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Video: Feel Rich and Tyrese Team Up to Help End Infant Mortality #text4Baby

Editor’s Note: “Feel Rich” is our partnership with QD3, the talented son of music legend Quincy Jones. “Feel Rich” is all about creating a healthy lifestyle for Hip-Hop culture – both the artists and the fans. Enjoy!

Feel Rich is more committed then ever to our mission of making every ‘hood around the world healthier, and it’s been really exciting to see the community grow each month and become a social media support system for many. When Quincy and I created Feel Rich, we made a pact to only work with health partners who were trying new and innovative ways to communicate with our target demographic. It was important to seek out partners who were pushing the envelope and truly making a lasting impact in the community. As a result of standing by our pact, we are excited to announce our partnership with text4Baby and their founding sponsor Johnson & Johnson.

We have envisioned many ways to make vital health messaging more relatable and accessible to our demographic; the text4Baby mobile service fits this vision, and the timing couldn’t be more important. Each year in the U.S., more than 500,000 babies are born prematurely, and an estimated 28,000 children die before their first birthday. The infant mortality rate (6 in 1,000 live births) in the U.S. is one of the highest among developed nations, and rates are much higher within the African-American community, regardless of income, educational level, or location.

These numbers signify a major health crisis, and they seem unfathomable in a world of abundance accessible health information. But not everyone has the time or the resources to access this information – which is exactly why a service like text4Baby is so vital. Everyone has a cell phone and everyone knows how to correspond by text message. But text4Baby isn’t just a free text service sending out mass messaging; the service is customized and timed to a women’s due date or date of their baby’s birth. This attention to detail is working, as the service has increased users knowledge about health and helped remind mothers of important doctors appointment. (http://text4baby.org/index.php/news/180-sdpressrelease)

The Feel Rich team and community is very excited about this partnership with text4Baby, and we hope you will join us and participate as we try to make moms all across the country Feel Rich.

Shawn Ullman

Like what you’ve seen? Learn more at Feel Rich’s website. Like us on Facebook, and follow us on Twitter.

EXCLUSIVE: Delaware Producer Sap Talks Working with Game; Planning to Release Project as Rapper

(AllHipHop News) Critically acclaimed producer Sap, creator of Mac Miller’s Donald Trump” and Game’s song “Celebration” featuring Tyga, Wiz Khalifa, Chris Brown and Lil Wayne, recently spoke with AllHipHop.com about several songs set to be released on Game’s upcoming Jesus Piece project.

Sap, a native of Delaware, produced “Black Jesus” and “Holy Water” on the Game’s album, which is set to be released on Interscope records December 11th.

While Sap is well-known for his work with Game, he has also produced for a host of other artists including but not limited to, Mac Miller, Young Jeezy, Kendrick Lamar, SchoolBoy Q, Pusha T, 2 Chainz, Bun B, Meek Mill.

His success has brought inquiries from Busta Rhymes and NORE most recently.

“It’s crazy! Having Mac Miller, Game (laughs), Wayne, Wiz Khalifa, Tyga, Chris Brown on my résumé due to dope features for the Game, it’s a blessing.” Sap explained to AllHipHop.com. “I finally can get recognized by other artists all over… Busta Rhymes, Nore, Pusha T, who hit me the other day like, ‘Yo send some beats!’ It’s mind-blowing how fast things are moving!”

While Sap has numerous credits, he remained humble and explained that he has learned a great deal, by working closely with Cool and Dre, whom he credits with connecting him with Game.

“Cool and Dre produced the Game’s huge hit ‘Hate It or Love It,’ so they had that natural chemistry and respect for each other,” Sap told AllHipHop.com. “They hooked that up for me when I was out LA .  Then when ‘Celebration’ dropped I got a chance to meet Game for the first time because before all that Cool and Dre were getting him the music.  Then me and Game whipped up ‘Holy Water’ on the spot first time we met.  It’s been love ever since, I talk to dude like everyday.  He comes to Delaware and he hits me up. We just kicked it talked about all types of stuff he’s like a big brother, and its crazy because I’m a fan of Game.”

Although Sap is happy producing, he is not content, as he has plans to make the transition to rapping as well.

During the interview Sap was actually in the studio recording his raps in Philadelphia.

“I’m actually in the studio in Philly right now at Batcave with Rug Recording as I do this interview (laughs), but I’m working on my second project called ‘The Invite,’ which will feature some huge names, I don’t wanna give away just yet.”

J. NICS [BGA]: "…The Beauty of Music – It Can Be Anything"

Photo Credit: David Cabrera

Miami, Florida is a land of extremes. Here, nonsensical white lines indicate excess. Personal destructive endeavors abound, be it spilled party favors or prey; they confetti landscapes. Fueled by a laissez-faire economy, the carnage continues. Is this a ceaseless cycle of depravity? No. Perspective, coupled with awareness, is key to maintaining and challenging any reality. Change is possible.

J. NICS, a resounding product of his Miami environment, uses his voice as an MC to cultivate change. Hip-Hop affords NICS the personal and creative freedom to impact the world. Catalyzed by purity, encouraged by a cohesive circle of friends, and inspired by a supportive family, he is surrounded by unity to help manifest his dreams. Improving his craft since the age of 13, the wordsmith steadily challenges his expression to accurately display his art’s development. In this AllHipHop.com exclusive, J. NICS speaks on Miami, music, and manhood:

AllHipHop.com: I’ve read that you’re from Miami Dade county, and that you grew up in the Uptown area of Miami, the Miami Gardens. At times, struggle and strife have been your neighbors. Often when folks can’t see past the block, they’re met with hopelessness and complacency. How did you learn to challenge that mindset and to strive for more?

J. NICS: I was always encouraged to do more. When you’re growing up you learn a lot from your surroundings, and the people that you’re surrounded by. I was just blessed that a lot of the people that I came into contact with, that were older than me, were always instilling knowledge on me. They’d share the life-lessons that they’d learn with me. Being a kid, and being around that, it gave me a different ambition and perspective. Normally, if you’re just wrapped up in the block—the way that things come at you as a child, it’s almost like they’re trying to brainwash you. Because everything is just pushed at you, ‘This gotta be this way, this gotta be that way!’ And rarely do people even put the thought into trying to question that, or think about, ‘Why does it gotta be like this?

When I met up with older people, whether it be my uncles, or the dude from the corner, or even the homeless person from the corner store—at the moment he may just be ranting on to other people—but, as a youngster, I picked up something from that. All of those different things, they mold you. In that point in my life, I was like, ‘Let me find out what I love, and I’ll strive towards that.’  No matter how dark it might seem, on every situation there’s always a light. There’s always a light. I’ve had dark days; I’ve had bright days.

AllHipHop.com: Regarding the previous three years, what circumstances or events have encouraged an evolution with your life’s priorities?

J. NICS: There’s a lot of different things. For one, with many people, I feel like death is one of those things that is taken as a life experience. So, unfortunately, I’ve been close to people who have died. I’ve gone to school with people, and at a young age, their lives were taken. It really gave me an outlook on life. I gotta learn from my mistakes. If you make the same mistakes, you ain’t going nowhere. I’ve always been a person about progression. I can’t be complacent. I gotta keep going forward with anything that I do. An event like that with losing people who are close to you, even though gun violence, or illness—whatever—those types of events in life gave me a different outlook on things.

AllHipHop.com: People appreciate your mixtapes series, Southern N*ggas Ain’t Slow. From The Tribute, my favorite track is “Exception”. That track is raw. Today, what motivates you to strive for more?

J. NICS: There are a lot of different things. Those things really don’t change. I’m motivated by my family. I’m motivated by my life’s experiences. Things like that motivate me; I’m really family orientated. I feel like that’s the basis for a lot of things. By family, I don’t just mean my blood, I mean my friends. I keep a very tight circle of people around me, and those people are my family. They motivate me, because we’re all in this sh*t together. As a unit, we’re all rocking together. My daughter motivates me. Seeing her, I know that I created a life. In this world, I want her to have the best possible opportunities. You feel me.

AllHipHop.com: You sound like a real man right now.

J. NICS: [chuckles] I mean, I am a real man.

AllHipHop.com: From The Product, on “Kung Fu” you say: “…I don’t write about sh*t I don’t do…”In relation to Hip-Hop, is there a difference between telling lies and entertaining? How do you balance poetic intent with realistic accounts?

J. NICS: Like I said, the thing about it is that pureness. That’s my approach to the artistic form. A lot of artists, they’re not doing it. Now a lot of rappers aren’t making music that’s pure to them. Okay, everybody’s doing this because it’s the cool or the trendy thing to do. It’s not coming from the pure form. When I came and I first started making music and writing, I wasn’t doing it, because everybody was a rapper. Or because rapping was a cool thing to do; I did it because that’s what spoke to my heart. So, that’s what I end up doing.

As a kid, before I started rapping and emceeing, I was writing. I used to write stories. I would take an event that happened to me and just write a story about it. You’re a journalist, you understand when you take a story, and you get inspired by it. With my music, I’ve been influenced a lot by Scarface, and Biggie, and Jay[-Z]. Their music always played out like a movie. So, a lot of times, I try and do that with my music. Sometimes, the story that I’m talking about is my life, or sometimes it’s a story to where I’m speaking from the perspective of someone. Either I met that person, or it’s a mentality of someone that I know. You know what I’m saying. Instead of just saying the mentality, as a character I’m describing that mentality. Great artists like Jay[-Z], B.I.G., and Scarface were able to do that. Adding that element of street, and realness of your reality and the things that you grew up in, your surroundings, but you’re taking to it to another poetic and lyrical zone. I feel like that’s dope.

AllHipHop.com: With “Kung Fu”, what happened first, did you have the concept and lyrics; or, did you have that Lottery beat?

J. NICS: Actually, the beat was first. When I heard the beat and how they flipped the sample, I was like, ‘Man, that sh*t’s hard.’  I was like “Kung Fu!” I love the f*cking name. I was like, Kung Fu, hell yeah. With a lot of my music, I’ll write it on the spot. It’s like I hear the beat for the first time, or I’m even there while the beat is being created, and then I just write the song. It’s all in one motion. Making a song is like throwing a punch. It’s like all in one motion. Everything flows, from the creation of the beat, to the writing of the lyrics, to the recording, and the mixing of the song.

AllHipHop.com: Earlier, you touched on this, now I’d like you to go into greater depth. In an interview that you did with KevinNottingham.com you said, “I make the music that I make, not because I’m trying to impress somebody or anything, I make it because that’s the kind of music I like to hear.” When you’re creating music, is it done purely for cathartic reasons? Why do you do it?

J. NICS: As an artist, it’s important to hear your music as a listener, and not get caught up into your music itself. Musically, I know what I like, and what certain elements that I like to hear. When I hear a beat, this beat makes me feel this way; so this type of element is coming out me. When I hear the beat it might feel real aggressive. So, that’s the type of emotion that’s going to come on the track. It all depends and I feel like that’s the beauty of it. That’s the beauty of music – it can be anything.

AllHipHop.com: Let’s discuss Miami’s Hip-Hop reformation. Right now, ¡MAYDAY!, Space Ghost Purp, Golden, and yourself have my ear. What are your thoughts on the local Hip-Hop scene?

J. NICS: It’s dope. I think it’s at the best that it’s ever been. All my life I’ve been down here. I’ve never seen the music scene the way that it is now, as far as the artists that are coming out and what they’re able to do. A lot of factors have to do with that. It’s timing, it’s the type of artists, it’s the type of music, and it’s the place to where music is as a whole. It’s just a lot of different factors that. It’s beautiful. There are a lot of good things going on down here in Miami. From music, to art, to sports, to you name it. Right now, it’s just a real blossoming and flourishing city.

AllHipHop.com: Come on, you said sports? Are the Dolphins any good? F*ck the Heat.

J. NICS: [chuckles] I understand. You’re an OKC fan. It’s okay. I got on a Heat jacket right now.

AllHipHop.com: Well, I enjoyed the interview. Good day, sir! BOOOO!

J. NICS: [laughs]

AllHipHop.com: I’m hearing great things from your upcoming project DarkSide. “Wonderland” is still on repeat. How did you hook up with DJ Burn One? How does his creativity complement yours?

J. NICS: I did a show at A3C on the DJBooth stage. There he ended up DJing for me. Then we ran into each other again at South By Southwest. I had an album release party for Southern N*ggas Ain’t Slow; he came down and DJ’d for me then. From there, we just got into the studio. We just kept seeing each other around and kept working with each other. He’s a dope producer; I’m a huge fan of his. So, when he came down to Miami, we just f*cking got into the studio and started working on some tracks. The next thing you know, we got an album.

Working with him was really dope, because, right there on the spot, he makes like all of his beats from scratch. With me being an artist that likes to move in a fluid motion when making music. It was the perfect combination. He’s making the beat then and there, and I’m writing the outline for my hook; or, maybe starting on my verse. This was the first project that I ever did where I traveled around and recorded. Usually, I would record all my stuff in Miami. Working with him, I was branching out to different worlds. I recorded in Miami, I recorded in Atlanta, I recorded in New Jersey and New York. So, I got to go around to different places. You know, we were still moving in the same forward motion, and creating on the spot. It was dope, and a great experience.

AllHipHop.com: Your physical appearance demands attention. A lot of these rappers are petite while you’re tall, very nice, and juicy. Plus, you have a voice like a man.

J. NICS: [laughs]

AllHipHop.com: How are you making time to incorporate romantic love within your profession?

J. NICS: I got a daughter, you know what I’m saying. Her mother holds it down. I just be out here doing my thing, just vibing, man. I really don’t put too much thought into that. When it comes to situations like that, I’m more of the go-with-the-flow feelings. I never go out looking for anything. It just comes.

AllHipHop.com: You can recognize the difference between a good woman and a bopper?

J. NICS: Yes, I can definitely recognize that difference. Those characteristics will show. Like I told you, when I was young, I learned from some old heads that been put me up on game. So, this ain’t my first OK Corral. [laughs] So, I’m well aware. You got to be well aware. That’s what a Mack does. A Mack ain’t a person who’s a player or a pimp; a Mack is someone who knows and understands the game. You got to know and to understand the game on every level.

AllHipHop.com: In what ways are you working to become a better MC and a better man?

J. NICS: As a better MC, I always try and challenge myself with different things musically. I always try and step outside of my boundaries. When I’m working on a project I’m in a certain mode. There’ll be a certain vibe for that project. Then I’ll go on and move into something else that’s maybe completely different. I hate being complacent. It gets boring, you know what I’m saying. The thing with music is it always has to feel new and fresh. There has to be purity for me really to be vibing it. As a man, I always try and learn something new. As a human, you should always try to learn something new to be a better person. So, every day I’m becoming a better person.

AllHipHop.com: Until the next time that I’m able to do you, what would you like to share with your supporters?

J. NICS: Everybody that’s rocking with me, just know that I’ma keep on rocking with you. I’m going to keep on being myself. I’m going to keep evolving and making different sounding music. The people that listen to my music, I feel like they’re people who evolve as well. They should be able to understand and respect that.

Follow J. NICS on Twitter (@JNICS_305).

The Visual Death Of A Superstar

Those in entertainment are easily accessible with the influx of social networking sites, and of course, reality TV. Starting with MTV’s “Cribs”, viewers got a chance to get to know how the person behind their favorite records lived. Now, shows give an in-depth – most times too close – look at artists’ personal lives. By no means is television invading anyone’s space without being asked (minus a few pesky paparazzi cameras); after all, celebrities sign up for it. But, at times, they are damaging already fragile or just budding careers. It may help some, but hurts most.

Onlookers have watched everything from rappers and singers doing anything to make Diddy’s band and groups, to the struggles of Keyshia Cole’s new marriage. While their label, manager, and even biggest supporters see it as a win, there’s now little separation between the star and when the lights go off. Many may recall Day 26; their talent matched with their breakdowns was on display weekly, including the dismantling of the group. It seemed cool to see the band form before your very eyes, but also premature since they hadn’t found their niche in the industry, before exposing themselves to the world.

“Love & Hip Hop” draws in millions of views, but also makes a mockery of the women, rappers, and managers they affiliate themselves with. It’s not often that shortly after appearing on any of these shows that the group or artist has album sales that show that going on TV was a smart move. Brandy has stated several times she would never do a show under that magnitude again. While Keyshia Cole has been known as the around-the-way woman with a story that she shares through songs, now fans see her as a wife who never got past her own hurt, and is in turn hurting her genuine husband. That makes her human, but what good is that doing for her career, better yet, her love life? While revealing the real is fine, some things are better left dealt with behind closed doors, and minus the camera crew.

Yes, more exposure is attainable after making it on VH1 or MTV, but artists who understand what it means to build a brand aren’t rushing to be a television producer’s next pitch. The ones that get that a name may emerge because of Hip-Hop or R&B, but will only take off because they don’t give too much, and wouldn’t be caught dead on reality TV. It’s probably because it slowly kills careers. The illusion that surrounds most singers and rappers is a major part of their longevity. Those who talk and show too much usually run out of gas, and their stardom follows.

There’s a certain mystique that certain artists have. You never know too much about Jay-Z and B, and others follow suit as well. You’re left to wonder who that rapper is talking about in their songs, and that draws you into them. When you can turn on the TV and figure it all out, and sometimes even figure out that you no longer care for them as a person, the thrill is gone.

Reality TV took a lot of the fun out of loving an artist. Pour it into your music, not onto our television screens.

Tawni Fears is a freelance writer and contributor to AllHipHop.com. Follow her on Twitter (@brwnsugaT).

T.I. Unveils "Trouble Man" Artwork And Tracklisting

(AllHipHop News) T.I. has revealed the track listing and artwork for his highly anticipated album, Trouble Man: Heavy Is The Head.

The rapper released the information on his official website and he’s been making numerous appearances promoting the new album, due December 11.

In a previous interview with AllHipHop.com, T.I. said that his new opus was representative of his past tribulations.

“Nothing worth having comes easy… The [troubles] taught me the right time and the right people to say ‘f*ck you’ to,” said T.I.
The rapper has received early praise for Trouble Man and the Grand Hustle CEO said he has not missed a step since the release of 2010’s No Mercy.

“To assume the title [King] is bigger than music,” offered T.I. “I’m very secure in what I do. I welcome all challengers.”

Trouble Man: Heavy Is the Head Tracklisting
1. “The Introduction”
2. “G Season” feat. Meek Mill
3. “Trap Back Jumpin”
4. “Wildside” feat. A$AP Rocky
5. “Ball” feat. Lil Wayne
6. “Sorry” feat. André 3000
7. “Can You Learn” feat. R. Kelly
8. “Go Get It”
9. “Guns and Roses” feat. P!nk
10. “The Way We Ride”
11. “Cruisin’”
12. “Addresses”
13. “Hello” feat. CeeLo Green
14. “Who Want Some”
15. “Wonderful Life” feat. Akon
16. “Hallelujah”

Big Screen Boyz: Travis Porter Premieres New Feature Film "Red Rock"

Last night (November 19), Decatur’s own Travis Porter debuted their new feature film, Red Rock, to a packed-house at the Plaza Theater in Atlanta. The movie, about the group’s escape from a tour stop gone awry, was directed by Ryan Lightbourn.

In addition to the feature, Travis Porter also debuted their documentary, From Day 1, which traced their evolution and rise to fame through dedication and hard-work.

Check out some photos provided by Des That Retail Chick:

Gudda Gudda Tells the People to Sign the Petition to Pardon the Wave

(AllHipHop News) The petition to free Max B has started to makes waves in the hip hop community.

When AllHipHop.com sat down with YMCMB artist Gudda Gudda, he shared his thoughts on Max B’s style of music. He also wants to support “the wave” and sign the petition.

“The Wave…first of all I’m a mixtape head I listen to everyone, if your just the smallest cat or the biggest artist i like to check out everybody music I like to see what everybody got,” Gudda Gudda told AllHipHop.com.

Max B., born Charly Wingate, was sentenced to 75 years in prison, for his role in a robbery that turned into a homicide, in 2006. 

A judge recently ruled against Max B during his appeal, paving the way for a petition, as the rapper fights for another court date to have his case heard again.

‘When I first heard Max B it was a rap i was a fan, downloading all his s**t watching all his videos. I definitely support Max B. Free Max B, sign that petition. I tweeted the petition out, hopefully he will come home.”

Watch the exclusive with AllHipHop.com, as YMCMB artist Gudda Gudda tells the people to sign the petition @ www.PardonTheWave.com

 

 

Follow Mikey T The Movie Star @MTMovieStar

Masspike Miles Pledges Loyalty To MMG "Regardless of Direction" He Takes With Career

(AllHipHop News) Maybach Music Group’s resident crooner, Masspike Miles, is planning to release a new mixtape titled Skky Miles 2 (Cozmic Cloudz).

Masspike Miles, who has worked with each artist on the Maybach Music Group roster, has also recorded with artists like Wiz Khalifa, Young Buck, 8Ball & MJG, Sheek Louch, Termanology, Yo Gotti and others.

The first single off Skky Miles 2 (Cozmic Cloudz) is titled “Revival,” which was produced by !LL MIND.

“Over the last year I’ve been hard at work perfecting my craft and preparing for the birth of my son Phoenix Sky,” Masspike Miles said. “Some people may have been wondering whats been going on with my situation with MMG since I’ve been there since its inception.. Well I’m not much for talking or answering questions too tough, but I do feel my hardcore fans deserve an answer so I decided to do so through my music. This record reflects on my past, present and future.

According to a statement by Masspike Miles, his third mixtape this year could be his last release with Maybach Music Group.

“My loyalty will always be with MMG regardless of the direction I decide to take… Salute to my big brothers Rozay & Gucci Pucci and the entire Maybach Music Group,” Masspike Miles stated.

Masspike Miles’ new mixtape, Skky Miles 2 (Cozmic Cloudz), will be released on November 28.

EPIC FAIL OF THE DAY: ELMO LOSES HIS VOICE! KEVIN CLASH QUITS!

[UPDATE: A second man has come forth to say that he had a sexual relationship with the voice of Elmo when he was 15 years old. Elmo’s voice was 17 years older than he was.]

Elmo has been through it, but it has finally come to an end over the sensational allegations that the voice,  Kevin Clash, has taken a loss. Damn, my G. I tried to give you the benefit of the doubt that you weren’t running up in young boys, but it looks like its true. Son, how do you work at Sesame Street and be a p###? Ahhhhhhhh HAIL NAW. All these kids are damaged now. because they will hear a change in Elmo’s voice and know its a fake! You probably know this, but Clash’s 24-year-old accuser recanted his story the day after saying he, but he was paid off. And we all soon knew what he said was true: ELMO’S VOICE HAD SEX WITH HIM WHEN HE WAS 16. DAMN IT MAN!

Sesame Street released a statement:

Sesame Workshop’s mission is to harness the educational power of media to help all children the world over reach their highest potential. Kevin Clash has helped us achieve that mission for 28 years, and none of us, especially Kevin, want anything to divert our attention from our focus on serving as a leading educational organization. Unfortunately, the controversy surrounding Kevin’s personal life has become a distraction that none of us want, and he has concluded that he can no longer be effective in his job and has resigned from Sesame Street. This is a sad day for Sesame Street.

Somewhere Mitt Romney is laughing.

DAMN YOU KEVIN CLASH, YOU PREDATOR OF UNDERAGE BOYS!!!!

**ELMO’S BLANK STARE**

DAMN BRUH BRUH

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Detroit Closes Downtown Streets For Big Sean Video Shoot For "Guap"

(AllHipHop News) Big Sean returned to his hometown of Detroit yesterday (November 19), to shoot the video for his new single “Guap.”

According to the Detroit Free Press, the video shoot shut down Woodward Ave., as Big Sean filmed the visuals for his new single.

Pictures from the video shoot published by the Detroit Free Press show a festive scene, reminiscent of Carnival.

“It’s amazing that Big Sean, an artist who is peaking right now, decided to do the video right here in Detroit,” said Detroit native and “Flavor of Love” winner Deelishis, who was on hand for the video shoot

“He could do this in Los Angeles, Brazil, wherever. But he wanted to do it right here with all of his friends and fans,” Deelishis said.

Major Williams [BGA]: Majorly, Dangerously Kool

Texas bred and Foxx City Records/CoolGuyMusic rapper Major Williams is one many in the industry are calling the next big artist to break. A frequent on the Hollywood social scene and well known by already established artists in the game, Major Williams has slowly but surely plotted his path to success under the tutelage a famed actor, singer, and comedian Jamie Foxx.

Now with a new EP called Dangerously Kool available on iTunes, and some singles circulating the clubs and online, Major Williams is showing Hip-Hop fans across the world what all the hype is about. Most importantly, Major’s music seems to represent the authenticity of being yourself, and not being afraid to take risks on the path to finding yourself, or as he says living “dangerously kool.”

He is truly is an individual worth a listen, because although he does speak about the good life, he also knows the trials and struggles that life brings after a rough childhood. Take a read and get to know Major Williams, next up in AllHipHop.com’s Breeding Ground class:

Download Major Williams’ EP, Dangerously Kool, HERE

AllHipHop.com: What’s good, sir? Just to get things started, talk about your upbringing and growing up in Texas.

Major Williams: You know, honestly, growing up in Texas, I can’t recall many great moments because my childhood was so unstable at times. With my mom in and out of prison several times, and with me being passed around from family member to family member, it showed me early on that nothing is what it seems. It also taught me that the things you want for yourself, you have to have a plan of action and execute, because no one is going to embrace your vision and dreams the way you could yourself.

AllHipHop.com: OK, a vision that you have is the “dangerously kool” movement. Explain “dangerously kool,” and what the movement you have dreamed about stands for.

Major Williams: “Dangerously Kool” is basically a everyday hard working person that defines what in life makes them happy and doesn’t allow the so called “cool” people and magazines to determine what their agenda should be. Whether it be with music, fashion or choices in religion etc., it’s about embracing self-expression to the fullest and saying, “Hey, if I’m one way this week and decide to be another way the next week, by all means it’s normal because I say so period.” So to some, it ups the danger. It’s the strong willed, fearless side, and the kool and easy calmness you have to have to operate in society.

AllHipHop.com: What has it been like making the transition from Texas to L.A. and the life out here in California?

Major Williams: I’m not going to lie; I really miss Texas. My family is all there to this day, but I love Los Angeles and the life I live out here. You can’t beat the weather, the energy is electric, and there is so much to do if you’re into exploring all the cool stuff it has to offer. It wasn’t a hard adjustment beyond getting used to not being around family and close friends.

AllHipHop.com: So, did you meet Jamie in Texas, or what? How did you link up with Jamie Foxx and Foxx City Records?

Major Williams: I met Jamie through a high school friend of mine who happened to be Jamie Foxx’s sister, Deidra Dixon. I met him when I moved to Los Angeles some years back, but as far as on the music tip it wasn’t until last year 2011 that we started talking and chopped it up in regards to music and him wanting to start a label to help me out. With all the grinding [that] he seen and heard I’ve been doing promoting my music, he wanted to help me.

AllHipHop: What role does Jamie have in your music, and what can we expect from Foxx City Records?

Major Williams: Jamie plays a big role in my music, but I must say it’s no different than being with a big label, because it’s just like a corporate label. Foxx City Records goes on hiatus when Foxx is filming mainly because he is active during the development process of projects. So with that said, me as an artist in these days and times, I have to keep my own situation, which is keeping my name hot in the streets by any means. That’s exactly what I’ve been doing. Still releasing singles through the label and shooting videos on my own dime and working with my own in-house team to keep me active until it’s my time. So once Foxx is like let’s rock, it’s not going to be like creating my movement from a blank canvas…it’s already there.

AllHipHop.com: What can you tell us about your debut EP?

Major Williams: Well the EP album is called Dangerously Kool, which is a term I’ve come up with to describe my mentality and the crew of people around me. It’s a lifestyle and culture that already exists within so many people. I just made a movement and a name to it, so you and fans identify with it more. As far as the project and music goes, I’m very excited about this material for multiple reasons – one being it will be the first official release off Foxx City Records/CoolGuyMusic and will mark another chapter on my journey. Secondly, the music I’ll be releasing is just some cool dope material given to you from my perspective. Lastly, the production is by Mo Ager and Sean Dillon, my close partners. You gotta check it out.

AllHipHop.com: Sup with the “Bout II Go Down” track? That seems to have gotten a great response thus far…

Major Williams: The record, “Bout II Go Down” came from a conversation with my producer Mo Ager on what kind of club record could we create to smash the clubs and strip clubs. The very next day, he got to work on a few ideas and this record is what came about. When I first heard it, I was hyped because I knew this would be that record I’d have fun performing [laughter]. The icing on the cake was when I had Layzie Bone come to the studio, and I randomly played it for him and seen how he moved to the edge of his seat with a slight grin as if to say ‘this record, I love this record.’ So taking advantage of perfect timing, I asked him if he wanted to get on the record, and he said let’s do it “tonight” [laughter], and the rest is history.

AllHipHop.com: Talk about some other collaborations that you’ve been working on.

Major Williams: Collaborations I have coming will include a dope female artist by the name of Kym Cartel who is like a sister to me, Layzie Bone as I just mentioned, T-Mills, and I have unreleased records featuring my mentor Jamie Foxx and Busta Rhymes’ artist, J-Doe. By the time this article comes out, I may have already worked with more artists on my collabo list..

AllHipHop.com: Talk about your events coming up. You have something big planned, right?

Major Williams: For the “Bring On the Cash Tour” series, I will include three dope artists, including myself. The events/shows that I’ll be putting on will be the final piece to my puzzle. I just need to go and get additional sponsors and endorsement brands attached to an extended mini tour of 15 shows in different regions, filmed and documented for digital distribution. It will be a great vehicle and platform for all the artists involved, not only to showcase their talent but to also to connect with the fans and supporters on a more intimate level. If all goes right, this will be a brand used by many up and coming artists with a buzz generated. It’s going to be epic, and once completed, it will be slated as one of my biggest accomplishments in regards to planning and executing a idea I had. I really can’t wait.

AllHipHop.com: Sounds dope, man; can’t wait to see how this all comes together.