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Cam: ‘It Takes More Than A Botched Carjacking To Keep Me Down’

Cam’ron returned

from New York and is recuperating after suffering bullet wounds to both arms during

a botched car-jacking attempt in Washington, D.C. Sunday morning (Oct. 23).

The Harlem, New York rapper, was shot as he was leaving Washington,

D.C. nightclub H20 while in town with his Diplomats crew to celebrate Howard

University’s homecoming.

The rapper and his security detail became separated and when

the rapper was stopped at New York and New Jersey Avenues, two men in a burgundy

Ford Expedition pulled alongside his blue Lamborghini.

The men attempted to car-jack him and when the rapper refused,

the gunmen open fire. A bullet struck Cam in one arm and lodged in the other.

He drove himself to Howard University Hospital and spent 12

hours recuperating. Cam then caught a flight from D.C. back to his hometown

of New York.

"People are foolish if they think I’m going to lose my

head and give up anything to anyone just because someone threatens me,"

Cam’ron said. "I’m doing OK. It takes more than a botched carjacking to

keep me down."

The rapper and his Dip-Set affiliates were in town promoting

his upcoming album and movie, Killa Season, both slated for a Feb.

release.

Killa Season is

the first album released through a $2.5 million dollar deal between Cam’s

Diplomat Records and Warner Music Group’s label, Asylum.

The Inc. Trial Slated To Start, Evidence Detailed, More Shocking Hip-Hop Connections Alleged

As the money laundering

and racketeering trial gets underway today (Oct. 24) against The Inc. (formerly

Murder Inc.) and the Gotti brothers (Irv and Chris Lorenzo); the federal government

recently provided alleged money laundering evidence against the defendants.

Ethan Brown, writer of new book "Queens Reigns Supreme:

Fat Cat, 50 Cent, and the Rise of the Hip-Hop Hustler," will cover the

trial for AllHipHop.com and explain the case in detail to readers.

Here is some of the evidence the government plans to use against

The Inc:

Skytel

pager records and copies of checks ranging from $38,000 to $100,000 from Full

Circle Entertainment and prison phone records from Kenneth “Supreme”

McGriff.

Records from the Westin Swissotel Atlanta for John Simms (an alias for Kenneth

“Supreme” McGriff.

Statements

of Accounts from HSBC Bank from 10/1/02-10/31/02 and 11/30/02-12/31/02 for John

Bryant.

Records

from the Ritz Carlton for Leslie Pridgen.

Judgment

and conviction for Kenneth McGriff dated 11/29/88 of operating a Continuing

Criminal Enterprise (CCE). McGriff was sentenced to 12 years.

The US attorney’s office in Brooklyn conducted a two-year

investigation into The Inc., assessing the extent of the links between the label

and convicted drug lord Kenneth ‘Supreme’ McGriff.

In 2003 raided the Manhattan offices of the label seeking evidence

to solidify their case.

Shortly thereafter, McGriff, who is being tried separately from

Irv, was charged with the retalitory murder of Eric “E Money Bags”

Smith and various drug and weapons charges. Feds say Smith was gunned down for

the murder of Colbert "Black Just" Johnson.

Federal prosecutors continue to maintain that The Inc. was founded

by McGriff using drug proceeds.

McGriff allegedly provided proceeds from drug trafficking in

New York and Maryland as "start-up money" for the powerhouse music

label, which is home to Ja Rule and Grammy Award winner Ashanti.

Irv Gotti has previously denied any wrongdoing and said that

Murder Inc. was founded using $2 million dollars in seed money from Def Jam.

If convicted, McGriff, who also faces murder charges, could

receive the death penalty.

The Inc. CEO Irv "Gotti" Lorenzo and his brother Christopher

pleaded not guilty in January to money laundering charges.

Brown’s

book is causing a firestorm, offering a glimpse into the drug dealing underworld

that has ensnared The Inc., and affected the careers of various rappers.

Additionally, the book reveals the name of the gunman who allegedly

shot 50 Cent in 2000.

Brown’s book claims that Darryl "Hommo" Baum,

a stickup artist from Brooklyn, was the person behind 50 Cent’s shooting.

While 50 Cent himself has offered a number of possible suspects,

in the song “Many Men,” 50 Cent references Baum’s murder.

Hommo shot me, three weeks later he got shot down/Now it’s

clear that I’m here, for a real reason/ ’cause he got hit like I

got hit, but he ain’t f***ing breathing

Baum

was allegedly gunned down by Lil’ Kim’s ex-boyfriend Damion “World”

Hardy and his notorious Cash Money Brothers crew.

Hardy was hit with federal RICO charges in July, alleging that

he was the head of the murderous Brooklyn gang that operated out of Bedford

Stuyvesant, New York.

The area has produced some of hip-hop’s most legendary rappers,

including Notorious B.I.G., Jay-Z, Big Daddy Kane, Fab 5 Freddy producer Easy

Mo Bee and others.

Baum’s murder is one of several murders that Hardy and

other CMB have been charged with.

Authorities also investigated Hardy’s involvement in a

September 2003 shooting at the Doubletree Hotel in Jersey City, where 50 Cent

and entourage were staying.

50 Cent had made disparaging remarks about Lil’ Kim on

Funkmaster Flex’s Hot 97 show and hours later shots were reportedly fired

at the rapper and his entourage.

Police later charged a man associated with 50 Cent in the shooting.

The

intertwining nature of the Queens drug culture and the music business is detailed

in “Queens Reigns Supreme: Fat Cat, 50 Cent, and the Rise of the Hip-Hop

Hustler.”

The book hits stores Nov. 22. The

author, Ethan Brown, will provide documents and explanations to AllHipHop.com

during the The Inc.’s federal money laundering and racketeering trial.

Blair Underwood: Man Of Distinction

When you hear the name Blair Underwood, you may fondly reminisce on the 1985 classic film Krush Groove, in which he portrayed now-billionaire Hip-Hop mogul Russell Simmons. Or perhaps you envision the good-man banker who so desperately tried to save Jada Pinkett’s character Stoney in the dramatic film Set It Off. Whatever your first memory of Blair is, his presence in Hollywood has been undeniable.

Since his initial appearances, Blair Underwood has established himself as a very influential actor. Over the last 20 years, he has appeared in more than 20 films, and has received several industry awards and critical praise. Although he widely known for his nice guy roles, his performances in the films Asunder and Just Cause earned him the notoriety as an all-around actor. Aside from his acting career, Blair also has credits behind the lens as director, producer and author.

With his upcoming film G, Blair is once again proving that he has the talent to pull off an alter ego, and with his upcoming book, the father of three proves that he has a sixth sense in dealing with children. AllHipHop.com Alternatives got a chance to sit down with the man who was named in People Magazine’s 2004 ‘Sexiest Man Alive’ issue to discuss his new role, his new book, and his thoughts on being considered a sex symbol.

AllHipHop.com Alternatives: After being a successful actor for the last 20 years, what was it initially that drew you to want do this as a career?

Blair Underwood: I just loved the fact that it was an art form that brought so many different human emotions to the surface. That to me was the initial attraction, because ever since I was a child I always looked for way to express myself creatively and acting is the perfect way to do that.

AHHA: You have played a very broad spectrum of characters. Looking back, which would you say is your favorite and why?

Blair: One of my favorites was a mini-series based off of one of Alex Haley’s books called Mama Flora’s Family, because that was really an every man kind of person. I love it because it was a very touching story, and also because I played a range of characters. It portrayed a man who you got to see age from 15 to 50, and of course because I co-starred with Ms. Cicely Tyson, who really inspired me when she starred in The Autobiography of Miss Jane Pitman. The other one [of my favorites] would be the movie Just Cause, just because I got a chance to play a character so vastly different from myself. In that movie I played a serial killing pedophile, which was very intense. Any movie where I have to play a range or makes me tap beyond my creative ability is always going to be a favorite.

AHHA: For a role like what you played in Just Cause, how do you tap into the psyche of that character? In essence, for the role you are that character?

Blair: That one was a challenged because it was so dark, it wasn’t a role where I could tap into any part of myself, but you really have to immerse yourself into the darkness of your soul. I mean the character was a serial killing pedophile, so it was really off the deep end. But for me it starts from research to find out what type of people do those types of things, and just really get into the mind of a character. Once you get a clear view of who these people are, you have to bring yourself then to try and understand why they do what they do so it makes sense to you logically. Because, although we step outside of those individuals mindset, there is a disconnect between the mentality of us and them, and that is where it becomes challenging.

AHHA: You have a book coming out called Before I Got Here. What is the book about, and what made you venture into that area of art?

Blair: The book is inspired by my four-year-old son who said something so profound to me that just blew me away. When he said it, it made me realize that children are spiritually connected, and connected to a spiritual reality, and they remember every aspect about that spiritual place before they were born – unlike we do as adults. So really the book is written by children all over the world. It’s their stories and anecdotes and remeberances of these little people in their words. So I wrote the foreword and the introduction, as well as edited it with my partner Danyel Kennedy, who created all the pictures and the photographs in the book.

What’s funny is, initially I thought it was going to be a children s book, but it is really a book for adults to encourage them to listen to the souls of children – not only your own but other children around you. I mean it’s easy for us as parents to teach them and guide them, because that’s our job. But every once in a while if you just listen to them, not to what they are regurgatating off of what we taught them, but really listen to what their souls are saying when they speak unedited. It’s profound.

AHHA: Dealing with this project and the children, do you see yourself writing children’s books, or are you planning on just steeping into being an author of various types of books?

Blair: It’s funny you should ask. I have a production company with my brother called Eclectic; it’s called Eclectic because we as people are all complex and we all are capable of thinking and doing things in many different ways. As an actor am I fascinated in playing a good guy, bad guy and everything in between. Even in this book, it’s a book for adults about children, but I have another book that’s an erotic mystery that is written by Tananarive Due, her husband Steve Barnes and myself. It’s a book about a gigolo who gets swept up in tracking a murder mystery, and realizes that he has a skill for uncovering mysteries and detective work. It’s called The Chronicles of Tennyson Hardwick. But once again, I like the fact that the two books are polar opposites. I am also in the process now of pitching and solely writing a series of children’s books.

AHHA: With all that you are doing with fiction books, are you planning on turning these into feature films?

Blair: The Chronicles of Tennyson Hardwick is something that I would definitely like to turn into a feature film, but we’ll see how the book sells and take it from there.

AHHA: With all of the behind the scenes work that you have done, do you think that it will be a permanent move that you will make?

Blair: Producing and directing is something I have been doing for the last 10 or 15 years, and I really enjoy doing. But I like doing it in addition to acting, because that’s my first love.

AHHA: Now, no one may know this, but you got your start directing music videos for Tony Terry…

Blair: Yeah. [laughs] That was along time ago. But it was great because it gave me the experience I needed to direct feature films.

AHHA: Can you describe your character in the movie G and his dilemma?

Blair: I would say he’s a philandering womanizer, a greedy Wall Street banker who has let the greed get into the way of both his personal and professional life. But eventually he finds out that he’s about to lose his wife, who he truly does love, to another man.

AHHA: With this character, how far did Blair have to reach inside to capture the attitude of this character?

Blair: [laughs] It was a stretch for me, but I do like that about this character. I have another film coming up by Tyler Perry called Madea’s Family Reunion, and I don’t play a nice guy in that either, but it’s all parts that I truly enjoy because it gives me a break from how I am in everyday life.

AHHA: What words of advice would you give to other actors, especially those of color trying to break into the industry?

Blair: I would definitely say know your craft and treat it like a business more than anything else. Always get better at what you are doing and always strive to be the best.

AHHA: A lot of people are speaking on the fact that there are a lack of Black film makers who want to make movies from our perspective. After the boom in the late ‘80s and early ‘90s, it seems as if although Black directors are still here; they aren’t really making Black films.

Blair: Well, like you said they are there, but it’s just about getting the money to make the films you want to make to have your voice be heard. So it’s really not a matter of shortage of film makers waiting to be heard, but money to produce and create these films. That’s a reason I said treat it like a business, because now in this day and age you can make a film with a video camera, a computer and a couple of thousand dollars and do it yourself. Honestly, I am seeing a lot more people taking that mentality and not waiting for someone to invest five million dollars into a film, but instead taking the bull by the horns and doing it all by themselves.

AHHA: On that note, with so many film directors coming in and creating low budget films, where do you think that leaves actors who aren’t quite as big as Denzel Washington, but have done enough to require a nice bit of compensation?

Blair: Those are the ones that I would say have to make their own films or align their forces. If you aren’t a writer, go out and get a writer, because that’s the way of the land, but there is a huge vacuum of starvation to make our story. So the only thing we can really do is grab someone who also shares the same passion and hunger to fill that need.

AHHA: Although within the last few years a lot of African Americans have either been nominated or won an Oscar, do you feel that racism is still a strong factor in Hollywood?

Blair: I am going to actually quote a great book written by Cornel West entitled Race Matters, and honestly I think it will always matter and factor into everything especially in Hollywood. But honestly it’s human nature to want to see someone who thinks, acts and looks like you, so film makers and directors are always going to do things from their point of view. It may seem racist, but actually it’s from a human point of view in the art of storytelling.

AHHA: It’s no secret that women have been lusting after you for years. How did it feel when you first saw yourself on the list as one of the hottest guys in Hollywood?

Blair: You know, [laughs] it was funny then and it’s funny now. I mean I take all that with a grain of salt because at the end of the day, I am still that loving father and husband regardless of how many people think I am sexy or how much money I am making.

AHHA: How was it getting to play a role in the HBO hit Sex and the City?

Blair: Because the show itself was a successful, it was a great opportunity. I love the fact that it opened so many doors for me to further extend my career, because it was that role that landed me the role on NBC’s LAX.

AHHA: What happened with that show, because it was actually a really great show?

Blair: I know, I think that the time slot actually played a huge factor. I mean we did really well the first few weeks, but then we slumped because we were up against Monday Night Football so it was a definite ratings killer.

AHHA: Are you looking into going back to TV?

Blair: Actually I love traveling and the excitement that comes with shooting a feature film. I mean I love acting, so anything that allows me to express my creative ability is always welcome, but I would have to say that movies is the bulk of my passion.

AHHA: With everything that you have accomplished in your career and all the doors that you have opened, what would you say is your legacy?

Blair: Wow, that’s a hard one. I would definitely say to be the best father and husband I can be, because at the end of the day everything else is just acting.

Steve Spacek: For The People

You know that chilled-out music that DJ’s play in the wee hours of the night at lounges? Often times, we’re too preoccupied or too stubborn to ask what it is. Steve Spacek’s solo debut Space Shift is that kind of album that you wish you had ask about. The Electronic-Soul fusion finds the front-man of the group, Spacek, touching on love, seduction, and even the economy.

Born in South London, living in Australia and working in Los Angeles offers Steve many inspirations. Sharing his art with ‘70s R&B legend Leon Ware and Hip-Hop super-producer Jay Dee, Steve Spacek wants Americans to hear what others already have. In a discussion with AllHipHop.com Alternatives, we address the audience, the craft, and some of the influences behind such a musical anomaly.

AllHipHop.com Alternatives: ‘Sound In Color’ is such a great name for a company. We see the color in your logo too. What does that term/phrase mean to you?

Steve Spacek: My family is from Jamaica, that’s the colors. I was born in South London though. It’s more the Rasta colors. I always wanted to represent that in something.

AHHA: That said, what is the most colorful record ever made in your opinion?

Steve Spacek: That’s a difficult one for me. There’s quite a few, really. One would be Grace Jones’ Nightclubbing, the one that Sly & Robbie produced. That’s a wicked album, it’s got some Reggae, some Dub, but also a French accordion on there. It reminds me of movies, like James Bond, and all that stuff. It’s kinda epic.

AHHA: Electronic music is really driving the trends in other genres. Groups like Postal Service and Radiohead are making records that people wait for in the Pop/Rock community. Do you think the Soul genre can ever follow?

Steve Spacek: It’s funny that you say that, ‘cause I think it is already. I think it has been for many years. Maybe when people describe Electronic music, they’ve got to go in deeper. The time when I was really conscious of Soul music was obviously growing up in the 80’s. There was Jazz-Funk and Electro going on, and from that moment on, it was really Electronic. In the 70’s, it was live instruments with horn sections, orchestral. Today, there’s [not, with] people like myself, and Platinum Pied Pipers, Sa-Ra, we reside in part of it.

AHHA: Jay Dee will attract a lot of Hip-Hop heads to this record. “Dollar” might be my favorite thing he’s ever produced. That track just sounds like classic Curtis Mayfield made understandable for today’s folks. Tell me about what that record means to you…

Steve Spacek: You’re not the first person to [make the Curtis comment]. “Dollar” means a lot. Jay Dee’s groove just made sense to me when he played it for me. When I was sitting and writing, I wanted it to mean something. I’m not here to preach to anyone. That’s the one thing I never want to do with my music – tell people how they should be, ya know? Hearing the lyrics on the [sample] saying, “Let the dollar circulate,” I wanted to portray that in a positive way. There’s such a limited amount of people who have money, so it’s touchy. It’s about spreading, making sure everybody gets some.

AHHA: Going back to Curtis, his music thrived in depressing economic and social times. One could argue we’ve returned to that…

Steve Spacek: I think a lot of the world is in a lot of fear. People are trying to sweep it under the carpet. Recently, I’ve been living in Australia with my girl, ‘cause we just had a child whose eight-weeks-old now. When she was pregnant, I was like, “S**t, I have to take care of someone now, and think about bringing somebody in this world.”

AHHA: Did having your first child on the way inspire you differently with Space Shift?

Steve Spacek: I been on this tip for the last few years, even with my band [Spacek] too. I’m trying to put music across in a way that’s being honest to myself. At the same, I’m not leaving people out. A lot of music does that now. It screws a lot of people ‘cause it’s too cool and it’s too underground. Underground’s cool and all, but I’m making music so many people can listen to it. This whole period, and hopefully the stuff that comes in the future, there will be a commercial element to it. This is not just for the heads, this is for the heads and everyone else. Me having this child, has really made me like that a lot more. ‘Cause now, the fact of the matter is: we gotta got over, we gotta get paid. You gotta practice your art, but you’ve got to think on the mainstream tip as well.

AHHA: In talking about underground versus mainstream, do you think, in the States, the radio will respond to this record?

Steve Spacek: They’re gonna do whatever comes natural to them. You’ve got to get a certain number of sales, and appear in a certain number of magazines, and get a certain demographic, then it’ll kick in. It’s an interesting time, so it could go either way.

AHHA: What’s been your reaction in America with the Spacek group work?

Steve Spacek: It’s cool, but we really haven’t been out here that much. Only the second album [Vintage Hi-Tech] came out here, and that was really more geared for Europe. The first [Curvatia] didn’t, and the States would’ve liked that. To me, as a band, that’s the best thing we’ve done. It’s forward-thinking, but also really traditionally soulful. That’s what held us back most in this country. It’s about being visible and available.

AHHA: My friends and I were talking about R&B these days – and the stories in the music. R. Kelly’s “Trapped In The Closet” is really a story… it’s all talking, like a Chi-Lites record. I like the way you use shorter phrases, not simple by any means, but concise. Like “Rapid Rate”. Is this part of your “not preaching” philosophy?

Steve Spacek: When I’m making music and vocalizing, I feel like I’m exploring certain places. I don’t know where I’m actually going. I’m just trying to be original. Every time you listen to someone, they’re trying to go somewhere new. On this album, like you said, it’s concise. It’s almost like I’m on stepping-stones trying to move across different places. I’m never sure till I really stand on it.

AHHA: What was it like to work with the legendary Leon Ware? How did you determine that “Smoke” would be the right song to share with him?

Steve Spacek: I had a few tracks when he and I were hanging out one day. I left like two or three. Obviously, he’s doing so much with different things going on. I’d just leave him a few beats and see what he’d come up with. He might just play a keyboard or something. “Smoke” came from one evening hanging out, and he presented it to me. Then, we went back and forth making little changes over time. It’s a cool vibe, we had fun doing that. He’s got such a good spirit.

AHHA: To anyone who’s never heard of you prior to this interview, why do you think they should check for Space Shift?

Steve Spacek: If you’re into music with a soulful sensibility, this’ll definitely reach out to you. If it doesn’t, then that’s cool. It’s got something in there for a lot of people. Hip-Hop is the biggest music, but Soul’s bigger – ‘cause it encompasses Hip-Hop, R&B, Drum & Bass. This is just taking you on another journey.

M.O.P. Salutes the St. Marxmen

Artist: M.O.P.Title: M.O.P. Salutes the St. MarxmenRating: 3 1/2 StarsReviewed by: Bill “Low-Key” Heinzelman

Whether you love or hate G-Unit, you have to be happy for M.O.P. For over a decade Billy Danze and Lil’ Fame have repped hardcore Hip-Hop to the death, only to be shunned by the mainstream. With their upcoming G-Unit debut, the duo hopes that all changes. For the meantime, M.O.P. offers their second installment in their St. Marxmen series to hold fans over. M.O.P. Salutes The St. Marxmen (Family First/Koch Records) features old and new material that follows the typical Mash Out Posse formula.

“Muddy Waters” finds Danze and Fame reminiscing about street soldiers lost in the struggle, as well as contemplating their own situation, as Danze states, “I was driving an eighty thousand dollar car before I got with Dash/But I won’t lie and say this ain’t about the cash.” The 9th Wonder produced “Instigator” continues to display vivid street tales, as 9th provides a harder beat than usually expected, while M.O.P. spits their usual fire on the mic. The only DJ Premier produced track, “Pop Shots Remix,” is a successful collaboration with the late great ODB. As always, it gets no better than Primo and M.O.P. The mixtape favorite, “Big Boy Game,” is also included, even though 50 Cent is notably absent. You didn’t think 50 would be on a Koch album – did you?

While Salutes The St. Marxmen will please diehard M.O.P. fans, the production isn’t as fulfilling as previous releases. Wyclef lends his guitar and vocals to the poorly executed “Hip Hop Cops,” which sends a strong message, but lacks the necessary pizzazz behind the boards. Similarly, the choppy guitar riff of “Party Like A Rockstar” makes it hard for Danze and Fame to build up any momentum, therefore, ending in a bland effort.

Nevertheless, M.O.P. Salutes The St. Marxmen is another solid outing that should tide fans over until the duo’s long awaited G-Unit release. Salute!

North by Northwest: Solid Ground

Artist: SoulsticeTitle: North by Northwest: Solid GroundRating: 3 1/2 StarsReviewed by: Kye Stephenson

Mostly due to the stardom of one Kanye West, Chicago has seen the Hip-Hop spotlight shine bright on their city as of late. And though Kanye can be credited with jumpstarting the Chicago scene, it’s stellar artists such as Soulstice that have kept A&R’s battling the strong winds to find the next star. Carving out his own niche on the independent tip, Ashley Llorens proves on <the re-mastered North by Northwest: Solid Ground that he deserves to be mentioned with Chi-town’s platinum stars.

“Sleepwalk” is the perfect example of the soulful thump that resonates throughout the album. On it, you can faintly hear the famous lick that made the Pharcyde’s “Passin’ Me By” so popular while Soulstice lays down lyrics professing his love for music (“Right or wrong, live life, write a song about it/right or wrong, writing songs, night to dawn, lifelong”). On “Ebony Sea” Soulstice proves he is an accomplished song-writer as he takes Sm.Arson’s emotive track and conjures thoughts of black diamonds and pearls.

But Soulstice proves he ain’t just about kickin knowledge. On “Blazin,” he flexes his Midwest double-time flow and displays lyrical wizardry that’ll impress more than just coffee shop chicks and white dudes. And on “Can’t Front,” he flips battle-ready lyrics and slides on the looped track like his tongue was lubed with astroglide. “Come and get it, thoughts hit you like a punch to ya jaw/I’m coming at ya’ll/same time humble and raw/like Bruce Banner, f### around and get flung through a wall

On North by Northwest, there are no real weak tracks. Those looking for soulful beats and lyrics that stray from the shoot’em up monotony so common today should find this album well worth the price of admission.

Rapper Cam’ron Shot In Washington, DC

Originally

posted: 3:15 am

Updated:

1:00 pm

Superstar rapper Cam’ron was shot in Washington, DC this morning (Oct.

23) around 2:30 am sources have revealed to AllHipHop.com.

The Harlem, New York native was leaving club H20 en-route to

Love (formerly Dream) when three unknown gunmen approached the rapper.

While details are sketchy, eyewitnesses said the men were seeking

the rapper’s pricey Lamborghini, which he was driving while in town for

a performance over the weekend.

“They were after that car,” an eyewitness told AllHipHop.com.

“Cam refused to give it up and attempted to drive away and they shot up

the car.”

Cam’ron was struck at least once and while officials have

not released his actual status, Cam’s publicist at Susan Blond confirmed the

rapper was shot at least twice – once in each arm.

His injures are allegedly not life threatening and the rapper

was treated at Howard University Hospital.

“Juelz, Jim [Jones] and other Dip-Set members are with

him at the hospital right now,” the source said.

Cam’ron, CEO of Diplomat Records, has been driving the

blue Lamborghini since at least June of 2005.

"I bought the Lamborghini especially for New York,"

Cam’ron told a 106 & Park audience prior to being arrested. “Because

we figure that we can only see stuff like this in Miami, but I am bringing it

to the streets of New York."

In July, police in Harlem stopped the rapper and arrested him

while driving the Italian sports car for driving with a suspended license.

Officials at Howard University Hospital declined comment and

police did not comment at press time.

Representative for Susan Blond, the company that handles Cam’s

publicity issued the following statement to AllHipHop.com:

"Cam’ron

was shot in Washington DC. He is currently OK, resting and recovering."

New Hip-Hop Cartoon For 6-16 Year-Old Coming To DVD

Rhino and Headstart

Entertainment recently entered into an exclusive agreement to launch, market and

distribute "Da Jammies," a multicultural Hip-Hop direct-to-DVD animated

series for kids aged 6 to 16.

Many stars of the Hip-Hop community have signed on to join the

cast of the animated lifestyle entertainment brand for kids.

The cartoon-themed DVD series is geared to teach young people

positive life-lessons using animation that features ethnically diverse characters,

Hip-Hop beats, dance moves and fashions, along with celebrity guest appearances.

Ginuwine, Mario, Kansas Cali, MTV’s LaLa Vasquez, DJ Clue,

Mc Lyte, YoYo, Lil J, and others have committed their time and support for the

parent friendly kid’s entertainment brand.

“This is going to be one of the hottest cartoons ever,”

said Mario referring to the new DVD.

Realizing its positive spin on Hip-Hop culture, rap legend MC

Lyte stated, “This is Hot! I am glad we have something that represents

Hip Hop.”

Combining groundbreaking animation Hip-Hop dance moves &

music from the industry’s top selling recording artists, "Da Jammies"

focuses on two adolescent groups who attend a school for the performing arts

and documents their quest to make it in the Hip-Hop industry as singers, rappers

and dancers.

The first “Da Jammies” DVD will features two episodes,

bonus material and a soundtrack CD.

The DVD is expected

to hit the market in early 2006.

Kevin Liles Honored By The Fortune Society In New York

Warner Music Group

Executive Vice-President and Hip-Hop entrepreneur Kevin Liles will be honored

by The Fortune Society, one of the preeminent ex-prisoner services and advocacy

organizations in the country.

According to The Fortune Society, Liles will be honored for

his “hands on approach” in helping ex-prisoners "turn their

lives around.”

Defense attorney Myron Beldock of Beldock Levine & Hoffman

is being honored for his 35 years of legal service and for “protecting

the legal rights of persons enmeshed in the criminal justice system.”

The Fortune Society was founded in 1967 and honors individuals

who have devoted themselves to helping former prisoners re-enter society.

Liles started his career as an executive at Def Jam in 1991

and rose from mailroom clerk to President and CEO of Def Jam in just five years.

He left Def Jam to accept the Executive Vice President post

at Warner Music Group in Aug. of 2004.

Liles’ is currently touring to promote his recently released

inspirational book “Make It Happen : The Hip-Hop Generation Guide to Success

by Kevin Liles” with Samantha Marshall.

Tickets to the event are priced at $150.00. The event takes

place at The Prince George Ballroom at the Prince George Hotel in New York,

on Nov. 1 from 6:30pm–8:30pm.

Pharoahe Monch, M-1 Support London Youth

Pharoahe Monche, M-1

and Abiodun of the Last Poets have teamed up with the University of London’s

School of Oriental and African Studies and other international artists to perform

benefit concert for youth-related causes.

“One Nation Under a Groove” is the benefit concert

that will raise money and awareness about issues and injustices plaguing today’s

youth from all over the world.

Hip-Hop legend KRS-One was unable to attend but showed his support

for the benefit concert by sending a video taped message that will be aired

during the show.

Other artists scheduled to perform include Suheir Hammad, Benjamin

Zephaniah, DAM and many others from all over the world.

“One Nation

Under a Groove” is being held in Kentish Town London and takes place Oct.

22.

Violator All-Star DJ’s Land Show On Sirius

The Violator All-Star

DJ’s have landed a new show on Sirius Satellite Radio titled Violator All-Star

DJ’s Uncut Radio.

The new show will

feature various Violator DJ’s showcasing their skills, new music and emerging

Hip-Hop artists.

Violator All-Star

DJ’s is a coalition of nationally renowned DJ’s and was founded

by Violator CEO Chris Lighty and industry veteran, DJ Scrap Dirty.

"The Violator

All-Star DJ’s are excited for the opportunity to expand their reach," co-founder

Scrap Dirty told AllHipHop.com. "Our combined listening audience is over

15 million in the U.S. and now with Sirius, we have the opportunity to expand

our reach internationally."

Listeners can expect

to hear mixes by DJ Ace and DJ Rob Lo of New York, DJ Scrap Dirty and Boolu

Master of Chicago, Wally Sparks of Chattanooga, Tennessee, 007 of Houston, K-Swift

of Baltimore, DJ Raj Smoove of New Orleans and others.

"Our mix show

on Sirius highlights Violator artists and also delivers street bangers and club

hits from the East Coast, West Coast, dirty South and Midwest," said Chris

Lighty, CEO of Violator and co-founder of Violator All-Star DJs.

Violator was started

as a management company and has evolved to include a record label, a marketing

group, the Violator All-Star DJ Squad and other businesses.

The show airs on

Sundays from 10pm EST to 12am EST on Sirius’ Hip-Hop Nation, channel 40.

LOGO Responds To Kanye West Music Licensing Controversy

Despite published

reports, MTV’s Network Logo – a channel that targets the gay community,

has been able to acquire music licensing from Def Jam for their new TV show “Noah’s

Arc” and other future projects.

Logo responded to allegations that the channel had been denied

use of Def Jam music because the label did not want to be associated with gay

programming.

It was reported that the MTV Network was trying to clear music

from Kanye West for "Noah’s Arc," a comedy-drama about a gay black

screenwriter and his friends in Santa Monica trying to carve out livings in

the movie business.

In response to the published reports, Logo issued the following

statement: "The issue of licensing Kanye West’s music for Noah’s Arc was

a misunderstanding, and we have in fact been able to acquire music from Island

Def Jam for this show. We are huge fans and supporters of Kanye West, and we

look forward to working with the Island Def Jam Music Group on Noah’s Arc and

other future projects."

The statement comes after a storm of controversy surrounding

the comments West made on his MTV special “All Eyes On Kanye West”

earlier this year.

During the interview, Kanye discussed with MTV’s Sway

how he felt homophobia was viewed in the music industry.

"When I was in high school I got called ‘fag’ a lot because

of the way I walked and other little things," explained West. "And

what happened was, it made me kinda homophobic, cause it’s like I would go back

and question myself, my own feelings."

West went on to reveal that after realizing his cousin was gay.

The experience proved to be a turning point in his life.

“It was kinda of like a turning point when I was like,

‘Yo, this is my cousin. I love him and I’ve been discriminating against gays.’

Not just in Hip-Hop. Not just Hip-Hop, but America just discriminates,"

West said. "And I wanna just get on TV and tell my rappers, tell my friends,

‘Yo, stop it."

Logo is the latest

cable television channel aimed at gays and lesbians, whose annual buying power

this year is estimated at more than $600 billion, according to Witeck-Combs

Communications, a Washington, D.C. marketing firm specializing in the gay marketplace.

Steve Rifkind & Billionaire Jordan Zimmerman Merging Companies

Hip-Hop mogul Steve

Rifkind and multi-billionaire and Florida Panthers owner Jordan Zimmerman are

merging companies to create a new business that will focus on music and other

business ventures.

While neither Zimmerman

nor Rifkind could reveal details because of the pending deal, Zimmerman said

the two moguls were thinking forward.

"This is way out of

the box thinking and is going to become the norm in the industry,” Zimmerman

told AllHipHop.com of the merging businesses.

“They are joining

forces and merging their respective companies to create a fully integrated music

and business alliance,” another source close to the deal told AllHipHop.com.

Rifkind launched the Steven

Rifkind Company in 1989 as a consulting firm that did “street team”

work (a term Rifkind trademarked) for such companies as Nike, Pepsi, HBO, Rolling

Stone and Levis.

With the success of SRC,

Rifkind launched Loud Records in 1992 by signing legendary Hip-Hop groups, Wu-Tang

Clan and Tha Liks.

The company went on to achieve

success with such fabled Hip-Hop acts as Big Pun, The Beatnuts, MOP, Three 6

Mafia, Xzibit, Funkmaster Flex and others.

After closing Loud, Rifkind

launched Street Records Corporation (SRC) in March 2003 with Universal.

Most notably, the label

signed marquee artists David Banner and released his critically acclaimed albums

Mississippi: The Album and his follow-up, Certified.

SRC recently signed Harlem,

New York rapper Jae Millz and his Wanna Blow imprint and already counts Remy

Ma and platinum selling singer Akon as artists on the label.

Zimmerman is the CEO of

famed advertising agency Zimmerman Partners, which was founded in 1984. The

billionaire owner of Zimmerman Partners owns the Florida Panthers and the Bank

of Atlantic Arena in Fort Lauderdale, Florida.

Zimmerman Partners also

operates 22 offices in 10 states and has worked with a variety of clients, including

the Florida Panthers, the Miami Dolphins, Musicland, and Office Depot.

The company’s

philosophy centers on "brandtailing," which merges branding strategies

with to promote products and services that build brand identity.

Lil’ Kim’s Reps Respond To Bounced Video Check Allegations

A representative for

Lil’ Kim has responded to allegations that a Washington based film company

was never paid for work on a yet-to-be released video from her album, The

Naked Truth.

Kim, who is serving 366 days for lying to a federal grand jury

about a 2001 broad-daylight shootout, worked with May 3rd Films before going

to prison.

Reports surfaced that almost 50 people were never paid for their

labor and that over 18 checks bounced, forcing some of the producers to threaten

legal action.

“Any reports of Lil’ Kim personally bouncing checks

are untrue,” a rep for Lil’ Kim said. “Atlantic Records on

behalf of Lil’ Kim have fulfilled their financial obligations to Kirk

Fraser and May 3rd Films to date.”

May 3rd Films owner Kirk Fraser reportedly promised to pay workers

in September, after The New York Daily News reported that the checks were bouncing.

Lil’ Kim’s handlers further distanced themselves

from the fiasco in the statement.

“Money owed by Fraser or his company to pay its staff

is not Lil’ Kim’s responsibility,” the rep continued. “Upon

being made aware of this incident, she has expressed deep concern about the

situation. Lil’ Kim thanks everyone who was involved in the project for

their hard work and hopes that May 3rd Films will work quickly to resolve this

urgent matter.”

May 3rd Films or

Kirk Fraser were not available for comment as of press time.

Styles P: Fear of a Black Poet

It’s a few days before the Millions More March and Styles P is getting him mind and his mic ready to attend. Without a doubt, Styles P is one of the most well respected rappers on the streets, and the charts. His flow and his personal flavor have made him a stand out not only in The Lox, but pretty much everywhere he walks.

As he readies his next release Time is Money, he candidly talks to AllHipHop.com about how “I’m Black” got ignored by mainstream radio, how we need to do more than just march, and how young folks need to get their minds right in 2005.

AllHipHop.com: What is your favorite song on Time is Money?

Styles P: All of them. It switches day to day, because they are all great.

AllHipHop.com: What’s your favorite one today?

Styles P: “This Is How We Live- it’s produced by Havoc. It’s about how we live in the ghetto. It’s about the s**t that happens.

AllHipHop.com: Like what?

Styles P: Smokin’ drinkin’, all kinda, shootin’ tryna make money. That’s what the song’s about.

AllHipHop.com: When you did “I’m Black,” it did not get the response on radio that many felt it deserved. How did that make you feel as an artist about the industry of radio and what it means for Rap artists who speak about positivity?

Styles P: I think they always put a negative spin on Hip-Hop. Then when an artist such as myself reaches out with an song like that, they shoot that s**t under the door. I think a lot of politics are involved. The song was dropped near Black History Month, and they still didn’t play the s**t right. But I’m cool with that. Because at least people recognized what I was doing.

AllHipHop.com: Does it make you want to speak about politics and social issues in your music less?

Styles P: It definitely makes you not wanna make a song like that your single. It changes your outlook on how you should try to distribute it out. You don’t wanna give a song like that to the main machine. It’s always a fight man.

AllHipHop.com: In the early 90’s Death Row Records rose up, and conscious Rap started to take a back seat. People used to say at the time “Oh conscious music does not have a good hook. It does not have good beats” and things like that. I always believed that was a lie created by the Rap industry executives.

Styles P: Definitely so. The industry is about money. The industry is not about the fans. It’s not about the people. I think people confuse industry with Hip-Hop. The industry is the hand that has the same seven songs you hear going everyday, on every radio station. That’s what the program directors want. That’s what the party people want. People who wanna party just wanna hear the party s**t. The street people just wanna hear raw lyrics. I don’t think there’s enough of that goin’ on.

AllHipHop.com: Are you going to the Millions More March?

Styles P: Oh yeah! I’ll be there!

AllHipHop.com: What are your thoughts about the significance of that day, the Nation of Islam and things of that nature?

Styles P: I think it has to be more than a day. I think everybody needs to recognize what we are dealing with in this day and age. We have to make ourselves stronger.

AllHipHop.com: Did you attend the last Million Man March?

Styles P: Nope.

AllHipHop.com: What did you do on that day?

Styles P: I don’t even know, to tell you the truth.

AllHipHop.com: So, what made you decide to participate in this one?

Styles P: To be honest with you, I’m not one who usually marches for the day. I play my part, and say what I could say when I could say it. But I feel like things have to happen a lot more often. I used to be like “Why go march and the next day that s**t is over with?” But now as I get older and more mature, I see. So playing my part will be better than staying at home and not saying nothin’. I’m my own Black Revolutionary party.

AllHipHop.com: Who are the three people that had the biggest influence on you, in terms of bringing positive things into your life?

Styles P: The three most influential people would be God, my mother and my wife. She influenced me to stay out of jail and think with a better mind. But on another note, that’s a long list. I could say Malcolm X. I never met him, but he really influenced me. Malcolm, Nelson Mandela and everybody on the streets who makes it happen who are nameless. Them kinda people.

AllHipHop.com: What three films or books motivated you the most?

Styles P: Malcolm X again. Manchild in the Promised Land by Claude Brown and Mis-education of the Negro, by Carter G. Woodson. For me, I thought that Black people were set up since the 1900’s. But when you read that book, you learn that we were set up since the 1800’s! How we are living in 2005 was set up way back in the 1800’s. That book made me know how real s**t is, ya know?

AllHipHop.com: A lot of times drama that happens in Hip-Hop bleeds over into the streets. Often this ends with tragic consequences and repercussions. What are your ideas on how various gangs and street organizations can empower themselves through the Millions More March as well as beyond the day itself?

Styles P: I think the problem is that the same s**t happens everywhere. A lot of people do care and do things to make the youth stronger. But if you look, none of the youth want to work for minimum wage. If you work for minimum wage, you’ll barely get by. A lot of us come from broken homes, which makes it so much harder. So, a lot of the youth feel that they have to do, whatever they have to do. It’s a f**ked up situation for the youth.

AllHipHop.com: I actually speak to incarcerated youth from time to time. What would you tell a young brother right now who is tryin’ to get his life right?

Styles P: I would not suggest anything but for the kid to find himself. Because he could have his eye on something nobody even knows about. Sometimes people are looking for an answer, but my answer may not be the answer for you. It may not match your will or your drive. Sometimes a person has to look deep within themselves and say “What do I want to do? What’s in my means realistically?” People have to follow their hearts.

Adisa Banjoko is the controversial author of the upcoming book “Lyrical Swords Vol. 2: Westside Rebellion” For more info visit: www.lyricalswords.com today!

Method Man Gets Down With Howard University For Homecoming

On the eve of their

homecoming, Howard University announced that Method Man has been selected to serve

as the official Homecoming Ambassador and Grand Marshal of the 2005 Homecoming

Parade.

Under the theme “Reminiscence: Build…Treasure…Relive,”

Method Man will lead one of the largest Parades on the East Coast, which also

serves as a pre-cursor to the Homecoming Football Game.

"Its a great honor to me as I’m sure it was for those who

have participated in the festivities over the years," Method Man told AllHipHop.com.

"Howard University is Black History."

The University selected the Wu-Tang member based on his contributions

to the music industry and his commitment to community development.

Howard’s Homecoming activities will culminate with the

Bison playing the rival Aggies of North Carolina A&T on October 22 at 1

p.m.

The momentous event will be highlighted by the Annual Family

Reunion Yard fest, which is a two-day celebration where Howard students, alumni,

friends, and celebrity guests gather on the main quadrangle to network and celebrate

in the Howard tradition.

Known to for bringing out the entertainment and music industry’s

A-list celebrities, Howard alumni Sean “Diddy” Combs is primed and

scheduled to host several parties during the course of the celebrated weekend.

The Homecoming weekend kicks off with Howard’s famed Fashion

Show, which, features an evening of fashion, elegance, and style, as Howard

student models exhibit clothing from the industry’s top designers.

A Greek step shows is slated for Saturday and there are also

scheduled alumni events and over the weekend.

For more information

and a complete listing of events, visit http://www.howarduhomecoming.com.

Field Mob: ‘We Aint Comedians’

Field Mob’s Smoke says people have mistaken their country mannerisms for comedy – an erroneous assumption.

“We ain’t no f***in’ comedians. They like to put us in that comedian [category], because we country [and] it’s taken a major toll on our career,” the Albany, Georgia native told AllHipHop.com. “Like we were proud to be country [and] people know this in the back of their heads like they know Chris [Ludacris is] that n***a in the back of their heads.”

Nevertheless, Smoke said the group’s style, which debuted commercially in 2000, has been hijacked by some of their peers, who were not specifically named.

“I know I got kids [imitators] out there,” he said laughing. “We started that country s**t in ’99 before n***s came out with their country grammar albums. We were screaming country before it was cool. They see us and it’s so massive, but they don’t want to see it.”

Although the group released a pair of acclaimed albums, 613: From Ashy to Classy (2000) and From Tha Roota To Tha Toota (2002), the crossover success somehow eluded them.

Smoke said the group intends to change that with their upcoming set, Light Poles and Pine Trees.

Smoke said location has also hindered their success as the Atlanta musical explosion somehow escaped him and partner Shawn Jay.

“If you look at Ray Charles, Ray Charles is from Albany, Georgia – they ain’t even put it on TV. Why? Because Albany ain’t as metropolitan as Atlanta, New York or L.A.

“He’s not from a very popular place,” he continued. “So they do it the same way in this rap s**t. ‘Oh, they ain’t from…[Atlanta].’”

Both of their previous albums came out under MCA Records, but Smoke would only state that the situation was a “terrible deal.”

Under Disturbing Tha Peace/Geffen Records, Smoke said they would even market themselves slightly differently to accentuate their personas.

“Yeah, dark-skinned n***as are in. Them light-skinned n***as tried to come back, but I’m going to promote my black ass,” he said. “Other than rapping, we got banging personalities.”

More seriously, Smoke explained that the group has high stakes with the expected November 29 release of Light Poles and Pine Trees.

“We trying to reestablish ourselves with our fans. We not trying to disappoint them,” he expounded. “We gotta come with a great album and the album is great. For the new people, we trying to make a great first impression.”

The group has already released their single, “Friday Night,” and their third album features a high-powered supporting cast that includes Ciara, Bun B, Bobby Valentino, Jazze Pha, Bone Crusher and others.

Change

Artist: Self ScientificTitle: ChangeRating: 3 1/2 StarsReviewed by: Conan Milne

Self Scientific captured the attention of the underground hip hop conscious with their seminal debut Self Science. Since then, there have been some big transitions for the talented duo of Chace Infinite and DJ Khalil. The group has seen their profile rise through affiliation with Xzibit and his Strong Arm Steady clique, and via the formation of Angeles Records with Cypress Hill’s DJ Muggs. It’s fitting then, that the collective would label their well anticipated sophomore set Change. This title is also relevant to the group’s music, which has gone through a reinvention of sorts.

It’s undeniable that Chace and Khalil have expanded their sound with this effort. On “King Kong” Chace trades verses with, of all people, Bun B. Over Khalil’s stuttering guitars and wailing sirens, Chace spews venom at the rapping clones he deems 50 Cent wannabes “with a flow reminiscent of Jigga’s”, while Bun B’s appearance alone shows that Self Scientific aren’t afraid to embrace the mainstream. Surprisingly though, or maybe not, the UGK member sounds right at home over Khalil’s intense instrumental, delivering a suitably aggressive chorus.

While “King Kong” proves that the pair can deliver quality, “accessible” rap (well, relatively speaking anyway) ‘’2 Step’’ is a club orientated jam that sounds glaringly out of place. Chace’s flow sounds comfortable enough, but lyrically he’s on cruise control. After instructing his female accomplice to take leave with him, the MC follows up with “just kidding – unless you was willing. I’m not kidding”. The group’s desire to experiment with their sound is understandable, but it really sounds like both Chace and Khalil dumbed themselves down here.

“Weight Of The World”, meanwhile, is vintage Scientific and is to Change what “The Covenant” was to their first offering. It’s epic. Chace sounds somber on the cut, frustrated by the many problems of modern life and rapping that things don’t seem right, before adding, “How many things in life is?” His downbeat rhymes are the perfect partner to Khalil’s haunting strings and scratches.

Rest assured that the intelligent commentary of “The Self Science” is still there (check out Chace’s barbed rhymes on domestic violence on the brutally honest single ‘’Live N Breathe’’) while Khalil has added more variation to his already impressive production. Despite differences with their first record and filler in places, the duo has successfully convinced this skeptic that change can be a good thing.

NBA Bans ‘Hip-Hop Dress’, Players, Coaches React

With the blessing

of the NBA Players Association, the NBA has set forth a "minimum" dress

code that will be implemented starting with the 2005-2006 season.

Players will also now be required to wear a sport coat on the

bench when they are not in uniform.

In addition, players will no longer be able to wear sleeveless

shirts, shorts, T-shirts, chains, pendants, or medallions worn over the player’s

clothes.

Sunglasses while indoors, and headphones (other than on the

team bus or plane, or in the team locker room) have also been banned.

The dress code is a decisive shift away from the hip-hop culture

that has become a fabric of the NBA during the past years.

While some players wear suits or sport coats to all team functions,

a growing number often dress in casual sportswear.

NBA Commissioner David Stern said he was certain that the new

dress code would be complied with.

The new dress code has sparked a fierce debate, with many players

and coaches weighing in on the subject.

"I

think it should have been done behind closed doors and not made so public,"

Indiana Pacers’ Ron Artest told AllHipHop.com. "Our business should not

be for the world to know about."

"The players have been dressing in prison garb the last

five or six years,” Lakers Head Coach Phil Jackson told the San Gabriel

Valley Tribune earlier this week. “All the stuff that goes on, it’s like

gangster, thuggery stuff. It’s time.”

Pacers swingman Stephen Jackson told the Indianapolis Star the dress code was

implemented out of racial bias.

“Almost 100 percent of the guys in the league who are

young and black wear big chains. So I definitely don’t agree with that at all,"

Jackson said referring to the ban on excessive jewelry.

To protest the leagues ban on chains worn over clothing, Jackson

wore every long, diamond-studded chain in his collection Tuesday night.

Boston Celtics star Paul Pierce agreed with Jackson’s

assessment, but said the he would stick to the new dress code.

"When I saw the part about chains, hip hop and throwback

jerseys, I think that’s part of our culture," Pierce told the Associated

Press. “I love my job. I love playing basketball more than I love getting

fined and getting suspended."

Despite strong opposition, players will be expected to wear business casual

attire whenever they participate in team or league activities, including arriving

at games, leaving games, conducting interviews and making promotional or other

appearances.

The dress code

however makes no provisions or requirements for hair, tattoos, earrings or piercing.

Young Buck, 50 Cent Make Substantial Donations For Education

Young Buck and 50

Cent recently announced two new grants that will be distributed by 50 Cent’s

G-Unity Foundation.

Young Buck will donate $25,000 to the Nashville Alliance for

Public Education to support Advance Via Individual Determination (AVID), a nationwide

program aimed at helping aspiring college students.

"The Nashville Alliance for Public Education is proud to

accept this gift from The G-Unity Foundation to benefit a program which brings

out the best in students and helps close the achievement gap for low income

and disadvantaged youth," said Kay Simmons, Co-Executive Director of the

Nashville Alliance for Public Education. “This gift represents a statement

from G-Unit and Young Buck of the importance of education."

The G-Unity Foundation also donated a $100,000 grant to support

the relief efforts surrounding Hurricane Katrina.

50’s donation is going to Teach for America’s Houston

chapter. The national organization is comprised of recent college graduates

that commit to teaching for two years in urban and rural schools.

Teach For America recently organized a charter school for students

that were victims of Hurricane Katrina’s devastation.

“We are extremely grateful for the substantial gift from

The G-Unity Foundation, Inc.," said Ann Best, Teach For America-Houston

Executive Director. "This gift affords us the opportunity to do what we

are compelled to do, respond in crisis. Our displaced New Orleans corps members

are thrilled to have the opportunity to teach students who have evacuated from

New Orleans.”

The G-Unity foundation

donated grants to the Jam Master Jay Foundation for Music, The Boys Choir of

Harlem Academy, Queensborough Community College, and the Compton Unified School

District.