(AllHipHop News) His name is Pusha T and his reputation is grizzly visceral street tales over menacing production. At his Gramercy Theatre show last night (October 7th) in celebration for the release of his debut album My Name Is My Name, Pusha T exemplified every quality that helped him sell out the venue.
Hosted by Hot 97’s Cipha Sounds and Peter Rosenberg, Pusha’s gruff vocal inflections bounced off the acoustics in Gramercy Theatre exceptionally well as he rattled off his fan favorites of his catalogue. Opening the show with the gothic album intro, “King Push”, Pusha treated every song as its own event with certain songs having him dead in the center of the stage (“40 Acres”, “Exodus”) while others exhibited the frantic energy (“Millions”, “Suicide”) that made so many Clipse performances riveting in the past.
Pusha’s self-conscious relationship with his music, as demonstrated by his constant proclamation of having the best rap album of the year, was on full display. After performing his verses from G.O.O.D Music hit posse cuts “Mercy” and “I Dont Like (Remix)” he told the crowd “I feel like I’m getting a bit too commercial” before launching into a few cult favorites (“My God”, “Exodus 23:1”).
Disappointingly, there were few guest appearances in a show that featured Pusha T rap his part from the Kanye West-featured “New God Flow”(which sent the crowd in a frenzy), Kendrick Lamar-assisted “Nosetalgia” and a few others. Fan reaction was consistent but wavered at points as Pusha would go through three songs with little intermission.
Outside the venue, Pusha had people in Hazmat suits hand out fliers. Interestingly enough, another person was also handing out fliers to Drake’s Nothing Was The Same
Pusha T’s My Name Is My Name album release concert proved that the more enthralling solo songs Pusha adds to his catalog the better his shows will be. But, for a debut album and concert release party, Pusha not only delivered but
Check out the video recap from last night and watch Pusha T perform “King Push” for the first time:
Video shot and edited by Frsk Purple
“I Feel Like Pac / I Feel Like Biggie”
This is the name of the new song by DJ Khaled, which features Rick Ross, Meek Mill, T.I., Diddy, and Swizz Beatz.
Mase, who was down with Biggie in the Bad Boy era, was not pleased at the news, apparently. He did not name names, but he instagrammed right after they reveal of this new song came out.


“They keep us talking, but if we stop talking about them then they should worry!” -illseed.
Illseed, Out.
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The A3C festival was supposedly a marvelous smash for Hip-Hop. All sorts of goodies all over the beautiful city from what I heard. But…I heard some crazy negative stuff! I heard that the downtown Hilton was poppin’ at both the BET Hip-Hop Awards and the A3C Festival, but it was poppin for all the wrong reasons at A3C. Apparently, there was a rapper staying there and he got robbed at gunpoint by three men that busted in the room. Apparently the poor dude was bound, gagged and then relieved of his possessions. The word on the street is that the assailants got $7,000 in cash money and $20,000 in jewels. I honestly don’t know who this happened to, but as sure as the sky is gray in LA, this happened.
WHO?

“They keep us talking, but if we stop talking about them then they should worry!” -illseed.
Illseed, Out.
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(AllHipHop News) While some people may feel like Biggie(and paradoxically also feel like Tupac) Mas$e feels disgusted. Taking to his personal Instagram account, Ma$e took issue with DJ Khaled’s recently released “I Feel Like Pac/I Feel Like Biggie”.
Hours after the song premiered, Ma$e voiced his displeasure with the constant usage of Biggie’s name on songs:
On the song, P. Diddy is featured with Swizz Beatz, Rick Ross, Meek Mill and T.I. Ma$e has had his disagreements with Diddy in the past, post notably running up on Diddy during a 2009 interview on Atlanta’s V103 radio station requesting to be released from his contract after 10 years:
Took me 10 years to get this paper work right here. I had to put this in UPS; I don’t want nothing to spill on it. I don’t even know what I’mma put out now. Oh my goodness. We good…I got my official papers right here from Puff Daddy. It was love. So I guess we don’t have no problems after all. I don’t even know how to take that. I ain’t used to Puff doing good stuff.
Check out the new song “I Feel Like Pac/I Feel Like Biggie” off of DJ Khaled’s upcoming album Suffering From Success below:
(AllHipHop News) The Hip Hop/Pop crossover has been in full effect this year. From Jay Z and Justin Timberlake’s trio of collabs (“Suit & Tie”, “Holy Grail”, “Murder”) to Miley Cyrus jumping on tracks with Mike Will Made It, Wiz Khalifa, and Juicy J (“23”) to Too $hort and Twista appearing on Lady Gaga’s upcoming ARTPOP album ( “Jewels & Drugs”), rappers are more inclined to work with their pop singing counterparts more than ever. According to Mac Miller it is all part of the fun of making music and reaching a bigger audience.
[ALSO READ: Too $hort & Twista Join Lady Gaga At iTunes Festival (VIDEO)]
In a recent interview with Elle, the Watching Movies With The Sound Off creator talks about not catching any flack from his friends for working with Justin Bieber on his “Boyfriend (Remix)” with 2 Chainz and Asher Roth.
“We were just having fun,” said Miller. “The thing about features and doing different stuff is you have to be down to do whatever. And that doesn’t exclude pop music. Personally, I see it as a different genre, a different group of people to impress.”
Miller also has a verse on buzzing pop star Ariana Grande’s Top 10 single “The Way.” A remix of the song features another rapper Fabolous. Grande’s current single “Right There” is a collaboration with G.O.O.D. Music’s Big Sean.
[ALSO CHECK OUT: #HeaterOfTheDay: Chuck Inglish Ft. Mac Miller & Ab-Soul “Came Thru / Easily”]
(AllHipHop News) Canadian rapper Corey Charron believes he was unfairly cut from this year’s BET Hip Hop Awards cyphers. Charron told CBC News that he expected to provide a verse to the annual performances after winning 106 and Park’s Freestyle Friday competition but was told by BET via e-mail that the 2013 cyphers were focusing more on “artists that have huge projects that are current.”
[ALSO READ: Lineups For BET Hip Hop Awards 2013 Cyphers Revealed]
Charron claims that he was contractually promised to participate in the cypher as part of his victory on Freestyle Friday. He expressed his race, nationality, and appearance may have played a role in not being selected to perform, but also says he is not alleging the network’s decision was the result of racism.
“I’m a white Canadian [with] kind of like a baby-faced nerdy look to me, and I just really don’t think they thought I was going to win the competition,” said Charron.
In recent Facebook post Charron also added:
B.E.T. Decided to remove me from the cypher this year. 200+ hours of bussing on my own dollar only to have the prize stripped from me. It’s unfortunate that discrimination still exists in 2013. Who cares if I’m a White Canadian? I still managed to beat every American and win a prize we contractually agreed on. I phoned and emailed numerous times since March. After 6 months I got a response saying they already Pre filmed the cyphers and there was nothing that could be done. This isn’t the first time A white Canadian was treated unfairly by the network. Organik won a contest 2 times to be on BET and was never given the shot he earned. Thanks to everyone that reached out to BET on twitter and voiced their opinion. I have a lot of fans that wanted to see my verse on the cypher. Looks like I’m going to have to film it from Canada and put the whole industry on blast…
It should be noted that white rappers Eminem, Yelawolf, and Iggy Azalea have participated in the BET Hip Hop Awards cyphers in past years.
[ALSO READ: The Highs Before The Lows!: AllHipHop.com’s BET Hip-Hop Awards Red Carpet Recap]
Watch the CBC report on Corey Charron in the video below.
(AllHipHop News) Entrepreneur and recording artist Sean “Diddy” Combs was recently named the wealthiest and the top earning person in Hip Hop by Forbes magazine. The business-centered publication revealed that Diddy has an estimated net worth of $580 million and earned $50 million in one year topping other rap moguls Jay Z, Dr. Dre, and Nicki Minaj.
[ALSO READ: Diddy, Jay Z & Nicki Minaj Make Top 5 Of Forbes Cash Kings List]
In an interview with Forbes, Diddy says he recognizes the value of being an example of upward mobility; going from a low-income family to building an immense fortune, but he adds his wealth is not the most important aspect of who he is.
“I can’t deny how humbling and how proud I am to be from Harlem, New York, to be from the inner-city and be on the Forbes list,” said Diddy. “But it doesn’t define me.”
The Bad Boy Entertainment head said that he defines his success by his ability to help those in need. “Another thing about being number one on the list is that I openly accept the responsibility that comes with that. That economic power gives me the opportunity to give back.”
Diddy’s net worth is likely to jump even higher after his new music channel Revolt officially launches later this month.
[ALSO READ: P. Diddy’s 24-Hour Music Network, Revolt TV Debuts Oct. 21st]
(AllHipHop News) Kevin Hart is one of the hottest entertainers in show business right now. The 34-year-old comedian is the star of BET’s Real Husbands of Hollywood, he has three movies lined-up for release in 2014 including Think Like A Man Too, and his stand-up tours sell-out across the country. According to the Hollywood Reporter, Hart’s comedy routine will be the basis of his next venture, a new 30-minute television show that is heading to production.
[ALSO CHECK OUT: EXCLUSIVE: Kevin Hart’s Verse On BET Hip-Hop Awards Cypher]
ABC has committed to a pilot for the untitled program about a divorced couple trying to maintain a friendship for the good of their children. Hart is not planning to play a major starring role in the show but could appear in a recurring part if the show gets picked up.
The creative team of Neil Goldman and Garrett Donovan (Family Guy, Scrubs, Community) will executive produce the program and write the script.
[ALSO READ: Mo’Nique May Be Returning To TV With New Daytime Talk Show]
(AllHipHop News) Two of the most legendary figures in the history of Hip Hop are reportedly going to finally get together for a full project. DJ Premier spoke with Where’s My 40 acres? at the A3C Hip Hop Festival in Atlanta recently and revealed that he plans to produce an entire album with Nas.
[ALSO READ: Young Guru, DJ Premier, S1 & More To Participate In A3C Festival’s Pro-Audio Experience]
“It’s coming,” said Premier about a future joint album with the Queens emcee. Premier goes on to say that Nas has one more album left on his Def Jam contract and after that the two creators of tracks like “N.Y. State of Mind,” “Nas Is Like,” and “2nd Childhood” will get in the studio to record a Premo-produced Nas LP.
This will not be the only high-profile collaborative album from Premier that is reportedly close to coming to fruition. In an interview with AllHipHop in July, fellow veteran Hip Hop producer Pete Rock said the two beat making giants were working on a joint project due out in 2014.
“There’s DJ Premier that I’m a fan of, and we got an album we’re doing together that’s coming out next year,” said Pete Rock.
[CHECK OUT: DJ Premier Vs Pete Rock DJ Battle Live]
Watch the full interview in the video below.
(AllHipHop News) R. Kelly is set to return with his latest project Black Panties next month, and as a lead up to the release of his 12 solo album, the Pied Piper of R&B drops the oral sex appreciation track “Cookie.”
[ALSO READ: R. Kelly Discusses “His Story” & Reveals Release Date For “Black Panties” At Album Listening Session]
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Black Panties is set for release November 11th. Listen to R. Kelly’s “Cookie” below.
“Other people may be there to help us, teach us, guide us along our path, but the lesson to be learned is always ours.”
-Unknown
“No one saves us but ourselves. No one can and no one may. We ourselves must walk the path.”
-Buddha
“By persisting in your path, though you forfeit the little, you gain the great.”
-Ralph Waldo Emerson
“You cannot travel the path until you have become the path itself”
-Buddha
“Your mind knows only some things. Your inner voice, your instinct, knows everything. If you listen to what you know instinctively, it will always lead you down the right path.”
-Henry Winkler
“The path to success is to take massive, determined action.”
-Anthony Robbins
“To be a star, you must shine your own light, follow your own path, and don’t worry about the darkness, for that is when the stars shine brightest”
-Unknown
“The stages of the Noble Path are: Right View, Right Thought, Right Speech, Right Behavior, Right Livelihood, Right Effort, Right Mindfulness and Right Concentration.”
-Buddha
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Ash’Cash is a Business Consultant, Motivational Speaker, Financial Expert and the author of Mind Right, Money Right: 10 Laws of Financial Freedom. For more information, please visit his website, www.IamAshCash.com
________________
The views and opinions expressed herein are those of the author and do not necessarily reflect the views of AllHipHop.com
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This week, I spoke at a conference hosted by the Center for Church and Prisons in Boston, Massachusetts. Rev. George Walters- Sleyon brought together a group of people to discuss the prison problem in America, including d**k Gregory, Dr. Umar Johnson, the rapper Jasiri X and others who are on the forefront of the mass incarceration epidemic in America.
During my speech, I spoke about how hip-hop music, at least what we hear on the radio, has become the gospel of self-destruction. There is almost nothing about the lifestyle being promoted on most urban radio stations that leads to prosperous or healthy outcomes. Instead, from the time they are young, black males are fed consistent messages that tell them to stay high, drunk, ignorant, violent, broke and incredibly unproductive. Listen to most songs on the urban station in your city (which is just like the one in the next city over) and within 60 seconds, you will hear some message reminding black men of how to destroy their lives.
It’s not until years later that a brother is in a prison cell or on his d***h bed that he may begin to question whether or not he’s been duped into believing that his life was meant to be nothing more than one thugged out calamity after another. Every time a black man is convinced that he is a loser, our community loses another man who could have been an adequate husband and father. When black men are k*lling one another, turning into alcoholics or drug addicts, dying from HIV, going bankrupt or never learning how to read, there is some child, somewhere, who has lost the chance to have a good role model in his life. Racism already marginalizes us enough; we must not be convinced to marginalize ourselves.
Quite frankly, this angers me to no end. It’s one thing when we confront systematic obstacles that lead to failing schools, mass incarceration and few economic opportunities. But we must also realize that one of those oppressive systems consists of corporations like Clear Channel, which stack their profits by feeding black men a brain-eating disease called “IWannabeaStraightNigger-itis.”
Right after my reference to hip-hop and it’s problematic turn for the worse, I was accurately critiqued by the rapper Jasiri X, who interpreted my comments about hip-hop to mean that I was referring to all of the music in the genre. He reminded me that there are conscious artists like himself, Immortal Technique, d**d Prez and others who are not interested in using their skills as a tool for black male self-destruction.
I was disappointed that Jasiri thought that I was lumping him together with artists like Lil Wayne and 2 Chainz, for I clearly was not. But I was glad he asked his question, since it gave me a chance to clarify. I immediately responded to his comment by saying, “No brother, I was referring to that bullsh*t on the radio.”
I then mentioned that those who defend the ignorant artists in mainstream hip-hop often use freedom of speech as their defense of indefensible messages. But I explained that “if a corporation tells you to talk about b*tches, hoes and selling drugs in order to sell more records, that’s not free speech. That’s controlled, corporate speech designed to make a profit. You’re not a legitimate artist; you’re a rich man’s negro puppet.”
So, after the event, I asked Jasiri, “Why don’t I get to hear you on the radio as much as I hear Lil Wayne?” Wayne came to mind since we crossed paths a few months ago and were able to k**l his endorsement deal with Pepsico (I don’t regret a thing). Personally, I consider anyone being used as a tool to spread toxic and destructive messages to young black males to be an enemy of the black community. I could care less if you’re black or if you’re “making dat paper”: The fact is that if you’re destroying my kids, then I have an obligation to confront you. My first goal is to educate the artist, but if the artist refuses to be educated, then we have no choice but to stop his message from contaminating the minds of our children. Anything short of that would mean that I love my children less than I love having a rapper’s friendship and approval, which is never going to be the case. Black men must protect our loved ones.
Jasiri explained that companies like Clear Channel maintain strong (and possibly illegal) monopolies on radio markets around the country, where the same music is being played over and over again. The music is not vetted to determine how unhealthy, v*****t or destructive the message is, so if a rapper talks about r@ping women, mμrdering black men, or getting high on drugs, it’s considered ripe for consumption by impressionable young black men. We see manifestations of these messages all throughout our communities, since marketing works, whether you’re selling fashion or a lifestyle.
It’d be nice if young black men were able to choose role models outside of sports and entertainment, but that’s naïve. The advent of the prison industrial complex has decimated African American families to the point that the majority of these young men don’t have a Dr. Huxtable at home every day to give them guidance.
But what that young black male does receive is a steady, daily, highly consistent dose of Lil Wayne, Rick Ross and 2Chainz on his way to school. Those messages are then reinforced when he gets to school and sees his peers imitating the behavior and ideologies being shared through music. While we might want to believe that music doesn’t have an influence, any good marketing professor will tell you that you’re out of your d*mn mind. The reason that Reebok offered Rick Ross millions of dollars to wear their shoes is because they know that if he wears them, urban kids are going to wear them too…..the point is that they imitate his behavior, even if they don’t know they’re doing it.
With that being said, Clear Channel must be confronted. They must be confronted in court, to determine whether or not they are violating laws by not playing more localized content. They must be confronted with various forms of protest in cities that have major urban radio channels. There must also be a conscious effort by all of us to turn urban radio off in our cars and replace it with something more suitable, like Pandora or other music from our cell phones.
The same way an occupied nation will have leaflets with propaganda dropped from airplanes, black people are having racist and harmful imagery and messages delivered to us through the radio. When standing up for those you love, you have to commit yourself to being rude, determined and relentless in order to achieve your goals. So, I don’t know exactly how we can get Clear Channel to stop poisoning our children, but we owe it to our kids to try. This revolution will not be televised, but it must happen nonetheless.
I thought this one was real, but it seems like nothing could be the truth. But, apparently, Slim Thugger has nothing to do with the PRESUMED show “Love and Hip-Hop Houston.” Now, we need to verify if the other people are actually on it. I’m thinking it may all be false!
RELATED: Hip-Hop Rumors: Slim Thug Goes HAM On Fake Baby Mama!

RELATED: Hip-Hop Rumors: Love And Hip-Hop Houston…Guess What Rappers Are Involved!!
So, yeah. I just did a quick google search and found this one TheYBF.com with Mona Scott Young shooting all the people previously listed DOWN.
She said: “That list is completely fabricated. No final cast decisions have been made about any of the cities we looked at.”
It seems that the show is going to happen, but with others. I bet Paul Wall shows up.
“They keep us talking, but if we stop talking about them then they should worry!” -illseed.
Illseed, Out.
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