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Rece Steele: Ego Trippin’

It’s been approximately one year since Ego Trip’s Miss

Rap Supreme aired on VH1 and the winner of

the show isn’t proud of what she’s been a part of. For weeks Rece Steele stood

around women who she claims were not on the show for the love of Hip-Hop, but

for the love of fame and stardom. Where she thought the creators of the show

wanted to present “femcees” in a positive light, she felt it was all an

unsuccessful joke.

 

Where does the platform become available for women in Hip-Hop

to earn respect? For the last 14 years of her life Rece Steele has struggled to

find that answer and it hasn’t been easy since her reign at “The Fembassy” on

the show. After run-ins with Lady Luck’s sly battle tactics, Nicki Minaj’s foul

mannerisms, and a few “Ego Trips” from industry heads giving her constant

shade, Rece invested her frustrated energy into her work.

 

Rece is currently preparing for her next mixtape Rece

Steele Reserved and working on new videos

for her current mixtape It’s A Man’s World. While she continues to fight for her space in a Hip-Hop landscape

where women aren’t represented in a proper way, Rece feels too many women favor

gaining a man’s attention instead of relating to other women. Camaraderie she

feels lacks one major ingredient: respect.

 

 

AllHipHop.com: Are

you tired of being called “Miss Rap Supreme” yet?

Rece Steele:

[laughs] Yes I’m very tired of being called “Miss Rap Supreme.” Not that the

title is so bad, but the show itself, I didn’t respect the show… I thought it

was unfair. Even for me, I won the show, but all I did was rap when I was on

the show from day one. I felt like I was the only person that was there for

that; everyone else had other reasons.

 

I really didn’t like how Ego Trip, not VH1, Ego Trip…I really

didn’t like how they did the show when it comes to the essence of Hip-Hop,

because that’s not what it is. I thought it was going to be a show explaining

how women get slept on in the game and maybe they can prove that wrong. It

turned out [to be] how they can make fun of how women [are] getting slept on in

the game. If they do that, then how are we ever going to get respected for

what we do? Obviously that wasn’t their intention, so I’m tired of the Miss

Rap Supreme—just the show. I love

the title, but the show itself is kind of wack to me.

AllHipHop.com: Do

you think Ego Trip just makes fun of upcoming female artists?

 

Rece Steele: I’m

not going to judge Ego Trip like that. I think they just wanted a funny,

successful show that would get ratings. They just went about it the wrong way.

That’s just how I look at it. The show wasn’t that successful. In ratings it

was better than The White Rapper Show but it wasn’t the biggest

show [compared to] Puffy’s Making The Band

as far as ratings go. I think they just made a mistake.

 

They didn’t show enough of the grind and the work ethic in

the music; it was just a lot of playing around. Honestly, I don’t think I would

have watched the show. I would have been mad if I watched the show. I was on

the show and I won, so I’m keeping it so

real right now. I thought they learned off The White Rapper Show.

 

AllHipHop.com: Do

you feel the way they edited the show portrayed you the wrong way?

 

Rece Steele: Me,

definitely… I felt like they put me in the house to be the hood chick that

flips on everything, because I have a strong opinion and I think that they got

that off of my first casting call that I will flip. Pretty much, it was going

to the point that they were trying to provoke me to flip! When you chop and

edit, I’m not going to be on every show where I’m cursing everybody out and

you’re going to make it look like I’m crazy. I just felt so uncomfortable with

a lot of things, that’s why I fell back a little bit. It’s weird when you put

your life in somebody else’s hands and you’re not even fully trusting of them.

 

AllHipHop.com: You

talked about purposely not coming out as the aggressive hood chick, but you

didn’t really entertain the other women in the house when they were coming

after you.

 

Rece Steele: It was

all phony bulls**t. Behind my back people were stealing. I had something

stolen from me before, people looking at me up and down—there was a bunch

of stuff that I could have really, really flipped for that I probably would

have, but I don’t have time for that. I wasn’t on there to do that.

I felt like it was just, “We need more drama, Rece.” I never

fell into that. I think I actually made them kind of mad. They pick you

thinking that you’re going to do these things to the point that everyone is in

the house for a reason, so they will clash, so these things will go down. I heard from the Ego Trip guy—Sacha [Jenkins] actually told me

personally, “They want to get you off of the show.”

 

Ego Trip, they didn’t want me on the show anymore. They didn’t

want me to win. They wanted me off. A gentlemen by the name of Ken Mok, he’s

behind America’s Next Top Model, he was

the guy who fought for me to stay. He was the boss guy who fought for me to

stay on the show. They wanted me off, because I wasn’t giving them enough

drama even though it was a Hip-Hop show. Sacha told that on the phone to me.

I wasn’t hurting anybody while I was there, I would speak to everybody and give

as much respect as I could. If I speak to Sacha right now he’d be nasty with me…I

feel like it was always a problem. I’m not going to say with VH1, but the Ego

Trip guy, that Sacha guy, he really cannot stand me. Elliott [Wilson] over there is

cool for the most part, I think the other [Ego Trip member’s name is] Gabriel [Alvarez],

he was cool. Sacha was the only one who didn’t like me. Out of everybody on

there, you would want me off?

 

AllHipHop.com: In

the scope of analyzing both inside and outside of the show, women do go at each

other in Hip-Hop. Do you feel like the camaraderie between women in Hip-Hop is

downplayed? Is there respect in it at all?

 

Rece Steele: I

think it could be, but I don’t have good relationships with women rappers… If

you are a cool female rapper and I meet you, if it’s cool then it’s cool.

Right now I’m focused on myself. If I can do what I do and we’re cool, then

it’d be great. I don’t push the issue anymore, because it doesn’t seem like

it’s going to work out. I’m not as catty as a lot of people, I’ll tell you

that right now. If you’re doing what you got to do, then I’ll respect it. You

disrespect me then I’m going to disrespect you, that’s how I feel.

 

Even in the Lady Luck battle, she was disrespecting me

hard-body…going at my moms—it didn’t have to be like that. We went on a,

“We’re going to be two MC getting at each other, but it’s an MC battle like

what they used to do.” She took it there. The Niki [Minaj] situation where I

was disrespected again? I was out here minding my business when she was

putting signs up—stuff like that isn’t even necessary. At the end of

the day why can’t she just do her thing and I’ll give her a hand shake and keep

it moving even if you don’t want to be involved with it? It’s just catty.

AllHipHop.com: With

the disrespect that you spoke about, where did that stem from with Niki Minaj?

 

Rece Steele: Her

publicist held a sign right behind my head. It was just a disrespectful thing.

I’m on my grind and I’m looking at her like, “OK you have Lil’ Wayne over

there with you and y’all shouldn’t be doing that to me!” She has a backing and

I wish I had one. Sometimes I do wish, but now I’m starting not to wish

anymore. I met Niki before in Harlem at a show and she was super stink and she

looked at me up and down and her friends were talking about me. There was

never a respect level from day one. I remember everything. Everybody I meet I

remember every situation.

 

I’m her competition, I guess, but I’m not her competition

because I’m not trying to do what she’s doing. You can’t look at me as your

comp because I’m going to beat you. You’re just doing it off a look. Even

though I might be pretty, it’s not a gimmick though. So many people wish it

was, but it’s not though. This is real. I write with my hands in this book

myself. This is what I do. It’s not a gimmick and she’s a gimmick. We’re

different. She’s wishing she wasn’t a gimmick but that’s just how it is.

You’re born with certain things and you can’t just get up and say you just want

to rap one day because you’re cute. That’s not going to work in the long run.

 

AllHipHop.com: So

you don’t think she’s a great lyricist at all?

 

Rece Steele: Hell

no! Niki sucks! She’s horrible. I’ll give respect when it’s due, period. I

never heard anything I would say I’d bop to. I’m a lover of Hip-Hop. If it’s

good I’m messing with it. They know that over there and she knows that, too.

At the end of the day she knows.

 

Allhiphop.com: Do

you feel Lady Luck is good? What do you feel about her talent?

 

Rece Steele: Lady

Luck used to be ill back in the day. I’m not going to lie. When Lady Luck

first got signed I listened to Lady Luck. I think she was better back in the

day, but she definitely won’t be able to go where she’d like to go because she

just doesn’t have that crossover. She’s a female at the end of the day and I

know she might be gay or whatever the case may be, but I don’t know how she’ll

get anybody to accept it.

 

AllHipHop.com:

Where do you feel like you fit in this equation of the music industry?

 

Rece Steele: I fit

in as an MC. Even though I am a female, I don’t want them to look at me as

that. I want you to look at me as an MC or a rapper that can do anything that

any guy can do. I know I’m dope. I think the people would be the ones to love

me, not the artists. Maybe some will down the line when I get my name up, I’m

sure. I’m Hip-Hop and people will respect me more and that’s what’s happening

now. I’m not rich and you guys have big money or some of you front like you

have money, whatever the case may be, and I’ve seen people get intimidated by

me. Grown ass men…maybe I’m above a lot of people that are in [the industry]

and can’t accept it. I wouldn’t be intimidated by you if it were the other way

around.

 

AllHipHop.com:

You’re getting ready to get into a lot of things and you’re doing it on your

own.

 

Rece Steele: This

is about to be a good look for me. [The Shade45 Morning Show with Angela Yee],

it’s going to be like a reality show every morning at 10AM just following my

grind…It will probably be 15 minutes every Wednesday. It’s a good chance for

me to just play some music and just talk about what happens during the week.

Believe it or not, I am the little dude, but I come into contact with a lot of

people. I just did The Source, which is a real good look for me

because I was working on that from the show and I got to do it recently. The

mixtape It’s A Man’s World I just

dropped that…I have a next mixtape I’m working on called Rece Steele

Reserved. I make beats as well, I sing, I

do a lot of other things. I’m going to start getting into that to show the

world I can do that, too. I want my space and I want my respect because I’m

working.

 

I run around crazy, but I don’t mind it. It’s not the work

that I mind, I just want to be in a bigger space doing it and get paid more.

Everybody thinks I’m like a workaholic. I call everybody early in the morning

, when everybody’s sleeping I’m up. It’s been 14 years for me to even get a

chance to do this, so I’m a do it and I’m going to go in with my heart.

 

 

New Book Explores Marketing Power of Hip-Hop Generation

The impact of Hip-Hop culture on buying public and how they live is the subject of a new book by former Nike/Jordan brand executive and SMU Cox Marketing adjunct lecturer Erin Patton.

 

The book, titled Under the Influence: Tracing the Hip-Hop Generation’s Impact on Brands, Sports & Pop Culture, is regarded as a references for businesses by offering “market- tested solutions” for garnering support from the Hip-Hop generation.

 

Among the methods detailed in the book are Patton’s 7 Ciphers, a concept companies can utilize in learning about the “brand preferences, product attributes, and potential disruptive innovations” of its target market.

 

The method is noted for dividing segments of the urban market into seven distinct clusters that have formed because of the ascension of the Hip-Hop culture and lifestyle into the mainstream.

 

Since its inception, 7 Ciphers has garnered attention from sponsor such as Pepsi and The Brookings Institution.

 

According to Patton, Under the Influence offers a different take on a culture that has shaped the buying habits and lifestyles of consumers internationally.

 

“While many books have been written about Hip-Hop as a music and cultural phenomenon, I was compelled to produce a work that contributed new dimension and captured the historical cause and effect relationship Hip-Hop has had on the very fabric of industry and American consumer culture,” he stated.

 

Rap and pop culture icons P. Diddy, Venus Williams, Beyonce Knowles and Jay-Z are also cited in the book among those who possess what the executive calls a “Midas Touch” in regards to product design and development.

 

In addition to business knowledge, readers gain insight into the marketer’s success through details of his beginnings in Pittsburgh during Hip-Hop’s infancy in the 1980’s, as well as his role in launching NBA legend Michael Jordan’s Jordan Brand in 1997 and Stephon Marbury’s popular Starbury sneaker brand in recent years.

 

“While I wrote the book within the context of my unique set of personal experiences as a product of the Hip-Hop generation and catalyst in this remarkable evolution, this story belongs to everyone who has influenced or been influenced by an art form and urban renaissance born out of sheer necessity which has connected brands, consumers and cultures around the world,” he explained.

 

With the Hip-Hop generation possessing a buying power worth $300 billion, many companies are searching for ways to tap into the urban market, a fact not lost on Deutsch Advertising senior vice president Adam Graves.

 

“If there are any marketers out there that still think they can ignore the urban market they’d better think again,” Graves said. “This isn’t just a book for so-called urban marketers, this should be mandatory reading for every marketer in the country.”

 

Erin Patton’s Under the Influence: Tracing the Hip-Hop Generation’s Impact on Brands, Sports & Pop Culture is available now in bookstores.

Jim Jones, Webstar Record ‘Perfect Song’; New Album

Harlem rappers Jim Jones and Webstar have announced a joint album through E1 (formerly Koch) that will hit stores this summer.

 

The pair are already experiencing success with their debut single “Dancing On Me,” which features fellow Diplomat member Juelz Santana.

 

The track is currently the most played song on New York’s Hot 97 radio station, enjoying over 118 spins per week.

 

Webstar is best known for his work on the dancing single “Chicken Noodle Soup,” which he recorded with rapper Young B. The track peaked at #5 on Billboard’s pop chart in 2006.

 

“We need to start getting’ the adrenaline goin’ and this is the perfect song — it makes the ladies go crazy and makes the guys want to get involved,” Jones told AllHipHop.com in a statement, while Webstar boasted that the track was a “summertime anthem.”

 

Jones and Webstar recently shot a video for “Dancin’ On Me,” which will be released to video outlets and digital media in the coming weeks.

 

At press time, there is no title for Jim Jones and Webstar’s collaborative album.

ROOT: A Cause Worth Saving

When an award confirms the virtue of a cause at the same time that cause is dying the slow death of underfunding, there is obviously a problem.

 

Last week Attorney General Eric Holder honored Kenneth Barnes Sr. with the National Crime Victim Service Award, for outstanding service on behalf of victims of crime.

 

But even with that award Barnes, and his organization ROOT, Inc., face an uncertain future. “After getting the highest award you can get for victim services in the country I can’t even keep my lights on,” says Barnes who had to let staff go due to a lack of funding. My friend’s cause is one worth saving, because his story is truly remarkable.

 

“I had gone to school and was working for a degree in clinical psychology,” said Kenneth Barnes. “I was in my third year working on my doctorate, and then my son got murdered.”

 

In the aftermath of the murder of Kenneth Barnes Jr., his father tracked down witnesses, outhustled police and put the pieces together that soon led to an arrest and conviction. In doing so Barnes developed relationships on the streets of D.C. and learned that his family’s tragedy was not unique.

 

“That’s when I dropped school and dedicated my time to dealing with the insanity of this violence on the streets, the gun violence,” says Barnes. “I felt that there was not enough attention paid to our own everyday lives, especially those of our children.”

 

In 2002 Barnes formed Reaching Out to Others Together Inc. ROOT, Inc.’s mission is to motivate and mobilize communities to reduce the gun violence that plagues urban society. ROOT uses a three-prong approach to prevent and reduce gun violence and youth violence through advocacy, awareness, and education.

 

Their programs include the Community Level Change Project, the GUNS ASIDE campaign, Dunking Against Violence, and the Victims Assistance Task Force. ROOT also conducts monthly forums within the D.C. metro area to educate students about gun violence For the better part of a decade Barnes held workshops and seminars, and spoke in cities across America.

 

His work has inspired similar neighborhood and grassroots programs in other cities. And now Barnes feels he’s on the verge of seeing real progress.

 

“We have a bill out in Congress now that I feel real proud of,” says Barnes. “The Communities in Action Neighborhood Defense and Opportunity Bill, or CAN DO bill. “It is the only bill in Congress that’s addressing gun violence from a public health proactive perspective. Nothing else in this Congress is doing that.”

 

With the recent award from Eric Holder, a chance of getting his bill passed on Capitol Hill, and even a day named in his son’s honor, one would think that the future is bright for Barnes and ROOT. That is simply not the case though. Just as the accolades and acknowledgments piled up, the funding and support dried up as well. The current financial crisis has devastated non-profits and community based organizations such as ROOT. However the problem has less to do with the crisis itself and more to do with the fact that groups like ROOT were dragged out as the first sacrificial lamb to the recession.

 

The government tells us that some industries are too big to fail and therefore they deserve to be bailed out. Well I think some causes are too sacred to give up on. With jobs scarce and times desperate the burden to keep low-income urban areas safe and secure now falls on understaffed, overworked and underfunded causes like ROOT. And now they can’t even keep the lights on. But it doesn’t have to be like that. If you can spare a dime or a dollar please find it in your heart to send it to ROOT, Inc., and keep them alive.

 

Regardless of whether you can give though, please call the House Judiciary Committee and tell them to bring the CAN DO Act of 2009 to a vote, as a way of thanking Kenneth Barnes and showing your support.

 

For Future Generations… Rev. Lennox Yearwood President, Hip Hop Caucus www.hiphopcaucus.org

Jay Rock Cleared of Attempted Murder Charge

California emcee Jay Rock was recently exonerated as the lead suspect of a drive by shooting in his Watts neighborhood.

Jay Rock, real name Johnnie McKenzie, was arrested on Wednesday April 29 as the primary suspect in the shooting. Footage of the arrest was disseminated throughout the internet last week. In the 3 minute clip, an agitated Jay Rock is shown in custody on a curb outside his home, while friends shout epithets at the police.

Despite being cleared of the charge, authorities still detained Jay Rock for several days on undisclosed outstanding warrants. The Watts emcee was eventually bailed out in time to make a scheduled Utah concert last weekend.

With a background in the Bloods street gang and explicit songs about his Watts neighborhood, Jay Rock represents one of a handful of new “Gangsta Rap” artists with breakout star potential. He hit the national scene last year courtesy of the single “All My Life,” which featured Lil Wayne and Will.i.am. Since then, he’s gone on to work with The Game, Lloyd Banks, and Busta Rhymes.

Jay Rock’s major label debut, Follow Me Home, is due out this fall through Warner Bros.

I’m Old, But You’re Corny

This is not a satire.This is not a joke.This is how this old brain feels.To hell with some of you young whipper-snapper Hip-Pop clowns. You make me not want to have any more kids and you make be fear raising the ones I have.Why?You’re wack!Need clarification? Here it is.I am from the third or fourth wave of Hip-Hop – aka The late 80’s or The whole 90’s so that everybody understands where I am coming from. I know very clearly what it is to be a part of radical changes in thought and radical action. And, I know what its like to be different and take risks in style, but this new era is taking it to new levels.First. You think you are sooooooo cool. I see you dudes in the street and you have this tight sag thing going on. What the hell is a “tight sag? It is where you wear clothing that is ridiculously tight yet you’re a$$ is still coming out. I don’t want to see that mess, man! I once rocked my saggy jeans in the 90’s, but THEY DIDN’T FIT LIKE SALT-N-PEPA’S SPANDEX!I look at you and I laugh – HA! Non-saggy jeans are nothing new. Run DMC’s Lee Jeans were “the brand that fits” – not the brand that hugged your sac like an old friend. (Pause for all you latent homosexuals looking to “catch” me with a pause moment. SMH.)Next, you kids wear these wildly undomesticated outfits like you never heard of complimentary colors. OK, I would give props if this sensibility didn’t originate in the 80’s. How do you bite the worst part of decade?Oh yeah, you are NOT rock stars. You cats dress like the hair bands of two decades ago – not the b-boys. If Axel Rose can’t bring himself back, what makes you think you can? You THINK you are original. Like I said, just about everything about you hipster hips was birthed in the 80’s, but it’s like you put you own soft, wussy twist to it. The ultra techni-colors of the 80’s were actually a gaudy negative in the 80’s, you dimwits! We didn’t rock that ish – people like Cyndi Lauper did. Anyway, we affectionately recall the 80’s, the spikes, the bracelets, the intermingling of punk/rock/rap, and we love it – in hindsight. That was “us” and we love it, because we lived it! But we never wore zoot suits because we saw Malcolm X doing it and never attempted to sequin it up because Earth, Wind and Fire did it in the disco era. The love and respect for James Brown was there, but I never straightened my hair to emulate those before me. I did once try to get an Al b. Sure curl kit once, but that was my moment of wackness and I’ll never do it again! Yo. If one of you wears a baby blue Muslim scarf (or whatever else you like such as a man purse), you are likely a true original that barrowed from another culture to enhance your swagger. If 10 people, who are in your crew, follow suit – you all are like-minded. But, when you are seeing the same baby blue scarf coast to coast – you are a CONFORMIST and probably a cult leader’s wet dream!Here is the part where I help you. I want you to destroy my era and me.  Back to Run DMC! Run and D dissed Michael Jackson when he was selling 25 million records and the King of Pop still wanted to record with them. They also destroyed all of the old jacks before them to the point where their styles were old and antiquated beyond belief. Cool is utterly decimating that which is before you – not stealing from it. Cool is paying respect for “your roots,” but taking it to the next level. My generation of Hip-Hop took our predecessors and mutilated what they did, but never bit. Run DMC called themselves the King of Rock – not rap – ROCK! Do you realize how audacious that was? Kurtis Blow was the King of Rap…but Run DMC is in the Rock Hall of Fame. Get where I am going?How am I, supposed to respect these “Millennials” if you can’t push Hip-Hop farther than we did in the 80’s and 90’s? You aren’t out-doing the 30-plus rapper crew and fail to stimulate minds like them. Lil’ Wayne’s druggie raps don’t count.Now, I don’t want to seem like I am too high on my horse. When De La Soul, Jungle Brothers and A Tribe Called Quest were all out and poppin’ to the fullest degree, I saw a similar deal. The difference was, people’s style was very sewed together by a common thread, but they weren’t all seen rocking the same “baby blue scarf.” Even the “follower,” of those artists didn’t copy “verbatim,” because they celebrated true originality.To end this on a positive note, I’d like to say, “I don’t hate you, young bucky beavers.” I simply and only want the best out of you. That is to push this ever-growing ship called Hip-Hop forward into deeper waters. I want to be AMAZED by you! Hell, I want you to amaze yourself. But, right now – neither is the case.Look at you all…fighting and arguing about Hip-Hop. Is it dead? Is it alive? Is Wayne as good as Jay-Z? Is Lupe the best ever? Blah, Blah, Blah! In my era, it was simple and clear. The 80’s – we knew who the illest were! Pre-1996, we knew who the illest were! These days, we only know who aren’t the illest.Young person, young hipster I have two words for you: destroy me.Good Guy aka Every Man is a columnist on AllHipHop.com and his columns appear every Thursday or when he sends them over.

Shawnna Battles Swine Flu and The Sexes

Shawnna has been revered for her aggressive style, but she’s accepted a new battle: steering clear of the swine flu (also known as H1N1 virus).

 

The rapper hasn’t contracted the virus, but she said it’s forced her to make several changes, both personally and professionally.

 

A recent tour date was cancelled because of the swine flu, she explained.

 

“We had a show in Rhode Island and it got cancelled. The CDC (Center for Disease Control) shut down the airport, because of outbreaks of the swine flu so its very serious,” she told AllHipHop.com.

 

She also said that she’s taking special precautions to prevent becoming infected with the virus.

 

“I ain’t walking around with a mask on…yet,” she said. “I keep those alcohol wipes, the ones from the medical supply store. You don’t know where the contact is going to come in. It can be anywhere. If somebody is coughing and not looking too good, I keep my distance.”

 

According to experts, good hygiene is an excellent strategy for prevention of the swine flu.

 

This entails washing hands frequently with soap and water or an alcohol-based hand sanitizer.

 

Also, if an individual is experiencing flu-like symptom, stay away from others and seek immediate help from a doctor. (For more information, go to www.cdc.gov/swineflu)

 

Aside from possible pandemics, Shawnna will duel with Ludacris on a duet album called Battle of the Sexes.

 

“This is a project that me and Luda been talking about since I signed. We’re about 80% done with the project. We’re trying to be a little different with the project. We researched the game – what’s been missing. We always thought Foxy [Brown] and Jay-Z would come out with an album after ‘Ain’t No N***a.’ Why wait for somebody else to do it?”

 

Ludacris concurred, telling AllHipHop.com, “We’re giving that male vs. female perspective not yet done on one Hip-Hop album.”

 

Shawnna said that people have always praised her chemistry with Luda so they formalized it in the new album.

 

The Battle of the Sexes album features Ne-Yo, Monica, Gucci Mane and Dru Hill, among others to be announced.

 

The collaboration is expected to drop in the fourth quarter of 2009.

 

Shawnna and Ludacris talk Battle of the SexesLuda and Shawnna Talk Battle of the Sexes from DTP TV on Vimeo.

MOVIE REVIEW: Next Day Air

This surprisingly dark comedy about a group of present day Boys in the Hood, stars Mike Epps as guff ball Brody, Wood Harris as wanna be-gangster Guch and Donald Faison as slacker Leo, the central figure. Set in South Philly, the “Next Day Air” chronicles a day-in-the-life of these three opportunist and unapologetic characters who are just regular hood dudes ending up in a do or die situation.

The supporting players create layers to the plot and these include performances by Debbie Allen, Lauren London, Emilio Rivera, Mos Def, Darius McCrary and Omar Hardwicke. After watching, the viewer should be able to appreciate the modifier of the title, “Next Day Air,” referring to a package being delivered by the next day.

Benny Boom, its director, created a visually and emotionally moving film. The story literally takes off in the first scene with Leo sliding out of his delivery truck, grabbing his next pick up. But this package is not flying nor is it being delivered on time. It’s thrown in a van with a weed-smoking driver and on the way the package gets bumped, bruised and thrown around and probably, opened. This creates the framework of the script, set against a myriad of characters and consequences as a result.

Yasmin Peliz (Chita) and Cisco Reyes, (Jesus) – the couple down the hall – are the original receivers of this package. These two are at the beginning of their drug selling business and burst onto the screen with zest and energy. Jasmin who never acted before is like fire in this role; even with the fabulously thin shapely body, Chita is a lady of substance. Ladies want to be her. She loved her man in her own way with powerful performances that flowed seamlessly as Whitney and Bobby-esque; down with each other to the very end. When the package comes up missing, Jesus’ a** is in jeopardy. The duo set out to find it in the neighborhood, by any means necessary.

The sequence of events that follow could be perceived as samples from storylines, references or scenes of other films done in a clever and original way. Still, “Next Day Air” is unique because of its relevant dialog and dynamite actors, each standing out while on screen. There’s a wonderful Pulp Fiction-like conversations between the middlemen, Buddie played by Darius McCrary and Shavoo portrayed by Omar Hardwicke. Then there’s the witty one-liners from the offbeat guy that never leaves the couch at Brody and Guch’s apartment similar to the character from “Half Baked.” Guch and Brody are running buddies and roommates. They can’t seem to get a good heist off the ground and desperately need a break when the package is brought to them by mistake. They act as if they’ve hit the lottery.

Upon watching it appears that maybe these two would have some kind of loyalty to each other but throughout the entire movie, the notion is dubious. There’s lots of weed smoking, gaught-busting and tightly dressed women to make the outcome interesting. But there’s also praying, philosophizing and hugging to make “Next Day Air” tender. This movie is definitely marketed to the grown Black and Brown audience with faces, references and gestures that suggest the younger and more mainstream crowd might now relate. But I suppose even general audience members can relate to how this movie ends; s### happens. It’s a great date movie with good-looking men and women to satisfy and yet it also tells a triumphant story that’s a must-see this weekend.

The trailer for “Next Day Air”

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Maino Explains Onstage Emotional Display

Maino has offered a glipse into his mind state when he experienced an emotional overload on stage at a recent performance in New York.

The rapper began weeping visibly while performing his hit record “All Of The Above” at the White House Night Club in Hampton Bays, Long Island on a Saturday in April.

The rapper explained that he was thinking about a few things, one of which was his path to success.

“I just had a lot on my mind. I had a lot of stuff I was holding in and wasn’t letting out. When I got there, it was overwhelming,” he told MTV News. “The part that was overwhelming was that it was so much love. I started thinking about where I’ve been in my life and how hard it was for me to get here — it’s like a miracle.”

Then he remarked about a friend who he said from the stage had been shot in the back in a matter with the New York Police Department.

“I started getting a little emotional, about not just that, but my homie, my brother, who is a very important part in my life not just in my career. I can’t really say too much about the situation because it’s dealing with an ongoing investigation,” he continued. “I’ve been advised that I really couldn’t get into the specifics of the case, you feel me? But the fact of the matter is: The police shot him and it’s definitely unjustified, but that will all come out later on.”

Maino’s debut If Tomorrow Comes is set for release on June 30.

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