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Drake: Just Rhymin’ Wit’ Weezy

The music business is a strange beast. Some artists struggle

for years and years to get their shot and never even make a dent in the game.

On the flipside, there is that rare occurrence where a chance meeting takes

place and a career is born. The latter represents the journey of Drake.

Born Aubrey Drake Graham, the Toronto MC has been surrounded by the arts all of

his life. Born into a musical family tree, he would take a different route though

with a promising acting career. During this time on screen [Degrassi: The Next Generation], he would find himself quietly crafting

songs. A couple of years later, Drake has the same team that made Eminem pop behind

him and Lil Wayne is performing his

verses on the MTV Music Music Awards.

 

Now with a monster co-sign and a considerable buzz on his

side, Drake speaks on where he’s been, where he’s at and where he hopes to go.

 

 

AllHipHop.com:

How did you get into rapping?

 

Drake: Well I

really started doing a television show for teenagers called Degrassi: The Next Generation. I started on that when I was like fourteen.

I did that for eight years. My father was always deeply connected with music,

my uncle wrote for Al Green and I’ve always had a lot of musical history in my

family.

 

Within that time period I developed a love for music. I just

started taking it seriously when I met a few key people in my life. I did two mixtapes; one with DJ Smalls and one by myself [Comeback Season] that a lot

people said should have been an album. Now I here I am, ready to make my debut

with a whole bunch of great product to rediscover. 

“I’m not signed to Young Money but I’m definitely Young Money affiliated. Like I said, me and Wayne do a lot of work together and Wayne is going to be executive producing my album.”

 

 

AllHipHop.com:

You’re originally from Toronto but you lay your head in Memphis correct?

 

Drake: Well my

father is from Memphis so I spent a lot of my summers in Memphis. I love the South

and the culture. I love Houston, I love Atlanta. I remember growing up on Three

Six [Mafia], Project Pat, Skinny Pimp, Yo Gotti; I

just remember riding to that music and the feeling when those CD’s were

dropped.

 

It was an amazing time. It taught me about excitement. I

think that’s what Hip-Hop is missing now, those artists you anticipate. I think

in the South, that still happens because they support their artists so much,

they get excited for the albums to drop. So right now it’s a blessing to be

that dude in Toronto. When I drop a new [song] and my phone blows up and people

are playing it on the radio and in the club; I can definitely [say] I’m the

most exciting artist in Canada right now. Anything outside of that, I don’t

know.

 

AllHipHop.com:

Would you include Kardinal Offishal

in that last statement as well?

 

Drake: Me and Kardi are mad cool and we

get along; we have a great relationship. But as far as being exciting, Kardi has been in the game for a minute now. I think people

are happy for him with this last album, but I think as far being something new,

refreshing, and exciting, people haven’t seen someone make so much progress in

this short time. For people out here it’s like, “Yeah this dude got joints with

Wayne, Wayne is on the VMA’s spitting his verses and

shouting him out.”

 

That’s exciting for my city, we don’t have that. It’s like when Jay-Z brought out Kardi out at Carribana, everybody

was hype. But that was three years ago and now it’s a different time. I love Kardinal’s music but it’s not for everybody. He’s got a

very niche market. When I go to the South people know of Kardi,

but they don’t necessarily follow him because it is hard for them to follow

him. Kardinal raps very fast and uses the Jamaican

dialect. But at the end of the day he’s very talented and I mean no disrespect

to him. But I have no shame in saying to anybody out here that I am the most

exciting and most anticipated artist out here right now.

 

LIL’ WAYNE JACKS VERSE FROM DRAKEby illRoots

 

AllHipHop.com: A

lot of your newfound recognition comes from your association with Lil Wayne.

How did that come about?

 

Drake: I met

Wayne through a friend of mine from Houston. He was in the car riding with

Wayne one day and was like, “Look man, I got this dude I think you should hear.”

It’s funny because when I heard the story Wayne was like, “Nah I actually

listened to that dude already, I didn’t like that s**t” or whatever.

 

I guess Wayne gets a lot of bulls**t. So the dude was like, “Nah

for real did you really listen?” And Wayne was like, “Nah I’m going keep it

real I didn’t but hurry up and play it.” They were riding in the car and he

played the joints. I think he got through two joints. I was actually in a

barbershop and I got a phone call from who I thought was my homeboy and it

ended up being Wayne asking me if I could get out of the city by 7pm.

 

From there he put me on a flight and I went to meet him. I

spent like a week and a half on the road with Wayne. Me and

Wayne formed a connection where we just related on a music level. I

think Wayne respects the fact that I am myself.

 

I didn’t show up wearing any ice or being a thug or trying

to be a whole bunch of things I’m not. I’m proud of the way I am, in my

upbringing and being the individual I am. I showed up confident in that and he

really respected that. But yeah, we make a lot of music together. He’s a great

dude and I look up to him. He’s definitely a mentor to me and I never got the

chance to tell him that so I hope he reads this because I think he is one of

the most talented individuals I’ve ever met in my life.

 

AllHipHop.com: Lil

Wayne is the hottest name in Rap, what was it like the first time to go into

the studio with him?

 

Drake: It was a

lot of fun actually the nerves and the pressure pushed me to get excited and do

a little better. I had been waiting in the studio all night not even thinking I

would get to do a joint with him. He was recording a lot that night; that joint

with Keri Hilson (“Turning Me Off”). He was recording

that and he had a lot of stuff to do and I wasn’t really going to press it.

 

He told me to go into the studio and record the joints I

had. I knew he would like this joint and I knew he was in the room next to me.

So I played this joint real loud, it ended up being called “Forever”.

 

He walked back into the room like yeah load that one up in

the Pro Tools. We did our verses back to back. It was exciting to the point

that he found someone to rap next to that doesn’t get completely trumped by his

verses. We did three joints that night. It was exciting; it was a night I will

never forget.

 

AllHipHop.com: So

are you signing with his Young Money imprint?

 

Drake: I’m not

signed to Young Money but I’m definitely Young Money affiliated. Like I said, me

and Wayne do a lot of work together and Wayne is going to be executive

producing my album.

 

AllHipHop.com: On

“Ransom” both you and Wayne hint at doing some ghostwriting for Dr. Dre’s Detox album.

 

Drake: Wayne can

do something like that because he is Wayne. Wayne set it off, but yeah we both

had our little hand in that. Personally I don’t want to burn any bridges; I

know I’m not personally supposed to speak on any situations about what I did do

and what I didn’t do for that album, let’s just pray it comes out. I can say I

had an opportunity to work with Dr. Dre for quite a

while.

“I guess this would give away where I’m signing to but when I was sitting with Jimmy Iovine, one of the most important things he said to me was, ‘You remind me of Eminem because I’m an old white dude but I can still understand [what] you’re saying and it’s so clever and I laugh and I chuckle to myself when I understand your punch lines…’”

Drake & Lil Wayne “Ransom”

 

 

AllHipHop.com:

Jay-Z popularized the trend of not writing any lyrics down. A lot of new

rappers have taken that style and ran with it. Do you still put the pen to the

pad?

 

Drake: Actually

that’s funny because I have a verse on my album about that. Yeah, a lot of

people think it’s cool to say that they don’t even write their stuff or

whatever. But there is people that really don’t; I’ve

seen Wayne go to the studio and think up his verses line by line. That’s an

amazing thing to do but me personally I like to do my research. I like to use

words that people wouldn’t normally use. I take my time. I actually write my

verses in my BlackBerry so I have quick access to the Internet so I can look up

a definition or search quotes. I like to put thought into my verses, not to say

everyone else doesn’t. What works for me is being able to see everything laid

out.

 

AllHipHop.com:

With this being your major label debut, is there any album that you are trying

to pattern yours after?

 

Drake: Yeah, I

would probably say Graduation and Lord Willin’

by The Clipse.

Drake f/ Trey Songz “Replacement Girl” Video

AllHipHop.com:

Those are two interesting choices. Personally I think Lord Willin’ aged terribly.

 

Drake: Yeah I

agree. I listen to it and it doesn’t carry the same energy now. With Graduation I mean the songs and how it

was so great musically. With Lord Willin’

it was more the feeling it gave me. It was something completely different. It

was something completely new at the time and front to back I used to love that

album. That’s what I want my first album to be where not every song is

following a radio format.

 

AllHipHop.com:

What do you think will separate you from everyone else from here out?

 

Drake: I guess

this would give away where I’m signing to but when I was sitting with Jimmy Iovine, one of the most important things he said to me was,

“You remind me of Eminem because I’m an old white dude but I can still

understand [what] you’re saying and it’s so clever and I laugh and I chuckle to

myself when I understand your punch lines. I can learn those words because you

take the right pauses and breathes.” I have a style people can follow and enjoy

and at the end of the day, I can spit.

 

 

Lil Wayne Cancels 2nd Rochester Show

Hip-Hop’s 2008 MVP Lil Wayne has again disappointed fans by canceling his second consecutive show in Rochester, NY.

 

The heavily advertised concert was scheduled for December 6, and this time would have featured fellow superstar T.I as a co-headliner.

 

On October 26, Wayne allegedly walked out on promoters and fans due to his displeasure with the venue’s sound system.

 

After bad press from the incident and other no-shows around the country, the New Orleans emcee negotiated a new date with the concert organizers for December 6.

 

This time the postponement centers on T.I., who apparently double-booked himself to also appear on Saturday Night Live the night of the concert.

 

Wayne balked at doing the show solo, and now the concert will commence on December 13 with just T.I..

 

Wayne fans that purchased tickets for the December 6 show have until December 3 to obtain a refund.

 

Unfortunately, those that purchased tickets for the October 26 show will not be able to exchange their tickets for T.I.’s show.

 

Instead, these ticketholders will be forced to wait for a third Lil Wayne date to be announced.

 

At press time, Wayne is expected to again reschedule a concert appearance for the Rochester area.

Anthony Hamilton: The Point of It All

R&B

wouldn’t be where it is now if it weren’t for the soulful tunes we grew up

listening to. Some artists focus on the modern formula of singing with fast

tempos, raunchy lyrics, and sub par vocals, while other artists remind us of the

good ol’ days. Anthony Hamilton is one of those artists that have walked us down

memory lane with his heartfelt lyrics and his soulful grooves reminiscent of your favorite classic R&B legends like Al Green and Bill Withers. The

North Carolina native effortlessly delivers melodies true R&B lovers look

for through songs like “Where Did It Go Wrong,” “Coming From Where I’m From,”

“Can’t Let Go,” “The Truth,” “Never Love Again,” and his rendition of “I Cry.”

Also playing a bridge between R&B Soul and Hip-Hop, Anthony Hamilton has

been a hot commodity rappers seek as the perfect touch to songs such as

Jadakiss’ “Why,” Young Jeezy’s “Everything,” and The Game’s “Hustler’s Dream.”

Hamilton’s

road to success hasn’t been an easy one. In the beginning of his career, he was

signed to Uptown Records, a label that once housed Jodeci, Guy, and

Monifah. Just as Anthony was getting his turn at fame, the label folded,

leaving the crooner stagnant. Hamilton never lost sight of his path as he sung

background for D’Angelo’s “Voodoo” Tour and appeared on Xzibit and Eve’s albums

as a featured artist. With hard work, he started to gain momentum in his career

with his Nappy Roots’ collaboration “Po’ Folks” which landed him his very first

Grammy nomination.

If

you’re a huge fan of his past projects like Coming From Where I’m From, Soul Life, and Ain’t Nobody

Worryin’,

then the six Grammy nominated artist has another treat for you. Out with a

brand new single featuring David Banner, “Cool”, Hamilton is giving his fans what they

all have been waiting for. Setting the platform for another joyous ride

through the storyteller’s soul is Hamilton’s newest project slated for a

December 2nd release called The Point Of It All. Although the project

is in its final stages, his collaboration with songwriters and producers like

Mark Batson (“Coming From Where I’m from” and “Charlene”) and Jack Splash

(Alicia Keys’ “Teenage Love Affair” and Jazmine Sullivan’s “Need U Bad”) The

Point Of It All

is destined to bring in the holiday with absolute pleasure.

AllHipHop.com

Alternatives:

You released a couple of albums in your career so far and I know it can be

exhausting when releasing a new album and releasing a new single. What does

that do for you as an artist?

Anthony

Hamilton:

Well, you have the anticipation of getting it out and getting it to the

people and making sure it’s the same quality work as it was before or even

better, but you have your times when it is difficult. You record a million

songs and you fall in love with most of them, and you don’t want to leave

anything out or leave anybody out. It has its good and bad, but for the most

part it’s beautiful. You have another chance to show another side of

yourself.AHHA: You had some struggles

in the past with Uptown Records and you survived so far. How does that make

you feel about your career right now? Are you where you want to be?

Anthony

Hamilton:

I feel like I’m where I am supposed to be. Even with the bad record

deals—I’m not even considering it a bad record deal. It’s just the timing,

the mistiming. Actually, everything is designed how it is supposed to be, to

be honest with you, and I’m a firm believer of that. I feel like it has

allowed me to grow musically and has positioned me in a place to where now I

feel like, “Okay, I can make it through it.” If anything goes wrong or if

anything seems to be a little shaky, I know how to have patience and work

through it and work around it, so I won’t get so flustered. It’s definitely

made me more appreciative with where I am and what I have and I know nobody

gave me anything. It was just hard work and divine timing that allowed me to

get where I am at, so I can feel good about being dedicated to something for so

long and really loving what it is I’m doing. And then I see it pays off.

AHHA: You’ve co-written some

songs in the past, so have you been diligently doing that now?

Anthony Hamilton: Actually yes, I have a

song that I co-wrote. [It’s] with Jeezy called “Everything.” I co-wrote two

songs for Al Green and I have a duet with Al Green on this new [album]. I

co-wrote on “Lay It Down.” I had co-written with T-Pain, Musiq, and Raheem

DeVaughn on this one song called “Reality Show.” I don’t think they are going

to use it, but I still did the work.

AHHA: Speaking of Al Green,

I know you sang “I’m So Tired Of Being Alone” on the BET awards. You did

justice to that song. Sometimes singers touch a song like that and don’t do

justice to it at all. Did Al Green tell you his thoughts about your

performance?

Anthony

Hamilton:

I was in the studio with him and he just appreciates what I’ve been doing and

what I’m bringing to the table. He knows that I’m a big, big fan of his and

I’ve learned a lot just listening and watching him. He just told me I did a

great job. He loved it. He was dancing and singing along. We just had a

great time. He really appreciated it.

AHHA: You recently performed

with Lalah Hathaway and Angie Stone. What was it like being on stage with

them?

Anthony

Hamilton:

Me and Angie did a whole tour together called “Silk & Sandpaper” Tour. Of

course I’m sandpaper because of the scratchy voice and she has the silky voice.

It was a successful tour, it was really amazing. Lalah Hathaway, I think we

shared the stage somewhere before doing a tribute to her father in Cleveland,

Ohio at the Rock & Roll Hall of Fame. It’s always good to be around your

peers, especially with that much talent. I can appreciate what it is they do

and they can appreciate me, so we go out and have a good time. I also did a

tribute to Bill Withers in Philadelphia about a month ago at the Kimmel Center.

It was his first time singing in 20 years. It was pretty much like he’d do it

if I’d do it. That’s an honor for someone to really respect a young cat like

me who does Soul music and put that much faith in me.

AHHA: In the past you had a

popular hit with Jadakiss and now you’re coming out with David Banner with your

new single, “Cool.” What do you think it is about you that rappers who have a

rough sound gravitate to you for their music?Anthony

Hamilton:

They don’t have to pay for sample clearances and I sound just like the old

records. [laughs] Actually, my voice mimics those feelings that they heard

coming up as a child and that I heard coming up as a child and it’s genuine.

They can tell when it’s real. When I’m hitting it, I’m hitting it from a place

not about being commercial, not about being seen or heard, but it’s about being

felt. And that’s what some of those records need and I give that

unapologetically.

AHHA: You and Nappy

Roots have a good relationship as well when it comes to music. What is it like

working with Nappy Roots?

Anthony

Hamilton:

I think the country chemistry, [similar] personalities, and the kinship kind

of blends well. We have the same common goal. We have to be good and do well

in music, and just enjoy life.

AHHA: What other

collaborations did you do for your album?

Anthony

Hamilton:

Actually, I’m still in the process of finishing it up. I don’t know as of yet

who will it be. We’ve thrown names around such as Mary, Robin Thicke, Jennifer

Hudson, everything from Kanye to David Banner, Ashes Clay, who’s the original

writer on “Cool.”

AHHA: What do you want your

listeners to get out of your records, especially The Point Of It All that’s coming out in

December?

Anthony

Hamilton:

I want them to feel like, Man, out of all the records they didn’t want to buy

that this one is definitely well worth it, that it means something and makes a

difference in their life, and when they’re riding they are listening to them.

I want them to feel like nothing else matters. Not the bills, not the gas

prices, none of that stuff matters. I feel good right now and I feel like I

can make it through anything.

AHHA: Tell us what the title

of your album, The Point Of It All, means to you.

Anthony

Hamilton:

I think the The Point Of It All is the set up to figure out why you do what you

do. Why you react, why you grow, why you cut your hair, why you shave, why you

allow yourself to fall in love, to fall out of love, why do you protest, why do

you vote, anything! The reason we do what we do is to find love at some point

in our life and I think it’s all about love. The ultimate reason we do what we

do is because we love somebody, you’re in love with something, or you’re

searching for love, or you’re madly in love. It’s all for love.

AHHA: You’ve worked with so

many artists already, but if you had a choice who would you work with?

Anthony Hamilton: Oh man! I think I

would love to get in with Mary J. Blige. I think we can do something really

special. I think Prince and I could do something amazing. I would do

something with the Rolling Stones. Prince, Rolling Stones, Mary J. [Blige],

and Bill Withers.

AHHA: Your album, The

Point Of It All,

comes out December 2, 2008. Should we expect any performances?

Anthony

Hamilton:

Yes, I’m going on a promotional tour right after we vote. It’s on November 5th,

I start out. It’s six weeks straight hitting it and quitting it. I’m getting

a band and all that stuff together right now.

 

 

Cool – Anthony Hamilton

Hip-Hop Rumors: T.I./Shawty Lo Fight Footage, More Jail For Ras Kass, A Bow Wow Diss

DISCLAIMER:

All content within this section is pure rumor and generally have no factual info outside of what the streets have whispered in our ear. Read on.

TODAY’S RUMORS!

THE DAILY TWO CENTS

All my people that saw something and said something, thanks! See this fight below. I love how “change” is in the air.

IF YOU SEE SOMETHING, SAY SOMETHING[email protected].

Lets go!

T.I. AND SHAWTY LO AT THE DIRTY AWARDS

They said it was going down and I heard it did. The Dirty Awards were yesterday and I wouldn’t be dirty if something Dirty didn’t happen. Namely: BEEF! Now, I thought it was all gonna go down sweet with David Banner doing the hosting this year…but the rumors are telling a different story. I heard T.I. and Shawty Lo got into some mess at the Dirty Awards.

WELL…I am doing my damn rumors and here comes the AllHipHop.com NEWS TEAM messing up my day. CLICK HERE!

But here is the catch.. heard Alfamega was beating cats down something aweful. Now, if you have ever seen the man, you would know, you DON’T WANT THAT. According to my dude over at the Smoking Section told me that he was beasting everything in sight. The cops maced him and he continued to pummel all that he saw. Alfamega is not a small man.

Maybe Capitol Records will reconsider putting him out now that he’s in some trouble.Also, I heard that Shawty Lo may have made some reference to T.I.’s wife Tiny. I am not exactly sure, but that’s what I heard.

SEE THEM GET IT POPPIN – THE GRAND HUSTLE/ D4L FIGHT!

Ummm…he never stopped rapping through all that? WOW!

REDMAN: TIME 4 SUM IN-AKSHUN?

Remember some dudes recently bopped a hater in the mouth for Reggie Noble aka Redman. But I am hearing it was Red who apparently broke or bruised some ribs in a show in Ashville the other night. I think Ashville is in GA. Don’t kill me if its not. But the rugged rapper held his arm like it was in a sling for half the night. Some speculate he was trying to take the pressure off his ribs, but he still managed to finish the show. Now, he later went to another show and was reportedly doing all the regular stuff, if stagediving is regular to you. Get better Red and take it easy!

FREE RAS KASS!

You can scream Free Ras Kass all yo want like I have, but it will not help you. Ras was supposed to be coming home soon or something. But, you know how the “laws” are…they have stopped Ras from coming home this fall to next year. Thaaaaat’s right. Ras Kass won’t be free at last until about March of 2009, from what I heard. Now, this will also delay any album he’s got coming. So…release in March and music in the Summer.

R.KELLY REMIXES BEYONCE’S “IF I WERE A BOY”

“Love and trust and respect your man…” R. Kelly needs to stop this madness!

How about…“If I was a…________” ahhhhhh…never mind! You fill in the blank for me.SPEAKING OF R. KELLY!

R. Kelly has an underage problem – AGAIN! This time his16 year-old nephew has been formally charged with attempted murder. Remember last month where the got managed to get shot while allegedly trying to rob somebody? Well they totally flipped it. The FAILed robbery is now an attempted murder rap. He’ll be like Kelz in that he’ll be tried as an adult and slapped up with an additional count of attempted armed robbery and aggravated discharge of a firearm. WHEW! Sucks to be him right?

FAIL.

EPIC FAIL OF THE DAY

I mean, its not even “Thankstaking” yet! North Carolina popo claim that a man tried to car jack a woman as she shopped and she smashed on dude with a frozen TURKEY! That’s like getting hit with a small boulder. Police say 30-year-old Fred Louis Ervin of Raleigh stole money from a gas station and then ran away. In his escape route, he came across Irene Moorman Bailey as he tried to steal her car. Well, other people in the area came to the rescue of Ms. Bailey. One person made the headlines as hitting Freddy boy with the turkey. Dude managed to temporarily get away, but he was so dazed, he hit several cars. He was arrested, hospitalized and charged with a number of charges. EPIC FAIL!!!!

NE-YO TO COME OUT ON ROSIE’s SHOW?

I will say this…I don’t believe it…I don’t believe it, but peep what I got…

The word on the street is that later this week on Rosie O’Donnell’s Variety show Ne-Yo will officially come out of the closet. He’s saying with the ban on gay marriage in California and civil rights of gays being taken away it’s time for more gays in the closet to come out and add more of a celebrity presence much like Wanda Sykes recently has done. His close friends are saying he doesn’t think it’ll come as a surprise to anyone that he’s gay but the surprise is in his performance that night he’ll be singing to a man. Stay tuned….

I’m sure that is wrong and somebody just hating.

A NEW BOW WOW DISS

Aside from the obvious…this song is pretty cool. I like the beat too.

We all know that TK and Bow Wow have issues that need to be ironed out over a female named Angela Simmons. Well from what I know TK’s a hood dude from the worst part of Long Beach. I’m not sure what that means, but he’s been shot a few times and still does the positive thing in the community. Now, if Bow Wow is in that community, TK is going to let off a lil’ steam. Check the vid…

ILLSEED’S QUICKIES

East Side Boyz have left Lil Jon behind, I hear. They are all set to release an album on Bungalo Records/Universal. Also I heard Trillville is next on the menu.

If you liked Snoop’s show “Fatherhood,” you will be pleased to see that he’s be renewed. It comes on Nov. 30.

Looks like Michael Vick has plead guilty to state dog fighting and is looking to get out of prison and into a halfway house for six months.

I heard Jimmy Iovine was really, REALLY pushing to have Eminem drop this year. No dice.

Rocsi isn’t 35. Try 35 minus 8, 9 years.

Laura Dore – holla at illseed, please. Thanks sooooo much!

Shout out to Esco from of Raleigh NC. K97.5! Jim Jones came out on the town and preformed at the 40/30 club. (40/30 club??) They all popped bottles and there was NO Violence!

Travis Barker has sued for $25,000 over the fired that nearly took his life. I think he just wants them to admit they were wrong so DJ AM can smash them with the big bucks!

NAS AND KELIS ARE NOT IN LOVE WITH PAPARAZZI

Run up if you want to. Can any of my Latinos and/or Latinas translate that for me? Thanks so much!

Thanks ybf!

TYRA MAKES A JAY-Z COUCH!

You will crack up at Beyonce’s warning!

KANE’S TRUE FIRST SINGLE

Also, I had a slight factual error yesterday. “Raw” was technically Kane’s second single. Here is the first, which is still very funky fresh.

I know people don’t actually love real Hip-Hop anymore, but heck this video I like. Crown City Rockers – “Restless”

Nore: What What!? Nah, it was all in good fun with Nore!

New Murphy Lee…thoughts on his song, “My Shoes.”

Obama addresses the nation. I have to ask this, “Why is the brotha charged with saving the nation?” LMAO. Sheeeeeesh….

ALFAMEGA – YOU DON’T WANT THIS

BANKSY GOES TO JAMAICA AND LOOK WHAT HAPPENS

The famed artist went to Jamaica and tagged the wall. The Jamaicans discover it for years later. They cut the wall off and are now selling the wall at a $100,000 starting bid with $10,000 to ship the wall. That’s a lot of money in a recession. I wish them luck!

For more, go to illseed.com. Or just follow me at http://twitter.com/illseed

OBAMA, WE LOVE YOU!!!

They keep us talking, but if we stop talking about them then they should worry!

-illseed

WHO: illseed.com

WHAT: Rumors

WHERE: AllHipHop.com, MySpace.com/TheIllseed

HOW: Send your rumors and ill pics to illseed at [email protected].

– allhiphop rumors

BREAKING NEWS: Grand Hustle, Shawty Lo Camp Rumble At Dirty Awards

Radio One’s fourth annual Dirty Awards ended abruptly this evening when two separate altercations erupted reportedly between rapper Shawty Lo and members of the Grand Hustle camp tonight (November 24).

 

An eye witness told AllHipHop.com that the tension between the two crews mounted during Shawty Lo’s performance, which included a diss version of Grand Hustle artist Yung LA’s song “Ain’t I.”

 

As Lo performed his version with a chorus “Don’t I,” an audience member identified by an eyewitness as Capitol recording artist Alfamega, allegedly threw a chair onto the stage.

 

At that point, witnesses say another artist signed to the T.I.-helmed label stormed the stage, at which point authorities proceeded to break a fight.

 

T.I. himself took the stage shortly after the fight to accept an award following, a reported private conversation with Shawty-Lo, in which the Grammy Award-winning rapper/actor allegedly insisted once again, that the two end their long-running beef.

 

He proceeded to denounce the violence and negativity and assured the Dirty Awards audience that he did not condone the fighting.

 

Shortly thereafter, however, a second fight broke out as T.I. performed his verse from “Ain’t I,” allegedly substituting some lyrics with verbal jabs at Shawty Lo, with whom he has had an unpleasant relationship throughout the year.

 

Towards the end of the performance, another member of the Grand Hustle camp allegedly jumped off stage and assaulted a man witnesses said was Shawty Lo’s brother.

 

Police officers then halted the awards show, using pepper spray to end the fight.

 

While the Dirty Awards audience was immediately evacuated, witnesses say other altercations may have occurred outside of the event.

 

More details as this story develops.

 

EXCLUSIVE: President Bush Issues Pardon For Rapper John Forte

President George W. Bush has pardoned rapper John Forte, an affiliate of the Fugees, who has been serving prison time for smuggling drugs, sources told AllHipHop.com.Forte was one of 14 persons that Bush has pardoned or granted commuted prison sentences. This wave of White House pardons is Bush’s latest, as he has less than two months in his presidency. A pardon cannot be overruled. Forte was arrested at Newark International Airport in 2000 and charged with possession with intent to distribute cocaine and conspiracy to distribute. Police caught him accepting a briefcase with about $1.4 million worth of liquid cocaine in it. Forte was hit with a 14-year sentence in a federal penitentiary under minimum sentencing laws even though it was his first offense and he was a non-violent offender. He began his bid in jail in 2001 and has fought the laws vehemently.Through the ordeal, he maintained his innocence and turned down a plea deal. John Forte has released two albums, Poly Sci and I, John. John found an ally in legendary singer Carly Simon and her son Ben Taylor, both close friends. Forte lived at Simon’s estate in Martha’s Vineyard for about six weeks in 1999 and even spent the Thanksgiving and Christmas holidays with the family. Simon and Taylor have lobbied on Forte’s behalf since he was incarcerated. Much speculation has been made of others Bush may opt to pardon. Most of these involved those that government employees that may have unjustly interrogated suspected terrorists in the aftermath of the September 11, 2001 attacks on the World Trade Center. A pardon of these cases would severely impede president elect Barack Obama from investigating such crimes.

Lil Wayne Announces 24 City ‘I Am Music’ Tour

Lil’ Wayne is wrapping up a stellar year with a star-studded 24-city tour that will lead him into 2009.

 

On December 1, the Cash Money Millionaire will kick off the “I Am Music Tour” at Miami’s America Airlines Arena with a multi-genre supporting cast of opening acts.

 

The tour will run through January 19, 2009 and will feature performances by Wayne’s most frequent collaborator T-Pain and his most recent collaborator Keri Hilson.

 

Also included on the line up are R&B darling Keyshia Cole and alternative rap group Gym Class Heroes.

 

“I Am Music” will be Weezy’s biggest tour to date in support of his multi-platinum sixth studio album, Tha Carter III.

 

Since debuting at the top spot on the Billboard Top 200 chart with a little over a million units sold in it’s first week, the critically album has garnered several accolades for Wayne.

 

Since the June 10th release of Tha Carter III, Wayne has taken home the Artists Choice Award at the 2008 MTV Europe Award and seven BET Hip-Hop Awards including Lyricist of the Year, Alltel Wireless People’s Champ and Track of the Year for “A Milli.”

 

Wayne has also been recognized with a People’s Choice Award nomination for Favorite Hip-Hop Song for “Lollipop” and American Music Awards nominations for Artist of the Year, Favorite Male artist (Hip-Hop/Rap Music) and Favorite Album (Hip-Hop/Rap Music).

 

Lil’ Wayne is planning to follow up Tha Carter III with a collection of completely new material which he will title Tha Carter III: The Rebirth, which is rumored to be available as soon as next month.

 

The album is said to feature an “A Milli” remix with Cory Gunz, Hurricane Chris, Lil Mama and Tyga, as well as “Lollipop Part 2” with The Dream, T-Pain, Chris Brown, T.I., Birdman and DJ Khaled.

 

Also on the album is a reunion cut entitled “Let’s Do It (for The City)” featuring Cash Money’s former roster of stars: B.G., Turk, Juvenile, Mannie Fresh, Birdman and Slim.

 

Tour Dates: (Some dates are subject to change) December 14th Miami, FL American Airlines Arena December 18th Houston, TX Toyota Center December 19th Dallas, TX American Airlines Center December 21st Los Angeles, CA Gibson Amphitheater December 22nd Los Angeles, CA Gibson Amphitheater December 23rd Oakland, CA Arena December 26th Detroit, MI Joe Louis Arena December 27th Chicago, IL United Center December 28th Philadelphia, PA Susquehanna Bank Center December 29th Greensboro, NC Coliseum December 30th Washington, DC Verizon Center December 31st Atlanta, GA Phillips Arena January 2nd Charlotte, NC Bobcat Arena January 3rd Hampton, VA Hampton Coliseum January 4th Cleveland, OH Quicken Loans Arena January 8th St Louis MO Chafeitz Center January 9th Kansas City MO Sprint Center January 11th New Orleans, LA New Orleans Arena January 14th Montreal, CAN Bell Center January 15th Toronto CAN Air Canada Center January 16th New York (LI) Nassau Coliseum January 17th Hartford, CONN New England Dodge Music Ctr January 18th Atlantic City, NJ Boardwalk Hall January 19th Worcester, MA DCU Center

DJ Qbert Launches Qbert Skratch University

Aspiring DJs will receive a helping hand in perfecting their craft, courtesy of legendary turntablist DJ Qbert.

 

The entertainer has joined forces with Napa, California-based ArtistsWorks, Inc. to create Qbert Skratch University, an online video learning site scheduled to launch in early 2009.

 

Through a series of progressive videos, Qbert will teach various levels of scratching techniques to students that range from basic to exotic to beat juggling.

 

With the university, Qbert sees unlimited potential in reaching newcomers who want to become an established DJ as well as veteran turntablists looking to take their skills to the next level.

 

“It’s cool that skratching has so many fans around the world and we can all be in one place now and learn from each other no matter where we live,” said Qbert, who will make assignments to students when necessary. “One day in the future, we’ll be able to instantly beam ourselves to any location in the world. But for now, the easiest way I can connect with other skratchers around the globe is through the QSU!”

 

Participants will be able to post videos on the University’s website as Qbert evaluates and responds to each video by offering personal guidance and suggestions via a response video or written text assessment.

 

Also, students can work at their own pace and move around the instructional videos.

 

The online school is the latest accomplishment for Qbert, who has been featured in the critically acclaimed documentaries Scratch and Hang the DJ.

 

In addition to providing a continuous block of instruction, the turntablist will post videos of competitions as well as his experiences on the road.

 

For more details about the online school, visit www.thudrumble.com, www.djqbert.com and www.qbertskratchuniversity.com.

ALBUM PREVIEW: Left Eye’s Eye-Legacy

As one of the biggest selling female groups of all time, TLC

has no doubt left their mark on pop culture in the ‘90s. Their early beginnings

of injecting the message of safe sex through music was one of the ways TLC

managed to capture our attention and separate themselves from the pack. T-Boz,

Left Eye and Chili maintained their position at the top of the charts

throughout the group’s career. Sadly, tragedy struck with the untimely death of

the group’s most flamboyant member, Lisa “Left Eye” Lopes, in early 2002 during

a car accident in Honduras.

 

Left Eye’s death came as a shock not only to her group

members and family, but also to the millions of fans the group had touched

through their music. In addition to her work with TLC, Left Eye branched out on

her own to collaborate on songs such as Donell Jones’ “U Know What’s Up”, Lil

Kim’s “Not Tonight” and Melanie C of the Spice Girl’s “Never Be The Same

Again”. She also released an album entitled Supernova [Arista] which never released in the US. In addition

to this album, Left Eye has recorded many other unreleased songs, which where

selectively chosen for her upcoming release Eye Legacy [Mass Appeal]. With the assistance of a few new producers,

Left Eye’s legacy has been brought into illumination.

 

1. “Spread Your Wings” feat. Free (p###. The Heavy

Weights and Marcus DL) – The very

radio-friendly track is your typical inspirational song. Takes you back to the

days of TLC circa 1996. Either Free was featured on the song for less than a

millisecond, or she’s simply overshadowed on the song altogether.

 

2. “Rags 2 Riches” feat. Bobby Valentino (p###. Surefire

and Marcus DL) – A very West

Coast-type of flavor track. Perhaps K-Ci or JoJo would have been more fitting

than Valentino.    

 

3. “Let’s Just Do It” feat. TLC and Missy Elliott (p###.

The Heavy Weights and Marcus DL) –

This is hands-down the hottest single on the entire album, which was the only

solitary track, which received an applause from attendees. Left Eye blended

well on the electric organ and bass-heavy track.           

 

4. “Block Party” feat. Lil Mama (p###. Surefire and

Marcus DL) – This teeny-bopper track

is reminiscent of a down South booty bass 69 Boyz – ish song. Despite the

distracting musical backdrop, Lopes still rode the beat pretty well. Again, the

featured artist is not very memorable.

 

5. “Universal Quest” (p###. Andrew Lane,

Panauh Kalayeh, Danny Keyz and Reigndrop Lopes) – Another bass-thumping track.

 

6. “Bounce” feat. Chamillionaire and Bone Crusher (p###.

Surefire and Marcus DL) – The

least-striking thus far. Chamillionaire was a good addition on the track.

Probably could have done without Bone Crusher.

 

7. “Tampered With” feat. Wanye Morris of Boyz II Men

(p###. Surefire and Marcus DL) – The

mellow, story-telling beat featured Wanya on the hook. This one wasn’t too bad.

 

8. “Through The Pain” (Keep It Moving) feat. Ryan Toby

and Claudette Ortiz (p###. Surefire and Marcus DL) – Another slower tempo track. Claudette complimented the track

well.

 

9. “Friends” (p###. Surefire and Marcus DL) – Sounded more like Left Eye was reciting

poetry, rather than rapping.

 

10. “Neva Will Eye Eva” (p###. Andrew Lane, Reigndrop

Lopes and Panauh Kalayeh) – Featured

Left Eye’s younger sister, Reigndrop Lopes. The younger Lopes adds a bit of Rock

to the album.                 

 

11. “Let Me Live” (p###. Surefire and Marcus DL) – Another audience favorite, this single

seemed slightly more relevant to today’s music.

 

Bonus Tracks

 

“Let’s Just Do It” feat. TLC and Missy Elliott – Just as great as the original, this single

will produce a pretty good video.

 

“Wild Out (Crank It)” feat. Reigndrop Lopes – Another club ready track. The type of song

that gets you ready for a night out.

 

The Verdict

 

Since the songs on the posthumous album were pre-recorded in

the late ‘90s, it was a little difficult to truly appreciate them with today’s

music consisting of the return of the Auto-Tune and several other innovative

sounds. A few of the tracks stood out among the rest, however Left Eye’s

dedicated TLC fans will still be able to look beyond the melodies and

appreciate the mark she has left behind that will continue to live on.

“Tampered With” – Feat. Wanye from Boyz II MenWindows Media Player: http://h.zeitbyte.com/o1/koch/left_eye/tampered_with/tampered_with.asxReal Player: http://h.zeitbyte.com/o1/koch/left_eye/tampered_with/tampered_with.mov “Legendary” – Feat.TupacWindows Media Player: http://h.zeitbyte.com/o1/koch/left_eye/legendary/legendary.asxReal Player: http://h.zeitbyte.com/o1/koch/left_eye/legendary/legendary.mov

Family of MC Breed Release Official Statement

The family of the late MC Breed has released a statement on the Flint native’s sudden passing this past weekend (Saturday November 22).

 

Breed had been hospitalized in September after collapsing from kidney ailments during a pickup basketball game.

 

Although hopeful his condition would improve, the rapper finally succumbed to kidney failure. He was 36 years old.

 

Despite the obvious anguish from this devastating loss, the family of Breed expressed gratitude for the love and sympathy they’ve received from the Hip-Hop community.

 

“We are saddened by our great loss. More than just an artist, we mourn the loss of a beloved father, son, broker, and friend,” the family revealed in a statement to AllHipHop.com. “We are overwhelmed by the tremendous outpouring of love and support during this difficult time. We are thankful and blessed to have been in his presence and want him to be remembered for his creative, caring, talented and hardworking spirit.”

 

Breed made an immediate impact with his 1991 debut MC Breed & DFC, which was powered by the classic, Billboard charting single “Ain’t No Future in Yo’ Frontin’.”

 

The Flint, Michigan native further put the Midwest on the map with his third LP The New Breed.

 

The album is memorable for the 1993, Billboard Top 10 single “I Gotta Get Mine,” which featured a then fast-rising young emcee named Tupac Shakur.

 

Breed’s management team also touched on the emcee’s passing by stating his premature death moved well beyond just losing a business partner.

 

“Managing Breed changed our lives for the better,” explained Darryl and Lisa Morris of Vanglorious Entertainment. “He touched so many and is credited with inspiring many of the Hip-Hop acts in music today. Word cannot express how much he will be missed.”

 

Funeral arrangements are pending in Breed’s hometown in Flint Michigan at the Lawrence E. Moon funeral home.

 

The rapper, real name Eric Breed, leaves behind 5 children ranging in age from 18 to 1 years old.

To Snitch Or Not To Snitch?

The opinions expressed in this editorial do not necessarily reflect the position of AllHipHop.com or any of its employees

The justice system in this country

sucks ass.  We all know that.  There are plenty of times when the

judge, jury and executioner don’t give a damn whether or not you’re guilty. 

The jails are filled with folks of color and the reasons behind that are

convoluted and countless. 

Is everybody in prison guilty? Hell

no.  The system is racist and unyielding in its desire to incarcerate our

folks.  Do we help the system?  Hell yes.  For every horrifying

story of the innocent spending years behind bars or folks being over-sentenced,

there are 10 stories about dudes who actually belong there. 

That’s why this “no

stitching” doctrine confuses me.  There are times when it’s probably

best that you keep your mouth shut, but there are also times when giving up the

information is the better course of action.  The hard fast rules hurt more

than help in many instances, especially considering the source. Have you ever

noticed that most of the people barking all that snitch s**t are the ones who

have never been confronted by anyone related to lady justice? 

How many have been in that

situation?  How many of those who claim to live by the no snitch code have

actually found themselves in a position where they had to evoke said

code?  Jake asking you if you saw your boy lift that DVD from the FYE down

the street does not count.  Seriously.  When was the last time you

found yourself in a hail of bullets only to cradle your best friends head in

your arms and watch his life drain from the bullet wound knowing the only thing

you can do is call the law?  I’ve never been there.  I don’t want to

be there and it’s unfair to judge anyone who has.

Can you truly say that your adherence

to some street law would be more important than attempting to bring some

homicidal maniac to justice?  Oh, I forgot. You would drop that vigilante

hammer on them, huh?  Posse up and go hunting humans, right?  Stop

boo-boo. Stop. You watch too many f###### Charles Bronson movies.

I think that in all aspects of our existence

there is evolution.  We are products of our experiences which are driven

by the decisions we make.  In the absence of that experience; your hard

core Hip-Hop-coated thought process doesn’t amount to a hill of beans to that

person who is living it.

You can feel what you want.  You

can concoct every situation possible that might require you to answer a

question posed by a homicide detective. Stand in your mirror and practice your

‘f**k you copper’ face. Take notes from Juice and Menace to Society and get

yourself ready.  I still really hope that you are never faced with such a

horrible circumstance. However, at least we know if you are, you will be able

to slick tongue yourself out of actually helping to bring your loved one some

justice and making the neighborhood a little safer for the rest of us.  We

thank you.

Even Killa Cam explained the code in

more detail once his camp apologized for the infamous Anderson Cooper

interview.  He explained that it’s not code, but apprehension that drives

the silence.  He said folks who cooperate with the police are frowned upon

in the community and open themselves up to more criminal attacks.  So does

that mean the code is nothing more than fear and apathy rather than a disdain

for the criminal justice system?

That fear is palpable and regularly

cemented by brutal attacks on those who choose to do the right thing. 

However, when you don’t have the strength to speak up for your own community,

should you be berating those who do?  I don’t think so.

We have developed a mistrust for law

enforcement that is valid.  You can drown in the reams of paper that

document the scandalous mistreatment of minorities at the hands of the boys in

blue.  However, once you remove a single experience from that context;

once you look at the lives lost and pain suffered; you have to admit that we

also mistreat ourselves and that remaining silent or criticizing those who

speak may be just as scandalous.

MTV Airs Paris’ New Video

After years of being shunned by mainstream media outlets, militant Bay Area rapper Paris has secured an unlikely supporter in MTV for his latest album Acid Reflex.

 

The network finalized a deal last week to prominently air Paris’ revolution-based video “Don’t Stop the Movement,” which features an uprising of American citizens storming the White House in response to police brutality.

 

The video also showcases pointed criticism of America’s political media outlets, deftly dubbed in the 5-minute plus drop as “FoxsNBCNN.”

 

In an exclusive interview with AllHipHop.com, Paris expressed that politically conscious Hip-Hop’s return to the mainstream is long overdue and want the public needs.

 

“I appreciate MTV’s support to the fullest. It’s amazing to me that MTV would finally get on board and support a project like this, though not entirely surprising,” Paris explained to AllHipHop.com of his first mainstream support since being “blacklisted” following the controversial 1992 album Sleeping With the Enemy.

 

“Listeners have been thirsty for more balance in mainstream media for Hip-Hop for awhile, and the trend is definitely changing,” Paris observed. “Everything can’t remain artificially young and artificially dumb forever, and at least some of our music has to reflect politics and concerns in our communities in an environment where everything is political and conditions are worse then they’ve ever been.”

 

Although the album was released in September, MTV’s backing gives the project new life and exposure while coinciding with this year’s historic presidential election.

 

For Paris, he feels that his music perfectly reflects the disenchantment the country felt during the Bush administration which spearheaded President-elect Barack Obama’s landslide victory.

 

“The timing of the project and the election is perfect, the mood of the country is fed up and beat-down, and yet more and more people are hopeful now because of Obama,” Paris detailed. “This ties into the dual moods of disgust and optimism, because we have to do better, and we have to demand more from our country’s leaders and from those who represent us in the media. Regardless of how you feel about Obama’s politics, he’s better than the alternative, and he is extremely inspirational to millions of young people who almost always see only negative or escapist imagery of black people in the media.”

 

The activist/emcee is aware of the great opportunity the MTV coverage presents for his successful underground label Guerrilla Funk (distributed by Fontana/Universal).

 

In 2009, Paris plans to market a newly created film division to coincide with his music projects..

 

“There are still plenty of people out there who demand more from their entertainment and who want to hear material that is uplifting and reflects real life experiences,” Paris told AllHipHop.com. “We also have a film division that will feature DVDs of documentaries and full-length motion pictures, starting early next year.”

 

Paris’ new album Acid Reflex is available now in stores and through his website www.guerrillafunk.com.

 

The video “Don’t Stop the Movement” debuted on MTV on Saturday (November 22) and will now been in the network’s regular Hip-Hop rotation.