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By The AHHAlternatives Staff
 Neo-Soul, Neo-Soul. Where for arte thou, Neo-Soul? With all due respect to R&B/Soul’s subgenre, Neo-Soul never really left, but became an acceptable addition to the R&B family (sans title). Kedar Massenburg of Motown coined the term at a time when the delineation between watery Pop-R&B and real live Soul became foggy. Many multifaceted talents were being shuffled into the mix, despite their new wave infusions of rock and funk elements previously shunned once the MPC came a’knockin. Neo-Soul raised the bar, and with it came artists that made their marks in music history. Even Hip-Hop hopped on the Neo-Soul bus with albums like The Roots’ Phrenology and Common’s Electric Circus. As a true testament to the past, present, and future, the AllHipHop Alternatives staff revisits some of the survivors on the Neo-Soul family tree (Cody ChestnuTT, we still love you). Nanna and Grand-Daddy
Nina Simone.
Nina Simone is more of a platform for soul music than an inspirational ancestor for Neo-Soul. The grandma of the genre treated each song like home cooking. Every note she sang imitated southern fried perfection. Simone could’ve cared less if she hit proper tunes or octaves, with her vocal tone, which oozed unadulterated soul. Songs like “I Put a Spell On You” and “Don’t Let Me Be Misunderstood,” never needed intense runs and riffs to provoke. - Brandon Michael Dunlap
Marvin Gaye.
The late Marvin Gaye is rightfully the granddad of modern-day Neo-Soul, redefining the genre since the days of Motown. His silky melodic tone melted atop of notes like butter on songs like “Trouble Man,” “Distant Lover” and “Mercy, Mercy Me (The Eulogy).” The turbulent '70s saw the post-Tammi Terrell period in Gaye’s career, imparting beautiful and socially impacting staples such as “What’s Going On,” and “Let’s Get It On,” which remain untouchable. - Brandon Michael Dunlap The Mamas and the Papas Erykah Badu.
To say that Ms. Badu is the mother of Neo-Soul is weird, but appropriate. Granted, she does belong in her own genre, but when her debut album Baduizm dropped in 1997, she changed music forever. It wasn’t just her soft music style that found a home somewhere between a pacifying jazzy tune with Hip-Hop bones. It was her understated confidence in her physical and musical style that drew us in and kept us there. – Latifah Muhammad
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