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Ice T is a real life rap veteran and gave some really interesting thoughts on the current state of Hip-Hop in a recent interview with Rolling Stone. In the interview, Ice T gives his two-cents on the Nicki Minaj Pop Vs. Hip-Hop debate, and he has a pretty good take on it. While Ice gave Nicki props for doing things her own way and even compared her to a female Busta Rhymes, it looks like Ice is riding with Lil’ Kim on this one. Check out a portion of his interview below:
“I think it’s all “real hip-hop.” You have the core hip-hop, which would just be beats and breaks, more something like what you hear with DJ Premier. Then you get into the more highly produced hip-hop, which is something like what DJ Khaled does. But at some point, it starts to get kind of pop. It goes into this other realm,” Ice explained. “Nicki went on tour with Britney Spears, so she’s on another channel. But to me, it all comes from hip-hop; it’s like a growth of hip-hop, whether you agree with that growth or not. Like me, I’m not the biggest Nicki Minaj fan but I think she can rhyme. She does her thing. She has her own way of doing it. She has an ill vocal delivery. She kind of reminds me of a female Busta Rhymes, like how she throws her voice in different directions – but she’s no Lil Kim. I think when people say “real hip-hop,” they want it more buried in the streets. They want it more connected to the streets and the grime and the roughness of the streets. They don’t want the fluff.”
So is Ice T calling Nicki Minaj’s music fluff? What do you think? Do you agree with him?
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It’s the most wonderful time of the year! No, not Christmas, it’s Black Music Month! Since its establishment in 1979, television channels, corporations, and consumers have acknowledged the contributions of African-Americans to the cultural landscape of this country through song.
There are any numbers of books that provide rich histories of music genres, as well as books that serve as great autobiographies of musical artists. This month, as AllHipHop.com celebrates Black Music Month, we want to share with you some of our Black Music book picks:
The Music of Black Americans (A History) by Eileen Southern
Nearing its 15th anniversary, and in its third printing, The Music of Black Americans (A History), weaves a fascinating narrative of intense musical activity. Singers, players, and composers, Black American musicians are fully chronicled in this landmark book. Beginning with the arrival of the first Africans in the English colonies, the author added a wealth of material covering the latest developments in gospel, blues, jazz, classical, crossover, Broadway, and rap as they relate to African American music.
Motown: Music, Money, Sex, and Power by Gerald Posner
Set against the Civil Rights movement, the decay of America’s Northern industrial cities, and the social upheaval of the 1960s, Motown is a tale of the incredible entrepreneurship of Berry Gordy. But it also features the moving stories of kids from Detroit’s inner-city projects who achieved remarkable success and then, in many cases, found themselves fighting the demons that so often come with stardom—drugs, jealousy, sexual indulgence, greed, and uncontrollable ambition. Motown features an extraordinary cast of characters, including Diana Ross, Michael Jackson, Marvin Gaye, Smokey Robinson, and Stevie Wonder. They are presented as they lived and worked: a clan of friends, lovers, competitors, and sometimes vicious foes.
Jazz by Gary Giddins and Scott Deveaux
Emphasizing its African American roots, Jazz traces the history of the music over the last hundred years. They explain what jazz is, where it came from, and who created it and why, all within the broader context of American life and culture. Jazz describes the travails and triumphs of musical innovators struggling for work, respect, and cultural acceptance set against the backdrop of American history, commerce, and politics.
The History of the Blues: The Roots, The Music, The People by Francis Davis
A groundbreaking rethinking of the blues, The History of the Blues fearlessly examines how race relations have altered perceptions of the music. Tracing its origins from the Mississippi Delta to its amplification in Chicago right after World War II, Davis argues for an examination of the blues in its own right, not just as a precursor to jazz and rock ‘n roll.
Memoirs of a Super Freak by Rick James
There are autobiographies, and then there are books about a person that totally transform how you see them and builds the respect you have for them. Memoirs of a Super Freak is the latter. Written while James was incarcerated, this autobiography is a trip inside his creative and amusingly twisted mind. The book chronicles James early life, his musical career and achievements, his eventual unraveling, and his return to popularity shortly before his death.
Room Full of Mirrors: A Biography of Jimi Hendrix by Charles Cross
There are many books on this iconic guitar player – this is considered one of the best unlocking the mystery of who Hendrix was. From his difficult childhood and adolescence in Seattle, through his incredible rise to celebrity in London’s swinging ’60s, it is the story of an outrageous life – with legendary tales of sex, drugs, and excess, while it also reveals a man who struggled to accept his role as idol and who privately craved the kind of normal family life he never had. The book showcases never-before-seen documents and private letters, and is based on hundreds of interviews with those who knew Hendrix – many of whom had never before agreed to be interviewed.
Songs in the Key of My Life: A Memoir by Ferentz LaFargue
Songs in the Key of My Life is the book that we all would want to write, but LaFargue definitely beat us to it. Chronicling life experiences and interpreting them through some of his favorite songs, this book, and The Message by Felicia Pride are books that remind us how significant music can be in one’s life. LaFargue invites readers into his life via his playlist, and the trip is a good one.
Editor’s Note: “Feel Rich” is our partnership with QD3, the talented son of music legend Quincy Jones. “Feel Rich” is all about creating a healthy lifestyle for Hip-Hop culture – both the artists and the fans. Enjoy!
The amazing athletes of BarStarzz gave Feel Rich the skinny on working out and making due with what you have. Their no nonsense, no excuses approach to working out has made them an international sensation. Along with their ability to make calisthenics accessible and an art form in itself, the BarStarzz stand as a testament to true athleticism and have helped inspired people around the world.
Check out some dope video of the BarStarzz and a crazy military workout to try at home below:
For more tips and videos from Barstarzz, follow them on Twitter (@BarStarzz). Like what you’ve seen? Learn more at Feel Rich’s website. Like us on Facebook, and follow us on Twitter.
No gym? No excuses! Body weight exercises are classics with good reason — they work. Push ups, pull ups, and sit ups are just the beginning — learn how to vary each exercise to pop muscles you didn’t know you had. Good enough for the U.S. Armed Forces, good enough for you — if you can take it. Man up and pull up to see how you would fare against Uncle Sam.
Good enough is never good enough when it comes to the military, so aim to double the minimum to keep from looking like a loser.
Pull ups
Standard: Start with a straight-arm hang, elbows locked, feet off the ground. Arms completely straight between reps, chin must clear the bar every time. No swinging, just straight up and down.
Minimum: USMC: max (up to 20), Army Rangers: 6; Navy SEALs: 8
No time limit — you quit when you fall from the bar.
Mix It Up:
Too Easy?
Pushups
Standard: Palms planted under shoulders, toes on the ground. Body should form a straight line — don’t stick your butt in the air, and don’t let your junk sag. Elbows must lock at the top, bend to 90 degrees at the bottom.
Minimum: Army: max in 2 min.; USAF: 33 in 1 min.; Navy 37 in 1 min.; Army Rangers: 49 in 2 min.; Navy SEALs: 42 in 2 min.; Green Beret: 100 in 2 min.
Mix It Up:
Too Easy?
Sit Ups
Standard: Feet must remain flat on the ground, and hands must not leave the back of the head. Raise to a complete sitting position, lower only until the bottom of your shoulder blades touch the ground.
Minimum: Army: max in 2 minutes; USAF: 42 in 1 min.; Navy 46 in 1 min.; USMC: max in 2 min. (up to 100); Army Rangers: 59 in 2 min.; Navy SEALs: 52 in 2 min.; Green Beret: 100 in 2 min.
Mix It Up:
Too Easy?
How do you feel? Tired? Well princess, now you have to run!
Army: 2 miles in minimum time (scored accordingly)
USAF: 1.5 miles in 13.36 min. max
Navy: 1.5 miles in 13.30 min. max
USMC: 3 miles in 18 min.
Army Rangers: 5 miles in 40 min.
Navy SEALs: 1.5 miles in 11.5 min. max.
Green Beret: 2 miles in 14 min. Max
(AllHipHop News) Producer Swizz Beatz and rapper Nas will make a special appearance during a Father’s Day special on BET’s countdown series “106 & Park.”
Nas will also hit the stage during the episode to perform his latest single “Daughters,” from his upcoming album Life is Good.
Ice-T will also appear on the same episode as Swizz and Nas, to promote his new movie “The Art of Rap.”
Swizz and Nas’ appearances are part of “106 & Park’s” June programming, which spotlights Black Music Month.
A number of popular acts will appear on the show throughout the month, including Waka Flocka, Anthony Mackie, Lil Scrappy, Chris Brown, Maybach Music Group, and actor/rapper Romeo.
“106 & Park” airs Monday-Friday at 6:00 PM/EST.
Check out the full line up below:
June 12 – Tyler James Williams to promote “Let it Shine” (Disney); Trey Songz World Premieres “2 Reasons” with T.I. via Facetime
June 13 – Teairra Mari co-hosts ‘Wild Out Wednesday’ with Terrence J.; B.o.B., Waka Flocka performance featuring Trey Songz
June 15 – Special Father’s Day Show featuring Swizz Beats; Ice-T to promote his latest film project “Art of Rap”
June 18 – Anthony Mackie and Benjamin Walker to promote “Abraham Lincoln: Hunter;” Music Matters Artist Jessyca Wilson performance
June 20 – BET alum Al Shearer (aka “Hitz from the Street”) to promote BET Awards Nomination Special; Appearances by J Wow and Snookie of “Jersey Shore”
June 22 – Justin Beiber to promote new album; Leah LaBelle with Pharrell & JD; Lil Scrappy and Cassidy are Freestyle Friday judges
June 26 – Maybach Music Group performance
June 27 – Childish Gambino performance
June 28 – Romeo to promote “Madea’s Witness Protection”
(AllHipHop News) Just when you thought Jay-Z had done it all, the rap mogul is taking his entrepreneurism to another level.
In an unprecedented venture for rappers, athletes, and celebrity endorsers alike, Jay-Z is linking up with Duracell and Powermat to act as a spokesperson for “Wireless Power Nation,” a phone charging system that will be installed on tables and bars in coffeeshops, restaurants, clubs, gyms, and public venues across the country.
Currently, Jay-Z has the service available in his 40/40 Club in New York City.
The revolutionary technology allows patrons to charge their phones by simply placing their cell phone or wireless device on the table.
Duracell and GM have already used the technology on the Chevy Volt as well, so it is likely that consumers will see this technology in more and more cars in the near future as the technology becomes less expensive and demand increases for the convenience.
Ron Rabinowitz, Duracell Powermat CEO, told Mashable.com that there will be a Google app that will even display a map of hotspots near your location.
Duracell currently offers the 24 Hour Power System for $100, which can be used on the go. For more information, go to www.duracellpowermat.us.
Tiffany Evans has been flying under the radar since 2008, when she released her self-titled debut album with the Ciara-assisted first single, “Promise Ring”. Though it didn’t quite catch on, Evans has continued on, and she’s not a ‘kid’ anymore, sort of.
Now, the 19-year-old is back with “If You Love Me”, a song that really showcases the young songstress’ vocals. With the new song, she’s also revealed in a recent interview, she’s already been married for two years, and she and her husband are now expecting their first child.
When asked if she has a celebrity crush, the teen revealed:
“Well… might I say, I don’t have a celebrity crush considering I’m married! ][laughs] No one knows. I’ve been married for two years. He is the love of my life, and I love him very much. His name is Lorenzo. He’s a really a cool guy, and we’re expecting something else as well – our first child together. I am six months pregnant.”
It seems as if the world can’t handle such young vocalists like her singing mature songs – so Tiffany might need to link up with Justin Bieber, you know, in the meantime. Maybe not.
Grab “If You Love Me” on iTunes here.
(AllHipHop News) After landing one of the much-talked-about spots on XXL’s “Freshman Class 2012” cover this past February, Seattle native Macklemore has been experiencing new successes in ways he once would have found hard to imagine.
With a number of festival appearances and a sold-out tour already in his rearview, the attention of both Macklemore and his producing partner, Ryan Lewis, are now entirely focused on the duo’s currently untitled new album which is set for a fall release.
“It will drop probably in October,” Mackelmore told AllHipHop.com at the Soundset Festival in Minneapolis last month. “Independently released at this point unless something crazy comes along so who knows, but at this point we’re going to put it out ourselves and that’s what makes the most sense to us. We’ll do a distribution deal with somebody but we’re going to do it ourselves and we’ve been approached by everybody, literally every f*cking major label,” he said.
When we pressed the MC for what was stopping him from inking a deal with a major label, Macklemore very bluntly told AllHipHop.com, “It’s just not right, man. I don’t want to feel that pressure. I want to make what we want to make without feeling like I have to create a certain song for the radio. And, you know, if it gets to that point someday, and I feel like I want to make that crossover, then I think we will. But I’m more than happy selling out shows across the world at the rate that we’re going, and the way that it’s progressing and building.”
He continued, “The fan base that we have and how loyal they are is all that we need, and the labels want to jump on it now ‘cause it’s popping and I understand the game but at the same time, as of right now I want us to continue to do it ourselves.”
As for how far Mack is into he and Lewis’ recording process, he responded, “The album is almost done, we’ve got about two or three more weeks of recording. I got a lot to record in the next few weeks and then we’ll go into mixing and mastering in July and then do some videos and kind of start the cycle in late August, early September and the album will drop in October.”
Known for their lack of collaborations, they were asked if there were plans for any of Macklemore’s fellow XXL freshman to appear on the duo’s album. “No we don’t,” he answered. “I haven’t really talked to anybody about it. I’d like to do something with Danny [Brown], I think that would be dope, but at the moment, there is nobody on that cover on there. We only have one rap feature as it is so far that I can’t reveal yet, and we’ve got a bunch of singers and sh*t, but I’ve got to keep all that under wraps for now.”
In the meantime, fans expecting something in the form of a mixtape or EP to hold them over until the duo’s album release in October may be disappointed. “I think that we’ll do it how we’ve been doing it. We don’t put out a ton of content but the content that we do put out, we’re really proud of and we’re try to keep that standard up,” said Macklemore.
“I could go and bang out 10 tracks and out out an EP or mixtape or whatever but to me, I’d rather give the fans 14 or 15 songs of the highest caliber that we can do and have some great visuals to back it. Of course, then go out on the road and murder a tour. That’s what we’re going to do,” he added.
Macklemore and Ryan Lewis’ upcoming album will be released this October.
Check back later this week for more from Macklemore regarding his life post-XXL cover, the dynamic and working relationship between himself and Lewis, and his stance on a number of human and civil rights.