot of people like Marvin Gaye, who is one of my biggest inspirations and, of course, Bob Marley, who is the number one inspiration on the vocal side. So, it’s really just a fusion of music.
AllHipHop.com: How does it feel to be so warmly embraced by the Hip-Hop scene and some of the biggest names within it?
Cris Cab: It feels good to be embraced by Hip-Hop, but also by people who love Reggae and Pop. It’s good; I’m feeling a lot of love from all ends, and I don’t think I have one set demographic.
AllHipHop.com: I want to congratulate you as well, because your single “Good Girls” with Big Sean is doing it’s thing, and I know it’s available now on iTunes.
Cris Cab: Thank you so much.
AllHipHop.com: Tell me about how that collaboration came together, because I know it was originally out a while ago without Sean on it.
Cris Cab: Well, Big Sean is actually a friend of a promoter friend of mine in Miami, and he brought him down a bunch of times to do shows, and I got to meet him one time awhile ago when he came down here with Wiz Khalifa. So, I got to hang out with him, and he’s a really humble and super-nice dude, just really down to earth.
So one night after a show, he had he needed a place to record – it was actually the song with Kanye and Pusha T, “I Don’t Like”. Kanye had sent him that, and he needed a place to record it ASAP, so I had them come to the studio that I have in Miami.
When he came through, I actually needed a feature on one of my tracks, so we ended up talking for a bit and I played him a bunch of tracks. And he stopped me after “Good Girls” and said, “That one’s a hit!”…which was perfect, because I needed a feature on it since Wyclef had just re-produced it, so he heard it and jumped on it that night.
AllHipHop.com: So, you were part of the reason he got to record his verse on “I Don’t Like.”
Cris Cab: [Laughs] Yeah, man, it’s funny to hear it on the radio now, too, ‘cause I always say “Oh sh*t, he did that in our studio!”
AllHipHop.com: I know you’re from Miami, and on top of the recent show you had in New York, you’re performing soon in your hometown. What can the fans expect from Cris Cab’s homecoming show?
Cris Cab: Oh, it’s going to be great, man. I love playing back home, and it’s going to be the same thing. I’m going to have my friends come out, some special guests, my brothers and “uncles” coming out. We’re just going to put on a great show, man.
AllHipHop.com: So, getting back to the music, man, you’ve been putting out the singles, but I want to ask where this material is going to end up. What is the project you’re pushing now, and what’s the one that’s coming in the near future?
Cris Cab: Well, we’re actually getting ready to release some more music to the fans, ‘cause we recently put out a mixtape called Echo Boom, which was the last one, that dropped a few months back. Now we’re actually getting ready to drop some more stuff to keep the motion going and keep everybody involved, which should probably be coming in September.
AllHipHop.com: What can you tell me about your current label situation?
Cris Cab: Yeah, well, I’m signed to Mercury, and we actually just opened up my own label called CMG26.
AllHipHop.com: Congratulations on that. Tell me about that situation.
Cris Cab: Thank you, sir. It’s good, I mean, the label had been so supportive with everything we want to as far as getting out there and being proactive. They realize that I came from an online world, so my plans are to keep the online presence growing and strong. That’s probably why we’re going to release some more new music for the fans on the Internet pretty soon, to keep everybody involved.
AllHipHop.com: Where can the fans find you online?
Cris Cab: You guys can find me at CrisCab.com.
AllHipHop.com: Great, Cris. Thanks for your time.
Cris Cab: Thank you, JP. Thanks for having me.
Follow Cris Cab On Twitter: (@CrisCab)
“Fail,” an online urban comedy show for youth, will premiere its second season exclusively on AllHipHop.com in a partnership with Hip-Hop legend Christopher “Play” Martin of Kid-N-Play, and acclaimed producers, Vanessa Baden and James Bland. Watch the exclusive airing of “Fail” Episode #8 here on AllHipHop.com.
FAIL SHOW | Episode 9: 106 & Park
The gang wants to win tickets to a hip hop concert, but an overzealous parking enforcement officer stands in their way.
Catch up on previous webisodes of FAIL:
FAIL SHOW | Episode 8: Cereal Killa on Trial
FAIL SHOW | Episode 7: Rock the Vote
FAIL SHOW | Episode 6: One More Chance
FAIL SHOW | Episode 5: Where the Party At
FAIL SHOW | Episode 1: Teach Me How to Study
FAIL SHOW | Episode 2: B.J. Finds Herself
FAIL SHOW | Episode 3: How To Get The Answers
FAIL SHOW | Episode 4: Desperate Measures
EPIC. FAIL.
There is something that you don’t do: Jump On Stage At A Rap Show. You definitely don’t do it when its a bunch of thugs. And you DEFINITELY don’t do it at a Nicki Minaj show, where they employ the biggest most viscous men on Earth. Yeah, so in Milwaukee, somebody decided to do just that and he got just that. He got his corny butt beat down! Check it out.
By, the way, check out the latest craziness with Mobb Deep. Aw Man.