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T.I. On His Past: ‘I Owe Us An Apology’

Yesterday (May 11), T.I. delivered a heartfelt address about his life and future plans while hosting a Harlem anti-gun rally with Reverend Al Sharpton, Queen Pen, and Kevin Liles.

 

“I owe us an apology. The same violence and gun activity that I’m attempting to stop, I once was a part of it and played a huge part in promoting [it],” T.I., real name Clifford Harris, admitted to fans and media. “A lot of people did it as a fashion statement. For me, it was more so a way of life. It was the lifestyle I was raised in. I carried guns and sold dope as a 13, 14, and 15 year old. All the experiences I gathered in that time [are] exactly the tools I need to get out here and reach the people that are doing what I used to do.”

 

As one of handful of true superstars in Hip-Hop, T.I. detailed that his criminal background will allow him to have the ear of troubled youth, and hopefully change their destinies.

 

“These kids know I lived the life they’re now living,” he explained. “I’ve seen the outcome of their mistakes. I’ve caught cases, I’ve been to jail, and had attempts on my life. I’m standing [and] I’ve learned from it…I have the experience of living this life of crime, I know where they’re headed and I can tell them. And they’ll listen to me because they’ll know it’s the truth.”

 

Because much of his community service is the result of his 2008 felony gun conviction, many critics and fans have questioned the sincerity of T.I.’s recent actions.

 

Aware of this skepticism, the Atlanta native challenged his critics to scrutinize his past record.

 

“Anybody who thinks I’m talking just to hear myself talk, google Clifford Harris. My record is public record,” he declared. “Now that I’m T.I. there’s nothing I can do to hide my past. But I’m not ashamed of my past, I embrace my past. The same thing you may frown upon, it’s the same thing that will make me proud when I’m able to turn your son, your daughter, nieces, and nephew’s life around.”

 

Opening up about the murder of his best friend Philant Johnson, T.I. stressed that the results of shootings extend past the victim and serve to decimate communities and generations.

 

“I was so hurt at the loss of his life, that I didn’t even take knowledge of the fact that I still had mine” T.I. reflected. “I had to deliver the news to a hurt mom that ‘your son left with me, but because of me he ain’t coming back.’ A lot of times when we shoot guns, we only understand what is going on between the person that has the gun and person that’s being shot at. We don’t understand the pain that goes on with mothers, father, sisters, and brothers. There are household being destroyed. You’re not just killing a man, you’re killing a family. But just like we can destroy, we can rebuild. That’s what I’m here to do.”

 

This month, T.I. will begin serving a one year and a day sentence under his guilty plea on felony weapons charges.

 

He plans to continue his community efforts upon his release later this year or in 2010.

Knockout Nation: Dawson Beats Tarver Again, Roach Talks “Fraud Mayweather,” Ali-Terrell

Dawson Wins Rematch Handily

Aging

vet Antonio Tarver again came up short against undefeated

light-heavyweight champ Chad Dawson, losing a clear unanimous decision

this past Saturday in Las Vegas.

As

in their initial title fight, Tarver struggled to cope with Dawson’s

fast hands, especially when thrown in combination. Throughout the first

two rounds, Dawson easily bested the former light-heavyweight champ

behind a peppering jab and huge power shots.

In the 3rd

round Tarver picked up the pace and began moving forward to attack

Dawson. Although Tarver took the round on sheer aggression, the

defending champion was able to avoid any significant damaging blows

from the plodding Tarver.

Both men had their moments in rounds 4-6. In the 4th,

Dawson regained control by pushing Tarver back with hard combination

hooks to the body. Tarver utilized a close guard for most of the round,

but was still stunned by a huge left in the final minute. He returned

the favor in round 5 by taking the fight inside. There, just as

workhorse Glen Johnson did last year, Tarver scored with hard hooks

through Dawson’s leaky inside defense.

In the 6th and 7th

rounds, Dawson again wrestled control of the bout behind superior ring

generalship. Dawson kept getting off first with the right jab and hard

left hook to the body. At the end of the round, Tarver responded in

kind with 3 solid left hooks. The reprieve proved brief, and Dawson

went back to work with inside hooks, doing enough damage to put Tarver

back in a defensive shell.

By

the championship rounds, Tarver was far behind. Trainer Buddy McGirt

loudly implored Tarver to make it a dogfight if he had any hopes of

winning the bout. But in the 10th, the Magic Man had slowed,

and his laboring punches were easily slipped by Dawson, who would

sporadically fire back with body hooks and flush jabs to keep Tarver

off-balance. In the 12th, both fighters were guilty of more

inside mauling then boxing. However, Dawson cleaner and more forceful

punching still gave him the advantage.

Final

scorecards for the bout read 116-112 and 117-111 twice for Dawson, who

improved his record to 28-0, 17 KOs. Antonio Tarver fell to 27-6, 19

KOs.

With

Tarver now disposed, Dawson can turn his attention to a rematch that

matters against Glen Johnson. Their first encounter in 2008 was a Fight

of the Year candidate, and Dawson’s consistent but unspectacular recent

fights won’t be enough to elicit offers of big money fights from

Bernard Hopkins or Joe Calzaghe. And although Dawson has spoken about

dropping to 168 pounds, it remains to be seen if he can make the weight

comfortably.

For

Tarver, he appears at the end of the road after a very successful

career. Through sheer self-promotion, the Magic Man was able to goad

then pound for pound #1 Roy Jones, Jr. into a rubbermatch which

destroyed the Jones mystique. Now at 40 years old, and not having

fought more the twice a year in 9 years, it’s highly unlikely that

Tarver has the desire to build himself back up through tough fights

away from the spotlight.

Freddie Roach: “Rename him ‘Fraud’ Mayweather”

Manny Pacquiao trainer Freddie Roach has wasted no time criticizing Floyd Mayweather’s recent return to the ring.

In

a statement to Doghouse Boxing, Roach dismissed Mayweather’s comeback

against pound for pound #2 Juan Manuel Marquez as a useless, boring

fight.

“The

fight stinks. Two counter-punchers waiting for the other one to make

the first move is boring and proves nothing,” Roach explained. “If

Mayweather wanted to prove he was the best all he had to do was wait

one day to see who won Pacquiao-Hatton before signing to fight Marquez.

You might as well rename him Fraud Mayweather, Jr.”

Roach’s

venom for Floyd is partly a receipt for Mayweather’s repeated

dismissals of Pacquiao’s skills during his brief “retirement.” Also, it

adds to the anticipation fans are already feeling at the possibility of

a Pacquaio-Mayweather showdown this year.

Let’s

just hope “Money” Mayweather not only takes care of business on July

18, but does it in impressive fashion. Marquez is no pushover, and

Mayweather could be in for a shocking surprise despite his weight

advantage.

Throwback Fight of the Week: Muhammad Ali vs. Ernie Terrell, 2/6/67

In

1967, Muhammad Ali was one of the most hated heavyweight champs in

history. Following his controversial conversion to Elijah Muhammad’s

Nation of Islam sect in 1964, many fans were hoping for anyone to

dethrone him.

For the champ’s 8th

defense, he was paired with Ernie Terrell; a tall, sturdy heavyweight

with a very good jab. Terrell was not intimidated by Ali’s taunts, and

actually provoked the champion to physically attack him by refusing to

call him by his new Islamic name.

Terrell

later said he hoped to gain a psychological edge in the fight. Instead,

Terrell inspired Ali to give him one of the most humiliating beatings

in ring history.

After

a good Terrell start, Ali’s great jab took over; swelling up the

challenger (Terrell would later state it was an errant Ali thumb to the

eye that damaged his vision). By the middle rounds, Ali was in complete

control, but refused to go in for the finish. Instead, he verbally

taunted Terrell round after round: calling him an Uncle Tom in the

clinches, and shouting “what’s my name?!” before launching another

stinging combination.

The

final scorecards were lopsided for Ali (148-137 twice, and 148-133).

Ringside reporters were appalled by Ali’s antics, stating that he was

unnecessarily cruel and even eclipsed the taunts he leveled at a

helpless Floyd Patterson in their 1965 bout.

Muhammad Ali would make one more defense a month later against an old Zora Folley, winning an easy 7th

round KO. He would then be stripped of his title and ability to box for

3 years over his refusal to enlist in the Vietnam War. Upon his return

in 1970, Muhammad Ali would engage in a memorable decade of fights with

Joe Frazier, Ken Norton, George Foreman, and Earnie Shavers.

After

the Ali bout, Terell would fight for another 6 years and never again

challenge for the title. He finished with a record of 42-9, 21 KOs.

Ali vs. Terrell, Part 1

Ali vs. Terrell, Part 2

Ernie Terrell Interview

Hip-Hop Editor Calls for Ban of Cam’Ron’s ‘Crime Pays’

Kemi Omololu Olunloyo, editor of the Canadian Hip-Hop site the Hiphossip.com, is calling for a ban of Harlem emcee Cam’Ron and his anticipated comeback album Crime Pays.

 

Although many fans have been receptive to the recent social commentary in Cam’Ron’s music (“I Hate My Job”), Olunloyo argues that the former Dipset leader misleads youth with an album title that glorifies violence.

 

“Toronto is now my home. It’s much safer than in the United States and I don’t want that to change,” Olunloyo explained to The Sun. “I love Hip-Hop. Children imitate things. They will follow what they see. They want to be like children in the U.S. who have a gun.”

 

The Nigerian native plans to request that immigration officials ban the rapper from any potential touring opportunities in Canada.

 

Also, Olunloyo has started an online petition to gather support for her cause.

 

In recent months, Canada has turned away several musicians at the border for lyrics that are deemed to promote violence, or for previous criminal records.

 

Crime Pays, Cam’Ron’s sixth LP, was released today through Diplomat/Asylum Records.

 

Production is handled almost exclusively by ARAAB Muzik and Skitzo.

 

A video for the latest single, “Cookies-N-Apple Juice,” hit the net this month.

 

This week, Killa Cam announced that he is finalizing a joint summer tour with Jadakiss dubbed “The Bosses.”

 

At press time, Cam’Ron could not be reached for comment on Omololu Olunloyo’s proposed Canada ban.

The X Fact(her): When Soldiers Snap

Soldiers have perhaps the hardest job

in the world. They wake up in the morning happy to be alive, s#######

their gear and go kill people before they kill them. It’s like being an

inner-city police officer but worse.

When news of a U.S. solider opening

fire on a stress clinic at Iraq military base Camp Liberty (these

military names are great propaganda) broke, it came as no real surprise

to me. Monday’s attack is the sixth time that a serviceman was killed

by a fellow serviceman since Operation Iraqi Freedom began in March

2003. This week’s shooting ended in five dead. A suspect is alleged to

be in custody.

What makes a solder snap?

To help understand this, let’s look at

Hip Hop’s weird fascination with the military. The most memorable being

Master P’s No Limit soldiers. They even had army tanks

in their music videos. Now, most crews emulate the ranks of the

military. 50 Cent is probably the hardest drill sergeant there is

forcing his foot soldiers to obey command for risk being stripped of

their rank. Ask Young Buck

what happened when he stepped out of line. For every rapper that goes

against his platoons orders there is another willing to write away his

rights as an independently thinking man and fall right in line.

A good reason why soldiers snap is due

to the insurmountable pressure put upon them to perform (in the case of

Hip Hop, to sell records) and to not question authority. No-hit wonder

Canibus was actually a former solider yet he couldn’t survive the

minefield that was the music industry. In Camp Bad Boy, any artist that

doesn’t follow the rules of Master Chief Diddy gets the boot. The Lox

questioned things and went AWOL. On the flip side Shyne tried to

protect this superior as a show of gratitude and ended up in prison.

It’s almost as if being a solder, no matter was field you are fighting

on, is a no win situation.

The fact that this week’s slaying took

place at a stress clinic isn’t just ironic but sad. How can you help a

person that is going to walk out the door and return to the same

stressful situation that made them walk in the door?

Imagine waking up every morning with

the weighted stress of having to liberate the world, kill people

(innocent or guilty) and marching blindly into warfare at the command

of your superior officers. At some point whether you agree with the

mission at hand or not, you will begin to question if this is the right

thing for you to be doing. Then comes the guilt of taking part in the

killing of thousands of people. Let’s not even get into the soldiers who victimize the innocent people they are deployed to liberate.

Shouldn’t we be surprised that more soldiers aren’t losing it? Hell, in the ’80s postal workers were murking each other over the pressure to deliver mail on time (hence the term “going postal”).

War doesn’t just kill our enemy; it

damages our young men and women, who join the armed forces in hope of

having a better life. Instead they come back mentally and physically

broken or in a pine box.

The X Fact(her) is a weekly column that appears on 99problems.org.

Started on Inauguration Day 2009 by the League of Young Voter’s

Education Fund, 99problems.org is a non-profit initiative that aims

to keep young people engaged in the political process through activism

and community involvement. Please visit 99problems.org to find out how

you can get involved right now! For more on Chloé A. Hilliard visit

www.chloehilliard.com

Play-N-Skillz Headed For Legal Showdown With Lil Wayne

Play-N-Skillz don’t want to sue the biggest rapper on Earth, but they have yet to receive any monies for their work on Lil Wayne’s Tha Carter III.

 

Play-N-Skillz produced “Got Money,” which was the third official single from Lil Wayne’s acclaimed sixth studio album.

 

The song featured T-Pain and peaked at No. 4 on the iTunes Top 100 and No. 10 on the Billboard Hot 100.

 

“We haven’t gotten any compensation. We really didn’t want to speak on anything like that, just because of our relationship with Pain and Wayne. We’re more thankful for the opportunity to be on Tha Carter III, but business is business at the end of the day,” Skillz told AllHipHop.com at Sha Money XL’s One Stop Shop producers conference over this past weekend.

 

Skillz, one half of the production hit squad, continued, “now it is coming to where we have to put our business hat on. We had the producer and the creative hat on, but now we wanna know what’s going on.”

 

“Got Money” was originally for Pitbull’s album, Play said, but it was submitted a mere two days too late for inclusion on the Miami artist’s album.

 

“So, by the time he sent it back, T-Pain was on the hook. T-Pain had made it happen,” Play continued. “This just goes to show, where technology is going,” Skillz explained. “We had never even met Wayne. He’s in there and with us being from the South, we had seen him here and there, but that was the first time we had actually worked with him. But we didn’t actually go into the studio and work with him. Everything was third person.”

 

The song made the rounds and soon there was talk that the song could be going to the next level.

 

“Pain’s people reached out to us and they said there was a big rapper that wanted to rap on it. We wanted to know who the hell it was,” Play continued. “They said it was Wayne, they sent the files back, we changed the music on it, rearranged it and the rest is history.”

 

How the future plays out is unclear, but both Play and Skillz want to resolve things amicably so that all parties can continue to make music.

 

“We think the legal issues will be taken care of. It might not even be on his radar. A lot of people fail to realize, the artist might not even know. I’m sure that Wayne doesn’t even know or Pain doesn’t even know,” Skillz said. “It could be Universal Records, but somebody has to come with it. Give us our change, man…we need that. We got expensive tastes, baby. We’re going to continue to work and hopefully it doesn’t tarnish the relationship,” Play said. “But, if you don’t handle your business, nothing you do makes sense anyway.”

 

In related news, Play-N-Skillz are going to continue to work on music, but will also return to their rap craft as well.

 

Bishop Lamont: Truth Serum

Bishop Lamont recently took a trip to Amsterdam and Rotterdam. While he was there, AllHipHop.com caught up with the Carson, California rapper and got his views on international Hip-Hop, the status of Dr. Dre’s Detox, friction with The Game and the positive side people seem to overlook.

AllHipHop.com: You recently recorded a song with rappers from Rotterdam, Netherlands.Bishop Lamont: With Lords of Chaos?

AllHipHop.com: Can you speak on that?

Bishop Lamont: It’s a blessing. It’s about unifying Hip-Hop. N***as be fronting. It’s always an issue back in the States like between L.A. and the Bay. L.A. looks at the Bay like The Bay ain’t Hip-Hop. So the whole nation looks at the rest of the world and Europe like The Netherlands like they ain’t Hip-Hop. Me being here shows a presence that it is Hip-Hop and we are unified. These are beautiful spitters. It’s so redundant back in the States and the music period that you need to see more fly n***as.

AllHipHop.com: On the song you did with the Lords of Chaos, you have a line where you say you don’t respond to the haters. Game recently had a song (“Blood Respect“) that took shots at you.

Bishop Lamont: God bless him. I just got through talking about him and we’re going to can all that [beef]. I guess he feels a certain way and he wants to get it off his chest. So, I’m not even gonna knock that n***a back down and call him “baby girl” again. I’m gonna keep him a he instead of turning him into a she. I appreciate you thinking about me. [Game] knows were I’m at. It don’t mean nothing to me. I’m glad n***as are writing rhymes about me. Usually b****es are talking about me so when n****as are talking about me, I feel real pretty. “You like my muscles?” [Audience laughs.]

“God bless The Game. I just got through talking about him and we’re going to can all that [beef]. I guess he feels a certain way and he wants to get it off his chest. So, I’m not even gonna knock that n***a back down and call him “baby girl” again.”

-Bishop Lamont

Its a waste of energy to lower yourself to that. I’m out here in Rotterdam and its great works [being created]. I go home and its more great works are created. I rap better than the n***a, I’m realer than the n***a. I’m in Compton more than you are. What do I have to say? He should have been dissing last year. I’m over it. AllHipHop.com: I know you can’t speak much about Dr. Dre and Detox. I know you can’t talk about it. But…

Bishop Lamont: What are you trying to set me up for, pimp? (Laughs)

AllHipHop.com: We just want some clue as to what goes on in Dre’s mind. We’ve been waiting forever.

Bishop Lamont: Me too!

AllHipHop.com: We’re looking at him to turn the Titanic around this year.

Bishop Lamont: It’s definitely the Titanic and we’re about to hit that iceberg. I don’t know. That dude is an amazing dude. You can never tell what’s on his mind. I can speak on what’s in his heart. For the most part, he wants to deliver Detox, but he doesn’t feel that its up to par yet to give it to the world. Each installment has taken seven years and we’re up to 10 with this one. We’re going past that window so its are the people still gonna want it and can I give them with the same energy and the ambition that the people want to see it. N***as looking at it like its Big Foot or a unicorn or Loch Ness Monster. It’s taken on mythical levels. He has to surpass all that and deliver something amazing. So, hopefully…AllHipHop.com: Another legendary producer DJ Quik suggested he should do a new album…

Bishop Lamont: That’s what he did…

AllHipHop.com: …with a different title.

Bishop Lamont: It’s not a different title, but he did [change the album]

AllHipHop.com: Was that because of leaks or…

Bishop Lamont: Because of leaks and how he’s feeling in his mind. I can’t speak for him 100% until I speak to him, but from what it was before to what it is, he wants that s**t to be mega. I think n***as would be mad if we put out some bulls**t and it destroys the whole legacy. Other n***as albums didn’t live up to the expectations and now we’re coming to the godfather of rap, the Quincy Jones of rap. This n***a’s got to not only walk on water, but fly and s**t. We in the Matrix right now and that’s Morpheus. Neo is going to do his thing and I’m going to do what I gotta do with Morpheus.

AllHipHop.com: What have you experienced?

Bishop Lamont: Just being able to walk though the neighborhoods. Usually when we come [to other countries] its off the plane to the hotel, sound check, do the show, pack up, back home. This way, you can connect with the people, feel the culture, meet in spirit and mind and do some fresh s**t. It’s lovely. And I just been drinking hella lot. I don’t smoke so the coffee shops don’t do it for me.

AllHipHop.com: I saw you in the coffee shop with Fredro Starr [of Onyx], MC Shan [of the 80’s collective the Juice Crew]…that was a moment in Hip-Hop.

Bishop Lamont: That was a moment for me. MC Shan was getting mad because it was pork on the grill. I wasn’t eating the pork, but mom was eating the pork. And Fredro, that’s family too. People that I listen too, I never thought I would be able to share a panel with or in conversation and Vodka. Shout out to Fred, you know we gotta get it in.

“That

dude is an amazing dude. You can never tell what’s on his mind. [People

are] looking at [Detox] like its Big Foot or a unicorn or Loch Ness

Monster. It’s taken on mythical levels. He has to surpass all that and

deliver something amazing.”

-Bishop Lamont on Detox

AllHipHop.com: Do you think we will ever see a time when Hip-Hop outside of the United States will be accepted as much as it is…

Bishop Lamont: Its already accepted. Its just a lot of haters and n****as with egos thinking that they did it. You know, back in the day, there used to be a lot of New York n***as that created Hip-Hop, they didn’t want to see what the West Coast was doing. Once they saw what the West Coast was doing, they embraced us. The South was feeling the same way. I’m sure you can recall with the Source Awards when Andre and Big Boi was on stage and said, “The South got something to say.” Now the South done said their piece and now the guys from the Netherlands are getting to say their piece. Other than that, Hip-Hop is real recycled. There’s no new flavor, there’s no new life. With us building that bridge, n***as are gonna have a whole new plethora – plethora, that’s a big word – of talent and soul giving their take on Hip-Hop.

AllHipHop.com: The organizer of the event, said she wanted to inspire the United States and we could help the international artists on the business front.

Bishop Lamont: It’s happening. AllHipHop.com: In the coffee shop, you spoke about some of the more positive things that you do. You spoke about church and other things.

“It’s about positivity, because God blesses every step you take. Its a

blessing for people to appreciate what I do. To be here and people love

what I do and to be inspired by what I do.”

-Bishop Lamont

Bishop Lamont: Shouts out to City of Refuge (church). I apologize. I’m not going to be there Sunday. I’m going to get it in next weekend, because I’ve done a lot of sinning here.[laughter.] But it’s about positivity, because God blesses every step you take. Its a blessing for people to appreciate what I do. To be here and people love what I do and to be inspired by what I do. That energy is a blessing. Just to breath is a blessing so its more important to live the positive than the negative. That’s no growth.

AllHipHop.com: What advice do you give the people of Holland? This is like Hip-Hop in the earlier days in America, because the money hasn’t come yet. Bishop Lamont: But you know what? It doesn’t matter if the money hasn’t come yet. The talent’s already here. And the dedication’s already here. The commitment is here. You build it, they will come. They are already on their way. That’s why I’m here. I didn’t get paid for this so this is from the heart.

Only advice is. Stay focused. Stay true to what you do. There’s no need for compromise, because you are blazing a new trail. You are basically creating your own destiny. They are pioneers and its an honor to be apart of that. It’s like the pyramids. I might not be around to see the full creation…or n***as getting to the moon…but they gonna get there. These are the architects.

EXCLUSIVE: Rick Ross Explanation On Shades

Florida rap star Rick Ross is hitting back at reports that the Louis Vuitton’s claims that the sunglasses he wore on the cover were fake by producing the designer.

 

According to Ross, the sunglasses worn on the cover of the May 2009 issue of XXL Magazine were customized with solid gold accents by Jacob Bernstein, AKA “The Sunglasses Pimp.”

 

“It’s the same thing as buying a Rolls Royce and having it tricked out; just because the product has been customized by me doesn’t take away from the fact that the frames are authentic Louis Vuitton Millionaires,” Bernstein told AllHipHop.com.

 

Ross appears on the cover of the May 2009 issue of XXL Magazine wearing a pair of Louis Vuitton – like frames.

 

Controversy erupted yesterday (May 11), when a representative for Louis Vuitton issued a statement disassociating itself with XXL Magazine and Rick Ross over the glasses.

 

“We were dismayed to see the cover of the May 2009 issue of XXL Magazine, which features a photo of Rick Ross wearing a pair of sunglasses prominently featuring counterfeit Louis Vuitton trademarks,” stated Louis Vuitton Malletier Michael D. Pantalony. “Because the photo has generated considerable confusion among your readers and Louis Vuitton customers among others, we feel it is important to clarify several points.”

 

“The first is that the sunglasses Mr. Ross is wearing were not made by Louis Vuitton, and in fact, are counterfeit,” Pantalony clarified. “Louis Vuitton did not grant permission to Mr. Ross or to whoever did make the sunglasses to use our trademarks. The second is that no affiliation, sponsorship or association exists between Rick Ross or XXL and Louis Vuitton. The third is that counterfeiting is illegal.”

 

Bernstein, who was responsible for Ross’ customized shades, is well known in the world of fashion via his Los Angeles – based business, Jack’s Eyewear.

 

Bernstein has customized sunglasses for a number of actors and entertainers, including Jay-Z, Kanye West, Beyonce, Mary J. Blige, Sharon Stone, Fergie, Gwen Stefani, Brad Pitt, Usher and numerous others.

TOP 5 DEAD OR ALIVE PRODUCERS: Just Blaze

Just blaze is a king right now. I’m watching him get mobbed by producer after producer at the Sha Money XL One Stop Shop in Arizona. He can barely take a step before somebody wants to _______ (take a picture, sign and autograph, pass a beat CD, etc, etc). He’s a king among kings, as RZA, Pete Rock and others are also floating around the area.

So, it is quite apparent that when these aspirants begin to formulate their list of Top 5 producers, Just Blaze will be high on their lists. But, who is on Just Blaze’s list? The New Jersey-bred, New York-based producer admits it can go any number of ways depending on how he feels on any given day.

“I’ll do it, but I might change my mind tomorrow,” he admits in a moment away from the chaos of the convention. “I say that because lists like that are hard, because you have to think about it.”

Nevertheless, Just Blaze gathers his thoughts on May 9, 2009 and gives AllHipHop.com his Top 5 Dead or Alive Producers.

Q-TIP of A TRIBE CALLED QUEST

Just Blaze: I was having this conversation the other day and people asked me what my favorite album is. And it was a toss up between [A Tribe Called Quest’s] Midnight Marauders and The Infamous (by Mobb Deep] but Q-Tip wins because he was instrumental on both of those albums. So, I definitely got to put Q-Tip on that list.

RZA

Just Blaze: I definitely would have to put RZA on that list.

MARLEY MARL

Just Blaze: I definitely would have to put Marley [Marl] on that list. He’s the godfather of what we do and how we do it. He was the mastermind who knew about the machines. If you listen to these interviews now with members of the Juice Crew, they will tell you, Marley didn’t necessarily have the idea to do the beat – I gave him the record. But he’s the one who had put it together. He’s the one who knew to take this loop and take these drums, put it on top of it, take this hi-hat and program it. He was an engineer as well. The most powerful producers are always going to have an engineer [background], like myself, like Rza, like Dre. You are just going to have [an ear] for those sonics. If you listen to Marley’s records versus anything that came before it, it was a different sound, a different grit…

THE BOMB SQUAD

Just Blaze: Bomb squad [the production team that provided the sounds for Public Enemy]. A lot of people forget, because it was so long ago. I think those four are solid [as 1-4].

The fifth one could be interchangeable. Editor’s note: The Bomb Squad (Chuck D, Vietnam and brothers Hank and Keith Schocklee. Later others such as Gary G-Wiz, Sleek, Easy Mo Bee and Panic would join the team.)  is an American Hip-Hop production team, known for their work with Public Enemy. The Bomb Squad are noted for their dense, distinct, innovative production style, often utilizing dozens of samples on just one track. They are also known for their ability to incorporate harsh, unmelodic sounds and samples into their songs, generally enhancing them. They also produced albums and songs for the likes of Ice Cube (AmeriKKKa’s Most Wanted), Slick Rick, Run DMC and others. (Source: wikipedia and about.com)

PETE ROCK, DR. DRE, LARGE PROFESSOR

Just Blaze: Growing up, I was a bit of a Large Professor “stan.” I wanted glasses and the whole nine. I see him and its like hanging out with my big brother. But see, there’s also Dre. I was one of the only kids in New Jersey that was bumpin’ NWA early when New Jersey wasn’t bumpin’ NWA early. After “F**k The Police” I was like, “What’s that?” [Somebody else says] “You ain’t never heard that?” “No.” This was in like ’86. We were Juice Crew’d out and he put in this tape like…coursing… And the beats are different, but Its hot, you know? If you look at everything he’s done, from then up until now, you gotta put him on that list. Then you gotta have this man right here…

[Pete Rock strolls up]

Pete Rock: Who me? I’m nobody!

Just Blaze: Pete Rock is probably one of the only people to take a Bomb Squad production and make it better.

AllHipHop.com: The “Shut ‘Em Down” Remix

Pete Rock: I can honestly say that Green Street used to be my home and I used to watch those brothers [the Bomb Squad] in a session. That’s part of my inspiration. The Bomb Squad was great – huge.

AllHipHop.com: The greatest remix ever?

Just Blaze: “Hold it now!” [Quoting Public Enemy’s Chuck D and his opening line on “Shut ‘Em Down”]

Pete Rock: What I heard and learned, I incorporated it on some Pete Rock s**t.

Just Blaze: Its nothing like being able to kick it – even 30 seconds – with somebody you idolize. It’ll change your life.

Some audio treats provided by AllHipHop.com:

“Triumph” – Wu Tang – produced by RZA

“One Love” – Nas – produced by Q-Tip

“Shut ‘Em Down” – Public Enemy – remixed by Pete Rock

Shut Em Down (Pete Rock remix) – Public Enemy

“The Symphony” – Marley Marl (featuring Kool G Rap, Big Daddy Kane, Masta Ace and Craig G)

“Looking At The Front Door” – Main Source Rapped and produced by Large Professor

“For All My B***hes and N***az” – Snoop Dogg – produced by Dr. Dre

“Fight The Power” – Public Enemy -produced by The Bomb Squad

Louis Vuitton Brand Calls Out Rick Ross for Fake Shades

Fresh off a drawn out “battle” with 50 Cent and celebrating his latest #1 album, Rick Ross now finds himself embroiled in another celebrity “beef.”

 

This time, the Miami emcee has drawn the ire of the prestigious fashion company Louis Vuitton, who launched a public letter to Rick Ross and XXL concerning the magazine’s May 2009 cover.

 

The issue features Ross in what a company manufacturer and spokesman derided as fake Louis Vuitton shades.

 

“We were dismayed to see the cover of the May 2009 issue of XXL Magazine, which features a photo of Rick Ross wearing a pair of sunglasses prominently featuring counterfeit Louis Vuitton trademarks,” stated Louis Vuitton Malletier Michael D. Pantalony. “Because the photo has generated considerable confusion among your readers and Louis Vuitton customers among others, we feel it is important to clarify several points.”

 

Louis Vuitton has made a concerted effort to cut down on the mass counterfeiting on their products.

 

Along with confining the majority of their products to small, personalized boutiques, the company is aggressive in exposing counterfeit marketing in all forms of media.

 

“The first is that the sunglasses Mr. Ross is wearing were not made by Louis Vuitton, and in fact, are counterfeit,” Pantalony clarified. “Louis Vuitton did not grant permission to Mr. Ross or to whoever did make the sunglasses to use our trademarks. The second is that no affiliation, sponsorship or association exists between Rick Ross or XXL and Louis Vuitton. The third is that counterfeiting is illegal.”

 

Since Hip-Hop culture’s inception, Louis Vuitton has consistently over generations remained a popular brand, being worn and name-checked by Grandmaster Flash, the Fat Boys, Big Daddy Kane, Diddy, and Kanye West.

 

Last year, Pharrell Williams served a sponsor for Vuitton’s extravagant Blason jewelry line.

 

At press time, Rick Ross could not be reached for comment.