(VIBE.COM) Lil Wayne may be locked in Rikers Island away from the industry, but that’s not stopping some of his associates from handling business with him. Grammy award-winning producer, Shondrae “Bangladesh” Crawford has a bone to pick with Mr. Dwayne Carter. A $500,000 bone. “I don’t fuck with [Lil Wayne]… and you can print that,” Bangladesh told VIBE, when asked if fans should anticipate a reunion come his 2011 release. “Cash Money dont pay royalties. The Carter III, [is] his biggest album probably because of A Millie. [But] you have to sue these guys so that they pay up.”The Atlanta beatmaker disclosed that he is suing for an estimated 500 Gs in owed royalty checks for his work on “A Millie,” one of Wayne’s most revered records of all time. A single that earned him Best Rap Solo Performance at the 2009 Grammy’s and gave The Carter III ammunition to sell a million records it’s first week of release in June 2008. “It’s [Wayne and Baby‘s] responsibility to pay [me] because all the money from album sales goes to Cash Money. I get checks from Sony for Beyoncé, checks from different labels for different artists, it just comes to you. You dont have to call them, sue them and all that junk. This is what you’re owed.”He continues, “I dont really give a fuck about [Wayne]. I can’t give a fuck about somebody that dont give a fuck about my situation, I have kids. In the hood, people get killed for ten dollars. I couldnt imagine owing someone hundreds of thousands of dollars and just walking around in front of them. I’m so confident in myself, that I dont need Lil Wayne. There’s gonna be so many opportunities. I can create a Lil Wayne.”A nominee for VIBE’s Best Producer of All-Time, Bangladesh went on to explain the corrupted process of Cash Money, centering on Baby. “This is why Manny Fresh dont fuck with [Cash Money] because he never got any royalty money. Thats why Baby can go around flaunting this cash, because thats everyone elses money… It’s not even Wayne’s fault. Wayne is not getting money. He is given money, he’s not getting money. If Baby gets a million dollars hell buy Wayne a Phantom, but thats in Cash Money’s name. That 14-bedroom mansion isnt Wayne shit,” he says. “Thats why he have his own company, because he was trying to leave Cash Money and the only thing that would keep him there was [if they] gave him his own thing. But Baby still controls that. All those Young Money artists dont even know that they not getting royalty money.”And the beat goes on. According to the New York Post, fellow Carter III producer, Jim Jonsinresponsible for Wayne’s infectious lead single, “Lollipop”filed a $500,000 lawsuit against Wayne on April 20 for missing royalty payments. In May 2009, Dallas production duo Play-n-Skillz also mentioned to a local radio station that they were yet to reap any monetary benefits from their work on Wayne’s third single featuring, T-Pain, “Got Money.”Bangladesh, who secured his placement on The Carter III when his friend and Young Money artist, Shanell suggested the “A Milli” beat to Wayne, recalls the first time he met self-proclaimed Best Rapper Alive. “Wayne is a different guy. I first stepped to him years ago. Dont know if he was on drugs, but he ignored me,” Bang says. “This was before ‘A Milli.’ I didnt sweat it because I told myself that one day, I aint gotta say nothing, he’s gonna like the music.” The premonition came to life indeed. However, it’s been almost two years since “A Milli” made it’s game-changing impact and Bang says the New Orleans MC has still never uttered a ‘Thank you’ his way. “This industry is a devilish game. And these are devils controlling the game,” says Bangladesh who swears by self-rule. “I dont wanna be caught up in it. I dont wanna break bred with devils.”A rep for Lil Wayne did not respond to a request for comment.