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Tyga’s Repo Issues Continue With 2013 Lamborghini

(AllHipHop News) From landlords reporting eviction to auto financing companies threatening repossession, Tyga has an alleged history of being late on a number of big payments.

This time the Cali bred rapper, born Michael Ray Nguyen-Stevenson, is said to be holding on to his 2013 Lamborghini Aventador without making the proper payments.

TMZ reported that they have documents stating Choice Motor Credit previously repossessed the Rawwest Alive rapper’s 2014 Bentley Mulsanne.

Just this past week Tyga took to Instagram to show his love of luxury cars after the rapper rode around in a Rolls Royce while touring Australia and New Zealand.

“Nothing less,” the rapper said in the caption.

This is not the first time that Tyga has had issues with making payments.

Back in February it was reported that Tyga was hiding his 2013 Mercedes Benz G-Wagon from the repo man.

More news as details emerge.

Nothing less..

A photo posted by Tyga / T-Raww (@kinggoldchains) on

Houston High School Student’s Blackface Tupac Shakur Impersonation Causes Outrage

(AllHipHop News) In 2016 we undoubtably live in a racially charged world where racially motivated incidents make headlines daily.

According KHOU 11, a controversial photo is sparking outrage after a Caucasian high school student at Lamar High School allegedly wore blackface as she tried to impersonate the late Tupac Shakur.

In addition to wearing blackface, the girl is wearing a Tupac Shakur t-shirt to a school initiation party after she was told by upperclassmen to wear a costume for the ceremony.

In the controversial image the girl has her hands together seemingly mimicking the image of ‘Pac on her shirt.

“I thought it was blackface and I was immediately offended,” said senior student Ogechi Anene.

Blackface Tupac

 

“It was supposed to be a shadow they asked her to bring a black shirt and that happened to be the shirt she was wearing,” one student said defending the student in blackface.

According to the Houston Independent School District, “The Houston ISD Code of Student Conduct governs student behavior while on campuses and while participating in district-related activities.  At this time, there is no indication that the activities referenced in your email occurred on campus or during a district-sanctioned event. In addition, the organizations referenced in your email are not recognized by the campus.”

Recently Talib Kweli, Bun B and Scarface spoke out against use of the n-word after a group of Desert Vista High School students posted an offensive photo to social media. When originally posted, the highly inflammatory word “NI**ER,” was collectively spelled out on the smiling group of Caucasian girls’ t-shirts.

Check out video of the news story below.

Is Meek Mill Releasing ‘DC4’ On The Same Day As Drake’s ‘Views From The 6’?

Rumor has it that Meek Mill is dropping his ‘Dream Chasers 4’ the same day Drake’s plans to release his ‘Views From The 6’. Wow! Now this would certainly be a ‘L’ for Meek. They have been going in on Twitter about this! Did anyone else hear anything like this?

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Fake Young Thug Releases A Visual To Accompany One His Own ‘Slime Season 3’ Tracks

Photo via Young Thug’s Instagram

Well, It looks like the Desiigner version of Young Thug, Kyng, has dropped a visual to accompany one of his own version of ‘Slime Season 3’ tracks. There’s one problem, the song as well as the visual are both garbage. What happened to Hip Hop? The rap game is looking more and more like ‘Single White Female’. Isn’t it ironic that Kyng is trying to do to Thug was Thug was doing to Lil’ Wayne?

https://www.instagram.com/p/BDM7IDLKw_C/

These High School Kids Didn’t Understand Erykah Badu’s Greatness

Photo via Erykah’s Instagram

So often do we feel bad for the kids of this generation as they have no idea what good music is. It makes complete sense why they don’t know who many artists are as the artists clearly aren’t in or from their era, however Erykah Badu’s recent visit to a high school was just sad. The children had no idea who she was and they didn’t know or like her music. They didn’t even try to give it a chance.

Most kids have no idea what good music is as they are subjected to the music of today. They don’t even know about great music of the past unless someone decides to sample a classic, and even then that’s if they do their research. These high school kids weren’t paying Badu any attention at all. As we know most kids will only openly hype music that’s popular right now though. Hey, at least it was a lucky day for the staff.

Erykah Badu

All Hip Hop’s Red Carpet Coverage of The “Barbershop: The Next Cut” Hollywood Premiere

With only a few days to go until “Barbershop: The Next Cut” opens nationwide in theaters on April 15, 2016, All Hip Hop’s Los Angeles correspondent Kylie Krabbe was able to catch up with some of the cast and crew on hand for the star studded premiere at the TCL Chinese Theatre on the Hollywood Walk of Fame in Hollywood, California.

In keeping with the highly communicative vibe that has come to define the whole “Barbershop” franchise, both the stars and the creators of  “Barbershop: The Next Cut” had a lot to say to All Hip Hop’s cameras when it came to both the premiere and their experiences working together on this latest foray into the world of Calvin ( Ice Cube), his barbershop and his community.  See it all here in living color:

 

“Barbershop: The Next Cut” starring Ice Cube, Cedric the Entertainer, Regina Hall, Anthony Andersn, Eve, JB Smoove, Common, Nicki Minaj, Deon Cole, Utkarsh Ambudkar, Tyga, Michael Rainey Jr. and Torion Sellers opens nationwide in theaters on April 15, 2016.

Future Countersues Ciara, Says Her Last Project Was A “Flop”

(AllHipHop News) As the Future, Ciara, “Baby Future” saga continues on, so does the legal battle.

According to TMZ, Future is suing Ciara back after she filed a $15 million defamation suit against the What A Time To Be Alive rapper.

In the countersuit, Future calls Ciara’s last project a “flop” and says that her career is over despite her “reasonably large” fanbase.

The two have been involved in an ongoing public feud that appears to be primarily based on the custody of “Baby Future.”

“This btch got control problems. I gotta go through lawyers to see babyfuture…the fckery for 15k a month. I jus want babyfuture that’s all,” Future vented back in January.

Earlier this week Ciara skipped over Future’s name as the 2016 Billboard Awards finalists were announced.

As Future’s image came across the screen Ludacris had to fill in for Ciara, as she apparently skipped over or refused to mention her ex and father of her son.

No comment from either artist at the time of publishing.

Lil’ Kim Says She Was Using Auto-tune Long Before It Was Hot

Lil’ Kim wants to remind you that she has been using auto-tune long before the musical processor and effect dominated the music industry. In an interview with Rolling Stone, Lil’ Kim shared that she was using auto-tune 16 years ago. The Queen Bee also recently sat down with Elias Leight to discuss ‘Lil Kim Season,’ her latest mixtape. She says she was using auto-tune heavy as she wanted her songs to sound different and because she was ahead of her time.

“Everyone needs to go back and remember my older music. I even used auto-tune back when no one even was touching it – I used it on The Notorious K.I.M., on a song called “I’m Human.” I sang on all my albums; this is nothing new to me. It’s just that people haven’t heard from me in a while, so they only remember most of the singles that were put out. People need to remember how different every song I put out [was]. “Kitty Box” sounds like something that would be out now. I was ahead of my time, all the time,” said Kim

Let ’em know Kim.

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T.I. Hosts ‘KEANU’ Screening in Atlanta

Photo credit: Marcus Ingram for Warner Bros. Pictures

Atlanta’s own “King of the South” T.I. recently hosted a special VIP screening of the new film KEANU at Regal Cinemas Atlantic Station. Hundreds packed the theater for a chance to preview the highly-anticipated comedy. Cast members Jordan Peele, Keegan-Michael Key, Method Man and Jason Mitchell were on hand to thank the crowd for their support. Special guests included Keri Hilson, Kelly Price, Egypt Sherrod (HGTV), Robert Riley (VH1 “Hit the Floor”), Clifton Powell, Demetria McKinney, Headkrack (Dish Nation/“Rickey Smiley Morning Show”), DJ Fadelf, D’iallo Thompson (Barbershop: The Next Cut), Beautii J (“Cutting It: In the ATL”), Jasmine Burke (Bounce TV’s “Saints & Sinners”) and more.

Keanu

Following the screening, T.I. invited guests and the cast to an after-party at his restaurant Scales 925. KEANU is in theaters April 29.

Visit www.keanumovie.com for more information. Join the conversation on social media by following @KeanuMovie and use hashtag #KEANU.

Zulu Nation To Strip Afrika Bambaataa Of His Crown Amidst Controversy?

With all of the Afrika Bambaataa child molestation allegations spreading like wild fire, there are now choruses within the Zulu Nation rising up to dethrone Bambaataa. Rumor has it that they are planning to remove Bam internally from his position as the head of the Zulu Nation. While this is merely a rumor, the idea of a coup is gaining legs and is thus impossible to ignore.

Does it shed light on the Zulu Nation’s true feelings about Bambaataa’s former actions? WE DON’T HAVE THE ANSWERS SWAY!  Could this be the cure for the sickness that is child molestation within the Zulu Nation? It seems like a start. Its going to be tough to forget this one though.

Regardless, this is truly a tragic situation not only for the victims that were allegedly molested, but for Hip-Hop. It was just weeks ago that we reported Afrika Bambaataa’s musical collection of records was donated to Cornell University.

No matter if you are a creator or were influenced by this genre’s movement, some things are NOT acceptable. It seems like the Zulu Nation carries this sentiment and its only a matter of time before Bam is no longer holding the crown for a movement that spans decades.   

Shouldn’t the no snitching rule be revoked for child molestation? Wouldn’t you want that for your kid? Someone ask Cam’ron.

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Usher Discusses “Chains” Video, Police Brutality, & Backlash For Beyonce’s “Formation”

(AllHipHop Features) Back in October of 2015, Usher Raymond used his celebrity status to bring awareness to the issue of racial injustice through an interactive music experience. The 8-time Grammy winner premiered the visuals for his song “Chains” featuring Nas and Bibi Bourelly on the Tidal streaming platform.

The “Chains” video honored different victims of police violence such as Oscar Grant, Rekia Boyd, Michael Brown, Sandra Bland, and others. The “Don’t Look Away” application forced viewers to keep their eyes on the screen (and the faces of the deceased) in order to hear the entire song.

Earlier this year, Usher returned with a second “Chains” video. That Film The Future created clip presented an alternate version of the same powerful message about the need to build an effective social movement to combat inequality.

Usher ensured the conversation about police brutality continued by addressing Georgia State University students for 30 minutes on Tuesday. The R&B legend visited the institution in his adopted hometown of Atlanta for a Tidal sponsored event.

Check out some of Usher Raymond’s quotes from his Georgia State University appearance below.

[ALSO READ: Usher To Premiere “Chains” Part 2 Visual Experience On Tidal]

On the “Chains” video:

This is just a drop in the bucket. It’s a major shift in the direction for my career, and I’m so thankful and happy that I had Tidal to support me in making sure I put this message out there.

In order to address the issue, we have to face the issue. So I took faces of victims of police brutality, and in order to hear the song when I first released it, you had to look into the eyes of the victims on your computer.

The idea was “don’t look away.” A lot of times we see something and then we take our eyes off of it to move on to the next thing. You can’t look away from this issue. To fix it, we have to face it.

On what young people can do to bring awareness to the issue of police brutality:

First, educate yourself about the reality. Don’t just get mad about it because other people are [mad]. Really understand where the issue starts. [Understand] what is the issue in America, this stereotype that African-American people may pose a threat.

Not every police officer is a bad one, but there are a ton of men and women who may be moving in fear for the fact that you could potentially take their life or a fear that you pose a threat to them. They have the ability to cause you harm, and for a situation that should very simply be addressed with communication, it being completely taken in a direction that could potentially cause you to lose your life.

For me, the most important part about it is educating yourself about what’s going on and the history of the issue. Education from the aspect of knowing on a state-to-state level what actions you can take to address this issue. What outlets do you have? You all have social media or social outlets where you talk about stuff all day. Are you using these social outlets to highlight the issue and focus on some of the things that are affecting all of us?

On interacting with police:

This officer has a weapon and the authority to use that weapon in the event that I pose a threat to him. The reality is you may not know what that officer is dealing with, so you have to proceed with some integrity.

A lot of these situations we’re seeing – they’re wrong – but they were completely taken in another direction as a result of maybe a person not necessarily acquiescing to the authority. Not every officer should have that authority. We need to address the issue and break down what we can do to begin to change the opportunity for things to get out of control.

For my children, I hope that I’m raising them to understand that as a man of integrity and respect, you give respect in hopes to be able to receive it. To be angry or arrogant in the situation where an officer asked you to do something and you say, “F-ck you. I’m not doing that.” You’re putting yourself in danger.

@usher on campus today. #tidalxgsu #gsu #georgiastate

A photo posted by Georgia State University (@georgiastateuniversity) on

On the importance of African-Americans knowing their history:

Part of the reason I even started this pursuit was because I really wanted to know my history. I wanted to know where I was from. If I’m an African in America, where did I come from? What tribe did I come from? What place did I come from? If I look at the legacy of who I am as a person, where does it start?

I look at other cultures of people from other areas in the world, and there is a preservation of who they are. Their family continues to keep their lineage, because that helps them recognize who they are and what they are entitled to in life. Unfortunately, a lot of that was taken from us, and we’re like nomads in America trying to find our identity.

And we also have to work upstream because there is not an even plane to start off on. We all had to go through something to get to something. But being able to have that history gives you a sense of entitlement, a sense of pride to know “I’m West African.” When you think of the culture of people from Haiti, Cuba, and the islands, I want the same for Africans in America.

On critics calling Beyoncé’s “Formation” anti-police:

To be perfectly honest, I think that ridicule comes with reality. If you say something that makes someone uncomfortable, they may try to find a way to discredit the purpose behind it. That wasn’t the point, and let’s not distort the issues and the reality of what has happened in our country.

There’s a system that obviously has been put in place to trap a lot of us. A lot of us who may not necessarily understand it fall victim to it. I don’t think that it was the most comfortable place for her or any artist who dealt with ridicule, but the reality is that’s what comes with it.

Change feels uncomfortable. Especially if you grow accustomed to staying one way. I think it was courageous of her and others to be able to use their voice. There needs to be more of us. There needs to be more support for what we’re doing, so that we can begin to change that reality.

[ALSO READ: Beyoncé Revisits Hurricane Katrina In “Formation” Video]

Puff Daddy Talks Signing His Son Christian Combs To Bad Boy Records

(AllHipHop News) Last week, Christian Combs announced he signed a new label deal with Bad Boy Records/Epic Records. The youngest son of Sean “Puff Daddy” Combs is grabbing the baton from his father as he steps into the role of being a music artist.

[ALSO READ: Puff Daddy’s Son Christian “King” Combs Signs Deal With Bad Boy/Epic Records]

Puff Daddy stopped by Hot 97’s Ebro In The Morning, and the native New Yorker spoke about adding his own child to his Bad Boy roster.

“I never been in the studio with my son and I never gave him a beat… He’s been wanting to be a rap artist since he was three,” said Puff Daddy. “It was like a bidding war for him. I told him where I was going. I said you have a decision. You could go and meet with these people, and he decided to go with me over at Epic.”

Puffy added, “[Christian is] the only person I know that’s flyer than me. He’s my hero. I have to watch him sometimes to get my swag back. He’s such a gentlemen, works hard, and his records are undeniable. He represents New York.”

Christian is likely to be in attendance for the highly anticipated Bad Boy Family reunion concert taking place at Brooklyn’s Barclays Center on May 20 and 21. Puff Daddy revealed Faith Evans, Lil Kim, Ma$e, The Lox, Total, 112, French Montana, Jay Z, Mary J. Blige, DMX, and more will be hitting the stage that weekend.

[ALSO READ: Puff Daddy Premieres “You Could Be My Lover” Music Video On Instagram]

Watch Puff Daddy’s interview below.

Kanye West Sets Personal Record On Two Charts With ‘The Life Of Pablo’ Songs

(AllHipHop News) Kanye West already earned the #1 album in the country thanks to his The Life Of Pablo being streamed over 99 million times in the first week after its wide release. The Hip Hop superstar is now dominating the Hot R&B/Hip-Hop Songs chart, and he has a great showing on the Hot 100 chart as well.

[ALSO READ: Kanye West’s ‘The Life of Pablo’ Becomes The First Album To Hit #1 Off Mostly Streams]

Billboard reports 11 tracks from TLOP debuted on the Hot R&B/Hip-Hop Songs chart this week. They joined “Famous” on the list bringing Kanye’s total to 12. In addition, 8 TLOP songs are now currently on the Hot 100.

That number of simultaneous songs on the respective charts are new personal bests for Kanye. Previously, the Chicago artist had a personal high of 9 for the Hot R&B/Hip-Hop Songs in 2013 and 5 for the Hot 100 in 2011.

Kanye’s tally for the Hot R&B/Hip-Hop Songs at the moment includes: “Famous” (13), “Father Stretch My Hands Pt. 1” (14), “Pt. 2” (18), “Ultralight Beam” (22), “Waves” (24), “FML” (30), “Real Friends” (34), “Feedback” (36), “Wolves” (39), “Highlights” (41), “Freestyle 4 (43), and “I Love Kanye” (48).

For the Hot 100, Ye’s tally includes: “Famous” (34), “Father Stretch My Hands Pt. 1” (37), “Pt. 2” (54), “Ultralight Beam” (67), “Waves” (71), “FML” (84), “Real Friends” (92), “Feedback” (99).

[ALSO READ: Spotify Adds Genius Annotations For Kanye West’s ‘The Life Of Pablo’]

Fat Joe Says He Felt Abandoned When Nas Signed With Jay Z (VIDEO)

(AllHipHop News) It has been nearly 15 years, but the classic battle between Nas and Jay Z is still brought up in discussion to this day. Recently, Fat Joe spoke with ThisIs50 about his part in the beef, and the Terror Squad leader expressed his frustration over Esco eventually joining Hov at Def Jam without informing him.

[ALSO READ: Young Guru Talks The Making Of “The Blueprint” & Why Jay Z Did Not Lose To Nas (AUDIO)]

“Nas was my man since day one,” said Joe. “So when Nas caught beef with Jay Z, they threw the battery in my back like we got beef with this man.”

He added, “There was bad blood between Roc-A-Fella and Terror Squad for a long time, and next thing I know I seen Nas with Jay Z. It was peace, but it left me in the outskirts. [Nas] didn’t pick up the phone and say, ‘Yo Joe, I’m about to squash it with this man which I would have told him, ‘Go get money’… Now me and these n-ggas are feeling a certain way, because I was repping you hard. I felt abandoned.”

Fat Joe also showed love to Jay Z and Roc-A-Fella Records for their contributions to Hip Hop culture. The Bronx representative made it clear he no longer has any animosity toward the Brooklyn rapper-mogul.

[ALSO READ: Remy Ma Talks About The Term Femcee And Her Relationship With Fat Joe]

Watch Fat Joe’s interview below.

 

Metro Boomin Talks Kanye West Wanting To Form A Production Group & Young Thug Vs Future

(AllHipHop News) Metro Boomin clearly trusted Kanye West enough to have his famous tag lace Ye’s “Father Stretch My Hands Pt. 1” off The Life Of Pablo. It appears the G.O.O.D. Music boss was interested in working even closer with the Atlanta-based producer.

[ALSO READ: Metro Boomin Talks Working On New Music With Kendrick Lamar & Big Sean (AUDIO)]

In a new cover story for Fader, Metro recalled a phone call he had with Kanye. According to the 22-year-old St Louis native, Yeezus was interested in forming an official alliance with Young Metro.

The publication reports:

Metro recaps the conversation. “This n-gga ‘Ye was talking about a lotta sh-t. He said he was in some country I never heard of. I was like, ‘What you doing there?’ He’s like, ‘I’m in a IKEA.’” Also, he told Metro: “We really should do a production group together.”

By this, clearly, Metro is honored. But he’s also taken aback. Someone asks, politely: So’s Kanye trying to sign you? Metro scoffs at the thought. “Never. I’m a boss n-gga.”

Metro also addressed his place in the feud between two of the rappers he works with regularly – Future and Young Thug. The ATL representatives got into an online squabble in February which put Metro in the middle of the beef.

He stated:

Yeah, it’s some crazy sh-t… You can’t have either one of them feel like you f-cking with the other one more than them. Either one of them would be offended. You gotta remain neutral as much as possible. It’s no bias. Atlanta, man—everybody’s a male, there’s a lot of ego. Somebody gotta be number one. Neither one of them are the type to settle for number two. I feel like they both motivate each other, and it’s good for the culture and the music—just as long as it stay at that.

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[ALSO READ: Young Thug & Future Exchange Subliminal Disses Online]

Birdman Announces ‘Rich Gang 2’ Album Is Dropping This Summer

(AllHipHop News) Is Birdman reconnecting with Lil Wayne and the rest of the Cash Money Records roster for another Rich Gang release? Or is the CMR head teaming back up with Young Thug and Rich Homie Quan for a sequel to Rich Gang: Tha Tour Pt. 1? Or could Birdman be recruiting a whole new team for his next music project?

Fans of the New Orleans native will find out the answers to those questions soon, because Birdman announced on Instagram he is dropping the Rich Gang 2 album this summer. He did not give a lot of details about the forthcoming effort, except that it is expected to arrive in July.

[ALSO READ: Mannie Fresh Recruits Hot Boys Lil Wayne, Juvenile & Birdman For “Hate” Song]

New album #July?SUMMER #CASHMONEYRICHGANG #RG2 #BOSS #lifestyle

A photo posted by Birdman5star (@birdman5star) on

ATL Live On The Park Returns With Season 7

Photo credit: Prince Williams of ATLPics.net

Shanti Das and Marlon Nichols introduced the seventh season of ATL Live on the Park to a sold out show on Tuesday night in Atlanta, GA. The dynamic duo proved once again why ATL Live on the Park is Atlanta’s top bill for live music performances. Season openers included performances by Quinn and Jukebox, Crystal Cruz, Candice Nelson and Pepsi’s Artist Spotlight of the Month Ghetto&Blues. The new season also welcomed Boom 102.5/97.5 morning show host Ed Lover as opening night host and one of Atlanta’s premiere deejay’s, DJ E-Clazz to the lineup. The April edition of ATL Live on the Park was sponsored by Gentleman Jack, Pepsi, ChooseATL, Majic 107.5 and Boom 102.9/97.5 and executive produced by Press Reset Entertainment and Pinecone Productions.

Opening season acts, Quinn and Juke, Crystal Cruz, Candice Nelson and Ghetto&Blues proved why Atlanta continues to be a breeding ground for up and coming artists. Quin and Jukebox opened the show with a small tribute to the late Phife Dawg of A Tribe Called Quest. Crystal Cruz showcased her strong vocals by performing two original songs, ‘I’m Yours’ and ‘When You Know’. Cruz closed her set with a timeless cover by Etta James, ‘All I Do Is Cry’. Candice Nelson, known for writing for some of the biggest names in R&B including Mary J. Blige, Beyonce, J-Lo and more performed her original song ‘One Man’ and ended her set with a cover by Mary J. Blige ‘Take Me As I Am’. Ghetto&Blues, this month’s Pepsi’s Artist Spotlight of the Month, earned their title with last night’s performance. Ghetto&Blues kicked off their set with ‘So Here We Go’, followed by their chart-topping hit ‘Maria Maria’, a song Ghetto&Blues collaborated with Carlos Santana in 1999. Ghetto&Blues concluded their huge performance with an original titled ‘Big Poppa’.

R&B singers Demetria McKinney and Keri Hilson were brought to the stage by Ed Lover to sing ‘Happy Birthday’ to all the women who were celebrating their birthday at last night’s event. The impromptu performance mixed with dynamic vocals brought the crowd to their feet.

DJ E-Clazz and Ed Lover closed the night out with an ‘old school’ set that took the crowd back to Lover’s MTV days.

Special guests in attendance included Keri Hilson, Polow da Don, Sarah-Elizabeth L. Reed, First Lady, City of Atlanta, Christopher Riley of VH1’s#### the Floor, WSB-TV’s Jovita Moore, Demetria McKinney, Dedra Allen from WEtv’s Cutting It in the ATL, Tameka Foster, Jason Riddick of Hot 107.9, Teresa Caldwell, Hurricane Dave of Radio One, Greg Smith of SESAC, DJ Fadelf, and more.

The May edition of ATL Live on the Park is a part of the 31 Days of Jazz for the City of Atlanta and will return Tuesday, May 10, 2016. For more information about ATL Live on the Park, please visit: www.atlliveonthepark.com or follow on Instagram and Twitter @atllive_music.

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Clark County Honors Tupac Shakur Biopic, ‘All Eyez On Me’

(AllHipHop News) Today (April 12) at 9pm the director, star and producers of the upcoming feature film All Eyez On Me will be presented with a proclamation from Clark County Commissioner Lawrence Weekly.

All Eyez On Me director Benny Boom, Demetrius Shipp Jr. (the actor playing Tupac), James G. Robinson (Chairman/CEO of Morgan Creek Productions), David Robinson (President of Morgan Creek Productions) and LT Hutton, the producer of All Eyez on Me are all set to honored.

The film chronicles the life and legacy of Tupac Shakur, including his rise to superstardom as a hip hop artist and actor, as well as his imprisonment and prolific, controversial time at Death Row Records, where he was steeped in the East coast/West coast rap war.

Filming for the major motion picture about the life and legacy of the beloved artist began in Atlanta in December 2015, and moved to Las Vegas on Monday, April 11, after which they will wrap.

Production in Las Vegas will reenact the hours and events leading up to that fateful night.

September 2016 marks the twenty-year anniversary of the death of Tupac Shakur.

 

EXCLUSIVE: Zulu Nation Replies To Afrika Bambaataa Child Molestation Accusations, Claims Government Conspiracy

(AllHipHop News) In the ongoing drama surrounding Afrika Bambaataa and allegations that he molested multiple children in the 1970’s, the Zulu Nation is now striking back with their own claims of a government conspiracy.

In addition to claims of a government conspiracy, the Zulu Nation says that the NY Daily News and it’s reporters “have been compromised and controlled by U.S. government intelligence” to publicize the drama in order to specifically attack the Universal Zulu Nation.

The statement draws on former New York Mayor Rudolph Giuliani’s criticism of Beyonce’s Super Bowl performance, as well as Giuliani’s actions to reportedly remove the Zulu Nation from the Bronx River Projects in 1995.

Last week AllHipHop.com released an exclusive statement from Afrika’s Bambaataa’s attorney after a former New York politician identified as Ronald Savage recounted the charges in an emotional interview with radio personality Star’s Shot97.com radio show.

Ronald Savage made similar claims of oral sex in his 2014 book, “Impulse, Urges and Fantasy’s.” He claimed that Afrika Bambaataa molested him between the ages of 12-14 in the late 1970’s.

The statement comes on the heels of a third man coming forward to make sexual assault claims. The unidentified man says that the assaults happened when he was 12-years-old.

 

Below is a statement from the Zulu Nation’ s Zulu King Bro. Shep:

The UZN Department of Community Affairs unequivocally views this most recent U.S. government sponsored media attack on both The Universal Zulu Nation in general and it’s co-founder Afrika Bambaataa in particular, as nothing more than a continuation of it’s decades long “HIP HOP COINTELPRO” campaign to discredit and destroy the Universal Zulu Nation.   Indeed, during the past 42 year legacy of the UZN under the leadership of Afrika Bambaataa the UZN was unjustifiably removed from the Bronx River Projects in 1995 by the then Mayor Rudolph Guiliani with his N.Y.P.D. initiated “Operation Commitment” and even today is still unjustifiably labeled and monitored by the N.Y.P.D. as a violent street gang in order to prevent young people from associating with it’s internationally respected non-violent, educational and community uplifting Youth Leadership Department.

Too, there is absolutely no doubt that with the Universal Zulu Nation’s press conference and public criticism of that very same Rudolph Guiliani racist attack on recording artist and actress Beyonce Knowles and her anti-police terror & tribute to the Black Panther Party 50th Anniversary “Formation” Superbowl halftime performance; that Guiliani, the P.B.A. and the N.Y.P.D. also have a hand in this most recent attempt to destroy and demonize the U.Z.N. as being an organization of “cop hating sexual predators”

Additionally, asinine statements to the N.Y. Daily News by the obviously paid agent provocateur and “fired” Hot 97 & Power 95, D.J. Troi “Star” Torain that… “He believes the allegations to be true” are nothing more than an unemployed nobody attempting to emulate the mentally challenged Ronald Savages book selling lies by promoting his own online radio show in order to hopefully return to the sellout/payola Hip Hop radio circuit that he was kicked out of due to pressures from the community and members of the Universal Zulu Nation for both his on air disrespect in the tragic death of recording artist and actress Ailiyah and his own racist anti-asian “sexual predator” remarks to assault the 4 year old daughter of then City Counsel member and current NYC Comptroller John Liu.

We have no doubt that a combination of our ever growing international UZN Chapters throughout Europe, Asia, Africa, Australia, South America, North America and; Our ongoing diplomatic relationships with the anti-imperialist peoples governments of Cuba, Venezuela and Tanzania have all no doubt made us a COINTELPRO target by the U.S. government, mainstream media and the global 1% capitalist powers that be.

In tomorrow’s second installment of this three part response we will expose the fact that D.J. Troi “Star” Torain is a government paid agent provocateur and that his Zulu Nation expert “Poppy aka Baby B.O.” is both a liar and a government paid police informant.   Furthermore, we will show how the N.Y. Daily News and it’s so-called objective reporters in this matter have been compromised and controlled by U.S. government intelligence in order to produce and promote this trial by media assault on the Universal Zulu Nation. Ukuthula Amandla Awethu.   Zulu King Bro. Shep Zulu King Sadiki “Bro.Shep” Ojore Olugbala – s/n Shepard P. McDaniel, Executive Director The Universal Zulu Nation Department of Community Affairs – World Wide (UZN-DOCA)   

https://www.youtube.com/watch?v=GXztufYt3qE

https://www.youtube.com/watch?v=2uUzq__JTjo

https://www.youtube.com/watch?v=2syqt-td1Ho

Regina Halls Talks Eve, Nicki Minaj On Set In “Barbershop: The Next Cut”

As “Barbershop: The Next Cut,” gets closer to it’s nationwide theater release date of April, 15, 2016, AllHipHop’s Los Angeles correspondent Kylie Krabbe was able to get some exclusive on set details from star Regina Hall on subjects as varied as what it was like to integrate the formerly all male Barbershop as newcomer, as well as the on set atmosphere between female rap stars Eve and Nicki Minaj.  Read all about it below:

A lot has been made of the subject of violence and the possibility of violence between men and boys in this movie. What do you think a woman’s role is in that sort of a reality, via your character Angie, the new co-owner of the barbershop?

Women are nurturers and we’re loving. I think Angie actually is that in the counterpart to Calvin (Ice Cube). I think the presence of men is really important for other men to teach men ways to connect with one another so that there aren’t gangs that can come in and play a parental role. I think we see the importance of fatherhood positive role models and I think women, we’re balance. The reason it takes two to make one. I think they each play very specific and important roles.

You’ve worked on so many projects – comedic and serious, movies and television. How would you rate this experience on “Barbershop: The Next Cut” amongst them?

It was great. One of the great things about it is it was new, but it was also familiar because there was Malcolm ( Director Malcolm Lee) who I had worked with before and Cedric (Cedric The Entertainer) who I had worked with before and Cube who I had worked with. But also, it’s always scary to walk into somebody else’s franchise. I mean you don’t know. Are people going to like Angie or be like, ‘I liked it when it was…where’s Latifah?’  You don’t know how people are going to respond to a franchise with new characters. So this was great because it was kind of a mixture of a lot of different feelings, but it felt good when we were shooting it and you can kind of tell that. I was happy to watch it and see how it came out.

You seem to have developed a really tight relationship with your “Barbershop: The Next Cut” co-star Eve.  You’ve even gone so far as to say that you want to manage her and help her to get out her next album which has been a bit of time coming.  Can you tell us a little more about that?

Eve and I had done “With This Ring” last year. So we already had become friends before this movie and it was more like, ‘oh good, Eve is going to be there, so we’ll hang out.’ And then you end up loving the other girls too,   like Margo (Margo Bingham) who’s in the movie. She’s wonderful. And Nicki (Nicki Minaj) we did love and we would have hung out, but Nicki traveled on weekends cause she had to go do concerts. She’d have weekends where she’d literally go to do a show as soon as the set wrapped and be back Monday to shoot.

So it was a very close knit cast on set amongst the men and the women? 

Yeah.  It was a close knit cast, which is kind of great because you needed them to feel close when you watched it.

Just now seeing the two of you together having  a good time promoting “Barbershop: The Next Cut, ” you seem pretty emphatic with Eve about her need to get out some new music. Are you seriously going to try to be a part of that?

I’ve been encouraging (Eve) forever.  I don’t think I’m going to be able to manage her but I’m really excited for her. She’s super talented and for me it was more just reminding her that people love her. I think sometimes you forget.  She lives in London and she’s married and happy and still doing her acting and still shooting.  Eve’s very creative on a lot of other things so I think you wonder, ‘do people miss me at all?’ So I’m like, we miss you. We miss you. People love you still. So it’s exciting. I mean, I think even when we first started shooting – that’s what I loved about seeing her and Nicki together. They had such a mutual respect for each other as musicians and artists and even (Eve) completely understanding (Nicki’s) twitch to acting and Nikki completely loving (and) knowing Eve as an example of somebody who had done that before. They had a pretty amazing dynamic.

Lastly – we loved your blue hair.  You fought hard for that hair style with director Malcolm Lee, who initially wasn’t so sure about it as a part of Angie’s persona.  Why is hair such an enduring and important part of creating all of the characters that you play – in this movie and others?

I feel like with women, we do our hair, it’s our thing. Especially as a black woman, there’s so many options yet none.  So I’m always trying to figure out what is that?  I mean, we do have this hair that can do a million things but maybe we always can’t do it.  Maybe there’s not the time and then our hair is strong and yet specific, though it has a fragility to it and then it has a temperament.  Then there’s finances. Our hair is a little, ‘do I add a hair? If I add hair, I’m going to buy hair. Is that hair expensive?’   It’s like I have full freedom to do whatever and yet I’m imprisoned by it. It’s a coin with both sides…. I’m like I can’t do anything with my hair but maybe it’s the work that I’d have to put into it to get it done.

So it’s a whole relationship?

It is.  It is.

“Barbershop: The Next Cut” opens nationwide in theaters on Friday, April 15, 2016.