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Scott Storch On The Comeback Trail, Reflects on Downfall

After a public bankruptcy and fall from elite producer status, a reinvigorated Scott Storch is looking to make a comeback.

 

In a recent interview with Details Magazine, Storch revealed how his cocaine addiction and lavish spending lend to the dissolution of a $70 million empire grossed through hits from Beyonce, Chris Brown, Dr. Dre, and various others.

 

“”I was clubbing, drunk, and had more money than I knew what to do with,” Storch admitted. “We’d be at a club and I’d decide to take everyone to Las Vegas. Do more coke, f**k a bunch of girls. Be up for two days and decide at 11AM in the morning to go buy a Rolls-Royce. I probably bought 10 cars when I was high.”

 

Last year, Storch’s financial woes became public via news that his $10 million dollar Palm Beach, Florida mansion was in danger of foreclosure.

 

With the housing market in shambles and $7 million remaining on the mortgage, Storch elected to move in with a friend while hoping a miracle sale happens.

 

“I was burning through about $250,000 a month, mostly on partying. I was spending money I had no business spending,” he stated. Aside from the money issues, Storch is now attempting to rebuild his industry reputation.

 

To that end, he’s secured recent production for Usher, Gucci Mane, and Jennifer Hudson.

 

For Storch, the focus is now proving to major labels his sound can still be viable in today’s market.

 

“People have too short a memory,” he explained. “People will see that everything is intact.” This year, Storch has already placed production for The Game, Ludacris, NeYo, Mario, and Robin Thicke.

I Miss Women In Hip-Hop

?The other day, I had the urge to tell one of my favorite rappers that I loved her.

 ??That rapper’s name: Jean Grae.

 ?

 ?How did I tell her? Well, I didn’t.

 

I updated my status on Facebook and told all my friends like a coward. Eventually, she saw it. I don’t know if she was online (we’re FB friends) or if somebody told her, but I just felt the need to say it. But, is not some crush on a talented artist.

 ??I don’t know why, but I have been missing the woman’s voice in Hip-Hop. I’m not just talking about Jean’s lyrical prowess. Nor am I talking about vixen rappers, even though they are cool for obvious reasons. [Like one younger female friend of mine said, “A little Nicki Minaj never hurt.”]

 

I’m talking about the women in the game that had a mighty voice, a voice that’s been systematically silenced through the years.?

 ?There are so many reasons for their disappearance, but I won’t go into that now. I just miss the ladies, even when they were dissing us men or proclaiming it was “Ladies First.”?

 ?When I say I miss women in Hip Hop, I’m not just talking about the one’s holding a microphone. Men have always dominated Hip-Hop, but women were always involved in some way or another. I miss women at concerts and album listenings. I miss debating with a woman who’s the best and why. I miss women music executives and managers; important women such as writers, editors, stylists, publicists and other critical cogs in the machine.

 

I don’t blame the women who have abandoned Hip-Hop. Who really do they have left to rally behind? Lil Mama? Lil Kim?

 

Ok, what about male rappers? Most women I know tend to only like a handful of them ie Drake, Lil Wayne and Jay-Z. Even Drake is skating on thin ice thanks to his debut video that nearly pushed women to protest in the streets. Strategically, that was a bad move for Drizzy, because females had hoped he would help spread a positive depiction of women in Hip-Hop.

 ?Eh, we can’t entirely blame Drake’s video for the view that women are nothing more than eye candy in Hip Hop. (Maybe we should blame Kanye who directed the clip?)

 ??I miss women in Hip Hop but because they aren’t being given a spotlight but that doesn’t mean they don’t exist.

 

Shawnna is a beast.

 

Amanda Diva is Hip-Hop’s ultimate hustler, merging art and music.

 

Nicki Minaj was reminiscent of Kim and Foxy, but now has adjusted into a far more original being.

 

There are also a bevy of underground acts like Eternia, DJ Chela, Toni Blackmon and others doing their thing.?

 ??SO WHY ARE THEY M.I.A.??

 ?Hoping that it wasn’t just me, I asked some female friend why they thought women had left the scene. Overall they told me that they were “totally frustrated” with Hip-Hop.

 ??”There is no diversity,” said one woman, who works in a white-collar job. “ We’re in a recession and they just do all that bragging. ‘I got cars jewels crap is so played. Maybe I’m getting old, but I’m tired of it.” Frustrated or not, she still recognized Raekwon Only Built For Cuban Linx 2 as one of the better albums of the year.

 ?My pal Aimstar, general manager at The Source, also cited Rae’s album as one of the reasons why she “refuses to give up on Hip-Hop.”?

 ?Not to turn this into an editorial praising Raekwon, but there is something special about that album, Cuban Linx 2. I believe it is appealing, because it reflects a certain expertise in musical diversity, authenticity, musicianship and storytelling.

 

During the week of OBFCL2’s release, I went to Rae’s concert/album release party and was amazed at the number of women that were in the crowd. Now, I don’t mean traditional Hip-Hop ladies that looked like they smoke weed and listen to Murs on repeat. There were all types of women there.

 

You had the b-girls rocking Wu shirts (shout out to the Caramel Sundaes). Some women where flashy in heels and form-fitting mini dresses. Others were somewhere in the middle. Racially the crowd was like Jay-Z’s 9/11 concert but on a much smaller scale: Black, White, Asian and others. The venue was so jammed packed and hotter most Hip Hop parties I’ve attended since the 90’s.

 ? ?IS THERE ANY HOPE FOR WOMEN  IN RAP?

 ??This is the tough question.

 ??I want to say yes, because there are living, breathing examples such as Jean Grae.??But we have to keep it real.

 

One of my industry friends has a daughter that aspires to be a rapper.  

 

“Like most moms, I don’t want to see my daughter hurt, and I feel like in the rap industry, she would get her feelings hurt,” she said. “It seems as if you have to be supported by, or endorsed by a man in order to succeed. It is the one area of business where Black men have way more power than Black women.”?

 ?Misogyny has killed the female rap star not because they aren’t talented, but because a lot of male rappers have taught young people and outsiders how to feel about women. Hip-Hop music has taught many men to undervalue women, pour champagne on them, sleep with them and their friends and make them walk home. ?

 ?It’s not just the man’s fauly. Women need to take control of the their own fate and destiny. Sadly, that requires a culture reprogramming itself for women to accept each other who they are and stand firm on how they want to be portrayed. If you don’t respect a woman’s views you can’t respect the woman.?

 ??Our mindset, especially (but not limited to) in Black culture, has to shift if we want to see more ladies in the rap game. The future of Hip Hop depends on it.

 

I just know that I felt strange at the Slaughterhouse show and its almost 100% men in the house watching Joe Budden talk about being sexy with his arm in a sling. Rappers did those bits for the women in the crowd but if there are no women in the crowd who are you doing it for? Not me.?

 ?The late James Brown said it best: “This is a man’s world, this is a man’s world. But it wouldn’t be nothing, nothing without a woman or a girl.”

 ??Let’s get that balance back in the world of Hip-Hop…that is unless you don’t like women or think they can’t keep up with the men. I know of one woman, who could come out right now and smash 90% or more of the dudes currently in the game—Lauryn Hill.

?###

 

R.I.P. to Female MC’s: Featuring Jean Grae, MC Lyte and Eternia

 

 

Jean Grae

 

 

Lauryn Hill freestyle

 

 

Nicki Minaj – “Still I Rise”

 

 

Jay-Z Chastises Kanye; Addresses 50 Cent

In an upcoming interview that will air on Trevor Nelson’s BBC radio show next week, Jay-Z once again addressed Kanye West’s antics during the 2009 VMA’s but also spoke on rapper 50 Cent.

 

During the interview, Jay-Z stated that he believed was rude for snatching the microphone from country singer Taylor Swift during her acceptance speech for Best Female Video.

 

West felt the award should have went to Jay-Z‘s wife, Beyonce Knowles for her hit video “Single Ladies (Put A Ring On It).”

 

Although Jay-Z agreed that West was rude he stated that Kanye West “wasn’t wrong.”

 

Jay-Z seemed to become a little irritated during the interview, when Nelson suggested that Kanye was picking his battles and would not have grabbed the microphone from a rapper like 50 Cent.

 

In a recent interview, 50 Cent stated he would have assaulted Kanye West in the same situation.

“I wish he could come take one of my awards so I could black his eye in front of everybody,” 50 Cent stated.

 

“I think he would have done that if that was 50 Cent,” Jay-Z told Nelson during the interview. “No one is scared of 50 Cent. I want everyone to be clear. No one is scared of 50 Cent.”

 

50 also recently took a shot at Jay-Z when he name checked him and labeled him as “Urkel” in the video for “Flight 187.”

 

Jay-Z also revealed that he chastised West for interrupting Taylor Swift’s speech, which caused worldwide uproar.

 

People ranging from celebrities to President Barack Obama and former U.S. President Jimmy Carter have weighed in on the controversy.

 

“I just think that that’s what he believed,” Jay-Z told Trevor Nelson. “I thought it was rude I though it was inappropriate and I told him as much. But I don’t think he was wrong.”

 

Jay-Z is currently gearing up for a performance on Friday, October 9 at Penn State University.

TOP 5 DEAD OR ALIVE: Bow Wow

The moment you have been waiting for!

The Top 5 Dead or Alive according to Bow Wow!

Bow Wow has been doing this rap stuff since he was a mere babe of 5

years old under “Uncle” Snoop Dogg. Since then, he’s grown up into a

major megastar that has endured for several “rap generations.”

But who were his influences to help his make it to his current

position as an artist on Cash Money Records? His choices may shock

fans and haters alike.

Look no farther than Bow Wow’s Top 5 Dead or Alive.

The Notorious B.I. G

“When you mention Hip-Hop you think of Big. For a guy to have only

two albums and be put at the place he is should only be looked at as

amazing. He is undeniable, especially as a lyricist.”

Big L

“He’s just a dope lyricist. He is someone that I have just always

respected as an MC. He’s someone I feel gets looked over or

overshadowed. He is one of New York’s finest.”

LL Cool J 

“He is my idol. Just period. I see a lot of similarities between his

career and my career. We both have a strong female fan base. He’s

still here. I’m still here. He does movies. I do movies. He got

ridiculed a lot for doing girl records but then he came hard when he

dropped “I’m Bad.” I feel like “Fresh Azimiz” is my “I’m Bad.”

Tupac“–

What a lot of people don’t understand is I grew up in HipHop. I feel

like I’m the son or the baby brother of HipHop. I feel like that

because I got into the game so early. I was young and around Death

Row. People talk about Tupac…I was around Pac back in the day. When

he was doing the Me Against the World album I actually witnessed him

in the booth. I like him for his realness. You can feel his passion

in the music. He was motivated and he truly cared about the world.”

Special Ed

“He’s always been one of my favorites because of his lyrical ability

and the way he put words together. I redid his “I Got It Made” for a

mixtape. I have always had a female fan base so I like him because he

had that but was still respected as a lyricist. He gained respect but

was also a dope lyricist.”