Drake transformed his private NBA-sized basketball court into a sprawling wardrobe display inside his Toronto estate on Tuesday (June 10) to showcase his massive T-shirt collection.
He posted the transformation on Instagram with the caption, “Where’s that one shirt though…”
The post gave followers a rare peek inside “The Embassy,” the rapper’s 50,000-square-foot mega-mansion, where the court—usually reserved for jump shots—was covered wall-to-wall with color-coded racks and tables stacked high with thousands of tees.
The shirts were sorted by hue and sleeve length, a detail that didn’t go unnoticed by eagle-eyed viewers who spotted vintage sportswear and what appeared to be a Queensland Reds rugby jersey from his Australian tour.
The display wasn’t just about fashion—it was a flex.
The Grammy-winning artist, known for his affinity for luxury, utilized the space to blend his passions for sports, style, and spectacle.
The court, part of a $150 million estate designed by Canadian architect Ferris Rafauli, sits beneath a 21-square-foot pyramidal skylight and is just one of many extravagant features in the home.
Other standout elements of the mansion include a 4,000-pound black marble bathtub, a two-story closet with diamond-tufted shearling seating and amethyst drawer pulls, and a piano designed in collaboration with Bösendorfer and Japanese artist Takashi Murakami.
Drake once told Architectural Digest he wanted the home to reflect “overwhelming high luxury” and be a structure that would “stand firm for 100 years.”
Macklemore was the target of a terrifying home invasion early Saturday (June 7) in Seattle’s Capitol Hill neighborhood, where masked intruders assaulted his children’s nanny and ransacked the residence while his three young kids were inside.
His family believes the break-in may be linked to his outspoken support for Palestinian rights.
According to Seattle police, two masked men wearing tactical vests and gloves entered the home just before 1 a.m. through an unlocked patio door.
The Hip-Hop artist, whose real name is Ben Haggerty, was not home at the time.
Inside the house were the nanny and Macklemore’s three children—Sloane, Colette and Hugo. One of the intruders sprayed the nanny in the face with bear mace.
Then, one of them demanded, “Where are the jewels, b####?” The suspects tore through the home, stealing jewelry, designer shoes and watches worth thousands of dollars.
The nanny was thrown to the ground, had her phone taken and was physically restrained during the ordeal. She managed to bite one of the attackers, escape through a bathroom and run to nearby homes to call for help.
Doorbell camera footage captured her fleeing the house and seeking assistance from neighbors. Police arrived to find the home in disarray and the air still thick with bear spray residue.
The children were unharmed and later placed with family members.
No arrests have been made as of Tuesday (June 10). The Seattle Police Department’s Robbery Unit and Latent Prints Unit are actively investigating the incident.
The nanny reportedly told authorities she believed the attack may have been politically motivated. Macklemore has been vocal in his support for
Palestinians amid the ongoing conflict in Gaza. In March, he delivered a speech at a pro-Palestinian rally in Washington, D.C., saying, “I believe it is our moral obligation to adamantly protest the atrocities we are witnessing and funding, or we are complicit.”
He also released a video on Instagram criticizing U.S. foreign policy and calling for a ceasefire. His activism has drawn both praise and backlash online.
Some supporters have applauded his stance, while others have accused him of spreading misinformation.
Kevin Hart wasted no time lighting up the 2025 BET Awards stage on Monday (June 9) with a sharp-edged monologue that took aim at Kanye West, Diddy and Cardi B, mixing pop culture jabs with real-time drama.
“Oh s###, it’s Kanye,” Hart said, pretending to read from his phone. “Yep, he says he’s out front; he’s waiting for somebody to invite him in.”
Hart added, “Hey! Don’t do it. We all saw the movie Sinners, don’t let his ass in here, so he could bite somebody, so he can bite Playboi Carti again, okay?”
He followed up with, “Nobody let Kanye in, no! Not tonight!”
“We all saw the movie Sinners… Don't let [Ye] in so he can bite Playboi Carti, again”
The joke referenced the ongoing fallout between West and Playboi Carti, which began earlier this year when Carti dropped his third album, MUSIC, without including West.
Things got worse in May when West released “Alive” with NBA YoungBoy—a track Carti claimed was stolen.
Hart also took a swipe at Diddy, referencing the mogul’s alleged “freak offs” without naming him directly.
“No after parties tonight. Take your a#### home after this; that’s why I did this on a Monday,” Hart said. “People gotta go to work tomorrow… That’s where s### gets slippery, at them g###### afterparties. We’re learning a lot about people, ain’t we?”
Then came Cardi B and her boyfriend Stefon Diggs, who were recently caught in a swirl of gossip after a yacht video surfaced showing Diggs handing out a small pink bag, prompting online speculation about “pink cocaine.”
Hart didn’t hold back: “No yachts, no boats. Cardi B, no pink stuff. What the f### was that? None of that stuff. Everybody’s gonna get hit tonight. We’re live. It’s gonna be a good time.”
Dr. Khalid Muhammad is at the center of a trio of federal lawsuits filed in California, as his estate accuses top Hip-Hop artists and major record labels of exploiting his speeches without credit or compensation.
The legal complaints target music giants behind tracks by Tupac Shakur, Public Enemy and D’Angelo, alleging they used Muhammad’s voice and words without permission, licensing or payment.
The estate is seeking $5 million per infringement, plus legal fees and a permanent injunction to halt further use.
“These lawsuits are not an attack on Public Enemy, Tupac’s family or D’Angelo,” said attorney Malik Zulu Shabazz, who represents the estate. “They are about accountability. The record labels and music corporations exploited Khalid Muhammad’s voice for profit, just like they’ve done to the Black artists whose songs featured him. Most of these artists don’t even own the rights to their own music. They’ve been exploited too.”
The legal war has expanded to include D’Angelo and The Vanguard’s “1000 Deaths.”
Most notably, the Public Enemy classic “Night of the Living Baseheads” could be fundamentally altered if the legendary intro featuring Dr. Muhammad’s voice were removed.
The estate claims these songs, some of which are considered Hip-Hop milestones, sampled Muhammad’s speeches without clearance, despite generating millions in revenue and critical acclaim.
Muhammad, a former spokesman for the Nation of Islam and a prominent figure in the Black Panther movement, was known for his unfiltered speeches and advocacy for Black empowerment.
His estate argues that while his voice helped shape the tone and message of these records, his name was omitted and his family never received compensation.
“Khalid Muhammad should have received proper credit on these iconic records,” Shabazz said. “His legacy matters. These funds will be used to fulfill his mission through schools, books, training academies, and documentaries about his life and message.”
The estate also confirmed that legal notices have been sent to other artists under review, including Ice Cube, Common and Black Thought.
They are demanding documentation of any licensing or royalty agreements involving Muhammad’s voice.
“Trump cut funding for African American institutions,” Shabazz added. “So, the family is building their own. This is about mission, not just money. The industry has profited off his words for decades. That era of exploitation ends now.”
R. Kelly is fighting to get out of federal prison after his attorneys say members of the Aryan Brotherhood were recruited by prison staff to murder him in custody.
In an emergency motion obtained by AllHipHop, R. Kelly’s legal team alleges that Bureau of Prisons officials tried to orchestrate his death by enlisting white supremacist gang members inside FCI Butner in North Carolina, where the singer is serving a 30-year sentence.
Attorney Beau B. Brindley says one of the men, Mikeal Glenn Stine, was transferred to Butner with a clear mission: kill Kelly.
Stine, who has terminal cancer, allegedly backed out at the last moment and confessed the plot directly to R. Kelly.
“He was prepared to carry out the execution. But, in the moment when Stine got near Mr. Kelly, he made a different choice. He told him the truth. Stine told Kelly that he was sent to kill him. He told him how and by who. He told Mr. Kelly that his life was absolutely in danger. As a dying man with a long history of murder and violence in his past, Stine decided not to carry out his order,” Brindley said. “Instead, he decided to take this opportunity to expose Childress and the BOP for the decades of murder and violence that they have foisted upon the inmate populace while facing no consequences whatsoever.”
Another Aryan Brotherhood member, David Keith Harris, was also allegedly approached by prison staff and instructed to poison Kelly. Both men say they are willing to testify and submit to polygraph tests.
“This means that at least two avowed white supremacists and members of the Aryan Brotherhood have been approached by BOP officers and directed to take Mr. Kelly’s life. The one who failed to do so has now had his own life threatened. All of this is being done at the direction of Bureau of Prisons officers whose duty is to keep safe the inmates under their supervision,” Brindley said.
The motion also accuses federal prosecutors and prison staff of violating R. Kelly’s constitutional rights by stealing his private legal communications and using them to manipulate witnesses.
According to the filing, a Bureau of Prisons officer named Tawana Ingraham illegally accessed Kelly’s emails and phone calls, which were then passed to government informant Larry McGee.
McGee later admitted in online videos that he used the stolen materials to influence key witnesses to testify against Kelly.
Another inmate, Kishan Modugumudi, who once shared a cell with Kelly, confessed in a signed statement that he stole Kelly’s legal mail at the request of a federal prosecutor.
After Kelly’s attorneys obtained that statement, a prison official allegedly warned the singer that his life was in immediate danger.
Kelly’s legal team argues that the combination of government misconduct and credible threats to his life justifies his release to home confinement while he challenges his convictions.
Lil Durk was denied bond by a federal judge in Los Angeles on Monday (June 9) after prosecutors argued that the rapper posed both a flight risk and a threat to public safety due to the severity of his charges and past conduct.
The decision came down from U.S. District Judge Michael Fitzgerald, who ruled that no set of release conditions—including home confinement, GPS monitoring or private security—could prevent Lil Durk from fleeing or endangering others.
The 32-year-old Chicago native faces charges that carry a mandatory life sentence without parole, which the court said significantly increases the likelihood he would try to escape.
He’s accused of sending a team of hitmen to Los Angeles to kill Quando Rondo. The broad daylight shooting at a gas station resulted in the death of Saviay’a “Lul Pab” Robinson.
“The Court further finds that the government has proven by clear and convincing evidence that no combination of conditions would reasonably assure the safety of any other person and the community,” Judge Fitzgerald stated in his ruling.
Prosecutors pointed to an attempted trip to Dubai shortly after a murder involving Durk’s associates, arguing the timing suggested an effort to flee.
While Durk’s legal team claimed the travel was for “business and spiritual reasons,” the judge wasn’t convinced.
“Defense counsel quibble with some of the Government’s conclusions, but the defense has made no showing that the specific trip to Dubai was pre-planned,” Judge Fitzgerald wrote. “There is no evidence that he intended to do so that day for any reason apart from the murder and resulting arrests of the codefendants.”
The court also rejected financial assurances offered by Durk’s supporters, including $150,000 from a backer, his mother’s home, and a $1 million pledge from Alamo Records/Sony.
Judge Fitzgerald dismissed these offers as insufficient, citing Durk’s considerable wealth and ability to generate income abroad.
“The proffered funds are only a fraction of Defendant’s net worth. Moreover, Defendant would still have his intellectual property with which to earn a handsome living abroad,” the judge noted.
Concerns about Durk’s influence over potential witnesses also contributed to the decision. Prosecutors submitted sealed affidavits and statements from informants and witnesses in a related Chicago case, alleging the rapper used his money and status to intimidate others.
Even while in custody, Durk reportedly misused phones at the detention center.
Though the court acknowledged the calls were for personal and business matters and didn’t involve new crimes, Judge Fitzgerald said the behavior showed how easily Durk could violate rules if released.
“The Court does not dispute the representation that the violations were for personal and business reasons, with no new criminal conduct discussed. Still, how easy it would be to plot from home, with even fewer restrictions applied,” he wrote.
Durk remains in federal custody as he awaits trial.
Did you ever walp past a slot machine and started nodding along to the music? Like, really into it? You’re not alone. Slot machine soundtracks have evolved from dull background loops to full-blown mini-anthems. And there’s a reason for that.
These sounds aren’t just there to fill silence. In today’s casino world, music is part of the strategy – built to keep you vibing, focused, and spinning just one more time. Whether you’re hitting the digital reels on your phone or posted up next to a buzzing machine in a local gaming lounge, that beat you’re hearing is working overtime.
From Elevator Dribble to Earworms
Back in the day, most slot machines sounded like they were borrowing a tape from your grandma’s dentist. Bland, tinny, almost apologetic. It was functional but forgettable – background noise meant to go unnoticed.
Now? Not so much.
Today’s slot games come with full-on sound design – genre-matching beats, layered effects, mood-building music arcs. It’s not just filler anymore. It’s part of the show. Think eerie synths for horror-themed games, epic orchestrals for fantasy slots, and yes, even slick hip-hop beats on machines inspired by urban themes or real-world artists.
Why Sound Matters More Than You Think
Sound in slots does a few things really well. First, it creates emotional cues. Designers want you to feel something when you spin: tension, joy, suspense, anticipation. Music helps create all of that – sometimes more effectively than the visuals.
Second, it sets the pace. Fast, upbeat tracks can encourage quick spins. Slower, moody tones might make you pause and consider bumping your bet. And when you hit a bonus round? Expect the music to hype up – louder, faster, layered with new effects. It’s like your own mini victory concert.
Third, and this one’s key, good music keeps you playing. Studies have shown that certain sound frequencies and rhythmic patterns actually influence attention and behavior. So yeah, there’s a bit of psychology baked into that “you just won!” jingle.
Hip-Hop On The Reels
Let’s be real – hip-hop belongs everywhere. Clubs, cars, courts, and now, even on the casino floor. Developers are finally starting to catch on. Over the last few years, we’ve seen a shift from bland bings and dings to actual basslines and 808s. Some online slots now feature soundtracks inspired by trap, boom bap, or club rap – complete with vocals, samples, and real structure.
It’s not just for the aesthetic either. For players used to scrolling Spotify or DJing their own playlists, that sonic identity makes the game feel modern, grounded, and frankly, more fun.
And while African casinos – including those in places like Tanzania – might still lean on more traditional machines for now, international platforms are already bringing hip-hop-inspired slots to mobile users across the continent. The influence is spreading, and it’s not slowing down.
So, What Makes a Great Slot Soundtrack?
Let’s break it down. A standout slot machine soundtrack usually has:
Strong thematic alignment: Music that fits the game’s vibe – not generic loops recycled across ten other titles.
Dynamic progression: Changes in tempo or intensity during wins, losses, or bonus rounds.
Integration with sound effects: Button clicks, win jingles, and spin sounds should blend with the backing track, not fight it.
Emotional hooks: The tune needs to be memorable without being annoying (a tricky balance).
Honestly, if you walked away from a session still humming the tune an hour later, that composer did their job.
The Final Spin
Slot machine music is having a glow-up. It’s no longer just background noise – it’s part of the experience, engineered to enhance every spin, every bonus, every big win. Whether it’s a beat that slaps or a melody that sticks in your head all afternoon, the soundtrack is doing heavy lifting behind the scenes.
So next time you step into a casino or load up a slot game on your phone, take a second to really listen. You might be surprised how much the sound moves the game.
And yeah – if the beat hits just right, maybe let it ride one more time. You’re already vibing.
The Game called for unity and resistance on Monday (June 9) as he stood with protesters in Los Angeles rallying against ICE raids and the arrest of labor leader David Huerta, urging Black and Latino communities to stand together.
“Ever since I could remember… it’s been black & brown in this city,” he wrote on Instagram, alongside black-and-white photos from the protests. “From the early days of my childhood til now, we’ve been side by side through it all. All of us. All the time. Not always seeing eye to eye but we’ve shared Los Angeles for a very long time.”
The Game continued, “I stand with y’all like I know you’d stand with us. ‘We might fight against each other… but I promise you this.. we’ll burn this b!%?! Down get us p##### !!!!!’ To live & die in L.A.”
Vic Mensa also weighed in, warning that the same systems targeting immigrants could easily be turned against Black Americans.
“The same oppressor that exploits the African abuses the Latino,” he said. “And please believe if they could figure out how to deport n#####…they been trying since the Emancipation Proclamation.”
Mensa connected the dots between ICE detention centers, U.S. prison labor and international human rights abuses.
“Don’t be fooled into believing this struggle is not ours,” he added.
He captioned his video message, “Why should black people care about ICE? Solidarity is strength,” adding “Common enemy common goal.”
Doechii used her moment at the 2025 BET Awards to call out Donald Trump and denounce the ICE crackdown and military presence in Los Angeles. She condemned Trump while accepting her award for Best Female Hip-Hop Artist on Monday (June 9).
Meanwhile, Kehlani showed support for Doechii’s speech, reposting it to her Instagram Stories with the message: “EXACTLY DOECHII EXACTLY.”
Tyler, The Creator kept it blunt in his own post earlier this week, writing simply: “F### ICE.”
The protests erupted across Los Angeles following a wave of ICE raids and Huerta’s arrest, drawing widespread criticism from activists, artists and community leaders alike.
Diddy was described as playing the role of Michael Jordan during orchestrated sexual encounters involving a male escort and his ex-girlfriend, who testified under the pseudonym “Jane” on Tuesday (June 10) in federal court as part of his ongoing racketeering and sex trafficking case.
The woman, who dated Diddy from 2021 to 2024, told jurors that the Hip-Hop mogul created a nickname for their trio—“trifecta”—with each person assigned a basketball legend.
She said Diddy was “Jordan,” she was “Kobe Bryant,” and the male escort was “Shaquille O’Neal.”
The testimony came during Day 20 of the federal trial, where Diddy faces allegations of operating a sex trafficking ring and using financial and emotional manipulation to control women.
Jane described a pattern of coercion masked as intimacy, saying she felt compelled to participate in sexual acts with other men to maintain her relationship with him. She said the emotional aftermath of those nights often included cuddling, foot rubs and what she called “lovemaking.”
Under cross-examination by defense attorney Teny Geragos, Jane admitted she stayed in the relationship willingly for years but said she was emotionally dependent. She also confirmed she is currently in therapy.
Jane said Diddy initially picked out her outfits for these encounters and had a preference for baby oil. She acknowledged that he had invested $20,000 in her fashion line and provided her with approximately $150,000 throughout their relationship.
When asked about Diddy’s drug use, Jane said she didn’t recognize it as addiction at first. Later, she noticed a pattern and wanted to help him return to his “natural form.”
Geragos attempted to portray the relationship as consensual and affectionate, suggesting Jane had told prosecutors she enjoyed “just about every minute” of their hotel nights.
Jane pushed back, saying she often had to endure sexual acts before Diddy would dismiss the other men.
She also said that over time, she came to view his behavior through a different lens, using the term “cuck” to describe his sexual preferences.
Call it a modern form of accountability or a digital witch hunt, cancel culture is one of the most polarizing phenomena of our time. It’s the collective call-out, often fueled by social media, where public figures face backlash for actions or problematic language. Some see it as a necessary way to confront injustice; others see it as a harsh system that leaves no room for growth or forgiveness.
In today’s social media-driven society, no industry can escape this intense scrutiny, including hip hop. More than just a musical style, hip hop has embedded itself deeply into everyday life. Its influence can be seen in everything from fashion and language to political activism and digital culture — even extending into leisure activities like online gambling. Today, it’s not unusual to see hip hop aesthetics and beats energizing casinos offering free spins bonuses and codes to activate them, where players find themselves immersed in a world soundtracked by the culture’s rhythm and spirit. As hip hop continues to spread into every corner of entertainment and lifestyle, it becomes clear: no amount of cancel culture can mute its impact.
This resilience has allowed numerous artists to do the unthinkable: claw their way back into the public’s favor after being canceled. Rather than letting past criticism silence them, these artists have taken time to reflect and then pushed forward with renewed strength.
Doja Cat
Doja Cat’s career has seen major highs and lows, but that hasn’t stopped her from making a comeback. After skyrocketing to fame in 2020 with “Say So,” she faced serious backlash when old videos surfaced showing her in controversial chatrooms. Accusations of racism and offensive behavior led to the hashtag #DojaCatIsOverParty trending, a slowdown in her social media growth, and a drop in Spotify listeners from 41.5 million to 34 million.
Despite the backlash, her music continued to perform well, “Say So” remained near the top of the Billboard Hot 100, and radio play stayed strong. Doja kept mostly silent, avoided dramatic apologies, and continued releasing new music.
Years later, she sparked controversy again by rejecting her earlier pop image, calling her albums Hot Pink and Planet Her “cash grabs.” She even lashed out at some fans, losing half a million followers. Once again, many claimed she was “canceled.” However, none of this stopped her success. After a widely praised performance at last year’s Coachella, Doja Cat contributed to the highly anticipated F1 movie soundtrack, further cementing her comeback.
Chris Brown
Chris Brown remains one of music’s most controversial figures, yet despite being “cancelled” after his 2009 assault on Rihanna, he’s continued to thrive in his career. After the incident, he lost endorsements, was banned from radio stations, and faced intense industry backlash. Many assumed his career was finished. Still, he released Graffiti months later, landing in the Billboard Top 20. By 2012, he won a Grammy for F.A.M.E., marking a return to mainstream success.
Brown’s legal troubles didn’t stop there, the singer has faced countless charges including probation violations, assault allegations, and time in rehab. He was later diagnosed with bipolar disorder and PTSD. These issues damaged his reputation, but not his commercial appeal. Though he’s been mostly shut out of major award show performances since 2009, Brown continues to release hits and collaborate with big-name artists.
While such incidents might end most careers, Brown’s fanbase remains loyal. His “bad boy” persona seems to fuel, rather than hinder, his popularity.
Travis Scott
Travis Scott enjoyed a steady rise to fame built on chart-topping hits, high-profile brand deals and a strong fanbase. However, that all came crashing down in November 2021. His Astroworld Festival in Houston ended in tragedy when a crowd surge claimed the lives of 10 people. The fallout was immediate: widespread public outrage, lawsuits, dropped brand partnerships, and calls for him to be “cancelled.”
Scott was heavily criticized for how he handled the situation, particularly for continuing to perform as the chaos unfolded and later attending an after-party. He claimed he was unaware of the severity of what was happening in the crowd and maintained that he didn’t know about the deaths until after the show.
The incident severely damaged his image. Sponsorships, like his major Dior collaboration, were paused. The launch of his long-awaited album Utopia was delayed, and public sentiment toward him turned sharply negative.
Despite the backlash, Scott didn’t disappear. Instead, he gradually returned to the spotlight. In June 2023, a Texas grand jury declined to indict him or others involved in the festival on criminal charges, a legal turning point that helped shift public perception. That same year, he resumed performances and began promoting Utopia, though that hit a snag when a planned concert at the Pyramids of Giza was canceled due to political and cultural controversy.
Nicki Minaj
Nicki Minaj is widely regarded as one of the most commercially successful female rappers of all time but wearing that crown hasn’t come without controversy. Over the years, the Anaconda hitmaker has found herself in hot water more than once, including high-profile feuds with fellow rappers like Iggy Azalea, Lil Kim, and Megan Thee Stallion.
Her public disputes haven’t been limited to the music world. Minaj has also clashed with celebrities outside the industry and drew criticism for agreeing to perform in Saudi Arabia, a country known for its human rights violations, particularly against women and the LGBTQ+ community. After learning more about these issues, Minaj canceled her appearance, signaling a willingness to listen and respond to public outcry.
More seriously, she has faced backlash related to her husband, who is a registered sex offender. Her decision to collaborate with Tekashi 6ix9ine, a rapper with a criminal record, further fueled criticism.
Despite these controversies, Minaj has consistently demonstrated her staying power, maintaining commercial success and cultural influence in the face of ongoing scrutiny.
Final Thoughts
While cancel culture may aim to hold people accountable, it rarely sticks in the hip-hop world, and likely never will. Why? Because hip-hop was born out of a need to give marginalized communities a voice. It has always been a raw, unfiltered genre, one where scandal, feuds, and controversy often add layers to the music rather than diminish it.
It also raises the question of whether we can, or should, separate the artist from the art. You can “cancel” Chris Brown, but that doesn’t stop people from streaming his music. As long as these artists continue to deliver hits, true cancellation remains nearly impossible. It would almost have to be the artist’s decision themselves to walk away as die-hard fans would never leave them.
Blueface’s father, Johnathan Porter Sr., faced online backlash after posting a video of an empty garage at the rapper’s Los Angeles home, claiming he moved Chrisean Rock’s belongings to a storage unit following weeks of no contact.
“I’m so sorry this is happening, but we’ve tried contacting the individual for the past 60 days, no response, no feedback regarding your personal belongings,” Porter Sr. said in the video. “So we had no choice but to respectfully pack it up and remove it to a storage facility. We will be mailing you the storage facility information to your last known address. You have no reason to enter the property that you no longer reside at. Please respect the property.”
In the caption, he added, “Blueface has officially moved on y’all. Until next time free Blueface. My son will be home soon.”
The clip quickly drew criticism across social media. Many accused Porter Sr. of seeking attention.
“Atp you just clout chasing because what was the point of showing this again. Chrisean moved on too,” one user wrote.
Another chimed in, “Just make sure your son respect her personal space as well.”
Others defended Rock, pointing out she had already distanced herself from the situation. “All Chrisean just got off probation and is living her best life. She didn’t want them clothes and she told y’all that.”
The incident dates back to April 2025, when Porter Sr. first went viral for packing up Rock’s clothes, shoes and personal photos at Blueface‘s request from behind bars.
“Blueface made that call, said, hey, it’s time to go. He ain’t playing this time,” he said at the time.
Meanwhile, Karlissa Saffold, Blueface’s mother, hinted at his upcoming release with an Instagram post promoting a “Blueface Coming Home Celebrity Bash” scheduled for November 3.
“The count down is official,” she announced. “Special Shout out to all the celebrities and fans who been keeping the prayers, love, and support, for the return of @bluefasebabyy !!!” she wrote.
Treach has backed Ras Baraka’s gubernatorial run with a powerful personal endorsement, calling the Newark mayor a leader “cut from a different cloth” during a live appearance promoting Baraka’s campaign.
“I done been through a lot of politicians and I don’t trust ’em,” Treach said. “So when it comes to somebody where I gotta stand for and say this is that dude and this is who you need to support and go vote for—it’s only for me. I keep my word is bond.”
Treach has long been a voice of the streets. Their connection runs deep, going back to when Baraka was still a school principal.
“He was calling me in when the kids was acting up… before being mayor, he was on the ground, in the streets, bringing the people together,” Treach explained.
The Hip-Hop vet emphasized that Baraka has always had an open-door policy, never turning away conversations from community members, no matter their background.
“He ain’t never say, ‘I ain’t got the time,’” Treach said. “He check that Rolodex and say, ‘Come in today at this time,’ and it’s been open arms since day one.”
Treach pointed to initiatives like Hakim Green’s 24 Hours of Peace, a yearly anti-violence festival in New York inspired by Newark’s own anti-violence work, as proof of Baraka’s impact.
“He was out there with that bullhorn screaming for peace way before he ever stepped in City Hall,” Treach said.
With the New Jersey primary being Tuesday (June 10), Treach urged voters to show up and show out for Baraka.
“Your vote really does count,” he declared. “The same way he be out there repping for people—even getting cuffs on for people—we got to be there and vote so he can have the power to do even more.”
The rapper also encouraged donations to support Baraka’s campaign, saying financial contributions could help amplify his message against well-funded opposition. “Usually the ones with the most money win. But we gotta make sure the people win this time,” he told Green and Creekmur.
Treach ended his comments with a heartfelt reminder that this election isn’t just about politics, it’s about the people.
“This is about the future of the youth, the community, the people. It ain’t just Black people—it’s for all.”
Diddy allegedly kicked down multiple doors and physically attacked a former girlfriend during a violent confrontation over a family trip to Utah.
According to testimony Monday (June 9) in his ongoing federal trial,
“Jane” told jurors on Day 19 of the rap mogul’s sex trafficking and racketeering case that a romantic evening turned into a brutal altercation after she questioned Combs about a young woman he had allegedly traveled with.
She described setting the mood with candles and red lighting at their home before the argument began.
After drinking champagne and tequila, she confronted Combs about the woman’s age and accused him of being attracted to someone she believed was under 21.
The conversation escalated quickly. Jane said she shoved Combs’ head into a marble surface and began throwing candles and glass objects.
When she tried to escape to the master bedroom, she said Combs kicked the door down and then broke through the bathroom door as well.
“He kicked his way into my closet,” she testified, adding that she attempted to flee but was tackled, choked and dragged back inside.
She said she ran six blocks away and hid for two hours before returning.
Once back at the house, Jane noted Combs kicked in the guest bedroom door and began punching her in the head while accusing her of trying to keep him from his children.
She claimed he kicked her while she was curled up on the floor, then grabbed her by the hair and arms and forced her back inside.
She testified that she went to the shower to calm down, where Combs allegedly slapped her, causing her to fall. She said she sat naked on the shower floor, exhausted, while Combs told her to “put some ice on it” and get dressed.
Jane said he picked out lingerie and heels for her to wear, then used her phone to play pornography on the television via screen mirroring.
The testimony follows a second mistrial request filed Saturday (June 7) by Combs’ legal team, who accused prosecutors of misconduct. The defense denies all allegations and has argued that the government is overreaching.
Combs faces five federal charges, including racketeering conspiracy and sex trafficking by force, fraud or coercion. Prosecutors allege he used his business empire to exploit women through manipulation and financial control.
Jane’s testimony resumed Monday after she broke down on the stand last week.
The trial continues Tuesday (June 10) in federal court.
Wale confronted Twitch star Kai Cenat backstage at the 2025 BET Awards on Monday (June 9) after the popular streamer failed to recognize the Grammy-nominated rapper during a livestreamed run-in that quickly went viral.
The awkward moment unfolded live on Cenat’s IRL stream as he walked through the venue and crossed paths with Wale, only to blank on who he was.
“Wale. Oh, my god, that was somebody crazy,” Cenat said after the encounter, clearly caught off guard. “Hey, the whole chat knows him. Wale, what he do?”
Later in the night, Wale approached Cenat while he was mid-conversation with Snoop Dogg and addressed the incident directly.
However, Wale likely had not realized his words were livestreamed to Cenat’s viewers.
“That s### making me look crazy right now,” Wale told him. “Just letting you know. That’s making me look crazy, the exchange that we had in the hallway?”
Cenat, looking surprised, responded with a quick, “Oh! My bad.”
Wale then added, “I mean, they’re running with it; we’ll talk later.”
Wale confronts Kai Cenat at the BET Awards, saying he made him look crazy for not recognizing him earlier! 👀pic.twitter.com/I7IX7E8anV
— Kai Mafia Updates🗽💫 (@Kaimafiaupdates) June 10, 2025
Fans React To Wale Confronting Kai Cenat
Social media lit up after the clip circulated, with many weighing in on the awkwardness of the moment and Wale’s reaction.
One user wrote, “He just made it 10x worse lol.” Another
chimed in, “grown ass man worried about what the internet think bout him.”
A third commented, “bro nobody was even talking about it, now he brought the attention to it again because his ego got hurt.”
The incident was part of Cenat’s livestream coverage of the BET Awards, where he also interacted with stars like Kendrick Lamar.
The streamer’s presence at the show marked a notable moment for digital creators, as he and fellow content creator Druski were brought onstage by host Kevin Hart to present an award.
“Appreciate you, n####,” Cenat said to Hart onstage.
Hart, never one to miss a comedic beat, responded with a lesson in showbiz etiquette.
“I tried to bring y’all out here and give y’all an opportunity to get to the next stage, the next level,” he teased. “To do that, you need to understand professionalism. This is an award show, right? So what I want to do, I’m going to put y’all on. This is my job of passing the baton!”
Stevie Wonderhad the BET Awards audience cracking up on Monday (June 9) as he poked fun at his own blindness while presenting Jamie Foxx with the Ultimate Icon Award in Los Angeles.
The music legend began his tribute with a heartfelt memory and a quick jab at both himself and Foxx’s Oscar-winning portrayal of Ray Charles.
“He hit me up because of his win – Academy Award – for Ray. And I said, ‘You know Jamie, just because you played a blind man, that don’t mean that we’re besties, okay?'”
The crowd roared as Wonder added, “I spent tireless hours watching and editing the footage for this tribute tonight.”
“Jamie. Jamie! Look at me,” Wonder teased. “Listen, you know, I remember seeing you the first time at a club playing the piano and singing. But I knew from the moment I heard you sing that you had so much more. I admire and celebrate your talent.”
Wonder, 74, closed his speech with genuine praise, saying, “I’m very happy to be here tonight to see you honored as you very well deserve.”
Foxx, never one to miss a comedic moment, responded with a playful impersonation of Wonder after accepting the award, keeping the mood light and the audience entertained.
Meanwhile, Snoop Dogg and Dr. Dre both shared hilarious stories about Wonder’s self-deprecating humor during a livestream of Drink Champs at ComplexCon in Las Vegas last November.
“On everything I love, Stevie Wonder does FaceTime,” Snoop said recalling a video chat. “He was like, ‘I’ve been looking for you!'”
Dr. Dre chimed in with his own tale: “Stevie Wonder rings me at around 5 AM, asking me to send him a text. I was like, ‘What the…?’ I hung up, still baffled by what he had just requested.”
Kendrick Lamar dominated the 2025 BET Awards on Monday (June 9) at the Peacock Theater in Los Angeles, walking away with the night’s biggest haul and edging out Drake in several major categories.
Lamar, who led the field with 10 nominations, collected five trophies, including Album of the Year for GNX, Best Male Hip-Hop Artist—his record-setting eighth win in that category—and Video of the Year for his chart-topping Drake diss track, “Not Like Us.”
He also picked up Best Collaboration for “luther” featuring SZA and Video Director of the Year alongside longtime creative partner Dave Free.
The Album of the Year win ties Lamar with Beyoncé for the most wins in that category since its inception in 2017. During his acceptance speech, Lamar kept it grounded and grateful.
“BET always make sure they represent the culture right and always put me in the midst of the cycle of what we represent, and that’s real true down-to-earth music that people can feel,” he said.
He also gave thanks to God and his pgLang team before offering a nod to SZA.
“SZA in the crowd,” he added. “We are on tour right now; please come to the show.”
Host Kevin Hart surprised Lamar with his other trophies after he had collected his win. “You’ve been winning all year,” Hart joked. “So I figured I’d just get in front of it.”
He also teased, “That’s your problem,” as Lamar struggled to hold his bevy of awards.
The ceremony marked the 25th anniversary of the BET Awards. The night featured performances from Lil Wayne, GloRilla, Playboi Carti, Leon Thomas and more.
Kendrick Lamar’s five wins made him BET’s most-awarded artist of the night.
Doechii used her moment in the spotlight at the 2025 BET Awards in Los Angeles on Monday (June 9) to condemn Donald Trump’s military crackdown on anti-ICE protests happening just outside the venue.
Accepting the award for Best Female Hip-Hop Artist, Doechii paused her speech to address the escalating situation in the city.
“I do want to address what’s happening right now outside of the building,” she said, turning the celebratory moment into a pointed critique of the government’s response to civil unrest.
“There are ruthless attacks that are creating fear and chaos in our communities in the name of law and order,” she added, directly calling out Trump’s decision to deploy military forces to suppress demonstrations. “Trump is using military forces to stop a protest, and I want y’all to consider what kind of government it appears to be when every time we exercise our democratic right to protest, the military is deployed against us.”
She then asked the audience, “What kind of government is that?”
The Tampa-born rapper extended her message to those impacted by immigration raids and systemic violence.
“People are being swept up and torn from their families,” she added. “I feel it’s my responsibility as an artist to use this moment to speak up for all oppressed people. For Black people, for Latino people, for trans people, for the people in Gaza.”
Doecii Calls For Resistance Against Hate
She ended her speech with a call for collective resistance and hope.
“We all deserve to live in hope and not in fear,” Doechii declared. “I hope we stand together, my brothers and sisters, against hate and we protest against it. Thank you, BET.”
Her remarks came as federal forces continued to flood Los Angeles in response to protests against Immigration and Customs Enforcement (ICE) raids.
Trump has ordered 4,000 National Guard troops and 700 active-duty Marines into the city, citing the need to protect federal buildings and personnel.
The move bypassed California Governor Gavin Newsom’s authority, invoking a rarely used federal statute to seize control of the state’s National Guard.
Newsom has condemned the deployment as “reckless,” “pointless,” and “deliberately provocative,” accusing Trump of manufacturing a crisis for political leverage.
Meanwhile, legal challenges are underway, with the state arguing the federalization of the Guard violates constitutional boundaries.
The protests have been met with tear gas, rubber bullets and flashbangs. Trump has labeled the unrest “rebellion” and “insurrection,” while critics argue the administration is escalating tensions rather than resolving them.
Doechii’s speech has since gone viral, with many praising her for using her platform to confront political power and amplify the voices of marginalized communities.
Swizz Beatz stood firm behind Timbaland on Sunday (June 8) during a charged livestream discussion about AI in music, defending his longtime collaborator’s controversial leap into artificial pop despite a wave of criticism from the Hip-Hop community.
“I’m happy that Tim is into AIt,” Swizz said during the livestream, which also featured Young Guru, Jay-Z’s engineer, and media personality 19Keys. “Because all the white people in it. Why we can’t get in it? I don’t care how. It’s not how you start; it’s how you finish. So this is Tim’s entry point into AI. Whether we like it or not, it’s an entry point.”
Timbaland recently introduced an AI-generated artist named TaTa through his company Stage Zero, aiming to launch a new genre dubbed “A-pop.” The announcement drew immediate backlash from artists and industry insiders who accused him of selling out human creativity in favor of machine-made music.
Swizz acknowledged the criticism but urged people to look at the bigger picture, saying Timbaland now has the chance to “change the furniture” in the industry.
Still, he admitted the rollout lacked clarity. “I don’t expect people to understand what we doing,” he added. “The only thing I would critique is that we could have communicated this a little better to the people. Because that’s a hell of an announcement.”
Young Guru wasn’t as forgiving. He warned that AI-generated music could displace real singers, writers and producers, comparing the situation to the collapse of factory jobs in Detroit due to automation.
“We feeding the beast!” he said, cautioning that training AI with human-made music could gut the creative economy.
Timbaland Responds To AI-Artist Backlash
Timbaland initially brushed off the backlash with a tongue-in-cheek AI video telling critics to “cry me a river,” but later softened his tone on Instagram.
“I know I’m trolling, but let’s have a real conversation,” he wrote. I love my independent artists. This doesn’t mean I’m not working with real artists anymore. And nah, I don’t train ai off y’all music. This just means more creativity for creators.”
Teyana Taylor gave Aaron Pierre a birthday shoutout that read more like a love letter than a friendly post.
And now there is speculation about their relationship, following months of public appearances together. The singer and actress posted a pair of cozy photos to Instagram on Saturday (June 8) to celebrate the Mufasa star’s 31st birthday.
“Cheers to Thirty-WON & many more wins around the sun. Happy birthday Woody,” she wrote, adding two photos that left little room for interpretation.
In the first image, Taylor is seen blowing a kiss toward the camera while Pierre leans in close, smiling. The second photo shows the Rebel Ridge actor standing between her legs on what appears to be a set, gazing directly into her eyes.
Pierre responded in the comments with a short but telling message: “Now and always. Thank you Tey.”
The post drew attention from several of Taylor’s celebrity peers, including Taraji P. Henson, Gabrielle Union and Andra Day, who left supportive comments.
Romance rumors between the two began swirling in February after they were spotted sitting together at the American Black Film Festival Honors. A month later, Taylor appeared to confirm the relationship when she posted black-and-white photos of the pair at the 2025 Oscars, captioned, “Oscar night in black & white, no grey area.”
Taylor, a mother of two and known for her work in music, film and fashion, has not officially confirmed the relationship, but her recent posts have done little to quiet the speculation.
Pierre, who voices the young Mufasa in Disney’s upcoming Mufasa: The Lion King, has also kept details of his personal life under wraps.
Doja Cat will lead a historic moment in global sports and music when she joins J Balvin and Tems as the headliners for the first halftime show in FIFA Club World Cup history, set for Saturday, July 13, at MetLife Stadium in New Jersey.
The performance marks the debut of a Super Bowl-style musical showcase at the FIFA Club World Cup Final, a collaboration between FIFA and Global Citizen, with Coldplay frontman Chris Martin overseeing the creative direction.
The event will stream live and free on DAZN. Colombian reggaeton star J Balvin expressed his pride in representing Latin culture on such a massive stage.
“From Medellín to MetLife – I’m honored to headline the first-ever halftime show of the FIFA Club World Cup final,” he said. “It’s a historic moment, for me, for Latin culture and for every kid who dreams big.”
Nigerian singer-songwriter Tems echoed the sentiment, highlighting the event’s global unity and charitable mission.
“We’re going to bring the world together for a beautiful moment,” she said. “To celebrate football, feel the unity that music brings, and improve the lives of millions of children through the FIFA Global Citizen Education Fund. I can’t wait – see you at the Club World Cup final.”
The halftime show is part of a broader initiative by Global Citizen to raise $100 million to combat extreme poverty and expand educational and sports opportunities for children worldwide.
According to Reuters, the fund will support access to learning and football programs in underserved communities.
The 2025 FIFA Club World Cup will be the tournament’s most expansive edition yet, running from June 14 to July 13 across 11 U.S. cities.
It will feature 32 of the top club teams from around the globe, making it a major lead-up to the 2026 FIFA World Cup, which the U.S. will co-host with Mexico and Canada.