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Police Shoot Man Multiple Times At Mac Dre B-Day Celebration

(AllHipHop News) One man was shot and injured by police officers last night (July 4th) during a “Mac Dre Day” celebration in Vallejo, California, that drew over 1,500 people. Thousands of people were gathered at the North Vallejo Park last night around 10:30 PM, to celebrate the life of the rapper, who was born on July 5th, 1970 and was gunned down on November 1, 2004, in Kansas City. According to reports, police were responding to reports of gunfire in the park when they spotted a man with a gun fleeing the scene. Two officers gave chase and in the ensuing chaos, shot the armed man multiple times.At press time, it was not known if the victim fired at police first. According to sources, the man who was is in stable condition at a local hospital. Mac Dre, born Andre Hicks, would have turned 40-years-old tomorrow.

Oscar Grant Trial: Notes Before the Verdict

As I lay suffering in the intense discomfort created by the countdown to the verdict that will inevitably change my city – maybe even the whole country – forever, I have come to realize what most saddens me about the murder of Oscar Grant and subsequent trial of Johannes Mehserle.It isn’t the fact that Grant was shot in the back while he was laying face down on the ground, and it isn’t the fact that after the “accidental” shooting the first thing that Mehserle thought to do was to handcuff a mortally wounded man and search him for weapons (emergency medical personal wasn’t called until several moments later).Oscar Grant leaves behind so many things, among them a daughter who is the same age as my little girl. The fact that his daughter Tatianna will never see her father again because of Mehserle’s deplorable actions on that platform that night is extremely frustrating, but there is one thing that bothers me even more.What saddens me more than anything else about this murder is the collective failure of every branch of law enforcement to condemn or even criticize Mehserle for killing an unarmed man. There has not been one police officer of any kind to state publicly that what Mehserle did was wrong and that he does not represent all police officers. I think about the reactions of the community when those officers were murdered on 74th and MacArthur. There wasn’t just one person who called 911 there where multiple calls. There was also a man who ran to the scene of the crime to perform mouth to mouth resuscitation on one of the officers. In the aftermath of the event, there were several religious leaders and community members who openly expressed there disdain for the actions of Lovelle Mixon because it doesn’t matter who you kill in a just society, murder is wrong – period.But what happens to a society when the very people who are supposed to stand for justice do not see it that way? Perhaps even more importantly, how are we as a society supposed to react once we realize that the police reserve the right to take our lives without being held accountable by the courts or even on the most basic level, they won’t even be held accountable by their own peers?How in a just society can we value their lives as dearly as our own while they shoot us in the back in front of scores of people and handcuff us while we quickly bleed to death?I think about the concept of justice, and I pray that it be served soon in that court room in Los Angeles. But I also wonder about the lack of trust. How are we to ever trust these people who repeatedly place there “fraternity in blue” over the humanity of the very people who they have sworn to protect and serve?How will we ever advance?Original article here. Roger Porter is a writer and educator from Oakland whose first book, “The Souls of Hood Folk,” is available from lulu.com. He has a degree in English from UC Berkeley and describes himself as “An average everyday man from East Oakland who writes about average everyday hood life.”

Producer EP Sues Mack 10 For $100G’s Over Unpaid Royalties

Producer Ervin “EP” Pope filed a lawsuit against rapper Mack 10 and his record label Hoo Bangin’ Entertainment, claiming he is owed hundreds-of-thousands of dollars in unpaid royalties. EP claims he was never compensated for production work on two tracks featured on Mack 10’s album Soft White. According to the lawsuit, EP claims Mack 10 o##### agreed to pay a total of $60,000, for producing the songs “It’s Your Life” and “Big Balla.” EP is seeking at least $100,000 from Mack 10 in addition to his share of unpaid royalties from sales of the album Soft White and the two songs in question. Pope has produced tracks for a number of established artists, including Jay-Z, Twista, Kanye West Snoop Dogg, The Game and others.

Miguel Jontel: Singer, Songwriter and Producer

The music of Miguel Jontel is genre-defying.  And when one considers his ethnic background, as an Afro-Mexican singer, then his penchant for blending and mixing socio-cultural elements is immediately understandable.

Hailing from Los Angeles, California, Miguel’s claim to fame initially came from his songwriting and production talents.  Working behind the scenes, he has placed several tracks on Usher Raymond’s past two albums.  In addition, he contributed to Musiq Soulchild’s GRAMMY-nominated single, “IfULeave,” which featured Mary J. Blige.

Such massive successes led Miguel to release Mischief: The Mixtape, in order to whet the sonic appetite of his long-time followers. Additional singles, like “Sure Thing,” have made their rounds on the Internet as well. To date, the aforementioned single has received over four and a half million MySpace plays – validating his international appeal.

Miguel’s full-length debut will be released in the Fall of 2010 under the Jive imprint.  The album’s name-sake and current buzz single is “All I Want is You” – featuring J. Cole.  Upon the release of All I Want is You, Miguel managed to squeeze some time out his busy schedule and settle down for an interview with Clayton Perry – reflecting on the “McDonaldization” of the music industry, his appreciation of musical diversity, and his admiration of Stevie Wonder, John Lennon and Dianne Warren. 

AllHipHop.com:  Since you wear several different hats, as a singer, songwriter, producer, how did you develop and refine your songwriting talents?

Miguel Jontel:  Man, I have the very best mentors in the world. Even though I didn’t know Stevie Wonder, John Lennon and Dianne Warren personally, I grew up studying great songwriters who wrote great music.  So I just studied the songs that I loved, and I just dissected and analyzed them, and tried to apply those qualities to myself. 

AllHipHop.com:  What is it about the writing styles of Stevie Wonder, John Lennon and Diane Warren that you most admire?

Miguel Jontel:  Different things. But I am really interested in their perspective on the world. Someone like Stevie, he definitely has a perspective that isn’t based on sight alone.  Even though he can’t see, he sees the world through rose-colored glasses, in the most vivid pictures in the simplest ways, and that’s what I love about him. His melodies paint very vivid pictures. Everything is very picturesque. [starts singing Stevie Wonder’s “As”] “As long as there’s sun, the earth knows she’s revolving.” [stop singing] And that automatically gives you a mental picture, which takes you to a certain place. You’re almost looking at the artist revolving around the sun. You know what I mean? Whereas John Lennon was a little more pragmatic, and his position as a philanthropist and a person who cared about social issues, that’s what I love about his perspective. Diane Warren just happens to be just a great songwriter in general. She’s very descriptive, and her melodies are amazing. They’re very intricate. They seem simple, but they’re very intricate. In my own songwriting, I try and take small things that I love most about those artists and apply them to my own songs.

Miguel featuring J.Cole – “All I Want Is You”

AllHipHop.com:  When I first downloaded your mixtape, I found the title – Mischief – to be very interesting.  What kind of “mischief” do you plan on causing in the world of R&B?

Miguel Jontel:  The mischief I’m trying to stir up is telling people that there is an alternative to getting sort of the same thing. Like everybody is being fed McDonald’s, but there’s all kinds of other things. Now I’m not saying that this is what my image is, but I’m saying there’s steak and potatoes out there. But I mean, it’s like, if you’re getting Happy Meals all day, you’re going to want some variety. And I think that’s what I am.

AllHipHop.com:  I, for one, am not a fan of “fast food”! [laughing] But you are definitely bringing something new to the table. I noticed in a lot of your songs, the guitar is heavily prominent – whether in acoustic or electric form. What kind of musical connection and appreciation do you have with that particular instrument?  And why do you think the guitar is so central to a lot of your songs?

Miguel Jontel:  It’s hard to describe. I just find that the most inspiring sounds come from the guitar.  It can be edgy and driving, but then it can also be very sexy and sensual. I think because it’s able to evoke those emotions out of me, that’s the kind of set I gravitate towards to get those emotions.

AllHipHop.com:  If your voice was an instrument, do you think it would probably be a guitar?

Miguel Jontel:  I would hope it would be something like guitar! [laughing]

AllHipHop.com:  Out of all the songs on the mixtape, “Strawberry Amazing” was my favorite.  The vibe is really funky and smooth on that track.  But you let loose and rock out on “Pick Up the Pace,” as if you are having an ethereal supernatural experience.

Miguel Jontel:  I love being myself, and the more I can give you, and the more I can see you appreciate it, then it tells me that I’m headed in the right direction.

AllHipHop.com:  As a listener, I love the fact that you bare your soul when singing.  I can’t wait for your debut album, which has had two different titles attached to it. At first, I saw that the project would be entitled Gravity and then I saw State of the Art. Walk me through the process of selecting a title, as well as the inspirations behind those separate titles.

Miguel Jontel:  With the title, all I want to do is basically convey the theme of the album, because to me that’s what’s most important – the body of work. So the first working title was State of the Art. And it is kind of a play on words. I wanted to make a statement as to the current state of the art of making music in this genre, which I’m going to automatically be put in, which is like an urban/R&B category, despite what I think. And so, that was the original title, but as the album evolved, the theme of the album started to change, and so Gravity started to fit more. And so I think, overall, whatever the title will end up being, it will be the all-encompassing theme of the album and what message I’m trying to convey to the listener.

AllHipHop.com:  So right now, with the tracks that you have cut, what kind of message do you want people to walk away with when they hear your music?

Miguel Jontel:  With this album, I just wanted people to walk away knowing and appreciating a variety of musical styles and sounds.  And I also wanted to prove that it could be appealing and successful in the marketplace.  I just really want to convey the fact that it’s okay to be different, because difference doesn’t make you weird.

AllHipHop.com:  Why was that such an important mission for you? Is there a particular life experience that made you more appreciative of musical diversity?

Miguel Jontel:  What makes that message so important to me is because of what I hear on the radio, and the things that I see being pushed by different labels. And what I wanted to do is kind of be like a wedge – start small, start somewhere. My music is different, but it’s not too different where people won’t “get it” or it lacks a certain appeal. At the end of the day, everything I talk about is universal.  With this album, people will see that Miguel was feeling like he wanted to be in a relationship and then not wanting to be in a relationship, and at the end of the day, just wanting to be at peace with himself.

AllHipHop.com:  Another track of yours that I like – “Sure Thing” was not on the Mischief mixtape.  Considering what you just said about you changing stance on love and relationships, what signs tip you off for knowing it is a sure thing? Is there are particular lesson, perhaps from a previous experience, that you have carried into other relationships?

Miguel Jontel:  I think one of the biggest lessons that I’ve learned is that you have to know yourself and love yourself enough before you can love somebody else. It’s not a new idea or something that we haven’t heard, but it’s something that I had to learn for myself the hard way. Every relationship is going to have its ups and downs.  No one is perfect! [laughing] And even if you move on and find someone else, they’re going to come with their own set of quirks – things that are great about them and things that are not so great about them. It’s all about asking yourself: “Do those things that are not so great about them and also great about them, fit with the things that are also great about you and are not so great about you?” 

AllHipHop.com:  Since you were born and raised in Los Angeles, in what ways has the city’s music scene influenced your style?

Miguel Jontel:  Los Angeles is sexy, cool and eclectic. And I think, somehow, those elements do kind of spread into the way I make my music, the way I dress, and the way I carry myself.  You know, there are so many different cultures here in L.A., and we have the ocean and plenty of sunny weather, so that kind of sets the vibe.

AllHipHop.com:  As you speak about Los Angeles’ cultural diversity, I am reminded that you are half-black and half-Mexican.  Have you ever found yourself at odds, or found yourself mediating a cultural balance by trying to market yourself in a certain way or sing in a certain way or style?

Miguel Jontel:  I was always determined that my focus was always going to be about the music.  I am who I am, but I do understand that my cultural background may matter to the fans, because we all want something to attach ourselves to, and seek out people that we can relate to in some kind of way.  But at the end of the day, good music is good music.  When it comes down to people listening to music, those things may make a big difference, but as far as where I go, it doesn’t make a big difference. It doesn’t make a big difference in the sense that I feel like I need to promote or make that a focal point of any promotion in myself. Maybe it’s because I just only wanted to be judged on the music that I create—and nothing else. 

AllHipHop.com:  To date, you have written songs for several other artists, including Usher Raymond, who has used your work on his past two albums, Here I Stand and Raymond v. Raymond.  When writing for others, as opposed to yourself, do you modify your songwriting process? 

Miguel Jontel:  When I’m writing a song for another artist, I try to put myself in their shoes and think like they think. I’m not trying to guide as opposed to direct; whereas when I’m writing for myself, I know how I feel about things. I know what choices I make stylistically, even when it comes to the delivery of the melody or whatever is coming, and there’s less thinking going on. I’m just kind of going off the feeling. There’s a lot more thinking involved when I’m writing for another artist. 

AllHipHop.com:  When you look back on your songwriting experiences with Usher, is there a particular song that is special to either you or him?

Miguel Jontel:  “Revolver” is important to me because I had just met Usher. Lyrically, we had both been through the “Revolver” experience. And so, it was personal, but it also represented him well and it really serves as the foundation for our partnership.  So that was important.  I was always impressed with Usher, because he is incredibly talented, but I got to learn a lot about him – personally – through that song. We had a point of reference and we had an understanding. “Monstar” is also important to me, and it stands out because it’s just very different from anything I’ve ever heard from Usher. I got to co-write it with him and Terry Lewis.  And of course, meeting Terry Lewis has made a huge impact in my life.

AllHipHop.com:  Behind the scenes, describe your professional relationship with either Terry Lewis or Usher.  What advice have you received, and what professional lessons have you learned?

Miguel Jontel:  The way that behind the scenes, these two people have affected my life, I think, is just the amount of wisdom and experience that they both offer. On one side, with Usher, I have an artist that I can relate to, and on the other, I have a producer who has seen and dealt with everything the industry has to offer.  So it’s been very beneficial, since I am a singer, songwriter and producer. I look to them for guidance, because Terry has a wealth of experience, and Usher gives me insight on the challenge of being an artist and things that I will have to deal with inevitably. 

For more information on Miguel Jontel, visit his official website:  http://www.officialmiguel.com/

AHH Stray News: Floyd Mayweather, Pimp C., Large Pro, Pete Rock, Premier Unite

(AllHipHop News) Boxing superstar Floyd Mayweather is opening his Las Vegas gym and his wallet starting Monday (July 5th) when he sponsors the Mayweather Boxing Club Summer Camp. Mayweather’s Floyd Mayweather Jr. Foundation (TFMJF) will host three sessions over a six-week period to teach 150 children aged 5-18 the skills it takes to make it in boxing, while participating in teamwork, training and fitness exercises. Sessions will be held from 9:00 a.m. to 12:30 p.m. Monday through Friday. “Giving back to this community and providing opportunities for youth to stay active and gain new skills is very important to me,” said Mayweather. It is also one of the goals of The Floyd Mayweather Jr. Foundation. The Mayweather Boxing Club Summer Camp is a chance for these kids to learn the fundamentals of boxing, as well as the important life lessons that come with participation in sports.” For more information on Mayweather Boxing Club Summer Camp visit TFMJF.org.Rap-A-Lot Records will release a new album by late legendary UGK founding member, Pimp C. According to reports, The Naked Soul of Sweet James Jones is due in stores on September 21. Rap-A-Lot will release The Naked Soul under a recently inked deal with Fontana/Universal Records. Pimp C., born Chad Butler, was found dead in his hotel room in Los Angeles on December 4, 2007. Surviving UGK member Bun B. is also planning a new solo release when his album Trill O.G. lands in stores on August 3rd. The 6th Annual Brooklyn Hip-Hop Festival (BHF) announced today (July 2nd) that DJ Premier, Pete Rock and The Large Professor will perform a special set together on one stage. The event is scheduled to go down Monday (July 5th) at Brooklyn Bowl during the BHF 10’ How and Prove Super Bowl, where six acts will compete for an opening slot of the BHF. According to BHF organizers, the three legendary producers have only united onstage one before, in Japan. They have never performed one set on stage together in the United States.  The BHF takes place from July 5th –10th, from Williamsburg to DUMBO in Brooklyn.

Hip-Hop Rumors: 50 Cent’s New Deal? Rick Ross, Em and Markie Mark!?

DISCLAIMER:All content within this section is pure rumor and generally have no factual info outside of what the streets have whispered in our ear. Read on.Send your rumors, sightings and ill pics to illseed at al*************@***il.com.

STEPHEN HILL of BET ADDRESSES THE RUMORS

I posted that maybe Jay-Z, B and RiRi dipped on the BET Awards due to Chris Brown. Boss man Stephen Hill of BET said i ain’t so. Peep it.

AllHipHop.com: I don’t want to jump to far off script, but people are naturally saying that Jay-Z, Beyonce and Rihanna skipped the awards because of Chris Brown.

Stephen Hill: They missed the awards, because…we have this conversation almost every year. And, some years we are really fortunate when Jay-Z and Beyonce are in the house and other times, they go on vacation. But I can absolutely say without reservation that there was no conversation at all around, “If Chris Brown’s coming, I’m not coming.” That’s just false.

RICK ROSS ADDRESSES THE RUMORS

Is is not inconcievable that Rick Ross may change his name, especially how much he’s using Ricky Rosay, but here is what he told AllHipHop a few days ago.

AllHipHop.com: I heard there’s a rumor that you’re changing your name to Ricky Rozay?

Rick Ross: Naw….that ‘s my twitter name, so hit me up on twitter @RickyRozay. I just got on Twitter so shout out to all my followers.

AllHipHop.com: Speaking of name changes, is the whole situation with Freeway Ricky Ross posing a problem with you?

Rick Ross: Naw…we just gonna let the people deal with that. It’s like owning a restaurant, your gonna have a few slip and falls. You get lawsuits, you deal with them, and get them out your way…sometimes you loose.

MIKEY T’S STREET RUMORS!

Mikey T’s rumors are so gully, I don’t edit them! check out what he’s got to say!

50 Cent has signed a deal with Capitol …details have yet to be released

but could this mean Banks is not going to Def jam . 50 quietly requested a release

from interscope at the top of the summer for the lack of promo for the “Before i self destruct” album

Hunger For More 2 comin out on Capitol .

Lazy K jus spoke with Max B …Max hopes to be out as soon as christmas but

he may have to sit in jail through his whole re-trial if he is granted one

this could mean max b will be sittin in jail for up to 3 years . in other news

Lazy K producer/artist Murdah Baby jus finished a record with Waka Flaka this is going

to be the lead single for Wakas next project an will be featured on the lazy k production mixtape

“Blow Season”

Black Rob is heavy at work on his Third album an he has not ruled out

resigning with Bad Boy .

Some people are saying Ludacris will not come back at Drake cause it will take

away from his appeal with the Ladies …we will see what happens shortly

Murda Mook is Droppin Murda From his name upon the release of the Ruff Ryders Group album

which he says will lead to his solo debut “A Dollar & a Dream”

Outkast member Andre is not Filmin a sequel to Four Brothers , there is a sequel in talks

but neither john singleton , tyrese nor Andre have signed on …the only one to sign on is

Markie Mark . The film will also be called “Five Brothers”

On another note Eminem will not be acting alongside Markie Mark in the Fighter Film , Em has yet

to commit to havin a lead role in any film . Eminem was replaced by The Dark Knight Actor Christian Bale.

Mikey T The Movie Star is good shouts to all that were concerned holla at me on twitter

@MTMovieStar shouts to the home boy illseed…ya boy the movie star always reportin the truth .

MEL GIBSON – THE KKK LOVES YOU!

They keep us talking, but if we stop talking about them then they should worry!-illseedWHO: illseed.comWHAT: RumorsWHERE: AllHipHop.com, MySpace.com/TheIllseedHOW: Send your rumors and ill pics to illseed at al*************@***il.com.

Exclusive: Rapper Rick Ross Gets Legal Victory, Replies To $10 Mil Lawsuit

(AllHipHop News Update) Rapper Rick Ross has announced that he’s been permitted to release his new album as scheduled. Freeway Ricky Ross, the former drug trafficker, sought to stop the release of the opus.From Rick Ross’ Twitter: “just got update on lawsuit filed against

me….injuction to stop release of my album has been denied!!aka tossed

out!!..teflon don july20…Previous Report:Hip-Hop star Rick Ross has weighed in on a $10 million dollar lawsuit filed by Freeway Ricky Ross on June 18th in Federal Court. Former Los Angeles drug kingpin Freeway Ricky is seeking $10 million from rapper Rick Ross, Jay-Z, Def Jam and Island Music Group. Freeway Ricky claims the defendants stole his image and likeness and have made millions in profits at his expense. “We just gonna let the people deal with that,” rapper Rick Ross told AllHipHop.com in an exclusive interview. “It’s like owning a restaurant, your gonna have a few slip and falls. You get lawsuits, you deal with them, and get them out your way…sometimes you lose.”As for the future, Rick Ross is planning to release his album Teflon Don as scheduled, despite Freeway Ricky’s pending request to have the album’s July release date blocked, until the outcome of the lawsuit. Rapper Rick Ross also denied that he was changing his name to “Ricky Rozay,” a new moniker that the rapper has been using, most notably during a high profile appearance during the 2010 BET Awards.  “That ‘s my twitter name, so hit me up on twitter @RickyRozay. I just got on Twitter so shout out to all my followers,” Rick Ross told AllHipHop.com. Freeway Ricky, who was released from prison in 2009 after twenty years on cocaine trafficking charges, has broken his silence on the lawsuit during an interview with Fox’s Channel 11 News in Los Angeles. “I did twenty years in prison and beau coups of money went into  making this name and what it is today. I feel it was mine, I own it and I want it back. “It’s mine. Its like if somebody stole your car, even though they painted it and put wheels on it that they like, it’s still your car.According to Freeway Ricky, he spoke with Rick Ross about the lawsuit last week and Ross was confident that he could win, although he was open to settling the lawsuit. Freeway Ricky alleged declined to settle and is pursuing the lawsuit. In addition to the $10 million dollars, Freeway Ricky is seeking half of the rapper’s royalties.