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Breaking News: Soulja Slim’s Cousin, New Orleans Rapper Twelve A ‘Klok Murdered

(AllHipHop News) Rapper Twelve A’Klok the cousin of late rapper Soulja Slim was found shot to death on a street in New Orleans on Monday (August 2nd). Twelve A’Klok, born Argell White, was a founding member of the record label Cut Throat Committee group/record label, along with his relative Soulja Slim and rappers Re-Nitty, Doubla Crossa and Logga Black. According to the New Orleans’ Times-Picayune, a newspaper deliverer found Twelve A’Klok laying on the ground bleeding, with multiple gunshot wounds to his back on Monday morning just after 5:00 AM.White was pronounced dead on the scene according to police. Police named Twelve A’Klok a suspect of interest in the disappearance of an unnamed, aspiring rapper in New Orleans, although he was never charged with a crime in connection to the case.As an artist on the Cut Throat Committy record label, Twelve A’Klok released albums like Listen Man, Cold Case, The Devil’s Rejects, Lost 2 The World and others. Rapper Soulja Slim, born James Tapp Jr., was gunned down November 26th 2003, in New Orleans.

Kanye Leaks First Look At “Power”

POWER shows a continuous camera move from extreme close-up of Mr. West revealing an a neoclassical video tableau showing characters and creatures surrounding him in an abstract environment – all moving in extreme slow motion.

Inspired by Michelangelo’s frescos in the Sistine Chapel, the piece depicts a faux historical moment – an empire on the brink of collapse from its own excess, decadence and corruption.

Produced by: The 88

Story of Hip-Hop Group UGK Hits Stores; Bun B’s ‘Trill OG’ Labeled ‘Classic’

(AllHipHop News) Fans of veteran Hip-Hop group Underground Kingz will get an inside look at the group in a new documentary being released next month titled Kings of the Underground: The Dramatic Journey of UGK. The DVD chronicles UGK’s early beginnings in Port Arthur, Texas, to their rise to the top of the charts and the personal struggles the group faced during their 20-year-career, including Pimp C.’s incarceration and death in December of 2007. The Dramatic Journey of UGK was directed by Thomas Gibson, who interviewed artists like Rick Ross, Lil Wayne, Big Boi, Slim Thug, T.I., Three 6 Mafia and numerous others for the DVD. “That’s all we had coming up, just that music, the whole UGK vibe. They was stuntin in a different language, I loved how their pimp down,” Cash Money’s CEO Bryan “Baby” Williams said of the group’s influence on the south and Hip-Hop music in general. To this day, the group and surviving member Bun B. continue to release material. Bun. B’s album Trill OG was released yesterday (August 3rd) to critical acclaim. Today (August 4th), The Source Magazine announced that Trill OG had obtained its coveted 5 Mic rating in the fall Back to School issue, which is slated to hit stands on August 17th.

ChartWatch: Eminem Bumped, Rick Ross Holds and Drake Pushes Plat

ChartWatch for August 04, 2010

There are three things that I learned this week.  1) Even though it ain’t Hip Hop the Inception soundtrack

is incredible.  It’s only a matter of

time before an MC raps all over it. 

Let’s just hope they’re good like Jay Electronica on Act 1 and not bad like…ummm, I don’t

know.  Name a bad rapper.  There’s a lot to pick from.   I got one! 

Flo Rida presents ….the Floception. 

2) Antoine Dodson somehow made an attempted rape funny, but this is the funniest it,

and he, will ever be.  It’s all downhill

from here.  There can be nothing funnier

than that remix clip and now the public will lose interest quicker than Jaleel

White can say “Did I do that?”  Finally,

3) At the rate Eminem is going he will one day be able to print his own money.  Even though he’s been ruling the charts for

the last 5 weeks the Detroit MC takes a dip and lands, this week, at number

two.  His seventh studio album, Recovery, moves another 156,677 copies

bringing its totals to 1,847,211.  At

this rate the album might hit double platinum after being out only 2 months.

Em is followed by Rick Ross who’s fourth studio album, Teflon Don, holds the number 3 spot.  This week the Miami rapper sells 65,000,

which is a drop from last week, but brings his total sales to 241,000.

Drake’s Thank Me Later also appears to be stalling out

sales-wise.  The well received album puts

up 32,040 this week, claims the fifth spot, and brings the Canadian rapper’s

total sales for his debut to 927,564. 

The Black Eyed Peas must have extended their agreement with

the illuminati (just joking) because their already popular album jumps from the

22nd spot to number twelve. 

This week the group’s fifth studio album The E.N.D makes the jump by moving 17,097 copies.  So far The

E.N.D has sold 2,686,977 copies and the groups is already scheduled to

release another album tentatively entitled The

Beginning.  The Black Eyed Peas are

usually this column’s punching bag but success is success.  Still not my thing but if you like them,

listen to them.  (By the way, to that guy

that is flooding the internet with Hip Hop Illuminati videos…what are the

qualifications to get in?  Because you

have everyone from Omarion to Jay-Z in the club.  Is it really still a secret?  If Omarion can get in…can’t anyone can get

in?  Really?  Do they have dental because this health care

bill isn’t kicking in fast enough for me? 

Let me know.)

Next up is Tech N9ne with his latest The Gates Mixed Plate.  This

is the albums first week on the charts and it takes the 14th spot by

selling 16,980 copies.

B.o.B had a free concert (streamed on line by this very site

and others) in Atlanta last week and this week sales of the Atlanta rappers

debut album went up.  Coincidence?  I think not. 

The Adventures of Bobby Ray

jumps from 28 to 20 and sells 12,946 copies. 

This brings B.o.B’s total sales to 311,343.  Although it hasn’t put up big sales numbers

each week this album hasn’t fallen off of the top fifty since its April

release.  Not bad for the ATL MC.

Big Boi falls from 17 to 25 with his solo debut Sir Luscious Leftfoot The Son of Chico Dusty.  That might all change for next week now that

an official video has been released for Shutterbug.  (Look here.  Outkast always has an interesting video and

even if you don’t think it’s that interesting there is always…ALWAYS…a nice

looking woman in there somewhere).    Big

Boi moves another 12,272 copies of his solo debut bringing his total to

113,815.  All right, Def Jam…we got a

video…I take back what I said about you last week.

Joey Crack a.k.a Fat Joe enters the charts with his tenth

solo album, The Darkside vol. 1.  Joe holds the 30th position and

moves 11,180 copies.  Want to hear what

50 Cent has to say about it.  Probably

not….but just in case you did, here

you go.  Ok, 50…it was funny…now can

we get an album? (Editor’s Note: 50 claimed Joe moved 5,000 units.)

I don’t usually include R&B acts in the column but

someone has got to help Sisqo and crew pay the mortgage.  Dru Hill enters the charts with Indrupendence

Day (WTF?) and takes the 34th spot by selling 10,339 copies.  Now, I did like Dru Hill back in the day so

someone tell me if this is worth picking up. 

Someone with reason let me know. 

Not you true fans that think everything they put out is a classic.

Dru Hill fan: You heard that new Dru Hill?

Me: [laughs] No….wait….you’re serious?  Ok…I’ll give it a listen.  I use to like Dru Hill. 

Dru Hill Fan:  It’s a

classic.  It’s up there with What’s Going On and The Miseducation of Lauryn Hill.

Me:  Huh….what?  I phased out when you compared an album with

Sisqo on it to any album with Marvin Gaye

Dru Hill fan: See…you’re a hater.  You know what you’re problem is?!  You don’t know good music!!  You just sit there and critique.  You couldn’t make good music if—hey! Where

you going?  You just gonna walk off?!

…..and scene.

Finally (I hate to see it because the writings on the wall)

The Roots claim the number 50 spot with How

I Got Over.  We count the top 50 over

here so it looks like they won’t be in the column next week.  I wasn’t the biggest fan of Rising Down but I really like this

album.  This week the Philly group moves

another 7,182 copies bringing the album’s total sales to 107,158.  “Look how they got me on the Def Jam payment

plan” – Black Thought.

Dropping This Week

First up this week in dropping is none other than Port

Authur, Texas’ own Bun B.  The UGK MC

drops his third solo album Trill O.G. 

The new album features Drake, Trey Songz, Young Jeezy, Tupac, Pimp C, Yo

Gotti, Slim Thug, Letoya Luckett, T-Pain, Gucci Mane, and Twista.  Production is handled by Steve Below,

J.U.S.T.I.C.E League, DJ Premier, Play-N-Skillz, and Drumma Boy.  AllHipHop spoke with Bun B about the new

album about a week ago.  Wanna read it?

Here it go. Click

here.  (Pay no attention to the fact

that I wrote it in this shameless promotion of myself.)

El-P drops another one this week.  This is the New York MC’s third album coming

almost 3 years after I’ll Sleep When

You’re Dead.  Those not familiar with

El-P should know that he was once a member of Company Flow and also went on to

found one of the most influential underground record labels, Definitive

Jux.  El-P scaled back the label in

February to work on more music and now he releases

Weareallgoingtoburninhellmegamixxx3. 

This is a completely instrumental album from El-P, who is known just as

much for his production work as mic skills.  

Fans of El-P shouldn’t be disappointed with this one.  I’ll be picking one up.

Going back to Texas, Lil Keke releases The Don Ke Chronicles, an album featuring Paul Wall,

Chamillionaire, Trae, The Screwed Up Click, Dallas Blocker, Fat Pat, 8Ball, Lil

O, Big Pokey, E.S.G, Lil Flip, Slim Thug, Z-Ro, Chris Ward, and CMG.  This is like a whose who of Houston rappers

so if you’re a fan of Lil Keke then pick it up.

How many solo albums does Pastor Troy have?  Starting this week the number is 21.  The Atlanta rapper has released four this

year alone, including G.I. Troy –

Strictly 4 My Soldiers, Zero

Tolerance, Attitude Adjuster 2,

and now, King of all Kings.  If you’re a Pastor Troy fans odds are you

probably already knew this was coming out. 

Not a fan?  You might want to give

it a listen.  You don’t put our 20 albums

if you’re not doing something right.

That’s it for the charts. 

We’ll see what the numbers look like next week.   (PS.  To

those on the internet that warn about the Illuminati.  I was just joking.  Don’t call. 

Don’t write.  I get it.  There’s a plan.  It’s big. 

I don’t know it.  Nobody knows

it.  Only you  It involves

Jay-Z, Oprah, and Bill Gates.  I don’t

care.  Whatever they’re planning can’t be

that bad.  I like most Jay-Z albums,

Windows 7 is awesome, and Oprah…ok, Oprah might be dangerous.  She controls waaaaaay too much.) know it.

More shameless self promotion —> www.twitter.com/drdougla

Dallas Rapper Dorrough Says ‘Get Big’ On New Album

(AllHipHop News) Dallas, Texas rapper Dorrough hopes to follow the success of his debut album Dorrough Music with the release of his sophomore effort, titled Get Big. Dorrough, whose biggest single to date is the platinum-selling single “Ice Cream Paint Job,” recently teamed with acclaimed director Dr. Teeth to shoot the video for “Get Big,” which is also the album’s first single. The rapper, who won two BET Awards in 2009 (Best New Artist, Rap Song of the Year), explained that he is in the music industry for the long haul. “When my last album dropped, I shocked many people by convincing them that I would be a career artist,” Dorrough told AllHipHop.com. “I immediately started working on this album right after my last one with the one goal of making it even better.  I spent a lot of time perfecting each song and unlike most artists, I give the consumer what they deserve.”Dorrough revealed that Get Big will feature 15 songs with guests such as Yo Gotti, Jim Jones, Juvenile, Slim Thug, Ray J. and Dorrough’s crew, Prime Time Click. Get Big, which will also feature three free bonus songs, is due in stores on September 7th via Entertainment One Music/Ngenius.

Just Blaze Battles In Karaoke

Just Blaze and scribe Brian “B.Dot” Miller have a bit of fun with T.I.’s “Live Your Life.” Guess who has the Rihanna part? Incidentally, Just Blaze produced and co-wrote the song so somehow this is a stroke of genius. The person in the background is none other than AHH-Affiliate Ms. Drama, hyping up the drama.

For more exclusives go to http://msdramatv.com.

J*DaVeY: Building A Brave, New Nation

“We’re all influenced by each other. Yeah a lot of girls don’t have that finesse when they way they do it, but you know a true trend setter sets the trends and knows when to walk away from them.”

-Jack Davey On Copycats

In an industry where artists gain kudos for their effect on various markets, many fail drastically… especially those who try to take a stab at post R&B/Soul. There are those like Santigold and Janelle Monae and there are others such as J*DaVeY. Miss Jack Davey’s ultra-unique voice and Brook D’Leau’s fantastic musical voyage (Hip-Hop, electro, funk and new wave) are truly a bundle of eclecticism, suitable each type of audible tastemaker.

The duo band has been ruling the underground for quite sometime, appealing to the misfits of the underworld with double disc The Beauty In Distortion/The Land Of The Lost and most recently, EP Boudoir Synema: The Great Mistapes.

But don’t think J*DaVeY is just another best kept secret. Miss Jack Davey has done her part in sharing the wealth of her voice- even featured on alongside some familiar Hip-Hop cats. For someone who doesn’t listen to much rap music, Miss Jack can surely be caught dropping some bars on J Dilla’s Jay Love Japan track “Red Light.” Even if she isn’t dropping rhymes, you know who you’re dealing with. In fact, do the necessary research, for J*DaVeY has collaborated with fellow Californians Pacific Division and Blu, as well as Little Brother’s Phonte. Although it isn’t about name-dropping, J*DaVeY even opened for Prince.

While in DC for a tour stop, AllHipHop’s Diane “Shabazz” Varnie talked to the duo and was iin awe of the creative explosion. Prior to the show, J* DaVeY talk about upcoming projects excluding music, her thoughts on today’s female rappers and more.

AllHipHop.com: J*Davey have been around in the underground for quite some time now. What’s going on now in days?

Jack Davey: Our theme has really been about building a brand that’s beyond music and encompassing all of our talents. So we’ve just been working on that while touring and doing shows, and directly connecting with our fans. We’ve also been doing merchandise. A lot of art related things that aren’t specifically music. Because now in days you have to a lot more than just the music. We’ve been looking towards branding a lot more.

AllHipHop.com: So besides music, what are some of the other art-related things that you guys are working on branding?

Jack Davey: Fashion definitely. I’ve been collaborating on a line called Lady Tripper, which is a lot of feather and lace pieces, which I’ll be wearing tonight. He [Brook D’Leau] has been collaborating on head pieces and a few garments. We’ve also been doing like a fan-zine for our fans. More video projects as well. We’ve been talking about doing a short that we’ll score and possibly star in. Just a lot of different things.

AllHipHop.com: I have seen the tumblr blog page and all the love you guys received from your fans. How has social media been successful for J*Davey?

Jack Davey: We’ve always been a group that always takes it straight to the people. Our fanbase is so strong… so die-hard that we have to directly connect with them. That’s always our goal. If we have the support of the people, then we’ll be able to stick around for a long time. So that’s important to us. Nurturing our fanbase.

AllHipHop.com: Being independent for majority of your career, how does it feel to be signed to Warner Bros Records?

Jack Davey: I mean it’s been about the same. The state of the labels now call for you to be a self-detained artist. You have to be able to push yourself and do your own work… your own everything. So we’re used to that, it’s really made us work a lot harder.

AllHipHop.com: So ya’ll basically get a lot of freedom.

Jack Davey: We have a lot of freedom, yeah. I mean that’s the type of band that we are. We have to have the freedom to just be who we are… or else it’s not going to work.

J*DaVeY – “Mr. Mister”

AllHipHop.com: Usually record labels go for the next best thing. Of course J*DaVeY is unorthodox when it comes to this aspect of marketing and appeal to the game. How has J*DaVeY’s journey been as far as paving a self lane?

Jack Davey: It’s always takes a little longer, but I mean it’s fine. I think there’s room for all of that- mainstream, underground. There’s room for everyone to do everything that they do. We just maintain, do what we do, and keep evolving. We’re always evolving and moving up to the next plate. We try to stay consistent.

AllHipHop.com: I agree that there’s room for everyone, but J*Davey has been around for some time. Being that the safest genre to pin you guys to is R&B/Soul, do ya’ll ever feel like dues aren’t being paid when due? Lack of recognition? How do you feel about the industry and the so called “originality?”

Jack Davey: I mean sometimes it’s easy to feel entitled for certain ideas, so sometimes we just have to snap ourselves back into reality and know that we’re merely vessels of a genius that is present in the world. We’re not the only ones that are going to enjoy that genius. As long as the ideas are out there and people are exposed to great things, that’s all that matters. Whether it comes from us or not. We have done a lot of things that people have failed to do before we did them. But to take credit, it’s egotistical. We just keep doing more things and the credit will come. But you know getting credit for a hairstyle or a particular outfit is bullsh** in the bigger picture.

AllHipHop.com: It’s funny you mention that. Everyone knows you for your stable image, stamped with the infamous haircut that we’re now seeing more in the mainstream avenue. Most noted for jacking the hairstyle from you is Cassie. How do you feel about people saying she took the style from you?

Jack Davey: I mean I followed the girl that used to cut my hair was the first person I saw [with this haircut] and I was like “Whoa, that’s bold as hell. I wanna do that.” We’re all influenced by each other. Yeah a lot of girls don’t have that finesse when they way they do it, but you know a true trend setter sets the trends and knows when to walk away from them. Not to toot my own horn, but you it’s to be done, it’s to be copied. That’s what the art is there for. To be shared.

AllHipHop.com: One thing for sure is the spotlight California has slowly been regaining. A lot of your fellow artists such as Nipsey Hussle, Dom Kennedy, Jay Rock and more are now emerging as the west coast’s next promising artists. How do you feel about that? Especially since J*Davey’s is apart of that in a sense.

Jack Davey: I think it was all just a matter of time. We were all working, we were all doing our stuff- especially us and Sa-Ra. We were all coming up around the same time. It’s been about the south for a long time, and the east for a long, and now it’s just time for a new west coast type of vibe. I think it was just a matter of time before it all just blows.

AllHipHop.com: Despite music, what gets your creative juices on a day-to-day basis? What inspires you?

Jack Davey: Everything. People. I love to people watch and just listen. People don’t even realize that I’m listening. I love to be a voyeur of the world. That’s where I get all of my inspirations from.

AllHipHop.com: You’re usually singing, but you have some tracks that you’ve spit a few bars on, such as “HI’S & LO’S.” How do you feel about the current females in the hip-hop game and the way some are being perceived as gimmicks?

Jack Davey: I think it’s unfortunate that females feel like they way to portray that same image over and over again just to get out there, but I don’t know. I mean it’s been done so many times and I’m personally desensitized and not interested in it. I mean I guess as long as we have one champion at a time, that’s better than nothing I guess.

J*DaVeY – Crawl All Over (off Boudoir Synema: The Great Mistapes)

AllHipHop.com: Have you been following this oil spill business? How hip are you when it comes to that?

Jack Davey: I’m hip enough to know that it’s f**cked up. I heard about what happened here today. D.C. experienced a random oil spill where all the streets were flooded with oil. All the streets were shut down. It’s not just a gulf problem, it’s everybody’s problem. This is going to affect how we eat and how certain parts of the country make their money. Sea food is the lively hood of the gulf. If you take the sea food away then… I mean you deprive certain people of culture. I think it would have been a dope form of protest just to basically say “Hey, this affects all of us. What if this happened in your neighborhood?”  It’s really unfortunate.

AllHipHop.com: On Boudoir Synema: The Great Mistapes, I couldn’t help but have a stand-outish ear for the “Outta The Window,” track. Though all of your music is eclectic,  you guys went kind of went left-field with this track- if that’s even possible. The track places me in the 60s scenario involving on a beach and a lot of California sun, chillin’ with some funky company. How was the studio session going into the recording of this track?

Jack Davey: I actually heard the track from this producer named Khari Ferrari Mateen, whom we collaborated with a lot. He’s right in our same vibes. He’s lives in Philly, but he’s a California kid. I heard the track and I loved it. I just started coming up with some sing-songy melody. It was kind of dark, but it was kind of focused on what I was saying. He also did “Venus To Mars,” which I just really connect with his music so much because it’s like we’re of the same tribe. Going into it… I don’t know. I don’t really know where I am mentally or spirituality when I write or record anything. It’s always different.

AllHipHop.com: Now with you Brook D’Leau, your style of beat-making is absolutely supreme. It’s truly unusual and challenges the mind to understand beat structure on a different plane. I truly believe you have the ability to be mentioned amongst fellow noted Los Angeles producers. So if you were in a battle with Flying Lotus, Dam-Funk and Madlib, what would be their strengths, and who would win?

Brook D’Leau: I’ve always appreciated Madlib’s authenticity- not to say that any of the other artists don’t have it, but I feel like he always tried his hardest to stay within that. Lotus is crazy. His s### is all over the place on a extreme mind idea behind what he does. Dam-Funk is just keeping it west coast and funky. So it’s all really different. Even for myself, J*Davey’s stuff is a bit more psychedelic… a little bit more trippy. But in a beat battle, I’d have to go with Lotus. He’s a beast. If you were in a battle like that, I just don’t see any body really knocking him out the box right now.

AllHipHop.com: So what’s next or J*Davey? Have ya’ll gotten a chance to work on any new projects or material while touring?

Brook D’Leau: Constantly. We never- well we haven’t necessary flooded the market with stuff. We like to be selective when we’re releasing things. It has to be right more so than “I feel like putting out some music right now.” It has to mean more than that. So whenever we expose something to the public, it has to make sense. But we’re always working on stuff.

AllHipHop.com: Any name for the next project? Set date for release?

Brook D’Leau: Not as of yet. We’ve been doing more writing than anything, but I think everyone will kind of understand what we’ve doing this year. I think Jack was talking about this earlier, but it’s more than just music. It’s it encompassing lifestyle that goes along with this. So you’ll be seeing other projects as well aside from the musical ones.

AllHipHop.com: So overall when you guys universally make it, what it something you guys want to be known for?

Jack Davey: I wouldn’t mind being moralized like Iggy Pop. Iggy Pop was one of the founders of punk [rock] music in the 60s. He inspired David Bowie and all the little punk rockers. He didn’t really start getting his dues until recently. Now everyone is a Iggy Pop and a Stooges fan. I think our music- and Sa-Ra’s too, and a lot of out musical peers, in 20 years, we’re all going to be the kids heros. Those are the crystal children, the young indigos that are really going to understand what we’re trying to accomplish. I think we missed this generation by a long shot, but that next generation, being born now, our music for them. They’re going to revive us and they’re going to make us legendary. We’ll probably still be traveling and doing J*Davey. That’s cool.

AllHipHop.com: I know you probably listen to your iPod on random, but when it comes to Hip Hop, is their anyone that you’re digging? Anybody that you’re listening to?

Jack Davey: I don’t really listen to a lot of Hip Hop… I can say that, sadly. But I’ve always been a Busta Rhymes fan. When ever Busta Rhymes does something new,  I usually pay attention because he’s pretty consistent. I’m also pretty random. If I hear something and I like it, that’s what it is. I don’t have too many current favorites. It’s just sad because there are a lot of people doing some cool things, I’m so disconnected so I wouldn’t know.

AllHipHop.com: When you’re jamming to something, what are you usually listening to?

Jack Davey: When I’m in my car, I usually listen to the classic rock station or college radio, which plays a lot of off-beat, older things. I listen to a lot of old stuff. I’ve been listening to listening to a lot of The Prodigy. I listen to a lot of psychedelic stuff. Ol stuff, because like I said, everything is the same. You really don’t know what’s what. But of course I love Little Dragon, Muhsinah. I love Muhsinah and I love Elevator Flight… Brooke who else do we listen to?

Brooke D’Leau: Def Sound.

Jack Davey: Brook has been working with Def Sound lately. It’s dope. It’s inspiring. We’ve been working on music for so long. That’s another thing. We like to step out and work with other artists on a production, writing tip. You know, taking the focus away from us having to do all the work. Going towards something new.

AllHipHop.com: I usually ask “What are you’re last words for Hip Hop,” but in your case, I think it better to ask what are your last words for the world.

Jack Davey: Live life and don’t… do what you want to do regardless of what people have to say and how they’re going to feel. Always do you. Stay in your lane. Know what works for you, and do it to the best of your ability.

J*DaVeY – “Get Together”

 

Eminem’s Streak At #1 Ended By Avenged Sevenfold

(AllHipHop News) Eminem’s reign at #1 on Billboard‘s Top 200 Albums chart has come to an end, thanks to rock band Avenged Sevenfold. The group’s fifth studio album Nightmare dethroned Eminem’s album Recovery, which had spent 5 weeks at the top of the Billboard albums chart. The #1 debut is the highest ever for the band, whose album moved over 162,000 copies in its first week in stores. Ironically, Avenged Sevenfold’s album was produced by Mike Elizonda, who has collaborated with Eminem, 50 Cent and Dr. Dre on handful of tracks. Eminem’s Recovery will land at #2 with another 150,000 units sold, while Rick Ross’ Teflon Don moved another 65,000.

AHH Stray News: Nicki’s Album, Vanilla Ice’s New Show, 50 Mocks Fat Joe

Young Money rapper Nicki Minaj revealed the name of her debut album last night (August 3rd) during a live UStream chat. According to Nicki, the name of her album will be titled Pink Friday. The rapper also revealed that the album will be released on November 23rd, just in time for the “Black Friday” shopping holiday. Nicki Minaj was nominated for Best New Artist for the 2010 Video Music Awards as well. “I found out that I was nominated for a VMA and I want to thank MTV for

that,” Nicki said during the UStream chat. You know what, I haven’t put out and album

and I’m nominated for a VMA.”Vanilla Ice has landed a new reality series, according to reports. The new series, titled the Vanilla Ice Project, will debut this October on the DIY Network. DIY ordered 10 episodes of Vanilla Ice’s series, which will focus on the rapper’s home improvement skills. “Over the last 15 years, Rob has taught himself the basics of home improvement through hands-on experience,” representatives for the network said. “In each episode, Rob demonstrates his vast knowledge in home renovation … . He calls the shots in this room-by-room home makeover series, exposing an entirely new side of the star — one that his fans never have seen before.” The Vanilla Ice Project will debut on October 14th. Just weeks after proclaiming that he was done feuding with other rap stars, 50 Cent has lashed out at longtime rival Fat Joe on a viral video released to the Internet on Tuesday (August 3rd). 50 Cent took the time to make fun of the sales count of Fat Joe’s new record, Darkside, Volume 1. According to 50 Cent, the album only sold 12, 000 copies in its first week in stores. “I listened to Fat Joe’s record and all I have to say is, I didn’t mean to do this to you Joe,” 50 Cent said, before cutting in clips of random people crying.

Young Buck’s Home Raided Over $300k Tax Bill

(AllHipHop News) The federal government raided Nashville rapper Young Buck’s

residence Tuesday morning (August 3rd) over a $300,000 past tax bill, the rapper

has released.

The agents forcibly came to the rapper’s home with shotguns and seized

recording recording equipment, jewelry, furniture, and his platinum plaques, a

statement said.

That rapper has had serious issues with back taxes since

leaving G-Unit and his lawyers even filed a motion to protect his assets.  That didn’t prevent the raid.

Buck said he was saddened by the raid and it has actually

taken away much of his ability to generate revenue.

“The worst part of this isn’t the material stuff–that

will all be replaced. It’s what it does to the people around me. They took my

kids’ Playstation, my assistants’ computers, and baby’s mothers’ jewelry. They

took my home studio so I can’t even record,” he said.

The federal officials didn’t take Buck’s house or his vehicle.

Young Buck says he has already started paying closer

attention to his finances and hopes for a dramatic change.

“I have a new team in place, but I am also paying full

attention now. Nothing like this will ever happen again. This is a huge wake up

call for all entertainers to stay on top of your own trusted employees and team

members, and replace anyone that was put in place by your record label if the

situation you have goes sour,” he explained. :This IRS situation came about

because I trusted accountants, lawyers, and managers to handle my business for

me while I focused on making music. From now on, I am going to stay on top of

my own business.”For his fans Buck simply said, “Things you go through

in life make you who you are and I’m alright!”